Inception Quotes

We've searched our database for all the quotes and captions related to Inception. Here they are! All 100 of them:

Hindustan had become free. Pakistan had become independent soon after its inception but man was still slave in both these countries -- slave of prejudice … slave of religious fanaticism … slave of barbarity and inhumanity.
Saadat Hasan Manto
There was never any more inception than there is now, Nor any more youth or age than there is now; And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
Walt Whitman (Leaves of Grass)
You musn't be afraid to dream a little bigger, darling.
Christopher Nolan (Inception: The Shooting Script)
Trying, he thought, to express some unutterable truth about themselves. Which was that translation was impossible. That the realm of pure meaning they captured and manifested would and could not ever be known. That the enterprise of this tower had been impossible from inception. For how could there ever be an Adamic language? The thought now made him laugh. There was no innate, perfectly comprehensible language. There was no candidate - not English, not French - that could bully and absorb enough to become one. Language was just difference. A thousand different ways of seeing, of moving through the world. No, a thousand worlds within one. And translation, a necessary endeavor however futile, to move between them.
R.F. Kuang (Babel)
My mind tried to conquer these feelings like ‘God is Love’. My heart intuitively created a space in my mind for the inception of the idea that ‘Love is God’.
Raz Mihal (Just Love Her)
There's a point where we just let the music take over everything.
Christopher Nolan (Inception: The Shooting Script)
If you're going to perform inception, you need imagination. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
Christopher Nolan (Inception: The Shooting Script)
Anything devised by man has bureaucracy, corrpution and error hardwired at inception.
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter... Mal looks at his across the railroad tracks. Replies- MAL: Because you'll always be together.
Christopher Nolan (Inception: The Shooting Script)
The first time the extent of this problem was obvious to me was when I was hanging out with a small group of people in which one unironically said, “I would not consider dating someone who was not regularly seeing a psychologist”—and others in the group agreed with them. It was at that point I realized that some psychologists were convincing their patients that no person could be mentally healthy without regularly visiting them. They had so thoroughly incepted a dependency in their patients that they had created a cultural identity around that dependency.
Simone Collins (The Pragmatist’s Guide to Crafting Religion: A playbook for sculpting cultures that overcome demographic collapse & facilitate long-term human flourishing (The Pragmatist's Guide))
You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't know for sure. Yet it doesn't matter . . . Because you'll always be together.
Christopher Nolan (Inception: The Shooting Script)
The most dangerous enemy is not the one who lingers behind you in the shadows, but the one who walks beside you as a friend.
Bianca Scardoni (Inception (The Marked, #1))
I remember a friend many years ago who had taped a sign to his refrigerator: There's a dream dreaming us. If you try to think about what that means it makes your mind silly, but that silliness is good.
Natalie Goldberg (Wild Mind: Living the Writer's Life)
She had locked something away, something deep inside. A truth that she had once known, but chose to forget. And she couldn't break free. So I decided to search for it. I went deep into the recess of her mind and found that secret place. And I broke in..
Christopher Nolan (Inception: The Shooting Script)
True inspiration is impossible to fake.
Arthur; Christopher Nolan
Song of Myself I have heard what the talkers were talking, the talk of the beginning and the end, But I do not talk of the beginning or the end. There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
Walt Whitman
You mustn't be afraid to dream a little bigger, darling.
Eames, Inception
Why humans kill each other is beyond my comprehension, but I can testify that you have been doing it since your inception. Only the weapons change.
Mitch Albom (The Magic Strings of Frankie Presto)
in the universal womb that is boundless space all forms of matter and energy occur as flux of the four elements, but all are empty forms, absent in reality: all phenomena, arising in pure mind, are like that. just as dream is a part of sleep, unreal in its arising, so all and everything is pure mind, never separated from it, and without substance or attribute. experience is neither mind nor anything but mind; it is a vivid display of emptiness, like magical illusion, in the very moment inconceivable and unutterable. all experience arising in the mind, at its inception, know it as emptiness!
Longchenpa
Caroline's lips thinned, her face flushed. "My husband, sir, has more secrets in his tiny, insignificant mind than the entire British War Department has had on file since its inception." She huffed with pure, disgusted outrage, lowering her gaze to the floor to murmur, "I'll kill him.
Adele Ashworth (My Darling Caroline)
Garfield's shooting had also revealed to the American people how vulnerable they were. In the little more than a century since its inception, the United States had become a powerful and respected country. Yet Americans suddenly realized that they still had no real control over their own fate. Not only could they not prevent a tragedy of such magnitude, they couldn't even anticipate it. The course of their lives could be changed in an instant, by a man who did not even understand what he had done.
Candice Millard (Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President)
The inception of human consciousness, the genesis of awareness, must have entailed prolonged 'condensations' around intractable nodes of wonder and terror, at the discriminations to be made between the self and the other, between being and non-being (the discovery of the scandal of death).
