If I Cut You Off Quotes

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Did you know that 'I told you so' has a brother,Jacob?" she asked cutting me off. "His name is 'Shut the hell up'.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
I will tell you what Jeanne was like. She was like a piano in a country where everyone has had their hands cut off.
Angela Carter
The quality of owning freezes you forever in "I," and cuts you off forever from the "we.
John Steinbeck (The Grapes of Wrath)
Before we go, I gotta know: If mind-reading abilities are real, there's something else I wondered if fiction got right about vampires-" "Ask me if I sparkle and I'll kill you where you stand," Bones cut him off with utmost seriousness.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
I wouldn't cut you out of my life Clary, any more than I would cut off my right hand and give it to someone as a Valentine's Day gift." Gross," said Clary. "Must you?" Simon grinned. "I must.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I may think of you softly from time to time. But I’ll cut off my hand before I ever reach for you again.
Arthur Miller (The Crucible)
You cut yourself off from all sorts of experiences because you tell yourself you are ‘not that sort of person’” “But, I’m not.” “How do you know? You’ve done nothing, been nowhere. How do you have the faintest idea what kind of person you are?
Jojo Moyes (Me Before You (Me Before You, #1))
Iz," Alec said tiredly. "It's not like it's one big bad thing. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if that's because I'm young or if it's because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now." He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec's. "It's not like a stab wound you can protect me from. It's a million little paper cuts every day.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You might imagine that a person would resort to self-mutilation only under extremes of duress, but once I'd crossed that line the first time, taken that fateful step off the precipice, then almost any reason was a good enough reason, almost any provocation was provocation enough. Cutting was my all-purpose solution.
Caroline Kettlewell (Skin Game)
Can I cut off your head?" "Are you asking for my permission?
Amanda Hocking (Ascend (Trylle, #3))
I love how you aren't weird and awkward, despite the fact that you've been severely cut off from socialization to the point where you make the Amish look trendy.
Colleen Hoover (Hopeless (Hopeless, #1))
If I weren't standing next to your boyfriend, I'd be tempted to ask you out myself." She blushes, and St. Clair bounds inside the box office and wrestles her into a hug. "Miiiiiiiiine!" he says. "Cut it out." Anna pushes him off, laughing. "You'll get fired. And then I'll have to support your sorry arse for the rest of our lives.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
i was music but you had your ears cut off
Rupi Kaur (milk and honey)
I’m nobody’s sidekick,” Annabeth growled. “And, Percy, his accent sounds familiar because he sounds like his mother. We killed her in New Jersey.” Percy frowned. “I’m pretty sure that accent isn’t New Jersey. Who’s his—? Oh.” It all fell into place. Aunty Em’s Garden Gnome Emporium—the lair of Medusa. She’d talked with that same accent, at least until Percy had cut off her head. “Medusa is your mom?” he asked. “Dude, that sucks for you.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
You want a piece of all this fabulousness?" He gestured to himself. "Well, my best friend comes along with it. I wouldn't cut you out of my life, Clary, any more than I would cut off my right hand and give it to someone as a Valentine's Day gift." "Gross," said Clary. "Must you?" He grinned. "I must.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I want you to take note, Commander, that turning in my badge would be like cutting off my arm. But if it comes down to a choice between the job and my marriage, then I lose the arm.
J.D. Robb (Vengeance in Death (In Death, #6))
How does this whole guardian angel business work? Am I the only person who can see you? I mean, are you invisible to everyone else?" Patch stared at me like he hoped I wasn't serious.    "You're not invisible?" I squeaked. "You have to get out of here!" I made a movement to push Patch off the bed but was cut short by a searing jab in my ribs. "She'll kill me if she finds you in here. Can you climb trees? Tell me you can climb a tree!"    Patch grinned. "I can fly."    Oh. Right. Well, okay.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Listen, street punk. You're a guy, and you're a couple inches taller, and maybe forty pounds heavier, and ooh, you're in a gang. But I've survived ten years of Catholic school, and I will cut you off at your knees without a blink. Do you understand?
James Patterson (Angel (Maximum Ride, #7))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Why a compass?” Ty asked. He hadn’t taken his eyes off Zane’s yet. Zane smiled and ran his thumb across the pendant. “Because you gave me direction when I was lost. You showed me the way.” He looked up to meet Ty’s eyes. “You’re like my very own compass.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Let him come to Charcy, with his hithertos and his wherefores, and there he will find me, and with all the might of my kingdom I will scourge him from the field. "And if you want a personal message," said Laurent, "You can tell my uncle boykiller that he can cut the head off every child from here to the capital. It won't make him into a king, it will simply mean he has no one left to fuck.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me. Ash? “Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.” I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob. “Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Touch me and I swear to the gods, I’ll cut your fucking hands off and let the quadrant sort you out in the next round of challenges, Dain Aetos.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Words are not enough. Not mine, cut off at the throat before they breathe. Never forming, broken and swallowed, tossed into the void before they are heard. It would be easy to follow, fall to my knees, prostrate before the deli counter. Sweep the shelves clear, scatter the tins, pound the cakes to powder. Supermarket isles stretching out in macabre displays. Christmas madness, sad songs and mistletoe, packed car parks, rotten leaves banked up in corners. Forgotten reminders of summer before the storm. Never trust a promise, they take prisoners and wishes never come true. Fairy stories can have grim endings and I don’t know how I will face the world without you.
