In Conclusion Don't Worry About It Quotes

We've searched our database for all the quotes and captions related to In Conclusion Don't Worry About It. Here they are! All 51 of them:

Your job doesn’t define you—your bravery and kindness and gratitude do. Even without any “big” accomplishments yet to your name, you are enough. Whether you have top billing, or you’re still dancing in the back row, you are enough, just as you are.
Lauren Graham (In Conclusion, Don't Worry About It)
Love yourself, and what you're doing, even if you're not yet at the place you hope to land. Let joy be the thing that drives you, and I bet you'll get there faster. Give yourself permission to make mistakes. Those mistakes are as valuable as the triumphs.
Lauren Graham (In Conclusion, Don't Worry About It)
In conclusion, don’t worry about it. You already have The Most. And you’re already one of The Best.
Lauren Graham (In Conclusion, Don't Worry About It)
BUT here’s a secret: The lows don’t last any longer than the highs do. Like clouds on an overcast day, sometimes we have to face the fact that what happens to us in life isn’t controllable, and if we wait a while, don’t take it personally, and decide to enjoy ourselves anyway, the sky will eventually clear up.
Lauren Graham (In Conclusion, Don't Worry About It)
I do however like to tell people, especially regarding writing and deadlines: "Don't be perfect, just be done.
Lauren Graham (In Conclusion, Don't Worry About It)
Once I stopped worrying so much about pleasing others, once I decided to let myself off the hook, I realized I could fly.
Lauren Graham (In Conclusion, Don't Worry About It)
if you’re kicking yourself for not having accomplished all you thought you should have by now, don’t worry about it. People bloom at different stages of their lives, and often more than once.
Lauren Graham (In Conclusion, Don't Worry About It)
Starring has nothing to do with how big your part is - it's a state of mind.
Lauren Graham (In Conclusion, Don't Worry About It)
Satisfaction is not found in the big achievements. It’s not in winning. Starring has nothing to do with how big your part is—it’s a state of mind.
Lauren Graham (In Conclusion, Don't Worry About It)
Maybe it’s not acting for you. Maybe it’s baseball or coding or taking care of kids. But whatever path you choose, whatever career you decide to go after, the important thing is that you keep finding joy in what you’re doing, especially when the joy isn’t finding you. Treat every day like you’re starring in it. Don’t wait for permission or good reviews. If you can do that, you’ll be surprised by how far you might end up sailing.
Lauren Graham (In Conclusion, Don't Worry About It)
Keep finding the JOY in what you're doing, especially when the joy is not finding you
Lauren Graham (In Conclusion, Don't Worry About It)
Don't be perfect, just be DONE!
Lauren Graham (In Conclusion, Don't Worry About It)
Perform every job as if you're being well paid...Respect yourself and your work as if you're being paid to be the Boss.
Lauren Graham (In Conclusion, Don't Worry About It)
It’s what can happen when you make the decision to let go of criticism and worry and fear.
Lauren Graham (In Conclusion, Don't Worry About It)
The “success” parts of life look good to others, but the best parts are actually the simple, daily experiences.
Lauren Graham (In Conclusion, Don't Worry About It)
It’s the way time moves differently when you’re caught up in the simple joy of being yourself. It’s what can happen when you make the decision to let go of criticism and worry and fear.
Lauren Graham (In Conclusion, Don't Worry About It)
In the meantime, perform every job as if you're being well paid, as someone who probably wasn't paying me well once told me. Which is to say: why not treat yourself now as the success you dream if becoming? Respect yourself and your work as you would if you were being paid to be the boss, and I bet you'll climb the ladder even faster.
Lauren Graham (In Conclusion, Don't Worry About It)
Treat everyday like you're starring in it.
Lauren Graham (In Conclusion, Don't Worry About It)
But whatever path you choose, whatever career you decide to go after, the important thing is that you keep finding joy in what you’re doing, especially when the joy isn’t finding you.
Lauren Graham (In Conclusion, Don't Worry About It)
People bloom at different stages of their lives, and often more than once.
Lauren Graham (In Conclusion, Don't Worry About It)
I couldn’t quite allow myself the freedom to enjoy it when I was so sure I was an impostor.
Lauren Graham (In Conclusion, Don't Worry About It)
In real life, I’ve found progress lives in small and seemingly uneventful accomplishments: the homework you finished, the journal you remembered to write in, the same run you took on the same path as yesterday.
