Cute Expression Quotes

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I'll be firm," I promised Patch, adopting a no-nonsense expression. "No backing down." By now Patch was full-on grinning. He kissed me again, and I felt my mouth soften its resolve. "You look cute when you're trying to be tough," he said.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
OMG OMG OMG, Shane is totally crushing on the new roomie! I can’t believe it. I always pictured Shane going after blond beach hotties. Who knew he liked big brains and teeny little bodies? Although, to be fair, she is cute as a button. (Why do we say that? What’s so cute about a button, anyway?)
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
And if the Pack Council produces any kittens, we’ll give them to Jim to raise. He needs to mellow out anyway.” I looked at him. He took his hands off the wheel and held them apart about six inches. “Cute fluffy kittens. Just sitting on Jim’s lap.” I pictured Jim with his badass-chief-of-security expression covered in small fluffy kittens. It was too much. The numbness inside me broke, like a dam. I giggled and laughed. Curran laughed, too.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
They’re like sharks. Circling. Cute, single guy, good job, nice car. It’s all they know about me.” His tone was light but his expression serious. Maybe that’s because it’s all you show them.” Maybe it’s all they want to see.
Megan Hart (Broken)
Are you okay with what we ordered?” Angeline asked him. “You didn’t pipe up with any requests.” Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would’ve loved. “I can’t waste time quibbling over trivial things like pepperoni and mushrooms. If you’d gone to my school in Devonshire, you’d understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you’ll learn not to argue about any food coming your way.” Angeline and Jill cooed as though that was the most rugged, manly thing they’d ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Taking pity on me, Carissa kept her voice low. “You were calling out for Daemon.”I dropped my face in my hands and moaned. “Oh, God.” Lesa giggled. “It was kind of cute.” A minute before the tardy bell rang, I felt an all-too-familiar warmth on my neck and glanced up. Daemon swaggered into class. Textbook-less as usual. He had a notebook, but I don’t think he ever wrote anything in it. I was beginning to suspect our math teacher was an alien, because how else would Daemon get away with not doing a damn thing in class? He passed by without so much as a look. I twisted around in my chair. “I need to talk to you.” He slid into his desk chair. “Okay.” “In private,” I whispered. His expression didn’t change as he leaned back in his chair. “Meet me in the library at lunch. No one really goes in there. You know, with all those books and stuff.
Jennifer L. Armentrout (Onyx (Lux, #2))
We as an English-speaking people can't not eat our dead— our language loves a cannibal. We don't just win at sports, we kill the other team; we demolish them; we devour our opponents. To express a baby's cuteness, we say we could eat her up.
Chelsea G. Summers (A Certain Hunger)
Her smile faded to a more serious expression. "Is everything okay? With Callum?" "Fine," I said, taking a bite of meat and avoiding her eyes. "He's crazy about you, you know," she said softly, like I hadn't just told her things were fine. "I see other girls looking at him sometimes, and he doesn't even notice. He only sees you.
Amy Tintera (Rebel (Reboot, #2))
I want you back, Annabelle.” This time my laughter is full of nothing but genuine humor. It’s that ‘oh my god, I can’t believe that’ kind of humor. I lean forward and put my face in my palms, still laughing. “Holy crap,” I say in-between laughs, “that’s hilarious.” I peek up at him to see his disgruntled expression and then bust up laughing again.  “I’m serious,” he grunts out, looking cute in his exasperation, damn him. Not done, I hold up a hand. “Oh, oh, wait. Just let me go get my gun so you can shoot me again. Of course I want to get back together with you, Gabriel.” Putting on a serious face, I say earnestly, “He shoots me because he loves me.
April Brookshire (Young Love Murder (Young Assassins, #1))
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
A cute nickname was the first mile marker on Gag Highway, heading straight to Relationshipville. And making up the names of fake roads and cities to express your unhappiness was probably the first step to insanity.
Emma Mills (First & Then)
Straightening, he then stared down at her for a moment, his tight-lipped expression easing and twitching with amusement when she began to snore lightly. She was just so damned cute. Shaking
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
All the way, Zoe kept her chin up and pretended she wasn’t mortified, but his sour expression stayed with her. She wasn’t good at making American friends. She changed her language, conduct, and clothing, but it didn’t seem to matter. Whether she wore modest Middle-Eastern clothing or cute Western fashions, everyone knew she didn’t belong.
Michael Ben Zehabe
I'm glad this happened," he said softly. I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple. So I said noncommittally, "Me too." "Because I've been trying to get you back since the seventh grade." I must have given him a very skeptical look. He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker." "Oh!" I thought back to the January issue. "I wondered where that came from." "And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-" I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra. "-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me." Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin. "Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
Jennifer Echols (The Ex Games)
So you’re her brother?” says Lynn. “I guess we know who got the good genes.” I laugh at the expression on Caleb’s face, his mouth drawn into a slight pucker and his eyes wide.
Veronica Roth (Insurgent (Divergent, #2))
When God becomes glad with our good works, then He sends the cute animals, birds, butterflies etc. near us like a signal to express His happiness!