Peter B. Forster (More Than Love, A Husband's Tale)
I wasn‘t—" I began. I didn‘t—" He began. How charming," V‘lane cut us off. His voice arrived before he did. "The very portrait of human domestic bliss. She‘s on the floor, you‘re towering over her. Did he strike you, MacKayla? Say the word and I‘ll kill him.
Karen Marie Moning (Dreamfever (Fever, #4))
I'm not going to pass out—” He cut her off with a kiss. “If you did, I'd catch you.
Larissa Ione (Passion Unleashed (Demonica, #3))
How many wives have told their husbands, “I’m fine,” when they really mean, “I want to cut your balls off with a butcher knife”? How many men have told their girlfriends, “You look fine,” when they really mean, “You need to go back to the gym and work out—a lot.” It’s the universal way of saying we’re just peachy—when we’re really anything but.
Emma Chase (Tangled (Tangled, #1))
It’s four o’clock, guys. I’m going up to watch Oprah. Unless the shop catches fire or we’re under massive zombie invasion, I don’t exist for the next hour. On second thought, don’t bother me if it’s zombies – I’ll deal with them later. Today’s a special episode on how to make peace with people who piss you off. And I definitely need to find my Zen. (Bubba) Your Zen’s shooting stuff, Bubba. Embrace your inner violence. (Mark) Fine, then. My inner violence says I’ll cut your throat if you bother me until Oprah ends, so sod off. (Bubba)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
She told me to wait,that I was going to lose a finger." Earl looked toward the kitchen and back at Ty and Duece. He snorted. "I asked her, did she think I was stupid? Then a couple of snips later, whack. Off went the finger. And you know what that woman said to me? I said 'Mara you cut my finger off.' And your mother said to me, 'Well Earl who's stupid now?
Abigail Roux (Stars & Stripes (Cut & Run, #6))
The funny thing about mundies," Jace said, to nobody in particular, "is how obsessed with magic they are for a bunch of people who don't even know what the word means." I know what it means," Clary snapped. No, you don't, you just think you do. Magic is a dark elemental force, not just a lot of sparkly wands and crystal balls and talking goldfish." I never said it was a lot of talking goldfish, you-" Jace waved a hand, cutting her off. "Just because you call an electric eel a rubber duck doesn't make it a rubber duck, does it? And God help the poor bastard who decides they want to take a bath with the duckie.
Cassandra Clare
Have a care, Sir Tucker, lest you find yourself in the stockades." He scoffs and looks at Mr. Erikson. "She can't do that, can she? She's not the ruler of this class. Brady is." ... "You could strip him of his title," suggests Brady, apparently not minding at all that I have usurped his throne. "Make him a serf." "Yeah," says Christian. "Make him a serf. Being a serf blows." As a serf, poor Christian has already been killed several times in our class. Aside from dying of the Black Plague on the first day, he's starved to death, had his hands cut off for stealing a loaf of bread, and been run down by his master's horse just for kicks. He's like Christian the fifth now.
Cynthia Hand (Unearthly (Unearthly, #1))
Lo,” I whisper, my fingers making circles on his black shirt. “I just want you to know that if you leave this world, I won’t be in it for much longer.” He’s a piece of me. You cut it off, and it’s like going through life with no lungs.
Krista Ritchie (Thrive (Addicted #4))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
The first law of nature is self-preservation. Cut off that which may harm you. But if it is worth preserving, and is meaningful, nourish it and have no regrets. Ultimately, this is true living and love of self...from within.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
Um, Bella? You've got a huge cut on your forehead, and it's gushing blood," he informed me. I clapped my hand over my head. Sure enough, it was wet and sticky. I could smell nothing but the damp moss on my face, and that held off the nausea. Oh, I'm so sorry, Jacob." I pushed hard against the gash, as if I could force the blood back inside my head. Why are you apologizing for bleeding?" he wondered as he wrapped a long arm around my waist and and pulled me to my feet.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
People with a grudge against the world are always dangerous. They seem to think life owes them something. I've known many an invalid who has suffered worse and been cut off from life much more . . . and they've managed to lead happy contented lives. It's what's in yourself that makes you happy or unhappy.
