Idle Chatter Quotes

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I have a scholar's love of silence and solitude. To sit and pass hour after hour in idle chatter with a roomful of strangers is to me the worst sort of torment.
Susanna Clarke (Jonathan Strange & Mr Norrell)
To sit and pass hour after hour in idle chatter with a roomful of strangers is to me the worst sort of torment.
Susanna Clarke
An unauthentic word, one which is unable to transform reality, results when dichotomy is imposed upon its constitutive elements. When a word is deprived of its dimension of action, reflection automatically suffers as well; and the word is changed into idle chatter, into verbalism, into an alienated and alienating “blah.” It becomes an empty word, one which cannot denounce the world, for denunciation is impossible without a commitment to transform, and there is no transformation without action.
Paulo Freire (Pedagogy of the Oppressed)
Let my idle chatter be the muttering of prayer, my every manual movement the execution of ritual gesture, my walking a ceremonial circumambulation, my eating and other acts the rite of sacrifice, my lying down prostration in worship, my every pleasure enjoyed with dedication of myself, let whatever activity is mine be some form of worship of you.
Adi Shankaracharya (The Saundaryalahari or Flood of Beauty)
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.
Penelope Lively (Moon Tiger)
This is a most unfortunate affair, and will probably be much talked of. But we must stem the tide of idle chatter, and pour into our wounded bosoms the soothing balm of vengeance.
Seth Grahame-Smith (Pride and Prejudice and Zombies (Pride and Prejudice and Zombies, #1))
The meaning doesn't matter if it's only idle chatter of a transcendental kind.
W.S. Gilbert (Patience)
To sit and pass hour after hour in idle chatter with a roomful of strangers is to me the worst sort of torment
Susanna Clarke (Jonathan Strange & Mr Norrell)
Here Mankind is not governed by the rules of reason, stupid and strict, but by the heart and intuition. The people do not indulge in idle chatter, parading what they know, but create remarkable things by applying their imagination. The state ceases to impose the shackles of daily oppression, but helps people to realize their hopes and dreams. And Man is not just a cog in the system, not just playing a role, but a free Creature. That’s what was passing through my mind, making my bed-rest almost a pleasure. Sometimes I think that only the sick are truly healthy.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
The more we have known of the really good things, the more insipid the thin lemonade of later literature becomes, sometimes almost to the point of making us sick. Do you know a work of literature written in the last, say, fifteen years that you think has any lasting quality? I don't. It is partly idle chatter, partly propaganda, partly self-pitying sentimentality, but there is no insight, no ideas, no clarity, no substance and almost always the language is bad and constrained. On this subject I am quite consciously a laudator temporis acti.
Dietrich Bonhoeffer (Letters and Papers from Prison)
I loved Twitter: an open, rhizomatic forum where you could aggravate existing mental illnesses, shop for new ones, violate your Miranda rights, and get fired. A place to be judged on the character of your content, driven by rubbernecking and spite, where fame is a millstone and names are bad op-sec. Twitter was the right word for it, birdsong being a Darwinian squall mistaken for idle chatter, screaming for territory and mates. An improv class, press conference, intervention, Klan rally, comics convention, and struggle session all booked in the same conference room.
Tony Tulathimutte (Rejection: Fiction)
When a word is deprived of its dimension of action,reflection automatically suffers as well and the word is changed into idle chatter, into verbalism,into an alienated and alienating "blah". It becomes an empty word that cant denounce the world.
Paulo Freire (Pedagogy of the Oppressed)
Idle chatter feeds busy rumors.
Ted Sanders (The Portal and the Veil (The Keepers, #3))
Blake would say that there are some places in the Universe where the Fall has not occurred, the world has not turned upside down and Eden still exists. Here Mankind is not governed by the rules of reason, stupid and strict, but by the heart and intuition. The people do not indulge in idle chatter, parading what they know, but create remarkable things by applying their imagination. The state ceases to impose the shackles of daily oppression, but helps people to realize their hopes and dreams. And Man is not just a cog in the system, not just playing a role, but a free Creature.