Ziaul Haque
I gave myself a little shake. So if Gideon was carrying on as if nothing had happened—well, thanks a lot, I could do the same. “Okay, let’s get out of here,” I said brightly. “I’m cold.” I tried to push past him, but he took hold of my arm and stopped me. “Listen, about all that just now . . .” He stopped, probably hoping I was going to interrupt him. Which of course I wasn’t. I was only too keen to hear what he had to say. I also found breathing difficult when he was standing so close to me. “That kiss . . . I didn’t mean . . .” Once again it was only half a sentence. But I immediately finished it in my mind. I didn’t mean it that way. Well, obviously, but then he shouldn’t have done it, should he? It was like setting fire to a curtain and then wondering why the whole house burned down. (Okay, silly comparison.) I wasn’t going to make it any easier for him. I looked at him coolly and expectantly. That is, I tried to look at him coolly and expectantly, but I probably really had an expression on my face saying, Oh, I’m cute little Bambie, please don’t shoot me! There was nothing I could do about that. All I needed was for my lower lip to start trembling. I didn’t mean it that way! Go on, say it! But Gideon didn’t say anything. He took a hairpin out of my untidy hair (by now my complicated arrangement of strands must have looked as if a couple of birds had been nesting in it), took one strand, and wound it around his finger. With his other hand, he began stroking my fact, and then he bent down and kissed me again, this time very cautiously. I closed my eyes—and the same thing happened as before: my brain suffered that delicious break in transmission. (Well, all it was transmitting was oh, hmm, and more!) But that lasted only about ten seconds, because then a voice right beside us said, irritated, “Not starting that stuff up again, are you?
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I instantly thought the guy was cute, in that gaunt, never-sees-the-light-of-day, New York street urchin kind of way. And he never stood still for a second. From across the tracks I read his expression as I have everything on my side except destiny, only his expression clearly hadn't informed his head or heart yet. The guy looked over and caught me staring, and once his eyes met mine they never deviated. He took several cautious steps forward, stopping abruptly at the thick yellow line you weren't supposed to cross. His arms dangled like a puppet and he seemed to skim the ground when he walked, as if suspended over the edge of the world by a hundred invisible strings.
Tiffanie DeBartolo (How to Kill a Rock Star)
He smiled at me shyly and took a step closer. I froze, heart pounding, as he put one hand on my cheek and leaned toward me. I swallowed, gazing up at him with what I hoped was an expectant (and not alarmed) expression. He bent his head toward mine and...
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Let’s do something about that mouth of yours, hm?” The corners of my mouth lifted into a playful smile, causing dimples to appear on either side of my cheeks. I saw her amused expression change, slowly becoming redder as she visibly swallowed. She blushed. Anastasia Lenkov just fucking blushed.
J.C. Böhme (His Savior (Butterflies and Death, #1))
Anna?" Someone knocks on my door, and it startles me out of my seat. No.Not someone. St. Clair. I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra. "Anna,I know you're in there. I can see your light." "Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in." I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me. "Nice strawberries." "Shut up." "No,I mean it. Cute." And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach. Foomp! My inner fire ignites. "It's really...er...clean," he says. Fizz. Flames extinguished.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
His first thought – what felt like his first thought ever, it formed so slowly in his brain – was that she looked like a doll. Just like a doll. Her eyes were large and bright and feline; her hair was chestnut, brushed to a hardwood shine, parted sharply and flowing to her thighs; her lips were cupid’s-bow-cute; her head was tilted to one side on a long, long neck. She had skin that had never seen sunlight, and wore no expression at all. He noticed her. And she noticed, and kept on noticing, him. Stanley looked down for a third and longer time. It wasn’t polite to stare. Not at girls. Or anyone. But especially not girls. Not even girls who looked like perfect porcelain dolls.
Amelia Mangan (Release)
In the West, there was an old debate as to whether mathematical reality was made by mathematicians or, existing independently, was merely discovered by them. Ramanujan was squarely in the latter camp; for him, numbers and their mathematical relationships fairly threw off clues to how the universe fit together. Each new theorem was one more piece of the Infinite unfathomed. So he wasn’t being silly, or sly, or cute when later he told a friend, “An equation for me has no meaning unless it expresses a thought of God.
Robert Kanigel (The Man Who Knew Infinity: A Life of the Genius Ramanujan)
If facial expressions had fur, then I’d snuggle your sneer. It’s so ugly it’s cute, like one of those little dogs, the kind Ryan Lilly has.
Jarod Kintz (This Book is Not for Sale)
I was even starting to relax—a little—until he took me to his parents' house for dinner. I've never met two people more in need of a divorce. They bickered and fought all evening. Royce said that's how they express their love. I don't believe him. I mean, please. You tell me if you feel the love from this conversation (written word for word as I remember it): Linda: Elliot, be a dear and get me another drink. Elliot: Get it yourself. Linda: Get up and fix me a drink, you lazy man. Elliot: Woman, don't push me on this. I've finally gotten comfortable. Linda: (sugary sweet smile) I'll push you only when you're standing on a bridge. Elliot: If I were standing on a bridge and saw you coming, you wouldn't have to push me. I'd jump. See? Does that sound "loving" to you?
Gena Showalter (Animal Instincts)
There is a distinct evolutionary advantage to being fuzzy, as much of the mammal kingdom had discovered, particularly when you wanted a human to scratch your back. The dwarven evolutionary tree had embraced this concept wholeheartedly only to discover that once you started talking and expressing opinions a human's desire to scratch your back became directly inverse to how fuzzy it was.
