Index Finger Quotes

The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.

Why does he have such an unnerving effect on me? His over-whelming good looks maybe? The way his eyes blaze at me? The way he strokes his index finger against his lower lip? I wish he'd stop doing that.

So she told me a story. A story about a boy who was born with very green eyes, and the man who was so captivated by their color that he searched the world for a stone in exactly the same shade.” His voice is fading now, falling into whispers so quiet I can hardly hear him. “She said the boy was me. That this ring was made from that very same stone, and that the man had given it to her, hoping one day she’d be able to give it to me. It was his gift, she said, for my birthday." He stops. Breathes. “And then she took it off, slipped it on my index finger, and said, ‘If you hide your heart, he will never be able to take it from you'.

He held up his index finger. 'Rule one: in any dispute between mates, the male is always to blame, even when he is clearly blameless. Rule two'—his middle finger joined the first—'whenever in doubt, refer to rule one.

He sat up straight, eyes wide, and touched the tip of his index finger to his cheek. "What was that?" I blushed. "A kiss." "That's what a kiss feels like?" "Well, technically. There are a lot of different types of—" "Show me." "Show you what?" "Show me some other kinds." "You're asking me to kiss you?" (Dez and Kale)

Onscreen, Foaly rubbed his eyelids with his index fingers. "Yeah, yeah. Here we go. Captain Short goes rogue once more. Hands up who's surprised. Anyone?

Staring at the wraith’s left hand, Zam saw a stump where its index finger should have been and knew then that the severed finger moving around in his pocket belonged to the wraith.

My neighbor raised a shaking index finger to point at the saguaro. "That moving cactus...and the big bug...and you, you spooky bastard. What are you? I stuffed my hands in my pockets and grinned winningly at him. "Why, I'm the Antichrist, of course.

One last thing," he said. "Stop looking for me." "I'm not looking for you." I scoffed. He touched his index finger to my forehead, my skin absurdly warming under his touch. It didn't escape me that he couldn't seem to stop finding reasons to touch me. Nor did I miss that I didn't want him to stop. "Under all the layers, a part of you remembers. It's the part that came looking for me tonight. It's that part that's going to get you killed, if you're not careful." We stood face-to-face, both of us breathing hard. The sirens were so close now. "What am I supposed to tell the police?" I said. "You're not going to talk to the police." "Oh, really? Funny, because I plan on telling them exactly how you rammed that tire iron into Gabe's back. Unless you answer my questions." He gave an ironic snort. "Blackmail? You've changed, Angel.

Before I could say anything, Jamie began writing giant letters over the words with his index finger. F-U-C-K Y-O-U. My sentiments exactly.

He glances down and notices that I'm still wearing a certain blue something, and, this time, it's HIS index finger that wraps underneath MY rubber band. I shiver wonderfully. "I'm never taking it off." Cricket brushes the delicate skin of my wrist. "It'll fall off." "I'll ask you for another one." "I'll give you another one." He smiles and touches his nose to mine.

Cary rocked back on his heels and twirled one index finger around another in a sign meaning, wrapped around your finger. Only fair, I thought, since he was wrapped around my heart.

Be in the world but not of the world.' The words are from Jesus. But I have not the slightest idea how to accomplish that or even if it's possible. The world will always poke you in the chest with its index finger.

I’ve only been in love one time, I said as I held up my pinky finger. I could have held up my index finger, but I wasn’t in love that long.

I don't remember everything," he said. "Not yet. But I remember you." He brought her hand up, touched the gold ring on her right index finger, the Fair Folk metal warm to the touch. "Clary," he said. "You're Clary. You're my best friend.

Artemis Fowl grinned right back at him and pointed his index finger to the sky... from the tip of this finger sprang a small blue spark that exploded like a tiny firework. “I know magic can be stolen,” said Artemis. “Because I stole some myself.

I stand up from the table and wiggle my index finger at Nick. He'll never get it, but I borrow from Heathers as I leave him to follow Tris. A true friend's work is never done," I singsong. Bulimia is so '87, Heather," he answers. HOLY SHIT squared. I think I just had my first orgasm.

It sort of floated toward me,” said Ron, illustrating the movement with his free index finger, “right to my chest, and then — it just went straight through. It was here,” he touched a point close to his heart, “I could feel it, it was hot. And once it was inside me I knew what I was supposed to do, I knew it would take me where I needed to go. So I Disapparated and came out on the side of a hill. There was snow everywhere. . . .

Is this you trying to cheer me up?” “What are you . . . going . . . to do about it?” I asked. “Your Wussiness?” He touched his index finger to my forehead. His voice was rough. “Tap. You’re out, Ass Kicker.

Taryn held up her index finger. “Just give me a second. Attempting to give a fuck…Attempting harder to give a fuck…Sorry, there was an error. Fuck not given.

