In The Sphere Of Silence Quotes

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doctors were policing women who stepped outside society’s strictly defined gender spheres—work and intellect for men, home and children for women—in what could be described as a “medicalization of female behavior.
Kate Moore (The Woman They Could Not Silence: One Woman, Her Incredible Fight for Freedom, and the Men Who Tried to Make Her Disappear)
Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows -- then let your heart say in silence, "God rests in reason." And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky -- then let your heart say in awe, "God moves in passion." And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.
Kahlil Gibran
What is serious to men is often very trivial in the sight of God. What in God might appear to us as "play" is perhaps what he Himself takes most seriously. At any rate, the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash--at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance. For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not. Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.
Thomas Merton (New Seeds of Contemplation)
For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence -- on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed. It conducts the Cold War, in short, with a war-time discipline no democracy would ever hope or wish to match.
John F. Kennedy
The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness. But it does not matter much because no despair of ours can alter the reality of things, or stain the joy of the cosmic dance which is always there.
Thomas Merton
History is a narrative enterprise, and the telling of stories that are true, that affirm and explain our existence, is the fundamental task of the historian. But truth is delicate, and it has many enemies. Perhaps that is why, although we academics are supposedly in the business of pursuing the truth, the word “truth” is rarely uttered without hedges, adornments, and qualifications. Every time we tell a story about a great atrocity, like the Holocaust or Pingfang, the forces of denial are always ready to pounce, to erase, to silence, to forget. History has always been difficult because of the delicacy of the truth, and denialists have always been able to resort to labeling the truth as fiction. One has to be careful, whenever one tells a story about a great injustice. We are a species that loves narrative, but we have also been taught not to trust an individual speaker. Yes, it is true that no nation, and no historian, can tell a story that completely encompasses every aspect of the truth. But it is not true that just because all narratives are constructed, that they are equally far from the truth. The Earth is neither a perfect sphere nor a flat disk, but the model of the sphere is much closer to the truth. Similarly, there are some narratives that are closer to the truth than others, and we must always try to tell a story that comes as close to the truth as is humanly possible. The fact that we can never have complete, perfect knowledge does not absolve us of the moral duty to judge and to take a stand against evil.
Ken Liu (The Paper Menagerie and Other Stories)
لا تسأل الخالق أن يقود خطاك إذا لم ترغب في تحريك أقدامك، ولكي يأخذ بيدك عندما تسقط، ذلك يتطلب ان تتحرك أنت أولا.
Vijay Eswaran (In the Sphere of Silence (English and Dutch Edition))
The reach of vibrations is according to the fineness of the plane of their starting-point. To speak more plainly, the word uttered by the lips can only reach the ears of the hearer; but the thought proceeding from the mind reaches far, shooting from mind to mind. The vibrations of mind are much stronger than those of words. The earnest feelings of one heart can pierce the heart of another; they speak in the silence, spreading out into the sphere, so that the very atmosphere of a person's presence proclaims his thoughts and emotions. The vibrations of the soul are the most powerful and far-reaching, they run like an electric current from soul to soul.
Hazrat Inayat Khan (The Mysticism of Music, Sound and Word (The Sufi Teachings of Hazrat Inayat Khan Book 2))
The very word "secrecy" is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of "clear and present danger," then I can only say that the danger has never been more clear and its presence has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.
John F. Kennedy
Fine,' I grumbled. 'Maybe the Arrow of Dodona can help jog my memory. At least he insults me in flowery Shakespearean language.' I drew the arrow from my quiver. 'O prophetic missile, I need your guidance!' There was no answer. I wondered if the arrow had been lolled to sleep by the magic surrounding the storage container. Then I realized there was a simpler explanation. I returned the arrow to my quiver and pulled out a different one. 'You chose the wrong arrow, didn't you?' Meg guessed. 'No!' I snapped. 'You just don't understand my process. I'm going back into the sphere of silence now.' 'But -' I marched away before Meg could finish.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Kaladin spun through the last motions of the kata, chasm forgotten, bridgemen forgotten, fatigue forgotten. For a moment, it was just him. Him and the wind. He fought with her, and she laughed. He snapped the spear back into place, holding the haft at the one-quarter position, spearhead down, bottom of the haft tucked underneath his arm, end rising back behind his head. He breathed in deeply, shivering. Oh, how I’ve missed that. He opened his eyes. Sputtering torchlight revealed a group of stunned bridgemen standing in a damp corridor of stone, the walls wet and reflecting the light. Moash dropped a handful of spheres in stunned silence, staring at Kaladin with mouth agape. Those spheres plopped into the puddle at his feet, causing it to glow, but none of the bridgemen noticed. They just stared at Kaladin, who was still in a battle stance, half crouched, trails of sweat running down the sides of his face. He blinked, realizing what he’d done. If word got back to Gaz that he was playing around with spears…Kaladin stood up straight and dropped the spear into the pile of weapons. “Sorry,” he whispered to it, though he didn’t know why. Then, louder, he said, “Back to work! I don’t want to be caught down here when night falls.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Within the caves of deepest longing Echoes the sounds of majestic eve! Upon the sphere of bright white skies Spreads the paint of evening colours! Silence divine, Penetrates deep Onto the void of ethereal joy! All I have is a bundle of letters That would sound nothing definite! Hold my arms to touch my warmth, O dear, whisper on my ears soft, Is silence the fall of words or Are words the wreck of silence?
