Inhale The Good Exhale The Bad Quotes

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When I parked in front of Charlie's house, he reached over to take my face in his hands. He handled me very carefully, pressing just the tips of his fingers softly against my temples, my cheekbones, my jawline. Like I was especially breakable. Which was exactly the case--compared with him, at least. "You should be in a good mood, today of all days," he whispered. His sweet breath fanned across my face. "And if I don't want to be in a good mood?" I asked, my breathing uneven. His golden eyes smoldered. "Too bad." My head was already spinning by the time he leaned closer and pressed his icy lips against mine. As he intended, no doubt, I forgot all about my worries, and concentrated on remembering how to inhale and exhale.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
One last bit of bad news. We’ve been focusing on the stress-related consequences of activating the cardiovascular system too often. What about turning it off at the end of each psychological stressor? As noted earlier, your heart slows down as a result of activation of the vagus nerve by the parasympathetic nervous system. Back to the autonomic nervous system never letting you put your foot on the gas and brake at the same time—by definition, if you are turning on the sympathetic nervous system all the time, you’re chronically shutting off the parasympathetic. And this makes it harder to slow things down, even during those rare moments when you’re not feeling stressed about something. How can you diagnose a vagus nerve that’s not doing its part to calm down the cardiovascular system at the end of a stressor? A clinician could put someone through a stressor, say, run the person on a treadmill, and then monitor the speed of recovery afterward. It turns out that there is a subtler but easier way of detecting a problem. Whenever you inhale, you turn on the sympathetic nervous system slightly, minutely speeding up your heart. And when you exhale, the parasympathetic half turns on, activating your vagus nerve in order to slow things down (this is why many forms of meditation are built around extended exhalations). Therefore, the length of time between heartbeats tends to be shorter when you’re inhaling than exhaling. But what if chronic stress has blunted the ability of your parasympathetic nervous system to kick the vagus nerve into action? When you exhale, your heart won’t slow down, won’t increase the time intervals between beats. Cardiologists use sensitive monitors to measure interbeat intervals. Large amounts of variability (that is to say, short interbeat intervals during inhalation, long during exhalation) mean you have strong parasympathetic tone counteracting your sympathetic tone, a good thing. Minimal variability means a parasympathetic component that has trouble putting its foot on the brake. This is the marker of someone who not only turns on the cardiovascular stress-response too often but, by now, has trouble turning it off.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
The Torah talks about the Sabbath in different ways. We're told in Exodus to remember, zachor, and keep it holy. In Devarim, it says to observe, shamor, and keep it holy. Zachor speaks to the positive, the bread, wine, prayer, and song, everything we celebrate, eat and drink, and rejoice in. Shamor speaks to the negative - that which is prohibited, the work and play we set aside, the pleasures from which we abstain. This isn't to say these things are good or bad, Hannah. It does not refer to right or wrong. More like inhale and exhale. That which we choose to keep and that which we choose to let go - both are holy.
Jan Eliasberg (Hannah's War)
I was barely ever bad-tempered with Marcel, and my tone made him press his lips together to keep from smiling. When I parked in front of Mr. Anderson’s house, he stretched over to take my face in his hands. He handled me very thoroughly, touching just the tips of his fingers softly against my temples, my cheekbones, my jawline. Like I was exceptionally breakable. Which was specifically the case-compared with him, at most limited. ‘You should be in a good mood, today of all days,’ he muttered. His unseasoned breath crossed my face. ‘Moreover, if I don't want to be in a good mood?’ I asked, my breathing irregular. His golden eyes smoldered. ‘Too bad.’ My head was already spinning by the time he leaned closer and pressed his icy lips against mine. As he intended, no doubt, I forgot all about my worries and concentrated on remembering how to inhale and exhale. His mouth lingered on mine, cold and smooth and gentle until I wrapped my arms around his neck and threw myself into the kiss with a little too much enthusiasm. I could feel his lips curve upward as he let go of my face and reached back to unlock my grip on him. Marcel had drawn many careful lines for our physical relationship, with the intent being to keep me alive. Though I respected the need for maintaining a safe distance between my skin and his razor-sharp, venom-coated teeth, I tended to forget about trivial things like that when he was kissing me. ‘Be good, please,’ he breathed against my cheek. He pressed his lips gently to mine one more time and then pulled away, folding my arms across my stomach. My pulse was thudding in my ears. I put one hand over my heart. It drummed hyperactivity under my palm. ‘Do you think I'll ever get better at this?’ I wondered, mostly to myself. ‘That my heart might someday stop trying to jump out of my chest whenever you touch me?’ ‘I hope not,’ he said, a bit smug. I rolled my eyes. ‘Let's go watch the Capulets and Montagues hack each other up, all right?’ ‘Your wish, my command.’ Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
I think I messed up,” he whispered, and before I could ask him what he meant, it happened. His fingers brushed against my neck. I forgot everything. I forgot how to inhale or exhale. I forgot how to pretend. I forgot that all of this was supposed to be totally innocent. I forgot that we were just two friends. I forgot that I was a religious girl who’d promised to lead a religious life. I forgot that I had already decided what was good and what was bad. Because at that moment the only good thing in the world was the feel of Danny’s fingertips on my skin.
Leah Scheier (The Last Words We Said)