Olga Tokarczuk
...grown up with very bad contemporary literature, and they find it much more fifficult to approach earlier writing than we do. The more we have known of the really good things, the more insipid the thin lemonade of later literature becomes, sometimes almost to the point of making us sick. Do you know a work of literature written in the last, say, fifteen years that you think has any lasting quality? I don't. It is partly idle chatter, partly propaganda, partly self-pitying sentimentality, but there is no insight, no ideas, no clarity, no substance and almost always the language is bad and constrained.
Dietrich Bonhoeffer
I end up discussing the weather when the weather is all around us and both I and whoever the stranger might be must surely have noticed it. We would be better off asking each other if our faces are still there.
A.L. Kennedy (Now That You're Back)
When we talk it’s not merely idle chatter We discuss things that really don’t matter We talk of love and god and pain To life’s never-ending song We add yet one more refrain And as the pace gets more and more frantic The words get more and more pedantic We leave no sophistry unturned As our rhetoric becomes more intense Using our very large vocabularies To disguise our very common sense. The words get longer and the plot gets thinner Another discourse to discuss at dinner There is no feeling we can’t analyze Seizing each chance to intellectualize Talking in the past and present tense We’re making a lot more noise And a lot less sense.
Carrie Fisher (The Princess Diarist)
Words well to the surface and I let them out, even as I know I should not. "Perhaps I do not wish to sparkle, Aunt. Sparkle falsely. I say what comes to mind. I will not waste energy creating idle chatter meant only to impress." Casandra comes to my defense. "Your characters sparkle, Jane." I grab on to the diversion. "Which is even more reason why I personally cannot. For I only have so much sparkle within me, and I chuse [sic] to save it for them.
Nancy Moser
Social Currency We share things that make us look good Triggers Top of mind, tip of tongue Emotion When we care, we share Public Built to show, built to grow Practical Value News you can use Stories Information travels under the guise of idle chatter
Jonah Berger (Contagious: Why Things Catch On)
The whole, complex human psyche has evolved to prevent Man from understanding what he is really seeing. To stop the truth from reaching him by wrapping it in illusion, in idle chatter. The world is a prison full of suffering so constructed that in order to survive one must inflict pain on others.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.
Mihai Eminescu (Poems)
Mike has no idea why the kid's attached to him. That isn't some 'woe is me, nobody likes me' bullshit; Mike isn't the most popular guy in the room, but he doesn't strive to be. He's 30 to Fitzgerald's 18, brute force to his skill and his patience for idle chatter has sat at around zero for the last five years.
Taylor Fitzpatrick (Thrown Off the Ice)
Be the same person in public as in private. Speak only what is useful and beneficial. In conversation, avoid idle chatter about horse races, athletes, celebrities, food, and drink. Refuse to participate in gossip—tearing down, inflating, and judging other people. Among friends, shift the conversation to worthy topics; among strangers, stay silent.
Epictetus (The Manual: A Philosopher's Guide to Life)
Weak democracies are vulnerable to coup d’états because their institutions cannot absorb a frontal assault. Strong democracies are relatively immune to a frontal assault because their institutions are resilient. As a result, the assault on stable democracies comes from the sides. Some of it gets deflected into idle chatter – the constant talk of betrayal, failure and crisis that is the background noise of partisan politics. Some of it gets pushed under the surface and behind the scenes, where only the adults in the room can be sure what really took place, and even they don’t agree. These phenomena feed off each other. Idle talk about the end of democracy is excellent cover for incremental assaults on democracy to hide behind. Meanwhile, the incremental assaults help to feed the talk of failure, without anyone being sure.
David Runciman (How Democracy Ends)
while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness. In the afternoon, the Count’s father believed that a man should take care not to live by the watch in his waistcoat—marking the minutes as if the events of one’s life were stations on a railway line. Rather, having been suitably industrious before lunch, he should spend his afternoon in wise liberty. That is, he should walk among the willows, read a timeless text, converse with a friend beneath the pergola, or reflect before the fire—engaging in those endeavors that have no appointed hour, and that dictate their own beginnings and ends.
Amor Towles (A Gentleman in Moscow)
Even with the passage of time the deceased is in no way forgotten, of course, but 'the dead grow more distant with each day', as the saying goes. And so, for all the memories, it seems our sorrow is no longer as acute as at death, for we begin to chatter idly and laugh again.
