Memory Down The Lane Quotes

We've searched our database for all the quotes and captions related to Memory Down The Lane. Here they are! All 74 of them:

If we feel we are missing out sometimes, it may be because we simply forget to consult the past or neglect to think up its ties with the presence. ("Walking down the memory lane" )
Erik Pevernagie
When our thoughts are stammering in our mind, and memorial failure dumbs down our passion for life, a deep dive in the brainwaves can be the lever that lifts our sense of self. ("Walking down the memory lane" )
Erik Pevernagie
As we walk through the secretive doors of our remembrance, looking for forgotten benchmarks of our history, we can find unexpected escape hatches opening into valuable answers to great expectations. ("Walking down the memory lane" )
Erik Pevernagie
I’m not just taking trips down memory lane; I’m broken down on it.
Pete Wentz (Gray)
We are what we remember. If we lose our memory, we lose our identity and our identity is the accumulation of our experiences. When we walk down the memory lane, it can be unconsciously, willingly, selectively, impetuously or sometimes grudgingly. By following our stream of consciousness we look for lost time and things past. Some reminiscences become anchor points that can take another scope with the wisdom of hindsight. ("Walking down the memory lane" )
Erik Pevernagie
Some details in life may look insignificant but appear to be vital leitmotifs in a person's life. They may have the value of "Rosebuds" of Citizen Kane or "Madeleine cookies" of Marcel Proust or "Strawberry fields" of the Beatles. People regularly walk down the memory lane of their early youth. The paper boats of their childhood are recurrently floating on the waves of their mind and bring back the mood and the spirit of the early days. They enable us to retreat from the trivial, daily worries and can generate delightful bliss and true joy in a sometimes frantic and chaotic life. ("Paper boats forever" )
Erik Pevernagie
My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.
Antonia Michaelis (The Storyteller)
While walking down the memory lane, we may discover in the remains of our early days, surprising little details that have been eclipsed under the mantle of forgetfulness or inattention. Those loose shreds in our remembrance can highlight the importance of the fundamentals that steer our daily lives. But they may also entice us to crack the particular value that we impart to trivial matters or quirky actions. Then, we are capable of discerning the uprightness and the truth behind the appearances. ("Dirty bike")
Erik Pevernagie
I didn’t want to hide the memory from you. I wanted to cram it down your goddamn throat. I wanted to force you to face it, to want it, to want me, to be willing to fight for what was possible between us with the same single-minded devotion as you fucked. Well, Ms. Lane, you’ve got your precious memory back. Will you throw me away now?
Karen Marie Moning (Burned (Fever, #7))
Every time I open the drawer, it's a trip down Memory Lane, which, if you don't turn off at the right exit, merges straight into the Masochistic Nostalgia Highway.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Someone mentioned your name today, took me down memory lane, to a time very much younger, a time more pure, more sane.
Adiela Akoo (Lost in a Quatrain)
Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…
Mehek Bassi (Chained: Can you escape fate?)
This was the problem with a walk down memory lane. It was almost always foggy, and one was likely to trip and fall.
Viet Thanh Nguyen (The Sympathizer)
I would take a trip down Memory Lane, but with gas prices sky high, forget about it.
Jarod Kintz (This Book is Not for Sale)
A stroll down memory lane is not always a walk in the park.
Alicia Stidam
This was the problem with a walk down memory lane. It was almost always foggy, and one was likely to trip and fall. But
Viet Thanh Nguyen (The Sympathizer)
he was always so brave. So resilient, I suppose—that seems to be the word du jour. It wasn’t that he didn’t feel things—many’s the time I saw him weep—but he dealt with his disappointment, with his hardship and grief; he picked himself up and went on, every time. And not like a mad person who refuses to recognize adversity, but like someone who accepts that life is inherently unfair. That the only truly fair thing about it is the randomness of its unfairness.” She topped up their glasses. “I’m telling you all this not because I feel like a stroll down memory lane or because I like to tell my young friends sad stories on sunny Friday evenings; I just— I wanted you to understand. I wanted you to see what a balm love is. What it is to share one’s life, to really share it, so that very little matters outside the certainty of its walls. Because the world is very noisy, Elodie, and although life is filled with joy and wonder, there’s evil and sorrow and injustice, too.