Jeffery Russell (The Dungeoneers (The Dungeoneers, #1))
Leaning down, I kissed his cheek, and as I straightened, he turned wide amber eyes on me. “I see what you don’t.” I ran my hand up and down his arm. “You’re not selfish, even if you have moments of acting like it. We all do. You’re not evil, even if you were created by the greatest evil of them all. You’ve proven to me and yourself that you have free will, and you’ve made the right decisions time and time again.” As I dragged my hand up his arm, he shuddered. “You’ve accepted who and what I am from the beginning. You’ve never tried to change me or...or hide me. You’ve always trusted me, even when you probably shouldn’t have.” I laughed at that, thinking of the time he’d left me alone in the Palisades club with explicit instructions not to roam off. “You’ve...you’ve celebrated what I am, and very few can claim that. Like I’ve said before, you’re more than the latest Crown Prince. You’re Roth.” For a moment, he didn’t move or blink. Then wonderment filled his expression as he stared up at me, and finally, the tension eased out of his muscles. “And I’m yours.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
So, what do you think of me now?’ he asked. Annie was looking at him again, her expression tender. ‘I think you’re my person. I think you're someone I can trust and love. And I think you look really freaking cute with kittens piled on top of you.
Laurie Gilmore (The Gingerbread Bakery (Dream Harbor, #5))
People with an entertaining rigid structure are brought up in environments in which the parents are uncomfortable with expressing feelings. This is not to say that the parents do not care, but they do not express feelings like affection, warmth, and caring or feel comfortable with expressing such feelings (Keleman). The experience within the family is not one of intimacy and true interchange of feeling. To contend with the situation, the child may learn to draw out the parents by being cute, entertaining, or charming. Although being charming is something most children do naturally to some extent, the difference in the case of people with an entertaining rigid structure is that this becomes the primary mode of relating. Furthermore, the entertaining rigid structure pattern is reinforced as the parents respond primarily to the child's charm, rather than to their own feelings. Therefore, such children effectively learn that they will not get the reaction they crave without using that behavior. At the same time, these children are also developing or have developed a discomfort with intimacy that is similar to that of their parents. As a result, people with an entertaining rigid structure as adults act out this pattern in which they are energized or emotionally fed by being able to cause another person to be attracted to them, but they become anxious if the person becomes too close or expresses "real" feeling. Love is what they are really craving, and they think they are getting it, but are not. In other words, they have mistaken the energy of attraction for love.
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
We as an English-speaking people can’t not eat our dead—our language loves a cannibal. We don’t just win at sports, we kill the other team; we demolish them; we devour our opponents. To express our appreciation for a baby’s cuteness, we say we could eat her up. When we have sex, we ravish our lovers, nibble their ears, lick their vulvas, or swallow their cocks. Gleeful, we banquet on flesh.
Chelsea G. Summers (A Certain Hunger)
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
For many species of large animals in the twenty-first century, the single most important determinant of survival is whether their existence is useful to humans. But if you can’t be of utility to people, the second best thing you can be is cute. You need an expressive face, ideally some large eyes. Your babies need to remind us of our babies. Something about you must make us feel guilty for eliminating you from the planet.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
For many species of large animals in the twenty-first century, the single most important determinant of survival is whether their existence is useful to humans. But if you can’t be of utility to people, the second best thing you can be is cute. You need an expressive face, ideally some large eyes. Your babies need to remind us of our babies. Something about you must make us feel guilty for eliminating you from the planet.
Jhon Green
As far as I could recall, with long hair, she had been just another cute coed. From the girl who sat before me now, though, surged a fresh and physical life force. She was like a small animal that gas popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn't seen a face so vivid and expressive in ages, and I enjoyed watching it live and move.
Haruki Murakami (Norwegian Wood)
Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home. I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben. Well that was settled then, wasn’t it? Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking. And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world. “Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?” Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.” “You did that?” I asked. “Oh yes, he did,” Rayna nodded. “And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.” “Rayna is particularly charming,” Sage noted. “Thank you, darling.” She batted her eyes at him like a Disney princess. “What happened?” Ben asked. “Piri spiked your drink with garlic?” “You say that like it’s a joke,” Sage said. “I’m pretty sure she did.” “She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.” “Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!
Hilary Duff (Elixir (Elixir, #1))
I hear the chipper voice of the Church magazines chirping in my brain: You're in a relationship with a boy who treats you as his emotional and spiritual equal. You feel a desire to express your affection through physical acts that will bring mutual pleasure. Do you (a) go for it! Sex is a natural gift from God, and a lot of fun so long as you do it safely!; (b) get him to propose! Sex is only fun if you do it in a Church of America-approved union! Plus, babies are so cute!; or (c) seek guidance from your local pastor for your sinful thoughts and ask for tips on expressing your love in a holy, nonphysical way? TRICK QUESTION! The answer is (d) the fact that you even momentarily considered having sex out of wedlock proves that you have no place in God's eternal kingdom, you reprehensible slut.
