Ida Quotes

We've searched our database for all the quotes and captions related to Ida. Here they are! All 100 of them:

Do not look back and grieve over the past, for it is gone; and do not be troubled about the future, for it has yet to come. Live in the present, and make it so beautiful that it will be worth remembering
Ida Scott Taylor McKinney
The way to right wrongs is to turn the light of truth upon them.
Ida B. Wells-Barnett
I remember his eyes. They are just like mine. Every time I look in the mirror I see him. I try not to look at my self too much.
Ida Løkås (Det fine som flyter forbi)
A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.
Edward Gorey
...if a child waited to speak until all the grown-ups settled down and gave her some room to say her piece, the most important things would never get said.
Katherine Hannigan (Ida B (French Edition))
one had better die fighting against injustice than to die like a dog or a rat in a trap
Ida B. Wells-Barnett
A Winchester rifle should have a place of honor in every black home, and it should be used for that protection which the law refuses to give.
Ida B. Wells-Barnett
Apologizing is like spring cleaning.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
...when your heart changes, you change, and you have to make new plans.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
I closed my eyes, put my right hand on top of the book, and passed it lightly across the cover. It was cool and smooth like a stone from the bottom of the brook, and it stilled me. A whole other world is inside there, I thought to myself, and that's where I want to be.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
There's more than one way to tell each other things, and there's more than one way to listen, too.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
O bom do caminho é haver volta. Para ida sem vinda basta o tempo.
Mia Couto (Um Rio Chamado Tempo, Uma Casa Chamada Terra)
What do you love most about the world?” Ida smiles. “I love that every generation thinks they’ve invented it. They think they’re the first ones to fall in love and get their hearts broken, to feel loss and passion and pain. And in a way, they are. We’ve been there before, of course. But for young people, that doesn’t matter. Everything is new. Which I love, because it means everything is always beginning again. It’s hopeful, I think. At least to me.
Jennifer E. Smith (Field Notes on Love)
Runaway Queer Kids Become Victims of Remote Cottage Chainsaw Killer, Surprising Absolutely No One.’ ‘I’m not queer,’ Ida said. ‘Sorry.’ ‘Then chances are you’ll be the only one left alive.
Moïra Fowley-Doyle (All the Bad Apples)
I bet she likes it hard, from behind, probably likes to get spanked too. I mean, just look at her, she has a serious come-fuck-me-face.
Ida Løkås (Det fine som flyter forbi)
Beauty without the beloved is a like a sword through the heart.
I.A.R. Wylie
In the morning I'm like a snake in the spring: I need to lie out on a warm rock and let the sun sink into me before I can start wiggling around and get on with the day.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
...how do you run and play when you feel like there are bricks of the heaviest sadness weighing down every part of your body? How do you laugh and talk when there are no laughs left inside of you?
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
We don't own the earth. We are the earth's caretakers...we take care of it and all the things on it. And when we're done with it, it should be left better than we found it.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
First love," said Ida with a sigh. "That's the one that kills you.
Lang Leav (Sad Girls)
I was saying the right things, but not the really true things.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
Judging by the photograph it seemed like I hadn’t been there at all. As if it was my camera that had been on holiday, and not me.
Ida Løkås (Det fine som flyter forbi)
If Southern white men are not careful, they will overreach themselves and public sentiment will have a reaction; a conclusion will then be reached which will be very damaging to the moral reputation of their women.
Ida B. Wells-Barnett (The Red Record)
I believe good plans are the best way to maximize fun, avoid disaster, and possibly, save the world. I spend a lot of my time making them.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
I just loved making words into stories by the sound of my voice.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
I closed my eyes, took a deep breath, and filled myself up with the breeze from the valley. Then I let it out slow so it could get back to its travels, with a little bit of me added to it.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
What can we learn from women like Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday that we may not be able to learn from Ida B. Wells, Anna Julia Cooper, and Mary Church Terrell? If we were beginning to appreciate the blasphemies of fictionalized blues women - especially their outrageous politics of sexuality - and the knowledge that might be gleaned from their lives about the possibilities of transforming gender relations within black communities, perhaps we also could benefit from a look at the artistic contributions of the original blues women.
