β
Whenever I hear anyone arguing for slavery, I feel a strong impulse to see it tried on him personally.
β
β
Abraham Lincoln
β
One can never consent to creep when one feels an impulse to soar.
β
β
Helen Keller (The Story of My Life)
β
I know we're fucked up, alright? I'm impulsive, and hot tempered, and you get under my skin like no one else. You act like you hate me one minute, and then need me the next. I never get anything right, and I don't deserve you...but I fucking love you, Abby. I love you more than I loved anyone or anything ever. When you're around, I don't need booze, or money, or the fighting, or the one-night stands...
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
Great things are not done by impulse, but by a series of small things brought together.
β
β
Vincent van Gogh
β
Whenever I was asked what I wanted my first impulse was to answer "Nothing." The thought went through my mind that it didn't make any difference, that nothing was going to make me happy.
β
β
Osamu Dazai (No Longer Human)
β
Act
on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Men are driven by two principal impulses, either by love or by fear.
β
β
NiccolΓ² Machiavelli (The Discourses)
β
Distrust all in whom the impulse to punish is powerful.
β
β
Friedrich Nietzsche
β
What I did next was so impulsive and dangerous I should've been named ADHD poster child of the year.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
I'm really not good with impulse control.
β
β
Richelle Mead (Vampire Academy (Vampire Academy, #1))
β
Love means holding on to someone just as hard as you can because if you don't, one blink and they might disappear...forever.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.
β
β
Viktor E. Frankl
β
The beauty or ugliness of a character lay not only in its achievements, but in its aims and impulses; its true history lay, not among things done, but among things willed.
β
β
Thomas Hardy (Tess of the DβUrbervilles)
β
Every day we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. there is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.
β
β
Henry Miller
β
Whoa. Fangs. She had fangs.
She leaned in, prodded them a little. Eating with those puppies was going to take some getting used to, she thought.
On impulse, she brought up her hands, turned her fingers into claws. Hissed.
Cool.
β
β
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
β
Doubt as sin. β Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature β is sin! And notice that all this means that the foundation of belief and all reflection on its origin is likewise excluded as sinful. What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.
β
β
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
β
True alchemy lies in this formula: βYour memory and your senses are but the nourishment of your creative impulseβ.
β
β
Arthur Rimbaud (Illuminations)
β
I insist on a lot of time being spent, almost every day, to just sit and think. That is very uncommon in American business. I read and think. So I do more reading and thinking, and make less impulse decisions than most people in business. I do it because I like this kind of life.
β
β
Warren Buffett
β
There are some who want to get married and others who don't. I have never had an impulse to go to the altar. I am a difficult person to lead.
β
β
Greta Garbo (Greta & Cecil)
β
Β Mary fought a savage impulse to slam the door on the couple. But they were too interesting to ignore in the circumstances of the murder. She caught sight of Richard spitting out a mouthful of hair.
β
β
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
β
It is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are they the result of previous study?
β
β
Jane Austen (Pride and Prejudice)
β
I don't believe in guilt, I believe in living on impulse as long as you never intentionally hurt another person, and don't judge people in your life. I think you should live completely free
β
β
Angelina Jolie
β
...our impulses are too strong for our judgement sometimes
β
β
Thomas Hardy (Tess of the DβUrbervilles)
β
When I look up, I see people cashing in. I don't see heaven or saints or angels. I see people cashing in on every decent impulse and every human tragedy.
β
β
Joseph Heller (Catch-22)
β
I could not count the times during the average day when something would come up that I needed to tell him. This impulse did not end with his death. What ended was the possibility of response.
β
β
Joan Didion (The Year of Magical Thinking)
β
Which of my feelings are real? Which of the me's is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of both, hopefully much that is neither.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Grandma once told me it's easy to overthink love, to dissect it and question it until it is no more.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
If our impulses were confined to hunger, thirst, and desire, we might be nearly free; but now we are moved by every wind that blows and a chance word or scene that that word may convey to us.
β
β
Mary Wollstonecraft Shelley (Frankenstein)
β
A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse perhaps, or a cathedral, or myself, to committ outrages...