Preeth Padmanabhan Nambiar (The Solitary Shores)
Every gesture, every word, and even the silence of those with whom she came in contact, implied, and often expressed, that she was banished, and as much alone as if she inhabited another sphere, or communicated with the common nature by other organs and senses than the rest of human kind.
Nathaniel Hawthorne (The Scarlet Letter)
How solemnly pervading the calm air! A sound of silence on the startled ear Which dreamy poets name "the music of the sphere." Ours is a world of words: Quiet we call "Silence"—which is the merest word of all.
Edgar Allan Poe (Al Aaraaf, Tamerlane and Minor Poems)
عندما تتعلم ان تحب ما تكافح من أجله، عندها تهون المشقة
Vijay Eswaran (In the Sphere of Silence (English and Dutch Edition))
I paused to listen to the silence. My breath, crystallized as it passed my cheeks, drifted on a breeze gentler than a whisper. The wind vane pointed toward the South Pole. Presently the wind cups ceased their gentle turning as the cold killed the breeze. My frozen breath hung like a cloud overhead. The day was dying, the night being born — but with great peace. Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence — a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps. It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man's oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance — that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was rightfully a part of that cosmos as were the day and night.
Richard Evelyn Byrd
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson
For most of the twentieth century, it was the study of combat veterans that led to the development of a body of knowledge about traumatic disorders. Not until the women's liberation movement of the 1970s was it recognized that the most common post-traumatic disorders are not those of men in war but of women in civilian life. The real conditions of women's lives were hidden in the sphere of the personal, in private life. The cherished value of privacy created a powerful barrier to consciousness and rendered women's reality practically invisible. To speak about experiences in sexual or domestic life was to invite public humiliation, ridicule, and disbelief. Women were silenced by fear and shame, and the silence of women gave license to every form of sexual and domestic exploitation. Women did not have a name for the tyranny of private life. It was difficult to recognize that a well-established democracy in the public sphere could coexist with conditions of primitive autocracy or advanced dictatorship in the home.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
The very word "secrecy" is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of "clear and present danger," then I can only say that the danger has never been more clear and its presence has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.
ohn F. Kennedy
When finally the sky grew ink-black, the trees were visible only as their swaying branches blotted out the stars that crossed in blazing showers, as sometimes they do. The language of the stars, seldom read and heeded less, told beautifully and in silence of all the victories that had ever been won and all the defeats ever suffered. In uncountable lines of light across the widest sphere, the stars spoke of everything notable even down to a leaf blowing rhythmically in the wind.
Mark Helprin (Freddy and Fredericka)
Words were his delight; Hers, a gay gracefulness Of dancing and moving. But when to the place Of deep loving (Starlight at midnight) At last they came, Their full communion And consummation, Their complete sphere, Was stillness for her, Silence for him.
Theodore Spencer
You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness
Béla Tarr
SOCRATES. Silence, old man, give heed to the prayers.... Oh! most mighty king, the boundless air, that keepest the earth suspended in space, thou bright Aether and ye venerable goddesses, the Clouds, who carry in your loins the thunder and the lightning, arise, ye sovereign powers and manifest yourselves in the celestial spheres to the eyes of the sage.
Aristophanes (The Clouds)
Bring forth the fires of abyssal flames. Let lose the legion of demonic entities to ravage the earth. Let the harp of Nero sing praise to the chants of fallen deities once again. Let the silence of angles carve out the hearts of false believers. Come forth, Child of Tarot, of wander and signs, release your plague and terror upon the sphere of leprosy lambs that govern this world.
D.L. Lewis
Oh, Beauty, passing beauty Oh, Beauty, passing beauty! sweetest Sweet! How canst thou let me waste my youth in sighs? I only ask to sit beside thy feet. Thou knowest I dare not look into thine eyes, Might I but kiss thy hand! I dare not fold My arms about thee ­ scarcely dare to speak. And nothing seems to me so wild and bold, As with one kiss to touch thy blessed cheek. Methinks if I should kiss thee, no control Within the thrilling brain could keep afloat The subtle spirit. Even while I spoke, The bare word KISS hath made my inner soul To tremble like a lutestring, ere the note Hath melted in the silence that it broke. But were I loved, as I desire to be, What is there in the great sphere of the earth, And range of evil between death and birth, That I should fear ­ if I were loved by thee? All the inner, all the outer world of pain Clear Love would pierce and cleave, if thou wert mine, As I have heard that, somewhere in the main, Fresh water-springs come up through bitter brine. 'Twere joy, not fear, clasped hand in hand with thee, To wait for death ­ mute ­ careless of all ills, Apart upon a mountain, though the surge Of some new deluge from a thousand hills Flung leagues of roaring foam into the gorge Below us, as far on as eye could see.