George Steiner (Real Presences)
One day or one night—between my days and nights, what difference can there be?—I dreamed that there was a grain of sand on the floor of my cell. Unconcerned, I went back to sleep; I dreamed that I woke up and there were two grains of sand. Again I slept; I dreamed that now there were three. Thus the grains of sand multiplied, little by little, until they filled the cell and I was dying beneath that hemisphere of sand. I realized that I was dreaming; with a vast effort I woke myself. But waking up was useless—I was suffocated by the countless sand. Someone said to me: You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of the grains of sand. The path that you are to take is endless, and you will die before you have truly awakened. I felt lost. The sand crushed my mouth, but I cried out: I cannot be killed by sand that I dream —nor is there any such thing as a dream within a dream. — Jorge Luis Borges, The Writing of the God
Jorge Luis Borges (The Aleph and Other Stories)
Be careful who you trust, for even the Devil was once an Angel.
Bianca Scardoni (Inception (The Marked, #1))
COBB: Our dreams feel real while we're in them. It's only when we wake we realize things were strange. Ariadne gestures around them- ARIADNE: But all the textures of real life-the stone, the fabric... cars... people... your mind can't create all this. COBB: It does. Every time you dream. Let me ask you a question: You never remember the beginning of your dreams, do you? You just turn up in the middle of what's going on. ARIADNE: I guess. COBB: So... how did we end up at this restaurant?
Christopher Nolan (Inception: The Shooting Script)
His kiss is a broken promise on borrowed time. His touch is faulty fuse struck with the hottest match. We possess all the potential in the world without an ounce of fulfillment. We are a lost cause, doomed before our inception.
Evie East (Dirty Halo)
Everything about the house was rich, and dense, and rooted. It was everything I wasn’t. Even the air, with its distinct smell of oak wood and sage, spoke to its identify and its history. I couldn’t help but feel small here. Overwhelmed. Incompatible.
Bianca Scardoni (Inception (The Marked, #1))
As there has been given, dreams are of different natures, and have their inception from influences either in the body, in the mind, or from the realm of activity without the body through the desires and purposes of the soul itself.
Edgar Evans Cayce
One misstep was all it took, and it all came crashing down. And they were right there waiting for it—eager and ready to bury me in the wreckage.
Bianca Scardoni (Inception (The Marked, #1))
EAMES: Shouldn't be afraid to dream a little bigger, Arthur- Eames lines up a shot with a grenade launcher. Fires- the sniper EXPLODES into the air- Arthur looks at Eames. EAMES: Shall we?
Christopher Nolan (Inception: The Shooting Script)
ARTHUR: What happened? ARIADNE: Cobb stayed. ARTHUR: With Mal? ARIADNE: No. To find Saito. Arthur looks out at the water below the bridge. ARTHUR: He'll be lost... ARIADNE: No. He'll be alright.
Christopher Nolan (Inception: The Shooting Script)
Our Ancestors came to Australia, foraged for food in a rain forest where AM grew, ate the AM, and suffered the effects of muscimol hallucinations in a cave and drew paintings of a religious nature and these paintings were confirmed at 50,000 years ago, at the exact inception of religion. This was done by a species that never had religion before that. Since the species would therefore have no religious content until they ate the hallucinogens, it follows that these AM were the start of religion.
Leviak B. Kelly (Religion: The Ultimate STD: Living a Spiritual Life without Dogmatics or Cultural Destruction)
Black people are not the descendants of kings. We are—and I say this with big pride—the progeny of slaves. If there’s any majesty in our struggle, it lies not in fairy tales but in those humble origins and the great distance we’ve traveled since. Ditto for the dreams of a separate but noble past. Cosby’s, and much of black America’s, conservative analysis flattens history and smooths over the wrinkles that have characterized black America since its inception.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
I hadn’t even left my room and already my day had taken a U-turn straight to hell.
Bianca Scardoni (Inception (The Marked, #1))
Because noting states of mind as they arise keep us present, it allows us to meet difficulties at their inception – before they become more real than we are.
Stephen Levine (A Year to Live: How to Live This Year as If It Were Your Last)
There were, sadly, some things that were just impossible to explain, like the plot of Inception and CrossFit.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
The most dangerous enemy is not the one who lingers behind you in the shadows, but the one who walks beside you as a friend. They shape the world around you with well-constructed lies, entombing you in the gossamer of their deceit. You’ll never know their true face, for they shed their masks in layers—meticulous and devious, like the skin of an ever-changing snake.
Bianca Scardoni (Inception (The Marked, #1))
To my mind, this embracing of what were unambiguously children's characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence. It looks to me very much like a significant section of the public, having given up on attempting to understand the reality they are actually living in, have instead reasoned that they might at least be able to comprehend the sprawling, meaningless, but at-least-still-finite 'universes' presented by DC or Marvel Comics. I would also observe that it is, potentially, culturally catastrophic to have the ephemera of a previous century squatting possessively on the cultural stage and refusing to allow this surely unprecedented era to develop a culture of its own, relevant and sufficient to its times.
Alan Moore
MAL: You killed me. Cobb looks at Mal. Whispers- COBB: I was trying to save you-I'm sorry. Mal comes in close to Cobb. Looks him over. MAL: You infected my mind. You betrayed me. But you can make amends. You can still keep your promise. We can still be together... right here. In our world. The world we built together.