β
β
Hermann Hesse (Steppenwolf)
β
Wish you could turn off the questions, turn off the voices, turn off all sound.
Yearn to close out the ugliness, close out the filthiness, close out all light.
Long to cast away yesterday, cast away memory, cast away all jeapordy.
Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain.
Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Remember, it is not enough to be hit or insulted to be harmed, you must believe that you are being harmed. If someone succeeds in provoking you, realize that your mind is complicit in the provocation. Which is why it is essential that we not respond impulsively to impressions; take a moment before reacting, and you will find it easier to maintain control.
β
β
Epictetus (The Art of Living: The Classical Manual on Virtue, Happiness and Effectiveness)
β
Impulsive actions led to trouble, and trouble could have unpleasant consequences.
β
β
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
β
We are no guiltier in following the primative impulses that govern us than is the Nile for her floods or the sea for her waves.
β
β
Marquis de Sade (Aline et Valcour)
β
Then, driven by the same impulse, they kissed him--Aylss on the let cheek, Evanlyn on the right.
And then they glared daggers at each other.
β
β
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
β
One foot in front of the other, counting tiles on the floor so I don't have to focus the blur of painted smiles, fake faces.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Elpidio sensed that David had more to say but was holding back due to their friendship. He wondered why David had gone along with Emiliana's seemingly impulsive ideas.
β
β
Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series))
β
There are several ways to react to being lost. One is to panic: this was usually Valentina's first impulse. Another is to abandon yourself to lostness, to allow the fact that you've misplaced yourself to change the way you experience the world.
β
β
Audrey Niffenegger (Her Fearful Symmetry)
β
Your first impulse is to share good news, your second is to club someone with it.
β
β
Stephen King (The Stand)
β
It [death] chokes you, gags you, but you have to pretend that you're doing just fine, not trembling with this fear because the end is close.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Because I know you, Percy Jackson. In many ways, you are impulsive, but when it comes to your friends, you are as constant as a compass needle. You are unswervingly loyal, and you inspire loyalty. You are the glue that will unite the seven.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
β
β
Annie Dillard (The Writing Life)
β
The ability to subordinate an impulse to a value is the essence of the proactive person.
β
β
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
β
The need to call this thing βgoodβ and this thing βbad,β this thing βwhiteβ and this thing βblack,β was an impulse that Effia did not understand. In her village, everything was everything. Everything bore the weight of everything else.
β
β
Yaa Gyasi (Homegoing)
β
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple βI must,β then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...
...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, donβt blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the worldβs sounds β wouldnβt you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
β
β
Rainer Maria Rilke
β
When you loved me I gave you the whole sun and stars to play with. I gave you eternity in a single moment, strength of the mountains in one clasp of your arms, and the volume of all the seas in one impulse of your soul.
β
β
George Bernard Shaw
β
Too much to take in, too much to purge. Why must every memory, once sweet, dead end in such ugliness?
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
And in his eyes he had the look of the cat who inspires a desire to caress but loves no one, who never feels he must respond to the impulses he arouses.
β
β
AnaΓ―s Nin (Delta of Venus)
β
A fragrant breeze wandered up from the quiet sea, trailed along the beach, and drifted back to the sea again, wondering where to go next. On a mad impulse it went up to the beach again. It drifted back to sea.
β
β
Douglas Adams (The Ultimate Hitchhiker's Guide: Five Complete Novels and One Story (Hitchhiker's Guide to the Galaxy, #1-5))
β
Every impulse we strangle will only poison us.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
You believe this is a game, and you may be right. But if you think you can play it better than me, think again.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Most people think that shadows follow, precede or surround beings or objects. The truth is that they also surround words, ideas, desires, deeds, impulses and memories.
β
β
Elie Wiesel
β
Why is discipline important? Discipline teaches us to operate by principle rather than desire. Saying no to our impulses (even the ones that are not inherently sinful) puts us in control of our appetites rather than vice versa. It deposes our lust and permits truth, virtue, and integrity to rule our minds instead.
β
β
John F. MacArthur Jr.
