How Fast Time Passes Quotes

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Have you ever noticed how when you're happy, time seems to pass by fast, while when you're miserable it goes real slow? Life would have been a blink with you whether it lasted a millennium or a month.
Lynsay Sands (A Quick Bite (Argeneau #1))
Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who know they will live forever.
Ray Bradbury (Something Wicked This Way Comes)
Who you are today . . . that’s who you are. Be brave. Be amazing. Be worthy. And every single time you get the chance? Stand up in front of people. Let them see you. Speak. Be heard. Go ahead and have the dry mouth. Let your heart beat so, so fast. Watch everything move in slow motion. So what. You what? You pass out, you die, you poop? No. (And this is really the only lesson you’ll ever need to know.)
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
One of the great things about tales is how fast time may pass when not much of note is happening. Real life is never that way, and it is probably a good thing.
Stephen King (The Eyes of the Dragon)
One may never get to know how fast the time travels till the one gets in that position to race against the time.
Neel Preet (Voice from the East)
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now.” I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
As we grow up we realize that even the person who was supposed to never let you down probably will. You will probably have your heart broken more than once and it gets harder every time. You'll break hearts too, so remember how it felt when your's was broken. You'll fight with your best friend. You'll blame a new love for things an old one did. You'll cry because time is passing too fast, and you'll eventually lose someone you love, so take many pictures, laugh to much and love like you've never been hurt because every sixty seconds you spend upset is one minute of happiness you'll never get back.
Andy Sixx
As we grow up we learn that even the person that wasn't supposed to ever let you down probably will. You will have your heart broken probably more than once and it gets harder every time. You'll break hearts too, so remember how it felt when yours was broken. You'll fight with your best friend. You'll blame a new love for things an old one did. You'll cry because time is passing too fast, and you'll eventually lose someone you love, so take many pictures, laugh too much and love like you've never been hurt because every sixty seconds you spend upset is one minute of happiness you'll never get back.
Andy Biersack
Maybe it’s not metaphysics. Maybe it’s existential. I’m talking about the individual US citizen’s deep fear, the same basic fear that you and I have and that everybody has except nobody ever talks about it except existentialists in convoluted French prose. Or Pascal. Our smallness, our insignificance and mortality, yours and mine, the thing that we all spend all our time not thinking about directly, that we are tiny and at the mercy of large forces and that time is always passing and that every day we’ve lost one more day that will never come back and our childhoods are over and our adolescence and the vigor of youth and soon our adulthood, that everything we see around us all the time is decaying and passing, it’s all passing away, and so are we, so am I, and given how fast the first forty-two years have shot by it’s not going to be long before I too pass away, whoever imagined that there was a more truthful way to put it than “die,” “pass away,” the very sound of it makes me feel the way I feel at dusk on a wintry Sunday—’ ‘And not only that, but everybody who knows me or even knows I exist will die, and then everybody who knows those people and might even conceivably have even heard of me will die, and so on, and the gravestones and monuments we spend money to have put in to make sure we’re remembered, these’ll last what—a hundred years? two hundred?—and they’ll crumble, and the grass and insects my decomposition will go to feed will die, and their offspring, or if I’m cremated the trees that are nourished by my windblown ash will die or get cut down and decay, and my urn will decay, and before maybe three or four generations it will be like I never existed, not only will I have passed away but it will be like I was never here, and people in 2104 or whatever will no more think of Stuart A. Nichols Jr. than you or I think of John T. Smith, 1790 to 1864, of Livingston, Virginia, or some such. That everything is on fire, slow fire, and we’re all less than a million breaths away from an oblivion more total than we can even bring ourselves to even try to imagine, in fact, probably that’s why the manic US obsession with production, produce, produce, impact the world, contribute, shape things, to help distract us from how little and totally insignificant and temporary we are.
David Foster Wallace (The Pale King)
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.
Ryan O'Connell
It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know. . . . Mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and water, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I,' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy.
Donna Tartt
The instant passed so fast, and when that happens, it goes for good and all you have is a slow lifetime to speculate on revisions. Except time flows one way and drags us with it no matter how hard we paddle upstream.
Charles Frazier (Varina)
Dunbar loved shooting skeet because he hated every minute of it and the time passed so slowly. He had figured out that a single hour on the skeet-shooting range with people like Havermeyer and Appleby could be worth as much as eleven-times-seventeen years. “I think you’re crazy,” was the way Clevinger had responded to Dunbar’s discovery. “Who wants to know?” Dunbar answered. “I mean it,” Clevinger insisted. “Who cares?” Dunbar answered. “I really do. I’ll even go as far as to concede that life seems longer i—“ “—is longer i—“ “—is longer—IS longer? All right, is longer if it’s filled with periods of boredom and discomfort, b—“ “Guess how fast?” Dunbar said suddenly. “Huh?” “They go,” Dunbar explained. “Who?” “Years.” “Years?” “Years,” said Dunbar. “Years, years, years.” “Do you know how long a year takes when it’s going away?” Dunbar asked Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.” “Old?” asked Clevinger with surprise. “What are you talking about?” “Old.” “I’m not old.” “You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished. “Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?” “I do,” Dunbar told him. “Why?” Clevinger asked. “What else is there?
