β
Kenapa harus takut gelap kalau ada banyak hal indah yang hanya bisa dilihat sewaktu gelap?
-Nishimura Kazuto
β
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Ilana Tan (Winter in Tokyo)
β
Seandainya masih ada harapan - sekecil apapun untuk mengubah kenyataan, ia bersedia menggantungkan seluruh hidupnya demi harapan.
β
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Ilana Tan (Autumn in Paris)
β
Apakah ada yang tahu bagaimana rasanya mencintai seseorang yang tidak boleh dicintai? Aku tahu. Hidup ini sungguh aneh, juga tidak adil. Suatu kali hidup melambungkanmu setinggi langit, kali lainnya hidup menghempaskanmu begitu keras ke bumi. Ketika aku menyadari dialah satu-satunya yang paling kubutuhkan dalam hidup ini, kenyataan berteriak di telingaku dia juga satu-satunya orang yang tidak boleh kudapatkan.
β
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Ilana Tan (Autumn in Paris)
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Selama dia bahagia, aku juga akan bahagia. Sesederhana itu.
β
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Ilana Tan (Autumn in Paris)
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Di mana pun dia berada. Dan kuharap dia tahu bahwa selama aku masih bernafas, aku akan selalu mencintainya. Sepenuh hatiku. Selamanya. -Alex Hirano
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Ilana Tan (Sunshine Becomes You)
β
walaupun tidak ada hal lain di dunia ini yang bisa kau percayai, percayalah bahwa aku mecintaimu. sepenuh hatiku.
β
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Ilana Tan (Sunshine Becomes You)
β
Suatu kali hidup melambungkanmu setinggi langit,kali lainnya hidup menghempaskanmu begitu keras ke bumi
β
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Ilana Tan (Autumn in Paris)
β
Hari yang indah selalu bisa membuat semua orang gembira, bukan?
β
β
Ilana Tan (Sunshine Becomes You)
β
Mungkin kau tidak membutuhkanku. Tapi aku membutuhkanmu.
β
β
Ilana Tan (Sunshine Becomes You)
β
Sekarang... Saat ini saja... Untuk beberapa detik saja... aku ingin bersikap egois. Aku ingin melupakan semua orang, mengabaikan dunia, dan melupakan asal-usul serta latar belakangku. Tanpa beban, tuntutan, atau harapan, aku ingin mengaku.
Aku mencintainya.
β
β
Ilana Tan (Autumn in Paris)
β
Kalau aku mengatakannya, reaksi apa yang akan kau berikan? Apakah kau akan menerima pengakuanku? Apakah kau akan percaya padaku? Apakah kau masih akan menatapku seperti ini? Atau apakah justru kau akan menjauh dariku? Meninggalkanku? Tapi aku tahu aku harus mengatakannya padamu. Aku tidak mungkin menyimpannya selamanya. Entah bagimana reaksimu nanti setelah mendengarnya, aku hanya berharap satu hal padamu. Jangan pergi dariku. Tetaplah disisiku
β
β
Ilana Tan
β
Apakah ada yang tahu bagaimana rasanya mencintai seseorang yang tidak boleh dicintai? Aku tahu.
β
β
Ilana Tan (Autumn in Paris)
β
Sebenarnya aku tidak bermaksud menghindarimu. Aku hanya berusaha menghindari perasaanku sendiri dengan menghindarimu (Mia)
β
β
Ilana Tan
β
Dia juga tidak perlu melakukan apa-apa. Yang paling penting adalah kenyataan bahwa dia ada dan saya bisa melihatnya.β βNishimura Kazutoβ
β
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Ilana Tan (Winter in Tokyo)
β
Ada saatnya ketika rasa sakit sama sekali tidak penting. - Nishimura Kazuto
β
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Ilana Tan (Winter in Tokyo)
β
Hidup ini penuh dengan pilihan dan kalau kita memili bersikap tidak bertanggung jawab maka kita sendiri yang harus menerima akibatnya. - Naomi Ishida
β
β
Ilana Tan (Spring in London)
β
Dulu kalau aku tak begitu, kini bagaimana aku?
Dulu kalau aku tak di situ, kini di mana aku?
Kini kalau aku begini, kelak bagaimana aku?
Kini kalau aku di sini, kelak di mana aku?
Tak tahu kelak ataupun dulu
Cuma tahu kini aku begini
Cuma tahu kini aku di sini
Dan kini aku melihatmu
β
β
Ilana Tan
β
Kurasa aku sudah terbiasa selalu melihatmu, jadi kalau kau tidak ada, aku merasa agak aneh. Seolah-olah ada sesuatu yang... salah.
