“
Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Songs are as sad as the listener.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Oh, I wouldn't say Love always makes you happy. Sometimes it makes you incredibly sad.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I wanted to cry but I didn't, I probably should have cried, I should have drowned us there in the room ending our suffering.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
She let out a laugh, and then she put her hand over her mouth, like she was angry at herself for forgetting her sadness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
We were quiet on the car ride home. I turned on the radio and found a station playing "Hey Jude." It was true, I didn't want to make it bad. I wanted to take the sad song and make it better. It's just that I didn't know how.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I know that you’re sad right now. Grieve, but don’t hold onto it. Grief smothers out life. Let it go. Remember me and be happy. You have an incredible life ahead of you. Make the most of every minute. Starting right now.
”
”
Kim Holden (Bright Side (Bright Side, #1))
“
Will-"
"I love you so much, so incredibly much," he went on, "and when you're this close to me, I forget who you are. I forget you're Jem's. I'd have to be the worst sort of person to think what I'm thinking right now. But I am thinking it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Braiiinnnnssss," we said in unison.
"It's both sad and incredibly impressive that you were all ready with that one.
”
”
Maureen Johnson (The Name of the Star (Shades of London, #1))
“
I sat thinking how terribly sad it was that people are made in such a way that they get used to something as incredible as living. One day we suddenly take the fact that we exist for granted - and then, yes, then we don’t think about it anymore until we are about to leave the world again.
”
”
Jostein Gaarder (The Solitaire Mystery)
“
He stared at me. "She liked you, boy." The intensity of his voice and eyes made me blink.
"Yes," I said.
"She did it for you, you know."
"What?"
"Gave up her self, for a while there. She loved you that much. What an incredibly lucky kid you were."
I could not look at him. "I know."
He shook his head with a wistful sadness. "No, you don't. You can't know yet. Maybe someday..."
I knew he was tempted to say more. Probably to tell me how stupid I was, how cowardly, that I blew the best
chance I would ever have. But his smile returned, and his eyes were tender again, and nothing harsher
than cherry smoke came out of his mouth.
”
”
Jerry Spinelli (Stargirl (Stargirl, #1))
“
Albums that remind me of my childhood happiness make me incredibly sad now.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
But I knew the truth and that's why I was so sad. Every moment before this one depends on this one. Everything in the history of the world can be proven wrong in one moment.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
99% of all addicts are liars and thieves. This might sound unfair and even close-minded, but it's the truth. There are some exceptions to the rules, but they are incredibly rare. Most people are no match for their addictions. They will be driven to do things they would normally never have considered all in the name of getting high. Sad, but true. So if you're thinking of trying drugs, keep in mind that all the people you will be dealing with are likely to steal from you and lie to you at your own expense.
”
”
Ashly Lorenzana
“
She says things that genuinely move me. She lets her soul slip through her lips, and it’s always raw and incredibly sad.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
..I find it incredible impossible not to cry when I hear Stevie Nicks's "Landslide," especially the lyric: "I've been afraid of changing, because I've built my life around you." I think a good test to see if a human is actually a robot/android/cylon is to have them listen to this song lyric and study their reaction. If they don't cry, you should stab them through the heart. You will find a fusebox.
”
”
Mindy Kaling
“
Living a life fully engaged and full of whimsy and the kind of things that love does is something most people plan to do, but along the way they just kind of forget. Their dreams become one of those "we'll go there next time" deferrals. The sad thing is, for many there is no "next time" because passing on the chance to cross over is an overall attitude toward life rather than a single decision.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
There’s a saying, “Sadness and gladness follow each other.” As I see it, people who experience equal amounts of sadness and happiness in their lives must be incredibly blessed.
”
”
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
“
For the first time, Cupid's gaze seemed sympathetic. "Oh, I wouldn't say Love always makes you happy." His voice sounded smaller, much more human. "Sometimes it makes you incredible sad. But at least you've faced it now. That's the only way to conquer me.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
It’s a rule that we never listen to sad music, we made that rule early on, songs are as sad as the listener, we hardly ever listen to music.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
You could've at least let me know you weren't dead by the way. I was actually kind of sad about that."
"That's a pretty incredible sentiment, coming from you.
”
”
Amy Tintera (Rebel (Reboot, #2))
“
I might be falling in love with you," I whisper, finding it hard to focus on his face.
"Kate," he says, almost sadly.
"what? You might be falling in love with me too?" My voice is hopeful, pathetically hopeful.
He shakes his head.
"You aren't falling in love with me?"
He doesn't respond. I touch his face carefully with the tips of my fingers. His skin is incredibly soft above the line of hard jawbone. I touch his silky black hair. His eyes close and i want to kiss his eyes, but I'm afraid. Afraid of all this. This could destroy me.
He opens his eyes. "Kate, I'm already in love with you.
”
”
Cindy Martinusen Coloma (Caleb + Kate)
“
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
It makes me really sad that women have been ejected from the seat of their power in this society in terms of what happens around childbirth. In other parts of the world, there are places where women can't drive a car, but they're still in charge of childbirth... The minute my child was born, I was reborn as a feminist. It's so incredible what women do. I find it metaphorically resonant that a pregnant woman looks like she's just sitting on a couch, but she's actually exhausting herself constructing a human being. The laborious process of growing a human is analogous to how 'women's work' is seen.