Joseph Heller (Catch-22)
It was really a fascinating book—no wonder he hadn’t noticed how fast the time had passed.
Robert Bloch (Psycho (Psycho, #1))
I will never understand why adults find the passing of time to be so unexpected. Time is literally what life is made of. But it’s like a ritual; each time my mom chats with a friend or family member she hasn’t seen in a while, they spend half the time talking about how fast time goes, and the other half promising to see each other soon, which they almost never do.
Aisha Saeed (Yes No Maybe So)
Who you are today . . . that’s who you are. Be brave. Be amazing. Be worthy. And every single time you get the chance? Stand up in front of people. Let them see you. Speak. Be heard. Go ahead and have the dry mouth. Let your heart beat so, so fast. Watch everything move in slow motion. So what. You what? You pass out, you die, you poop? No. (And this is really the only lesson you’ll ever need to know.) You take it in. You breathe this rare air. You feel alive. You are yourself. You are truly finally always yourself. Thank you. Good luck.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey." Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself. I couldn't do this-couldn't lift that dagger again. "Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain." A sob broke from my lips. "I'm sorry," I moaned. "Let me enter eternity," She breathed. I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her. I couldn't do it. But she held my gaze-held my gaze and nodded. As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face. More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie. It would be more honorable to refuse-to die, rather than murder innocents. But... but... "Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain." I gripped her delicate, bony shoulder and drove the dagger into her heart. She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move. I went somewhere far, far away from myself.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Odd, the words: ‘while away the time’. How to hold it fast the harder thing. Who is not fearful: where is there a staying, where in all this is there any being? Look, as the day slows towards the space that draws it into dusk: rising became upstanding, standing a laying down, and then that which accepts its lying blurs to darkness. Mountains rest, outgloried be the stars - but even there, time’s transition glimmers. Ah, nightly refuged in my wild heart, roofless, the imperishable lingers. --- Wunderliches Wort: die Zeit vertreiben! Sie zu halten, wäre das Problem. Denn, wen ängstigts nicht: wo ist ein Bleiben, wo ein endlich Sein in alledem? - Sieh, der Tag verlangsamt sich, entgegen jenem Raum, der ihn nach Abend nimmt: Aufstehn wurde Stehn, und Stehn wird Legen, und das willig Liegende verschwimmt - Berge ruhn, von Sternen überprächtigt; - aber auch in ihnen flimmert Zeit. Ach, in meinem wilden Herzen nächtigt obdachlos die Unvergänglichkeit.
Rainer Maria Rilke
New Mexico is my favorite state,” I declared as we pulled onto I-40. “I'm waiting to see it all before I decide. And by the way, your driving isn't half bad. I expected to be terrified.” “Why?” “I imagined a timid, overly cautious little angel, but you've got an impressive lead foot.” Whoops. “Your car drives so quietly,” I said, "I don't realize how fast I'm going. I'll set the cruise control from now on.” “Don't worry. I'll keep an ear out for cops,” he told me. “Will we be passing the Grand Canyon?” I asked. “I've always wanted to see it.” Kaidan pulled out the map and studied it. “It's a bit out of the way, more than an hour. But how about this? We can go on the way back, since we won't have a time crunch.” I didn't know if it was the desert air or what, but I felt at ease. I still had a thousand questions for Kaidan, but I wasn't in the mood for another heavy conversation just yet. I liked talking to him. We were still guarded, and it wasn't nearly as carefree as talking with Jay, but I was beginning to imagine keeping Kaidan in my life as a friend after this trip. Time would help us forget the kiss. My crush on him would fade. If I could stop analyzing every touch and every look, then maybe it could work. I vowed to myself at that moment: No more jealousy. No more flirting. No more lustful longing for the elusive Kaidan Rowe.
Wendy Higgins (Sweet Evil (Sweet, #1))
Time is a fleeting thing, a precious gift of life's days, It comes and goes, a bird with swift wings. How I wish I could have more time, but time is fleeting, like a passing breeze, it moves fast and cannot be grasped, it's there one day, gone the next. Of this precious gift I give you mine because you are worth every second spent.
Rolf van der Wind
Laws are written, and laws are re-written. I can't believe I still got a speeding ticket after explaining to the duck-faced cop that where I'm from, the year 2244, the Speed Limit is 88 miles per hour, which is exactly how fast I was going when I passed by his radar gun.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?" Blue gray eyes twinkled at her over his cream-colored mare's back. "I didn't. It's Farant. " His blond hair curled thickly over his head, almost matching the pony's in color. "Thank you. Trainee Farant, you're missing spots. " "Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed. "Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up. "Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large? "Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. " His grin was wolfish. "But that can be fixed. " Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw. "No, sir. I just never met nobody like you. " "And if you're lucky, you won't again, " muttered Buri, passing by.