β
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Ilana Tan (Spring in London)
β
selama dia bahagia aku pun bahagia sesederhana itu
β
β
Ilana Tan (Autumn in Paris)
β
Aku menyadari sesuatu selama aku berada disini. Aku rindu padamu. - Danny Jo
β
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Ilana Tan (Spring in London)
β
jangan marah padaku kalau aku menangis, Hari ini saja Kau boleh lihat sendiri nanti. Kau akan lihat tak lama lagi aku akan kembali bekerja, tertawa, dan mengoceh seperti biasa, aku janji.
β
β
Ilana Tan
β
Aku bersedia melakukan apa pun agar kau tetap berada di sisiku, bersamaku, selama kau juga menginginkan hal yang sama.
β
β
Ilana Tan (In a Blue Moon)
β
Walaupun tidak ada hal lain di dunia ini yang bisa kau percayai, percayalah bahwa aku mencintaimu. Sepenuh hatiku
β
β
Ilana Tan (Sunshine Becomes You)
β
Mimpi tidak akan bertahan lama. Kita boleh saja hidup dalam mimpi, tetapi cepat atau lambat kenyataan akan mendesan masuk, dan ketika kenyataan mendesak masuk dan berhadapan denganmu, kau hanya bisa menerima. - Keiko Ishida
β
β
Ilana Tan (Winter in Tokyo)
β
Kau mungkin tidak sempurna, tapi kau sempurna untukku
β
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Ilana Tan (In a Blue Moon)
β
Aku sudah bertahan seumur hidup tanpa dirimu, jadi aku yakin aku akan baik-baik saja. - Naomi Ishida
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Ilana Tan (Spring in London)
β
Kau tidak bisa memaksakan diri mencintai seseorang, sama seperti kau tidak bisa memaksakan diri memberikan orang yang kau cintai.
β
β
Ilana Tan
β
Waktu memang berlalu dengan cepat ketika kau sedang bersenang-senang. - Naomi Ishida
β
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Ilana Tan (Spring in London)
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Karena sesuatu yang indah akan terlihat saat gelap. Nishimura Kazuto
β
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Ilana Tan (Winter in Tokyo)
β
All grown-ups were once children... but only few of them remember it.β
β Antoine de Saint-ExupΓ©ry, The Little Prince
β
β
ilana Graf
β
Suatu kali hidup melambungkanmu setinggi langit, kali lainnya hidup menghempaskanmu begitu ke bumi.
β
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Ilana Tan (Autumn in Paris)
β
But itβs okayβ¦ it will all be over soon.
β
β
iLana Markarov
β
This just proves how far you and the others are willing to go to keep things hidden.
β
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iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Suatu kali hidup melambungkanmu setinggi langit, kali lainnya hidup mengempaskanmu begitu keras ke bumi
β
β
Ilana Tan
β
Pasti akan terdengar aneh kalau seseorang yang tidak
kaukenal berkata padamu bahwa kalian sudah berkencan dan kau pernah menyatakan
perasaan suka pada orang itu. Kau pasti tidak akan percaya. Tidak ada orang yang
akan percaya.
β
β
Ilana Tan (Winter in Tokyo)
β
Pada saat kita bertemu lagi nanti, kalau perasaanmu masih belum berubah, kalau kau masih merasa sulit percaya padaku, kalau kau tidak mau melihatku lagi, tidak mau berurusan denganku lagi, kau hanya perlu mengatakannya dan aku akan menuruti apapun yg kau katakan.β (Spring in London)
β
β
Ilana Tan
β
This world could burn, for all I care
β
β
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Time is freedom.
β
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iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Time is freedom
β
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iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
As always, I destroy everything around me. Even the dandelion that always seemed to be so full of life is slowly withering away⦠I might as well extinguish what remains of the sun by this point
β
β
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Menjadi pengurus rumahmu memberiku alasan untuk menjalani hidupku. Lalu perlahan-lahan aku sadar bahwa kau juga menjadi salah satu alasanku untuk bertahan hidup.
β
β
Ilana Tan (Sunshine Becomes You)
β
HEROES?β I laughed. βLook at the world! Thereβs nothing heroic about itβ¦ No, this world could burn, for all I careβ¦ and so could everyone in it.
β
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iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Time is and it isnβtβ¦ It can be your greatest enemy or your greatest friend. But it all depends on you.
