Industry Bbc Quotes

A team of Mass-Observation researchers, experienced in chronicling the effects of air raids, had arrived on Friday afternoon. In their subsequent report they wrote of having found “more open signs of hysteria, terror, neurosis” than they had seen over the prior two months of chronicling air-raid effects. “The overwhelmingly dominant feeling on Friday was the feeling of utter helplessness.” (The italics were theirs.) The observers noted a widespread sense of dislocation and depression. “The dislocation is so total in the town that people feel that the town itself is killed.” In order to help stem the surge of rumors arising from the raid, the BBC invited Tom Harrisson, the twenty-nine-year-old director of Mass-Observation, to do a broadcast on Saturday night, at nine o’clock, during its prime Home Service news slot, to talk about what he had seen in the city. “The strangest sight of all,” Harrisson told his vast audience, “was the Cathedral. At each end the bare frames of the great windows still have a kind of beauty without their glass; but in between them is an incredible chaos of bricks, pillars, girders, memorial tablets.” He spoke of the absolute silence in the city on Friday night as he drove around it in his car, threading his way past bomb craters and mounds of broken glass. He slept in the car that night. “I think this is one of the weirdest experiences of my whole life,” he said, “driving in a lonely, silent desolation and drizzling rain in that great industrial town.

When John Kenneth Galbraith rose to deliver the presidential address of the American Economic Association in 1972, the angular Harvard professor and supremely self-confident adviser to presidents was arguably the most famous living economist in America. From The Affluent Society in 1958 to The New Industrial State in 1967, his critical accounts of capitalism's tendencies to underfund social goods and concentrate corporate control had been fixtures on the best-seller lists. Galbraith's thirteen-part BBC television series on the workings of capitalism in 1977 was to help goad the production of Milton Friedman's counterassertion of 1980, the PBS series Free to Choose, an iconic statement of the new market ideology.

In early Soviet times, when Kharkiv was the capital of the Ukranian Soviet Socialist Republic, Moscow's policy of korenizatsiia - 'nativisation' - prompted a brief flourishing of a Ukrainian avant-garde, paywrights and poets and journalists attracted to this bustling city of industrial and trading fame, allowed to write in their own language at last. The policy was the Bolsheviks' attempt to endear this restive republic, and the others, to their rule. In this political environment, writers were elevated. This special treatment came, however, came with the heavy caveat of state control which was followed by repression - a story familiar across the Soviet Union. But in Kharkiv the axe fell quicker. Stalin grew tired of korenizatsiia and opted to wipe out the native intelligentsia instead. In the early 1930s, the party line shifted abruptly; Ukrainian 'bourgeois nationalism' was the new enemy. The purges began. The Soviet Union under Stalin's paranoid control regressed to Tsarist ways. Russification and centralisation, brutal orders issued by Moscow and carried out by its secret police.

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