Angela Y. Davis
There is no reason why a king should be rich or a rich man should be a king, no reason at all.
Gertrude Stein (Ida)
I have a deep gratitude that Ida B exists.
Kate DiCamillo
A person without her or his own truth ain't a person at all, Ida said. Anybody who tells you different—is a jackass, and no longer deserves to be called human being.
Tom Spanbauer (The Man Who Fell in Love with the Moon)
Young love ends for hundreds of different reasons,” Gertie said and sighed. Ida Belle nodded. “But usually, life strangles it to death.
Jana Deleon (Lethal Bayou Beauty (Miss Fortune Mystery, #2))
Some things were certain - they had already happened - but the future could not be divined. Perhaps by Ida Paine. For everyone else, the future was no ally. A person had only his life to barter with. He felt that way. He could lose himself... or trade what he had for something he cared about. That rare thing. Either way, his life would be spent.
David Wroblewski (The Story of Edgar Sawtelle)
I don’t care what other people think about me. Most people are idiots, and they can think whatever they want.
Ida Løkås
Burning and torture here lasts but a little while, but if I die with a lie on my soul, I shall be tortured forever. I am innocent.
Ida B. Wells-Barnett (The Red Record)
Don’t let the decor distract you,” Gertie said. “I’d have to go blind for this not to distract me.” “Got that right,” Ida Belle grumbled. “Makes my butt itch, it’s so loud.” Gertie
Jana Deleon (Lethal Bayou Beauty (Miss Fortune Mystery, #2))
I think a great book title would be “Ida Says ‘I do’ in Idaho.” It would be about a divorce in Washington State, and the protagonist would be a woman, though I’m not sure what her name should be.
Jarod Kintz (This Book Has No Title)
...sadness is a powerful foe, maybe harder to keep down than happiness...
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
I know it's hard to not do well at something, and I know it's hard to need help.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
There is never enough time for fun.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
I pretend he doesn’t exist, and he does the same with me.
Ida Løkås (Det fine som flyter forbi)
Virtue knows no color line, and the chivalry which depends upon complexion of skin and texture of hair can command no honest respect.
Ida B. Wells-Barnett (The Red Record)
The matter came up for judicial investigation, but as might have been expected, the white people concluded it was unnecessary to wait the result of the investigation—that it was preferable to hang the accused first and try him afterward.
Ida B. Wells-Barnett (On Lynchings (Classics in Black Studies))
I would almost forget about Ida Durbin. But a sin of omission, if indeed that's what it was, can be like the rusty head of a hatchet buried in the heartwood of a tree -- it eventually finds the teeth of a whirling saw blade.
James Lee Burke (Crusader's Cross (Dave Robicheaux, #14))
When she'd read, her voice wrapped around my head and my heart, and it softened and lightened everything up. It put a pain in my hear that felt good.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
I can tell she’s upset, but I can’t be bothered to say anything. Some days are just like that.
Ida Løkås (Det fine som flyter forbi)
Anak-anak berpikir dan menciptakan jalannya sendiri dalam memahami berbagai persoalan. Cara atau jalan mereka memang tidak sama seperti yang dipakai oleh orang dewasa.
Ida S. Widayanti (mendidik karakter dengan karakter)
God will provide,” Ida assured him. “Once you start, I am sure everything will fall into place. It always has.
Janet Benge (Ida Scudder: Healing Bodies, Touching Hearts (Christian Heroes: Then & Now))
It thought about the magic that happens when you tell a story right, and everybody who hears it not only loves the story, but they love you a little bit, too, for telling it so well. Like I love Ms. Washington, in spite of myself, the first time I heard her. When you hear somebody read a story well, you can't help but think there's some good inside them, even if you don't know them.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
One day at a time – this is enough. Do not look back and grieve over the past for it is gone; and do not be troubled about the future, for it has not yet come. Live in the present, and make it so beautiful it will be worth remembering. Ida Scott Taylor
Rachel Macy Stafford (Hands Free Mama: A Guide to Putting Down the Phone, Burning the To-Do List, and Letting Go of Perfection to Grasp What Really Matters!)