Tamora Pierce (Wild Magic (Immortals, #1))
The German citizen is a soldier, and the policeman is his officer. The policeman directs him where in the street to walk, and how fast to walk. At the end of each bridge stands a policeman to tell the German how to cross it. Were there no policeman there, he would probably sit down and wait till the river had passed by. At the railway station the policeman locks him up in the waiting-room, where he can do no harm to himself. When the proper time arrives, he fetches him out and hands him over to the guard of the train, who is only a policeman in another uniform. The guard tells him where to sit in the train, and when to get out, and sees that he does get out. In Germany you take no responsibility upon yourself whatever. Everything is done for you, and done well.
Jerome K. Jerome (Three Men on the Bummel)
WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others. —
Jodi Picoult (Small Great Things)
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END." footnote ("Good Old Neon")
David Foster Wallace (Oblivion: Stories)
We all do it, you know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young.
Jodi Picoult (Small Great Things)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Why didn't you tell me?" "I know you won't believe it, but I thought it would be best for you. You were doing so well until I came back. I thought you could go back to how it was. You still can." "Don't say that,Becks.We're going to figure something out." "I know.Even so,I understand that it would've been easier for you if I'd never come back.Maybe you and Jules..." His grip on my arm tightened,and when he spoke,his voice wavered. "Becks. I crashed when you left.Jules held together the pieces,and I will love her forever for that.But if I was with her, it wouldn't be right." He grimaced. "She told me so herself, right before I left with Will. She knew." Jack pushed my hair out of my eyes and off my forehead. "Um,she knew what?" I could barely hear my own voice. "It's always been you,Becks. Nothing will change that,no matter how much time has passed." He glanced down. "No matter if you feel the same way or not. You know what,right?" I shook my head slowly,wanting desperately to believe him, but not sure if I could. "How can you not see that? Everyone sees it." He slid his hand down my arm and grabbed my fingers, holding them in his lip,tracing them. Staring at them. "Remember freshman year? How Bozeman asked you to the Spring Fling?" Bozeman. He was two years older than me. Played offensive lineman. His first name was Zachary, but nobody had called him that since the third grade. I'd been surprised he even knew my name, let alone asked me to the dance. "Of course I remember.You came with me to answer him." We doorbell-ditched Bozeman's house, leaving a two-liter bottle of Coke and a note that said I'd pop to go to the dance with you, or something like that. Bozeman had a reputation for fast hands, but he didn't try anything with me. In fact,he barely touched me at all, even at the fling.And he never asked me out again.Or even talked to me, really.It was weird. "Yeah,well,I didn't tell you, but Bozeman actually asked my permission." "Why?" "Because it was obvious to everyone, except you,how I felt about you.And then that night with the Coke on the porch...after I dropped you off at home, I paid Bozeman a visit." His cheeks went pink and he lowered his eyes. "And?" "Let's just say I rescinded my permission. I didn't realize how much it would bother me." His eyes met mine. I could only imagine what was said between Jack and the lineman, who was twice his size. "Don't be mad," Jack said. Like I'd be angry after everything we'd been through. "I...I'm telling you this because you have to know that it's always been you. And it will always be you.
Brodi Ashton (Everneath (Everneath, #1))
This world is too fast and the people are so busy they may never get the time to stop and admire you when they pass you by; and I'm afraid this will slowly make you forget how very beautiful you are. Never forget that, love. You're an angel. The most beautiful of all angels.
Adwitiya Borah (The Wrong Vantage Point)
You hear stories about people who've committed bad crimes. Suddenly they decide to confess it all, turn themselves in to the authorities, get everything off their conscience-the burden, the harm, the shame, the self-hatred. They make a clean breast of things before going off to jail. As if guilt was the worst thing in the world to them. I'm willing to say now that guilt has less to do with it than you might think. Rather, the intolerable problem is of everything suddenly being so confused: the clear path back to the past being cluttered and unfollowable; how the person once felt being now completely changed from how he feels today. And time itself: how the hours of the day and night advance so oddly-first fast, then hardly passing at all. Then the future becoming as confused and impenetrable as the past itself. What a person becomes in such a situation is paralyzed-caught in one long, sustained, intolerable present. Who wouldn't want to stop that-if he could? Make the present give way to almost any future at all. Who wouldn't admit everything just to gain release from the terrible present? I would. Only a saint wouldn't.