”
”
Ani DiFranco
“
And why does it make you sad to see how everything hangs by such thin and whimsical threads? Because you’re a dreamer, an incredible dreamer, with a tiny spark hidden somewhere inside you which cannot die, which even you cannot kill or quench and which tortures you horribly because all the odds are against its continual burning. In the midst of the foulest decay and putrid savagery, this spark speaks to you of beauty, of human warmth and kindness, of goodness, of greatness, of heroism, of martyrdom, and it speaks to you of love.
”
”
Eldridge Cleaver
“
So if this were a normal book about a girl with leukemia, I would probably talk a shitload about all the meaningful things Rachel had to say as she got sicker and sicker, and also probably we would fall in love and have some incredibly fulfilling romantic thing and she would die in my arms. But I don't feel like lying to you. She didn't have meaningful things to say, and we definitely didn't fall in love. She seemed less pissed with me after my stupid outburst, but she basically just went from irritable to quiet.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
You don;t believe me?" He sound wounded, like the thought of me not believing him makes him incredibly sad.
"No."
"Then come with me," he says. He unfolds his long legs and stands up. "To Cooley's. You'll see they just posted the schedule. If I'm lying, I'll buy you a chocolate shake."
"And If you're not?"
"Then I'll still buy you a chocolate shake." He grins at me.
”
”
Lauren Barnholdt (Sometimes It Happens (Bestselling Teen Romantic Fiction))
“
There is something about a mass-market Luxury Cruise that's unbearably sad. Like most unbearably sad things, it seems incredibly elusive and complex in its causes and simple in its effect: on board the Nadir—especially at night—I felt despair. The wor's overused and banalified now, despair, but it's a serious word, and I'm using it seriously.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
Fuck You!' [Oskar said] 'Exuse me!' [His mom said] 'Sorry. I mean, screw you.' 'You need a time-out!' 'I need a mausoleum!
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Dear Josh,
Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always
just right. It made sense. You were my home. When I was with you I knew everything would be okay.
You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was
falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet.
Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I
never doubted my worth because you taught me I was worthy.
When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for
another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He
doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me
would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll
always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart
always.
Love,
Your Eva Blue
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
I think God pays attention to our hearts and enjoys when people want to get close to Him. He knows our sadness and the brokenness we want to hide from Him, and He sends people to look for us.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
Thanks for staying with me last night,” I said, stroking Toto’s soft fur. “You didn’t have to sleep on the bathroom floor.”
“Last night was one of the best nights of my life.”
I turned to see his expression. When I saw that he was serious, I shot him a dubious look. “Sleeping in between the toilet and the tub on a cold, hard tile floor with a vomiting idiot was one of your best nights? That’s sad, Trav.”
“No, sitting up with you when you’re sick, and you falling asleep in my lap was one of my best nights. It wasn’t comfortable, I didn’t sleep worth a shit, but I brought in your nineteenth birthday with you, and you’re actually pretty sweet when you’re drunk.”
“I’m sure between the heaving and purging I was very charming.”
He pulled me close, patting Toto who was snuggled up to my neck. “You’re the only woman I know that still looks incredible with your head in the toilet. That’s saying something.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
I wouldn't say love always makes you happy, sometimes it makes you incredibly sad.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I was so incredibly nostalgic for a life I knew I'd never, ever have again.
”
”
Paige Harbison (New Girl)
“
You promised to be on your best behavior,” I reminded him, breathless.
“You kissed me,” he growled. His voice had gone very deep.
“Well, but you started it by kissing my neck.”
“True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same.
“Why did you stop?” he asked.
“Because you were moving on to other things.”
He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.”
I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again.
“But I can see you still want me.”
I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him.
“Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—”
“Stop it!”
“Sorry, was I saying that out loud?”
“I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!”
“Yes, how very decent of you.” He hadn't moved from his languid position on my bed.
I leaned forward, grabbing a pillow and throwing it at him.
“Pillow fight?” He raised an eyebrow.
“Get off my bed. Please. I'm ready to go to sleep.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
He talked and talked, his words fell through him, trying to find the floor of his sadness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Your life is a vapor. You’re here for two seconds. What do you want your life to be at the end, when you’re on your deathbed? Do you want it to be, “Oh, I got to satisfy all those urges and got the things I wanted”?
It’s so sad to me because you’re literally giving up your birthright for a single meal. Do you understand what you are doing?
”
”
Becket Cook (A Change of Affection: A Gay Man's Incredible Story of Redemption)
“
Now listen: You are made of good things. You are capable of incredible things. You are a song the universe sings itself, in every color it can imagine. Some parts are sad. Some parts are happy. Every part of the song, is a part of you. Listen. Listen to the sound of the universe.
”
”
Iain S. Thomas (Every Word You Cannot Say)
“
Suddenly I realized this was a heart I was watching. How incredibly sad. Not because the heart was beating and couldn’t escape, it wasn’t that. The point was that the heart should not be seen, it should be allowed to beat in secret, hidden from our sight, it was obvious, you understood that when you saw it, a little animal without eyes, it should pound and throb inside your chest unseen.
