Infinity Symbol Love Quotes

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I am the beast with a contorted grin, contracting down to illusion and dilating toward infinity, both growing and dying, delightfully suspended between hope for nothing and despair of everything, brought up among perfumes and poisons, consumed with love and hatred, killed by lights and shadows. My symbol is death of light and the flame of death. Sparks die in me only to be reborn as thunder and lightning. Darkness itself glows in me.
Emil M. Cioran
Our Cross Our little circle hides in the mind, It's difficult to miss but hard to find, It goes unspoken but yet it speaks, From backward years to forward weeks, We can't forget but why even try, Two of a kind doesn't know goodbye, It's a silent question that God won't share, A breeze we feel but seems unfair, Distant, rare but only madness can see, It's something deeper than any infinity, Because we walk this parallel path up and down, There is no circle to hold us circus clowns, So let's give it a symbol and label it a loss, We will remember it always as we carry our cross.
Shannon L. Alder
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
Abigail Roux (Crash & Burn (Cut & Run, #9))
It was a gold necklace with seven small diamonds lined up in the center of a gold infinity symbol charm.
S.A. Reinhart (Mystical Love)
human beings love to invent stories. Baboons, though no less fascinating than us, spend only 10 percent of their time interpreting, adopting, and imitating others’ actions. The rest of their time they dedicate to finding food and nourishment. Our percentages are the complete opposite. We spend an astonishing amount of time trying to understand others—putting ourselves in their shoes, empathizing, acting as a mirror for their emotions and intentions. This tendency has been a major force in the development of our social intelligence. Other factors, of course, have played a role, but we are the only species that uses imagination. Every day we create real, probable, possible, impossible, and absurd scenarios. An infinity of fictions, one layered atop the other. We create things that don’t exist in nature, such as symbols. Along with histories, laws, institutions, governments. All of this is made up. And all of it hinges on the exchange of information: storytelling, forging alliances, establishing and disrupting social equilibriums, gossip.
Silvia Ferrara (The Greatest Invention: A History of the World in Nine Mysterious Scripts)
And then they half-ran, half-skipped the last eight blocks to her apartment, their bodies connected by their crossed arms. Half a block away, their combined shadow looked like the wings of a single sea bird, wheeling in a bright sky. Two blocks further, and they looked like two boats, alone on an endless ocean. One block from that, and their joined bodies merged into a symbol of infinity.
Danika Stone (Intaglio: The Snake and the Coins (Intaglio, #1))
Man can only come in contact with God through meditation. Meditation is the only way to come in contact with God.  God symbolizes the whole, the universe. God symbolizes the totality of all: the sky, the stars, the moon, the sun, the people, the trees, the animals, the flowers and the earth. God is aloving symbol of all that is.  God is not a person, God is a presence. God is consciousness. When you are silent in deep meditation, you start feeling a presence surrounding you, and surrounding the stars, the people, the trees and the mountains. It is a subtle aura of light. The whole existence is radiating life, light and joy.  The whole existence is a dance, which never begins and never ends. The moment you start feeling this infinity of existence, there is nothing that you can do than bow down in gratefulness to the mystery of existence. There is nothing else to do, but to bow down in thankfulnessfor the precious gift that has been given to you. There is nothing else to do, but to bow down to the precious gift that you are alive and that you can love and be loved.  Thankfulness for this gift arises when we say yes to this great opportunity. Thankfulness arises when we put the mind aside, and start functioning from the heart. That is meditation.  Meditation means to move from the head to the heart. Then God is felt, and the presence becomes tangible. Then one has to surrender to the presence. One has to become one with God.
Swami Dhyan Giten (Man is Part of the Whole: Silence, Love, Joy, Truth, Compassion, Freedom and Grace)
I stopped numbering my pages. Infinity seems to be a better number and my story is still unwritten. Besides, I do like its symbol a lot— a sleeping 8
Reena Doss (The Last Leaf Of Autumn: Barefoot and falling, infinity is a number that has none to end)
For instance, if you keep taking on others’ feelings, inserting a 1 into your emotional boundary will help you put yourself first. Following are some of the meanings of the numbers 1 through 10, plus some powerful numbers above 10: 1:​Initiates and begins; invokes the Creator; brings your needs to a conclusion and puts yourself first. 2:​Represents pairing and duality; balances relationships; creates healthy liaisons; shares power. 3:​Reflects optimism; the number of creation, it brings a beginning and an end together; ends chaos. 4:​Signifies foundation and stability; provides grounding; achieves balance. 5:​Promotes and progresses; creates a space for decision-making; provides the ability to go in any direction at will. 6:​The number of service; indicates the presence of light and dark, good and evil, and the choices made between these. 7:​Represents the divine principle; opens us for love and grace, erasing doubts about the divine path. 8:​The symbol of power and infinity; establishes recurring patterns and illuminates karma; can be used to erase old and entrenched patterns or syndromes. 9:​Represents change and harmony; eliminates the old and opens us to a new cycle; can erase evil. 10:​Signifies building and starting over. The number of physical matter, it can create heaven on earth. 11:​Represents inspiration; releases personal mythology; opens us to divine powers; erases self-esteem issues. 12:​Signifies mastery over human drama; accesses own divine self, but still encompasses humanity; excellent for forgiveness. 22:​For success in anything you do. 33:​For teaching and accepting our own wisdom; invokes bravery and discipline.
Cyndi Dale (Energetic Boundaries: How to Stay Protected and Connected in Work, Love, and Life)
Intermission. Mare Internum. We will have a brief pause now. If this novel were a theater, you could go out into the lobby, wait in line for a drink, or for the bathroom. Give people a chance to admire your clothes, hair, or jewels. Step outside for some air or a smoke. Backstage the crew would be busy transforming the scenery, actors would change their costumes and redo their makeup, Some would be done until final curtain, others awaiting their first entrance. But we're not in the theater, and I am not letting you go outside this story, not really. Where we are is more like a pause between breaths. Whether you're inhaling or exhaling, there's a pause just before, like the pause you can feel more than hear before the tide reverses. Where we are is the point of intersection in the figure eight. Turned on its side the eight becomes the symbol of infinity. You can make this figure with your hips when you dance. Over and over you will return to that moment of balance before your weight shifts from one hip to the other. The balance of this story is about to shift. The scenery is changing, as we make our slow way across Mare Internum. A journey I am not going to describe. When the story begins again, some of the people you have come to know and love, or not, Dido, Bertha, Paulina, Reginus, and Joseph will appear less frequently... I don't like it when characters fade form the story, so I am apologizing in advance, but life is like that. We leave people and places and times behind. We encounter new ones. Sometimes we can't see the patterns or connections, but they are there, between one breath and the next. In the ebb and flow of tides. In the rhythm of the dance.
Elizabeth Cunningham (The Passion of Mary Magdalen (Maeve Chronicles, #2))