Richard Ford (Canada)
I would not have the anniversaries of our victories celebrated, nor those of our defeats made fast days and spent in humiliation and prayer; but I would like to see truthful history written. Such history will do full credit to the courage, endurance and soldierly ability of the American citizen, no matter what section of the country he hailed from, or in what ranks he fought. The justice of the cause which in the end prevailed, will, I doubt not, come to be acknowledged by every citizen of the land, in time. For the present, and so long as there are living witnesses of the great war of sections, there will be people who will not be consoled for the loss of a cause which they believed to be holy. As time passes, people, even of the South, will begin to wonder how it was possible that their ancestors ever fought for or justified institutions which acknowledged the right of property in man.
Ulysses S. Grant (The Complete Personal Memoirs of Ulysses S Grant)
Oh, they never look at anything that folks like we can understand," the carter continued, by way of passing the time. "On'y foreign tongues used in the days of the Tower of Babel, when no two families spoke alike. They read that sort of thing as fast as a night-hawk will whir. 'Tis all learning there—nothing but learning, except religion. And that's learning too, for I never could understand it. Yes, 'tis a serious-minded place. Not but there's wenches in the streets o' nights… You know, I suppose, that they raise pa'sons there like radishes in a bed? And though it do take—how many years, Bob?—five years to turn a lirruping hobble-de-hoy chap into a solemn preaching man with no corrupt passions, they'll do it, if it can be done, and polish un off like the workmen they be, and turn un out wi' a long face, and a long black coat and waistcoat, and a religious collar and hat, same as they used to wear in the Scriptures, so that his own mother wouldn't know un sometimes. … There, 'tis their business, like anybody else's.
Thomas Hardy (Jude the Obscure)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
I will never understand why adults find the passing of time to be so unexpected. Time is literally what life is made of. But it’s like a ritual; each time my mom chats with a friend or family member she hasn’t seen in a while, they spend half the time talking about how fast time goes, and the other half promising to see each other soon, which they almost never do.
Becky Albertalli (Yes No Maybe So)
The story I will tell could be read by some as a tragedy. To put it bluntly—and to give away the punch line—we have failed. We inherited a science, physics, that had been progressing so fast for so long that it was often taken as the model for how other kinds of science should be done. For more than two centuries, until the present period, our understanding of the laws of nature expanded rapidly. But today, despite our best efforts, what we know for certain about these laws is no more than what we knew back in the 1970s. How unusual is it for three decades to pass without major progress in fundamental physics? Even if we look back more than two hundred years, to a time when science was the concern mostly of wealthy amateurs, it is unprecedented.
Lee Smolin (The Trouble with Physics: The Rise of String Theory, the Fall of a Science, and What Comes Next)
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain. Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
E.L. Doctorow (City of God)
Journey by Train Stretched across counties, countries, the train Rushes faster than memory through the rain. The rise of each hill is a musical phrase. Listen to the rhythm of space, how it lies, How it rolls, how it reaches, what unwinding relays Of wood and meadow where the red cows graze Come back again and again to closed eyes— That garden, that pink farm, that village steeple, And here and there the solitary people Who stand arrested when express trains pass, That stillness of an orchard in deep grass. Yet landscapes flow like this toward a place, A point in time and memory’s own face. So when the clamor stops, we really climb Down to the earth, closing the curve of time, Meeting those we have left, to those we meet Bringing our whole life that has moved so fast, And now is gathered up and here at last, To unroll like a ribbon at their feet.
May Sarton (Collected Poems, 1930–1993)
We all do it, you know. Distract ourselves from noticing, how time's passing. We throw ourselves into our jobs...We fill up our gas tanks and top off our Metrocards and do the grocery shopping... And then one day, you look in the mirror and see gray hair. One day, you realize there is less of your life left than what you've already lived. And you think, how did this happen so fast ? ... ...When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us... We book trips to Tibet...We try to pretend it's not almost over. But some of us just fill up our gas tanks and top off our Metrocards..., because if you only see the path, that's right ahead of you, you don't obsess over when the clip might drop off. Some of us never learn. And some of us learn earlier than others...