”
”
Karl Ove Knausgård (My Struggle: Book 3 (My Struggle #3))
“
All of that sounds incredibly sad and also hopeful. I mean, that if your mother did love Malec, she was still able to find love again. To open herself like that once more. I don’t know…” I held the journal close to my chest. “I don’t know if I could do that.” “I would never give you a reason to, Poppy.
”
”
Jennifer L. Armentrout (The Crown of Gilded Bones (Blood and Ash, #3))
“
Hazel then attempted to break the doll’s head open on the nightstand like a piggy bank, but Diane’s exterior proved to be almost indestructible. This made Hazel realize Diane’s makers had designed her to be able to withstand incredible beatings, which made Hazel sad for humanity.
”
”
Alissa Nutting (Made for Love)
“
Don't you ever get in trouble for things like that at the school for the Incredibly gifted?" Jane asked. "No," Merissa said sadly. "Our talent is mischief, so whenever we do something bad they just encourage us to try harder.
”
”
Lizzie K. Foley (Remarkable)
“
It is a sad but unavoidable fact of life,” he began, “that as we age our social circles grow smaller. Whether from increased habit or diminished vigor, we suddenly find ourselves in the company of just a few familiar faces. So I view it as an incredible stroke of good fortune at this stage in my life to have found such a fine new friend.
”
”
Amor Towles (A Gentleman in Moscow)
“
But after a couple of weeks of listing things I was grateful for, I came to see that the little things were everything. The little things were what I held on to at the end of the day. Single jokes that gave me the giggles. A beautiful flower arrangement, viewed through the window of a café. The fact that my cat came to cuddle me when she saw I was sad. These things gave me hope, pleasure, solace. Together, they added up to a fulfilling life. If a simple flower arrangement could make this world just a little more bearable, then perhaps my own small actions meant more than I was giving them credit for. Maybe when I made dinner, or listened to a friend rant, or complimented a woman on her incredible garden, I was helping make this world survivable for others. Perhaps that evening, when tallying up their own wins and losses for the day, someone would think of something I’d done and smile.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Life wasn’t perfect. It wasn’t meant to be. If you didn’t go through the bad times, the sad times, you wouldn’t appreciate how incredible the good times were.
”
”
Debbie Mason (Christmas in July (Christmas, Colorado #2))
“
Trying to live in the past didn't work for me, and it's only now that I fully realize I'm incredibly lucky it didn't. Because it would have been all too sad to miss out on right now. That would have turned the past into a fraud. It would have meant all my happy memories were a lie. It would have meant all that time and all that love was a waste, leading up to a wasted future. It would have been the ultimate betrayal of everything I thought my whole life was about and everyone I cared about. All the people who loved me, in all the times and places of my life—all the people who made a lover out of me—they would have all been wrong about me. And it could have happened easily, just like that. It's scary to think of how I could have gotten stuck pining for the past. I was lucky to get a second chance. I thought I was too late, but it turns out I was just in time.
”
”
Rob Sheffield (Turn Around Bright Eyes: The Rituals of Love & Karaoke)
“
I felt ignorant, self-deprived, incredibly isolated, deeply and profoundly lonely and missing people, absolutely starved for affection, physically weary from alcohol, very depressed about my physical appearance, my weak muscles. Hurt and angry and sad
”
”
Augusten Burroughs (Possible Side Effects)
“
I asked her, "Are you an optimist or a pessimist?" She looked at her watch and said, "I'm optimistic." "Then I have some bad news for you, because humans are going to destroy each others as soon as it becomes easy enough to, which will be very soon." "Why do beautiful songs make you sad?" "Because they aren't true." "Never?" "Nothing is beautiful and true." She smiled, but in a way that wasn't just happy, and said, "You sound just like Dad.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Having DID is, for many people, a very lonely thing. If this book reaches some people whose experiences resonate with mine and gives them a sense that they aren't alone, that there is hope, then I will have achieved one of my goals.
A sad fact is that people with DID spend an average of almost seven years in the mental health system before being properly diagnosed and receiving the specific help they need. During that repeatedly misdiagnosed and incorrectly treated, simply because clinicians fail to recognize the symptoms. If this book provides practicing and future clinicians certain insight into DID, then I will have accomplished another goal.
Clinicians, and all others whose lives are touched by DID, need to grasp the fundamentally illusive nature of memory, because memory, or the lack of it, is an integral component of this condition. Our minds are stock pots which are continuously fed ingredients from many cooks: parents, siblings, relatives, neighbors, teachers, schoolmates, strangers, acquaintances, radio, television, movies, and books. These are the fixings of learning and memory, which are stirred with a spoon that changes form over time as it is shaped by our experiences. In this incredibly amorphous neurological stew, it is impossible for all memories to be exact.
But even as we accept the complex of impressionistic nature of memory, it is equally essential to recognize that people who experience persistent and intrusive memories that disrupt their sense of well-being and ability to function, have some real basis distress, regardless of the degree of clarity or feasibility of their recollections.