Katie Coyle (Vivian Apple Needs a Miracle (Vivian Apple, #2))
Nous avons ete amies," I added. "There,that's two in French, and using past perfect, no less." I couldn't see his expression clearly. It flet like a long time before he said anything. "Ella..." He paused, then, "What happened? Between you and Anna?" "Other than the fact that I'm a fashion-impaired poor kid who draws doorknobs? Haven't a clue." Alex leaned forward. Now I could see his face. He looked annoyed. "Why do you do that? Diminish yourself?" "I don't-" "Bullshit." I could feel my cheeks flaming, feel my shoulders curving inward. "I don't-" "Right.Don't.Just don't, with me, anyway. I like you better feisty." I couldn't help it; that made me smile. "Did you really just say 'feisty'?" "I did.It's a good word." "It's am old word, favored by granddads and pirates." "Yar," Alex sighed. "Face it.You're just an old-fashioned guy." "Whatever.Three...?" "Three," I said, and changed my mind midthought. "I haven't been able to decide if Willing is the second best thing that ever happened to me, or the second worst." "What are the firsts?" "Nope.Uh-uh.It is not for you to ask, Alexander Bainbridge, but to reveal." He drained his glass and rolled it back and forth between his hands. "I had all these funny admissions planned, but you've screwed up my plans. Hey. Don't go all wounded-wide-eyed on me. It's cute, that Bambi thing you have going, but beside the point.Now I have to rethink." "You don't-" "Quiet.One: My name isn't Alexander." He sat up straight and gave his chest a resounding thump. "Menya zavut Alexei Pavlovich Dillwyn Bainbridge. Not Alexander. I don't think anyone outside my family knows that.
Melissa Jensen (The Fine Art of Truth or Dare)
Demetrious was studying Law on the Open University and was, in all ways, a ray of sunshine into her life: warm and glorious, achingly temporary. He lived just off the high street with his boyfriend Rob, who worked in the City, doing something neither Demi nor Sukie pretended to understand. “All the cute guys are gay,” Sukie had laughed, that first day, holding her coffee mug high to her face to hide her genuine disappointment. Demi had just tilted his head and looked at her playfully, an expression she would get to know well. “I’m not gay,” he had clarified, matter-of-factly. “Living with a boyfriend called Rob doesn’t sound very straight!” Sukie had pointed out. “Labels!” Demi had scorned, with one of his characteristic and very Greek hand gestures. “I fall in love with the person, not the gender.
Erin Lawless (Little White Lies)
Which of you’s real?” Nick asked. “The one limping, silly.” Simi flashed in beside Nick and leaned against his shoulder. “Can’t you tell the difference between the cute Malphas and the fugly fake one?” Not really. If Caleb wasn’t limping and bleeding, he’d have no clue. Nick frowned at her. “What’s going on?” With her bright purple hair, which matched the color of her lipstick, pulled into pigtails, Simi let out an adorable sound that defied description. “Them nasty demons done found you. Kind of. See, there’s a big bounty on your head—” She brushed her hand over his hair to emphasize her words. “—and if some mean nasty can find you and bring you in to have your brains eaten by their overlord, they get freed. So win–win. Well, not for you ’cause it would probably hurt to have your brains eaten. Though the Simi is pretty sure they’d kill you first.” She paused to think about that with a strangely cute expression. “Then again, some don’t, ’cause they like the sound of screams on the way down. I wonder if brains scream on their own.… Hmm. The Simi sees an expulsion coming on. Not ex…” “Periment?” “That’s the word.” Smiling, she touched him on the tip of his nose. “Experiment. Thank you, akri-Nicky. Good of you to use your brains while you still have some. The Simi’s so proud for you.” “You’re not helping my panic, Simi.” “Oh.” She grinned at him. “Sorry. The Simi will be silent. Until it’s not time to be silent anymore. Silent. I likes that word. Ever notice some words are just pretty to say?” She beamed like a beautiful doll. “Silent Simi.” Her face fell as she touched her forefinger to her lower lip and pouted. “Oh, wait, no. The Simi don’t like the way that sounds at all. Blah! A silent Simi is not a good thing.
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
I’ve something to show you in here,” he murmurs and opens the door. The harsh light of the fluorescents illuminates the impressive motor launch in the dock, bobbing gently on the dark water. There’s a row boat beside it. “Come.” Christian takes my hand and leads me up the wooden stairs. Opening the door at the top, he steps aside to let me in. My mouth drops to the floor. The attic is unrecognizable. The room is filled with flowers... there are flowers everywhere. Someone has created a magical bower of beautiful wild meadow flowers mixed with glowing fairy lights and miniature lanterns that glow soft and pale round the room. My face whips round to meet his, and he’s gazing at me, his expression unreadable. He shrugs. “You wanted hearts and flowers,” he murmurs. I blink at him, not quite believing what I’m seeing. “You have my heart.” And he waves toward the room. “And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.” I can’t think of what else to say. My heart is in my mouth as tears prick my eyes.
E.L. James
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
In the Kübler-Ross model, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. The model is supposed to apply to most major losses. Stuff like death, breakups, dealing with your parents’ divorce, overcoming addiction. In general, it works. But for Haruka, and she imagines most others like her, the smart ones, the brave ones, there is another stage: revenge. That’s not the same as anger, revenge. No. Anger is a much simpler concept. An easy emotion to tap into. Primitive. It’s rooted in the limbic system, the amygdala. A banging of the fists and stomping of the feet and overall feeling of “I’m mad!” Anger can be reduced to an emoji, or several with slight variations. Although, they’re usually a little too cute for what’s at the core of that actual emotion, anger. It can be very scary when witnessed. Revenge is more complicated. More sophisticated. It’s also less scary-looking, almost clinical when carried out. It would take at least two distinct emojis to express properly. More like three. Something to depict a wrongdoing, something to show contemplation, then lastly the victim committing an evil act with a calm, satisfied smile.