Lauren Graham (In Conclusion, Don't Worry About It)
Like clouds on an overcast day, sometimes we have to face the fact that what happens to us in life isn’t controllable, and if we wait a while, don’t take it personally, and decide to enjoy ourselves anyway, the sky will eventually clear up. It always does. Then, one day, it’ll finally be your turn.
Lauren Graham (In Conclusion, Don't Worry About It)
BUT here’s a secret: The lows don’t last any longer than the highs do. Like clouds on an overcast day, sometimes we have to face the fact that what happens to us in life isn’t controllable, and if we wait a while, don’t take it personally, and decide to enjoy ourselves anyway, the sky will eventually clear up. It always does.
Lauren Graham (In Conclusion, Don't Worry About It)
Don’t worry,” he said flippantly, taking her arm and starting to walk back toward the house. “I’m not going to make the ritualistic proposal that followed our last encounters. Marriage is out of the question. Among other things, I’m fresh out of large rubies and expensive furs this season.” Despite his joking tone, Elizabeth felt ill at how ugly those words sounded now, even though her reasons for saying them at the time had nothing to do with a desire for jewels or furs. You had to give him credit, she decided miserably, because he obviously took no offense at it. Evidently, in sophisticated flirtations, the rule was that no one took anything seriously. “Who’s the leading contender these days?” he asked in that same light tone as the cottage came into view. “There must be more than Belhaven and Marchman.” Elizabeth struggled valiantly to make the same transition from heated passion to flippancy that he seemed to find so easy. She wasn’t quite so successful, however, and her light tone was threaded with confusion. “In my uncle’s eyes, the leading contender is whoever has the most important title, followed by the most money.” “Of course,” he said dryly. “In which case it sounds as if Marchman may be the lucky man.” His utter lack of caring made Elizabeth’s heart squeeze in an awful, inexplicable way. Her chin lifted in self-defense. “Actually, I’m not in the market for a husband,” she informed him, trying to sound as indifferent and as amused as he. “I may have to marry someone if I can’t continue to outmaneuver my uncle, but I’ve come to the conclusion that I’d like to marry a much older man than I.” “Preferably a blind one,” he said sardonically, “who’ll not notice a little affair now and then?” “I meant,” she informed him with a dark glance, “that I want my freedom. Independence. And that is something a young husband isn’t likely to give me, while an elderly one might.” “Independence is all an old man will be able to give you,” Ian said blntly. “That’s quite enough,” she said. “I’m excessively tired of being forever pushed about by the men in my life. I’d like to care for Havenhurst and do as I wish to do.” “Marry an old man,” Ian interjected smoothly, “and you may be the last of the Camerons.” She looked at him blankly. “He won’t be able to give you children.” “Oh, that,” Elizabeth said, feeling a little defeated and nonplussed. “I haven’t been able to work that out yet.” “Let me know when you do,” Ian replied with biting sarcasm. “There’s a fortune to be made from a discovery like that one.
Judith McNaught (Almost Heaven (Sequels, #3))
After two hours, he grew quiet, so I got off the bed and started to leave. “Wait,” he said, as he waved to me to sit back down. It took a minute or two for him to regain enough energy to talk. “I had a lot of trepidation about this project,” he finally said, referring to his decision to cooperate with this book. “I was really worried.” “Why did you do it?” I asked. “I wanted my kids to know me,” he said. “I wasn’t always there for them, and I wanted them to know why and to understand what I did. Also, when I got sick, I realized other people would write about me if I died, and they wouldn’t know anything. They’d get it all wrong. So I wanted to make sure someone heard what I had to say.” He had never, in two years, asked anything about what I was putting in the book or what conclusions I had drawn. But now he looked at me and said, “I know there will be a lot in your book I won’t like.” It was more a question than a statement, and when he stared at me for a response, I nodded, smiled, and said I was sure that would be true. “That’s good,” he said. “Then it won’t seem like an in-house book. I won’t read it for a while, because I don’t want to get mad. Maybe I will read it in a year—if I’m still around.” By then, his eyes were closed and his energy gone, so I quietly took my leave.