Alfred Tennyson
Confusion has seized us, and all things go wrong, The women have leaped from “their spheres,” And, instead of fixed stars, shoot as comets along, And are setting the world by the ears!… They’ve taken a notion to speak for themselves, And are wielding the tongue and the pen… Now, misses may reason, and think, and debate, Till unquestioned submission is quite out of date… Like the devils of Milton, they rise from each blow, With spirit unbroken, insulting the foe. —Maria Weston Chapman, 18402
Kate Moore (The Woman They Could Not Silence: One Woman, Her Incredible Fight for Freedom, and the Men Who Tried to Make Her Disappear)
And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father. Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold. Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.
Iris Murdoch (The Sea, the Sea)
Grigory understands the power of the unspoken. To progress is to become fluent in the language. His rise in stature increased its pace when Grigory noticed that people in positions of power could hold almost an entire conversation with only a few simple words. He gained influence by understanding what his older, more junior colleagues did not: that power lurks in silences, in whispered conversations in the corner of a room, in contained gestures: a dip of the head, a pat of the forearm. It has often struck him that the most powerful men he has met also have the greatest range of physical articulations, a vital ability in a sphere where a misinterpreted comment can end even the most celebrated of careers.
Darragh McKeon (All That Is Solid Melts Into Air)
They taught that men have two souls, of separate and quite different natures: the one perishable--the Astral Soul, or the inner, fluidic body--the other incorruptible and immortal--the Augoeides, or portion of the Divine Spirit; that the mortal or Astral Soul perishes at each gradual change at the threshold of every new sphere, becoming with every transmigration more purified. The astral man, intangible and invisible as he might be to our mortal, earthly senses, is still constituted of matter, though sublimated. Aristotle, notwithstanding that for political reasons of his own he maintained a prudent silence as to certain esoteric matters, expressed very clearly his opinion on the subject. It was his belief that human souls are emanations of God, that are finally re-absorbed into Divinity. Zeno, the founder of the Stoics, taught that there are "two eternal qualities throughout nature: the one active, or male; the other passive, or female: that the former is pure, subtile ether, or Divine Spirit; the other entirely inert in itself till united with the active principle. That the Divine Spirit acting upon matter produced fire, water, earth, and air; and that it is the sole efficient principle by which all nature is moved. The Stoics, like the Hindu sages, believed in the final absorption. St. Justin believed in the emanation of these souls from Divinity, and Tatian, the Assyrian, his disciple, declared that "man was as immortal as God himself." *
Helena Petrovna Blavatsky
This,” said Slartibartfast, “is where we make most of our planets, you see.” “You mean,” said Arthur, trying to form the words, “you mean you’re starting it all up again now?” “No no, good heavens, no,” exclaimed the old man, “no, the Galaxy isn’t nearly rich enough to support us yet. No, we’ve been awakened to perform just one extraordinary commission for very … special clients from another dimension. It may interest you … there in the distance in front of us.” Arthur followed the old man’s finger till he was able to pick out the floating structure he was pointing out. It was indeed the only one of the many structures that betrayed any sign of activity about it, though this was more a subliminal impression than anything one could put one’s finger on. At that moment, however, a flash of light arced through the structure and revealed in stark relief the patterns that were formed on the dark sphere within. Patterns that Arthur knew, rough blobby shapes that were as familiar to him as the shapes of words, part of the furniture of his mind. For a few seconds he sat in stunned silence as the images rushed around his mind and tried to find somewhere to settle down and make sense. Part of his brain told him that he knew perfectly well what he was looking at and what the shapes represented while another quite sensibly refused to countenance the idea and abdicated responsibility for any further thinking in that direction. The flash came again, and this time there could be no doubt. “The Earth …” whispered Arthur. “Well, the Earth Mark Two in fact,” said Slartibartfast cheerfully. “We’re making a copy from our original blueprints.” There was a pause. “Are you trying to tell me,” said Arthur, slowly and with control, “that you originally … made the Earth?
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
It is they—the "Seven Hosts"—who, having "considered in their Father (divine Thought) the plan of the operator," as says Pyrnander, desired to operate (or build the world with its creatures) likewise; for, having been born "within the sphere of operation"—the manifesting Universe -- such is the Manvantaric LAW. And now comes the second portion of the passage, or rather of two passages merged into one to conceal the full meaning. Those who were born within the sphere of operation were "the brothers who loved him well." The latter—the "him"—were the primordial angels: the Asuras, the Ahriman, the Elohim—or "Sons of God," of whom Satan was one—all those spiritual beings who were called the "Angels of Darkness," because that darkness is absolute light, a fact now neglected if not entirely forgotten in theology. Nevertheless, the spirituality of those much abused "Sons of Light" which is Darkness, must be evidently as great in comparison with that of the Angels next in order, as the ethereality of the latter would be, when contrasted with the density of the human body. The former are the "First-born"; therefore so near to the confines of pure quiescent Spirit as to be merely the "PRIVATIONS" -- in the Aristotelian sense—the ferouers or the ideal types of those who followed. They could not create material, corporeal things; and, therefore, were said in process of time to have refused to create, as commanded by "God" -- otherwise, TO HAVE REBELLED. Perchance, this is justified on that principle of the Scientific theory which teaches us about light and sound and the effect of two waves of equal length meeting. "If the two sounds be of the same intensity, their coincidence produces a sound four times the intensity of either, while their interference produces absolute silence." Explaining some of the "heresies" of his day,
Helena Petrovna Blavatsky (The Secret Doctrine - Volume II, Anthropogenesis)
In all her intercourse with society, however, there was nothing that made her feel as if she belonged to it. Every gesture, every word, and even the silence of those with whom she came in contact, implied, she inhabited another sphere, or communicated with the common nature apart from moral interests, yet close beside them, like a ghost that revisits the familiar fireside, and can no longer make itself seen or felt; no more smile with the household joy, nor mourn with the kindred sorrow; or, should it succeed in manifesting its forbidden sympathy, awaken only terror and horrible repugnance. These emotions, in fact, and its bittersweet scorn besides, seemed to be the sole partition that she retained in the universal heart. It was not an age of delicacy; and her position, although she understood it well, and she was in little danger of forgetting it, was often brought before her vivid self-perception, like a new anguish, by the rudest touch upon the tenderest spot.