β
My happiest memories have no place in the past; they are those I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
The very worst impulses of humankind can survive generations, centuries, even millennia. And the best of our individual efforts can die with us at the end of a single lifetime.
β
β
Elizabeth Kostova (The Historian)
β
When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols...
β
β
Hermann Hesse (Steppenwolf)
β
Keeing busy" is the remedy for all the ills in America. It's also the means by which the creative impulse is destroyed.
β
β
Joyce Carol Oates (The Journal of Joyce Carol Oates: 1973-1982)
β
Tally, do you ever suffer from sudden flashes of anger or euphoria, countersocial impulses, or feelings of superiority?
β
β
Scott Westerfeld (Specials (Uglies, #3))
β
Now that I have opened that bottle of memories they're pouring out like wine, crimson and bittersweet.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Kumiko and I felt something for each other from the beginning. It was not one of those strong, impulsive feelings that can hit two people like an electric shock when they first meet, but something quieter and gentler, like two tiny lights traveling in tandem through a vast darkness and drawing imperceptibly closer to each other as they go. As our meetings grew more frequent, I felt not so much that I had met someone new as that I had chanced upon a dear old friend.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
It is easy to overlook this thought that life just is. As humans we are inclined to feel that life must have a point. We have plans and aspirations and desires. We want to take constant advantage of all the intoxicating existence we've been endowed with. But what's life to a lichen? Yet its impulse to exist, to be, is every bit as strong as oursβarguably even stronger. If I were told that I had to spend decades being a furry growth on a rock in the woods, I believe I would lose the will to go on. Lichens don't. Like virtually all living things, they will suffer any hardship, endure any insult, for a moment's additional existence. Life, in short, just wants to be.
β
β
Bill Bryson (A Short History of Nearly Everything)
β
No man knows how bad he is till he has tried very hard to be good. A silly idea is current that good people do not know what temptation means. This is an obvious lie. Only those who try to resist temptation know how strong it is. After all, you find out the strength of the German army by fighting against it, not by giving in. You find out the strength of a wind by trying to walk against it, not by lying down. A man who gives in to temptation after five minutes simply does not know what it would have been like an hour later. That is why bad people, in one sense, know very little about badness β they have lived a sheltered life by always giving in. We never find out the strength of the evil impulse inside us until we try to fight it: and Christ, because He was the only man who never yielded to temptation, is also the only man who knows to the full what temptation means β the only complete realist.
β
β
C.S. Lewis
β
Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It's fun and it's frightening as hell. Some patients - bipolar type I - experience both extremes; other - bipolar type II - suffer depression almost exclusively. But the "mixed state," the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression's paranoid self-loathing.
β
β
David Lovelace (Scattershot: My Bipolar Family)
β
She is madness,
sanity. She is hell, and
paradise.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
...But the Mahommedan religion increases, instead of lessening, the fury of intolerance. It was originally propagated by the sword, and ever since, its votaries have been subject, above the people of all other creeds, to this form of madness. In a moment the fruits of patient toil, the prospects of material prosperity, the fear of death itself, are flung aside. The more emotional Pathans are powerless to resist. All rational considerations are forgotten. Seizing their weapons, they become Ghazisβas dangerous and as sensible as mad dogs: fit only to be treated as such. While the more generous spirits among the tribesmen become convulsed in an ecstasy of religious bloodthirstiness, poorer and more material souls derive additional impulses from the influence of others, the hopes of plunder and the joy of fighting. Thus whole nations are roused to arms. Thus the Turks repel their enemies, the Arabs of the Soudan break the British squares, and the rising on the Indian frontier spreads far and wide. In each case civilisation is confronted with militant Mahommedanism. The forces of progress clash with those of reaction. The religion of blood and war is face to face with that of peace.
β
β
Winston S. Churchill (The Story of the Malakand Field Force)
β
I love heavily tattooed women. I imagine their lives are filled with sensuality and excess, madness and generosity, impulsive natures and fights. They look like they have endured much pain and sadness, yet have the ability to transcend all of it by documenting it on the body
β
β
Margaret Cho
β
When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.