He turns another page, and I read: I'M NOT ETHAN. . . . . .AND I'M NOT GOING TO GIVE UP. . . . . .UNTIL I CAN PROVE TO YOU. . . . . .THAT YOU ARE THE ONLY THING THAT MATTERS. He flips to the next page. SO KEEP SENDING ME AWAY. . . . . .BUT I'LL JUST KEEP COMING BACK TO YOU. AGAIN. . . He flips to the next page. . . .AND AGAIN. . . And the next: . . .AND AGAIN. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. AND IF YOU CAN EVER FIND IT IN YOUR ❤ TO FORGIVE ME. . . . . .I WILL DO EVERYTHING IT TAKES TO MAKE IT UP TO YOU. . . He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.

Guido raised his hand to his head and moved his index finger around in a circle near his temple indicating Smalley Pauley had some mental issues.

Of all the parts of your body, be most vigilant over your index finger, for it is blame-thirsty. A pointed finger is a victim’s logo.

He smiles and takes his index finger and presses it to my lips, leaves it there until my heart lands on Jupiter: three seconds, then removes it, and heads back into the living room. Whoa - well, that was either the dorkiest or sexiest moment of my life, and I'm voting for sexy on account of my standing here dumbstruck and giddy, wondering if he did kiss me after all.

You, Mad Dog, are exactly what I came here to protect her from. But you know what? We’re all broken some way or another. Even with your epic fuckup, you just might be exactly what she needs. You get one more chance,” she said, holding up her index finger an inch from my nose. “Just one. Don’t mess it up . . . you know . . . more than usual.

It turns out that (he) has a condition known as micropenis. This means his penis is less than three inches long, fully erect. It looks like a large clitoris, sticking out above two balls. "Suck my big, fat cock, " he tells me. "You like that big dick?" I am dizzy. I am literally dizzy. I was so shocked to encounter the micropenis and now am even more shocked to encounter the apparent lack of knowledge about the micropenis. I grip it in my hand, and it's lost, so I use my thumb and index finger to jerk it. "Yeah, " he says. "Yeah, man, stroke that long, hard cock. Work it." I am now engaged in what I consider volunteer work. I am jerking him off purely out of pity. This is really no different from donating five percent of my paycheck to United Way every month, and it occurs to me that maybe now I don't need to give to the United Way and instead can keep the cash for myself for dating, which I am obviously going to have to do quite a bit more of.

You have a dress with a décolletage to emphasise your breasts. I suppose the cleavage is the proper focus but what I wanted to do was to fasten my index finger and thumb at the bolts of your collar bone, push out, spreading the web of my hand until it caught against your throat. You asked me if I wanted to strangle you. No, I wanted to fit you, not just in the obvious ways but in so many indentations.

Ha! Good luck, lady!" Gustav laughed and tapped his thick index finger against his temple. "No one knows what goes on inside this head. Not even me.

You three looking for something specific?” Her voice was surprisingly melodious. “Any sacrificial knives?” Hi raised an index finger. “Nothing too fancy, and I'll need a no-slip grip. Me and the coven have some goats lined up for Saturday's bonfire.” I could've kicked him. I think I tried.

You know how you heal really fast?” I stood and walked to the doorway that separated our offices. “Yes,” I answered, wondering where she was going with this. She was sucking the side of her index finger. “Maybe if you lick my cut, your spit will heal me fast, too.” “Dude,” I said, tamping down a giggle, “I’m not licking your cut.” “Just lick me.” She held out her finger. “This is going to be tender for days.” “I’m not licking you.” A line I rarely said aloud.

Grandfather’s Hands             Your grandfather’s hands were brown. Your grandmother kissed each knuckle,   circled an island into his palm and told him which parts they would share, which part they would leave alone.   She wet a finger to draw where the ocean would be on his wrist, kissed him there, named the ocean after herself.   Your grandfather’s hands were slow but urgent. Your grandmother dreamt them,   a clockwork of fingers finding places to own– under the tongue, collarbone, bottom lip, arch of foot.   Your grandmother names his fingers after seasons– index finger, a wave of heat, middle finger, rainfall.   Some nights his thumb is the moon nestled just under her rib. “Your grandparents often found themselves in dark rooms, mapping out each other’s bodies,   claiming whole countries with their mouths.

Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.

Got us a full moon too coming tomorrow night. Just make things a whole lot worse. All we need. - Why is that? - What’s that, Marshal? - The full moon. You think it makes people crazy? - I know it does.- Found a wrinkle in one of the pages and used his index finger to smooth it out. - How come? - Well, you think about it—the moon affects the tide, right? - Sure. - Has some sort of magnet effect or something on water. - I’ll buy that. - Human brain,- Trey said, - is over fifty percent water. - No kidding? - No kidding. You figure ol’ Mr. Moon can jerk the ocean around, think what it can do to the head.

Tony turned to him. "Rude much? We're in the middle of something here." Logan glared at him, then lifted his index finger in the air, twirling it around. "You see this?" he asked, his chin lifting. Tony looked around the kitchen, confusion all over his face. "See what, Asshole? There's nothing." "Exactly." Logan smirked, moving so he was in front of me. "That's all the fucks I give.

She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? "What the fuck is that?" I asked. "You tell me, genius." "Don't get smart with me, Mills. It's a bag. For all I know you have a granola bar, or your tampons, in there." "It's a ring, dummy. For you.

Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?