Nathaniel Hawthorne (The Scarlet Letter)
Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses"). The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to personal interpretation, and occasionally controversial. Within the arts, music may be classified as a performing art, a fine art, and auditory art. It may also be divided among art music and folk music. There is also a strong connection between music and mathematics. Music may be played and heard live, may be part of a dramatic work or film, or may be recorded. To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound. Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be.
Music (Sing for Joy Songbook)
Not that there is no distress. Terrible movements, laws that underpin and organize tragedy and genocide, gods that present themselves in the guise of death and destitution, monsters lying in wait, corpses coming and going on the tide, infernal powers, threats of all sorts, abandonments, events without response, monstrous couplings, blind waves, impossible paths, terrible forces that every day tear human beings, animals, plants, and things from their sphere of life and condemn them to death: all these are present. But what is missing, far from the dead ends, random observations, and false dilemmas (Afrocentrism vs. Africanism), is any sign of radical questioning. For what Africa as a concept calls fundamentally into question is the manner in which social theory has hitherto reflected on the problem (observable also elsewhere) of the collapse of worlds, their fluctuations and tremblings, their about-turns and disguises, their silences and murmurings. Social theory has failed also to account for time as lived, not synchronically or diachronically, but in its multiplicity and simultaneities, its presence and absences, beyond the lazy categories of permanence and change beloved of so many historians.
Achille Mbembe (On the Postcolony (Studies on the History of Society and Culture Book 41))
Nothing is more certain than that a general profligacy and corruption of manners make a people ripe for destruction. A good form of government may hold the rotten materials together for some time, but beyond a certain pitch, even the best constitution will be ineffectual, and slavery must ensue. On the other hand, when the manners of a nation are pure, when true religion and internal principles maintain their vigour, the attempts of the most powerful enemies to oppress them are commonly baffled and disappointed. . . . [H]e is the best friend to American liberty, who is most sincere and active in promoting true and undefiled religion, and who sets himself with the greatest firmness to bear down profanity and immorality of every kind. Whoever is an avowed enemy to God, I scruple not to call him an enemy to his country. Do not suppose, my brethren, that I mean to recommend a furious and angry zeal for the circumstantials of religion, or the contentions of one sect with another about their peculiar distinctions. I do not wish you to oppose any body’s religion, but every body’s wickedness. Perhaps there are few surer marks of the reality of religion, than when a man feels himself more joined in spirit to a true holy person of a different denomination, than to an irregular liver of his own. It is therefore your duty in this important and critical season to exert yourselves, every one in his proper sphere, to stem the tide of prevailing vice, to promote the knowledge of God, the reverence of his name and worship, and obedience to his laws. . . . Many from a real or pretended fear of the imputation of hypocrisy, banish from their conversation and carriage every appearance of respect and submission to the living God. What a weakness and meanness of spirit does it discover, for a man to be ashamed in the presence of his fellow sinners, to profess that reverence to almighty God which he inwardly feels: The truth is, he makes himself truly liable to the accusation which he means to avoid. It is as genuine and perhaps a more culpable hypocrisy to appear to have less religion than you really have, than to appear to have more. . . . There is a scripture precept delivered in very singular terms, to which I beg your attention; “Thou shalt not hate thy brother in thy heart, but shalt in any wise rebuke him, and not suffer sin upon him.” How prone are many to represent reproof as flowing from ill nature and surliness of temper? The spirit of God, on the contrary, considers it as the effect of inward hatred, or want of genuine love, to forbear reproof, when it is necessary or may be useful. I am sensible there may in some cases be a restraint from prudence, agreeably to that caution of our Saviour, “Cast not your pearls before swine, lest they trample them under their feet, and turn again and rent you.” Of this every man must judge as well as he can for himself; but certainly, either by open reproof, or expressive silence, or speedy departure from such society, we ought to guard against being partakers of other men’s sins.