Kate Morton (The Clockmaker's Daughter)
A trip down memory lane would remind me I hadn't always been this old, this bitter, this fucked-up.
L.J. Shen (Scandalous (Sinners of Saint, #3))
The memories come back like the rainbow after the rain with all the hues and shades of color and an unending train the bougainvillea tree nearby my parents house where I grew up did not ask me my name she embraced me as she had done in my schooldays in every way the same the little squirrel just now tip-toed down the lane looking at the spectacle unfolding in the rain after all these years I have come back to my parents home the clouds have different shapes but the air smells the same ...
Avijeet Das
I walked down the memory lane this afternoon, The streets have changed now after the storm; the ruins and the residues are cleared... But the madness in the air still remains; Every path I took had the same old smell, Everything once again seemed like those early youth days under the mellow sun, with you.
Preetilata kumari
It makes me angry that you hate yourself for something that somebody else made you do. Don't let them take any more. Don't you do that Andres." "None of this does any good, Grace. All these visits, all this talking, all this strolling down fucking memory lane. It doesn't help. And you know why it doesn't help? Because everything that's happened - it lives so deep inside me that the only way I can ever get rid of it is to die." "That's not true, Andres." "It is true. Happiness isn't in the cards for everyone, Grace.
Benjamin Alire Sáenz (In Perfect Light)
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
Delia Owens (Where the Crawdads Sing)
Her most poignant memories were unknown dates of family members disappearing down the lane.
Delia Owens (Where the Crawdads Sing)
I want to dance with you, down memory lane and up moments boulevard.
Jenim Dibie (How To Dance In Time)
Someone mentioned your name today, Took me down memory lane, To a time very much younger, A time more pure, more sane.
Adiela Akoo (Lost in a Quatrain)
A hot dry day was perfect for cutting hay, but Sunday in those days was a true day of rest, and no hay would be taken from the fields, nor any labour done inside or outside of the house.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.
Natalie Babbitt (Tuck Everlasting)
THE NO CONTACT RULE: 1. Zero contact; face to face & online. 2. No phone calls. 3. No text messaging. 4. No attending events where they're present. 5. No emails. 6. No letters, cards, or gifts. 7. No checking their social media profile. 8. No contacting their family and friends. 9. No combing through old photographs. 10. No going down memory lane. 11. Zero communication.
Dana Arcuri CTRC (Toxic Siblings: A Survival Guide to Rise Above Sibling Abuse & Heal Trauma)
How horribly easy it is, he thinks now, breathing hard, watching the light retreat down the lane, to go from good to bad, from the dream to the memory, from what we want to all we've ever had.
Carrie Brown (Lamb in Love)
Fall air had an unforgettable fragrance; as the scent of wood smoke drifted across farmers' fields, when hearths and stoves were fired-up again, crackling softly on those cooler, darker nights.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
While looking down memory lane, I realized that I have had an unusual and extraordinary life at times. Then it dawned on me, maybe it's because I'm supposed to help unusual and extraordinary lives.
Bobby F. Kimbrough Jr.
In the words of Harriet Doerr, “One of the best things about aging is being able to watch imagination overtake memory.” So who’s right? The neurologists? Or Harriet? The answer is both. As we age, either imagination overtakes memory or memory overtakes imagination. Imagination is the road less taken, but it is the pathway of prayer. Prayer and imagination are directly proportional: the more you pray the bigger your imagination becomes because the Holy Spirit supersizes it with God-sized dreams. One litmus test of spiritual maturity is whether your dreams are getting bigger or smaller. The older you get, the more faith you should have because you’ve experienced more of God’s faithfulness. And it is God’s faithfulness that increases our faith and enlarges our dreams. There is certainly nothing wrong with an occasional stroll down memory lane, but God wants you to keep dreaming until the day you die.
Mark Batterson (The Circle Maker (Enhanced Edition): Praying Circles Around Your Biggest Dreams and Greatest Fears)
Endless gratitude to my posse of pals who fielded countless calls and texts, and took so many walks down memory lane with me, with plenty of liquor nearby: Bob Peterson, Matt Lombardi, Lori Beecher, Lauren Osborn, Nicolla Hewitt, Brian Goldsmith, and Tony Maciulis. (If these walls could talk—oh wait, they just did.