Yoshida Kenkō (A Cup of Sake Beneath the Cherry Trees)
The twice-tolling clock, the Count explained, had been commissioned by his father from the venerable firm of Breguet. Establishing their shop in Paris in 1775, the Breguets were quickly known the world over not only for the precision of their chronometers (that is, the accuracy of their clocks), but for the elaborate means by which their clocks could signal the passage of time. They had clocks that played a few measures of Mozart at the end of the hour. They had clocks that chimed not only at the hour but at the half and the quarter. They had clocks that displayed the phases of the moon, the progress of the seasons, and the cycle of the tides. But when the Count’s father visited their shop in 1882, he posed a very different sort of challenge for the firm: a clock that tolled only twice a day. “Why would he do so?” asked the Count (in anticipation of his young listener’s favorite interrogative). Quite simply, the Count’s father had believed that while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness.
Amor Towles (A Gentleman in Moscow)
The silences in conversation honor and support the words they carry, as water supports the vessels that float on it. Only in silence can the "listening into" take place - the pausing over words, meanings, implications, associations - and the waiting - for the Spirit to speak, for the right response to a surface. At its deepest level, good conversation holds a balance we seek in prayer between speaking and listening, waiting for the unplanned, epiphanic moment that comes unbidden in the midst of what we thought we were pursuing. Those silences also distinguish substantive conversation from idle chatter that fills all the "air time" available, often as a protection against the silences in which a new thought might take us where we're not sure we want to go. When silences are allowed, conversation can rise to the level of sacred encounter.
Marilyn Chandler McEntyre (Caring for Words in a Culture of Lies)
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
How can I speak the truth? .a. By perceiving who causes me to speak and what entitles me to speak. .b. By perceiving the place at which I stand. .c. By relating to this context the object about which I am making some assertion. It is tacitly assumed in these rules that all speech is subject to certain conditions; speech does not accompany the natural course of life in a continual stream, but it has its place, its time, and its task, and consequently also its limits. .a. Who or what entitles or causes me to speak? Anyone who speaks without a right and a cause to do so is an idle chatterer. Every utterance is involved in a relation both with the other man and with a thing, and in every utterance, therefore, this twofold reference must be apparent. An utterance without reference is empty. It contains no truth. In this there is an essential difference between thought and speech. Thought does not in itself necessarily refer to the other man, but only to a thing. The claim that one is entitled to say what one thinks is itself completely unfounded. Speech must be justified and occasioned by the other man. [should we only speak if the other man wishes to listen to us?] For example, I may in my thoughts consider another man to be stupid, ugly, incapable or lacking in character, or I may think him wise and reliable. But it is quite a different question whether I have the right to express this opinion, what occasion I have for expressing it, and to whom I express it. There can be no doubt that a right to speak is conferred upon me by an office which is committed to me. Parents can blame or praise their child, but the child is not entitled to do either of these things with regard to his parents… The right to speak always lies within the confines of the particular office which I discharge. If I overstep these limits my speech becomes importunate, presumptuous, and, whether it be blame or praise, offensive. There are people who feel themselves called upon to “tell the truth” as they put it, to everyone who crosses their path. [From: Ethics, Part II, Ch. V]
Dietrich Bonhoeffer
My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.
Ivan Goncharov (Oblomov)
We are tempted (and encouraged) to believe that the kingdom of God spreads throughout the earth by presenting the gospel, through some pat formula, to strangers. That doesn't happen very often. The gospel spread throughout the world of the first centuries by conversations between close friends and relatives, business associates and neighbors-people with whom the passionate Christians already had personal contact. So today the Church grows and expands, and people come to maturity in Christ nearly always through the influence of people they already know and trust, like you. Even the most shy person among us talks to people every day. Most of that talk is idle chatter, not very useful for the advancement of God's kingdom. Every one of those less-than-redemptive conversations is a lost opportunity for extending the Lordship of Jesus. However, if we could learn to enhance the quality of our conversations, we could improve our ability to do what Jesus commanded-make disciples. We could turn that meaningless chatter into a means of God's grace, helping our friends become all God intends for them and enriching their lives (and our own) in the process.