Jodi Picoult (Small Great Things)
I was on the first one when I felt his fingers encircle my wrist. “Sophie, come on. I don’t want to fight with you.” Turning, I opened my mouth to say I didn’t want to fight with him either. But before I could, I saw the telltale flash out of the corner of my eye, and the next thing I knew, my arm was jerking out of his grasp. “If you don’t want to fight with her, maybe you shouldn’t suggest she team up with people who want to kill her,” my voice snarled. Archer backed up so fast he nearly stumbled, and I wasn’t sure I’d ever seen him look so freaked out. But he recovered quickly. “Elodie, if I wanted to talk to you, I’d do a séance or something. Maybe go on an episode of Ghost Hunters. But right now, I want to talk to Sophie. So clear out.” Elodie had no intention of doing that. “You always were a crappy boyfriend,” she said. “Once you left, I chalked that up to you, you know, not actually liking me. But unless I’m blind as well as dead, you really like Sophie. In fact, hard as it is for me to fathom, I think you love her.” Shut up, shut up, shut up! Screw that, she retorted. You two spend all your time making stupid jokes and being all witty. Someone has to get real. “What’s your point?” Archer asked, narrowing his eyes at me. Her. Whatever. God, this was getting confusing. “Cal loves her, too, you know. And the last time I checked, he wasn’t part of a cult of monster killers. I’m just saying that if you’re going have loyalties that divided, maybe it’s time to bow out gracefully.” You couldn’t say Elodie didn’t know how to make a dramatic exit. The next thing I knew, I was pitching forward into Archer’s arms, my head swimming. Archer clutched my waist and then abruptly shoved me at arm’s length. “Sophie?” he asked, looking intently into my eyes. “Yeah,” I said, my voice shaking. “I’m back.” His fingers loosened, becoming more of a caress than a grip. “So you can’t control when she swoops in like that? She can just take you over…whenever?” I tried to laugh, but it came out more of a cough. “You know Elodie. I don’t think anyone has ever controlled her.” Frowning, Archer pulled his hands back and shoved them in his pockets. “Well, that’s awesome.” I grabbed the railing to steady myself. “Archer…that stuff she said. You know it’s not true.” He shrugged and moved past me onto the steps. “Saying the most hateful things possible is like Elodie’s superpower. Don’t worry about it.” He paused and looked over his shoulder. “We should probably go tell Jenna what we found down here.” Oh, right. We’d just unearthed a whole bunch of demons. That probably trumped over relationship issues. Another few seconds passed. “Come on, Mercer,” Archer said, holding his hand out to me. This time, I took it.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
born and raised in Honolulu but had spent four years of his childhood flying kites and catching crickets in Indonesia. After high school, he’d passed two relatively laid-back years as a student at Occidental College in Los Angeles before transferring to Columbia, where by his own account he’d behaved nothing like a college boy set loose in 1980s Manhattan and instead lived like a sixteenth-century mountain hermit, reading lofty works of literature and philosophy in a grimy apartment on 109th Street, writing bad poetry, and fasting on Sundays. We laughed about all of it, swapping stories about our backgrounds and what led us to the law. Barack was serious without being self-serious. He was breezy in his manner but powerful in his mind. It was a strange, stirring combination. Surprising to me, too, was how well he knew Chicago. Barack was the first person I’d met at Sidley who had spent time in the barbershops, barbecue joints, and Bible-thumping black parishes of the Far South Side. Before going to law school, he’d worked in Chicago for three years as a community organizer, earning $12,000 a year from a nonprofit that bound together a coalition of churches. His task was to help rebuild neighborhoods and bring back jobs. As he described it, it had been two parts frustration to one part reward: He’d spend weeks planning a community meeting, only to have a dozen people show up. His efforts were scoffed at by union leaders and picked apart by black folks and white folks alike. Yet over time, he’d won a few incremental victories, and this seemed to encourage him. He was in law school, he explained, because grassroots organizing had shown him that meaningful societal change required not just the work of the people on the ground but stronger policies and governmental action as well. Despite my resistance to the hype that had preceded him, I found myself admiring Barack for both his self-assuredness and his earnest demeanor. He was refreshing, unconventional, and weirdly elegant.
Michelle Obama (Becoming)
First-century discipleship was expressed as a servant-master relationship (see Matthew 10:24). Once accepted as a disciple, a young man started as a talmidh, or beginner, who sat in the back of the room and could not speak. Then he became a distinguished student, who took an independent line in his approach or questioning. At the next level, he became a disciple-associate, who sat immediately behind the rabbi during prayer time. Finally he achieved the highest level, a disciple of the wise, and was recognized as the intellectual equal of his rabbi.'" 2. Memorizing the teacher's words: Oral tradition provided the basic way of studying. Disciples learned the teacher's words verbatim to pass along to the next person. Often disciples learned as many as four interpretations of each major passage in the Torah. 3. Learning the teacher's way of ministry: A disciple learned how his teacher kept God's commands, including how he practiced the Sabbath, fasted, prayed, and said blessings in ceremonial situations. He would also learn his rabbi's teaching methods and the many traditions his master followed. 4. Imitating the teacher's life and character: Jesus said that when a disciple is fully taught, he "will be like his teacher" (Luke 6:40). The highest calling of a disciple was to imitate his teacher. Paul called on Timothy to follow his example (see 2 Timothy 3:10-14), and he didn't hesitate to call on all believers to do the same (see 1 Corinthians 4:14-16; 1 1:1; Philippians 4:9). One story in ancient tradition tells of a rabbinical student so devoted to his teacher that he hid in the teacher's bedchamber to discover the mentor's sexual technique. To be sure, this is a bit extreme, yet it demonstrates the level of commitment required to be a disciple. 5. Raising up their own disciples: When a disciple finished his training, he was expected to reproduce what he'd learned by finding and training his own apprentices. He would start his own school and call it after his name, such as the House of Hillel.