John Witherspoon
If someone publishes an essay, or tells a joke, or performs a play that forwards a problematic idea the U.S. government generally wouldn't try to stop that person from doing so. Even if they could. If the expression doesn't involve national security the government generally doesn't give a shit. But, if enough vocal consumers are personally offended, they can silence that artist just as effectively. They can petition advertisers and marginalize the artist's reception and economically remove that individual from whatever platform he or she happens to utilize simply because there are no expression based platforms that don't have an economic underpinning. It's one of those situations where the practical manifestation is the opposite of the technical intention. As Americans we tend to look down on European countries that impose legal limitations on speech. Yet as long as speakers in those countries stay within the specified boundaries discourse is allowed relatively unfettered, even when it's unpopular. In the U.S., there are absolutely no speech boundaries imposed by the government. So the citizenry creates its own limitations based on the arbitrary values of whichever activist group is most successful at inflicting its worldview upon an economically fragile public sphere. As a consequence, the United States is a safe space for those who want to criticize the government, but a dangerous place for those who want to advance unpopular thoughts about any other subject that could be deemed insulting or discomforting. Some would argue that this trade off is worth it. Time may prove otherwise.
Chuck Klosterman (But What If We're Wrong? Thinking About the Present As If It Were the Past)
In all her intercourse with society, however, there was nothing that made her feel as if she belonged to it. Every gesture, every word, and even the silence of those with whom she came in contact, implied, and often expressed, that she was banished, and as much alone as if she inhabited another sphere, or communicated with the common nature by other organs and senses than the rest of human kind. She stood apart from moral interests, yet close beside them, like a ghost that revisits the familiar fireside, and can no longer make itself seen or felt; no more smile with the household joy, nor mourn with the kindred sorrow; or, should it succeed in manifesting its forbidden sympathy, awakening only terror and horrible repugnance. These emotions, in fact, and its bitterest scorn besides, seemed to be the sole portion that she retained in the universal heart. It was not an age of delicacy; and her position, although she understood it well, and was in little danger of forgetting it, was often brought before her vivid self-perception, like a new anguish, by the rudest touch upon the tenderest spot. The poor, as we have already said, whom she sought out to be the objects of her bounty, often reviled the hand that was stretched forth to succor them. Dames of elevated rank, likewise, whose doors she entered in the way of her occupation, were accustomed to distil drops of bitterness into her heart; sometimes through that alchemy of quiet malice, by which women can concoct a subtle poison from ordinary trifles; and sometimes, also, by a coarser expression, that fell upon the sufferer's defenceless breast like a rough blow upon an ulcerated wound.
Nathaniel Hawthorne (The Scarlet Letter)
Due west, halfway to the zenith, Venus was an unblinking diamond; and opposite her, in the eastern sky, was a brilliant twinkling star set off exquisitely, as was Venus, in the sea of blue. In the northeast a silver-green serpentine aurora pulsed and quivered gently. In places the Barrier's whiteness had the appearance of dull platinum. It was all delicate and illusive. The colors were subdued and not numerous; the jewels few; the setting simple. But the way these things went together showed a master's touch. I paused to listen to the silence. My breath, crystallized as it passed my cheeks, drifted on a breeze gentler than a whisper. The wind vane pointed toward the South Pole. Presently the wind cups ceased their gentle turning as the cold killed the breeze. My frozen breath hung like a cloud overhead. The day was dying, the night being born-but with great peace. Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence -a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps. It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man's oneness with the universe. The conviction came that that rhythm was too orderly, too harmonious, too perfect to be a product of blind chance-that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.
Richard Evelyn Byrd (Alone: The Classic Polar Adventure)
Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
Come Let Us Worship Come, let us bow down in worship, let us kneel before the LORD our Maker. —PSALM 95:6     A recent point of frustration, debate, and tension in many churches has been about defining worship and agreeing what it should look like. Older Christians are confused because of changes made to the style of worship. They wonder whatever happened to the old hymns that were so beloved. They knew the page numbers and all the old verses by heart. Today there are no hymnals, the organs have been silenced, and guitars, drums, and cymbals have taken over. The choir and their robes have been abandoned, and now we have five to seven singers on stage leading songs. We stand for 30 minutes at a time singing song lyrics that we aren’t familiar with from a large screen. What’s happening? If the church doesn’t have these components, the young people leave and go to where it’s happening. Are we going to let the form of worship divide our churches? I hope not! The origins of many of the different expressions of worship can be found in the Psalms, which portray worship as an act of the whole person, not just the mental sphere. The early founders established ways to worship based on what they perceived after reading this great book of the Bible. Over the centuries, Christian worship has taken many different forms, involving various expressions and postures on the part of churchgoers. The Hebrew word for “worship” literally means “to kneel” or “to bow down.” The act of worship is the gesture of humbling oneself before a mighty authority. The Psalms also call upon us to “sing to the LORD, bless His name” (96:2 NASB). Music has always played a large part in the sacred act of worship. Physical gestures and movements are also mentioned in the Psalms. Lifting our hands before God signifies our adoration of Him. Clapping our hands shows our celebration before God. Some worshipers rejoice in His presence with tambourines and dancing (see Psalm 150:4). To worship like the psalmist is to obey Jesus’ command to “love the Lord your God with all your heart and with all your soul and with all your mind and with all your strength” (Mark 12:30). There are many more insights for worship in the book of Psalms: • God’s gifts of instruments and vocal music can be used to help us worship (47:1; 81:1-4). • We can appeal to God for help, and we can thank Him for His deliverance (4:3; 17:1-5). • Difficult times should not prevent us from praising God (22:23- 24; 102:1-2; 140:4-8).