Agatha Christie (A Murder Is Announced (Miss Marple, #4))
And you would know so much about women, locked up in your castle." "Locked up with eight wives. And sometimes I make house calls for my bargainers. There's many a lovely woman desperate enough to bargain with me." This idea had never occurred to me before. "You touch another woman and I'll cut your hands off," I snapped. He looked delighted. "I thought you were afraid of hurting me.
Rosamund Hodge (Cruel Beauty)
I love you, I will always be yours Zane- no matter where I am or where you are.I promise you that," he said, the words as serious as Zane had ever heard Ty utter. Zane felt flush all over, a little light-headed, and more than a little off kilter. What Ty promised.. . It was more than Zane had ever expected to want from anyone else ever again. But he did want that from Ty, desperately.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Stop. I don't do you favors, Alec. I do things for you because - well, why do you think I do them?" Something rose up in Alec's throat, cutting off his response. It was always like this when he was with Magnus. It was as if there were a bubble of pain or regret that lived inside his heart, and when he wanted to say something, anything, that seemed meaningful or true, it rose up and choked off his words. "I need to get back to the ship," he said, finally.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
So, Belle, what's new today?" Dad," I said, grasping his hands and looking directly into his eyes. "I'm in the deepest love that has ever occurred in the history of the world." Gosh, Belle. When someone asks you 'What's new?' the correct answer is 'Not much'. Besides, isn't it a little soon to cut yourself off from the rest of your peers, depending on a boyfriend to satisfy your social needs as opposed to making friends? Imagine what would happen if something forced that boy to leave! I'm imagining pages and pages would happen - with nothing but the names of the months on them.
The Harvard Lampoon (Nightlight: A Parody)
Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.
Haruki Murakami (Kafka on the Shore)
It's astonishing the amount of time that certain straight people devote to gay sex - trying to determine what goes where and how often. They can't imagine any system outside their own, and seem obsessed with the idea of roles, both in bed and out of it. Who calls whom a bitch? Who cries harder when the cat dies? Which one spends the most time in the bathroom? I guess they think that it's that cut-and-dried, though of course it's not. Hugh might do the cooking, and actually wear an apron while he's at it, but he also chops the firewood, repairs the hot-water heater, and could tear off my arm with no more effort than it takes to uproot a dandelion.
David Sedaris (When You Are Engulfed in Flames)
It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually--if this is the way things started, if there was a big bang in the beginning-- you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as--Mr so-and- so, Ms so-and-so, Mrs so-and-so--I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.
Alan W. Watts
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
Yes, I want to kiss you, Jase Ballenger. Not for show or to make the best of it. I want to kiss you because I want you, every part of you, even the parts that infuriate me beyond telling, because you’ve infected me with a poison that I don’t want to flush out, because you’re a mad viper twisting around my middle, cutting off my breath, yet I want you more than I want to breathe. Yes, Jase, I want to kiss you, just because I do, but the one thing I cannot do is promise you any tomorrows.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
[Minho] pulled one of his knives from a pocket and, without missing a beat, cut a big piece of ivy off the wall. He threw it on the ground behind him and kept running. “Bread crumbs?” Thomas asked, the old fairy tale popping into his mind. Such odd glimpses of his past had almost stopped surprising him. “Bread crumbs,” Minho replied. “I’m Hansel, you’re Gretel.
James Dashner (The Maze Runner (The Maze Runner, #1))
I wish I didn't have to think about you. You wanted to impress me; well, I'm not impressed, I'm disgusted...You wanted to make damn good and sure I'd never be able to turn over in bed again without feeling that body beside me, not there but tangible, like a leg that's been cut off. Gone but the place still hurts.
Margaret Atwood (Life Before Man)
This is the thing to bomb. This is the beginning—from "I" to "we". If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I", and cuts you off forever from the "we".
John Steinbeck (The Grapes of Wrath)
I’m alright,” Loki assured me with a grin and stepped out into the hall, so we could have some privacy from onlookers. “What can I do for you, Princess?” “Can I cut off your head?” I asked. “Are you asking for my permission?” Loki tilted his head and cocked an eyebrow. “Because I’m going to have to say no to this one request, Princess.” “No, I mean, can I?” I asked. “As in, am I capable of it? Would you die if I did?” “Of course I would die.” Loki put one hand against the wall and leaned on it. “I’m not a bloody cockroach. What’s all this about? What are you trying to find out?
Amanda Hocking (Ascend (Trylle, #3))
So, as sad as this day is for me,as I am losing a part of myself with the loss of you,it is really just the beginning for me. It is like cutting off the spoiled part to get to the juicy center. So, I would appreciate it this time, if you did not try and contact me. Because, as I'm sure you know, I deserve better. I want everything this time around, and I deserve it.