β
β
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Jangan marah padaku kalau aku menangis.... Hari ini saja.... Kau boleh lihat sendiri nanti. Kau akan lihat tidak lama lagi aku akan kembali bekerja, tertawa, dan mengoceh seperti biasa.... Aku janji....
-Tara Dupont
β
β
Ilana Tan (Autumn in Paris)
β
Ia tidak ingin mendengarnya. Ia tidak mau mengakuinya, tetapi jauh di dalam lubuk hatinya ia tahu ia merasakan hal itu. Tetapi itu perasaan terlarang baginya. Ia tidak boleh merasakannya. Tidak boleh memikirkannya. Lebih mudah bersikap seolah-olah perasaan itu tidak nyata. Jadi itulah yang ia lakukan.
β
β
Ilana Tan (Sunshine Becomes You)
β
Kalau dia bahagia, aku juga merasa bahagia. Sesederhana itu.
β
β
Ilana Tan (Autumn in Paris)
β
There is something nice about a library, isn't there?" Mr. Curtis said. He nodded and took in the familiar scenery. "The scent of ink and worn, dusty pages.
β
β
Ilana Waters (The Adventures of Stanley Delacourt (Hartlandia, #1))
β
You can't throw kindling on a fire and deny you kept it burning. And right now, cowardice is that kindling.
β
β
Ilana Waters (The Adventures of Stanley Delacourt (Hartlandia, #1))
β
both Ilana and Vincent cradled their tenderness in harsh words. They were so different from each other in every other sense. But maybe this place made all of us that way. Taught us to hide love in sharp edges.
β
β
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
β
Kenapa kau selalu memanggilku Clark? Kau bisa memanggilku dengan nama depan, kau tahu, sama seperti yang lainnya." | "Karena sudah terbiasa. Lagi pula, aku suka menjadi satu-satunya orang yang memanggilmu Clark. Kurasa satu-satunya hal yang bisa membuatku memanggil nama depanmu adalah kalau kau menikah denganku. Kalau itu terjadi, berarti kau akan menjadi Mia Hirano. Dan saat itu aku tidak mungkin memanggilmu dengan nama belakang, bukan?
β
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Ilana Tan
β
The truth is that all time belongs to you, it is yours to do with it as you wish. Time flows freelyβ¦ Time is freedom. There are those that are bound by time, restricted by it, but that is only because they donβt understand it, they donβt know how to use it. Time is and it isnβtβ¦ It can be your greatest enemy or your greatest friend. But it all depends on you.
β
β
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Remember? We have a rematch. And this time, itβs my turn to shine.β With his goggles on, Sterling got into his stance, keeping an eye on the Professor.
βOh? I didnβt realize that you were so dull.β I put my goggles on and took my stance as well, making sure that Professor Trinkott was within my line of vision. Challenge accepted.
βHa, ha, joke all you want, Alvara. Just donβt come crying to me afterwards.β
βI donβt cry when I win.
β
β
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
β
Katakan padaku. Kalau kau sudah minta maaf, tapi permintaan maafmu tidak diterima. Apa yang harus kau lakukan?
β
β
Ilana Tan
β
What is your dissertation, Ilana Davita?β βBabel and Camus: Twists of Fate and Faith. Babelβs The Red Cavalry and Camusβs The Stranger.
β
β
Chaim Potok (Old Men at Midnight: Stories (Ballantine Reader's Circle))
β
Hidup Tanpa nya sama sekali bukan hidup..
β
β
ilana - tan
β
It would occur to her later that sympathy is disarming even without surprise, but unexpected sympathy leaves no defense.
β
β
Ilana C. Myer (Last Song Before Night)
β
We cannot back down from the idea that we are deserving of support and understanding in our time of need, but the reality is we might not get it from the people we expect it from.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
It wasnβt me these people cared about; it was my capacity to soak up pain like a sponge.
β
β
Ilana Masad
β
Kau tahu berapa lama aku mencarimu? Aku sudah berlari mengelilingi kota Paris demi mencarimu.
β
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Ilana Tan (Autumn in Paris)
β
The neoconservative pseudo-conservatives speak like Tocqueville but act like Robespierre.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
Whatβs red and green and goes 80 miles an hour? A frog in a blender.
β
β
Ilana Weitzman (Jokelopedia: The Biggest, Best, Silliest, Dumbest Joke Book Ever!)
β
A surface, she reflected, exists for so many reasons, concealment only one. For it may also serve to protect, from others and from oneself. And perhaps, in an unexpected twist, to protect others from oneself.
