Inflatable Pool Quotes

We've searched our database for all the quotes and captions related to Inflatable Pool. Here they are! All 27 of them:

He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.
Hanya Yanagihara (A Little Life)
Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick. Why? My guess: because giving a fuck about more stuff is good for business.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
Hanya Yanagihara (A Little Life)
Is it my turn yet?” Lassiter asked over the earpiece. “I was born ready for this.” “Of all the people who could be immortal,” V muttered, “why are you one of them?” “Because I’m awwwwwesome,” the fallen angel sang. “And I’m part of your team—” “No, you’re not—” “—living your dream!” Butch’s head started thumping even worse. “Shut up, Lass. I can’t do singing right now.” “It’s from Despicable Me,” the angel commented. Like he was being helpful. “Shut up,” V cut in. “Shut up.” Butch fought to keep his voice low. “We’ve got another four minutes in the gym. I’ll let you know when you can—” “I’m losing air over here, you know,” Lassiter bitched. “My inflatable is deflating.” V cursed. “That’s because it doesn’t want to be around you any more than we do.” “You keep this up and I’m going to start thinking my enmity is mutual.” “About fucking time.” Right, Butch didn’t get off on dragging soaking-wet, panicked idiots out of a pool—but, man, he was really frickin’ glad he wasn’t on the back side of the house with those two fighting. “Sit tight, Lass,” he said. “I’ll be in touch—and, V, for the love of God, will you turn off his fucking mic—” “Ow! Hey! What the fuck, V—
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
A blanket could be used as a tarp over one of those tiny circular inflatable pools for children. Well, you might call it a tarp, but I’d call it a trap. But I’ve already tried everything I can think of to silence the noisy neighbor kids, from mousetraps on lollipop sticks, to superglue disguised as lip gloss—and yet the shrieking continues.

Jarod Kintz (Brick and Blanket)
This rain is crazy, huh?" "Yeah. Hope your ark-building skills are decent, or we could be in trouble." "We don't need an ark. I have some inflatable pool lounges. They have cup holders." "Fancy." "No expense spared to save my woman from the watery apocalypse." "Nothing says 'I love you' more than quality recreational inflatables." He makes a noise. "Now I have visions of that inflatable sheep Avery bought for his pool." "We said we'd never discuss that.
Leisa Rayven (Broken Juliet (Starcrossed, #2))
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
Hanya Yanagihara (A Little Life)
He holds Willem so close that he can feel muscles from h9is back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
Hanya Yanagihara (A Little Life)
Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick. Why? My guess: because giving a fuck about more stuff is good for business. And while there’s nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.
Xóchitl González (Olga Dies Dreaming)
You weren’t supposed to choose me,” he said. Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it. “The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.” Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed. “Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone. “I was in the dory,” he whispered. Ira cocked his head. “Say again?” Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat. “The dory?” Oscar nodded again, eyebrows creased. “I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.” So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably. “And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued. Samuel and Ira glanced at each other with marked expressions of doubt and confusion. “But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.” Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him? "Did he say anything?" she asked, anxious to know yet afraid to hear. "It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces." Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side. "I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry." She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool. "No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
Angie Frazier (Everlasting (Everlasting, #1))