Katie Couric (Going There)
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
I don’t know why some of these memories must remain so crystal clear. I recall one sliver and the whole picture comes rushing back, while other things, for instance, other things I would like to remember, are completely unavailable. If only memory were a library with everything stored where it should be. If only you could walk to the desk and say to the assistant, I’d like to return the painful memories about David Fry or indeed his mother and take out some happier ones, please. About stickleback fishing with my father. Or picnicking on the banks of the Cherwell when I was a student. And the assistant would say, Certainly, madam. We have all those. Under “F” for “Fishing.” As well as “P” for “Picnicking.” You’ll find them on your left. So there my father would be. Tall and smiling in his work overalls, a hand-rolled cigarette in one hand and my fishing net in the other. I’d skip to keep up with him as he strode the broken lane down to the stream. “Where is that girl? Where are you?” The hedgerow flowers would boil with insects and my father would lift me to his shoulders and then—What? I haven’t a clue. I don’t remember the rest.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Then, halfway down the little lane, I stood still, as the soft flutter of a childhood memory brushed my heart: I had just recognized, from the indentations of the shiny leaves overhanging the threshold, a hawthorn bush, which since the end of spring, alas, had been bare of all blossom. A fragrance of forgotten months of Mary and long-lost Sunday afternoons, beliefs, and fallacies surrounded me. I wished I could grasp it as it passed. Andrée, seeing me pause, showed her charming gift of insight by letting me commune for a moment with the leaves of the little tree: I asked after its blossom, hawthorn flowers like blithe young girls, a little silly, flirtatious, and faithful.
Marcel Proust (In the Shadow of Young Girls in Flower)
TO MY BELOVED, Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words. While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you. The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart. Dedicated '' I don't know when and how you arrived in my life, Don't know when my heart star beating for you, day n night.... My eyes kept staring the window pane, Wishing one day u'll come in my lane.... Darling you're the only one whom I admire, It's you whom my heart desperately desires... Being with you is my only need, You are now the medicine of my heartbeat... I Craved your name on my heart, The day when I decided not to loose you ever, And I promise you sweetheart that, I love you & i'll love you for ever, ever n ever...... It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........ Dying to have your reply..... Truly Your's PK
Prabhat Kumar
This sketch was more elaborate than the others, more complete. A river scene, with a tree in the foreground and a distant wood visible across a broad field. Behind a copse on the right-hand side, the twin-gabled roofline of a house could be seen, with eight chimneys and an ornate weather vane featuring the sun and moon and other celestial emblems. It was an accomplished drawing, but that's not why Elodie stared. She felt a pang of déjà vu so strong it exerted a physical pressure around her chest. She knew this place. The memory was as vivid as if she'd been there, and yet somehow Elodie knew that it was a location she'd visited only in her mind. The words came to her then as clear as birdsong at dawn: "Down the winding lane and across the meadow broad, to the river they went with their secrets and their sword." And she remembered. It was a story that her mother used to tell her. A child's bedtime story, romantic and tangled, replete with heroes, villains, and a Fairy Queen, set in a house within dark woods encircled by a long, snaking river.
Kate Morton (The Clockmaker's Daughter)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
I took a trip down Memory Lane. I drove in reverse.
Jarod Kintz (Sleepwalking is restercise)
Someone punched him in the arm. “Earth to Sandor. Earth to Sandor.” Kerry was looking at him with mild exasperation. “We’ve still got business to attend to. I assume you tried to block her memory.” “No, as a matter of fact, I didn’t. I did the other night in the alley because I had no choice. This morning’s trip down memory lane also showed her that, too.” “And she didn’t take it well.” His Dame calmly rinsed and loaded the coffee mugs in the top rack of the dishwasher. When he didn’t immediately respond, she used her energy power to give him a slight shove. Despite her diminutive size, Kerry wasn’t afraid to face down irate males several times her size. “Well? Details please.” Irritated, Sandor snapped, “No, Kerry, she didn’t. Not only that, she accused me of using my secret abilities to coerce her into bed. This, after a night of mind-blowing sex that I’ve never experienced before and probably never will again. Is that enough detail for you?” “Watch it, Sandor. That’s my wife you’re crowding there.” Ranulf muscled in to get right up in Sandor’s face, his eyes blazing with blue fire. “I don’t give a rat’s ass how upset you are over this mess you’ve gotten yourself into, Talion. You do NOT talk to my wife like that. Am I making myself clear?” Sandor had been pushed far enough. “No, we’re not clear on that, you low-life berserker. This conversation between me and the Dame does not involve you. Stay the hell out of my business!” He gave Ranulf a shove, a move guaranteed to unleash the Consort’s own need to strike out. But before a single fist connected, an invisible force froze both of them in midswing. Son of a bitch, he wished Kerry would quit doing that. He really needed to punch someone, and Ranulf was such a great target.