β
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Ilana C. Myer (Last Song Before Night)
β
Grief, she realizes, is selfish. Itβs about what sheβs losing, not what her mother lost, not what her mother still had time or desire to do in her lifeβand surely there was a lot. Iris was young, as old people go.
β
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Ilana Masad (All My Mother's Lovers)
β
The distance Maggie still feels from the existence of her grief makes her intensely self-conscious, as if sheβs acting in a movie about a woman who goes home when her mother dies rather than actually experiencing it.
β
β
Ilana Masad (All My Mother's Lovers)
β
Even losing Ilana hadnβt prepared me for this. The sheer degree of fucking obsession that grief forces upon you. It took everything I had to force my mind to think about something other than himβit had exhausted me so completely.
β
β
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
β
The poor and people of color are yoked to the abject; white people use its exploration as a path toward self-liberation. Itβs a valid critiqueβand one that Broad City has increasingly interrogated, suggesting, especially in later seasons, the extent of Abbi and Ilanaβs privilege.
β
β
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
β
Everyone has reasons for everything they do. Good, bad, racist, phobic, logical or not, doesnβt really matter. The reasons exist, for them.
β
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Ilana Masad (All My Mother's Lovers)
β
feeling and showing insecurity were two different things, and that the latter was deeply unattractive
β
β
Ilana Masad (All My Mother's Lovers)
β
It was one of those intimate, extremely intense friendships that fizzled out when they were no longer in the same space.
β
β
Ilana Masad (All My Mother's Lovers)
β
Do I have your leave to keep on clinging to a dream of you?
β
β
Ilana C. Myer (Last Song Before Night)
β
I stayed indoors most of the time, which kept my skin very white. And my hair was as black as Ilana's. I wore black clothes all the time, just as she did.
When I was in elementary school the other girls had called me a witch, scratched me with their nails, giggled behind their notebooks. But now I was in high school and suddenly everyone wore black and had pale skin and cultivated a disheveled haunted look.
Now I blended in.
β
β
Judy Budnitz (If I Told You Once)
β
She read books of poetry, though they had lately begun to stoke her fury. It was all very well for these poets, who wandered off to have adventures and then could string them to words, to music. Anything she might write would be formless, a creature of rage and stormcloud. No music there.
β
β
Ilana C. Myer (Last Song Before Night)
β
It truly is a team sport, and we have the best team in town. But itβs my relationship with Ilana that I cherish most. We have such a strong partnership and have learned how we work most efficiently: I need coffee, she needs tea. When weβre stressed, I pace around and use a weird neck massager I bought online that everyone makes fun of me for, and she knits. When weβre writing together she types, because sheβs faster and better at grammar. We actually FaceTime when weβre not in the same city and are constantly texting each other ideas for jokes or observations to potentially use (I recently texted her from Asheville: girl with flip-flops tucked into one strap of tank top). Looking back now at over ten years of doing comedy and running a business with her I can see how our collaboration has expanded and contracted. But itβs the problem-solving aspect of this industry, the producing, the strategy, the realizing that we could put our heads together and figure out the best solution, that has made our relationship and friendship what it is. Because that spills into everything. We both have individual careers now, but those other projects have only been motivating and inspiring to each other and the show. We bring back what weβve learned on the other sets, in the other negotiations, in the other writersβ rooms or press situations. Iβm very lucky to have jumped into this with Ilana Rose Glazer, the ballsy, curly-haired, openhearted, nineteen-year-old girl that cracked me up that night at the corner of the bar at McManus. So many wonderful things have happened since we began working together, but there are a lot of confusing, life-altering things in there too, and itβs such a relief to have someone who completely understands the good and the bad.
β
β
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
β
Her heart was a broken-winged bird that staggered in circles.
β
β
Ilana C. Myer (Fire Dance)
β
Oneβs shadow is private.
β
β
Ilana C. Myer (Fire Dance)
β
She lit a candle and set it down at the altar amid a sea of tiny flames. Each of them the same, as if all the dreams and desires of people were indistinguishable from one another. The prayer of a female poet, perhaps the only one in Eivar, no different from a motherβs prayer for her sickening infant or a farmerβs prayer for a good harvest.
β
β
Ilana C. Myer (Last Song Before Night (The Harp and Ring Sequence Book 1))
β
Media ideologies about one medium are always affected by the media ideologies people have about other media.
β
β
Ilana Gershon (The Breakup 2.0: Disconnecting over New Media)
β
Republicans are the drag queens of politics. Peel away the pules for family, faith and fetuses and one discovers either neoconservative welfare-warfare statists or global social democrats ...