Walter Isaacson (Steve Jobs)
I want you to be happy. Eat it.” A wry smile curved Rose’s lips. “Am I to find happiness in a piece of chocolate cake?” Eve already had a forkful en route to her mouth. “I stake my reputation on it.” “Oh,” she replied dryly. “Surely heaven is just a bite away.” “Speaking of heaven,” Eve said a few minutes later when Rose thought she might expire from the bliss the dessert inspired, “tell me about your evening at Saint’s Row.” “Shh!” Her paranoid gaze darted around to see if anyone had overheard, but there was no one standing close enough to their whitewashed bench. “Don’t shush me, Rose Danvers. I’m your best friend and you’ve kept me waiting four whole days! I demand details.” Cheeks flushed, Rose stared at the half-eaten cake on her plate. Eve’s timing might leave something to be desired, but at least she’d stopped Rose from eating the entire slice. “What do you want to know?” Eve’s expression was incredulous. “Everything, of course.” Then, as though realizing who she was talking to, she sighed. “Did you find him?” Rose nodded. “I did.” The fire in her cheeks burned hotter, and she looked away. “Oh, Eve!” Her friend grabbed her wrist, clattering fork against plate. “That arse didn’t hurt you did he?” “No!” Then lowering her voice, “And he’s not an arse.” Using such rough language made her feel daring and bold. The scowl on Eve’s face eased. “Then…he was good to you?” Rose nodded, leaning closer. “It was the most amazing experience of my life.” The blonde giggled, bringing her head nearer to Rose’s. “Tell me everything.” So Rose did, within reason, looking up every once in awhile to make sure no one could hear. Afterward, when she was finished, Eve looked at her with a peculiar expression. “It sounds wonderful.” “It was.” Eve’s ivory brow tightened. “So, why do you sound so…disappointed?” Rose sighed. “It’s going to sound so pathetic, but when I saw Grey the next day he didn’t recognize me.” “But I thought you didn’t want him to know it was you.” Rose laughed darkly. “I don’t. That’s the rub of it.” She turned to more fully face her friend. “But part of me wanted him to realize it was me, Eve. I wanted him to see me as a woman, not as his responsibility or burden.” “I’m sure he doesn’t view you as any such thing.” Shaking her head Rose set the plate of cake aside, her appetite gone for good. "I thought this scheme would make everything better, and it's only made things worse." Worse because her feelings for Grey hadn't lessened as she'd hoped they might, they'd only deepened. Eve worried her upper lip with her bottom teeth. "Are you going to meet him again?" Another shake of her head, vehement this time. "No." "But. Rose, he wants to see you." "Not me, her." This was said with a bit more bitterness than Rose was willing to admit. He might have whispered her name, but it wasn't her he wanted to meet. Eve chuckled. "But you are her." She squeezed her wrist again. "Rose, don't you see? You're who he wants to see again, whether he knows it was you or not." Rose hadn't looked at it that way. She wasn't quite convinced her friend was right, but it was enough to make her doubt her own conclusions. She shook her head again. Blast, but she was making herself lightheaded. "I just don't know." "You'll figure it out," Eve allowed. "You always do.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Abortion is one of the most commonly performed medical procedures in the United States, and it is tragic that many women who have abortions are all too often mischaracterized and stigmatized, their exercise of moral agency sullied. Their judgment is publicly and forcefully second-guessed by those in politics and religion who have no business entering the deliberation. The reality is that women demonstrate forethought and care; talk to them the way clergy do and witness their sense of responsibility. Women take abortion as seriously as any of us takes any health-care procedure. They understand the life-altering obligations of parenthood and family life. They worry over their ability to provide for a child, the impact on work, school, the children they already have, or caring for other dependents. Perhaps the woman is unable to be a single parent or is having problems with a husband or partner or other kids.2 Maybe her contraception failed her. Maybe when it came to having sex she didn’t have much choice. Maybe this pregnancy will threaten her health, making adoption an untenable option. Or perhaps a wanted pregnancy takes a bad turn and she decides on abortion. It’s pretty complicated. It’s her business to decide on the outcome of her pregnancy—not ours to intervene, to blame, or to punish. Clergy know about moral agency through pastoral work. Women and families invite us into their lives to listen, reflect, offer sympathy, prayer, or comfort. But when it comes to giving advice, we recognize that we are not the ones to live with the outcome; the patient faces the consequences. The woman bears the medical risk of a pregnancy and has to live with the results. Her determination of the medical, spiritual, and ethical dimensions holds sway. The status of her fetus, when she thinks life begins, and all the other complications are hers alone to consider. Many