Infinity Pool Quotes

I know you're picturing gold candlesticks and infinity pools, but this place they made isn't decadent, no, it's rustic in the way only a rich person's place can be, with money flowing under it invisibly, so that they get to pretend they're just like the rest of us.

If you change your priorities, people will notice. Your actions show others what’s important to you. When your friends, your coworkers, and your kids and family see you being intentional with your time, you’ll give them permission to question their own “always on” default and step away from their own Infinity Pools.

Most of Our Time Is Spent by Default Both forces—the Busy Bandwagon and the Infinity Pools—are powerful because they’ve become our defaults.

Patricia could see Remy dead. Her perfect corpse floating face down in the Oaxacan tiled infinity pool, her flawless stomach distended with decomposition gases, eyes fixed and dilated.

Like Okakura, I know that tea is no minor beverage. When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment? The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

Tom Ford’s “look,” Bang & Olufsen products, the Factory Records’ covers, the London Underground logo, Brasilia, infinity swimming pools: they all share the same blueprint, which is the geometrical abstract art of Suprematism.

When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment? The tea ritual: such a precise repetition of the same gestures and the same tastes; accesion to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

When I pull Amy's extra-long body into an infinity pool and make it look like an accident—dare to dream!—I will be okay because I will have become a Facebook guy, a normal dude. We live in an era where people who don't have 4,355 friends are considered nefarious, as if socially entrenched citizens aren't also capable of murder. I need friends so that when Amy disappears, my friends can roll their eyes at the idea of handsome, gregarious Joe killing someone. I can't be that guy who 'keeps to himself." That's too in-line with the dated but pervasive stereotype of a 'killer' reinforced by biased TV 'news' shows no matter how many happy-go-lucky husbands go and murder their wives. We all want to fear single people. It's endemic. It's American.

And because the PageRanks are defined as proportions, they have to add up to 1 when summed over the whole network. This conservation law suggests another, perhaps more palpable, way to visualize PageRank. Picture it as a fluid, a watery substance that flows through the network, draining away from bad pages and pooling at good ones. The algorithm seeks to determine how this fluid distributes itself across the network in the long run.

He is hearing the uncertain passage of a broken heart, bruising itself again and again on the unjust stones. Such a heart might stumble to either bank of the stream to escape the rush of time. To the side of light, or to the infinity of dark. To virtue, or to evil. Right here, in the river of his life, curves a pool of experience where the heart baptises itself. Either it rises, dark and closed and formidable, or it thrusts forward like an opening hibiscus, its five extravagant petals still dripping tinctures of blood.

The sun was gone, and the moon was coming Over the blue Connecticut hills; The west was rosy, the east was flushed, And over my head the swallows rushed This way and that, with changeful wills. I heard them twitter and watched them dart Now together now apart Like dark petals blown from a tree; The maples stamped against the west Were black and stately and full of rest, And the hazy orange moon grew up And slowly changed to yellow gold While the hills were darkened, fold on fold To a deeper blue than a flower could hold. Down the hill I went, and then I forgot the ways of men, For night-scents, heady, and damp and cool Wakened ecstasy in me On the brink of a shining pool. O Beauty, out of many a cup You have made me drunk and wild Ever since I was a child, But when have I been sure as now That no bitterness can bend And no sorrow wholly bow One who loves you to the end? And though I must give my breath And my laughter all to death, And my eyes through which joy came, And my heart, a wavering flame; If all must leave me and go back Along a blind and fearful track So that you can make anew, Fusing with intenser fire, Something nearer you desire; If my soul must go alone Through a cold infinity, Or even if it vanish, too, Beauty, I have worshipped you. Let this single hour atone For the theft of all of me

When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment? The tea ritual: such a precise repetition of the same gestures and the same tastes; accession to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony. Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

Initially the driver asked the passengers to stay seated and remain on the bus, but after a half hour of conferring with his supervisors, he informed the passengers that another bus was being sent to their location to take them to Los Angeles. The driver gave them an hour and reiterated that the journey would resume on the new bus at ten thirty, and to please be prompt so they wouldn’t be left behind. He gave them a quick tour-guide style run-down of the available restaurants and sites to see in Primm, including a huge Buffalo shaped pool at Buffalo Bills Hotel, and the roller coaster that Finn was suddenly determined to ride. But when the bus driver mentioned that the bullet riddled car of the infamous outlaws, Bonnie and Clyde, was on display at Whiskey Pete’s Hotel and Casino, he and Bonnie looked at each other in wide-eyed wonder. Finn had started to laugh, almost choking on his disbelief. “Now that, Infinity, is a sign,” Bonnie drawled, and immediately scowled. “William’s sign is still in Bear’s car. I’ve got to get it back. If I only come out of this trip with one souvenir, that’s the one I want. A cardboard sign and a big, blond husband. That’s all I ask.