How can I free myself from sexuality? Eat nothing but rice?
Thomas Mann (Briefe an Otto Grautoff 1894-1901 und Ida Boy-Ed 1903-1928)
Pessoas com vidas interessantes não têm fricote. Elas trocam de cidade. Investem em projetos sem garantia. Interessam-se por gente que é o oposto delas. Pedem demissão sem ter outro emprego em vista. Aceitam um convite para fazer o que nunca fizeram. Estão dispostos a mudar de cor preferida, de prato predileto. Começam do zero inúmeras vezes. Não se assustam com a passagem do tempo. Sobem no palco, tosam o cabelo, fazem loucuras por amor, compram passagens só de ida.
Martha Medeiros (Doidas e santas)
I tell you I'm tired of hearing it. There ain't nothing that happens to a person that ain't that person. The world out there only does what you tell it to do. The world is happening to you the way it is happening because you're telling yourself the story that way. If you want to change the world so damn bad, Ida, then where you got to start is how it is you're looking at it.
Tom Spanbauer (The Man Who Fell in Love with the Moon)
...all of a sudden I felt filled up again, so that my heart might come up my throat. And I was thinking how that can come over you, out of nowhere, and if it wasn't such a fine feeling, it might almost be frightening. Like there's more love and good thoughts and powerful things inside of you than one body can hold.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
It will be alright.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
Berapa umurmu sekarang?" "Ah, umurku..." "Kau tidak hafal umurmu sendiri?" "Eomma tidak tahu umurku berapa? Tujuh belas tahun, Eomma. Dan aku sudah kuliah di Kobe.
Ida R. Yulia (A Short Journey (Super Junior Fanfiction))
I wasn’t sure if I was the one to continue carrying this mantle of those who came before me like Ida B. Wells, Essie Robeson, Addie Hunton, and Maggie Walker.
Minda Harts (The Memo: What Women of Color Need to Know to Secure a Seat at the Table)
Whoever came up with the ida of labeling classified documents with larger-than-life red stenciling that advertises—or at least hints at—the contents was a schmuck, I think. You might as well put a tag that says OPEN ME! on it. If it were up to me, I'd hide all secrets in back copies of Reader's Digest.
Christina Dalcher (Vox)
Setidaknya aku merasakan kasih sayang ibuku sampai aku berumur 11 tahun, dia 4 tahun sudah harus berdiri sendiri tanpa ibu. Dia ringkih juga, tidak sehat sepertiku. Aku tak habis pikir ada juga orang yang bisa sakit hanya karena debu, itulah adikku.
Ida R. Yulia (A Short Journey (Super Junior Fanfiction))
Lo que nunca jamás pudimos medir fue nuestro amor, porque era infinito. Era, si, como cuando Palinuro le preguntaba al abuelo cuánto lo quería. - Mucho, muchísimo le contestaba el abuelo Francisco. - Pero ¿cuánto, cuánto abuelo? ¿De aquí a la esquina? - Más, mucho más. - ¿De aquí al Parque del Ajusco? - Más, muchísimo mas: de aquí al cielo de ida y de regreso, yéndose por el camino mas largo de todos y regresando por un camino todavía más largo. Y eso después de dar varios rodeos, de perderse a propósito, de tomar un café con leche en Plutón, de recorrer los anillos de Saturno en patín del diablo y de dormir veinte años como Rip Van Winkle, en uno de esos planetas donde las noches duran veintiún años: porque a mi me gusta levantarme temprano, cuando menos un año antes de que amanezca.
Fernando del Paso (Palinuro de México)
Ida, dear, please, do I complain? It is right a child should not love the mama the way the mama loves the child; children are ashamed of the love a mama has for them: that is part of it. But when a boy grows into a man it is right his time should be for other ladies.