β
β
Ilana Mercer (Broad Sides - One Woman's Clash with a Corrupt Culture)
β
To listen to the nationβs psychiatric gurus is to come to believe that crimes are caused, not committed. Perpetrators donβt do the crime, but are driven to their dirty deeds by a confluence of uncontrollable factors, victims of societal forces or organic brain disease.
β
β
Ilana Mercer
β
The psychiatric endeavorβvoodoo, reallyβis premised on the medicalization of misconduct.
β
β
Ilana Mercer
β
In democratic South Africa, dispossession is nine-tenths of the law.
β
β
Ilana Mercer (Into the Cannibal's Pot: Lessons for America from Post-Apartheid South Africa)
β
To Donal Trump, making America great means making the people great. To the political cast, conversely, making America great means making government great.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
To Donald Trump, making America great means making the people great. To the political cast, conversely, making America great means making government great.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
Donald Trump is acting as a political Samson that threatens to bring the den of iniquity crashing down on its patrons.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
The cable commentariat is a cog in the corpulent D.C. fleshpot.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
The original Constitution is a dead letter, having suffered decades of legislative, executive and judicial usurpation. The natural- and common law traditions, once loadstars for lawmakers, have been buried under the rubble of legislation and statute. However much one shovels the muck of lawmaking aside, natural justice and the Founders' original intent remain buried too deep to exhume.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
Speaker Ryan, who voted for the $1.1 trillion 2016 Omnibus Spending Bill, demanding Trump show him his conservative credentials is as though a guy who never built a thing were to mock a man who has built lots of things.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
The Republican Party under Genghis Bush did the devil's work. Bar the sainted Ron Paul, not a dog of a Republican lifted his leg in protest of the unjust war on Iraq.
β
β
Ilana Mercer (The Trump Revolution: The Donald's Creative Destruction Deconstructed)
β
What was it about him that made my emotions crash on top of me all at once?
β
β
Ilana Waters (Approaching Night (Seluna, #1))
β
Itβs just as hard to remember Iβm supposed to be angry with you.
β
β
Ilana Waters (Approaching Night (Seluna, #1))
β
With chronic illness, the more run down you become, the harder it is to manage your daily life. Itβs important to do everything possible to stop a symptom before it starts.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
Whether youβve been diagnosed, are in treatment, or are still struggling to put a name to the disease that is haunting you, you need to find acceptance. Itβs not defeat. Itβs not giving up. Itβs learning how to continue growing, striving, and thriving even when chronic illness stands resolutely in your way.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
Managing chronic illness means developing strategies to assist you in moving forward with your lifeβs greater focus, and with as minimal suffering as possible. Donβt head-butt your disease, outsmart it.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
Itβs those who are in the murkiest part of their pre-diagnosis that often need the most support.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
Itβs time to stare down the face of your disease and say: I know you, I hear you, and you can scream all you want, but Iβve still got a life to live.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
Learning how and when to ask for help is going to be a huge asset to you in life.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
You may begin to ask yourself: When will a flare-up strike next? What will I do if I canβt call in sick? What happens to my insurance if Iβm fired? Will my job really take me back when Iβm well again? Having a disease doesnβt mean lowering your expectations about your career, but instead expecting a different skill set from yourself.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
Donβt be ashamed of doing what you need to do to survive.
β
β
Ilana Jacqueline (Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms)
β
They don't care," I said softly. "They never care."
"No. They never fucking care. And sometimesβ" He tensed. Maybe because of the stitch. Maybe not. "Sometimes I'm ashamed to call myself one of them."
I don't want to watch you become one of them, Ilana had said to me. And until nowβuntil this exact momentβI hadn't even thought about it as giving something up. Not until I heard the ache in Raihn's voice that had nothing to do with the wounds on his back.
"What was it like?" I asked. "Turning?"
"Ix's tits. Your beside manner really is awful, princess."
I could hear the expression on his face. My mouth tightened. Almost a smile.
β
β
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
β
I had lost everyone I had ever loved. And even those loves had been laced with so much pain, so much complication. My love for Vincent, tangled up in his lies and controlling disapproval. My love for Ilana, hidden in shadows and sharp words. My love for my mother, stolen from me entirely. The love I felt now, for Raihn, was⦠terrifying in its ease. I was afraid that something would come to rip it away from me. I was afraid that I would destroy it myself, by not knowing how to feel something so right.
β
β
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))