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
An awkward, irregular moon, like a squeezed-out teardrop, or something caught while falling, hung frozen in place over Paulette. Trees whispered, though she saw none of them stirring. She felt her deeper heart calling.... ... Her eyes ceded control, opening to those pulsing glows and darting spheres that had been greeting her recent nights in the woods. ... High noon was for those who could only see “stuff.” Night was for those of a more magical nature. For those who loved mystery. Beyond the world of dense physical forms is a realm that flows everywhere unbroken. Whatever these lights were, they thrived in that world. One of the glowing forms drew closer now, almost as though taking a look at her. But then almost immediately it moved on again; going about its business, whatever that might have been. Paulette thought of Mary. Perhaps the only person she had ever truly loved. Can the spirit of someone released too soon from life wander the forest? Is that what these were; were they spirits? Could Mary’s be wandering happy somewhere until her time came and her place in Heaven was ready for her? If there even was a Heaven. If there was a God who cared and understood; who let you in even after you had taken your own life. “Oh God, if you exist,” Paulette prayed in passionate silence, “Please give sweet Mary a rest.” One tree stirred, and one tree only. - From "The Gardens of Ailana
Edward Fahey
Sphere The sphere of contentment punctured at last By ennui’s intrusion eroding the cast. Out shifts betrayal in cubes and in squares, Erecting mute walls of silence to hold back the tears. The walls grow like Babel and reach for the sun That sphere of contentment, unbroken, still one.
Beryl Dov
His hopes for finding a new meaning in life were realized. In his diary for 14 April, he records: Took my daily walk at 4 p.m. today in 89° of frost . . . I paused to listen to the silence . . . The day was dying, the night being born – but with great peace. Here were imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence – a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps. It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man’s oneness with the universe. The conviction came that that rhythm was too orderly, too harmonious, too perfect to be a product of blind chance – that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental off-shoot. It was a feeling that transcended reason; that went to the heart of man’s despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.
Anthony Storr (Solitude: A Return to the Self)
Spheres that glowed again, and several highstorms as proof that that would persist, had encouraged everyone. Excitement was high, trading brisk. Drink flowed freely from casks emblazoned with the royal seal of Jah Keved. Lurking within it all, somewhere, was a predator that only Veil could hear. She heard the thing in the silence between laughter. It was the sound of a tunnel extending into the darkness. The feel of breath on the back of your neck in a dark room. How could they laugh while that void watched?
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Followers of Christ are the most widely persecuted religious group in the world.. the most fundamental freedom is the privilege of each person to explore truth about the divine and to live in light of his or her determinations..from the beginning God has given men and women the freedom to decide whether to worship him..God did not (and does not) remove human responsibility..the Bible indicates the importance of willful choice and personal invitation..the gospel message is fundamentally invitation, not coercion..no one can believe except willingly..faith must be free in order to be genuine..What our government calls this "right" is commonly known as the "freedom of worship," but this label can be somewhat misleading because the way it is often applied in our culture unnecessarily and unhelpfully limits the "free exercise" of religion to the private sphere..This is part of the "free exercise" of religion: the freedom of worship not just in episodic gatherings but in everyday life. And it is such "free exercise" that is subtly yet significantly being attacked in American culture today..you have a hard time conceiving how you can participate in a celebration of something that you are convinced God condemns..in your heart you can't avoid the conviction that such participation would dishonor God..while [she] is free to exalt he God in the church she attends, she is not free to express her beliefs in the business she owns..while we have certain obligations to our government, our ultimate obligation is to our God..Church history..contains other examples of shameful attempts to spread Christianity by force or military might..none of this was, or is, right..the search for religious truth is often supplanted by the idolization of supposed tolerance. The cardinal sin of our culture is to be found intolerant, yet what we mean by intolerant is ironically, well, intolerant..the very notion of tolerance necessitates disagreement..I don't tolerate you if you believe exactly what I believe..it would be wise and helpful for us to patiently consider where each of us is coming from and why we have arrived at our respective conclusions..we can then be free to contemplate how to treat one another with the greatest dignity in view of our differences..tolerance applies to people and beliefs in distinct ways..toleration of people requires that we treat one another with equal value, honoring each other's fundamental human freedom to express private faith in public forums..toleration of beliefs does not require that we accept every idea as equally valid, as if a belief is true, right or good simply because someone expresses it. In this way, tolerance of a person's value does not mean I must accept the person's views.."Hey, as long as someone believes something, that makes it right.." Either Jesus is or isn't the Son of God..I lament the many ways that Christians express differences in belief devoid of respect for the people with whom they speak. Likewise, I lament the many ways that Christians are labeled intolerant, narrow-minded, and outdated whenever they express biblical beliefs that have persisted throughout centuries..The more we become like Jesus in this world, the more we will experience what he experienced. Just as it was costly for him to counter culture, it will be costly for us to do the same..It's only when we stand up and counter the culture around them with the gospel of Jesus Christ that they will experience suffering..On the other hand, if they stay quiet, they can remain safe. But they know that in so doing, they will violate their consciences and disobey the commands Christ has given them to share grace and gospel truth with the people around them..in a country where even our own religious liberty is increasingly limited, our suffering brothers and sisters beckon us not to let the cost of following Christ in our culture silence our faith.