K.A. Linde (Avoiding Commitment (Avoiding, #1))
I have nothing but contempt for the people who despise money. They are hypocrites or fools. Money is like a sixth sense without which you cannot make a complete use of the other five. Without an adequate income half the possibilities of life are shut off. The only thing to be careful about is that you do not pay more than a shilling for the shilling you earn. You will hear people say that poverty is the best spur to the artist. They have never felt the iron of it in their flesh. They do not know how mean it makes you. It exposes you to endless humiliation, it cuts your wings, it eats into your soul like a cancer.
W. Somerset Maugham (Of Human Bondage)
I’m busy, you’re busy, everybody’s busy. I’ve got a lot I want to say to you, though.” “All right,” Pia told her. “Hit me with it.” “First, I’m so sorry about what my uncle Urien did to you guys. I hate him, he killed my family, and we’re going to cut off his head, and then I have to be Queen, but before that happens let’s do lunch, okay?
Thea Harrison (Dragon Bound (Elder Races, #1))
Everybody has a ‘gripping stranger’ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe it’s the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the library—a stranger who, if you were to come home and find a message from them on your answering machine saying ‘Drop everything. I love you. Come away with me now to Florida,’ you’d follow them.
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
Yes, I still know where I’m going!” I snapped as he emerged beside me yet again, cutting him off before he could say anything. Ash walked on my other side, silent and protective, but I caught him rolling his eyes as Glitch came up. The rebel leader scowled. “Relax, your highness. I wasn’t going to ask this time.” “Aw, that’s a shame,” Puck said, falling into step beside him. “You’re gonna make me lose my bet with ice-boy. Come on, be a sport. Say it one more time, for me?
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Well," he said, "I don't believe that either." "Believe what? That I messed up? Why not?" "Weren't you just listening? I saw you in Spokane. Someone like you doesn't mess up freeze." I was about to give him the same line I had given the guardians, that killing Strigoi didn't make me invincible, but he cut me off: "Plus I saw your face out there." "Out.... on the quad?" "Yeah," several more quite moments passed. "I don't know what happened, but the way you looked...that wasn't the look of someone trying to get back at a person. It wasn't the look of someone blanking out of Alto's attack either. It was something different...I don't know. But you were completely consumed by something else—and honestly? Your expression? Kind of scary." "Yet...you aren't giving me a hard time over that either." "Not my business. If it was big enough to take you over like that, then it must be serious. But if push comes to shove, I feel safe with you, Rose. I know you'd protect me if there really was a Strigoi there." He yawned. "Okay. Now that I have bared my soul, can we please go to bed? Maybe you don't need beauty sleep, but some of us aren't so lucky.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I would never date a girl who insisted that I cut you out of my life. It’s non-negotiable. You want a piece of all this fabulousness?” He gestured at himself. “Well, my best friend comes along with it. I wouldn’t cut you out of my life, Clary, any more than I would cut off my right hand and give it to someone as a Valentine’s Day gift.” “Gross,” said Clary. “Must you?” He grinned. “I must.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Swear, that woman’s got a mouth on her worse than you do,” Tyler commented, following in after Bones. “Ian gave her the tiniest smack on the rear when she walked by, and she told him to—” “Ian smacked my mother on the ass?” I cut him off. At Tyler’s nod, I stopped lighting sage and grabbed a silver knife, feeling my fangs pop out of their own accord. “Wait here, I’ll be right back.
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you've never heard of but always pass through there are no neon lights here no skyscapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing you lips will touch i am not police sirens i am the crackle of a fireplace i'd burn you and you still couldn't take your eyes off of me cause i'd look so beautiful doing it you'd blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don't come here with expectations and try to make a vacation out of me
Rupi Kaur (milk and honey)
I have come to accept myself for what I am: human. I am not perfect. I am not immune to fate, but I am not automatically doomed for being alive. I feel temptations every second of every day and I am not controlled by them. I do what I want anyway, so who is to say I want anything else? When I want, I let these peculiarities run across me like dogs to their masters. When I do not, I keep them at bay with my will and my testimony. I do not cut myself off from what makes me feel; I just refuse to feel anything that cuts me off from what matters most. It is called will power. With a little practice, you can accomplish great things.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
How can you stand touching her?” my sister blurted, staring at our clasped hands. “Doesn’t that hurt?” I seized on the change of topic. “These gloves are specialized rubber. They block the current.” Gretchen’s gaze traveled over Vlad, disbelief still stamped on her features. “Yeah, but how do you two do anything else, unless he has a special, currentrepelling glove for his—” “Gretchen!” my father cut her off. My cheeks felt hot. Don’t say a word, I thought to Vlad, seeing his chest tremble with suppressed laughter. “He has a natural immunity,” I gritted out.