He sits there for what must be an hour, just staring at that photo. Of all the imaginable things he most misses about her, the thing he really wishes he could do again is hold her hand in his. She had a way of folding her index finger into his palm, hiding it inside. And he always felt that nothing in the world was impossible when she did that. Of all the things he could miss, that's what he misses most.

No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark. The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything. And in its place a person had superimposed a pair of jeans.

A pen, you see, you hold it between your thumb and your index finger. No, wait, you hold it however you want. After that, it's not hard, you don't even think about it. Your hands don't exist anymore. The important thing happens elsewhere. No, this won't do, it's still too pretty. You're not being asked to come up with something pretty, you know. No one gives a damn about pretty. There are children's drawings and glossy magazines for that. So put on your mittens, little genius, little empty shell, yes, go on, put them on, I tell you, and maybe at last you'll see, you'll draw an almost perfect failed circle.

We all share these wishes. But also the way we look for happiness and try to avoid discomfort is the same. Who among us does not enjoy a delicious meal? Who does not wish to sleep in a safe, comfortable bed? Author, monk—or stray kitten—we are all equal in that.” Across the coffee table, the history professor shifted in his seat. “Most of all,” the Dalai Lama said, leaning over and stroking me with his index finger, “all of us just want to be loved.

One more thing," I said because I couldn't help myself. "Mallory, if your middle name is Audrey and your initials are M. A. K.. -" She raised an index finger. "Don't say it, Beantown." "We are totally calling you Mack now." "Mallory fumed. "My friends in Belfast used to call me that. Constantly." That wasn't a no so I decided we had permission.

He props his elbow on the table, absently scratches his temple with his index finger, and I remember exactly what that index finger did to me earlier. How he circled my nipples with that finger, how he slipped it between my legs, drenched it with my wetness and then brought it up to his mouth, licking it, tasting me, his gaze never leaving mine…

She will not come back, but her beauty, her voice, will echo until the end of time. She believed in something beyond herself, and her death gave her voice power it didn’t have in life. She was pure, like your father. We, you and I” — he touches my chest with the back of his index finger — “are dirty. We are made for blood. Rough hands. Dirty hearts. We are lesser creatures in the grand scheme of things, but without us men of war, no one except those of Lykos would hear Eo’s song. Without our rough hands, the dreams of the pure hearts would never be built.

His fingers bent forward at the topmost joint pushing down against the tips of my nails, and his thumb rested lightly against the mole on my index finger. i thought of mosques and churches and prayer mats. Hands clasped together; one hand resting atop the other; fingers interlocked to mime a steeple. What sacred power is invested in hands? This is not to say I was having pious thoughts.

Pinkie.” He placed the pad of his index finger over her mouth. “There is nothing more important in this world to me than you and there never will be. Not our children. Not the any of the packs or prides. Only you.

Music”—he smiled his glorious smile and raised his index finger—“music speaks for the soul because words are too small.

She praised his book and he embraced her from gratitude rather than lust, but she didn't let go. Neither did he. She kissed his cheek, his earlobe. For months they'd run their fingers around the hem of their affection without once acknowledging the fabric. The circumference of the world tightened to what their arms encompassed. She sat on the desk, between the columns of read and unread manuscript, and pulled him toward her by his index fingers.

You killed him." I held up my index finger and my thumb, slowly closing the gap between them, peering over at Dre through the tiny slit that remained. "Little bit." "I don't think you can kill someone a little bit." "Oh, well then, a lot bit. I killed him a lot bit.

You don't describe your job like that," Vera scolds. "Is a small job, hah! Can you see men saying that? No, men will talk it up with bullshit, that is why they get even bigger job next time. There is no such thing as 'small job.' And don't say in that silly tone, oh so apologetic, I am just silly woman having a small job. No!" Her index finger shoots up and points at Julia's face like a sword. "You go and do this job proudly.

He tells me its going to be okay until all the words blur together into a hum that makes me close my eyes and I start to go away and five, ten, fifteen minutes later, I'm aware of my hand sliding down his lap and then nothingness and then the gentle sensation of his index finger pressing into my open palm and then his hand is at my face, running his fingers across my skin and I'm so awake.

Lick my finger so I can scan your table of contents- fuck the index- I yearn to ride your story line.

Are you an atheist?" "Oh no, I honor all the gods." "And how many belong to that all?" "Countless. And one." "How meaningless!" "'Oliness, let me hear you count to one." "One." "Point at that one." Brownpony stirred restlessly. Finally he tapped his index finger against his temple. Wooshin laughed quietly. "Wrong. You had to think about it too long. And you didn't count to one. You counted from one and stopped. The one is countless.

In a sudden inspiration, Florentino Ariza opened a can of red paint that was within reach of the bunk, wet his index finger, and painted the pubis of the beautiful pigeon fancier with an arrow of blood pointing south, and on her belly the words: This pussy is mine.

Sig idly stuck her index finger in her cup of steaming-hot coffee and stirred it. I couldn't decide it it was mildly erotic or mildly disgusting.