Airmen would later speak of sharks arriving almost the moment that their planes struck the water. In 1943, navy lieutenant Art Reading, Louie’s USC track teammate, was knocked unconscious as he ditched his two-man plane. As the plane sank, Reading’s navigator, Everett Almond, pulled Reading out, inflated their Mae Wests, and lashed himself to Reading. As Reading woke, Almond began towing him toward the nearest island, twenty miles away. Sharks soon began circling. One swept in, bit down on Almond’s leg, and dove, dragging both men deep underwater. Then something gave way and the men rose to the surface in a pool of blood. Almond’s leg had apparently been torn off. He gave his Mae West to Reading, then sank away. For the next eighteen hours, Reading floated alone, kicking at the sharks and hacking at them with his binoculars. By the time a search boat found him, his legs were slashed and his jaw broken by the fin of a shark, but thanks to Almond, he was alive. Almond, who had died at twenty-one, was nominated for a posthumous medal for bravery.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
The key to this process,” Sanchez said, “is to speak up when it is your moment and to project energy when it is someone else’s time.” “Many things can go wrong,” Julia interjected. “Some people get inflated when in a group. They feel the power of an idea and express it, then because that burst of energy feels so good, they keep on talking, long after the energy should have shifted to someone else. They try to monopolize the group. “Others are pulled back and even when they feel the power of an idea, they won’t risk saying it. When this happens, the group fragments and the members don’t get the benefit of all the messages. The same thing happens when some members of the group are not accepted by some of the others. The rejected individuals are prevented from receiving the energy and so the group misses the benefit of their ideas.” Julia paused and we both looked at Sanchez who was taking a breath to speak. “How people are excluded is important,” he said. “When we dislike someone, or feel threatened by someone, the natural tendency is to focus on something we dislike about the person, something that irritates us. Unfortunately, when we do this—instead of seeing the deeper beauty of the person and giving them energy—we take energy away and actually do them harm. All they know is that they suddenly feel less beautiful and less confident, and it is because we sapped their energy.” “That is why,” Julia said, “this process is so important. Humans are aging each other at a tremendous rate out there with their violent competitions.” “But remember,” Sanchez added, “in a truly functional group, the idea is to do the opposite of this, the idea is for every member’s energy and vibration to increase because of the energy sent by all of the others. When this occurs, everyone’s individual energy field merges with everyone else’s and makes one pool of energy. It is as if the group is just one body, but one with many heads. Sometimes one head speaks for the body. Sometimes another talks. But in a group functioning this way, each individual knows when to speak and what to say because he truly sees life more clearly.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
Freud was among the earliest psychoanalysts to connect a psychiatric diagnosis to Narcissus of Greek mythology, the son of the river god who fell in love with his own image in a pool of water and, not realizing that it was he who was “spurning” his affection, died in despair. “Narcissus could not conceive that he was in love with his own reflection,” wrote the psychologist Elsa Ronningstam. “He was caught in an illusion.” So, too, with groups trained to believe in their inherent sovereignty. “The essence of this overestimation of one’s own position and the hate for all who differ from it is narcissism,” wrote the psychologist and social theorist Erich Fromm. “He is nothing,” Fromm wrote, “but if he can identify with his nation, or can transfer his personal narcissism to the nation, then he is everything.” A person deeply invested in his group’s dominance “has a euphoric ‘on-top-of-the-world’ feeling, while in reality he is in a state of self-inflation,” Fromm wrote. “This leads to severe distortion of his capacity to think and to judge….He and his are over-evaluated. Everything outside is under-evaluated.” And underneath may lie the fear that he cannot live up to the constructed ideal of his own perfection.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
As I recall, the story goes something like this. I was lying on an inflatable alligator in the small pool behind a large rented house on Key West. A pair of high-fidelity, high-priced speakers mounted on the outside wall of the pool house was playing a mix of Tom Petty, Will Kimbrough, and Zac Brown,
Dennis Fisher (Be Gone)
You have no idea. Those things are not built to be maneuvered,” Hale shook his head. “Next time, I jump, you deal with the inflatable pool toy.