Jeaniene Frost (Once Burned (Night Prince, #1))
You don't understand!' Foaly objected. Trouble cut him off with a chop of his hand through the air. 'I never understand. That's why we pay you and your dork posse." Foaly objected again. 'They are not dorks!' Trouble found space for yet another holster. 'Really? That guy brings a Beanie Baby to work every day. And your nephew, Mayne, speaks fluent Unicorn.' 'They're not all dorks,' said Foaly, correcting himself.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box." Wolf scowled. "Of course, half the girls in the world probably have had that same picture from that same cereal box." Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here." She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
When you have to face up to the fact that marriage to the man you love is really over, that's very tough, sheer agony. In that kind of harrowing situation, I always go away and cut myself off from the world. Also, I sober up immediately when there is genuine bad news in my life; I never face it with alcohol in my brain. I just rented a house in Palm Springs and sat there and just suffered for a couple of weeks. I suffered there until I was strong enough to face it.
Ava Gardner (Ava: My Story)
Can we get back to work now?" Haley asked, sounding innocent, but Zoe didn't miss the woman's lips twitching or the humor sparkling in her eyes. Something told her that this woman truly enjoyed torturing her husband. "For god sake's, my little grasshopper, you love the Yankees more than I do! What the hell is going on?" He turned accusing eyes on Zoe. "How dare you brainwash my wife?" he hissed. "A re you going to leave so that we can get some work done?" Haley demanded, turning her attention to the computer. "No," he said stubbornly, folding his arms over his chest, glaring at them. "Buttercream frosting," Haley said softly, never taking her eyes away from her computer screen. Jason licked his lips as he looked his pregnant wife over hungrily. "Tonight?" he croaked out. "If you're good," Haley said, with a small shrug. "But you have to leave-" "Bye," Jason said quickly, cutting her off and rushing out of the trailer just as fast as he came.
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
You're right." He cut me off. "I never understood this country. I never understood why he chose to leave everything else behind and stay for this. Not until I met you." I felt like he'd pushed me, like I was falling and I needed him to reel those words back in to keep me standing straight. "You /are/ this country, Amani." He spoke more quietly now. "More alive than anything ought to be in this place. All fire and gunpowder, with one finger always on the trigger.
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
For a moment, there is silence between us. He takes a step toward me. “The other night—” I cut him off. “I did it for the same reason that you did. To get it out of my system.” “And is it?” he asks. “Out of your system?” I look him in the face and lie. “Yes.” If he touches me, if he even takes another step toward me, my deceit will be exposed. I don’t think I can keep the longing off my face. Instead, to my relief, he gives a thin-lipped nod and departs. From the next room, I hear the Roach call out to Cardan, to offer to teach him the trick of levitating a playing card. I hear Cardan laugh. It occurs to me that maybe desire isn’t something overindulging helps. Maybe it is not unlike mithridatism; maybe I took a killing dose when I should have been poisoning myself slowly, one kiss at a time.
Holly Black (The Wicked King (The Folk of the Air, #2))
Darius held Stark back from launching himself at Neferet, and Duantia spoke quickly into the rising tension. 'Neferet, I think we can all agree that there are many unanswered questions about the tragedy that occured on our island today. Stark, we also understand the passion and rage you feel at the loss of your Priestess. it is a hard blow for a Warrior to-' Duantia's wisdom was cut off by the sound of Aretha Franklin belting out the chorus from "Respect," which was coming from the little Coach purse Aphrodite had slung over her shoulder. Oopsie, um, sorry 'bout that.' Aphrodite frantically unzipped her purse and dug for her iPhone.
P.C. Cast (Burned (House of Night, #7))
He gave her a lazy predatory smile as he moved his torso over heres. "You're not afraid of me at all anymore, are you?" She sobered. Call her crazy, but she thought he would rather cut off his hands than hurt her. "So what if I'm not?" she muttered. His beautiful, cruel mouth pulled into a smile. "I think if your're not crazy, it's a very good thing," he said. He moved, and before she realized what he intended, he had her hands pinned over her head. "It gives me all kinds of license to do bad things to you. With you. On you. In you.
