Indoor Climbing Quotes

Deciding whether or not to trust a person is like deciding whether or not to climb a tree because you might get a wonderful view from the highest branch or you might simply get covered in sap and for this reason many people choose to spend their time alone and indoors where it is harder to get a splinter.

The day was fine and breezy, and neither of them felt like staying indoors, so they walked past the Three Broomsticks and climbed a slope to visit the Shrieking Shack, the most haunted dwelling in Britain. It stood a little way above the rest of the village, and even in daylight was slightly creepy, with its boarded windows and dank overgrown garden. ‘Even the Hogwarts ghosts avoid it,’ said Ron, as they leaned on the fence, looking up at it. ‘I asked Nearly Headless Nick … he says he’s heard a very rough crowd live here. No one can get in. Fred and George tried, obviously, but all the entrances are sealed shut …

Deciding whether or not to trust a person is like deciding whether or not to climb a tree, because you might get a wonderful view from the highest brand, or you might simply get covered in sap, and for this reason many people choose to spend their time alone and indoors, where it is harder to get a splinter.

When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza - a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sunburnt painters painting there.

Always lost, always striking out in the wrong direction, always going around in circles. You have suffered from a life-long inability to orient yourself in space, and even in New York, the easiest of cities to negotiate, the city where you have spent the better part of your adulthood, you often run into trouble. Whenever you take the subway from Brooklyn to Manhattan (assuming you have boarded the correct train and are not traveling deeper into Brooklyn), you make a special point to stop for a moment to get your bearings once you have climbed the stairs to the street, and still you will head north instead of south, go east instead of west, and even when you try to outsmart yourself, knowing that your handicap will set you going the wrong way and therefore, to rectify the error, you do the opposite of what you were intending to do, go left instead of right, go right instead of left, and still you find yourself moving in the wrong direction, no matter how many adjustments you have made. Forget tramping alone in the woods. You are hopelessly lost within minutes, and even indoors, whenever you find yourself in an unfamiliar building, you will walk down the wrong corridor or take the wrong elevator, not to speak of smaller enclosed spaces such as restaurants, for whenever you go to the men’s room in a restaurant that has more than one dining area, you will inevitably make a wrong turn on your way back and wind up spending several minutes searching for your table. Most other people, your wife included, with her unerring inner compass, seem to be able to get around without difficulty. They know where they are, where they have been, and where they are going, but you know nothing, you are forever lost in the moment, in the void of each successive moment that engulfs you, with no idea where true north is, since the four cardinal points do not exist for you, have never existed for you. A minor infirmity until now, with no dramatic consequences to speak of, but that doesn’t mean a day won’t come when you accidentally walk off the edge of a cliff.

Tranquility is the soul of our community.” Not a quarter mile’s distance away, Susanna Finch sat in the lace-curtained parlor of the Queen’s Ruby, a rooming house for gently bred young ladies. With her were the room house’s newest prospective residents, a Mrs. Highwood and her three unmarried daughters. “Here in Spindle Cove, young ladies enjoy a wholesome, improving atmosphere.” Susanna indicated a knot of ladies clustered by the hearth, industriously engaged in needlework. “See? The picture of good health and genteel refinement.” In unison, the young ladies looked up from their work and smiled placid, demure smiles. Excellent. She gave them an approving nod. Ordinarily, the ladies of Spindle Cove would never waste such a beautiful afternoon stitching indoors. They would be rambling the countryside, or sea bathing in the cove, or climbing the bluffs. But on days like these, when new visitors came to the village, everyone understood some pretense at propriety was necessary. Susanna was not above a little harmless deceit when it came to saving a young woman’s life. “Will you take more tea?” she asked, accepting a fresh pot from Mrs. Nichols, the inn’s aging proprietress. If Mrs. Highwood examined the young ladies too closely, she might notice that mild Gaelic obscenities occupied the center of Kate Taylor’s sampler. Or that Violet Winterbottom’s needle didn’t even have thread.

That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers.

All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.