Christopher Nolan (Inception: The Shooting Script)
I have heard what the talkers were talking . . . . the talk of the beginning and the end, But I do not talk of the beginning or the end. There was never any more inception than there is now, Nor any more youth or age than there is now; And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
Walt Whitman (Song of Myself)
In order to witness clearly the march of humanity from its inception to the present moment, an understanding of how humankind has held encounter with the divine as central is crucial. Ancient humanity provides us with an excellent laboratory for gaining such an understanding.
Roger D. Woodard
My friend, make sure that what you believe in your heart always points you back to Jesus and Jesus alone and not to yourself. Remember, it is all about His work, His doing, His performance, and His love in our lives. It never points back to you. Don’t be hoodwinked by those who move away from the pristine definition of grace as God’s unmerited favor and end up making it all about you and what you need to do. That’s not grace. Grace is God’s doing—from inception and all the way to the end. Grace is God’s doing—from inception and all the way to the end.
Joseph Prince (The Power of Right Believing: 7 Keys to Freedom from Fear, Guilt, and Addiction)
ARTHUR: The only way to wake up from inside the dream is to die.
Christopher Nolan (Inception: The Cobol Job)
A single idea from the human mind can build cities. An idea can transform the world and rewrite all the rules.
Leonardo DiCaprio
Each day of your life, as soon as you open your eyes in the morning, you can square away for a happy and successful day. It's the mood and the purpose at the inception of each day that are the important facts in charting your course for the day. We can always square away for a fresh start, no matter what the past has been. It's today that is the paramount problem always.
George Matthew Adams
Central to this understanding is the fact that schools are not failing. On the contrary, they are spectacularly successful in doing precisely what they are intended to do, and what they have been intended to do since their inception.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
The bars were singing, shaking; trying, he thought, to express some unutterable truth about themselves, which was that translation was impossible, that the realm of pure meaning they captured and manifested would and could not ever be known, that the enterprise of this tower had been impossible from inception.
R.F. Kuang (Babel)
When I want to move, I remember death, how it is ultimate and inevitable, and pure. Then I am free to move properly in life. It's like a man who wants to think, going and standing in front of a window. The space purifys ones' soul. And death is a window to me, with the darkness outside. And when I stand there, looking out, then the world and its active life seems only like a roomful of racket and light behind me, where I am taking part for a time, but not staying for long. It does not contain me and confine me. When I stand peacefully looking out on death, what is true in my soul disengages itself and is free and clear and untrammeled, I know what to do, I am sure, and free, and glad. Then I can turn into the world again"... "When one stands in front of the darkness, and knows that one's own life will pass away there also, into the darkness...then, in the peace that accompanies this knowledge, one can declare simply that the existing world of man is base and wrong, and must go, we know that our lives contain the inception of a new earth.." ..."Remembering death, I know the life of the world as it is now is not living, it is a bad process of dying. And what we must live for is a new world of life. It doesn't matter when we die, so long as we live fulfilling the deepest desire that is in us. And a life which is a denial of the deepest desire is much worse than any death, it is a sheer lie." "If one accepts death and knows that nothing can take us away from that, one has the freedom and strength to live in truth, putting down the lies that pretend they own our living. But one must have the pure knowledge of death behind one, before one has really faith to tackle life and falsity. Being sure in death I am strong in life. And so, in life, and in all the world of man, I have no master, save the deepest desire of my own soul, in which death and life are one.
D.H. Lawrence
ARIADNE: Why are they looking at me? COBB: Because you're changing things. My subconscious feels that someone else is creating the world. The more you change things, the quicker the projections converge on you. ARIADNE: Converge? COBB: They feel the foreign nature of the dreamer, and attack-like white blood cells fighting an infection. ARIADNE: They're going to attack us? COBB: Just you, actually.
Christopher Nolan (Inception: The Shooting Script)
For us, it was never about death. It was about life. Knowing that there was a way out, and that his suffering was not going to become unendurable, was the one thing that allowed Mr. Peterson to go on living, much longer than he would have otherwise wanted. It was the weeks leading up to our pact that were shrouded in darkness and despair; after its inception, life became a meaningful prospect once more.
Gavin Extence (The Universe Versus Alex Woods)
COBB: What do you want from us? SAITO: Inception. Arthur raises his eyebrows. Cobb is poker-faced. SAITO: Is it possible? ARTHUR: Of course not. SAITO: If you can steal an idea from someone's mind, why can't you plant one there instead? ARTHUR: Okay, here's planting an idea: I say to you, "Don't think about elephants." (Saito nods) What are you thinking about? SAITO: Elephants. ARTHUR: Right. But it's not your idea because you know I gave it to you. SAITO: You could plant it subconsciously- ARTHUR: The subject's mind can always trace the genesis of the idea. True inspiration is impossible to fake. COBB: No, it isn't. SAITO: Can you do it? COBB: I won't do it. SAITO: In exchange, I'll give you the information you were paid to steal. COBB: Are you giving me a choice? Because I can find my own way to square things with Cobol. SAITO: Then you do have a choice. COBB: And I choose to leave.
Christopher Nolan (Inception: The Shooting Script)
A trademark of something that works well, the cat body has hardly changed since its inception. Like with today's cats, their digestive systems could handle only flesh. The lesson of the cat is that if you are to become a full-fledged carnivore, you have to commit everything to it. A house cat fed vegetarian food will shrivel and die.