women know right away when a pregnancy must end or continue. Some need to think about it. Whatever a woman decides, she needs to be able to get good quality medical care and emotional and spiritual support as she works toward the outcome she seeks; she figures it out. That’s all part of “moral agency.” No one is denying that her fetus has a moral standing. We are affirming that her moral standing is higher; she comes first. Her deliberations, her considerations have priority. The patient must be the one to arrive at a conclusion and act upon it. As a rabbi, I tell people what the Jewish tradition says and describe the variety of options within the faith. They study, deliberate, conclude, and act. I cannot force them to think or do differently. People come to their decisions in their own way. People who believe the decision is up to the woman are typically called “pro-choice.” “Choice” echoes what is called “moral agency,” “conscience,” “informed will,” or “personal autonomy”—spiritually or religiously. I favor the term “informed will” because it captures the idea that we learn and decide: First, inform the will. Then exercise conscience. In Reform Judaism, for instance, an individual demonstrates “informed will” in approaching and deciding about traditional dietary rules—in a fluid process of study of traditional teaching, consideration of the personal significance of that teaching, arriving at a conclusion, and taking action. Unitarian Universalists tell me that the search for truth and meaning leads to the exercise of conscience. We witness moral agency when a member of a faith community interprets faith teachings in light of historical religious understandings and personal conscience. I know that some religious people don’t do
Rabbi Dennis S. Ross (All Politics Is Religious: Speaking Faith to the Media, Policy Makers and Community (Walking Together, Finding the Way))
This story created a sensation when it was first told. It appeared in the papers and many big Physicists and Natural Philosophers were, at least so they thought, able to explain the phenomenon. I shall narrate the event and also tell the reader what explanation was given, and let him draw his own conclusions. This was what happened. A friend of mine, a clerk in the same office as myself, was an amateur photographer; let us call him Jones. Jones had a half plate Sanderson camera with a Ross lens and a Thornton Picard behind lens shutter, with pneumatic release. The plate in question was a Wrattens ordinary, developed with Ilford Pyro Soda developer prepared at home. All these particulars I give for the benefit of the more technical reader. Mr. Smith, another clerk in our office, invited Mr. Jones to take a likeness of his wife and sister-in-law. This sister-in-law was the wife of Mr. Smith's elder brother, who was also a Government servant, then on leave. The idea of the photograph was of the sister-in-law. Jones was a keen photographer himself. He had photographed every body in the office including the peons and sweepers, and had even supplied every sitter of his with copies of his handiwork. So he most willingly consented, and anxiously waited for the Sunday on which the photograph was to be taken. Early on Sunday morning, Jones went to the Smiths'. The arrangement of light in the verandah was such that a photograph could only be taken after midday; and so he stayed there to breakfast. At about one in the afternoon all arrangements were complete and the two ladies, Mrs. Smiths, were made to sit in two cane chairs and after long and careful focussing, and moving the camera about for an hour, Jones was satisfied at last and an exposure was made. Mr. Jones was sure that the plate was all right; and so, a second plate was not exposed although in the usual course of things this should have been done. He wrapped up his things and went home promising to develop the plate the same night and bring a copy of the photograph the next day to the office. The next day, which was a Monday, Jones came to the office very early, and I was the first person to meet him. "Well, Mr. Photographer," I asked "what success?" "I got the picture all right," said Jones, unwrapping an unmounted picture and handing it over to me "most funny, don't you think so?" "No, I don't ... I think it is all right, at any rate I did not expect anything better from you ...", I said. "No," said Jones "the funny thing is that only two ladies sat ..." "Quite right," I said "the third stood in the middle." "There was no third lady at all there ...", said Jones. "Then you imagined she was there, and there we find her ..." "I tell you, there were only two ladies there when I exposed" insisted Jones. He was looking awfully worried. "Do you want me to believe that there were only two persons when the plate was exposed and three when it was developed?" I asked. "That is exactly what has happened," said Jones. "Then it must be the most wonderful developer you used, or was it that this was the second exposure given to the same plate?" "The developer is the one which I have been using for the last three years, and the plate, the one I charged on Saturday night out of a new box that I had purchased only on Saturday afternoon." A number of other clerks had come up in the meantime, and were taking great interest in the picture and in Jones' statement. It is only right that a description of the picture be given here for the benefit of the reader. I wish I could reproduce the original picture too, but that for certain reasons is impossible. When the plate was actually exposed there were only two ladies, both of whom were sitting in cane chairs. When the plate was developed it was found that there was in the picture a figure, that of a lady, standing in the middle. She wore a broad-edged dhoti (the reader should not forget that all the characters are Indians), only the upper half of her