Thea Harrison (Dragon Bound (Elder Races, #1))
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I know your character. I know you're going to be a great guardian.” His confidence made that warm feeling return. "I'm glad someone does. Everyone else thinks I'm totally irresponsible.” "With the way you worry more about Lissa than yourself…" He shook his head. "No. You understand your responsibilities better than guardians twice your age. You'll do what you have to do to succeed.” I thought about that. "I don't know if I can do everything I have to do.” He did that cool one-eyebrow thing. "I don't want to cut my hair," I explained. He looked puzzled. "You don't have to cut your hair. It's not required.” "All the other guardian women do. They show off their tattoos.” Unexpectedly, he released my hands and leaned forward. Slowly, he reached out and held a lock of my hair, twisting it around one finger thoughtfully. I froze, and for a moment, there was nothing going on in the world except him touching my hair. He let my hair go, looking a little surprised—and embarrassed—at what he'd done. "Don't cut it," he said gruffly. Somehow, I remembered how to talk again. "But no one'll see my tattoos if I don't.” He moved toward the doorway, a small smile playing over his lips. "Wear it up.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Come on, man. Are you this worked over a piece of ass? Her voice may be cut out for porn, and her pussy tight as fuck, but shit, you can find that in other bitches too. I’ve fucked plenty of them.” What was going to be a fairly slow death is now going to be the slowest death to ever happen since the dawn of humanity. It was bad enough that he spoke of my girl in such a disgusting manner, but then he went and topped it off by implying Addie isn’t anything special. She’s the first of her kind to exist, and there will never be another like her.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
I lifted my face to meet the kiss, wanting the comfort of his touch as much as I was willing to provide the comfort of mine. The contact was sweet and soft, yet at the same time desperate. It was Zane who pulled away first. "Danica, I think..." He trailed off and kissed me again, this time briefly, just the barest touch of lips to lips. "I love you." From a man who frequently uttered eloquent speeches, the tentative declaration was not the most flattering of compliments-especially when every movement he made and look he cast my way had shown the long truth before now. But coming from the serpent who had once informed me that he did not love me and did not think he ever could, whose cool, polished words could cut to the bone and freeze the Earth's frozen molten blood — whose eyes right now were just a bid dazed, and whose expression was as open and startled as I had ever seen it — the words were more than enough. "I know," I answered. Then, soft but certain, I answered, "I love you too." His smile matched mine and said the same as mine: I know.
Amelia Atwater-Rhodes (Hawksong (The Kiesha'ra, #1))
Abuse is also when your personality is attacked, not just your body. Abuse is feeling like you constantly have to walk on eggshells around the person you're supposed to love. Abuse is being cut off from your friends, even if you could never prove it was their idea you did it. Abuse is being made to feel you're going crazy. Abuse is being lured in with grand promises and wild declarations of love that can never be sustained. Abuse is being pushed into doing sexual things you're not comfortable with. That is also called rape, another word that has taken me some time to feel belongs to me. Abuse is intentionally humiliating you. Abuse is constantly blaming you for everything, and never them.
Holly Bourne (The Places I've Cried in Public)
No one feels like you do, so every brush of your skin is a cruel reminder of what I’ve lost. I can barely stand the sight of you because you’re more beautiful than I’ve allowed myself to remember, and when I cut that wire off Maximus and smelled you all over him, I wanted to kill him more than I’ve wanted to kill anyone in my life, yet I couldn’t because of my promise to you.” Slow tears continued to trickle down my cheeks, but for a different reason this time. “You care.” The words were whispered with a despairing sort of wonder. He wasn’t willing to rescind his loveless vow, clearly, but I was wrong about the apathy I’d thought he felt. That he admitted all the above was surprising enough; the fact he’d done it within earshot of his pilots was no less than shocking. Vlad grunted. “Don’t worry. I intend to kill them as soon as we land.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
As they split to prepare for the meeting with the Ravkans, Jesper followed Wylan down the hall. “Hey.” Wylan kept going. Jesper jogged past him and cut off his path, walking backward. “Listen, this thing with Kuwei isn’t a thing.” He tried again. “There is no thing with Kuwei.” “You don’t owe me an explanation. I’m the one who interrupted.” “No, you didn’t! Kuwei was sitting at the piano. It was an understandable mistake.” Wylan stopped short. “You thought he was me?” “Yes!” Jesper said. “See? Just a big mis—” Wylan’s gold eyes flashed. “You really can’t tell us apart?” “I … I mean, usually I can, but—” “We’re nothing alike,” Wylan said indignantly. “He’s not even that good at science! Half his notebooks are full of doodles. Mostly of you. And those aren’t good either.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Michael Cunningham (The Hours)
She raised her hand to cut me off. "I am aware of your epistolary flirtation. Which is all well and good--as long as it's well and good. Before I ask you some questions, perhaps you would like some tea?" "That would depend on what kind of tea you were offering." "So diffident! Suppose it was Earl Grey." I shook my head. "Tastes like pencil shavings." "Lady Grey." "I don't drink beverages named after beheaded monarchs. It seems so tacky." "Chamomile?" "Might as well sip butterfly wings." "Green tea?" "You can't be serious." The old woman nodded her approval. "I wasn't." "Because you know when a cow chews grass? And he or she chews and chews and chews? Well, green tea tastes like French-kissing that cow after it's done chewing all that grass." "Would you like some mint tea?" "Only under duress." "English breakfast." I clapped my hands. "Now you're talking!