David Platt (A Compassionate Call to Counter Culture in a World of Poverty, Same-Sex Marriage, Racism, Sex Slavery, Immigration, Abortion, Persecution, Orphans and Pornography)
Under authoritarian governments, vital communities will tend to coalesce in political opposition as they bump into regime surveillance and control. The regime still controls the apparatus of repression. It can deny service, physically attack, imprison, or even kill H. informaticus—but it can’t silence his message, because this message is constantly amplified and propagated by the opposition community. Since the opposition commands the means of communication and is embedded in the global information sphere, its voice carries beyond the reach of any national government. This was the situation in Egypt before the uprising of January 25, 2011. This is the situation in China today. The wealth and brute strength of the modern state are counterbalanced by the vast communicative powers of the public. Filters are placed on web access, police agents monitor suspect websites, foreign newscasters are blocked, domestic bloggers are harassed and thrown in jail—but every incident which tears away at the legitimacy of the regime is seized on by a rebellious public, and is then broadcast and magnified until criticism goes viral. The tug of war pits hierarchy against network, power against persuasion, government against the governed: under such conditions of alienation, every inch of political space is contested, and turbulence becomes a permanent feature of political life.
Martin Gurri (The Revolt of the Public and the Crisis of Authority in the New Millennium)
What is shared is silence, tone of voice, nuance of intonation. To say a full word is to say too much; communication on the level of words is already excessive, banal, almost kitschy. This peculiar form of communication “with half words” is the mark of belonging to an imagined community that exists on the margins of the official public sphere. Hence the American metaphors for being sincere and authentic—“saying what you mean,” “going public,” and “being straightforward”—do not translate properly into the Soviet and Russian contexts.10
Gregory Feifer (Russians: The People behind the Power)
Abolitionists seized on the weapons available to them—petitions, lectures, and the newly invented steam press, which made possible the mass production of pamphlets, newspapers, and broadsides—to challenge the conspiracy of silence that increasingly barred discussion of slavery from the national public sphere.43 The movement appealed simultaneously to the hearts and minds of Americans, excoriating slaveowners and exposing the brutal reality of slavery—whippings, separation of families, and so on—while
Eric Foner (The Fiery Trial: Abraham Lincoln and American Slavery)
When the angel spoke, God awoke in the heart of this girl of Nazareth and moved within her like a giant. He stirred and opened His eyes and her soul and saw that in containing Him she contained the world besides. The Annunciation was not so much a vision as an earthquake in which God moved the universe and unsettled the spheres, and the beginning and end of all things came before her in her deepest heart. And far beneath the movement of this silent cataclysm she slept in the infinite tranquility of God, and God was a child curled up who slept in her and her veins were flooded with His wisdom which is night, which is starlight, which is silence. And her whole being was embraced in Him whom she embraced and they became tremendous silence." -Thomas Merton
Thomas Merton
And the priestess spoke again and said: “Speak to us of Reason and Passion“ And he answered saying: Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or our rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion; that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows – then let your heart say in silence, “God rests in reason.” And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky – then let your heart say in awe, “God moves in passion.” And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion.
Kahlil Gibran
Kennedy went on to say, “For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence—on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.
Jim Marrs (The Illuminati: The Secret Society That Hijacked the World)
Nature would be a truer teacher than creeds or homilies. Human life seems so small beside the vast life of great forests. The calm grand silence rebukes our own feverishness. We who fancy that the eyes of all the universe are on us, that we are the sole love and charge of its Creator, feel what ephemera we are in the giant scale of existence; what countless myriads of such as we have been swept from their place out of sight, and not a law of the spheres around been stirred, not a moment’s pause been caused, in the silent march of creation!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things, or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not. Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.
Thomas Merton (New Seeds of Contemplation)
Music is a universe of sound, constantly expanding and dividing. Compositions are carved into movements and passages. A half note branches off into quarter notes, sixteenth notes—the same tone, yet held for a different duration, a different effect. A harmony of multiple notes, a counterpoint of multiple melodies, an orchestra of multiple instruments: separate spheres, playing in parallel. “A composer must make order out of this hopeless profusion of noise. To play every note at once—one big, all-encompassing dot—would produce chaos. To play none would produce silence. But to space them out artfully on a staff of time: that would produce a masterpiece. “And so the composer splits the piece into measures and meter. The notes are held tight within bar lines, told when to ring out and when to die out, when to attack and when to decay. They are given finite boundaries. *You will last for eight breaths, and no more.* To them, time is fixed; to the composer, it is fluid. She could speed it up, slow it down, change duple meter to triple meter or a march to a waltz. She knows that the beauty lies not in how long the note lasts, but in the sound that it makes while it does. “Maybe, the woman thinks, our composer has done the same with us. Lest eternity seem too long and infinity too loud, she imposes measures on our existence, divides it into years, generations, incarnations. We count beats and birthdays. We emerge from the silence, and we fade back into it. This is not a punishment or a curse, any more than it is to assign a time signature to a song. After all, if there is no beat, how can there be a dance? “She does not do this to make us suffer. She does this to make us music.