How is she already asleep?” Sully whispers. “At home she stays up until like two a.m.” “She probably was tired,” Church whispers back. “What, from climbing a hill?” Church doesn’t respond. They get into their sleeping bags and whisper for half an hour about the outdoor soccer season about to start. I hadn’t even realized the indoor season was over—Mom and Dad just told me when I needed to take them to practice or pick them up. I didn’t know how they’d done. Were there any tournaments? Trophies? After a long stretch of silence, Sully says, “So did you really try out for the spring musical?” Church doesn’t respond for a second. “Yes. Why?” “Just wondering. Why didn’t you tell me?” “Because you would have made it about Macy Garrison.” “It—it’s not?” “No.” “Oh. But you’re not going to try out forchoir?” “Maybe.” “Why?” Just the smallest bit of mocking enters Sully’s tone. “Because I like it,” Church snaps back. “We don’t have to do all the same things. Try out for mathletes or something. You like math. You’d be good at it.” “Mathletes is for nerds.” “Sull, there’s something you should know.” “Don’t say it.” “You are a nerd.” “I’m not a nerd. Eliza’s a nerd.” “Actually, I think Eliza’s a geek. I’ve seen her grades. Compared to us, she’s horrible at school.” “You’re a nerd for knowing the difference.” “That’s fine.” Sully makes no sound, but I can feel him fuming in the darkness. I didn’t know Church could get under Sully’s skin so easily. I didn’t know Sully liked math. I didn’t know either of them were that good at school. I didn’t know Church already knew he was good at singing . . . or that he was interested in musical theater. I’ve been living with them their whole lives, but until right now, they’ve felt like strangers

Well, there wasn't much time left after work, but I tried to do something every day. I did rock climbing at an indoor center, and squash, and I went to concerts, and tried new restaurants- It's easy to do those things if you have money, I protested. And I went running. Yes, really, he said, as I raised an eyebrow. And I tried to learn new languages for places I thought I might visit one day. And I saw my friends- or people I thought were my friends....He hesitated for a moment. And I planned trips. I looked for places I'd never been, things that would frighten me or push me to my limit. I swam the Channel once. Yes- he said, as I made to interrupt, I know a lot of these need money, but a lot of them don't. And besides, how do you think I made money?

I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.

Like it or not, we are slightly fat, furless, bipedal primates who crave sugar, salt, fat, and starch, but we are still adapted to eating a diverse diet of fibrous fruits and vegetables, nuts, seeds, tubers, and lean meat. We enjoy rest and relaxation, but our bodies are still those of endurance athletes evolved to walk many miles a day and often run, as well as dig, climb, and carry. We love many comforts, but we are not well adapted to spend our days indoors in chairs, wearing supportive shoes, staring at books or screens for hours on end. As a result, billions of people suffer from diseases of affluence, novelty, and disuse that used to be rare or unknown. We then treat the symptoms of these diseases because it is easier, more profitable, and more urgent than treating their causes, many of which we don’t understand anyway. In doing so, we perpetuate a pernicious feedback loop—dysevolution—between culture and biology. Maybe

Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.

Eldorado has created rock structures for resorts and ski areas, colleges/universities, recreation centers, fitness centers, K-12 schools playgrounds and parks, gyms, private homes and corporate facilities. Eldorado is also responsible for creating the world’s largest man-made outdoor and indoor climbing structures.

Snow cleaning of the world's largest telescope mirrors was an impressive sight. The optics technicians would climb into a huge telescopic boom lift and spray immense clouds of cold carbon dioxide snow and gas onto the ten meter diameter mirrors high above the floor indoors. It would cause some of the accumulated dirt to magically fall off, leaving it less dirty.

growth comes only when you consciously push yourself onto foreign and uncomfortable-feeling sections of wall.

Deciding whether or not to trust a person is like deciding whether or not to climb a tree, because you might get a wonderful view from the highest branch, or you might simply get covered in sap, and for this reason many people choose to spend their time alone and indoors, where it is harder to get a splinter.

And next week – indoor fishing. "March 18: Outdoor Adventure Series: Indoor Rock Climbing" -- In a school's newsletter.

Try to gain a different perspective of your negative thinking by looking at it from a new point of view. Use your anxiety and frustration as forces for good by channeling them towards creation. Painting, writing and composing music can act as outlets for your negative thoughts. Take frequent walks in serene environments to relax your mind whenever you feel bombarded by too much negative thinking. Recognize, focus on and be grateful for all the good things you have going for you in your life, no matter how insignificant they may seem. Spend some time in your favorite outdoor and indoor locations where you feel comfortable and relaxed. This can help calm your mind whenever you spiral into negative thinking and overthinking. Exercise in order to give your body an outlet for anxiety and stress. This will relax your body and mind when you feel assailed by negative thoughts. This can be as simple as jogging for a few minutes, climbing some stairs or performing some stretching exercises. Practice deep breathing exercises to release tension in your body and mind whenever you feel overwhelmed by negative thoughts. This helps you to attain some clarity of mind.