Truman Capote (Summer Crossing)
Tak ada orang yang benar-benar jahat. Yang ada hanyalah orangorang yang kesepian. Jika mereka tak kesepian dan punya teman,punya Appa, Eomma, atau saudara yang baik, mereka tak akan jadi jahat. Mereka hanya perlu pulang... ke rumah, ke tempat di mana orang-orang mencintai mereka.
Ida R. Yulia (Andante Part 2 (End): The Crave for Eternity)
No one answers. It feels as if I’m not there, as if I’m as invisible as the nicotine they’re inhaling.
Ida Løkås (Det fine som flyter forbi)
I have often found it difficult to explain myself to myself, and I do not often try.
Ida Tarbell
If it has taught us anything, it is that our present law-makers, as a body, are ignorant, corrupt and unprincipled; that the majority of them are, directly or indirectly, under the control of the very monopolies against whose acts we have been seeking relief. . 
Ida Tarbell (The History Of The Standard Oil Company (Vol 1 & 2 complete))
He’s always complaining about the fucking recession and how the government is working against people like him. He calls himself working class, which I think is a bit ironic since he doesn’t work.
Ida Løkås (Det fine som flyter forbi)
Then there were the negatives. How he missed negatives. They were the actual rays of light, bounced straight off a landscape, an object, a person, and scarred on to the film. Photographic negatives were the hardest evidence you could get of your memories. They were the char left by the fire, the bruise left on your skin. The same light that carried to your eyes, on the day of your photograph, that image of your mother, or your father, or your close friend, had recorded itself on the film. And now, staring at the photo on the wall of Ida's transparent toes against the bed sheets, he thought how similar her feet were to negatives: both subjects of that half-world between memory and the present. These were not real, flexible, treading toes, but a play of light that showed where toes had been.
Ali Shaw (The Girl With Glass Feet)
O sofrimento é um longo momento. É impossível dividí-lo em estações. Só podemos registrar os seus humores e relatar suas idas e vindas. Para nós o tempo não avança, apenas anda em círculos, parecendo girar em torno de um núcleo de sofrimento.
Oscar Wilde
The miscegnation laws of the South only operate against the legitimate union of the races; they leave the white man free to seduce all the colored girls he can, but it is death to the colored man who yields to the force and advances of a similar attraction in white women. White men lynch the offending Afro-American, not because he is a despoiler of virtue, but because he succumbs to the smiles of white women.
Ida B. Wells-Barnett (Southern Horrors: Lynch Law in All Its Phases)
Eternal vigilance is the price of liberty, and it does seem to me that notwithstanding all these social agencies and activities there is not that vigilance which should be exercised in the preservation of our rights.
Ida B. Wells-Barnett (Crusade for Justice: The Autobiography of Ida B. Wells (Negro American Biographies and Autobiographies))
Most people don’t have shit… But paper and pencils are cheap, that’s why I draw.
Ida Løkås (Det fine som flyter forbi)
I don’t care too much about talking, but I don’t like being alone.
Ida Løkås (Det fine som flyter forbi)
In nearly all communities wife beating is punishable with a fine, and in no community is it made a felony.
Ida B. Wells-Barnett (The Red Record)
Van Gogh, Modigliani, Hiroshige, etc., didn’t know merde about yachts, 8-star hotels, infinite pools, private jets...
Alejandro Saint-Barthélemy (101 iD€A$ for CONT€MPORAR¥ ARTI$T$)
Alexander Hamilton Junior High School -- SEMESTER REPORT -- STUDENT: Joseph Margolis TEACHER: Janet Hicks ENGLISH: A, ARITHMETIC: A, SOCIAL STUDIES: A, SCIENCE: A, NEATNESS: A, PUNCTUALITY: A, PARTICIPATION: A, OBEDIENCE: D Teacher's Comments: Joseph remains a challenging student. While I appreciate his creativity, I am sure you will agree that a classroom is an inappropriate forum for a reckless imagination. There is not a shred of evidence to support his claim that Dolley Madison was a Lesbian, and even fewer grounds to explain why he even knows what the word means. Similarly, an analysis of the Constitutional Convention does not generate sufficient cause to initiate a two-hour classroom debate on what types of automobiles the Founding Fathers would have driven were they alive today. When asked on a subsequent examination, "What did Benjamin Franklin use to discover electricity?" eleven children responded "A Packard convertible". I trust you see my problem. [...] Janet Hicks Parent's Comments: As usual I am very proud of Joey's grades. I too was unaware that Dolley Madison was a Lesbian. I assumed they were all Protestants. Thank you for writing. Ida Margolis
Steve Kluger (Last Days of Summer)
Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.