Amy Weiss (Crescendo)
Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows — then let your heart say in silence, “God rests in reason.” And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, — then let your heart say in awe, “God moves in passion.” And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion. Chapter 16 — Pain And a woman spoke, saying, Tell us of Pain. And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears. Chapter 17 — Self-Knowledge And a man said, Speak to us of Self-Knowledge.
Kahlil Gibran (The Prophet (Macmillan Collector's Library) by Kahlil Gibran (2016-07-14))
Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows - then let your heart say in silence, "God rests in reason." And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, - then let your heart say in awe, "God moves in passion." And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.
Kahlil Gibran (The Prophet)
A certain sphere came over you, all. I could not, possibly, describe it, or give it. A specific sphere reached to your soul in silence.
Petra Hermans (Voor een betere wereld)
He was actually glad to be alone with his silence and the remains of those who had died. These men hadn’t cared about the squabbles of those born with lighter eyes than they. These men had cared about their families or—at the very least—their sphere pouches. How many of them were trapped in this foreign land, these endless plateaus, too poor to escape back to Alethkar? Hundreds died each week, winning gems for men who were already rich, winning vengeance for a king long dead.
Brandon Sanderson (The Way of Kings (1 of 5) (The Stormlight Archive #1, Part 1 of 5))
Humility – umiltà in Italian or umirtà in Sicilian – is a word that jumps off the page. It is now considered to be the most likely origin for the word omertà. Omertà is the mafia’s code of silence, and the obligation not to speak to the police that it imposes on those within its sphere of influence. Evidently omertà was originally a code of submission.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash—at such times the awakening, the turning inside out of all values, the “newness,” the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance.For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things, or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not.
Thomas Merton (New Seeds of Comtemplation)
The orrery stood on an oak dais in the middle of a room that had been the study of probably eight generations of Mrs. Hale’s forefathers. Four brass legs supported two horizontal brass dials connected by vertical posts, in between which was a series of coaxial shafts, stacked with telescoping gears, and a long brass hand crank with a wooden handle. A kettle-sized brass sphere, set above the middle of the upper dial, represented the sun. Its surface was so polished and reflective it not only threw the room’s light back out, as if generating the glow itself, but also seemed to possess depth, as if one might be able to plunge into its fish-eyed fathoms, into another brassy room. The planets and their moons were made of proportionally sized ivory balls. Each was fixed at the end of a brass arm. My grandfather and I stood looking at the marvelous machine in silence.
Paul Harding (Enon)
During a lecture in the Waldorf-Astoria Hotel in New York on April 27, 1961, he said: “For we are opposed, around the world, by a monolithic and ruthless conspiracy, that relies primarily on covert means for expanding it's sphere of influence, on infiltration instead of invasion, on subversion instead of elections, on intimidation, instead of free choice, on guerrillas by night, instead of armies by day, It is a system which has conscripted vast material and human resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific, and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters silenced, not praised. No expenditure is questioned. No rumor is printed. No secret is revealed.” Kennedy came up against FBI director Edgar Hoover and Allen Dulles’ CIA that had maneuvered him into going along with the Bay of Pigs action. He wanted want to splinter the CIA into a thousand pieces and scatter it to the winds. Kennedy also offended the Military-Intelligence complex. Amongs others for the reason that he decided to pull out of Vietnam.[81] He was against a continuation of Western colonialist domination of Vietnam and criticized the U.S. alliance with the French effort to retain its empire. During his presidency he opposed a massive commitment of U.S. forces to fight a war that he felt the Vietnamese had to fight primarily on their own. He consistently rejected recommendations to introduce U.S. ground forces. Shortly before his assassination he started withdrawing U.S. troops from Vietnam.
Robin de Ruiter (Worldwide Evil and Misery - The Legacy of the 13 Satanic Bloodlines)
Dimensions One Dimension -words, sound, light, waves. Two Dimension -photos, screen, curtains. Three Dimension -objects, matter. Infinite Dimension -spheres, energy No(zero) Dimension -silence, love, peace, gap, vacuum. Now where is the time. time is travelling continuously from infinite dimensions to zero & vice versa. mind is travelling continuously -without runways. -without dimensions. this is the secret of universe
Ramesh Kavdia
For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence—on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific, and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed. John F. Kennedy, Waldorf Astoria, April 1961
Mark Goodwin (Conspiracy (The Days of Noah, #1))
The stars possessed a more humble kind of beauty than the raging and burning centerpiece of our galaxy, and he loved the sound those distant diamonds seemed to make in the black silence. Like winking sirens luring lonely men to their deaths, drowning them in the inky sky. He was desperately in love with their mysterious nature and saw them as alluring and gentle masters of the heavens. Masters of perfection, those tiny spheres of cool light were, hanging fixed and strong in their celestial place. Perhaps he loved the stars because he was so much like them.
K.B. Ezzell (Inferno (The Broken, #2))