Anonymous
Why would anyone’s suspicions be roused simply from an event being canceled?” Bram asked. “I think it might have had something to do with your grandmother implying you were soon to make an announcement,” Mr. Skukman said, speaking up. “What?” Lucetta and Bram asked together. Mr. Skukman’s lips twitched ever so slightly. “Mrs. Hart seems determined to see you well settled, Miss Plum, and I think she may have planted that particular seed for her daughter’s benefit—so that Mrs. Haverstein will have time to adjust to the idea of you and Mr. Haverstein making a match of it.” “We have no intention of making a match of it,” Lucetta said firmly. “There’s no need to declare that quite so adamantly,” Bram mumbled. Lucetta sent him a smile. “Forgive me, Bram. You and I have agreed to become friends, and that was hardly friendly of me, was it? Still, I’ve seen Abigail maneuver events to her satisfaction before, and we cannot let our guard down—not when it’s now become clear she’s still determined to see us well settled, and well settled together.” “I believe the two of you would make a lovely couple,” Stanley said, sending a smile to Lucetta before he sent a not-so-subtle wink to Bram. Bram cleared his throat. “Yes, thank you for that, Stanley, but my grandmother’s matchmaking schemes aside, we still can’t host an event. We can’t chance Lucetta being recognized.” “Don’t worry about me,” Lucetta said with an airy wave of her hand. “I’m very good at disguise, and quite honestly, I’ve never been invited to attend a local theatrical event before, and I find the very idea of that intriguing.” Bram’s eyes narrowed on Lucetta’s face. “You can’t go to it.” “Of course I can. As I just mentioned, I’m a master at disguise. No one will have the faintest idea that a notorious New York actress is in their midst.” Bram’s eyes narrowed another fraction. “You wouldn’t happen to be considering trying out for a part, would you?” “Is that how it works?” she asked. “How marvelous. I’m now quite curious to discover whether or not I’ll be able to win a part if no one knows that I’m Lucetta Plum.” Bram slowed his steps. “Absolutely not.” Unwilling to continue the argument, especially since she was rapidly coming to the conclusion that Bram Haverstein possessed a bit of a stubborn streak, Lucetta turned to Mr. Skukman and abruptly changed the subject.
Jen Turano (Playing the Part (A Class of Their Own, #3))
Seibel: Other than the possibility of implementing it at all, how do you decide whether your interfaces are good? Steele: I usually think about generality and orthogonality. Conformance to accepted ways of doing things. For example, you don't put the divisor before the dividend unless there's a really good reason for doing so because in mathematics we're used to doing it the other way around. So you think about conventional ways of doing things. I've done enough designs that I think about ways I've done it before and whether they were good or bad. I'm also designing relative to some related thing that I've already designed before. So, for example, while looking at the specifications for numeric functions in Java, I'd already done numeric functions for Common Lisp. And I'd documented numeric functions for C. I knew some of the implementation pitfalls and some of the specification pitfalls for those things. I spent a lot of time worrying about edge cases. That's something I learned from Trenchard More and his array theory for APL. His contention was that if you took care of the edge cases then the stuff in the middle usually took care of itself. Well, he didn't say it that way; I guess that's the conclusion I draw from him. To turn it around, you want to design the specification of what's in the middle in such a way that it naturally is also correct on the boundaries, rather than treating boundaries as special cases.
Peter Seibel (Coders at Work: Reflections on the Craft of Programming)
Your job doesn’t define you—your bravery and kindness and gratitude do.
Lauren Graham (In Conclusion, Don't Worry About It)
In practice, Bacon’s method doesn’t bother scientists, or most reasonable people, because the chances of being wrong, while present, are usually in a practical sense very small. It is, for example, theoretically possible that chemical processes taking place in your body could cause you to spontaneously combust, but we don’t live our lives worrying about it because the probability is extremely small. That is why math and statistics have become such important parts of science: they quantify the relative probability that a conclusion is true or false.