We must understand that those who experience abuse as children, and particularly those who experience incest, almost invariably suffer from a profound sense of guilt and shame that is not meliorated merely by unearthing memories or focusing on the content of traumatic material. It is not enough to just remember. Nor is achieving a sense of wholeness and peace necessarily accomplished by either placing blame on others or by forgiving those we perceive as having wronged us. It is achieved through understanding, acceptance, and reinvention of the self.
”
”
Cameron West (First Person Plural: My Life as a Multiple)
“
I started toward the barn and was grateful that the wind was still. About halfway up the drive, my heart began to beat an irregular rhythm as I caught sight of Cricket coming toward me. My breath caught in my throat. This girl. This tiny little girl had such incredible power over me with her big, blue, round, sad eyes. Her unusual face, her unusually striking face. Her pert nose. The faint laugh lines around her eyes and mouth. And I didn’t know her, didn’t really even know if she and I were anything alike but that didn’t stop me from wishing we shared a future...even if she did belong to someone else.
”
”
Fisher Amelie (Greed (The Seven Deadly, #2))
“
I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
Foer, Jonathan Safran (2006-04-04). Extremely Loud and Incredibly Close: A Novel (Kindle Locations 1882-1883). Houghton Mifflin Harcourt. Kindle Edition.
”
”
Jonathan Safran Foer
“
His words fell through him, trying to find the floor of his sadness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Yes, she told me she loved me and has loved me as i've loved her. While it made me incredibly happy, i was sad because we should have been together all this time and pissed.
”
”
Kahlen Aymes (The Future of Our Past (The Remembrance Trilogy, #1))
“
Even though it was an incredibly sad day, she looked so, so beautiful. I kept trying t figure out a way to tell her that, but all of the ways I thought of were weird and wrong.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
The version of me who read the book felt incredibly sad for the version of me who wrote it.
”
”
Sean Norris (Heaven and Hurricanes)
“
As I see it, people who experience equal amounts of sadness and happiness in their lives must be incredibly blessed. Some people lead a painful life full of nothing but sorrow. I should know.
”
”
Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
“
I turned on the radio and found a station playing “Hey Jude.” It was true, I didn’t want to make it bad. I wanted to take the sad song and make it better. It’s just that I didn’t know how. After
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I spent my life learning how to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
The words were incredibly sad, and, for an atheist like myself, entirely without hope or comfort, but still; it was our duty to sing them to the best of our ability, and to sing proudly, in honor of Sammy.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
The pagan, or rational, virtues are such things as justice and temperance, and Christianity has adopted them. The three mystical virtues which Christianity has not adopted, but invented, are faith, hope and charity. Now… the first evident fact, I say, is that the pagan virtues, such as justice and temperance, are the sad virtues, and that the mystical virtues of faith, hope, and charity are the gay and exuberant virtues. And the second evident fact, which is even more evident, is the fact that the pagan virtues are the reasonable virtues, and that the Christian virtues of faith, hope, and charity are in their essence as unreasonable as they can be…charity means pardoning what is unpardonable, or it is no virtue at all. Hope means hoping when things are hopeless, or it is no virtue at all. And faith means believing the incredible, or it is no virtue at all.
”
”
G.K. Chesterton
“
If love was only for the perfect, what a sad and lonely world it would it be. We are the culmination of every good and bad choice we’ve ever made. Your mistakes have made you into an incredibly fierce and loving woman; one I am
”
”
Ruth Cardello (Bedding the Billionaire (Legacy Collection, #3))
“
I’m really sorry, Lila.”
“I know you are Bryon. That’s what makes you such a good guy.”
“Well, that’s the general consensus among women.” He smiles at her.
“I hope you can start working on your confidence soon. It makes me sad to see you so down on yourself.”
“Mmm. True story. I don’t tell myself how incredibly handsome, smart, and funny I am nearly enough.”
“You are smart, but I don’t know about the incredibly handsome part.”
“And funny. Don’t forget the funny.”
“Funny looking.
”
”
Cheryl McIntyre
“
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
It was sometimes incredible to him how much he cared about someone who refused to tell him any of the things friends shared with each other - how he had lived before they met, what he feared, what he craved, who he was attracted to, the mortifications and sadnesses of daily life.
”
”
Hanya Yanagihara (A Little Life)
“
I was absolutely thunderstruck by the extraordinary reality of the man I found in the Gospels. I discovered a man who was almost continuously frustrated. His frustration leaps out of virtually every page: "What do I have to say to you? How many times do I have to say it? What do I have to do to get through to you?" I also discovered a man who was frequently sad, and sometimes depressed, frequently anxious and scared ... A man who was terribly, terribly lonely, yet often desperately needed to be alone. I discovered a man so incredibly real that no one could have made Him up.
”
”
M. Scott Peck (Further Along the Road Less Traveled)
“
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
”
”
Haruki Murakami (Norwegian Wood)
“
This is catharsis. The act taps in, meets them where they are. It’s confusing, hollow. So incredibly sad. And so we’ll stay inside it a while. Not picking it apart. Not interrogating the hungry pain body, but just confirming. Yes. This place feels exactly this way. This is where you are. I get it.