Ken Kesey (Sometimes a Great Notion)
Onvervreemdbaar Dit wordt ons niet ontnomen: lezen en ademloos het blad omslaan, ver van de dagelijksheid vandaan. Die lezen mogen eenzaam wezen. Zij waren het van kind af aan. Hen wenkt een wereld waar de groten, de tijdelozen, voortbestaan. Tot wie wij kleinen mogen gaan; de enigen die ons nooit verstoten. ------------------------------------------------------------ uit: "Niet nog een boek" van Ida Gerhardt (1905-1997)
Ida Gerhardt
Ida had always been different. At school, when all the kids used to play church, and one would be the preacher, another the preacher’s wife, a deacon, and the choir leader, and some would be the parishioners who had come to the church, Ida said she wanted to be God, because she was the only one who knew how to do it. Of
Fannie Flagg (The Whole Town's Talking)
Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd; Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth; Whether on crystal rocks ye rove, Beneath the bosom of the sea Wand'ring in many a coral grove, Fair Nine, forsaking Poetry! How have you left the ancient love That bards of old enjoy'd in you! The languid strings do scarcely move! The sound is forc'd, the notes are few! - "To the Muses
William Blake (The Complete Poems)
what do you love most about the world?" Ida smiles. "I love that every generation thinks they've invented it. They think they're the first ones to fall in love and get their hearts broken, to feel loss and passion and pain. And in a way, they are. We've been there before, of course. But for young people, that doesn't matter. Everything is new. Which I love, because it means everything is always beginning again. It's hopeful, I think. At least to me.
Jennifer E. Smith (Field Notes on Love)
Momma used to say there were lots of ways to survive. Don't e afraid to pretend to be something you aren't, Jane. Some times a little subterfuge and chicanery is in order and the quickest way to achieve one's goal. It ain't hard to imagine Ida pretending to be just another dumb colored girl in order to make it out here. Survival by any means necessary.
Justina Ireland (Dread Nation (Dread Nation, #1))
We look for pretty girls we can say bad things to. No one shows up.
Ida Løkås (Det fine som flyter forbi)
Which one is right? Which one is wrong? When you feel you could answer that type of questions, you trapped on your own perception. -Back cover, Andante Part 1, English modified-
Ida R. Yulia (Andante Part 1: The Fallen Wings)
Tuhan, aku tahu aku brengsek, tapi kumohon... malam ini, cukup malam ini, tolong berpihaklah padaku.
Ida R. Yulia (Walkin' to the Day)
you have to go through it in order to get through it
Ida Linehan Young (No Turning Back: Surviving the Linehan Family Tragedy)
It is critically important that as we age and our bodies become less flexible our minds become more so.
Steven A. Segal (Ida's Story)
Akkor még nem tudtam, hogy a simogatás és az erőszak, ha ugyanaz a kéz adja, sokkal nagyobb félelmet kelt, mint az erőszak magában.
Ida Jessen (En ny tid)
Then I looked right at Mama, for the first time in what seemed like forever, and she wasn't looking at me, but into me. She was pulling me to her with her eyes, like she used to do. All of a sudden I could see the light that was Mama's shining out of her eyes. I couldn't help smiling at it. 'Be careful,' my heart warned me. But I was having a hard time remembering that there as anything to be careful about. Because if I just looked at Mama's eyes...I could tell that the part of her I thought had gone away forever was still there and glowing, only from deep down inside her.