Right,” I fumed, my index finger poking him in the chest. “So we’re even then. My kiss didn’t count because it was an accident and yours didn’t count because it was strictly for medical purposes. Neither of them counted as kisses.” “Would you have wanted them to?” Brent demanded suddenly, bending his neck so he whispered it in my ear

Closing her right hand into a fist, she folded her thumb over her index finger. Then she drew her arm back. "When you absolutely, positively have to knock a hole through something..." The Warrior grunted as she drove her fist into the glass dome with tremendous force. "...you cannot beat a Jeet Kune Do punch.

Sebastian tapped his index finger on the polished wood thoughtfully. Yes, it was a universal truth: some things once broken were broken forever—like trust. It might be patched up and smoothed over, but it would always be the thing that had once been shattered.

(Rico) “What’s it going to take to get you to dance with me?” She crooked her index finger and motioned him to come close. “A million in your bank account and seven inches in your pants.” Without missing a beat he replied, “The million I have, but even for a woman as beautiful as you, I won’t cut off three inches.” Olivia’s eyes went wide and she burst out laughing.

Travis slammed into my back, wrapping his arms around my waist. “You scared the shit outta me!” I complained. He ran his hands over my skin. I noticed they felt different; slow and deliberate. I closed my eyes when he pulled me against him and buried his face in my hair, nuzzling my neck. Feeling his bare skin against mine, it took me a moment to protest. “Travis…,” He pulled my hair to one side and grazed his lips along my back from one shoulder to the other, unsnapping the clasp of my bra. He kissed the bare skin at the base of my neck and I closed my eyes, the warm softness of his mouth felt oo good to make him stop. A quiet moan escaped from his throat when he pressed his pelvis against mine, and I could feel how much he wanted me through his boxers. I held my breath, knowing the only thing keeping us from that big step I was so opposed to a few moments before was two thin pieces of fabric. Travis turned me to face him, and then pressed against me, leaning my back against the wall. Our eyes met, and I could see the ache in his expression as he scanned the bare pieces of my skin. I had seen him peruse women before, but this was different. He didn’t want to conquer me; he wanted me to say yes. He leaned in to kiss me, stopping just an inch away. I could feel the heat from his skin radiating against my lips, and I had to stop myself from drawing him in the rest of the way. His fingers were digging into my skin as he deliberated, and then his hands slid from my back to the hem of my panties. His index fingers slid down my hips, in between my skin and the lacey fabric, and in the same moment that he was about to slip the delicate threads down my legs, he hesitated. Just when I opened my mouth to say yes, he clenched his eyes shut. “Not like this,” he whispered, brushing his lips across mine. “I want you, but not like this.

Pinky: I've been in this kind of situation before. Fourth finger: I've felt these feelings before. Middle finger: I've survived them every time. Index finger: Everybody dies eventually. Thumb: That includes my enemies.

I remained completely conscious of Jeremiah. He smelled good. He looked good. He sounded good. And when he ran his tongue across the salt on that place between his index finger and his thumb, I wanted to be that little spot. -from chapter Lick, Drink, Suck!, The Boots My Mother Gave Me

You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you." "And I can lose you?" I asked, almost screaming at him. He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.

You could kiss me, we’ve hardly kissed since you’ve come back. You didn’t meet another woman while you were gone did you?” I traced around the outline of his lips with my index finger. “There are other women out there?” The look on his face was one of genuine surprise. “Oh, you’re good.” I kissed his cheek. “Did you come up with that all by yourself, or is it a line from one of your old movies?” “All by myself.” Seth put his arms around my waist and drew me close.

She tried to open the bottle, but the top slipped through her fingers without moving. He took the bottle from her hand and opened it using only his thumb and index finger. Alice thought there was nothing special in the gesture, that she could have done it herself, like anyone else, if only her hands hadn't been so sweaty. And yet she found it strangely fascinating, like a small heroic feat performed specially for her.

The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it. Impossible, of course.

Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it? If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible. And finally, why doesn't "buick" rhyme with "quick"?

Stick out your arms," he'd say, "straight out at your sides," and when he had you in the appropriate cruciform position he'd say, "Left index finger to right index finger straight across your heart, that's the history of the Earth. You know what human history is? Human history is the nail on your right-hand index finger. Not even the whole nail. Just that little white part. The part you clip off when it gets too long. That's the discovery of fire and the invention of writing and Galileo and Newton and the moon landing and 9/11 and last week and this morning. Compared to evolution we're newborns. Compared to geology, we barely exist

I’m not sure what I feel. All I know is that I’m tired of being the innocent bystander who gets punched in the gut. It’s their fight—Mom and Dad’s. But how come Heath and I are the ones who end up bruised?” He rearranged one of my braids and wound the loose tail around the tip of his index finger. “Because everything we do in life affects someone else. Buddhists say that inside and outside are basically the same thing. It’s like we’re all trapped together in a small room. If someone pisses in the corner, we all have to worry about it trickling across the floor and getting our shoes wet.

Do you really like Quincy or are you just saying that?" I asked. Dylan held up his index finger and finished swallowing his toast. He looked alarmed by my question. "Quincy is fine. Why would I mind Quincy?" "I don't know. I mean, don't you have a preference as to where we live?" Dylan shook his head. "Not really. As long as I'm living with you, I could care less. I'd live in a closet with you for Christ's sake.