”
”
Laurie Perez (The Power of Amie Martine)
“
It is a sad but unavoidable fact of life that as we age our social circles grow smaller. Whether from increased habit or diminished vigor, we suddenly find ourselves in the company of just a few familiar faces. So, I view it as an incredible stroke of good fortune at this stage in my life to have found such fine new friends(s).
”
”
Amor Towles (A Gentleman in Moscow)
“
I was really in Italy. Not Maya Angelou, the person of pretensions and ambitions, but me, Marguerite Johnson, who had read about Verona and the sad lovers while growing up in a dusty Southern village poorer and more tragic than the historic town in which I now stood. I was so excited at the incredible turn of events which had brought me from a past of rejection, of slammed doors and blind alleys, of dead-end streets and culs-de-sac, into the bright sun of Italy, into a town made famous by one of the world’s greatest writers. I
”
”
Maya Angelou (Singin' & Swingin' and Gettin' Merry Like Christmas)
“
It's an incredible sadness," he said. He was quiet for a few moments before he spoke again. "It's an incredible sadness," he repeated, "but it wasn't for nothing.
”
”
Jessica Mesman Griffith
“
But I do know that there is incredible value in pain and suffering, if you allow yourself to experience it, to cry, to feel sorrow and grief, to hurt. Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes abound in this life. Living is an exercise in navigating within them.
”
”
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
“
If you can be with a loved one when they die, you should. Her hands getting cold as the circulation shuts down, her breathing getting heavy, the death rattle. Bearing witness to a death is an incredibly intimate thing. You should be there, not because it’s easy – it isn’t – but because one day you’ll want someone to hold your hand. One day your mum put you down and never picked you up again.
”
”
Jimmy Carr (Before & Laughter: A Life Changing Book)
“
I started to berate myself for having the audacity to be sad when I knew other people were having it worse. Which is an absolutely batshit mental way to try to process emotions. It’s very common, though. I bet you do it, too, you fucking idiot. “Well, I’m having a hard time at the moment, but it’s not as bad as so-and-so who is going through all this PLUS these extra things.” Ah yes, turning emotions into a competition. How incredibly healthy. I can’t see how this could ever go wrong.
”
”
Daniel Sloss (Everyone You Hate Is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
“
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down.
Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
At this point tears begin to fall from my eyes, not because I am sad or angry, but because I have never had these dueling aspects of my personality mirrored back to me in such a matter-of-fact way. I have, at so many times in my life, felt unknowable, but here I am having me explained to me as it feels to be me. One three-hour test and I finally have objective words to demystify a tumultuous and ambivalent life experience. “We will leave it here, but I have one last thing I would like to say. The Rorschach and image testing reveal evidence of trauma associated with very early childhood development. I see a preoccupation with blood, morbidity, dismissal, and power struggles. There is a way in which you present as very sturdy to the world, yet inside you are carrying an incredibly heavy weight. There is a you inside who feels invisible to those looking at you from the outside. I feel an incredible amount of compassion for how hard each day feels for you.” “Thank you,” I say, my voice quiet and quivering with emotion. “I really appreciate this.” “Yes,” he says, “I believe you really do.
”
”
Anna Marie Tendler (Men Have Called Her Crazy: A Memoir)
“
Are you familiar with Jesus’ encounter with the rich young man? Jesus told the man to sell all of his possessions, give to the poor, and then follow him. The man then turned away from Jesus because he had great wealth. There are two incredibly significant details in this account that we may overlook. First, Jesus looked at the man and loved him. Second, the man walked away from Jesus feeling sad. Not judged. Not ticked off. Sad. He walked away in the tension of paradox—enslaved by his affluence, yet sensing that by walking away from Jesus he might be forfeiting an even greater, more life-giving form of wealth.
”
”
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
“
This woman Koharu could undo their coats and take the money from inside the purse. A technique called ‘nakanuki.’ What’s more, the story goes that after she emptied the purse she’d close it again and button up their coat. Incredible skill.”
“Really?”
“Surrounded by misery, those people laughed at the whole world.
”
”
Fuminori Nakamura (The Thief)
“
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness.
So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare.
We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop.
Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive.
So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
”
”
Stefan Molyneux
“
Sometimes, in prison, when he’d been lying awake at night staring at the bunk over his head, Johnny had thought that he missed Wolf most of all.
Wasn’t that a damned sad commentary on his life?
The dog whined again. Knowing he was being ridiculous, that he was liable to lose the hand at the wrist when the animal charged, Johnny nonetheless took a step forward,holding out his fingers for sniffing.
“Wolf? Come here, boy.”
Incredibly, the huge animal sank to its belly and slunk forward, behaving as if it wanted to believe but feared a cruel trick. Johnny dropped to his knees to greet it, his hands reaching out, burrowing in the coarse hide, stroking and scratching as the dog whined and licked and pawed him and butted him with its head.
“Ah, Wolf,” he said as he accepted the truth at last, that this one thing that he had loved had been spared in order to greet him. Then, as the big head snuggled into his lap, he wrapped his arms around the dog’s thick neck and buried his face against the animal’s side.