D. Michael Henderson (Making Disciples-One Conversation at a Time)
Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three? Strepsiades: Absolutely-- I'd refuse to talk to any other gods, if I ran into them--and I decline to sacrifice or pour libations to them. I'll not provide them any incense... I want to twist all legal verdicts in my favor, to evade my creditors. Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here. Strepsiades: I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts. Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies. Strepsiades: And what will I get out of this? Chorus: For all time, you'll live with me a life most people truly envy. Strepsiades: You mean one day I'll really see that? Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind. Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers. Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect. Strepsiades: What's that? By god, are you assaulting me? Socrates: No--I want to learn some things from you. What about your memory? Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot. Socrates: Do you have a natural gift for speech? Strepsiades: Not for speaking--only for evading debt. Socrates: ... Now, what do you do if someone hits you? Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court.
Aristophanes (The Clouds)
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
MOSES AND THE SHEPHERD (For Moin Khan) Moses once passed a shepherd at his prayer And paused to hear this simple man declare His love for God by promising to tend To the Almighty’s every need and lend Him all the comforts that he could afford Promising milk and honey to the Lord. Hearing which Moses flew into a rage He asked the shepherd, “How can you engage In idle bribes and chatter in this way With Him Infinite, and how dare you pray To God as though he were some needy friend? Stop offering these silly things and bend Your body and your mind in total awe And pray as you were taught to pray. No more Of babbling about baubles to the King Of all the heavens that infinite thing Which surpasses all our worlds and resides Beyond the light of a thousand suns, besides You must know that we mortals have no right To involve God in our miserable plight.” So saying, Moses left the shepherd and Went on to prophesy to all the land. Then God breathed these words into Moses’s ear “You know that shepherd? You were too severe With the poor man; he wanted to convey His love for me, so he began to pray And what he said came straight from his heart You must have heard, he was willing to part With anything he owned or thought would please What better worshippers are there than these? To tell the truth, Moses, prayer has no form Like inner lightning, shapeless as a storm In its sincerity resides its force No other value shapes this intercourse.’ Then Moses sought the shepherd out again To admit that he was in error when He interrupted him and specified How he should pray. Then on that same hillside Both Moses and that joyful Shepherd knelt And each offered a prayer that was heartfelt.
Farrukh Dhondy (Rumi: A New Translation of Selected Poems)
I was unable to leave immediately for another reason: this was that the lavishness (unknown to the Courvoisiers) for which the Guermantes, whether opulent or practically ruined, were famous when they entertained their friends, was not only lavishness in material terms but also, as I had often experienced with Robert de Saint-Loup, a lavishness of charming words, courteous gestures, a whole gamut of verbal elegance nourished by real intensity of feeling. But as this last, in the idleness of fashionable existence, finds no outlet, it poured forth at times, seeking some channel of expression in a kind of fleeting effusiveness, which was all the more anxiously solicitous, and which might, on the part of Mme de Guermantes, have been mistaken for affection. She did in fact feel it at the moment she let it overflow, for she discovered then, in the company of the friend, man or woman, she was with at the time, a sense of intoxication, in no way sensual, similar to that which music induces in certain people; she would find herself picking a flower from her bodice, or a medallion, and giving it to someone with whom she would have liked to prolong the evening, yet with the melancholy feeling that to prolong it would have led to nothing but idle chatter, which would have absorbed nothing of the nervous pleasure, the fleeting emotion of the experience, and which would have been reminiscent in this respect of the impression of lassitude and regret that follow the first warm days of spring. And as far as the friend was concerned, it was important that he was not too taken in by the promises, more thrilling than any he had ever heard, proffered by these women, who, because they are particularly susceptible to the sweetness of a moment, turn it, with a delicacy, a nobility not granted to ordinary creatures, into a masterpiece of endearment and kindness, and no longer have anything of themselves left to give in the moment that follows. Their affection does not outlive the moment of elation that dictated it; and the subtlety of mind which had led them at that point to intuit all the things that you wished to hear, and to say them to you, will enable them, a few days later, to pinpoint your foibles and use them to entertain another of their guests with whom they will in turn be enjoying one of these moments musicaux which are so short-lived.