Her dark eyes were fixed dreamily on the dying fire—they were like the marsh-pools with the will-o'-the-wisp in each. They did not see the embers, they looked through the iron fireback, and the brick wall, over the saltings, over the water, into infinity.

It was the most divinely comfortable, elegant, luxurious hotel in the world, with exquisite suites, fabulous food, private cabanas where you could spend the entire day and even eat lunch without ever seeing another guest, lying on mattresses and deck chairs to get a tan, or lounge under a big umbrella, while waiters served food and drinks. You could swim in the Mediterranean, or the infinity pool. There was a gym, beautiful gardens, and impeccable service.

He saw the light pool in the hallway as Bonnie entered, and then watched it narrow to a long thin line as she closed the door, and the light seeped out beneath. The shower came on next, the sound soothing the way rushing water always was. Someone had told him in prison that God’s voice sounded like rushing water. That’s why babies love to be shushed. That’s why the sound lulls people to sleep. He wondered how anyone would know what God’s voice sounded like. Especially someone convicted of homicide.

Let me get this straight. One four-hex to thirty billion, in one year.” “I’ll do it in six months.” Richard said. “You wish to wager?” Roland grinned. “Usual terms?” “Usual. Double the term, or swap now.” Roland tapped the ebony table. “One condition.” “Name it,” Richard snapped. “I get to pick the bum.” It was raining, which was not exactly uncommon for the southern part of Texatron City, and it was nighttime, which occurred roughly once every day. Neon-clad shops lined one half of the main boulevard, while the ramshackle favela perched on the other. Above those precarious dwellings, jutting out of the hillside like challenging chins, luxurious villas that housed the favela’s bosses boasted panoramic glass infinity pools and helipads. Upon the very peak of the great hill, above even those villas, a single, sprawling building sat, lost to the smog-laden rain. Terisco dwelled there, and Terisco was death, plain and simple. Fortunately, there was very little reason for Jayden to ever cross paths with Terisco or any of his lieutenants. He kept his head down. He did his job. He paid his dues. Jayden had a very good chance of living a hard, skinny, but quiet life. That was unless fate meddled, or luck gave him a sharp kick in the

Dallas. The scriptwriters have each of the actresses in the soap opera play the death scene in the swimming pool: they do not know which of them is to die, and hence disappear from the series. The 'soap' becomes their destiny. If they should die in reality, a way is devised for writing them out of the script. If they are sacrificed in the script, their stardom inevitably comes to an end in real life too, since they are identified with the characters they play. It is the same as in a ceremony: outside the ritual, you count for nothing, but the ritual is flexible enough to make use of all the chance happenings of life. Dallas 's secret lies in its closeness to tribal and initiatory stereotypes. That is why there is never any laughter in it: no wit, no humour, no comic episodes, no happy coincidences. It is a closed world in which everything leads inevitably to fatality, perfidy, sentimental incest or magical cannibalism. Such is the tribal law, of which J.R. is the emblem, which gives rise to the desperate efforts on the part of the women to escape from this archaic trap. In its artless cruelty, Dallas is superior to any 'intelligent' critique that can be made of it. That is why intellectual snobbery meets its match here. In a dream I saw the face of servitude. It is the face of a woman with heavy lidded, blue, expressionless eyes. The crescent shapes of her breasts are asymmetrical. She always has a smile for the poorest as she crawls off daintily towards infinity. Boredom is like a pitiless zooming in on the epidermis of time. Every instant is dilated and magnified like the pores of the face.

Logging out wasn’t enough of a speed bump for my distractible brain, so I supercharged this tactic by changing my passwords to something crazy, annoying to type, and impossible to remember. Personally, I like e$yQK@iYu, but that’s just me. I store my passwords in a password manager app so that I can sign in if necessary, but it’s intentionally a hassle. Remember, adding friction is the key to avoiding Infinity Pools and staying in Laser mode.