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
ARTHUR: (indicates rain) Couldn't you have peed before we went under? YUSUF: Sorry. The front door OPENS and Eames climbs in, soaked. EAMES: Bit too much free champagne before takeoff, Yusuf? YUSUF: Ha bloody ha.
Christopher Nolan (Inception: The Shooting Script)
ARTHUR: It'd have to be a 747. COBB: Why? ARTHUR: On a 747 the pilots are up above, first class is in the nose so nobody walks through the cabin. We'd have to buy out the whole cabin, and the first class flight attendant- SAITO: We bought the airline. Everyone turns to Saito. SAITO: It seemed... neater.
Christopher Nolan (Inception: The Shooting Script)
Someone other than I might have used the word “roots”. It is not part of my vocabulary. I don’t like the word, and I like even less the image it conveys. Roots burrow into the ground, twist in the mud, and thrive in darkness; they hold trees in captivity from their inception and nourish them at the price of blackmail: “Free yourself and you’ll die
Amin Maalouf (Orígenes)
Not that it mattered though. The truth seldom ever did in the face of a juicy lie.
Bianca Scardoni (Inception (The Marked, #1))
Doesn't the Federal Farm bill help out all these poor farmers? No. It used to, but ever since its inception just after the Depression, the Federal Farm Bill has slowly been altered by agribusiness lobbyists. It is now largely corporate welfare ... It is this, rather than any improved efficiency or productiveness, that has allowed corporations to take over farming in the United States, leaving fewer than a third of our farms still run by families. But those family-owned farms are the ones more likely to use sustainable techniques, protect the surrounding environment, maintain green spaces, use crop rotations and management for pest and weed controls, and apply fewer chemicals. In other words, they're doing exactly what 80 percent of U.S. consumers say we would prefer to support, while our tax dollars do the opposite.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
EAMES: Try this... "MY FATHER ACCEPTS THAT I WANT TO CREATE FOR MYSELF, NOT FOLLOW IN HIS FOOTSTEPS." COBB: That might work. ARTHUR: Might? We'll have to do better than that. EAMES: Thanks for the contribution, Arthur. ARTHUR: Forgive me for wanting a little specificity, Eames.
Christopher Nolan (Inception: The Shooting Script)
Most importantly, the very inception of the treatment itself necessarily induces a change in the patient's conscious attitude to his illness...that he does not listen carefully enough to what he obsessional ideas are saying to him, or does not grasp the real intention of his obsessional impulse.
Sigmund Freud (Remembering, Repeating and Working-through (Further recommendations on the technique of psycho-analysis))
Founded by President Truman at 12:01 A.M. on November 4, 1952, the NSA had been the most clandestine intelligence agency in the world for almost fifty years. The NSA's seven-page inception doctrine laid out a very concise agenda: to protect U.S. government communications and to intercept the communications of foreign powers. "The roof of the NSA's main operations building was littered with over five hundred antennas, including two large radomes that looked like enormous golf balls. The building itself was mammoth--over two million square feet, twice the size of CIA headquarters. Inside were eight million feet of telephone wire and eighty thousand square feet of permanently sealed windows.
Dan Brown
There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
Walt Whitman (Leaves of Grass)
I’ve always known the contours of your existence, the form you take between the stars. You are the inception and destruction of my sky. I will always be able to recognize you, even in the abysmal darkness.
Iris Lake (Meet Me in the Ether)
I tell you I'm tired of hearing it. There ain't nothing that happens to a person that ain't that person. The world out there only does what you tell it to do. The world is happening to you the way it is happening because you're telling yourself the story that way. If you want to change the world so damn bad, Ida, then where you got to start is how it is you're looking at it.
Tom Spanbauer (The Man Who Fell in Love with the Moon)
The strategy of this book, then, is to awaken us from the dream that the world is about to end, because action on Earth (the real Earth) depends on it. The end of the world has already occurred. We can be uncannily precise about the date on which the world ended. Convenience is not readily associated with historiography, nor indeed with geological time. But in this case, it is uncannily clear. It was April 1784, when James Watt patented the steam engine, an act that commenced the depositing of carbon in Earth’s crust—namely, the inception of humanity as a geophysical force on a planetary scale.
Timothy Morton (Hyperobjects: Philosophy and Ecology after the End of the World (Posthumanities Book 27))
The tides of time should be able to imprint the passing of the years on an object. The physical decay or natural wear and tear of the materials used does not in the least detract from the visual appeal, rather it adds to it. It is the changes of texture and colour that provide the space for the imagination to enter and become more involved with the devolution of the piece. Whereas modern design often uses inorganic materials to defy the natural ageing effects of time, wabi sabi embraces them and seeks to use this transformation as an integral part of the whole. This is not limited to the process of decay, but can also be found at the moment of inception, when life is taking its first fragile steps toward becoming.
Andrew Juniper (Wabi Sabi: The Japanese Art of Impermanence - Understanding the Zen Philosophy of Beauty in Simplicity)
There is this exceptionally beneficial and fruitful advantage to be derived from the study of the past, that you see, set in the clear light of historical truth, examples of every possible type. From these you may select for yourself and your country what to imitate, and also what, as being mischievous in its inception and disastrous in its issues, you are to avoid.