Bill Hull (The Complete Book of Discipleship: On Being and Making Followers of Christ (The Navigators Reference Library 1))
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
Charles Portis (The Dog of the South)
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps: The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’ The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’ The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’ The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender. The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’ There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.) Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow. Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’ Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
Marian Keyes
WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others.
Jodi Picoult (Small Great Things)
Hypnosis is a fascinating subject, and more common than we realize. How does it work? Essentially, when we relax our inner powers of discrimination, associated with our personal wills, and passively allow ideas and input into our subconscious mind, we are open to suggestions, which over time can be directed in specific ways that we call conditioning. The discriminating part of the mind is sometimes called the Gateway to the Unconscious. This gateway opens naturally and is most apparent, and useful, in the way children can quickly learn and adapt to their surroundings. This is an automatic occurrence and part of the learning process. This dynamic of “taking in” our surroundings is natural. It is fast and fluid and probably vital for the survival of our species to “learn” things rapidly. Our cultures, languages and civilizations are, to a great extent, passed on this way. Children are like sponges, we are told. We are delighted by this open and vital acceptance and curiosity of the world displayed by children. Interestingly enough, adults who maintain this open sense of wonder are labeled naive and gullible. I take delight in children, and encourage my clients to nurture their inner children.
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook)
Fatigue has built up after all this training, and I can’t seem to run very fast. As I’m leisurely jogging along the Charles River, girls who look to be new Harvard freshmen keep on passing me. Most of these girls are small, slim, have on maroon Harvard-logo outfits, blond hair in a ponytail, and brand-new iPods, and they run like the wind. You can definitely feel a sort of aggressive challenge emanating from them. They seem to be used to passing people, and probably not used to being passed. They all look so bright, so healthy, attractive, and serious, brimming with self-confidence. With their long strides and strong, sharp kicks, it’s easy to see that they’re typical mid-distance runners, unsuited for long-distance running. They’re more mentally cut out for brief runs at high speed. Compared to them I’m pretty used to losing. There are plenty of things in this world that are way beyond me, plenty of opponents I can never beat. Not to brag, but these girls probably don’t know as much as I do about pain. And, quite naturally, there might not be a need for them to know it. These random thoughts come to me as I watch their proud ponytails swinging back and forth, their aggressive strides. Keeping to my own leisurely pace, I continue my run down along the Charles. Have I ever had such luminous days in my own life? Perhaps a few. But even if I had a long ponytail back then, I doubt if it would have swung so proudly as these girls’ ponytails do. And my legs wouldn’t have kicked the ground as cleanly and as powerfully as theirs. Maybe that’s only to be expected. These girls are, after all, brand-new students at the one and only Harvard University. Still, it’s pretty wonderful to watch these pretty girls run. As I do, I’m struck by an obvious thought: One generation takes over from the next. This is how things are handed over in this world, so I don’t feel so bad if they pass me. These girls have their own pace, their own sense of time. And I have my own pace, my own sense of time. The two are completely different, but that’s the way it should be.
Haruki Murakami (What I Talk About When I Talk About Running)
Imagine going a long time without seeing someone you love. Then after months or years getting the moment to see them and catch up. I think that's what death is like. Going a long time and missing them a lot, more and more each day. No matter how many years go by you miss them just as much as the first day they left. I miss my mom. Its been years. Its easier to manage but I miss her more and more. But I often think of the moment we will meet again and catch up again. In living life going a long time not seeing someone is tough then catching up right where you left off BUT imagine in death how powerful the feeling to see them again must be. Death is getting the chance to catch up and see them again. Experiencing the butterflies and that special high that is felt all over your body. Do not fear death. Embrace it as you do life. In life, love hard! Life moves fast. For when your time comes you have a chance to love hard again and catch up with those that left, those you've missed and those that missed you. Someone is there counting the days to seeing you again. Some you may not expect or some you've missed just as much. Don't fear what you think you're leaving behind. Don't fear at all. For what you leave is temporary, the living will too join you as you wait for them. And, that moment to catch up is worth the wait. You will pick up right where you left off as if time did not pass.
Jill Telford
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Charlie?” his wife said in her sleep. Slowly, he took off the other shoe. His wife smiled in her sleep. Why? She’s immortal. She has a son. Your son, too! But what father ever really believes it? He carries no burden, he feels no pain. What man, like woman, lies down in darkness and gets up with child? The gentle, smiling ones own the good secret. Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of Time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who know they will live forever. So
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
Red seeped into Nick's face. "Elizabeth and I were married two weeks ago, " he explained to Samantha. Laughter crinkled the skin around Wyatt's eyes. "Nick built her a house before the wedding. I never saw one go up so fast in my life." Nick's flush deepened. "It's not completely finished yet. Elizabeth just refused to wait any longer." There was a touch of wonder in his tone. Emotion welled into Samantha's throat and she swallowed. She remembered how Juan Carlos had acted those first weeks they were married. Proud, happy as not quite believing his good fortune. What a special time that had been. How she missed him. "I wish you happiness in your marriage, Mr. Sanders," she said. "Call me, Nick, Ma'am." The red receded from his cheeks, leaving behind a glow. "Thank you, I'll pass your good wishes to Elizabeth.