β
β
Simone de Beauvoir (The Second Sex)
β
Come from the heart, the true heart, not the head. When in doubt, choose the heart. This does not mean to deny your own experiences and that which you have empirically learned through the years. It means to trust your self to integrate intuition and experience. There is a balance, a harmony to be nurtured, between the head and the heart. When the intuition rings clear and true, loving impulses are favored.
β
β
Brian L. Weiss (Messages from the Masters: Tapping Into the Power of Love)
β
I believe the world is divided in three groups: givers, takers and the few that can balance both impulses. Giving and loving is a beautiful thing. It is the currency of compassion and kindness, it is what separates good people from the rest. And without it, the world would be a bleak place. If you are a giver, it is wise to define your boundaries because takers will take what you allow them to; all givers must learn to protect that about themselves or eventually, there is nothing left to give.
β
β
Tiffany Madison
β
As soon as we are alone,...inner chaos opens up in us. This chaos can be so disturbing and so confusing that we can hardly wait to get busy again. Entering a private room and shutting the door, therefore, does not mean that we immediatel;y shut ou all our iner doubts, anxieities, fears, bad memories, unresolved conflicts, angry feelings and impulsive desires. On the contrary, when we have removed our outer distraction, we often find that our inner distraction manifest themselves to us in full force. We often use the outer distractions to shield ourselves from the interior noises. This makes the discipline of solitude all the more important.
β
β
Henri J.M. Nouwen (Making All Things New and Other Classics)
β
He loves her laugh; that sharp, sudden sound; the cynical laugh that always comes too quick, like itβs ripped out of her. He loves her quick, confident grin. He loves her resilience, her bravery, even her impulsiveness. Sheβs everything heβs not: unbound, reckless, free. Heβs never known anyone like her. She terrifies him, and he loves her so much it hurts.
β
β
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
β
One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.
β
β
Annie Dillard (The Writing Life)
β
How long do you think it takes for someone to fall out of love?β He studies the skyline. βA day? A month? Iβm asking because I donβt have any experience with it.β
What the fuck? I fold my arms to keep from giving in to the impulse to jab him with the sharp point of my elbow.
βIβm asking,β he continues, his throat working as he swallows, βbecause I think it will take you all of a heartbeat once you know.
β
β
Rebecca Yarros (Iron Flame (The Empyrean, #2))
β
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
β
β
Joan Didion (Slouching Towards Bethlehem)
β
I'd sleep outside naked in the blizzard,for you.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
That was our mistake, I think. One of many mistakes. To believe that boys were acting with a logic that we could someday understand. To believe that their actions had any meaning beyond thoughtless impulse. We were like conspiracy theorists, seeing portent and intention in every detail, wishing desperately that we mattered enough to be the object of planning and speculation. But they were just boys. Silly and young and straightforward; they weren't hiding anything.
β
β
Emma Cline (The Girls)
β
Memory is a tenuous thing. . . .
flickering glimpses, blue
and white, like ancient,
decomposing 16mm film.
Happiness escapes
me there, where faces
are vague and yesterday
seems to come tied
up in ribbons of pain.
Happiness? I look for it intead
in today, where memory
is something I can still
touch, still rely on.
I find it in the smiles
of new friends, the hope
blossoming inside.
My happiest memories
have no place in the
past; they are those
I have yet to create.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Forever has no meaning when you're living in the moment.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Everyone's afraid of everybody else...maybe because we're all afraid of ourselves.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
Religion begins in story. Yes, it does, because religion is an attempt to make sense of what is incomprehensible to us, what is inexplicable, what is awe-inspiring, what is frightening, what moves us to great wonder, and so on. That is the religious impulse, and it is part of our psychological makeup -- of everyone's psychological makeup.
β
β
Philip Pullman
β
Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade.
For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old.
If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.
β
β
Antoine de Saint-ExupΓ©ry (Wind, Sand and Stars)
β
Because it is dangerous to ignore the existence of the irrational. The more cultivated a person is, the more intelligent, the more repressed, then the more he needs some method of channeling the primitive impulses he's worked so hard to subdue. Otherwise those powerful old forces will mass and strengthen until they are violent enough to break free, more violent for the delay, often strong enough to sweep the will away entirely.