Livy (History of Rome (Complete))
In order to create an idea... to become an idea, it is a necessity for you to believe that it is your own idea. The idea will grow to define your entire life. And when you die... you don't.
Lionel Suggs
EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind... EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him. ARTHUR: (impressed) So he gives himself the idea. EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated. ARTHUR: Eames, I'm impressed. EAMES: Your condescension, as always, is much appreciated, Arthur.
Christopher Nolan (Inception: The Shooting Script)
The accepted version of history is that the Federal Reserve was created to stabilize our economy. One of the most widely-used textbooks on this subject says: "It sprang from the panic of 1907, with its alarming epidemic of bank failures: the country was fed up once and for all with the anarchy of unstable private banking."23 Even the most naive student must sense a grave contradiction between this cherished view and the System's actual performance. Since its inception, it has presided over the crashes of 1921 and 1929; the Great Depression of '29 to '39; recessions in '53, '57, '69, '75, and '81; a stock market "Black Monday" in '87; and a 1000% inflation which has destroyed 90% of the dollar's purchasing power.24
G. Edward Griffin (The Creature from Jekyll Island: A Second Look at the Federal Reserve)
What I have read of war suggests that the most devastating mistakes are often made either in war’s inception, when the front lines take their shapes, or after the surrender. In the latter case, exaltation and vendetta often have clouded victors’ judgments as they laid the architecture of their postwar worlds.
Ada Palmer (The Will to Battle (Terra Ignota, #3))
Out of the slaughter of some 20,000 Communards, out of military defeat and economic collapse, what had in fact emerged was a regime whose capacity for government had been doubtful from its inception. So much, indeed, was this the case that within three years a society brought to the brink of ruin was clamoring for a dictator.
Hannah Arendt (The Origins of Totalitarianism)
The tactics that the antis have used, for decade, have been so explicitly un-Christian (and I’m not just talking about the murder, arson, bombings, and other terrorist attacks that have stained the anti-abortion movement since its inception) that it seems to me a wonder that any faithful Christian would want any part of them.
Willie Parker (Life's Work: A Moral Argument for Choice)
Punk has been portrayed as music by and for angry white males, but in its inception, it was a rebellion against all rock cliches. Gender, ethnic, sexual and class taboos were all challenged by our early punk community and that is a story which is not very often told. People of color, queer folk, women—all were present from the very beginning of Punk.
Alice Bag
Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange.
Cobb
the mind can always trace the genesis of an idea... provided it has enough time to do so...
Dmitry Dyatlov
To understand why I jumped from the Mormon wagon train requires an understanding of what Mormons are and how they think. While Mormons have some quaint, quirky and fanatical ideas, they really aren't much different from millions of poor, guilt-ridden souls who, throughout the march of human history, have hitched their hopes to mass movements of one sort or another. Eric Hoffer, in his brilliant treatise, "The True Believer," explains the attraction of joining a cause: "A rising mass movement attracts and holds a following 'by the refuge it offers from the anxieties, barrenness and meaninglessness of an individual existence. It cures the poignantly frustrated by freeing them from their ineffectual selves--and it does this by enfolding and absorbing them into a closely knit and exultant corporate whole'. "Of all the cults and philosophies that competed in the Graeco-Roman world, Christianity alone developed from its inception a compact organization." Once I realized this, it wasn't much of a leap out of religion altogether once I flew the Mormon coop. I simply wanted to be free from organizational groupthink. I escaped from the stuffy attic of religion's "pray, pay and obey" mentality into journalism's open laboratory of "who, what, where, when and why.
Steve Benson
ARTHUR: He's out. ARIADNE: Wait, Cobb-I'm lost. Whose subconscious are we going into? COBB: Fischer's. I told him it was Browning's so he'd come with us as part of our team. ARTHUR: (impressed) He's going to help us break into his own subconscious. COBB: That's the idea. He'll think that his security is Browning's and fight them to learn the truth about his father.
Christopher Nolan (Inception: The Shooting Script)
وعلى هذا النحو، يصير التاريخ سجلاً لأعمال الأفراد من القادة والحكام، ويتوارى ذكر البشر والجماعات، بل يتم تهميشهم لصالح إجلاء صورة الحاكمين، فيكون الوعي العام المعاصر مهيأً لحشر الناس في الهامش لصالح أصحاب المصالح، على اعتبار أن تلك هي طبيعة الأشياء، والعبرة التي يؤكدها التاريخ
يوسف زيدان (دوامات التدين)
Resonance is a real 'here today' phenomena that just hasn't been looked at very carefully, and that is because of the (nonsense) that physicists have been putting out about 'energy' for decades. Electronic resonance has been used in radio tuners since their inception, while in the field of electric power resonance is avoided like the plague." "My system is not 'of the future' but here on this earth with all of the world's present problems." McKie said his real-world solid-state electronic system could be understood today, if physicists were not teaching that it cannot be achieved. "...When physicists decide to 'come clean' and say that they don't know it all, we'll all be a lot closer to the gleaming world that you are describing.