Shawn Lawrence Otto (The War on Science: Who's Waging It, Why It Matters, What We Can Do About It)
Epicurus (341–271 BC) tried to show that we have no reason to fear death. Fear of death arises from mistakenly imagining that we will be there after our deaths to mourn our own loss. But when we are alive, death is absent; and when we are dead, we no longer exist to be harmed. So either we are alive, and death isn’t harming us; or we are dead, and then there is nothing to be harmed. Furthermore, he argued, we don’t usually worry about the eternity of our nonexistence before birth, so we shouldn’t worry in the least about the eternity of our non-existence after death. His conclusion was that fear of death is irrational.
Nigel Warburton (Philosophy: The Basics)
Don’t race to terrible conclusions. Think about the situation: what pressures is your relationship under? Work stress? Sickness? Money worry? Spend as much time as you can in the other person’s shoes and a mountain may quickly become a molehill. FEMI OYEBODE, AUTHOR, POET and PROFESSOR OF PSYCHIATRY AT THE UNIVERSITY OF BIRMINGHAM 1.
Joanna Cannon (Three Things I’d Tell My Younger Self)
BUT here’s a secret: The lows don’t last any longer than the highs do. Like clouds on an overcast day, sometimes we have to face the fact that what happens to us in life isn’t controllable, and if we wait a while, don’t take it personally, and decide to enjoy ourselves anyway, the sky will eventually clear up. It always does.
Lauren Graham (In Conclusion, Don't Worry About It)
The “success” parts of life look good to others, but the best parts are actually the simple, daily experiences.
Lauren Graham (In Conclusion, Don't Worry About It)
LOVE yourself, and what you’re doing, even if you’re not yet at the place you hope to land. Let joy be the thing that drives you, and I bet you’ll get there faster. Give yourself permission to make mistakes. Those mistakes are as valuable as the triumphs. If you free yourself from having to be “right,” you’ll open so many doors. You might choose classes that interest you, rather than ones you’re “supposed” to take. You might carry a book with you that isn’t something you’re required to read for school. You might try something new—like, say, taking a three-day spinning instructor certification class—and change direction entirely. And why not? Your job doesn’t define you—your bravery and kindness and gratitude do. Even without any “big” accomplishments yet to your name, you are enough. Whether you have top billing, or you’re still dancing in the back row, you are enough, just as you are.
Lauren Graham (In Conclusion, Don't Worry About It)
And his wife’s a great friend of mother’s,” said Sylvia, becoming more and more horrifyingly conventional. Forgotten were her declarations of a profound belief in married independence, her assertions that any man had a right to a complete and fulfilled existence. Or not perhaps quite forgotten, and not exactly disproved. It was merely quite clear that the present situation had nothing to do with this eminently reasonable theory of living. “Sylvia, my sweet, please don’t worry. You’re being so funny about this. I should never have expected you to mind so much. You’re leaping to conclusions in the most violent way. You don’t want me to offer to horsewhip the cad, do you?
Ursula Orange (Begin Again)
Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
You screamed and cursed like a woman possessed. Now you think he’s the greatest thing under the sun.” “Point taken. I just know it’s not going to be easy obeying the rules of a new kid on the block. Que sera, sera. Anyway, I’ve come to the conclusion that there’s no use worrying about things beyond my control.” The chief proved how well he knew her and asked, “Are you and Tom having problems?” He reached across the desk and placed a hand over hers. Tears of frustration sprang to her eyes. Without looking up she replied, “Sorry, sir. Slip of the tongue. Ignore me. That package probably affected me more than I realised.” He gripped her hand tightly. “Look at me, Lorne.” She obeyed him. “If you want to talk any time, you know where I am.” Easing her hand from under his, she said, “I’ll remember that, the next time we have an argument and I’m contemplating my life’s journey at three o’clock in the morning.” “Ah, don’t think the wife would be too keen on that idea, do you?” They both smiled, and Lorne stood up to leave the room. “I meant what I said, Lorne. Don’t ever forget it.” She nodded and left his office. As she headed down the corridor towards the conference room, she took a few deep breaths to help push down her bubbling emotions. Chapter 26 “What have we got?” Lorne asked, walking into the incident room. “At 4:32 AM, a suspect delivered the package. Take a look.” Pete nodded at Tracy, and she started the video. A shudder ran up Lorne’s spine as she watched a man, dressed from head to toe in black, deposit the box on the top step of the station. He arrogantly stopped to wave at the camera, obviously knowing his every movement was being taped. His hooded sweatshirt obscured his face; it was impossible to make out his features as he mocked the camera. “Is there any way we can find out how tall he is? It would be a start.” “I’ll line a few of the guys up—varying heights, of course. See what we can come up with. I’ll get on it straightaway,” Pete said. Lorne and Tracy checked the video, frame by frame, for clues. Nothing—no rings, no glimpses of tattoos. Nothing. Mitch burst into the room and threw himself into one of the vacant chairs. He placed a list on the table and slid it across to Lorne. “Fifteen perverts in and around the Chelling Forest area.” “By ‘perverts’, I take it you mean registered sex offenders, Mitch?” she asked, studying the list. “Actually, what I meant to say was, there are fifteen names on the list—thirteen sex offenders and two registered paedophiles.