Evan Currie (Seal Team 13: Liberation)
The people who worked there were young, too. In my early thirties, I was one of the oldest members of staff. Perhaps because of this, I made an extra show of my enthusiasm for the role. My white-hot passion for multimedia marketing. My fanatical fervour for company-client relations. I stayed later than anyone else. Talked louder. Worked harder. Or at least, more overtly. I’d buzz about the building like a Benzedrine-addled bumblebee, spewing worn-out idioms to anyone in earshot. Shooting from the hip. Thinking outside the box. I was such a fucking idiot. We all were. And the inflated sense of self-importance. My God. Because you see, we weren’t just there to make a salary. Or to pimp advertising space. Or to make our shareholders richer. Oh no. We were out there making a real difference to the world. We were shaping relationships. We were curating memories. We were facilitating meaningful connections in a noisy world. Jesus. It was like a cult. And I hadn’t just drunk the Kool-Aid. I’d filled a paddling pool and was doing backstroke in the stuff. To think we actually thought what we were doing mattered. In the way that food matters. Or shelter. Or water. Or clean air. What a terrible joke we were. Of course, once the outbreak happened, it quickly transpired we weren’t as essential as we’d assumed. The company folded. Too many dead. Or not enough people alive to make it worthwhile. Whatever
Liam Brown (Skin)
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BounceMoore
Jim Cramer’s Mad Money is one of the most popular shows on CNBC, a cable TV network that specializes in business and financial news. Cramer, who mostly offers investment advice, is known for his sense of showmanship. But few viewers were prepared for his outburst on August 3, 2007, when he began screaming about what he saw as inadequate action from the Federal Reserve: “Bernanke is being an academic! It is no time to be an academic. . . . He has no idea how bad it is out there. He has no idea! He has no idea! . . . and Bill Poole? Has no idea what it’s like out there! . . . They’re nuts! They know nothing! . . . The Fed is asleep! Bill Poole is a shame! He’s shameful!!” Who are Bernanke and Bill Poole? In the previous chapter we described the role of the Federal Reserve System, the U.S. central bank. At the time of Cramer’s tirade, Ben Bernanke, a former Princeton professor of economics, was the chair of the Fed’s Board of Governors, and William Poole, also a former economics professor, was the president of the Federal Reserve Bank of St. Louis. Both men, because of their positions, are members of the Federal Open Market Committee, which meets eight times a year to set monetary policy. In August 2007, Cramerwas crying outforthe Fed to change monetary policy in order to address what he perceived to be a growing financial crisis. Why was Cramer screaming at the Federal Reserve rather than, say, the U.S. Treasury—or, for that matter, the president? The answer is that the Fed’s control of monetary policy makes it the first line of response to macroeconomic difficulties—very much including the financial crisis that had Cramer so upset. Indeed, within a few weeks the Fed swung into action with a dramatic reversal of its previous policies. In Section 4, we developed the aggregate demand and supply model and introduced the use of fiscal policy to stabilize the economy. In Section 5, we introduced money, banking, and the Federal Reserve System, and began to look at how monetary policy is used to stabilize the economy. In this section, we use the models introduced in Sections 4 and 5 to further develop our understanding of stabilization policies (both fiscal and monetary), including their long-run effects on the economy. In addition, we introduce the Phillips curve—a short-run trade-off between unexpected inflation and unemployment—and investigate the role of expectations in the economy. We end the section with a brief summary of the history of macroeconomic thought and how the modern consensus view of stabilization policy has developed.
Margaret Ray (Krugman's Economics for Ap*)
Investment firms are buying up more vacation homes, aiming to cash in on growing demand from tourists and remote workers. Most vacation rental homes are owned by small-time owners who list their properties on websites such as Airbnb Inc., but the number of financial firms investing in the sector is growing. New York-based investment firm Saluda Grade is launching a venture with short-term- rental operator AvantStay Inc. to buy about $500 million of homes, the companies said Tuesday. Saluda Grade said it is also looking to raise debt by selling mortgage bonds backed by its homes to investors, the first vacation-rental mortgage securitization, according to the company. Andes STR, a startup that buys and manages short-term rental homes on behalf of investors, also recently signed a deal with Chilean investment firm WEG Capital to buy roughly $80 million of properties in the U.S., Andes said. These investors are betting they can get higher returns if they rent out homes by the night instead of by the year. Low-interest rates have made it more attractive to borrow and Buy Traditional Rental Homes, inflating property prices and making it harder for new buyers to turn a profit. That has prompted some institutions and wealthy families to look in more obscure corners of the property market where competition is smaller, investment advisers say. Some are turning to investments in vacation homes, where demand has surged in many places during the pandemic as more people choose to work from remote locations and leisure travel heated up last year. “There’s a lot more yield available in the short-term market,” said Saluda Grade’s chief executive, Ryan Craft. It is the latest sign of how the pandemic is changing the way people work and live, and how real-estate investors are angling to find new ways to profit from these shifts. Saluda Grade is targeting homes within driving distance of major population centers, Mr. Craft said. His company will buy the homes and AvantStay will manage them for a fee. But while vacation-rental homes can offer higher returns, they also pose challenges to investors. Mortgages are usually more expensive and harder to get for short-term rentals than for owner-occupied homes, said Giri Devanur, CEO of reAlpha Tech Corp., a startup that wants to pool money from small-time investors to buy short-term-rental homes.