Alexis Morgan (Dark Warrior Unbroken (Talions, #2))
The pain was a houseguest you never invited, who doesn’t know when to leave and insists on retelling the story of how you met, over and over. A trip down a specific memory lane that I’d just as soon never take again.
Sean Chercover (Trigger City (Ray Dudgeon, #2))
Maybe I should let them go. But I love them. Isn’t that a trip? I came here wanting their uncle to take them, then I went and fell in love with them.” “And him.” Meridith shot a glare at Rita. “Well, you did, honey. Denial won’t change it.” But it wasn’t real. Maybe her feelings were, but his weren’t. He only wanted the children. All this time that she’d thought their uncle was irresponsible and incompetent, he was working a plan to get the kids. “He used me.” Saying the words cut her to the core. “Do you know how that feels? I believed he cared for me; fell for it hook, line, and sinker. How lame can I be?” Rita set her hand on Meridith’s arm. “Maybe he really does love you.” The memories surfaced, unbidden. The feel of his palm cupping her cheek, the sweet taste of his mouth, the sound of her name on his lips. But just as quickly, caution shut down the thoughts. Love was unsafe. It was unpredictable and cruel. She’d known it when she’d come here, but somehow the magic of the island lured her, made her forget. Jake made her forget. “If only I’d realized who he was. If I’d known, it would’ve changed everything.” “Maybe you should hear him out,” Rita said. She shook her head. “No. I’m done with that. Done with Jake, done with love.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Lately, this walk down memory lane had been overwhelming; in addition to watching Tricey just lie in that bed with no signal of life in her body.
Jessica N. Watkins (Good Girls Ain't No Fun: (The Love, Sex, Lies Finale))
He makes the turn into the long gravel lane of my brother Jacob’s farm. The place originally belonged to my parents but was handed down to him, the eldest male child, when they passed away. I mentally brace as the small apple orchard on my right comes into view. The memories aren’t far behind, and I find myself looking down the rows of trees, almost expecting to see the three Amish kids sent to pick apples for pies. Jacob, Sarah, and I had been inseparable back then, and instead of picking apples, we ended up playing hide-and-seek until it was too dark to see. As was usually the case, I was the instigator. Kate, the druvvel-machah. The “troublemaker.” Or so my datt said. The one and only time I confessed to influencing my siblings, he punished me by taking away my favorite chore: bottle-feeding the three-week-old orphan goat I’d named Sammy. I’d cajoled and argued and begged. I was rewarded by being sent to bed with no supper and a stomachache from eating too many green apples. The
Linda Castillo (After the Storm (Kate Burkholder #7))
The Veteran and the Whooping Cranes I sit and watch the rain through the windowpanes, I see a weather vane, a sedge of whooping cranes; persistently, my leg complains of its wartime injury. I live alone in a saltbox home off the coast of Maine with my books, my pain, walks down memory lane, sustained by poetry, God and the reminiscence game to ease my misery.
Beryl Dov
Designer of information superhighways need to take the occasional stroll down memory lane.
Geoffrey C. Bowker
It was a place to have a young mind challenged, to dream about the future, time to grow, explore, and discover one's place in the world.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
The crows squawked and scattered from their perch on wooden rail fence, as the rhythmic clip-clop of the horse's hooves grew louder.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
I took a stroll down memory lane today, not to be saddened by the people that I have lost, but to be grateful for the memories that I shared with them. I took a stroll down memory lane today to see all of the great family and friends that I have had in my life. I took a stroll down memory lane today to hear the voices and see the faces of Cory , Brittany, and Rick . I am thankful that I have their words to hear again. I took a stroll down memory lane today. I have done it before and will do it many times more." Loretta Hitch
Loretta Hitch
full disclosure, Mister Spock. Who is the Shenzhou’s XO to you?” “Her name is Michael Burnham,” Spock said. “She is . . . a friend of my family.” Pike was confused. “How well do you know her?” “She is a few years older than I am, so we rarely moved in the same social or academic circles. If not for her connection to my parents, I would barely know of her at all.” Having more facts had not made the matter any clearer to Pike. “Never mind the trip down memory lane, then.