A.D. Aliwat (In Limbo)
A text comes from Wallace. An actual text too, not a message through the forum app. I gave him my number awhile back, before Halloween, but not because I wanted him to call me or anything. I wrote it on the edge of our conversation paper in homeroom and slid it over to him because sometimes I see something and think, Wallace would laugh at that, I should send him a picture of it, but the messaging app is terrible with pictures and texting is way better. So he texts me now, and it’s a picture. A regular sweet potato pie. Beneath the picture, he says, I really like sweet potato pie. I text back, Yeah, so do I. Then he sends me a picture of his face, frowning, and says, No, you don’t understand. Then another picture, closer, just his eyes. I REALLY like sweet potato pie. A series of pictures comes in several-second intervals. The first is a triangular slice of pie in Wallace’s hand. Then Wallace holding that slice up to his face—it’s soft enough to start collapsing between his fingers. The next one has him stuffing the slice into his mouth, and in the final one it’s all the way in, his cheeks are puffed out like a chipmunk’s, and he’s letting his eyes roll back like it’s the best thing he’s ever eaten. I purse my lips to keep my laugh in, but my parents are fine-tuned to the slightest hint of amusement from me, and they both look up. “What’s so funny, Eggs?” Dad says. “Nothing,” I reply. Nothing makes a joke less funny than someone wanting in on it, especially parents. Wow, I say to Wallace. You really like sweet potato pie. He sends one more picture, this one with him embracing the pie pan, gazing lovingly at it. We’re to be married in the spring. An actual laugh escapes me. I really hope Wallace is having a better Thanksgiving than I am. It seems like he is. I take a picture of myself pouting and send it to him, saying, Aw, the cutest of cute couples. ... Another picture from Wallace waits for me. In this one, an empty pie pan littered withcrumbs sits on the floor beside a large knife. Wallace kneels next to it with morecrumbs on his sweater, expression horrified. NOOOO WHAT HAVE I DONE MY LOVE OUR MARRIAGE ’TIS ALL FOR NAUGHT I text back: Oh no!! Not sweet potato bride! Another picture comes: Wallace sprawled on the floor beside the pie pan, one arm thrown over his eyes. Let me only be accused of loving her too much. Wallace is definitely having a better Thanksgiving than me.
Francesca Zappia (Eliza and Her Monsters)
Pinky?" says Karen. Pinky the pig is lying on her afghan where she usually is during meals, blinking with her bristlylashed eyes and hoping for scraps. "Pinky's right here!" "This is last year's Pinky," says her grandmother. "There's a new one every year." She looks across the table at Karen. She has a sly expression; she's waiting to see how Karen will take it. Karen doesn't know what to do. She could start to cry and jump up from the table and run out of the room, which is what her mother would do and is also what she herself feels like doing. Instead she sets her fork down and takes the rubbery chewed piece of bacon out of her mouth and places it gently on her plate, and that's the end of bacon for her, right then and there, forever. "Well, for heaven's sake," says her grandmother, aggrieved but with some contempt. It's as if Karen has failed at something. "It's only pigs. They're cute when they're young, smart too, but if I let them stay alive they'd get too big. They're wild when they grow up, they're cunning, they'd eat you, yourself. They'd gobble you up as soon as look at you!" Karen thinks about Pinky, running around the barnyard with no head, the grey smoke of her life going up from her and her rainbow light shrinking to nothing. Whatever else, her grandmother is a killer. No wonder other people are afraid of her.
Margaret Atwood (The Robber Bride)
How had she ended up like this, imprisoned in the role of harridan? Once upon a time, her brash manner had been a mere posture - a convenient and amusing way for an insecure teenage bride, newly arrived in America, to disguise her crippling shyness. People had actually enjoyed her vituperation back then, encouraged it and celebrated it. She had carved out a minor distinction for herself as a 'character': the cute little English girl with the chutzpah and the longshoreman's mouth. 'Get Audrey in here,' they used to cry whenever someone was being an ass. 'Audrey'll take him down a peg or two.' But somewhere along the way, when she hadn't been paying attention, her temper had ceased to be a beguiling party at that could be switched on and off at will. It had begun to express authentic resentments: boredom with motherhood, fury at her husband's philandering, despair at the pettiness of her domestic fate. She hadn't noticed the change at first. Like an old lady who persists in wearing the Jungle Red lipstick of her glory days, she had gone on for a long time, fondly believing that the stratagems of her youth were just as appealing as they had ever been. By the time she woke up and discovered that people had taken to making faces at her behind her back - that she was no longer a sexy young woman with a charmingly short fuse but a middle-aged termagant - it was too late. Her anger had become a part of her. It was a knotted thicket in her gut, too dense to be cut down and too deeply entrenched in the loamy soil of her disappointments to be uprooted.