β
β
Donna Tartt (The Secret History)
β
He knew Alec enough by now to know the conflicting impulses that warred in him. He was conscientious, the kind of person who believed that the others around him were so much more important than he was, who already believed he was letting everybody down. And he was honest, the kind of person that was naturally open about all he felt and wanted. Alec's virtues had made a trap for him; these two good qualities had collided painfully. He felt he could not be honest without disappointing everyone he loved. It was a hideous conundrum for him. It was as if the world had been designed to make him unhappy.
β
β
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
β
It is a terrible error to let any natural impulse, physical or mental, stagnate. Crush it out, if you will, and be done with it; or fulfil it, and get it out of the system; but do not allow it to remain there and putrefy. The suppression of the normal sex instinct, for example, is responsible for a thousand ills. In Puritan countries one inevitably finds a morbid preoccupation with sex coupled with every form of perversion and degeneracy.
β
β
Aleister Crowley (Moonchild)
β
You see, gentlemen, reason is an excellent thing, thereβs no disputing that, but reason is nothing but reason and satisfies only the rational side of manβs nature, while will is a manifestation of the whole life, that is, of the whole human life including reason and all the impulses. And although our life, in this manifestation of it, is often worthless, yet it is life and not simply extracting square roots.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
HOW
do you define a word without concrete meaning? To each his own, the saying goes, so
WHY
push to attain an ideal state of being that no two random people will agree is
WHERE
you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway,
WHEN
did creating a flawless facade become a more vital goal than learning to love the person
WHO
lives inside your skin? The outside belongs to others. Only you should decide for you -
WHAT
is perfect.
β
β
Ellen Hopkins (Perfect (Impulse, #2))
β
When you believe without knowing you believe that you are damaged at your core, you also believe that you need to hide that damage for anyone to love you. You walk around ashamed of being yourself. You try hard to make up for the way you look, walk, feel. Decisions are agonizing because if you, the person who makes the decision, is damaged, then how can you trust what you decide? You doubt your own impulses so you become masterful at looking outside yourself for comfort. You become an expert at finding experts and programs, at striving and trying hard and then harder to change yourself, but this process only reaffirms what you already believe about yourself -- that your needs and choices cannot be trusted, and left to your own devices you are out of control (p.82-83)
β
β
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
β
The way I feel about you . . . itβs crazy.β
βYou got the crazy part right,β she snapped, pulling away from me.
βI practiced this in my head the whole time we were on the bike, so just hear me out.β
βTravisββ
βI know weβre fucked-up, all right? Iβm impulsive and hot tempered, and you get under my skin like no one else. You act like you hate me one minute, and then you need me the next. I never get anything right, and I donβt deserve you . . . but I fucking love you, Abby. I love you more than Iβve loved anyone or anything, ever. When youβre around, I donβt need booze or money or the fighting or the one-night stands . . . all I need is you. Youβre all I think about. Youβre all I dream about. Youβre all I want.
β
β
Jamie McGuire (Walking Disaster (Beautiful, #2))
β
The central theme of Anna Karenina," he said, "is that a rural life of moral simplicity, despite its monotony, is the preferable personal narrative to a daring life of impulsive passion, which only leads to tragedy."
"That is a very long theme," the scout said.
"It's a very long book," Klaus replied.
[...]
"Or maybe a daring life of impulsive passion leads to something else," the scout said, and in some cases this mysterious person was right. A daring life of impulsive passion is an expression which refers to people who follow what is in their hearts, and like people who prefer to follow their head, or follow a mysterious man in a dark blue raincoat, people who lead a daring life of impulsive passion end up doing all sorts of things.
β
β
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
β
Because memoryβ¦is everything. Physically speaking, a memory is nothing but a specific combination of neurons firing togetherβa symphony of neural activity. But in actuality, itβs the filter between us and reality. You think youβre tasting this wine, hearing the words Iβm saying, in the present, but thereβs no such thing. The neural impulses from your taste buds and your ears get transmitted to your brain, which processes them and dumps them into working memoryβso by the time you know youβre experiencing something, itβs already in the past. Already a memory.