Katherine Hannigan (Ida B. . . and Her Plans to Maximize Fun, Avoid Disaster, and (Possibly) Save the World)
Not only is it true that many of the alleged cases of rape against the Negro, are like the foregoing, but the same crime committed by white men against Negro women and girls, is never punished by mob or the law. A leading journal in South Carolina openly said some months ago that “it is not the same thing for a white man to assault a colored woman as for a colored man to assault a white woman, because the colored woman had no finer feelings nor virtue to be outraged!” Yet colored women have always had far more reason to complain of white men in this respect than ever white women have had of Negroes.
Ida B. Wells-Barnett (The Red Record)
Our apartment is a hotel for losers. A pit stop before the next ride.
Ida Løkås (Det fine som flyter forbi)
There'll be a whole lot of things you ain't gonna want to do, but you'll have to do in this life just so you can survive. 'Now, I don't like the idea of what Charlie Simms did to you no more than your Uncle Hammer, but I had to weigh the hurt of what happened to you to what could've happened if I went after him. If I'd-a gone after Charlie Simms and given him a good thrashin', like I felt like doing, the hurt to all of us would've been a whole lot more than the hurt to you. So I let it be. I don't like letting it be, but I can live with that decision. 'But there are other things, Cassie, that if I'd let be, they'd eat away at me and destroy me in the end. And it's the same with you, baby. There are things you can't back down on. Things you gotta take a stand on, but it's up to you to decide what them things are. 'You have to demand respect in this world. Ain't nobody just gonna hand it to you. How you carry yourself, what you stand for, that's how you gain respect. But little one, ain't nobody's respect worth more than your own. You understand that?' 'Now, there ain't no sense going around being mad. You clear your head so you can think sensibly. Then I want you to think real hard about whether Lillian Jean's worth taking a stand about. But keep in mind that Lillian Jean probably won't be the last white person to think you this way.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
LYNCHED BECAUSE THE JURY ACQUITTED HIM The entire system of the judiciary of this country is in the hands of white people. To this add the fact of the inherent prejudice against colored people, and it will be clearly seen that a white jury is certain to find a Negro prisoner guilty if there is the least evidence to warrant such a finding. Meredith Lewis was arrested in Roseland, La., in July of last year. A white jury found him not guilty of the crime of murder wherewith he stood charged.
Ida B. Wells-Barnett (The Red Record)
Then one woman looked directly at her husband. "Is our place gone?" "I'm afraid so, girl," he said. "There isn't much left up there. But we're alive. We're all lucky to be alive. We'd have been dead if we'd stayed up above." "Oh, what a mercy we didn't!" she exclaimed. "How lucky we are!" Incredible though it sounds, within a few moments, a whole lot of people were congratulating each other on their extraordinary good fortune in only having lost all their worldy posessions.
Ida Cook (Safe Passage)
Ida Mae Gladney, Robert Foster, and George Starling each left different parts of the South during different decades for different reasons and with different outcomes. The three of them would find some measure of happiness, not because their children had been perfect, their own lives without heartache, or because the North had been particularly welcoming. In fact, not a single one of those things had turned out to be true. There had been sickness, disappointment, premature and unexpected losses, and, among their children, more divorces than enduring marriages, but at least the children had tried. The three who had come out of the South were left widowed but solvent, and each found some measure of satisfaction because whatever had happened to them, however things had unfolded, it had been of their own choosing, and they could take comfort in that. They believed with all that was in them that they were better off for having made the Migration, that they may have made many mistakes in their lives, but leaving the South had not been one of them.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
And she has been there. I know because her senior high school yearbook, the one with no Daytons, is gone from the bureau where i had left it. She's seen my things scattered about. She knows I'm still here. But she didn't wait Part of me doesn't want to give up, and makes excuses. "She'll be back =," it says. "She just didn't want to run into Aunt Ida. Now that she knows you're here..." But she knew it. Where else would I be? I have to face it: I'm not as important as some package she needs from Seattle. My presence won't bring her back.