Jeane Manning (Breakthrough Power: How Quantum-Leap New Energy Inventions Can Transform Our World)
ARTHUR: How do we get out once we've made the plant? (to Cobb) I hope you've got something a little more elegant than shooting me in the head like last time. Arthur tilts back in his chair. Yusuf turns to Cobb. COBB: A kick. ARIADNE: What's a kick? Eames slips his foot under Arthur's chair leg. TIPS it- Arthur's legs SHOOT UP INSTINCTIVELY for balance- EAMES: That, Ariadne, would be a kick. COBB: That feeling of falling which snaps you awake. We use that to jolt ourselves awake once we're done.
Christopher Nolan (Inception: The Shooting Script)
SAITO: Care for a lift, Mr. Cobb? COBB: (jumping in) What brings you to Mombasa, Mr. Saito? SAITO: I have to protect my investment. Eames stands on pavement. The car pulls up. Cobb beckons from the rear window. Eames looks at Saito. Back to Cobb. EAMES: This your idea of losing a tail? COBB: (shrugs) Different tail.
Christopher Nolan (Inception: The Shooting Script)
In accordance with the law of accelerating returns, paradigm shift (also called innovation) turns the S-curve of any specific paradigm into a continuing exponential. A new paradigm, such as three-dimensional circuits, takes over when the old paradigm approaches its natural limit, which has already happened at least four times in the history of computation. In such nonhuman species as apes, the mastery of a toolmaking or -using skill by each animal is characterized by an S-shaped learning curve that ends abruptly; human-created technology, in contrast, has followed an exponential pattern of growth and acceleration since its inception.
Ray Kurzweil (The Singularity is Near: When Humans Transcend Biology)
ARIADNE: Do you use a timer? ARTHUR: No, I have to judge it myself. Once you're all asleep in room 528, I wait 'til Yusuf starts his kick... ARIADNE: How will you know? ARTHUR: His music warns me it's coming, then the van hitting the barrier of the bridge should be unmistakable-that's when I blow the floor out from underneath us and we get a nice synchronized kick. Too soon, and we won't get pulled out; too late and I won't be able to drop us. ARIADNE: Why not? ARTHUR: The van will be in free fall. I can't drop us without gravity.
Christopher Nolan (Inception: The Shooting Script)
Bankrupt when Hamilton took office, the United States now enjoyed a credit rating equal to that of any European nation. He had laid the groundwork for both liberal democracy and capitalism and helped to transform the role of the president from passive administrator to active policy maker, creating the institutional scaffolding for America’s future emergence as a great power. He had demonstrated the creative uses of government and helped to weld the states irreversibly into one nation. He had also defended Washington’s administration more brilliantly than anyone else, articulating its constitutional underpinnings and enunciating key tenets of foreign policy. “We look in vain for a man who, in an equal space of time, has produced such direct and lasting effects upon our institutions and history,” Henry Cabot Lodge was to contend. 62 Hamilton’s achievements were never matched because he was present at the government’s inception, when he could draw freely on a blank slate. If Washington was the father of the country and Madison the father of the Constitution, then Alexander Hamilton was surely the father of the American government.
Ron Chernow (Alexander Hamilton)
Maybe you know the backstory of Batman and so you know that story isn't a factual tale. However in its simplest form the story of Batman's inception is actually far more believable than the Bible in its simplest form. The only reason people buy the Bible story is because piled onto a simple story about a space wizard is all this other fluff to try and make it look like it has more substance than it really has. But if you strip away the fluff and say it straight you can see it for what it is.
Casper Rigsby (The Bible in a Nutshell)
EAMES: Word is, you're not welcome in these parts. COBB: Yeah? EAMES: There's a price on your head from Cobol Engineering. Pretty big one, actually. COBB: You wouldn't sell me out. Eames looks at Cobb, offended. EAMES: 'Course I would. COBB: (smiles) Not when you hear what I'm selling. A ramshackle balcony overlooking a busy street. Eames pours. COBB: Inception. Eames' glass stops halfway to his mouth. COBB: Don't bother telling me it's impossible. EAMES: It's perfectly possible. Just bloody difficult. COBB: That's what I keep saying to Arthur. EAMES: Arthur? You're still working with that stick-in-the-mud? COBB: He's a good point man. EAMES: The best. But he has no imagination. If you're going to perform inception, you need imagination. COBB: You've done it before? EAMES: Yes and no. We tried it. Got the idea in place, but it didn't take. COBB: You didn't plant it deep enough? EAMES: It's not just about depth. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
Christopher Nolan (Inception: The Shooting Script)
So many people overlook the small things. The way someone's laugh makes you smile. The way their eyes can captivate you. How the way they speak can enlighten you, encourage you, inspire you. A touch of their hand to yours. A quick kiss on the cheek. An 'I love you.
Jennifer Reinfried (Grim Inception (A Grim Trilogy, #0.5))
A billion years ago, not much happened over the course of even one million years. But a quarter-million years ago epochal events such as the evolution of our species occurred in time frames of just one hundred thousand years. In technology, if we go back fifty thousand years, not much happened over a one-thousand-year period. But in the recent past, we see new paradigms, such as the World Wide Web, progress from inception to mass adoption (meaning that they are used by a quarter of the population in advanced countries) within only a decade.