β
β
Blake Crouch (Recursion)
β
Other people spoke, and I tried to keep up with the translations. All the stories were about Dimitri's kindness and strength of character. Even when not out battling the undead, Dimitri had always been there to help those who needed it. Almost everyone could recall sometime that Dimitri had stepped up to help others, going out of his way to do what was right, even in situations that could put him at risk. That was no surprise to me. Dimitri always did the right thing.
And it was that attitude that had made me love him so much. I had a similar nature. I too rushed in when others needed me, sometimes when I shouldn't have. Others called me crazy for it, but Dimitri had understood. He'd always understood me, and part of what we'd worked on was how to temper that impulsive need to run into danger with reason and calculation. I had a feeling no one else in this world would ever understand me like he did.
β
β
Richelle Mead (Blood Promise (Vampire Academy, #4))
β
I believe that there are people who think as I do, who have thought as I do, who will think as I do. There are those who will live, unconscious of me, but continuing my attitude, so to speak, as I continue, unknowingly, the similar attitude of those before me. I could write and write. All it takes is a motion of the hand in response to a brain impulse, trained from childhood to record in our own American brand of hieroglyphics the translations of external stimuli. How much of my brain is wilfully my own? How much is not a rubber stamp of what I have read and heard and lived? Sure, I make a sort of synthesis of what I come across, but that is all that differentiates me from another person? - - - That I have banged into and assimilated various things? That my environment and a chance combination of genes got me where I am?
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
Nature may reach the same result in many ways. Like a wave in the physical world, in the infinite ocean of the medium which pervades all, so in the world of organisms, in life, an impulse started proceeds onward, at times, may be, with the speed of light, at times, again, so slowly that for ages and ages it seems to stay, passing through processes of a complexity inconceivable to men, but in all its forms, in all its stages, its energy ever and ever integrally present. A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe.
β
β
Nikola Tesla
β
Perhaps the greatest charity comes when we are kind to each other, when we don't judge or categorize someone else, when we simply give each other the benefit of the doubt or remain quiet. Charity is accepting someone's differences, weaknesses, and shortcomings; having patience with someone who has let us down; or resisting the impulse to become offended when someone doesn't handle something the way we might have hoped. Charity is refusing to take advantage of another's weakness and being willing to forgive someone who has hurt us. Charity is expecting the best of each other.
None of us need one more person bashing or pointing out where we have failed or fallen short. Most of us are already well aware of the areas in which we are weak. What each of us does need is family, friends, employers, and brothers and sisters who support us, who have the patience to teach us, who believe in us, and who believe we're trying to do the best we can, in spite of our weaknesses. What ever happened to giving each other the benefit of the doubt? What ever happened to hoping that another person would succeed or achieve? What ever happened to rooting for each other?
β
β
Marvin J. Ashton
β
If you have to ask someone to change, to tell you they love you, to bring wine to dinner, to call you when they land, you canβt afford to be with them. Itβs not worth the price, even though, just like the Tiffany catalog, no one tells you what the price is. You set it yourself, and if youβre lucky itβs reasonable. You have a sense of when youβre about to go bankrupt. Your own sense of self-worth takes the wheel and says, Enough of this shit. Stop making excuses. No oneβs that busy at work. No oneβs allergic to whipped cream. There are too cell phones in Sweden. But most people donβt get lucky. They get human. They get crushes. This means you irrationally mortgage what little logic you own to pay for this one thing. This relationship is an impulse buy, and youβll figure out if itβs worth it later.
β
β
Sloane Crosley (How Did You Get This Number: Essays)
β
She was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts, and to care for knowledge that was tinged with the unfamiliar...It may be affirmed without delay that She was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; impulsively, she often admired herself...Every now and then she found out she was wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only on this condition that life was worth living; that one should be one of the best, should be conscious of a fine organization, should move in the realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic.
β
β
Henry James (The Portrait of a Lady)
β
When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it.
When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on.
But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it.
And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.