I’m confused right now.” I rub my sweaty palms on my knees. Oak drags his index finger along my lower lip. “I know, baby. And scared?” I give a small nod. “I’m scared too. But let’s work this out together. Let’s see where it goes. We don’t need labels or words. We just need to be together.

Dr. Talco tapped her index fingers together. “Did you know it’s possible to remove your own teeth with pliers?” Evvie looked at her blankly. “That’s not what I thought you were going to say.” “No, no, probably not. But it’s true. If you have a bad tooth, you can take a pair of pliers, stick them in there, and pull as hard as you can. Is that something you would do?” “This feels like a trick question.” “Stay with it.” “No, I don’t think I would pull out my own tooth with pliers.” “That’s what I always tell people about therapy. It’s not a question of whether you could try to do it by yourself. You can always try it. But it can be dangerous, and it’s harder. Trying to buck yourself up is the tooth pliers of mental health.

I went to interview some of these early Jewish colonial zealots—written off in those days as mere 'fringe' elements—and found that they called themselves Gush Emunim or—it sounded just as bad in English—'The Bloc of the Faithful.' Why not just say 'Party of God' and have done with it? At least they didn't have the nerve to say that they stole other people's land because their own home in Poland or Belarus had been taken from them. They said they took the land because god had given it to them from time immemorial. In the noisome town of Hebron, where all of life is focused on a supposedly sacred boneyard in a dank local cave, one of the world's less pretty sights is that of supposed yeshivah students toting submachine guns and humbling the Arab inhabitants. When I asked one of these charmers where he got his legal authority to be a squatter, he flung his hand, index finger outstretched, toward the sky.

And if he can’t be politically killed?” Ngo smiled at Johnny. He unfolded his index finger, cocked his thumb, and then snapped it down. “Bam,” he said softly. “Bam, bam, bam.” “No,” Johnny said, surprised at the hoarseness in his own voice “That’s never an answer. Never.” “No? I thought it was an answer you Americans used quite often.

magic swirls about us like an invisible fog of energy that can be tapped by those gifted enough, using a variety of techniques that center on layered spelling, mumbled incantations, and a burst of concentrated thought channeled through the index fingers. The technical name for this energy is "variable electro-gravitational mutable subatomic force," which doesn't mean anything at all--confused scientists just gave it an important-sounding name so as not to lose face. The usual term is "wizidrical energy," or simply "the crackle.

The two women look at each other and in both faces there is a glimpse of the girls that they were. A little smile warms Margaret’s face and Jacquetta’s eyes are filled with love. It is as if the years are no more than the mists of Barnet or the snows at Towton: they are gone, it is hard to believe they were ever there. Margaret puts out her hand, not to touch her friend but to make a gesture, a secret shared gesture, and, as we watch, Jacquetta mirrors the movement. Eyes fixed on each other they both raise their index finger and trace a circle in the air – that’s all they do. Then they smile to each other as if life itself is a joke, a jest that means nothing and a wise woman can laugh at it; then, without a word, Margaret passes silently into the darkness of the tower. "What was that?" Isabel exclaims. "It was the sign for the wheel of fortune," I whisper. ‘The wheel of fortune which put Margaret of Anjou on the throne of England, heiress to the kingdoms of Europe, and then threw her down to this. Jacquetta warned her of this long ago – they knew. The two of them knew long ago that fortune throws you up to greatness and down to disaster and all you can do is endure.

But I have to warn you: Scrolling will never be enough. Reposting will never be enough. Hashtagging will never be enough. Because hatred has a way of convincing us that half love is whole. What I mean by that is we—all of us—have to fight against performance and lean into participation. We have to be participants. Active. We have to be more than audience members sitting comfortably in the stands of morality, shouting, “WRONG!” That’s too easy. Instead, we must be players on the field, on the court, in our classrooms and communities, trying to do right. Because it takes a whole hand—both hands—to grab hold of hatred. Not just a texting thumb and a scrolling index finger.

Make a conscious choice. Decide to move your index finger. Too late! The electricity's already halfway down your arm. Your body began to act a full half-second before your conscious self 'chose' to, for the self chose nothing; something else set your body in motion, sent an executive summary—almost an afterthought— to the homunculus behind your eyes. That little man, that arrogant subroutine that thinks of itself as the person, mistakes correlation for causality: it reads the summary and it sees the hand move, and it thinks that one drove the other. But it's not in charge. You're not in charge. If free will even exists, it doesn't share living space with the likes of you.

He's, he's deserted us," he stammered, "deserted us. He got bored here with us. I'm all alone in the world, like this finger, all alone!" he repeated several times and each time held out his hand in front of him, sticking out his index finger. Then Arina Vlasyevna came next to him and, laying her grey head by his, said, "what can we do, Vasya! Our son has left the nest. Like a falcon he came to us when he wanted to, and when he wanted to he flew off. And you and I sit side by side and can't move, like mushrooms on a hollow tree. Only I'll be your true one for ever and you'll be mine.