David Mack (Desperate Hours (Star Trek: Discovery #1))
Forty years after his death, I dream my brother and I are walking arm in arm down a country lane in the late afternoon sun. He's close to twenty in my dream and heavier, taller. I can't stop crying. "Hughie, I've missed you so much. I just love you so much." He looks down, squeezes me tight. "I know, Cath. I know.
Cathie Borrie (The Long Hello: Memory, My Mother, and Me)
While I take a trip down memory lane, I relive my childhood, with none of the friends physically around but still very much around to whisper our moments into my ears. Adorning a bright smile, I tell myself with a proud and contended voice that I hope gets telepathed to my friends-- We have gone down in the history of our lives my friends. History!
Vidhu Kapur (DO WE MAKE FRIENDS AFTER SCHOOL?)
Surely it was time she gave herself something? Just one little vacation. A trip down memory lane. A week. A
Fiona Grace (Murder in the Manor (A Lacey Doyle Cozy Mystery, #1))
Another former chess player shared his own fond memory of Thiel from this era. Around the spring of 1988, the team was driving to Monterey for a tournament, with Thiel behind the wheel of the Rabbit. They took California’s Route 17, a four-lane highway that crosses the Santa Cruz Mountains and is regarded as one of the state’s most dangerous. The team was in no particular hurry, but Thiel drove as if he were a man possessed. He navigated the turns like Michael Andretti, weaving in and out of lanes, nearly rear-ending cars as he slipped past them, and seemed to be flooring the accelerator for large portions of the trip. Somewhat predictably, the lights of a California Highway Patrol cruiser eventually appeared in his rearview. Thiel was pulled over, and the trooper asked if he knew how fast he was going. The young men in the rest of the car, simultaneously relieved to have been stopped and scared of the trooper, looked at each other nervously. “Well,” Thiel responded, in his calmest, most measured baritone. “I’m not sure if the concept of a speed limit makes sense.” The officer said nothing. Thiel continued: “It may be unconstitutional. And it’s definitely an infringement on liberty.” The officer looked at Thiel and the geeks in the beater car and decided the whole thing wasn’t worth his time. He told Thiel to slow down and have a nice day. “I don’t remember any of the games we played,” said the man, now in his fifties, who’d been in the passenger seat. “But I will never forget that drive.
Max Chafkin (The Contrarian: Peter Thiel and Silicon Valley's Pursuit of Power)
Sorry. Started taking a walk down memory lane.” “Fuck, don’t do that. It’s in a shitty neighborhood, dude.
Kelly Fox (Shameless (Wrecked, #3))
Down a narrow, nondescript Bangkok lane, the graceful red roofs of a traditional Thai residence rise above a lush tropical garden, in serene contrast with the city's modern clamor all around. This was the home of an American named Jim Thompson, and it stands today as a continuing memorial to a remarkable man and to his love for Thailand's rich culture.
William Warren (Jim Thompson House Booklet)
down memory lane with his old rival John McEnroe, who, alongside everything else—music, art, tennis commentary, and punditry—maintained a busy life reminiscing about his earlier life. Sometimes it seemed as if the lucrative business of reminiscing was not just a full-time job but a full-time life as McEnroe rehearsed the key moments and told and retold the old stories, in his autobiography, Serious, in numerous documentaries, in the course of his match commentary and punditry for TV (hopping profitably between the BBC and an American channel in the course of the same day),
Geoff Dyer (The Last Days of Roger Federer: And Other Endings)
They say that love has never been immortal. That it is only the songs, books, and movies which instill this thought in our mind. But tell me then why does my heart yearn to just have a glimpse of you every moment of my life? Why do I see you in every sunrise? Why do I see you in every sunset? Why do I think of you when I walk down the lane of my apartment? Why do I imagine you sitting beside me while riding my bike? Why do I inhale your fragrance around me in my days and in my nights? Why do I keep missing you? Why do I feel restless untill I have spoken to you? Why do I keep thinking about you every night lying there in my bed? Why do I feel incomplete without you in my life? Why do all my memories smell of you?