Marcel Proust
So I play my game, my desperate pretending game, with a facade of assurance without and a trembling child within. So begins the glittering but empty parade of masks, and my life becomes a front. I idly chatter to you in the suave tones of surface talk. I tell you everything that's really nothing, and nothing of what's everything, of what's crying within me. So when I'm going through my routine do not be fooled by what I'm saying. Please listen carefully and try to hear what I'm not saying, what I'd like to be able to say, what for survival I need to say, but what I can't say.
Charles C. Finn (Please Hear What I'm Not Saying: A Poem's Reach Around the World)
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have not read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.
Penelope Lively (Moon Tiger)
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Sawon, Norse; we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard. More than that, we speak volumes. Our language is the language of everything we have not read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and televison. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.
Penelope Lively (Moon Tiger)
Within the realm of idle chatter, the living stagnate, caught in a cycle of superficial interactions that fail to nourish the soul. To embrace true life is to transcend the chatter, immersing ourselves in profound thoughts, heartfelt connections, and experiences that ignite the flame of our being.
Erick "The Black Sheep" G
If everyone knew themselves better And made themselves an object of study, There would be no fighting in this world Nor any idle chatter. Then the judge could close his prison.
Hanan Al-Shaykh (The Locust and the Bird: My Mother's Story)
Abandoning idle chatter, he abstains from idle chatter. He speaks in season, speaks what is factual, what is in accordance with the goal, the Dharma, and the Vinaya. He speaks words worth treasuring, seasonable, reasonable, circumscribed, connected with the goal. This, too, is part of his virtue.
Tushar Gundev (Common Questions, Great Answers: In Buddha's Words)
May 30 A Prayer about Healing Words The words of the reckless pierce like swords, but the tongue of the wise brings healing. (Prov. 12:18 NIV) Gracious Jesus, I love words. I especially love the way you use words to bring me healing, freedom, and hope. You never shame me with words. You never manipulate me with words. You never hurt me with words. You never flatter me, but you do bring great encouragement. You never repeat my failures to others; you only bring my sin and brokenness to the throne of grace. You never say too much or too little. You neither mince words nor waste words. You alone have the words of life. My prayer is simple yet necessary: grant me greater stewardship of my words, Jesus. As you speak to me, please speak through me. I’m painfully aware that my words can bring great harm and death, even as they can be a source of hope and life (Prov. 18:21). If I’m not careful, my words can have the effect of gangrene (Eph. 4:29). You tell me that my words are a sure reflection of what’s filling my heart: “The good person out of the good treasure of his heart produces good, and the evil person out of his evil treasure produces evil, for out of the abundance of the heart his mouth speaks” (Luke 6:45). So no mere promise to avoid gossip, idle chatter, reckless words, or coarse jesting will be enough. I must constantly be preaching the gospel to my heart. May the overflow of your grace be obvious to all. I want my tongue to be a scalpel for healing, Jesus, not a hammer for harm. I pray in your merciful name. Amen.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
I am home for good like a tiny shoot. The tiny shoots in my mother's garden. I have a passion for idle chatter about books, language and literature. Preparing a meal together, that can be romantic.
Abigail George (Sleeping Under Kitchen Tables in the Northern Areas (The Broken Family, #1))
I'm not, not this monster of the kind we're meant to be - rape threats as idle chatter and demanding every woman should be nude and pretending we have to be scoundrels as a matter of course. That isn't what a man should be.
A.L. Kennedy (Serious Sweet)
Times for drinking tea: In idle moments When bored with poetry Thoughts confused Beating time to songs When music stops Living in seclusion Enjoying scholarly pastimes Conversing late at night Studying on a sunny day In the bridal chamber Detaining favored guests Playing host to scholars or pretty girls Visiting friends from far away In perfect weather When skies are overcast Watching boats glide past on the canal Midst trees and bamboos When flowers bud and birds chatter On hot days by the lotus pond Burning incense in the courtyard After tipsy guests have left When the youngsters have gone out On visits to secluded temples When viewing springs and scenic rocks
Hsu Tze-shu, Ch'a Shu quoted by Laura C Martin
Beware of coworkers who idle their time in gossip and strife, for they seek to hinder the progress of the diligent. Their words may seem harmless, but they are daggers to the soul, intended to distract and discourage. Let us focus on our work as unto the Lord, and not be swayed by the whispers of the wicked. For God sees our labor and will reward our faithfulness, despite the chatter of the idle.