Jeff opened blue eyes, grinned at me. “If you’re feeling left out . . .” I almost threw out an instinctive no, but I decided to throw him a bone. “Oh, Jeff. It’d be too good—you and me. Too powerful, too much emotion, too much heat. We’d come together and boom”—I clapped my hands together—“like a moth to a flame, there’d be nothing left.” His eyes glazed over. “Combustion?” “Totally.” He was quiet for a moment, his index finger tracing a pattern on the knee of his jeans. Then he nodded. “Too powerful. It’d destroy us both.” I nodded solemnly. “Probably so.” But I leaned over, pressed my lips to his forehead. “We’ll always have Chicago.” “Chicago,” he dreamily repeated. “Yeah. Definitely.” He cleared his throat, seemed to regain a little composure. “When I tell this story later, you kissed me on the mouth. With tongue. And you were handsy.” I chuckled. “Fair enough.

The strength of one’s courage,” he repeated quietly, nodding and smiling. He held up his right hand like he was counting off. “Courage. Kindness. Friendship. Character. These are the qualities that define us as human beings, and propel us, on occasion, to greatness. And this is what the Henry Ward Beecher medal is about: recognizing greatness. “But how do we do that? How do we measure something like greatness? Again, there’s no yardstick for that kind of thing. How do we even define it? Well, Beecher actually had an answer for that.” He put his reading glasses on again, leafed through a book, and started to read. “ ‘Greatness,’ wrote Beecher, ‘lies not in being strong, but in the right using of strength.… He is the greatest whose strength carries up the most hearts …’ ” And again, out of the blue, he got all choked up. He put his two index fingers over his mouth for a second before continuing.

All I cared about then was catching a glimpse of Chairman Mao. I turned my eyes quickly away from Liu to the front of the motorcade. I spotted Mao's stalwart back, his right arm steadily waving. In an instant, he had disappeared. My heart sank. Was that all I would see of Chairman Mao? Only a fleeting glimpse of his back? The sun seemed suddenly to have turned gray. All around me the Red Guards were making a huge din. The girl standing next to me had just pierced the index finger of her right hand and was squeezing blood out of it to write something on a neatly folded handkerchief. I knew exactly the words she was going to use. It had been done many times by other Red Guards and had been publicized ad nauseam: "I am the happiest person in the world today. I have seen our Great Leader Chairman Mao!" Watching her, my despair grew. Life seemed pointless. A thought flickered into my mind: perhaps I should commit suicide?

Oranges and unicorns say the bells of St. . . .” She looked to Harriet for inspiration. “Clunicorns?” “Somehow I don’t think so.” “Moonicorns.” Sarah cocked her head to the side. “Better,” she judged. “Spoonicorns? Zoomicorns.” And . . . that was enough. Sarah turned back to her book. “We’re done now, Harriet.” “Parunicorns.” Sarah couldn’t even imagine where that one had come from. But still, she found herself humming as she read. Oranges and lemons say the bells of St. Clements. Meanwhile, Harriet was muttering to herself at the desk. “Pontoonicorns xyloonicorns . . .” You owe me five farthings say the bells of St. Martins. “Oh, oh, oh, I have it! Hughnicorns!” Sarah froze. This she could not ignore. With great deliberation, she placed her index finger in her book to mark her place and looked up. “What did you just say?” “Hughnicorns,” Harriet replied, as if nothing could have been more ordinary. She gave Sarah a sly look. “Named for Lord Hugh, of course. He does seem to be a frequent topic of conversation.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

Sheila taught me a survival technique for getting through seemingly intolerable situations-boring lunches, stern lectures on attitude or time management, those necessary breakup conversations, and the like: maintaining eye contact, keep your face inscrutable and masklike, with your faintest hint at a Gioconda smile. Keep this up as long as you possibly can, and just as you feel you are about to crack and take a letter opener and plunge it into someone's neck, fold your hands in your lap, one nestled inside the other, like those of a supplicant in a priory. Now, with the index finger of your inner hand, write on the palm of the other, very discreetly and undetectably, "I hate you. I hate you. I hate you..." over and over again as you pretend to listen. You will find that this brings a spontaneous look of interest and pleased engagement to your countenance. Continue and repeat as necessary.

This morning I was walking through Manhattan, head down, checking directions, when I looked up to see a fruit truck selling lychee, two pounds for five bucks, and I had ten bucks in my pocket! Then while buying my bus ticket for later that evening I witnessed the Transbridge teller’s face soften after she had endured a couple unusually rude interactions in front of me as I kept eye contact and thanked her. She called me honey first (delight), baby second (delight), and almost smiled before I turned away. On my way to the Flatiron building there was an aisle of kousa dogwood—looking parched, but still, the prickly knobs of fruit nestled beneath the leaves. A cup of coffee from a well-shaped cup. A fly, its wings hauling all the light in the room, landing on the porcelain handle as if to say, “Notice the precise flare of this handle, as though designed for the romance between the thumb and index finger that holding a cup can be.” Or the peanut butter salty enough. Or the light blue bike the man pushed through the lobby. Or the topknot of the barista. Or the sweet glance of the man in his stylish short pants (well-lotioned ankles gleaming beneath) walking two little dogs. Or the woman stepping in and out of her shoe, her foot curling up and stretching out and curling up.

