Incompatible Couples Quotes

His arm snatches abruptly around my waist, and he pulls me closer to avoid another couple. My front plasters against him, his scorching heat a shock to my cool skin. He really is foreign. Different. Incompatible with me in every possible way.

Democracy requires respect and protection for multiple points of view, concepts that are incompatible with sociopathy. The need to be seen as superior, when coupled with lack of empathy or remorse for harming other people, are in fact the signature characteristics of tyrants, who seek the control and destruction of all who oppose them, as well as loyalty to themselves instead of to the country they lead.

The beautiful in nature is a question of the form of the object, and it consists in limitation, whereas the sublime is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence evokes, a representation of limitlessness, yet with a super-added thought of its totality. Accordingly the beautiful seems to be regarded as a presentation of an indeterminate concept of the understanding , the sublime as a presentation of an indeterminate concept of reason, Hence, the delight is in the former case coupled with the representation of quality, but in this case with that of quantity. Moreover, the former delight is very different from the latter in kind. For the beautiful is directly attended with a feeling of the furtherance of life, and thus is compatible with charms and a playful imagination. On the other hand, the feeling of the sublime is a pleasure that only arrises indirectly, being brought about by the feeling of a momentary check of the vital forces followed all at once by discharge all the more powerful, and so it is an emotion that seems to be no play, but a serious matter of the imagination. Hence charms are also incompatible with it; and, since the mind is not simply attracted by the object, but is also alternately repelled thereby, the delight in the sublime does not show how much involve positive pleasure as admiration or respect, i.e. merits the name of a negative pleasure.

The tragic sense of life has its origin in our determination to carry off two incompatible, but equally serious, ambitions: to search for meaning and to face reality. An intense, unceasing demand for meaning - the longing for life to make benevolent, beautiful sense - is coupled with the dawning, appalling fact that it does not, in the end, make sense in that way. Tragedy is the name for horror seen against the backdrop of love. This is an area in which civilization does not reduce our suffering - does not make life more pleasing or comfortable. What is the achievement of tragedy? It is to present the deepest sorrows of the human condition: what we love is terribly vulnerable; each life is a brief, scarring moment in the wastes of eternity; our transient existence will be marked by depression, confusion, and fear ... The ambition of tragedy is to hold such intelligent fears in a ceremonial act endowed with splendour and grace. The ceremony does not overcome our fears. But, unlike horror, it does not seek to stoke anxiety. The tragic view is, really, a determination to hold on to nobility, love and beauty - even while knowing the worst about ourselves.

The perceived decline of the West, coupled with the incompatible business practices, made it exceedingly difficult for Westerners to place competitive bids, particularly on land development projects that involved a great deal of risk and potential reward.