β
β
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
β
You desire to LIVE "according to Nature"? Oh, you noble Stoics, what fraud of words! Imagine to yourselves a being like Nature, boundlessly extravagant, boundlessly indifferent, without purpose or consideration, without pity or justice, at once fruitful and barren and uncertain: imagine to yourselves INDIFFERENCE as a powerβhow COULD you live in accordance with such indifference? To liveβis not that just endeavouring to be otherwise than this Nature? Is not living valuing, preferring, being unjust, being limited, endeavouring to be different? And granted that your imperative, "living according to Nature," means actually the same as "living according to life"βhow could you do DIFFERENTLY? Why should you make a principle out of what you yourselves are, and must be? In reality, however, it is quite otherwise with you: while you pretend to read with rapture the canon of your law in Nature, you want something quite the contrary, you extraordinary stage-players and self-deluders! In your pride you wish to dictate your morals and ideals to Nature, to Nature herself, and to incorporate them therein; you insist that it shall be Nature "according to the Stoa," and would like everything to be made after your own image, as a vast, eternal glorification and generalism of Stoicism! With all your love for truth, you have forced yourselves so long, so persistently, and with such hypnotic rigidity to see Nature FALSELY, that is to say, Stoically, that you are no longer able to see it otherwiseβand to crown all, some unfathomable superciliousness gives you the Bedlamite hope that BECAUSE you are able to tyrannize over yourselvesβStoicism is self-tyrannyβNature will also allow herself to be tyrannized over: is not the Stoic a PART of Nature?... But this is an old and everlasting story: what happened in old times with the Stoics still happens today, as soon as ever a philosophy begins to believe in itself. It always creates the world in its own image; it cannot do otherwise; philosophy is this tyrannical impulse itself, the most spiritual Will to Power, the will to "creation of the world," the will to the causa prima.
β
β
Friedrich Nietzsche (Beyond Good and Evil)
β
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see whatβs really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
βThe good not done, the love not given, time
Torn off unusedβnor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fearβno sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we canβt escape,
Yet canβt accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
β
β
Philip Larkin (Collected Poems)
β
In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. When there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended - there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving anyone too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your mortality about in a bottle. Christianity without tears - that's what soma is.
β
β
Aldous Huxley (Brave New World)
β
The point is, the brain talks to itself, and by talking to itself changes its perceptions. To make a new version of the not-entirely-false model, imagine the first interpreter as a foreign correspondent, reporting from the world. The world in this case means everything out- or inside our bodies, including serotonin levels in the brain. The second interpreter is a news analyst, who writes op-ed pieces. They read each other's work. One needs data, the other needs an overview; they influence each other. They get dialogues going.
INTERPRETER ONE: Pain in the left foot, back of heel.
INTERPRETER TWO: I believe that's because the shoe is too tight.
INTERPRETER ONE: Checked that. Took off the shoe. Foot still hurts.
INTERPRETER TWO: Did you look at it?
INTERPRETER ONE: Looking. It's red.
INTERPRETER TWO: No blood?
INTERPRETER ONE: Nope.
INTERPRETER TWO: Forget about it.
INTERPRETER ONE: Okay.
Mental illness seems to be a communication problem between interpreters one and two.
An exemplary piece of confusion.
INTERPRETER ONE: There's a tiger in the corner.
INTERPRETER TWO: No, that's not a tiger- that's a bureau.
INTERPRETER ONE: It's a tiger, it's a tiger!
INTERPRETER TWO: Don't be ridiculous. Let's go look at it.
Then all the dendrites and neurons and serotonin levels and interpreters collect themselves and trot over to the corner.
If you are not crazy, the second interpreter's assertion, that this is a bureau, will be acceptable to the first interpreter. If you are crazy, the first interpreter's viewpoint, the tiger theory, will prevail.
The trouble here is that the first interpreter actually sees a tiger. The messages sent between neurons are incorrect somehow. The chemicals triggered are the wrong chemicals, or the impulses are going to the wrong connections. Apparently, this happens often, but the second interpreter jumps in to straighten things out.
β
β
Susanna Kaysen (Girl, Interrupted)