M.A. Comley (Cruel Justice (Lorne Simpkins, #1))
Am I afraid of something? If I had pursued that thought, I would have easily come to a conclusion. No one reads my diary, so I don't have to worry about what anyone will think. But stories are different. They're written to be read—even if you're alone during the writing process, eventually another pair of eyes is supposed to see it. I couldn't face that inevitability.
Kotomi Li (Solo Dance)
I never told you the details of how Cea and I started dating...I was worried and embarrassed back then about my decided lack of interest, in, well, everybody. I went out on date, well that part doesn’t really matter Cecilia was auditing a company representing at the time and there was a court case involved so we spent a lot of time together and became friends. Everything else, dating and being attracted to her, that followed after.” “What are you saying here?“ Kai asks. “I’m saying,“ I take a step closer, “ that I don’t get attracted to people that easily. In fact, it almost never happens. So I don’t think we can draw any fundamental conclusions about my sexuality. And maybe we don’t have to. I’ve never felt the need to label myself before, so why can’t I say I am more attracted to you and anyone else?
Briar Prescott (The Happy List (Better With You, #1))
they’re not timid, they don’t dance around, they don’t worry about being countered or even killed—they just plow in with clear intent, like the result is a foregone conclusion, focused above all on causing that injury and not stopping until it’s achieved.
Tim Larkin (When Violence Is the Answer: Learning How to Do What It Takes When Your Life Is at Stake)
Treat every day like you’re starring in it. Don’t wait for permission or good reviews.
Lauren Graham (In Conclusion, Don't Worry About It)
Don’t be perfect, just be done.” Which is yet another way of saying: “Don’t worry so much.
Lauren Graham (In Conclusion, Don't Worry About It)
Don't wait until your on Broadway. Or until you reach the Olympics. Or until you're CEO of a major company. Don't wait until you're the president of something, or for the day when your life looks perfect to you and everyone you know. As I like to say: "Have no fear of perfection - you'll never reach it." Just kidding, that's a quote from Salvador Dali. I do however like to tell people, especially regarding writing and deadlines: "Don't be perfect, just be done." Which is yet another way of saying: "Don't worry so much.
Lauren Graham (In Conclusion, Don't Worry About It)
Don’t be perfect, just be done.
Lauren Graham (In Conclusion, Don't Worry About It)
Then the science started telling us more about stress. In 2011 came the results of a study at Stanford University that had followed 1,548 ten-year-old children for ninety years. One of the big conclusions was that lack of anxiety was associated with early death. Apparently, we need some stress in life: The “don’t worry, be happy” people die early because they underestimate the risks in their lives and tend to make poor decisions.
Michael Olpin (Unwind!: 7 Principles for a Stress-Free Life)
It’s what can happen when you make the decision to let go of criticism and worry and fear. And that's where The Best really lives.
Lauren Graham (In Conclusion, Don't Worry About It)
Do you never worry about anything?’ ‘I have a secret defence, Mr Wormold. I am interested in life.’ ‘So am I, but …’ ‘You are interested in a person, not in life, and people die or leave us—I’m sorry; I wasn’t referring to your wife. But if you are interested in life it never lets you down. I am interested in the blueness of the cheese. You don’t do crosswords, do you, Mr Wormold? I do, and they are like people: one reaches an end. I can finish any crossword within an hour, but I have a discovery concerned with the blueness of cheese that will never come to a conclusion
Graham Greene (Our Man in Havana)