Shaila Touchton
[...]there is nothing more normal nowadays than to see people work from morning to evening, then choose to waste the time they have left for living at cards, in a café or in idle chatter.
Albert Camus (The Plague)
It was busy in the tavern. Noisy with idle chatter and hot with wasted breath, the windows misted so the street outside became a sparkling blur. One of those places where rich young men gather to pretend to be poor young men, and vomit up whatever point of view they last heard.
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness #3))
A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness. In the afternoon, the Count’s father believed that a man should take care not to live by the watch in his waistcoat—marking the minutes as if the events of one’s life were stations on a railway line. Rather, having been suitably industrious before lunch, he should spend his afternoon in wise liberty. That is, he should walk among the willows, read a timeless text, converse with a friend beneath the pergola, or reflect before the fire—engaging in those endeavors that have no appointed hour, and that dictate their own beginnings and ends. And the second chime?
Amor Towles (A Gentleman in Moscow)
You’ll say it’s just one Boar,” I continued. “But what about the deluge of butchered meat that falls on our cities day by day like never-ending, apocalyptic rain? This rain heralds slaughter, disease, collective madness, the obfuscation and contamination of the Mind. For no human heart is capable of bearing so much pain. The whole, complex human psyche has evolved to prevent Man from understanding what he is really seeing. To stop the truth from reaching him by wrapping it in illusion, in idle chatter. The world is a prison full of suffering, so constructed that in order to survive one must inflict pain on others. Do you hear me?” I said. But now even the cleaner, disappointed by my speech, had set about his work, so I was only talking to the Poodle.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
True artistic inspiration is always a torment for the artist, almost to the point of endangering his life. Its realisation is tantamount to a physical feat. That is the way it has always been, despite the popular misconception that pretty well all we do is tell stories that are as old as the world, appearing in front of the public like old grannies with scarves on our heads and our knitting in our hands to tell them all sorts of tales in order to keep them amused. The tale may be entertaining or enthralling, but will do only one thing for the audience: help them pass the time in idle chatter.
Tarkovsky (Sculpting in Time)
And perhaps, if he were still alive, seeing all this, Blake would say that there are some places in the Universe where the Fall has not occurred, the world has not turned upside down and Eden still exists. Here Mankind is not governed by the rules of reason, stupid and strict, but by the heart and intuition. The people do not indulge in idle chatter, parading what they know, but create remarkable things by applying their imagination. The state ceases to impose the shackles of daily oppression, but helps people to realize their hopes and dreams. And Man is not just a cog in the system, not just playing a role, but a free Creature.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Their moral philosophy is but a description of their own passions. Leviathan, Chapter 46 The origins of what has come to be called the woke movement are in the decay of liberalism. The movement is most powerful in English-speaking countries – tellingly, the countries where classical liberalism was strongest. Beyond the Anglosphere, in China, the Middle East, India, Africa and most of continental Europe, it is regarded with indifference, bemusement or contempt. While its apostles regard it as a universal movement of human emancipation, it is recognized in much of the world as a symptom of Western decline – a hyperbolic version of the liberalism the West professed during its brief period of seeming hegemony after the Cold War. Hyper-liberal ideology plays a number of roles. It operates as a rationale for a failing variety of capitalism, and a vehicle through which surplus elites struggle to secure a position of power in society. Insofar as it expresses a coherent system of ideas, it is the anti-Western creed of an antinomian intelligentsia that is ineffably Western. Psychologically, it provides an ersatz faith for those who cannot live without the hope of universal salvation inculcated by Christianity. Contrary to its right-wing critics, woke thinking is not a variant of Marxism. No woke ideologue comes anywhere close to Karl Marx in rigour, breadth and depth of thought. One function of woke movements is to deflect attention from the destructive impact on society of market capitalism. Once questions of identity become central in politics, conflicts of economic interests can be disregarded. Idle chatter of micro-aggression screens out class hierarchy and the abandonment of large sections of society to idleness and destitution. Flattering those who protest against slights to their well-cultivated self-image, identity politics consigns to obloquy and oblivion those whose lives are blighted by an economic system that discards them as useless. Neither is woke thinking a version of ‘post-modernism’. There is nothing in it of Jacques Derrida’s playful subtlety or Michel Foucault’s mordant wit. Derrida never suggested every idea should be deconstructed, nor did Foucault suppose society could do without power structures. Just as fascism debased Nietzsche’s thinking, hyper-liberalism vulgarizes post-modern philosophy. In their economic
John Gray (The New Leviathans: Thoughts After Liberalism)
Yet what would history say of me in six hundred years time? For that is a thing which I fear more than the idle chatter of men alive today’–Cicero, April 59 BC2.