Avijeet Das
Lennon was – whether by luck, accident or perceptive foresight – at the forefront of the psychedelic era’s passion for rose-tinted introspection, which channelled the likes of children’s literature, Victorian fairgrounds and circuses, and an innocent sense of wonder. McCartney, too, moved with the times when writing his children’s singalong Yellow Submarine. Among the hippie era’s other moments of nostalgia were Pink Floyd’s Bike and The Gnome from their debut album Piper At The Gates Of Dawn, recorded at EMI Studios as the Beatles worked on Sgt Pepper’s Lonely Hearts Club Band; Jefferson Airplane’s White Rabbit, laid down in 1966 but released in the same month as Sgt Pepper, and which drew from Lewis Carroll’s Alice stories just as Lennon did; and many more, from Tiny Tim’s Tiptoe Through The Tulips to Traffic’s psychedelic fantasy Hole In My Shoe. The Beatles continued writing songs evoking childhood to the end of their days. Sgt Pepper – itself a loose concept album harking back to earlier, more innocent times – referenced Lewis Carroll (Lucy In The Sky With Diamonds), youthful anticipation of old age (When I’m Sixty-Four), a stroll down memory lane (Good Morning Good Morning), and the sensory barrage of a circus big top extravaganza (Being For The Benefit Of Mr Kite!). It was followed by Magical Mystery Tour and Yellow Submarine, two films firmly pitched at the widest possible audience. A splendid time was, indeed, guaranteed for all.
Joe Goodden (Riding So High: The Beatles and Drugs)
It’s a challenge, but it’s kind of nice to go down memory lane. Sometimes I forget about all the good things that happened.
Jack Harbon (Meet Cute Club (Sweet Rose, #1))
To pick up a pen and write down her life, she’d have to remember it all, who she was, who she’d wanted to be. Those memories would be painful, both the good and the bad would wound her.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
I walk down memory lane because I know I'll find you there.
Tim McGraw
Ah pet, I’ve been wandering down memory lane. Not always a comfortable place to be.
Ann Cleeves (The Seagull (Vera Stanhope #8))
Mom isn't content taking a stroll down memory lane. She's bought a condo and spends half the year there.
Paula Wall (If I Were a Man, I'd Marry Me)
There is less chance of people taking to violence if they are able to let out steam. Generally, only people who keep boiling inside take to violence.
B. Raman (The Kaoboys of R&AW: Down Memory Lane)
So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.
Amit Chaudhuri (A Strange and Sublime Address)
Those of you who were alive that year might well remember the early frost of 1838. My arrival coincided with the hardship faced by the farmers that August. Though harvest hadn’t quite begun, an overcast sky stretched over the rolling farmlands bringing a reminder of winter’s cruel bite. How well I remember the coach jostling down the familiar lane, its wheels grinding through the familiar ruts. I felt no premonition of danger, only relief, sharp and undefiled. At Am Meer, home of my dearest childhood memories, I hoped to find that which I needed most —a respite between the past and my uncertain future.