Debra Holland (Starry Montana Sky (Montana Sky, #2))
But what father ever really believes it? He carries no burden, he feels no pain. What man, like woman, lies down in darkness and gets up with child? The gentle, smiling ones own the good secret. Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of Time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men envy and often hate these warm clocks, these wives, who know they will live forever. So what do we do? We men turn terribly mean, because we can’t hold to the world or ourselves or anything. We are blind to continuity, all breaks down, falls, melts, stops, rots, or runs away. So, since we cannot shape Time, where does that leave men? Sleepless. Staring.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
I’m talking about the individual US citizen’s deep fear, the same basic fear that you and I have and that everybody has except nobody ever talks about it except existentialists in convoluted French prose. Or Pascal. Our smallness, our insignificance and mortality, yours and mine, the thing that we all spend all our time not thinking about directly, that we are tiny and at the mercy of large forces and that time is always passing and that every day we’ve lost one more day that will never come back and our childhoods are over and our adolescence and the vigor of youth and soon our adulthood, that everything we see around us all the time is decaying and passing, it’s all passing away, and so are we, so am I, and given how fast the first forty-two years have shot by it’s not going to be long before I too pass away, whoever imagined that there was a more truthful way to put it than “die,” “pass away,” the very sound of it makes me feel the way I feel at dusk on a wintry Sunday.
David Foster Wallace (The Pale King)
In the course of a short city-block this frantic old woman frenetically caricatured the features of forty or fifty passers-by, in a quick-fire sequence of kaleidoscopic imitations, each lasting a second or two, sometimes less, and the whole dizzying sequence scarcely more than two minutes. And there were ludicrous imitations of the second and third order; for the people in the street, startled, outraged, bewildered by her imitations, took on these expressions in reaction to her; and those expressions, in turn, were re-reflected, re-directed, re-distorted, by the Touretter, causing a still greater degree of outrage and shock. This grotesque, involuntary resonance, or mutuality, by which everyone was drawn into an absurdly amplifying interaction, was the source of the disturbance I had seen from a distance. This woman who, becoming everybody, lost her own self, became nobody. This woman with a thousand faces, masks, personae- how must it be for her in this whirlwind of identities? The answer came soon- and not a second too late; for the build-up of pressures, both hers and others’, was fast approaching the point of explosion. Suddenly, desperately, the old woman turned aside, into an alley-way which led off the main street. And there, with all the appearances of a woman violently sick, she expelled, tremendously accelerated and abbreviated, all the gestures, the postures, the expressions, the demeanours, the entire behavioural repertoires, of the past forty or fifty people she had passed. She delivered one vast, pantomimic egurgitation, in which the engorged identities of the last fifty people who had possessed her were spewed out. And if the taking-in had lasted two minutes, the throwing-out was a single exhalation- fifty people in ten seconds, a fifth of a second or less for the time-foreshortened repertoire of each person. I was later to spend hundreds of hours, talking to, observing, taping, learning from, Tourette patients. Yet nothing, I think, taught me as much, as swiftly, as penetratingly, as overwhelmingly as that phantasmagoric two minutes in a New York street.
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in a fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know . . . . I mean we think of phenomenal change as being the very essence of time, when its's not at all. Time is something which defies spring and winder, birth and decay, the good and the bad, indifferently. Something changeless an joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no "I," and yet its not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such and ecstasy. It was like being a baby. I could remember my name. The soles of my feet were cut to pieces and I couldn't even feel it.
Donna Tartt (The Secret History)
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
Nicole Trope (The Boy Under the Table)
Hard to describe what those next years felt like to live through. Except as a hollowing out, a loss beyond repair...even as it kept begging to be repaired. While the promise of what had been so very close haunted me. In so many ways. "So much in motion, such energy, it disguised the decay of things, the incremental rot. How much was hollowed out." Impossible to tell how fast society was collapsing because history had been riddled through with disinformation, and reality was composed of half-fictions and full-on paranoid conspiracy theories. You couldn't figure out if collapse was a cliff or a gentle slope because all the mental constructs obscured it. Multinationals kept their monopolies, shed jobs or even their identities, but most did not go under. Governments became more autocratic, on average. Here was fine, there was a disaster. But here was just a different kind of disaster. A thick mist drenched in the smoke of flares that kept curling back on us. Why fight a mist if all that lay ahead was more of the same? Those of us who survived the pandemic, and all the rest, passed through so many different worlds. Like time travelers. Some of us lived in the past. Some in the present, some in an unknowable future. If you lived in the past, you disbelieved the conflagration reflected in the eyes of those already looking back at you. You mistook the pity and anger, how they despised you. How, rightly, they despised you. So we stitched our way through what remained of life. The wounds deeper. The disconnect higher. The shock that shattered our bones yet left us standing.