Zoë Heller (The Believers)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
You might expect that if you spent such an extended period in twelve different households, what you would gather is twelve different ideas about how to raise children: there would be the strict parents and the lax parents and the hyperinvolved parents and the mellow parents and on and on. What Lareau found, however, is something much different. There were only two parenting “philosophies,” and they divided almost perfectly along class lines. The wealthier parents raised their kids one way, and the poorer parents raised their kids another way. The wealthier parents were heavily involved in their children’s free time, shuttling them from one activity to the next, quizzing them about their teachers and coaches and teammates. One of the well-off children Lareau followed played on a baseball team, two soccer teams, a swim team, and a basketball team in the summer, as well as playing in an orchestra and taking piano lessons. That kind of intensive scheduling was almost entirely absent from the lives of the poor children. Play for them wasn’t soccer practice twice a week. It was making up games outside with their siblings and other kids in the neighborhood. What a child did was considered by his or her parents as something separate from the adult world and not particularly consequential. One girl from a working-class family—Katie Brindle—sang in a choir after school. But she signed up for it herself and walked to choir practice on her own. Lareau writes: What Mrs. Brindle doesn’t do that is routine for middle-class mothers is view her daughter’s interest in singing as a signal to look for other ways to help her develop that interest into a formal talent. Similarly Mrs. Brindle does not discuss Katie’s interest in drama or express regret that she cannot afford to cultivate her daughter’s talent. Instead she frames Katie’s skills and interests as character traits—singing and acting are part of what makes Katie “Katie.” She sees the shows her daughter puts on as “cute” and as a way for Katie to “get attention.
Malcolm Gladwell (Outliers: The Story of Success)
We need to leave as soon as possible." "Okay," Luce said. "I have to go home, then, pack, get my passport..." Her mind whirled in a hundred directions as she started making a mental to-do list. Her parents would be at the mall for at least another couple of hours, enough time for her to dash in and get her things together... "Oh, cute." Annabelle laughed, flitting over to them, her feet inches off the ground. Her wings were muscular and dark silver like a thundercloud, protruding through the invisible slits in her hot-pink T-shirt. "Sorry to butt in but...you've never traveled with an angel before, have you?" Sure she had. The feeling of Daniel's wings soaring her body through the air was as natural as anything. Maybe her flights had been brief, but they'd been unforgettable. They were when Luce felt closest to him: his arms threaded around her waist, his heart beating close to hers, his white wings protecting them, making Luce feel unconditionally and impossibly loved. She had flown with Daniel dozens of times in dreams, but only three times in her waking hours: once over the hidden lake behind Sword & Cross, another time along the coast at Shoreline, and down from the clouds to the cabin just the previous night. "I guess we've never flown that far together," she said at last. "Just getting to first base seems to be a problem for you two," Cam couldn't resist saying. Daniel ignored him. "Under normal circumstances, I think you'd enjoy the trip." His expression turned stormy. "But we don't have room for normal for the next nine days." Luce felt his hands on the backs of her shoulders, gathering her hair and lifting it off her neck. He kissed her along the neckline of her sweater as he wrapped his arms around her waist. Luce closed her eyes. She knew what was coming next. The most beautiful sound there was-that elegant whoosh of the love of her life letting out his driven-snow-white wings. The world on the other side of Luce's eyelids darkened slightly under the shadow of his wings, and warmth welled in her heart. When she opened her eyes, there they were, as magnificent as ever. She leaned back a little, cozying into the wall of Daniel's chest as he pivoted toward the window. "This is only a temporary separation," Daniel announced to the others. "Good luck and wingspeed.
Lauren Kate (Rapture (Fallen, #4))
Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.
Alex Bellos (The Grapes of Math: How Life Reflects Numbers and Numbers Reflect Life)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
What did you say was chasing you?” Liz sighed in frustration. Apparently the Kindred weren’t big into stuffed animals. “It was this little fuzzy blue thing that came at me when I was in the kitchen—what you called the food-prep area,” she clarified, seeing his confusion. “At first I thought it was cute and tried to pet it. But then it opened its mouth and it had these long, sharp—Omigod! There it is!” She pointed behind Baird where the bright blue teddy bear had suddenly appeared. “Where?” He turned at once, putting himself between her and the perceived threat. Liv couldn’t help noticing he moved with incredible speed for such a large man. She waited breathlessly for the murderous teddy bear to attack but nothing happened. Then, to her dismay, Baird began to laugh. It was a deep, rumbling noise that came from the bottom of his chest and it might have been nice to hear if it wasn’t so obviously directed at her. “What?” Liv glared at him. “Would you mind telling me what’s so damn funny?” “I’m sorry, Olivia. It’s just…I can’t believe you were scared of Bebo.” Baird laughed again. “Bebo? What the hell is a Bebo?” Liv demanded, still keeping her distance from the bright blue teddy bear which was eyeing her mistrustfully. “Bebo’s his name. He’s a zicther—an animal native to my home world, Rageron.” “Rageron?” Liv frowned, wondering why the name of his home planet evoked strange images in her head. Baird nodded. “It’s a jungle planet with a helluva lot more scary animals than Bebo here.” He crouched down to scratch the little animal under its chin. Its large eyes closed and it made a sort of grunting purr as it submitted to his caress. “A jungle planet,” Liv murmured. “Only instead of green, most of the vegetation is blue.” “That’s right.” Baird looked up from where he was crouched on the floor, a startled expression on his chiseled features. “How did you know that?” “I saw it in a dream.” Liv blushed and looked down. “One of the dreams we shared I think. I saw you…never mind.” She shook her head. “Anyway, that accounts for his bright blue fur. I still don’t understand why he tried to attack me though.” “He tried to attack you?” Though he was clearly trying to keep the skepticism from his voice, Baird wasn’t succeeding too well. “Well, he bared his teeth at me!” Liv said, irritated. Of course now that its master was home the little animal was acting like butter wouldn’t melt in its alien mouth. Its alien mouth filled with shark teeth, she reminded herself. “That’s just a greeting stance. He probably did it because he was meeting you for the first time.” Baird rose and dusted blue feathery fur off his large hands. “I’m sorry if he scared you. He’s not dangerous though, just curious.” “Curious
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Gross! We're in the showers." Dex laughed off his brother's horrified expression, turning on the shower and testing the temperature. "It's not like we're sharing one. That was when we were kids. You Should have seen him. He was so cute. He had this teeny little-" "Dex!" "What?" Dex blinked innocently. "I was only going to say penis.