Jessica Dotta (Born of Persuasion (Price of Privilege, #1))
I will lend you, for a little time,‬ ‪A child of mine, He said.‬ ‪For you to love the while he lives,‬ ‪And mourn for when he's dead.‬ ‪It may be six or seven years,‬ ‪Or twenty-two or three.‬ ‪But will you, till I call him back,‬ ‪Take care of him for Me?‬ ‪He'll bring his charms to gladden you,‬ ‪And should his stay be brief.‬ ‪You'll have his lovely memories,‬ ‪As solace for your grief.‬ ‪I cannot promise he will stay,‬ ‪Since all from earth return.‬ ‪But there are lessons taught down there,‬ ‪I want this child to learn.‬ ‪I've looked the wide world over,‬ ‪In search for teachers true.‬ ‪And from the throngs that crowd life's lanes,‬ ‪I have selected you.‬ ‪Now will you give him all your love,‬ ‪Nor think the labour vain.‬ ‪Nor hate me when I come‬ ‪To take him home again?‬ ‪I fancied that I heard them say,‬ ‪'Dear Lord, Thy will be done!'‬ ‪For all the joys Thy child shall bring,‬ ‪The risk of grief we'll run.‬ ‪We'll shelter him with tenderness,‬ ‪We'll love him while we may,‬ ‪And for the happiness we've known,‬ ‪Forever grateful stay.‬ ‪But should the angels call for him,‬ ‪Much sooner than we've planned.‬ ‪We'll brave the bitter grief that comes,‬ ‪And try to understand.‬ ‪From The Book LIVING THE YEARS 1949 ‬
Edgar A. Guest
John Vernall lifted up his head, the milk locks that had given him his nickname stirring in the third floor winds, and stared with pale grey eyes out over Lambeth, over London. Snowy's dad had once explained to him and his young sister Thursa how by altering one's altitude, one's level on the upright axis of this seemingly three-planed existence, it was possible to catch a glimpse of the elusive fourth plane, the fourth axis, which was time. Or was at any rate, at least in Snowy's understanding of their father's Bedlam lectures, what most people saw as time from the perspective of a world impermanent and fragile, vanished into nothingness and made anew from nothing with each passing instant, all its substance disappeared into a past that was invisible from their new angle and which thus appeared no longer to be there. For the majority of people, Snowy realised, the previous hour was gone forever and the next did not exist yet. They-were trapped in their thin, moving pane of Now: a filmy membrane that might fatally disintegrate at any moment, stretched between two dreadful absences. This view of life and being as frail, flimsy things that were soon ended did not match in any way with Snowy Vernall's own, especially not from a glorious vantage like his current one, mucky nativity below and only reefs of hurtling cloud above. His increased elevation had proportionately shrunken and reduced the landscape, squashing down the buildings so that if he were by some means to rise higher still, he knew that all the houses, churches and hotels would be eventually compressed in only two dimensions, flattened to a street map or a plan, a smouldering mosaic where the roads and lanes were cobbled silver lines binding factory-black ceramic chips in a Miltonic tableau. From the roof-ridge where he perched, soles angled inwards gripping the damp tiles, the rolling Thames was motionless, a seam of iron amongst the city's dusty strata. He could see from here a river, not just shifting liquid in a stupefying volume. He could see the watercourse's history bound in its form, its snaking path of least resistance through a valley made by the collapse of a great chalk fault somewhere to the south behind him, white scarps crashing in white billows a few hundred feet uphill and a few million years ago. The bulge of Waterloo, off to his north, was simply where the slide of rock and mud had stopped and hardened, mammoth-trodden to a pasture where a thousand chimneys had eventually blossomed, tarry-throated tubeworms gathering around the warm miasma of the railway station. Snowy saw the thumbprint of a giant mathematic power, untold generations caught up in the magnet-pattern of its loops and whorls. On the loose-shoelace stream's far side was banked the scorched metropolis, its edifices rising floor by floor into a different kind of time, the more enduring continuity of architecture, markedly distinct from the clock-governed scurry of humanity occurring on the ground. In London's variously styled and weathered spires or bridges there were interrupted conversations with the dead, with Trinovantes, Romans, Saxons, Normans, their forgotten and obscure agendas told in stone. In celebrated landmarks Snowy heard the lonely, self-infatuated monologues of kings and queens, fraught with anxieties concerning their significance, lives squandered in pursuit of legacy, an optical illusion of the temporary world which they inhabited. The avenues and monuments he overlooked were barricades' against oblivion, ornate breastwork flung up to defer a future in which both the glorious structures and the memories of those who'd founded them did not exist.
Alan Moore (Jerusalem, Book One: The Boroughs (Jerusalem, #1))
Lana was not above socializing with a common man, and for the next hour they became partners on a walk down memory lane, reminiscing about Saigon and songs while I quietly quaffed my cognac, discreetly admiring Lana’s legs. Longer than the Bible and a hell of a lot more fun, they stretched forever, like an Indian yogi or an American highway shimmering through the Great Plains or the southwestern desert.
Viet Thanh Nguyen (The Sympathizer)
And I rushed outside to memorize a tree ... for all time, if I can, I want to have it present, for at least one of all the stories that remain to be told, for a tree-lined lane down which I want to wander darkly someday, in one paragraph at least amid the maze of writing may the word 'tree' one day resound! Yet the dusk was falling, and my eyes, which were weary and which I didn't trust, could no longer make out the precise ... the true nature of a tree.
Wolfgang Hilbig (The Tidings of the Trees)