Her hand just above my knee, the palm flat and soft against my jeans and her index finger making slow, lazy circles that crept toward the inside of my thigh, and with one layer between us, God I wanted her. And lying there, amid the tall, still grass and beneath the star-drunk sky, listening to the just-this-side-of-inaudible sound of her rhythmic breathing and the noisy silence of the bullfrogs, the grasshoppers, the distant cars rushing endlessly on 1-65, I thought it might be a fine time to say the Three Little Words. And I steeled myself to say them as I stared up at that starriest night, convinced myself that she felt it, too, that her hand so alive and vivid against my leg was more than playful, and fuck Lara and fuck Jake because I do, Alaska Young, I do love you and what else matters but that and my lips parted to speak and before I could even begin to breathe out the words, she said, "It's not life or death, the labyrinth.

Just because I’m a reporter doesn’t mean I don’t get to have an opinion about people.” “And your opinion of me is?” “Very low.” His eyes narrowed infinitesimally. “Is it my hair?” I flinched back, automatically checking out his hair. “No. There’s nothing wrong with your hair.” “You don’t like Star Wars?” He gestured to his shirt. “You’re a Trekkie? You should know, I’m an equal opportunity space drama aficionado, whether it be BattleSTAR Galactica, STAR Trek, or STAR—” “I get it, you like science fiction.” “Ah ha!” He lifted his index finger between us. “Ah ha, what?” “You’re a fantasy reader, aren’t you? That’s what’s going on. What’s your favorite TV show? Buffy the Vampire Slayer, right?” I lifted an eyebrow and crossed my arms, disliking that he’d guessed correctly. “What I read and watch isn’t the central issue.” “Have you received your Hogwarts letter?” he asked, and his tone was so serious, I almost mistook it for a real question

And are we not worthy?” she asked, rolling the end of one ceramic chopstick back and forth between the thumb and index finger of her right hand. “Are our lives devoid of merit? Are we not generous to our friends, kind to strangers, skilled in our areas of expertise, reliable with rent, gentle with children, quick to phone an ambulance when we see a man hit by a car, thoughtful in word and deed? Do we not have worth enough? Are we not already perfect? Perfectly ourselves? Perfect in being who we are?” “I have no one to measure that quality against.” “Do you believe in God?” “No.” “Do you have eyes, judgement?” “And I see the world, but I have no one else’s eyes to measure my own vision against.” “Of course you do. You have the words of friends and strangers. You have discourse and reason. You have critical thought, which may be trained to the highest degree. In short, you do not need the world to tell you what to be. Especially if the world tells you that you are never good enough.

Our society imposes on us a moral duty to live and, hence, to condemn suicide. However, with her apparent admiration for antiquity, Anna may have found her prop in the Greek philosophers, who thought every person should choose for themselves when they die. Nietzsche also considered that the individual had a full moral right to take his own life. He used the word freitod or voluntary death.’ Aune raised a pointed index finger. ‘But she had to confront another moral dilemma. Revenge. Insofar as she professed to be a Christian, Christian ethics demand that you should not take revenge. The paradox is, naturally, that Christians worship a God who is the greatest avenger of them all. Defy him and you burn in eternal hell, an act of revenge which is completely out of proportion to the crime, almost a case for Amnesty International, if you ask me.

It’s not like I could kill Curran now. Should. It’s not like I should kill Curran now. I could always try. Later. The Beast Lord crossed his arms on his chest. His face looked placid. Calm before the storm . . . The jaguar at my feet tensed and tried to look smaller. Nick needed a bit of a distraction while he rode like a bat out of hell on the horse commandeered from the Pack stables. I’d provided that distraction by leading Jim and his posse of pissy shapechangers on a merry chase through the countryside. “Just so we’re clear,” Curran said. “You did understand that I didn’t wish you or the Crusader to leave Keep?” “Yes.” “That’s what I thought,” Curran said. He grabbed me by the throat and slammed me against the wall. My feet felt no floor. His fingers crushed my neck. I clasped the hand that held me and jammed a long silver needle into his palmar nerve between the index finger and thumb. Curran’s fingers trembled. His hand opened releasing me. I slid to the floor, dropped, and swiped at his legs. He fell. I rolled away and came to my feet. On the opposite side of the room Curran rose to a half crouch, his eyes burning gold. The whole thing took maybe two seconds. The stunned audience never got a chance to react. Curran reached for the needle, pulled it out, and dropped it to the floor, never taking his eyes off me. “It’s okay,” I told him. “I have more.

THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.