Charlie Cochet (Hell & High Water (THIRDS, #1))
In this way DNA Dreams brings to life the dystopian nightmare we encounter in the 1997 film Gattaca, in which the main character Vincent, played by Ethan Hawke, narrates: “I belonged to a new underclass, no longer determined by social status or the color of your skin. No, we have discrimination down to a science.”46 As in so much science fiction, the Whiteness of the main protagonist is telling. Not only does it deflect attention away from the fact that, in the present, many people already live a version of the dystopia represented in the film in future tense. The “unbearable Whiteness” of sci-fi expresses itself in the anxiety underlying so many dystopian visions that, if we keep going down this road, “We’re next.”47 Whether it’s Keanu Reeves in The Matrix, Matt Damon in Elysium, Chris Evans in Snowpiercer – all characters whose Whiteness, maleness, straightness, and (let’s just admit) cuteness would land them at the top of the present social order – they all find themselves in a fictional future among the downtrodden. Viewers, in turn, are compelled to identify with the future oppression of subordinated White people without necessarily feeling concern for the “old” underclasses in our midst.
Ruha Benjamin (Race After Technology: Abolitionist Tools for the New Jim Code)
In the Kübler-Ross model, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. The model is supposed to apply to most major losses. Stuff like death, breakups, dealing with your parents’ divorce, overcoming addiction. In general, it works. But for Haruka, and she imagines most others like her, the smart ones, the brave ones, there is another stage: revenge. That’s not the same as anger, revenge. No. Anger is a much simpler concept. An easy emotion to tap into. Primitive. It’s rooted in the limbic system, the amygdala. A banging of the fists and stomping of the feet and overall feeling of “I’m mad!” Anger can be reduced to an emoji, or several with slight variations. Although, they’re usually a little too cute for what’s at the core of that actual emotion, anger. It can be very scary when witnessed. Revenge is more complicated. More sophisticated. It’s also less scary-looking, almost clinical when carried out. It would take at least two distinct emojis to express properly. More like three. Something to depict a wrongdoing, something to show contemplation, then lastly the victim committing an evil act with a calm, satisfied smile.
A.D. Aliwat (In Limbo)
In the Kübler-Ross model, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. The model is supposed to apply to most major losses. Stuff like death, breakups, dealing with your parents’ divorce, overcoming addiction. In general, it works. But for Haruka, and she imagines most others like her, the smart ones, the brave ones, there is another stage: revenge. That’s not the same as anger, revenge. No. Anger is a much simpler concept. An easy emotion to tap into. Primitive. It’s rooted in the limbic system, the amygdala. A banging of the fists and stomping of the feet and overall feeling of ‘I’m mad!’ Anger can be reduced to an emoji, or several with slight variations. Although, they’re usually a little too cute for what’s at the core of that actual emotion, anger. It can be very scary when witnessed. Revenge is more complicated. More sophisticated. It’s also less scary-looking, almost clinical when carried out. It would take at least two distinct emojis to express properly. More like three. Something to depict a wrongdoing, something to show contemplation, then lastly the victim committing an evil act with a calm, satisfied smile.
A.D. Aliwat (In Limbo)
You can’t give up the partnership.” She turns, her expression soft. “I want it to be mine because I earned it, not because I brought someone else on board.” “You have earned it.” I cross the room to stand in front of her. “Why walk away from it?” “Because you’re more important than a partnership, Dax. You’ve worked hard to get where you are, too. Besides, I’m great at trusts, but it doesn’t give me the sense of fulfillment I need. When I help a family work through an adoption, or negotiate terms for custody and parental rights, that fills my heart and my soul, and gives me pride and validation. It’s where my passion is.” “But can’t you switch departments and still be partner?” She runs her hands over my chest and grips my lapels. “I want this security for you and Emme. I want you to be happy and I want to make sure you believe, without a doubt, that the partnership wasn’t ever a factor when it came to you and me.” “This is an incredibly selfless thing to do, Kailyn.” I cover her hands with mine. She shakes her head and smiles. “It’s probably the exact opposite of selfless. I love you, Dax. I want you to have this because it’s what’s best for you and Emme, which also happens to be what’s best for me.” “I love everything about you.” I dip my head and kiss her softly. “Especially your perfect heart. Which is why I’m not accepting the partnership. I’ll come to Whitman, but that position is yours. Besides, I have a teenager to raise and a girlfriend I want time with, so partner can wait.