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
As the uneasiness and reluctance to face it cut him off more and more from all real happiness, and as habit renders the pleasures the vanity and excitement and flippancy at once less pleasant and harder to forgo...you will find that anything or nothing is sufficient to attract his wandering attention. You no longer need a good book, which he really likes, to keep him from his prayers or his work or his sleep; a column of advertisements in yesterday's paper will do. You can make him waste his time not only in conversation he enjoys with people whom he likes, but also in conversations with those he cares nothing about, on subjects that bore him. You can make him do nothing at all for long periods. You can keep him up late at night, not roistering, but staring at a dead fire in a cold room. All the healthy and outgoing activities which we want him to avoid can be inhibited and nothing given in return, so that at last he may say...'I now see that I spent most my life doing in doing neither what I ought nor what I liked.
C.S. Lewis (The Screwtape Letters)
A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it's heading somewhere, moving through the darkness of the ocean… It takes on all kinds of different shapes—sometimes it's 'the nation,' and sometimes it's 'the law,' and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It's too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn't give a damn that I'm me or you're you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers.
Haruki Murakami (After Dark)
Yes, such has been my lot since childhood. Everyone read signs of non-existent evil traits in my features. But since they were expected to be there, they did make their appearance. Because I was reserved, they said I was sly, so I grew reticent. I was keenly aware of good and evil, but instead of being indulged I was insulted and so I became spiteful. I was sulky while other children were merry and talkative, but though I felt superior to them I was considered inferior. So I grew envious. I was ready to love the whole world, but no one understood me, and I learned to hate. My cheerless youth passed in conflict with myself and society, and fearing ridicule I buried my finest feelings deep in my heart, and there they died. I spoke the truth, but nobody believed me, so I began to practice duplicity. Having come to know society and its mainsprings, I became versed in the art of living and saw how others were happy without that proficiency, enjoying for free the favors I had so painfully striven for. It was then that despair was born in my heart--not the despair that is cured with a pistol, but a cold, impotent desperation, concealed under a polite exterior and a good-natured smile. I became a moral cripple; I had lost one half of my soul, for it had shriveled, dried up and died, and I had cut it off and cast it away, while the other half stirred and lived, adapted to serve every comer. No one noticed this, because no one suspected there had been another half. Now, however, you have awakened memories of it in me, and what I have just done is to read its epitaph to you. Many regard all epitaphs as ridiculous, but I do not, particularly when I remember what rests beneath them.
Mikhail Lermontov (A Hero of Our Time)
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone. So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach. In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Three weeks, after fuckin' you, knowin' what you taste like, what you feel like, the sounds you make when you come, three weeks I'm on the road and all I got is a couple minutes of your voice on the phone every night. Fuckin' you, that's all I can think about, like a teenager, at night in the dark, it's the only thing in my goddamned head. So I jack off, hopin' to cut through it, but nothin' compares to you. Then I know you can't sleep so I can't fuckin' sleep wonderin' if you're sleepin'. That shit's whacked and I come home, fuckin' beside myself it's over." "So we find out about each other and who we are together. I'm gonna piss you off 'cause I can be a dick. That's who I am. And you're gonna piss me off 'cause, babe, you got attitude. That's who you are. And that's who we're comin' out to be together. And I'm all right with that because, with what I had before, even when you're a bitch, I like it. But when you're not, it's a sweetness the like I've never tasted." "You said you were waitin' for something special and he took away your chance to figure out that you were carryin' it with you all this time. You are special, Laurie.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
It's me," a deep voice rumbled. The hands released me and I turned. There stood Derek, all six foot of him. Maybe it was just the thrill of seeing him, but he looked better than I remembered. His black hair was still lank, and his face was still dotted with acne. But he looked...better. ~~~~~ Tori waited until Derek was gone, then shuddered. "Okay, Derek always weired me out, but the wolf man stuff is seriously creepy. Suits him, I suppose. A creepy power for a creepy guy." "I thought he looked better." She stared at me. "What? He does. Probably because he's starting his wolf changes and he's not stressed out about being in Lyle House. That must help." "You know what will really help? Shampoo. Deodorant - " I raised my hand to cut her off. "He smelled fine, so don't start that. I'm sure his wearing deodorant and - for once-it's working. As for showers, they're a little hard to come by on the street, and we won't look much better soon." "I'm just saying." "Do you think he doesn't know you're saying? News flash-he's not stupid.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
And even then, it's not like you did all that much," I said, talking over him, because it was the only way to get a word in edgeways with Pritkin sometimes. He had filched the bottle back to take a drink, but at that he lowered it and looked at me, his eyes very green next to the amber liquor. "What?" "I just meant, it wasn't all that and a bag of chips. You know?" He blinked at me. "No offense," I added, because he was looking kind of poleaxed. Like maybe he hadn't had a whole lot of complaints before. Which was, frankly, pretty damn understandable. But I feigned indifference. "I mean, it couldn't have been that bad if -" "Bad?" "Well, not bad bad." He just looked at me. "I mean, I came and everything, so that has to count for some -" I cut off because I was suddenly enveloped in a strong pair of arms, and my head was crushed to a hard chest. A chest that appeared to be vibrating. It took me a few moments to get it, and even then I wasn't so sure, because Pritkin's face was buried in my hair. But I kind of thought - as impossible as it seemed - that he might be ... laughing?