Ray Kurzweil (The Singularity is Near: When Humans Transcend Biology)
I walked hand in hand with my enemy, allowed their kiss of death to linger on my lips while the world disintegrated around me. I couldn’t see through the smoke and mirrors; too consumed with fighting a destiny I didn’t want; too afraid to let go of a life I wasn’t meant to have.
Bianca Scardoni (Inception (The Marked, #1))
From a Berkeley Notebook' ~Denis Johnson One changes so much from moment to moment that when one hugs oneself against the chill air at the inception of spring, at night, knees drawn to chin, he finds himself in the arms of a total stranger, the arms of one he might move away from on the dark playground. Also, it breaks the heart that the sign revolving like a flame above the gas station remembers the price of gas, but forgets entirely this face it has been looking at all day. And so the heart is exhausted that even the face of the dismal facts we wait for the loves of the past to come walking from the fire, the tree, the stone, tangible and unchanged and repentant but what can you do. Half the time I think about my wife and child, the other half I think how to become a citizen with an apartment, and sex too is quite on my mind, though it seems the women have no time for you here, for which in my larger, more mature moments I can’t blame them. These are the absolute Pastures I am led to: I am in Berkeley, California, trapped inside my body, I am the secret my body is going to keep forever, as if its secret were merely silence. It lies between two mistakes of the earth, the San Andreas and Hayward faults, and at night from the hill above the stadium where I sleep, I can see the yellow aurora of Telegraph Avenue uplifted by the holocaust. My sleeping bag has little cowboys lassoing bulls embroidered all over its pastel inner lining, the pines are tall and straight, converging in a sort of roof above me, it’s nice, oh loves, oh loves, why aren’t you here? Morgan, my pyjamas are so lonesome without the orangutans—I write and write, and transcend nothing, escape nothing, nothing is truly born from me, yet magically it’s better than nothing—I know you must be quite changed by now, but you are just the same, too, like those stars that keep shining for a long time after they go out—but it’s just a light they touch us with this evening amid the fine rain like mist, among the pines.
Denis Johnson (The Incognito Lounge: And Other Poems)
From its inception patriarchy has relied on salvation narrative to underwrite its program of genocide, ecocide, sexual repression, child abuse, social domination, and spiritual control. This script works beautifully for the dominator agenda because it was deliberately written for it. How can a story about love, forgiveness and divine benevolence endorse the perpetration of evil? This seems impossible and against all reason, until we realize that the story is not what it appears to be. The salvation narrative of the Bible is a story of perpetration, conceived to support and legitimate the dominator agenda. History shows that the religious ideals attached to salvation narrative have consistently been used to legitimate violence, rape, genocide, and destruction of the natural world…In the final balance the people who commit and promote violence and murder in the expression of religious beliefs may be a minute fraction of the faithful, but they are the ones who determine the course of events, shape history, affect society, and threaten the biosphere…To dissociate from the salvation narrative would be the most effective way for peace-loving people to end their complicity in the dominator agenda.
John Lamb Lash (Not in His Image: Gnostic Vision, Sacred Ecology, and the Future of Belief)
The tides of time should be able to imprint the passing of the years on an object. They physical decay or natural wear and tear of the materials used does not in the least detract from the visual appeal, rather it adds to it. It is the changes of texture and colour that provide the space for the imagination to enter and become more involved with the devolution of the piece. Whereas modern design often uses inorganic materials to defy the natural ageing effects of time, wabi sabi embraces them and seeks to use this transformation as an integral part of the whole. This is not limited to the process of decay, but can also be found at the moment of inception, when life is taking its first fragile steps toward becoming.
Andrew Juniper (Wabi Sabi: The Japanese Art of Impermanence - Understanding the Zen Philosophy of Beauty in Simplicity)
Every morning I wake up to have the same hope, that mankind had survived its own greed, its own desire to self-destruct, its own monopoly to destroy the environment regardless of the consequences, its own religious and ideological dogma that kept it in turmoil since inception….I listen to the morning news to find out that nothing had changed, and realize more certainly that we are living on a barrowed time, and sometime in the future, if we wake up there will be fewer and fewer of us who will wonder but never learn what went wrong….this is human history, keep repeating itself in destruction, greed and chaos, at the best of times it is organized chaos….and at the worst of time it is mayhem, all to serve the few….who leaves crumbs for us to continue the cycle…
Husam Wafaei (Honourable Defection)
EAMES: There's a man here. Yusuf. He formulates his own versions of the compound. COBB: Let's go see him. EAMES: Once you've lost your tail. (Cobb reacts) Back by the bar, blue tie. Came in about two minutes after we did. COBB: Cobol Engineering? EAMES: They pretty much own Mombasa. Cobb glances over the balcony. COBB: Run interference. We'll meet downstairs in half an hour. EAMES: Back here? COBB: Last place they'd expect. Eames downs his drink. Rises. Walks over to the Businessman. EAMES: Freddy! The Businessman looks up, awkward. EAMES: Freddy Simmonds, it is you! Cobb nonchalantly SLIPS over the balcony DROPPING HARD into the midst of the crowd on the street below. EAMES: (looks harder) Oh. No, it isn't. The Businessman looks past Eames but Cobb has vanished.