Helena Hunting (Meet Cute)
Thank you.” He’s not putting them on or up-leveling them. He’s saying, “There’s a teaching here, and I’m getting it; thank you.” What’s bizarre is that we get to the point where somebody lays a heavy trip on us and we get caught, and then we see through our caughtness and we say, “Thank you.” We may not say it aloud because it’s too cute. But we feel, Thank you. People come up and are violent or angry or write nasty letters or whatever they do to express their frustration or anger or competition, and all I can say is thanks.
Ram Dass (Grist for the Mill: Awakening to Oneness)
Karly- Look- at this old photo from- Nevaeh town, and her mother from the past. The uniformed man motioned lazily, not paying attention. Olivia accelerated, edging around him, and heading for the gate. He shouted something at us, All the same, and all, held his ground, waving frantically to keep the next car from following our bad example. The man at the gate wore a matching uniform. As we approached him, the throngs of tourists passed, crowding the sidewalks, staring curiously at the pushy, flashy Porsche. The guard stepped into the middle of the street before us. Olivia angled the car carefully before she came to a full stop. The sun beat against my window that I was now looking out, and she was in shadow. She swiftly reached behind the seat and grabbed something from her bag. The guard came around the car with an irritated expression and tapped on her window angrily. She rolled the window down halfway, and I watched him do a double-take when he saw the face behind the dark glass. ‘I'm sorry, only tour buses allowed in the city today, miss,’ he said in English, with a heavy accent. He was apologetic to both of us, now, as if he wished he had better news for the strikingly beautiful woman such as us. ‘It's a private tour,’ Olivia said, flashing an alluring cute flirty smile. Then and there, she reached her hand out of the window, into the sunlight. I froze some until, at that moment, I realized she was wearing an elbow-length, tan glove. She took his hand, still raised from tapping her window, and pulled it into the car some. She put something into his palm and folded his fingers around it, saying there you go. His face was dazed as he retrieved his hand and stared at the thick roll of money he now held. The outside bill was a thousand-dollar bill. ‘Is this a joke?’ He mumbled. Olivia's smile was blinding. ‘Only if you think it's funny.’ He looked at her, his eyes staring wide. I glanced nervously at the clock on the dash. If Marcel stuck to his plan, we had only five minutes left.
Marcel Ray Duriez (Nevaeh Going in and Out)
And you’re cute when you get all flustered.” She narrowed her eyes at him and put one hand on her hip. “I have no idea how Louise allowed you to survive childhood.” “It’s because I’m younger and he was always bigger.” Louise came around the side of the truck. “We’re going to borrow your four-wheeler, if you don’t mind.” “Of course.” It wasn’t really hers. Not like she paid for it or anything. But Palmer always referred to it as hers, and so did Louise. And like just now, Louise asked before she hopped on it. “Hi, Tella,” Ames said when she saw Tella’s head poke around the pickup. Even though they were baling hay, Tella still wore the hockey jersey she loved. “Hi, Aunt Ames.” “Okay, Tella. Let’s run down to the house, so we can get back and work a little longer.” “Can I drive?” Louise looked back at Ames with raised brows. “Sure, if your mom says it’s okay.” Tella grinned. “It should be. She let me drive Uncle Palmer’s pickup out here.” “By yourself?” Tella nodded. “Wow. Make sure you wear your seatbelt just in case the wheels fall off.” “Hey.” Palmer put on a mock-hurt expression and wrapped an arm around Ames’s head like he was going to put her in a headlock. “That wasn’t nice. I don’t say mean things like that about your car.” The four-wheeler started, and the motor faded slowly into the distance. Palmer’s arm loosened and dropped to her shoulders. The weight of it there felt good and right. She straightened in his embrace. Maybe they’d never bale hay together again. She looked up into his clear, blue eyes. Eyes that held no guile. Just genuine honesty. And admiration. “You’re beautiful. With or without sunburned cheeks.” His arm tightened. What had simply been his arm around her shoulder became Palmer hugging her. Still maybe in line with friendship, but so close to more. She wanted more. But she wanted his friendship, too. Could she have both? Their kiss hadn’t made anything awkward. She tossed her head, moving closer until they were touching. “That
Jessie Gussman (Cowboys Don't Marry Their Best Friend (Sweet Water Ranch #1))
I'll never forget the day I met Rudy (aka Rudolf Nureyev). He was at the St Peter's Theatre for a rehearsal with the Ballet of Nancy on the same stage I would dance with the Young Ballet of Sao Paulo some years later. I saw him leaving the place in the backdoor wearing his Black outfit boots and Bohemian hat. People surrounded him to get his autograph. My sister pulled me out so we wouldn't be massacred by the crowd. He did a very Russian move step-step and stop before a hole (such a cute role) in the sidewalk. Took the limousine and passed right in front of where my sister and I stood. He took a glance at me and had a gentle expression like saying, "yep you stood up from that crowd. I see you..." Lovely soul. I have this image in my heart ever since. What I didn't know then and could never imagine it was that just a few months later I would be dancing with the Ballet of São Paulo in the same Theatre he performed his Apollo. He did send his charisma towards me!
Ana Claudia Antunes (Flat Feet: An Autobiography of a Cosmic Dancer)