You want me to teach you all the dirty words?” I looked up at him and wiggled my eyebrows. Aaron gave me a lopsided smile that would have made my panties drop to the floor had they been resting on my hips. “Well, you are in luck; I’m a wonderful teacher.” “And I’m a highly dedicated student.” He winked. And that goddamn wink disrupted the beating of my heart. “Although I might get a little distracted every now and then.” “I see.” I placed my index finger against his chest, watching Aaron’s eyes dive down quickly before returning to my face. “Maybe you need the right kind of motivation to keep your attention on the subject.” I trailed that finger up, traveling across his pec and then up his neck, following the line of his jaw until reaching his lips. They parted with a shallow breath. “This …” I pushed myself up and kissed his lips gently. “This is a six-letter word in Spanish. Labios. Tus labios. Your lips.” The only answer he gave me was taking my mouth in his again. As if the only way he’d learn the word was tasting it. “And this,” I said before parting his lips and making the kiss deeper, our tongues dancing together, “is another six-letter word. Lengua—tongue.” “I think I really like that one.” Aaron’s head dipped low, his new favorite word reaching my breast. “And this? What do you call this?” he said, grazing his mouth over the peak. A giggle that soon turned into a moan left my mouth before I was able to answer. “That’s a five-letter word. Pezón. Nipple.

My recommendation is to keep up the good work. I’m changing your title to senior executive assistant, and giving you a three percent raise effective next payday. Congratulations.” Wow, three percent. I could move up that early retirement plan to age seventy-five now, instead of eighty. Lucky me. Thank you,” I said. “That’s very generous.” You’re quite welcome.” Ms. Saunders nodded and grabbed a gold-plated letter opener to begin attacking her stack of mail. I turned to leave. Didn’t want to outstay my welcome. Damn it!” she exclaimed, and I turned back around. She winced and nodded at the letter opener that she’d dropped to her desktop. “Damn thing slipped. I’m probably going to need stitches now. Can you be a dear and fetch the first-aid kit for me?” She held her left index finger and frowned at the steady flow of blood oozing out. A few small drops of red splashed onto the other letters spread out on the desk. I felt woozy. And suddenly dizzy. I blinked. When I opened my eyes, I was no longer standing by the door about to leave. I was crouched down next to Ms. Saunders’s imported black leather chair, grasping her wrist tightly…… and sucking noisily on her fingertip. I shrieked and let go of her, staggering backward. I grabbed at her desk to keep from falling, but I dropped on my butt, anyhow, taking most of the contents of the top of her desk with me. She held her injured finger far away from her and stared at me, wide-eyed, with a mixture of shock and disgust. I scrambled to my feet and wiped my mouth with the back of my hand. What in the holy hell just happened? I… I… uh… I’m so sorry,” I managed. “I don’t know what… I wouldn’t normally do something… I just…” Ms. Saunders pulled her hand close to her chest, perhaps to protect it from further abuse. Get out,” she said quietly. Yeah, I’ll get back to work. Again, I’m so, so sorry. Would you like me to bring you a cup of coffee?” No, not to your desk,” she said evenly, but her volume increased with every word. “Get out of here, you freak. I don’t care what you’ve heard, I’m not into women. You’re fired. Now get out of here before I call security.” But… my job review—” Get out!” she yelled.

And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.

Gail loved to talk about how stressed she was. She would do this thing where we'd be walking in the hallway, and suddenly she'd stop in her tracks, rub both of her temples with her index and middle fingers, and theatrically let out a deep guttural moan: "Mooooog." "Mooog. Minz. I am just so stressed out," she'd say. "I just want to go home, open a bottle of red wine, draw up a hot bath, light some candles and listen to David Gray." A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn't conversation. It'll never lead anywhere. No one is going to say, "Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.

He laughed. “I’m never forgettin’, so….” “So what you’re saying is we’re doing this?” “Yeah, because I’m not forgettin’ you used to like me—” “Oh hell no.” I rolled onto my hip and freaking went for him. Not for his head but for his ribs. His weak spot. “What the fuck, Bianca!” Zac literally fucking shouted as he threw his body and head back against the headboard, his arms slamming down into place against his ribs… and my fingers. I cackled, digging my fingers even deeper into his sides. “You remember now? Who’s your daddy, huh?” Those big, strong arms jerked up and down along his sides, trying to disengage me as he tried to melt into the headboard to get away from me. “You said you were gonna noogie me! What the hell are you doing? Stop it!” “Duh. Ouch!” He instantly stopped moving, and so did I in surprise that he’d actually stopped after his elbow clipped one of the bones on my wrist. Zac’s face was flushed red, eyes bright, and I decided to take pity on him. So I smiled, keeping my fingers where they were but not digging in anymore. “You thought I didn’t remember?” I asked him before dipping my face in even closer. Then I whispered, like a psycho, “I remember everything.” I tapped my fingers lightly along his sides, feeling him flinch. “Especially you being ticklish.” Those blue eyes bore into mine, and his mouth went damn near flat. Zac’s voice was almost a whisper too as he said, “Did you ask me who my daddy is?” I nodded gravely. His voice was still a whisper when he went on with, “You’re my daddy now, I guess.” Pulling my fingers away, I sat back on my knees and laughed. “Deal. I promise not to use that against you unless I have to.” His nostrils flared, and he stared at me right in the eyes as he said, still quietly, “Bianca.” “Yes?” “I remember things too.” What? Before I could process who this man was, what he did for a living, and what talents he’d polished over the years, he came at me with one of those hands that were lightning fast and accurate. Zac licked the tip of his index finger and shoved that turd into my ear just as I started yelling, “Don’t you dare!” He dared.

As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.

After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.” She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.” Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table. “A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.” Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun. Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.” A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.

It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.

When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!