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
What?” I cut him off. “That’s not true—I do take this seriously—” “Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now. You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more." "Seventeen," Gus corrected. "I'm assuming you've got some time, you interrupting bastard. "I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. "But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...] "And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed." Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts." Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
John Green (The Fault in Our Stars)
Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason. Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal. Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself. Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain. Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane
Anonymous.
The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.
Shannon L. Alder
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?' Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.' Hendrick muttered something; Zim said, 'Speak up!' I'm not itching to resign, sir. I'm going to sweat out my term.' I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?' What? Sure--yes, sir.' Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?' Why . . . no, sir!' Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
Robert A. Heinlein (Starship Troopers)
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable. If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language. Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts. It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way. You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn. This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
Aleister Crowley
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year. Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself. See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all. Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory. And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well. The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." [Getting Into Print (The Editor magazine, March 1903)]
Jack London
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
1. Bangladesh.... In 1971 ... Kissinger overrode all advice in order to support the Pakistani generals in both their civilian massacre policy in East Bengal and their armed attack on India from West Pakistan.... This led to a moral and political catastrophe the effects of which are still sorely felt. Kissinger’s undisclosed reason for the ‘tilt’ was the supposed but never materialised ‘brokerage’ offered by the dictator Yahya Khan in the course of secret diplomacy between Nixon and China.... Of the new state of Bangladesh, Kissinger remarked coldly that it was ‘a basket case’ before turning his unsolicited expertise elsewhere. 2. Chile.... Kissinger had direct personal knowledge of the CIA’s plan to kidnap and murder General René Schneider, the head of the Chilean Armed Forces ... who refused to countenance military intervention in politics. In his hatred for the Allende Government, Kissinger even outdid Richard Helms ... who warned him that a coup in such a stable democracy would be hard to procure. The murder of Schneider nonetheless went ahead, at Kissinger’s urging and with American financing, just between Allende’s election and his confirmation.... This was one of the relatively few times that Mr Kissinger (his success in getting people to call him ‘Doctor’ is greater than that of most PhDs) involved himself in the assassination of a single named individual rather than the slaughter of anonymous thousands. His jocular remark on this occasion—‘I don’t see why we have to let a country go Marxist just because its people are irresponsible’—suggests he may have been having the best of times.... 3. Cyprus.... Kissinger approved of the preparations by Greek Cypriot fascists for the murder of President Makarios, and sanctioned the coup which tried to extend the rule of the Athens junta (a favoured client of his) to the island. When despite great waste of life this coup failed in its objective, which was also Kissinger’s, of enforced partition, Kissinger promiscuously switched sides to support an even bloodier intervention by Turkey. Thomas Boyatt ... went to Kissinger in advance of the anti-Makarios putsch and warned him that it could lead to a civil war. ‘Spare me the civics lecture,’ replied Kissinger, who as you can readily see had an aphorism for all occasions. 4. Kurdistan. Having endorsed the covert policy of supporting a Kurdish revolt in northern Iraq between 1974 and 1975, with ‘deniable’ assistance also provided by Israel and the Shah of Iran, Kissinger made it plain to his subordinates that the Kurds were not to be allowed to win, but were to be employed for their nuisance value alone. They were not to be told that this was the case, but soon found out when the Shah and Saddam Hussein composed their differences, and American aid to Kurdistan was cut off. Hardened CIA hands went to Kissinger ... for an aid programme for the many thousands of Kurdish refugees who were thus abruptly created.... The apercu of the day was: ‘foreign policy should not he confused with missionary work.’ Saddam Hussein heartily concurred. 5. East Timor. The day after Kissinger left Djakarta in 1975, the Armed Forces of Indonesia employed American weapons to invade and subjugate the independent former Portuguese colony of East Timor. Isaacson gives a figure of 100,000 deaths resulting from the occupation, or one-seventh of the population, and there are good judges who put this estimate on the low side. Kissinger was furious when news of his own collusion was leaked, because as well as breaking international law the Indonesians were also violating an agreement with the United States.... Monroe Leigh ... pointed out this awkward latter fact. Kissinger snapped: ‘The Israelis when they go into Lebanon—when was the last time we protested that?’ A good question, even if it did not and does not lie especially well in his mouth. It goes on and on and on until one cannot eat enough to vomit enough.
Christopher Hitchens