For the first time in eleven years, he wept.
”
”
Karen Robards (One Summer)
“
Two days later, I started my job.
My job involved typing friendly letters full of happy lies to dying children. I wasn't allowed to touch my computer keyboard. I had to press the keys with a pair of Q-tips held by tweezers -- one pair of tweezers in each hand.
I’m sorry -- that was a metaphor.
My job involved using one of those photo booths to take strips of four photographs of myself. The idea was to take one picture good enough to put on a driver’s license, and to be completely satisfied with it, knowing I had infinite retries and all the time in the world, and that I was getting paid for it. I’d take the photos and show them to the boss, and he would help me think of reasons the photos weren't good enough. I’d fill out detailed reports between retakes. We weren't permitted to recycle the outtakes, so I had to scan them, put them on eBay, arrange a sale, and then ship them out to the buyer via FedEx. FedEx came once every three days, at either ten minutes till noon or five minutes after six.
I’m sorry -- that was a metaphor, too.
My job involved blowing ping-pong balls across long, narrow tables using three-foot-long bendy straws. At the far end of the table was a little wastebasket. My job was to get the ping-pong ball into that wastebasket, using only the bendy straw and my lungs. Touching the straw to the ping-pong ball was grounds for a talking-to. If the ping-pong ball fell off the side of the table, or if it missed the wastebasket, I had to get on my computer and send a formal request to commit suicide to Buddha himself. I would then wait patiently for his reply, which was invariably typed while very stoned, and incredibly forgiving. Every Friday, an hour before Quitting Time, I'd put on a radiation suit. I'd lift the wastebaskets full of ping-pong balls, one at a time, and deposit them into drawstring garbage bags. I'd tie the bags up, stack them all on a pallet, take them down to the incinerator in the basement, and watch them all burn. Then I'd fill out, by hand, a one-page form re: how the flames made me feel. "Sad" was an acceptable response; "Very Sad" was not.
”
”
Tim Rogers
“
I climb into the incredible sadness of silence. Wrap its slowness around my shoulders, conceal its shame within the folds of my sari. Make it a vow, as if my life hinged upon it, as if I was not a wife in Mangalore but a nun elsewhere, cloistered and clinging to her silence to make sense of the world.
To stay silent it to censor all conversation. To stay silent is to erase individuality. To stay silent is an act of self-flagellation because this is when the words visit me, flooding me with their presence, kissing my lips, refusing to dislodge themselves from my tongue.
”
”
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
“
In fact, I didn’t know how much Chris had done in Fallujah until he came home. We were at a car wash place one day when someone overheard his name called and went up to him.
“Are you Chris Kyle?” asked the man. His haircut and build made it clear he was military.
“Yes.”
“I was in Fallujah,” said the young man, who turned out to be a Marine. “You saved my life.”
“Y’all saved my ass plenty of times, too,” said Chris, referring to Marines.
Others came over, including the father of one of the Marines. He had tears in his eyes when he shook Chris’s hand.
“Your husband saved my son’s life,” he said to me. “Thank you.”
What an incredibly small world it is, I thought. For all of these people to have been together so far away, and now just meet by chance in the oddest place.
Or was it part of a cosmic plan? A way of showing Chris that he was appreciated?
I felt proud of him, but I also felt sadness--I imagined being the parent of one of these young men, worried about their welfare and yet unable to do anything to protect them. It was an impotence with few parallels.
Chris just took it all in stride, smiling and waving as he left to get the car.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
A new field of science called neurocardiology, which studies the human heart, has discovered that our hearts emit a measurable electromagnetic signal that extends up to 10 to 15 feet from the body. Furthermore, the wavelengths of this heart signal vary according to the emotional state of an individual: if a person is appreciative and happy, one signal is emitted; discontent and sad, a different signal is sent. Incredibly, these electromagnetic signals automatically link up with and affect others in our proximity. Thus, when a man or woman enters a room upset, joyful, happy, or sad, other individuals nearby register his or her emotional state and are instantly affected. •
”
”
Tom Shadyac (Life's Operating Manual: With the Fear and Truth Dialogues)
“
Despite the complexity and variety of the universe, it turns out that to make one you need just three ingredients. Let’s imagine that we could list them in some kind of cosmic cookbook. So what are the three ingredients we need to cook up a universe? The first is matter—stuff that has mass. Matter is all around us, in the ground beneath our feet and out in space. Dust, rock, ice, liquids. Vast clouds of gas, massive spirals of stars, each containing billions of suns, stretching away for incredible distances.
The second thing you need is energy. Even if you’ve never thought about it, we all know what energy is. Something we encounter every day. Look up at the Sun and you can feel it on your face: energy produced by a star ninety-three million miles away. Energy permeates the universe, driving the processes that keep it a dynamic, endlessly changing place.
So we have matter and we have energy. The third thing we need to build a universe is space. Lots of space. You can call the universe many things—awesome, beautiful, violent—but one thing you can’t call it is cramped. Wherever we look we see space, more space and even more space. Stretching in all directions. It’s enough to make your head spin. So where could all this matter, energy and space come from? We had no idea until the twentieth century.
