Iliad Best Quotes

What's everyone talking about?" "The end of The Iliad." "That's the best part," Marx said. "Why is it the best part?" Sadie asked. "Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.

One omen is best; Defending the fatherland

We are perpetually labouring to destroy our delights, our composure, our devotion to superior power. Of all the animals on earth we least know what is good for us. My opinion is, that what is best for us is our admiration of good.

Always, in these times, I am wretched save when sleep comes to me. Therefore, I have come to look upon sleep as the best of all gifts.” - Helen, about the war

Homer, in the second book of the Iliad says with fine enthusiasm, "Give me masturbation or give me death." Caesar, in his Commentaries, says, "To the lonely it is company; to the forsaken it is a friend; to the aged and to the impotent it is a benefactor. They that are penniless are yet rich, in that they still have this majestic diversion." In another place this experienced observer has said, "There are times when I prefer it to sodomy." Robinson Crusoe says, "I cannot describe what I owe to this gentle art." Queen Elizabeth said, "It is the bulwark of virginity." Cetewayo, the Zulu hero, remarked, "A jerk in the hand is worth two in the bush." The immortal Franklin has said, "Masturbation is the best policy." Michelangelo and all of the other old masters--"old masters," I will remark, is an abbreviation, a contraction--have used similar language. Michelangelo said to Pope Julius II, "Self-negation is noble, self-culture beneficent, self-possession is manly, but to the truly great and inspiring soul they are poor and tame compared with self-abuse." Mr. Brown, here, in one of his latest and most graceful poems, refers to it in an eloquent line which is destined to live to the end of time--"None knows it but to love it; none name it but to praise.

This found its classic expression in Homer’s Iliad, in which Glaucus says to Diomedes that he still hears his father’s urgings ringing in his ears: Always be the best, my boy, the bravest, and hold your head high above the others.

He shook them and called out to the best men of the Argives to meet him in the mêlée face to face.

Cursed with the best of sons, I bore a child who shot up like a sapling and became the strongest and the best of warriors.

Hector, you are impossible! You never listen! 960 Some god has granted you great skill in battle, and so you also want to be the best

Pathetic Paris! Womanizer! Cheat! You are the very best at looking pretty.

Never once have you taken courage in your heart to arm with your people for battle, or go into ambuscade with the best

be always best in battle and pre-eminent beyond all others,

so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.

The heroes of the Iliad, favourites of the gods, golden and predatory, had scorned the weak and downtrodden. So too, for all the honour that Julian paid them, had philosophers. The starving deserved no sympathy. Beggars were best rounded up and deported. Pity risked undermining a wise man’s self-control. Only fellow citizens of good character who, through no fault of their own, had fallen on evil days might conceivably merit assistance.

Moderation is best in all things, and not letting a man go when he wants to do so is as bad as telling him to go if he would like to stay. One should treat a guest well as long as he is in the house and speed him when he wants to leave it.

The end of The Iliad.” “That’s the best part,” Marx said. “Why is it the best part?” Sadie asked. “Because it’s perfect,” Marx said. “ ‘Tamer of horses’ is an honest profession. The lines mean that one doesn’t have to be a god or a king for your life to have meaning.

What's everyone talking about?" "The end of The Iliad." "That's the best part," Marx said. "Why is it the best part?" Sadie asked. "Because it's perfect," Marx said. "'Tamer of horses' is an honest profession. The lines mean that one doesn't have to be a god or a king for your life to have meaning.

The Trojans triumph. And the very best of all the Greeks has now been killed—Patroclus. 690 The Greeks are devastated by his loss. So run down to the ships and tell Achilles, and he may come in time to save the body, although it is too late to save the armor, which Hector, in his flashing helmet, wears.

Shame that your King is not so bound to you As he is bound to what he sniffs. And bound to mute The voice that hints, just hints, he might be, um . . . Not wrong, of course, ah . . . how shall we put it - A hair's-breadth less than absolutely right. Here's the truth: King Agamemnon is not honour bound. Honour to Agamemnon is a thing That he can pick, pick up, put back, pick up again, A somesuch you might find beneath your bed. Do not tell Agamemnon honour is No mortal thing, but ever in creation, Vital, free, like speed, like light, Like silence, like the gods, The movement of the stars! Beyond the stars! Dividing man from beast, hero from host, That proves best, best, that only death can reach, Yet cannot die because it will be said, be sung, Now, and in time to be, for evermore.