Michael Dorris (A Yellow Raft in Blue Water - Teacher Guide by Novel Units)
Mi querida prima de ojos azules: Hoy amanecí loca, y como todas las personas fastidiosas y tontas, he decidido obsequiarte con mi locura y mis disparates; yo sé que será una lata horrible, pero ya no se puede remediar nada porque ya empecé la carta y te la pienso mandar. Ante todo, siento ganas de hablar contigo sobre versos y poemas, pero no aquí, en la ciudad llena de bullicio, entre las calles plenas de algarabía, sino allá, en Los Teques, en el pueblo dulce y bueno con su iglesia blanca y tibia, con su plaza festiva. ¿Cómo estás? ¿Cómo tienes el pelo? ¿Muy rubio? ¿El pelo de oro y diamantes como el de las princesas encantadas y las ninfas del día? Di que lo tienes rubio porque el sol te regaló uno de sus más claros destellos y los crisantemos decidieron perfumártelo y engalanártelo con el mejor de sus perfumes. ¿Te fijas? ¡No puedo hablar sin salir a buscar frases tontas y barbaridades! Reciban besos y abrasos de la poetisa: Ida y Vuelta
Gabriela Kizer (Ida Gramcko)
Though we may make the points of our weapons as sharp as needles and edges as sharp as razors, there is only one man who can haul us out of this mire, the very man who, lanterned like the Marsh Spite, has led us into it – Jason, son of Aeson. Hercules himself chose him as our captain, and obeyed him faithfully as long as he was with us. Now why was this? Jason is a skilled archer, but not the equal of Phalerus or Atalanta; he throws the javelin well, but not so well as Atalanta or Meleager or even myself; he can use a spear, but not with the art or courage of Idas; he is ignorant of music, except that of drum and pipe; he cannot swim; he cannot box; he has learned to pull well at the oar but he is no seaman; he is no painter; he is no wizard; his sight is not keen above the ordinary; in eloquence he is below anyone else here, except Idas, and perhaps myself; he is hasty-tempered, faithless, sulky and young. Yet Hercules chose him as our captain and obeyed him. I ask again: why was this?
Robert Graves (The Golden Fleece)
EL FANTASMA DE EDNA LIEBERMAN Te visitan en la hora más oscura todos tus amores perdidos. El camino de tierra que conducía al manicomio se despliega otra vez como los ojos de Edna Lieberman, como sólo podían sus ojos elevarse por encima de las ciudades y brillar. Y brillan nuevamente para ti los ojos de Edna detrás del aro de fuego que antes era el camino de tierra, la senda que recorriste de noche, ida y vuelta, una y otra vez, buscándola o acaso buscando tu sombra. Y despiertas silenciosamente y los ojos de Edna están allí. Entre la luna y el aro de fuego, leyendo a sus poetas mexicanos favoritos. ¿ y a Gilberto Owen, lo has leído?, dicen tus labios sin sonido, dice tu respiración y tu sangre que circula como la luz de un faro. Pero son sus ojos el faro que atraviesa tu silencio. Sus ojos que son como el libro de geografía ideal: los mapas de la pesadilla pura. Y tu sangre ilumina los estantes con libros, las sillas con libros, el suelo lleno de libros apilados. Pero los ojos de Edna sólo te buscan a ti. Sus ojos son el libro más buscado. Demasiado tarde lo has entendido, pero no importa. En el sueño vuelves a estrechar sus manos, y ya no pides nada.
Roberto Bolaño (The Romantic Dogs)
The presence of the migrants “in such large numbers crushed and stagnated the progress of Negro life,” the economist Sadie Mossell wrote early in the migration to Philadelphia. Newly available census records suggest the opposite to be true. According to a growing body of research, the migrants were, it turns out, better educated than those they left behind in the South and, on the whole, had nearly as many years of schooling as those they encountered in the North. Compared to the northern blacks already there, the migrants were more likely to be married and remain married, more likely to raise their children in two-parent households, and more likely to be employed. The migrants, as a group, managed to earn higher incomes than northern-born blacks even though they were relegated to the lowest-paying positions. They were less likely to be on welfare than the blacks they encountered in the North, partly because they had come so far, had experienced such hard times, and were willing to work longer hours or second jobs in positions that few northern blacks, or hardly anyone else for that matter, wanted, as was the case with Ida Mae Gladney, George Swanson Starling, Robert Foster, and millions of others like them.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)