The answer came from the insights of one man, probably the most remarkable scientist who has ever lived. His name was Albert Einstein. Sadly I never got to meet him, since I was only thirteen when he died. Einstein realised something quite extraordinary: that two of the main ingredients needed to make a universe—mass and energy—are basically the same thing, two sides of the same coin if you like. His famous equation E = mc2 simply means that mass can be thought of as a kind of energy, and vice versa. So instead of three ingredients, we can now say that the universe has just two: energy and space. So where did all this energy and space come from? The answer was found after decades of work by scientists: space and energy were spontaneously invented in an event we now call the Big Bang.
”
”
Stephen Hawking (Brief Answers to the Big Questions)
“
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
”
”
Elie Wiesel (Night (The Night Trilogy, #1))
“
Have you ever just laid down on the grass and watch as the day slowly transitions to evening? The sky flows through hues of orange and slowly fades to greys, the incredible palette of dusk. This is where the magic begins to happen. First the planets reveal themselves as bright pinpoints of light against the bleak canvas, and for a few moments they are the only thing you can focus on - they’re so bright that they draw away from anything else. When you stare at only one, when there is so much distance between it and anything else, it almost seems to be dancing back and forth in space, playing mind tricks on you. However, as you emerge from its hypnotic trance, you begin to see the less significant stars awaken from what seems like nowhere. They too earn your attention, but in a different way. You can’t look at them directly because otherwise you won’t see their beauty. You have to glance at them from the side, from the corner of your eye to really see them in their fullness. The sky is not yet completely in darkness and the universe is already showing off. Distant stars even further light years away and planets orbiting from afar being to emerge and before you know it you almost don’t know where to look, there are little grains of sand lighting up the sky from everywhere. This happens every night - a spectacular natural light show but so many people miss it. It’s sad to think that, but it makes viewing it that much more special when you get to experience it. Just you and the universe, watching itself through your own very eyes.
”
”
Madeleine Jane Hall
“
But I dealt with it. I handled it the same way I handled every wave of dread. I stayed at work until midnight on Friday and went in at seven a.m. on Sunday. I went to work on Christmas and on New Year’s Day. I sometimes worked with tears running down my cheeks, blurring the computer screen. I downed Diet Coke after Diet Coke and ran down to the Korean deli for kimbap and ate two rolls over the course of a day, and then I worked some more. I checked my email and cut my tape or logged my music, and then I texted everyone I knew asking where the next party was. I told myself that everything was fine, that my life was incredible and I wasn’t sad and I’d just send more emails and swig whiskey in order to fall asleep at two a.m. every night, empty bottles lining the foot of my bed.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
I remember that a Korak once brought to me an old tattered fashion-plate from "Frank Leslie's Illustrated Newspaper," containing three or four full-length figures of imaginary ladies, in the widest expansion of crinoline which fashion at that time prescribed. The poor Korak said he had often wondered what those curious objects could be; and now, as I was an American, perhaps I could tell him. He evidently had not the most remote suspicion that they were intended to represent human beings. I told him that those curious objects, as he called them, were American women. He burst out into a "tyee-e-e-e" of amazement, and asked with a wondering look, "Are all the women in your country as big as that at the bottom?" It was a severe reflection upon our ladies' dress, and I did not venture to tell him that the bigness was artificial, but merely replied sadly that they were.
”
”
George Kennan (Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival)
“
If you ask a thousand people who don’t want anything to do with religion why that is, they’ll tell you all the reasons they don’t like it, but I doubt they’d be describing the real stuff. They’ll describe a guy or a gal on a television show who told them if they gave money, they’d get rich. They’ll talk about the big hairdo or outrageous makeup of some televangelist and the absurd things they said and did. They’ll talk about someone who was religious but broke their hearts or their promise, or lied and got caught or went to jail, or who cried a lot on camera but it looked like they were faking it. Or they’ll talk about someone who told them that God hated who they were or how they acted or who they married or couldn’t forgive what they’d done. It’s a sad situation, honestly. The only way they can keep from being head-faked anymore is for somebody to give them a taste of the real thing.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him.
'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.'
'Why don't you eat meat or at least milk the cows?' I asked.
'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.'
'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.'
We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz.
Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.
”
”
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
“
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
”
”
Lauren Royal (Alexandra (Regency Chase Brides #1))
“
There was certainly a time when I wondered why we were supposed to praise God so much. Was the Lord eternally fishing for compliments, like a once-beautiful woman now past her prime? So egotistical that he needed us telling him how wonderful he was every single day? Would he be offended if we didn’t remember to commend him for his goodness on a regular basis? I knew that God couldn’t really be like that, but figured this was one of those mysteries, like the Trinity, that we would only understand completely in heaven. Fortunately, it’s not so great a mystery that we can’t understand it pretty well right now. Simply put, God does not demand our praise because he needs it, but because we need it. It is for our benefit, not his. If the whole world neglected to ever utter a single word of praise to God, he would not be hurt or diminished in any way. But we, the non-praisers, would be sadly crippled. Praise — call it admiration or appreciation — is the most natural response in the world to beauty, truth, and goodness. You are not in the least worried about offending a beautiful sunset by not praising it. On the contrary, you just can’t help it. Your heart leaps, and words such as, “Wow! That’s incredible!” come to your lips.