The limitless wrath of Achilles can end only once he recognizes that no absolute, permanent victory is ever possible. Everyone must bear unbearable losses, for which no compensation could ever be enough. In the end, we all lose. Our best hope is to accept partial, temporary limits on conflict, accepting human companionship and community as our only, always inadequate compensation, for the pervasive experience of loss.

Let us pin our faith in the almighty Zeus, who governs all mankind and the gods as well. Fight for your country - that is the best and only omen. But why should you, of all men, shirk from battle? Even if the rest of us are slaughtered wholesale by the argive ships, you need have no fear for your own safety - you are not the man to stand and fight it out. None the less, if you do shirk, or dissuade any of the others from fighting, I shall not hesitate to strike you with this spear and take your life.

I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.

Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included As Beatrix read, she was alternately concerned, moved, and charmed out of her stockings. “Let me reply to him and sign your name,” she begged. “One more letter. Please, Pru. I’ll show it to you before I send it.” Prudence burst out laughing. “Honestly, this is the silliest things I’ve ever…Oh, very well, write to him again if it amuses you.

I’ve just been to see Audrey,” Beatrix said breathlessly, entering the private upstairs parlor and closing the door. “Poor Mr. Phelan isn’t well, and--well, I’ll tell you about that in a minute, but--here’s a letter from Captain Phelan!” Prudence smiled and took the letter. “Thank you, Bea. Now, about the officers I met last night…there was a dark-haired lieutenant who asked me to dance, and he--” “Aren’t you going to open it?” Beatrix asked, watching in dismay as Prudence laid the letter on a side table. Prudence gave her a quizzical smile. “My, you’re impatient today. You want me to open it this very moment?” ”Yes.” Beatrix promptly sat in a chair upholstered with flower-printed fabric. “But I want to tell you about the lieutenant.” “I don’t give a monkey about the lieutenant, I want to hear about Captain Phelan.” Prudence gave a low chuckle. “I haven’t seen you this excited since you stole that fox that Lord Campdon imported from France last year.” “I didn’t steal him, I rescued him. Importing a fox for a hunt…I call that very unsporting.” Beatrix gestured to the letter. “Open it!” Prudence broke the seal, skimmed the letter, and shook her head in amused disbelief. “Now he’s writing about mules.” She rolled her eyes and gave Beatrix the letter. Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included

When it comes to the New Testament, we can be confident we are reading from accurate sources, because we have so many ancient copies to compare. For many ancient texts there are only a handful of manuscripts in existence. We have only nine or ten good copies of Julius Caesar’s The Gallic Wars. The best-preserved, non-biblical ancient writing we have is Homer’s Iliad, of which there are only 643 copies. Compare these numbers to the New Testament, which is based on nearly six thousand Greek manuscripts plus over nine thousand ancient copies in other languages. If that were not enough, even if all of these copies were lost, we could reconstruct all but eleven verses of the New Testament from ancient quotations of the Bible.

Again, Homer has clarified the world-view of his tradition, to stress that, when life is gone, it is gone for ever. The paradoxical result is that, precisely by widening the chasm between mortal and immortal, Homer exalts the dignity and responsibility of human beings, placed between god and beast and potentially sharing the natures of both. We may attain divine achievements, with the aid of the gods themselves, but not a divine existence. The here and now, for all the prevalence of adversity over happiness, is the only life we have, and we must make the best of it.

That after the roll of centuries, this same Iliad, whose message had been so clearly grasped by ancient poets and historians, came to be perceived as a martial epic glorifying war is one of the great ironies of literary history. Part of this startling transformation can undoubtedly be attributed to the principal venues where the Iliad was read—the elite schools whose classically based curriculum was dedicated to inculcating into the nation's future manhood the desirability of "dying well" for king and country. Certain favorite outstanding scenes plucked out of context come to define the entire epic: Hektor's ringing refusal to heed the warning omen, for example—" 'One bird sign is best: to fight in defence of our country' "—or his valiant resolution—" 'not die without a struggle and ingloriously.' " Homer's insistent depiction of the war as a pointless catastrophe that blighted all it touched was thus adroitly circumvented.

All mortals need to decide how to live their lives. Warriors believe that since we are mortals and we will die, the best way to live our lives is to fight bravely and gain undying kleos. Maybe we are wrong.

All the great stories of the world elaborate one of two themes: that all life is an exploration like that of the Odyssey or that all life is a battle like that of the Iliad.