That Vacation Home Listed on Airbnb Might Be Owned by Wall Street
THE QUILL SWIRLED and lunged over the page in a slow but relentless three-steps-forward, two-steps-back sort of process, and finally came to a full stop in a tiny pool of its own ink. Then Louis Phélypéaux, first comte de Pontchartrain, raised the nib; let it hover for an instant, as if gathering his forces; and hurled it backwards along the sentence, tiptoeing over i’s, slashing through t’s and x’s, nearly tripping over an umlaut, building speed and confidence while veering through a slalom-course of acute and grave accents, pirouetting though cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing-master dispatch twenty opponents with a single continuous series of maneuvers. He drew his hand up with great care, lest his lace cuff drag in the ink; it inflated for a moment as it snatched a handful of air, then flopped down over his hand, covering all but the fingertips that pinched the pen, and giving them an opportunity to warm up. Twin jets of steam unfurled from Pontchartrain’s cavernous elliptical nostrils as he re-read the document.
Neal Stephenson (The Confusion (The Baroque Cycle, #2))
Buy a little inflatable pool, put it outside your trailer, and spray your trailer kids with your trailer hose. It's like fancy water park without the lines and the $14 turkey legs. They'll love it. And they'll never forget it, Dad. All that time playing and giggling with you.
Brant Hansen (The Men We Need: God’s Purpose for the Manly Man, the Avid Indoorsman, or Any Man Willing to Show Up)
I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.
Peter Lerangis (Lost in Babylon (Seven Wonders, #2))
Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Maria's subsequent marriage provided a splendid occasion. The groom was Prince Franz Wilhelm ... a great-grandson of the last German kaiser and a cousin of Louis Ferdinand .... Once again the genes of the greater European royal family were pooled. The king and queen of Spain and a number of royal exiles from Italy, Bulgaria, Albania, Portugal and Egypt inflated the importance of the wedding with their presence.
John Curtis Perry (The Flight of the Romanovs: A Family Saga)
What Are The Main Advantages of PVC Doors They usually have a clean floor with bright paint-free in order that they'll keep away from the discharge of any toxic gas within the air which might be very dangerous to human physique especially if they use the decorative paint. PVC doorways have another advantage in that they are surroundings pleasant because they are often recycled after their life is other to other varieties by melting them and then remolding them.In addition to the above advantages of PVC doors, you find them to be good for your own home as a result of they are very simple to put in in addition to simple to maintain. Moreover, PVC upvc doors ipswich doorways are straightforward to take care of. As a result of the truth that PVC is manufactured from plastic, there are much less possibilities of injury from other parts. Cleaning them just requires a wet piece of cloth with little cleaning liquid.The opposite most important advantage of those PVC doorways is that they're climate proof. They aren't affected by presence of extra water or moisture since they don't take up any amount. They can not warp in case of direct heating. Also, they do not lose their colour when exposed to direct daylight and this has led to their increased utilization worldwide. Another good motive why PVC doorways are fashionable is that, under regular circumstances, they are generally straightforward to take care of. Cleaning a PVC door is relatively easy to do. All it's good to wipe its surface clean and it'll look pretty much as good as new. Furthermore, PVC doors don't require stripping or repainting, and are typically quite sturdy. The identical can't be said of conventional wooden doorways, significantly those which can be sensitive to moisture and chemical compounds. Traditional wooden doorways require cautious maintenance to be able to preserve their appearance and wonder. Initials PVC stands for polyvinyl chloride which is a chemistry time period used to discuss with a certain type of material which may be very durable, has great insulating traits and does not emit any harmful fumes under regular conditions. Its chemical properties could be modified so that it turn out to be very robust and stiff like in a PVC door and even very flexible like in an inflatable swimming pool. PVC is getting used all around the world due to its power. The following are the advantages of PVC doorways; PVC door does not require upkeep, repainting or stripping and you solely need to wipe its floor occasionally for it to look good. Compared to timber door body which shrink and develop over time, PVC door body often remain steady as it is 100% water proof. Whereas doors from other materials discolor and fade if they're exposed to direct daylight, PVC’s one does not fade or discolor as a result of it is extremely UV resistance and thus it can remain looking new for a very long time.
John Stuart
She was as deep as an inflatable kiddie pool.
Jenny Han (The Summer I Turned Pretty (Summer, #1))