”
”
Daria Sockey (The Everyday Catholic's Guide to the Liturgy of the Hours)
“
1. Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create
you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.
For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life,nothing will remotely compare with the incredible accomplishment of having managed to get yourself born.
Congratulations. Well done. You really are special.
2. But not that special. There are five billion other people on this planet, every one of them just as important, just as central to the great scheme of things, as you are. Don't ever make the horrible, unworthy mistake of thinking yourself more vital and significant than anyone else. Nearly all the people you encounter in life merit your consideration. Many of them will be there to help you-to deliver your pizza, bag your groceries, clean up the motel room you have made such a lavish mess of. If you are not in the habit of being extremely nice to these people, then get in the habit now.
Millions more people, most of whom you will never meet or even see, won't help you, indeed can't help you, may not even be able to help themselves. They deserve your compassion. We live in a sadly heartless age, when we seem to have less and less space in our consciences and our pocketbooks for the poor and lame and dispossessed, particularly those in far-off lands.
”
”
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
“
The next morning I told Mom I couldn’t go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I’m sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What’s everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry—” “Who’s Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no raison d’être, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper . . . ” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn’t leave while I was still going. “ . . . domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity at school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years—
”
”
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
“
And all I can think about is that it's not over and I'm tired and I'm ready to go but I'm still here. And I have to do it again and again and again." He leaned back in his chair.
"You think about that before you tell me I've got it easy."
I stayed silent a while before speaking. "So why don't you end it?"
"Suicide?"
"If your life is such a hell," I asked, "why bother? Why go through it again and again and all those times?"
"Because of..." He stopped and looked at the ceiling. After a moment he shrugged.
"Because of children," he said, "because of smiles and sunshine and ice cream."
"You've got to be kidding."
"You don't like ice cream?" Elijah shook his head, "It's the best. Imagine how excited I was when someone finally invented it. "
"Sunshine and smiles don't make all that other stuff go away." I said, "This isn't a fairy land."
"No," he said. "It's the real world. And the real world is the most amazing thing any of us will ever experience. Have you ever climbed a mountain? Walked through a garden? Played with a child? This isn't exactly a revelation John. People have been praising the simple pleasures since even before I was born, and that's a very long time."
"You don't do any of those things."
"But I have my memories," Said Elijah. "And I have even simpler things. Music. Food. Everybody likes bacon."
"I'm a vegetarian."
"Asparagus then," said Elijah, "roasted in pan. A little olive oil and a little salt - you the get the most incredible flavor - almost like a nut. But deep and rich and the textures just perfect..."
"I've tried it."
"The world is more than sadness," said Elijah, "i have a hundred thousand memories in my head. I can't remember all of them, or maybe even most of them, but they are so much happier than sad. For every dead mother or brother or child there are a hundred breezes, a hundred sunsets, a hundred memories of falling in love. Have you ever kissed anyone, John?"
"I don't see how that's any of your business."
"A first kiss is important. Most people only get one. But I can remember a hundred thousand of them. How could I give that up?" he shook his dead, smiling for the first time. "The world never gets old, John.
”
”
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
“
There is always, for some reason, an element of sadness mingled with my thoughts of human happiness, and, on this occasion, at the sight of a happy man I was overcome by an oppressive feeling that was close upon despair. It was particularly oppressive at night. A bed was made up for me in the room next to my brother’s bedroom, and I could hear that he was awake, and that he kept getting up and going to the plate of gooseberries and taking one. I reflected how many satisfied, happy people there really are! ‘What a suffocating force it is! You look at life: the insolence and idleness of the strong, the ignorance and brutishness of the weak, incredible poverty all about us, overcrowding, degeneration, drunkenness, hypocrisy, lying... Yet all is calm and stillness in the houses and in the streets; of the fifty thousand living in a town, there is not one who would cry out, who would give vent to his indignation aloud. We see the people going to market for provisions, eating by day, sleeping by night, talking their silly nonsense, getting married, growing old, serenely escorting their dead to the cemetery; but we do not see and we do not hear those who suffer, and what is terrible in life goes on somewhere behind the scenes... Everything is quiet and peaceful, and nothing protests but mute statistics: so many people gone out of their minds, so many gallons of vodka drunk, so many children dead from malnutrition... And this order of things is evidently necessary; evidently the happy man only feels at ease because the unhappy bear their burdens in silence, and without that silence happiness would be impossible. It’s a case of general hypnotism. There ought to be behind the door of every happy, contented man some one standing with a hammer continually reminding him with a tap that there are unhappy people; that however happy he may be, life will show him her laws sooner or later, trouble will come for him—disease, poverty, losses, and no one will see or hear, just as now he neither sees nor hears others. But there is no man with a hammer; the happy man lives at his ease, and trivial daily cares faintly agitate him like the wind in the aspen-tree—and all goes well.
”
”
Anton Chekhov (Stories)