Inception Film Quotes

the mind can always trace the genesis of an idea... provided it has enough time to do so...

One of the things that sets Interstellar apart from other sci-fi movies is its lineup of executive producers. There’s Jordan Goldberg (Batman, Inception), Jake Myers (The Revenant), and Thomas Tull (Jurassic World). And then there’s Kip Thorne, emeritus Feynman Professor of Theoretical Physics at the California Institute of Technology in Pasadena. Not many theoretical physicists moonlight as film producers.

1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).

The world is one Matrix, you don't realise it but it's the truth. It's well shown in the films like Matrix 1,2,3 and Inception!

Latinx artists both in front of and behind the cameras are committed to creating entertaining, compelling stories, unforgettable characters, and indelible images of humanity that will bring a greater understanding of the society and the world we live in. They have a long history in the evolving art of motion pictures since its inception and are taking a more prominent place in the present and future of Hollywood and the world’s cinematic landscape.

On the other hand, you have people like me, who aren’t quite sure what they’re going to be when they grow up, only—as the twelve-year-old recommended—a list of things they’d like to learn about this year. I recently came across a quote from Christopher Nolan—writer and director of films like Inception, Interstellar, and The Dark Knight—on finding a next project. “For me, it’s all about trying new things,” he said. “If you’re going to write, you want to read a lot before you write, without any purpose.” Of course, the purpose is to find something that stimulates you but that you couldn’t have known to look for—an interest you didn’t know you had. I think I’ll take that advice.

Since the Cinémathèque had emerged from a film society, their main focus was always to be on exhibition. Neither the British Film Institute nor the Museum of Modern Art had dedicated premises for showing films until several years after their inception, but the Cinémathèque from day one was all about presentation.