Adrian Goldsworthy (Caesar: Life of a Colossus)
In general, Rebecca found something strange about the way his colleagues spoke at first—their language just seemed somehow flat to her, in a way she found it difficult to pinpoint. But as she got to know them better, she realized that they'd been socialized into a culture that valued precision in language above almost all other things. And so their speech was often stripped of the components of casual conversation that usually greased it: vague generalizations; idle chatter to fill the air; bullshitting and spitballing. A couple of times, Rebecca made some sort of trivial comment like "Hey, I haven't heard this song in years," or "Literally nobody liked that movie," and the response would be a flatly stated "That must be false," or "That is highly unlikely," or "That is untrue," delivered not in a particularly accusatory manner, as if she were thought to be a liar, but in a sorrowful tone, as if her careless talk deserved the kind of brief chastisement merited by a minor failure of character.
Dexter Palmer (Version Control)
Fear no longer has a place in my life. For too long, fear has outweighed my desire to make things better for my family. Never again! I have exposed fear as a vapor, an impostor that never had any power over me in the first place! I do not fear opinion, gossip, or the idle chatter of monkeys, for all are the same to me. I do not fear failure, for in my life, failure is a myth. Failure exists only for the person who quits. I do not quit.
Andy Andrews (The Traveler's Gift: Seven Decisions that Determine Personal Success)
Be it sports, or be it anything in life … everything boils down to how you handle your idle time (the free time between two balls, innings etc.). The time between two balls in cricket, the time between two shots in shooting or the time a person spends idle dictates how he will perform. What happens generally is that what your mind tells you in your free time, defines your complete story in cricket or for that matter in life.
Sfurthi Sahare (The Monkey Theory: Conquer Your Mental Chatter)
course, there is nothing more normal nowadays than to see people work from morning to evening, then choose to waste the time they have left for living at cards, in a café or in idle chatter. But there are towns and countries where people do occasionally have an inkling of something else. On the whole, it does not change their lives; but they did have this inkling, and that is positive in itself.
Albert Camus (The Plague)
If you’re anxious for to shine in the high aesthetic line as a man of culture rare, You must get up all the germs of the transcendental terms, and plant them everywhere. You must lie upon the daisies and discourse in novel phrases of your complicated state of mind, The meaning doesn’t matter if it’s only idle chatter of a transcendental kind. And everyone will say, As you walk your mystic way, “If this young man expresses himself in terms too deep for me, Why, what a singularly deep young man this deep young man must be!
William Lutz (Doublespeak (Rebel Reads Book 1))
We don’t need more noise, more variety, or more pitches. There’s noise all around us, but it’s often the idle chatter of people hiding in plain sight, or the selfish hustle of one more person who wants something from you. Our world is long on noise and short on meaningful connections and positive leadership.
Seth Godin (The Practice: Shipping Creative Work)
Why then, I wondered, would my brother assume that our father, so near death, might yearn for the very sounds that only a month earlier had driven him crazy? Was the incessant chatter of women more palatable from the depths of a coma? Would that noise, which had so clearly offended him, transform itself into music, simply because he was dying? How very odd and strangely amusing to think that this man, who had disdained any form of idle conversation outside of the drunken, might suddenly long to hear the raised voices of his womenfolk, mixed with the darker tones of his male progeny, and even more curious was the suggestion from our hospice nurses that our voices might have a salubrious effect on our father. It was a well-known fact, they assured us, that hearing was the last sense to go.
Kate Mulgrew (How to Forget: A Memoir of a Daughter's Journey of Loss and Love)