Christopher Nolan (Inception: The Shooting Script)
In 1970, Alix Kates Shulman, a wife, mother, and writer who had joined the Women's Liberation Movement in New York, wrote a poignant account of how the initial equality and companionship of her marriage had deteriorated once she had children. "[N]ow I was restricted to the company of two demanding preschoolers and to the four walls of an apartment. It seemed unfair that while my husband's life had changed little when the children were born, domestic life had become the only life I had." His job became even more demanding, requiring late nights and travel out of town. Meanwhile it was virtually impossible for her to work at home. "I had no time for myself; the children were always there." Neither she nor her husband was happy with the situation, so they did something radical, which received considerable media coverage: they wrote up a marriage agreement... In it they asserted that "each member of the family has an equal right to his/her own time, work, values and choices... The ability to earn more money is already a privilege which must not be compounded by enabling the larger earner to buy out of his/her duties and put the burden on the one who earns less, or on someone hired from outside." The agreement insisted that domestic jobs be shared fifty-fifty and, get this girls, "If one party works overtime in any domestic job, she/he must be compensated by equal work by the other." The agreement then listed a complete job breakdown... in other worde, the agreement acknowledged the physical and the emotional/mental work involved in parenting and valued both. At the end of the article, Shulman noted how much happier she and her husband were as a result of the agreement. In the two years after its inception, Shulman wrote three children's books, a biography and a novel. But listen, too, to what it meant to her husband, who was now actually seeing his children every day. After the agreement had been in effect for four months, "our daughter said one day to my husband, 'You know, Daddy, I used to love Mommy more than you, but now I love you both the same.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Thus the pace, justification and mode of implementation of the genocide changed repeatedly from its inception in the summer of 1941. Examining the origins of 'the final solution' in terms of a process rather than a single decision uncovers a variety of impulses given by the Nazi leadership in general, and Hitler and Himmler in particular, to the fight against the supposed global enemy of the Germans. Overriding all of them, however, was the memory of 1918, the belief that the Jews, wherever and whoever they might be, threatened to undermine the German war effort, by engaging in subversion, partisan activities, Communist resistance movements and much else besides. What drove the exterminatory impulses of the Nazis, at every level of the hierarchy, was not the kind of contempt that stamped millions of Slavs as dispensable subhumans, but an ideologically pervasive mixture of fear and hatred, which blamed the Jews for all of Germany's ills, and sought their destruction as a matter of life and death, in the interests of Germany's survival.
Richard J. Evans (The Third Reich at War (The History of the Third Reich, #3))
The Rothschilds have been closely involved with the global elite since the inception of this group. The oldest known Rothschild went by the name of Uri Feibesch who lived in the early sixteenth century. His great great great grandson was Moses Bauer, who lived in the early eighteenth century. A well-known ancestor of this banking family was Mayer Amschel Bauer, an asset manager in Frankfurt am Main. Among other things he represented the money and assets of sovereign Wilhelm von Hessen. He became very rich, because he attended to the conveyance of the capital that belonged to this sovereign during the French Revolution. Mayer Amschel Bauer chose, without exception, women from very influential families that belonged to the global elite, for his sons. In the same way, his daughters married prominent bankers who also belonged to the global elite. All these families acted in the same way as the royal families: they married amongst themselves. Bauer’s sons were known as the “five Frankfurter”: they became bankers of five European countries.
Robin de Ruiter (Worldwide Evil and Misery - The Legacy of the 13 Satanic Bloodlines)
But then they hand you your beautiful baby, and the baby gazes up at you and says hello, and your heart just melts.” “It talks?” Sophie asked, then remembered Alden telling her months earlier that elvin babies spoke from birth. It sounded even stranger now that she could picture it. “Your speaking caused quite the uproar,” Mr. Forkle told her. “Though luckily no one could understand the Enlightened Language, so they thought you were babbling. I spent the majority of your infancy inventing excuses for the elvin things you did.” “Okay,” Sophie said, wishing he’d stop with the weird-info overload. “But what I mean is . . . I’ve been counting my age from my birthday.” Mr. Forkle didn’t look surprised. “Why didn’t you tell me?” she asked. “How could I? Humans built everything around their birthdays. As long as you were living with them I had to let you do the same. And since you’ve been in the Lost Cities, we’ve had so little contact. I assumed someone would notice, since your proper ID is on your Foxfire record—and in the registry. But I don’t think anyone realized you were counting differently.” “Alden wouldn’t have thought to check,” Della agreed. “Neither of us knew humans didn’t count inception.” “So wait,” Biana jumped in, “does that mean that by our rules Sophie is—” “Thirty-nine weeks older than she’s been saying,” Mr. Forkle finished for her. Fitz cocked his head as he stared at Sophie, like everything had turned sideways. “So then you’re not thirteen . . .” “Not according to the way we count,” Mr. Forkle agreed. “Going by Sophie’s ID, she’s fourteen and a little more than five months old.” Keefe laughed. “Only Foster would find a way to age nine months in a day. Also, welcome to the cool fourteen-year-olds club!” He held out his hand for a high five.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
Amanda Gorman