In that moment, the difference between agaru and noboru became clear. Words that had been floating in chaos swiftly grouped themselves into interlocking sets. In his mind’s eye he saw an agaru tower and a noboru tower, each one soaring high in perfect, beautiful balance. Forgetful of Kaguya’s presence in the room, forgetful of her invitation, he pursued the thoughts unfolding in his mind at bewildering speed. Controlling his excitement, he murmured, “That’s it. That’s it.” Agaru emphasized the place reached by upward movement, whereas noboru emphasized the process of upward movement. When inviting someone to “come on up for a cup of tea,” you used agaru, never noboru. That’s because the focus was on reaching a place suitable for drinking tea—the interior of the house, a step up from the outside—rather than the process of moving indoors. For “to climb a mountain,” the reverse was true; the correct verb was definitely noboru, as the emphasis was on the action of physically moving up the face of the mountain toward the summit, not just the moment of reaching the summit. Then what about that expression ten ni mo noboru kimochi (a feeling of rising to heaven)? Majime ruminated on the feeling he had experienced a moment before. Noboru was correct, not agaru, because his joy still had room to grow; he hadn’t yet attained heaven itself. Then he thought of something else.

With a pair of scissors in my pocket, a bottle of rum in my hand, and Martina, we walked towards Plaza Trippy to go to the alley behind it called Carrer de la Rosa. Martina didn't know what this was all about; I tried to make it a surprise. At the gate, I asked Martina to hold the scissors until I climbed up the wall of the building and cut off the sign. I never had the chance to tell her that I used to do indoor climbing. Just like Adam. It was so dusty and rusty, abandoned and old, that I got dirty. The sign was quite new, or at least it looked new, but it was dustier than I had thought - it must have been up there for years. I cut the zip ties on the four corners, holding the sign to the old metal railings and then I jumped down from the wall to jump into Martina's arms in the tight alley. We were laughing. We went up and left, and up and right a few blocks until we crossed Ferran Street, I think, and finally, I thought we were safe: let's take a picture of the sign and get rid of it. I didn’t want anyone to see us in front of the place or on the busy Carrer Escudellers taking a picture of the 'For Sale' sign. Only Martina knew that we were going to have a club and that it would be right there. I gave my iPhone to Martina to take a picture of me holding the sign. I was so happy. I had my new girlfriend, suddenly from the sky, and she seemed to be “The One”. Celestial. I was wearing my beige suede Adidas shoes with white sole which Sabrina had surprised me with a year earlier on my birthday, my dark green Globe pants, and my black Breach jacket, a black hoodie, smiling ear to ear while holding a dirty sign in front of a store's closed metal shutter decorated with graffiti. After throwing out the sign in the trash can with Martina, I sent Adam the picture. He replied late at night: „:DDDDDDDDDDDDDDDDDDDDDD” Finally, it took a year to make Adam happy, even though Sabrina wouldn't let me make her happy. I got the place to make 'Aso Golan', the only place it could ever take place; to be one of the largest coffeeshops in Barcelona. I knew it would take another year to quickly fix up the place and pass the inspection before we could open it. I knew that in few years, we would be rich, looking back to the day I made my first order at the Sagrada Familia. Or the night we took off the FOR SALE sign with Martina.

One of the hottest days of the year was in mid-July, when the mercury climbed above one hundred degrees and the humidity was over 80 percent. The heat index was off the charts, and the air quality was shit too. The county issued a warning advising residents to remain indoors. In Gogglish, that meant it was the perfect day for a twenty-two-mile run.

Professor Lundborg and his assistants did not answer Allan’s questions, but they made notes and hummed and then left him in peace, sometimes for days at a stretch. Allan devoted those days to all kinds of reading: the daily newspapers of course, but also books from the hospital’s extensive library. Add to that three square meals a day, an indoor toilet, and a room of his own, and you can see why Allan found it very comfortable to be locked up in an asylum. The atmosphere had been a little unpleasant only once, and that was when Allan asked Professor Lundborg what was so dangerous about being a Negro or a Jew. For once, the professor didn’t respond with silence, but bellowed that Karlsson should mind his own business and not interfere in other people’s affairs. Allan was reminded of that time many years ago when his mother had threatened to box his ears.

We enjoy rest and relaxation, but our bodies are still those of endurance athletes evolved to walk many miles a day and often run, as well as dig, climb and carry. We love many comforts, but we are not well adapted to spend our days indoors in chairs, wearing supportive shoes, staring at books or screens for hours on end.

Allan Karlsson hesitated as he stood there in the flower bed that ran along one side of the Old Folks’ Home. He was wearing a brown jacket with brown trousers and on his feet he had a pair of brown indoor slippers. He was not a fashion plate; people rarely are at that age. He was on the run from his own birthday party, another unusual thing for a 100-year-old, not least because even being 100 is pretty rare.

Remind your students to ride their ride. They should not worry about “keeping up.” It’s okay to sit when everyone else is doing a standing climb.