Jeff VanderMeer (Hummingbird Salamander)
I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.
Michelle Grierson (Becoming Leidah)
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
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Toon Blast Cheats Unlimited Coins Lives Guide
What are you so afraid of?” “Nothing!” He yelled so fiercely that a pair of oxen grazing in a nearby field snorted and moved farther away from us. It was the first time I ever saw fire in Milo’s eyes. “I’m no coward. That’s not why I wouldn’t go with your brothers. I have to go with you.” “Who said so? You’re free now, Milo. Don’t you know what that means? You can come and go anywhere you like. You ought to appreciate it.” “I appreciate you, Lady Helen!” Once Milo raised his voice, he couldn’t stop. He shouted so loudly that the two oxen trotted to the far side of the pasture as fast as they could move their massive bodies. “You’re the one who gave me my freedom. If I love to be fifty, I’ll never be able to repay you!” Milo’s uproar attracted the attention of the two guards, but I waved them back when I saw them coming toward us. “Do you think you could be grateful quietly?” I asked. “This is between us, not us and all Delphi. You owe me nothing. Listen, if you leave now, you might still be able to catch up to my brothers. I’ll ask the Pythia for help. There must be at least one of Apollo’s pilgrims heading north today, one who’s going on horseback. If she tells him to carry you with him, you’ll overtake Prince Jason’s party in no time! I’ll give you whatever you’ll need for the road and--” “Then I will be in your debt,” Milo encountered. “If you say I’m free, why aren’t I free to stay with you, if that’s what I want?” “Because it’s stupid!” I forgot my own caution about keeping our voices low. I’d decided that if I couldn’t win our argument with facts, I’d do it with volume. “Don’t you see, Milo? This is a better opportunity than anything that’s waiting for you in Sparta! What could you become if you went there? A potter, a tanner, a metalsmith, maybe a farmer’s boy or a shepherd. But if you sail to Colchis with my brothers, you could be--” “Seasick,” Milo finished for me. I raised my eyebrows. “Is that why you won’t go? Not even if it means passing up a once-in-a-lifetime chance for adventures? For a real future? I’m disappointed.” Milo folded his arms. “Why don’t you just command me not to be seasick? Command me to go away and leave you, while you’re at it. Command me to join your brothers. It’s not what I want, but I guess that doesn’t matter after all.” I was about to launch into another list of reasons why he should rush after my brothers when his words stopped me. Lord Oeneus was open-handed with commands, I thought. And it was worse for Milo when his hand closed into a fist. I shouldn’t bully Milo into joining the quest for the fleece just because I wish I could do it myself. In that instant, a happy inspiration struck me with the force of one of Zeus’s own thunderbolts: Why can’t I? I found an unripe acorn lying on the ground beside me and flicked it at Milo. “All right,” I told him. “You win. You can stay with me.” A look of utter relief spread across his face until I added, “But I win too. You’re going to go with my brothers.” “But how can I do that if--?” “And so am I.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?
Amanda M. Lyons (Wendy Won't Go)
The ‘magic’ of Lothlórien has many roots (some of them to be discussed later on), but there is one thing about it which is again highly traditional, but also in a way a strong re-interpretation and rationalization of tradition. There are many references to elves in Old English and Old Norse and Middle English, and indeed in modern English – belief in them seems to have lasted longer than is the case with any of the other non-human races of early native mythology – but one story which remains strongly consistent is the story about the mortal going into Elfland, best known, perhaps, from the ballads of ‘Thomas the Rhymer’. The mortal enters, spends what seems to be a night, or three nights, in music and dancing. But when he comes out and returns home he is a stranger, everyone he once knew is dead, there is only a dim memory of the man once lost in Elf-hill. Elvish time, it seems, flows far slower than human time. Or is it far quicker? For there is another motif connected with elves, which is that when their music plays, everything outside stands still. In the Danish ballad of ‘Elf-hill’ (Elverhøj), when the elf-maiden sings: ‘The swift stream then stood still, that before had been running; the little fish that swam in it played their fins in time’. Tolkien did not at all mind deciding that ancient scribes had got a word wrong, and correcting it for them, but he was at the same time reluctant ever to think that they had got the whole story wrong, just because it did not seem to make sense: it was his job to make it make sense. Lothlórien in a way reconciles the two motifs of the ‘The Night that Lasts a Century’ and ‘The Stream that Stood Still’. The Fellowship ‘remained some days in Lothlórien, as far as they could tell or remember’. But when they come out Sam looks up at the moon, and is puzzled: ‘The Moon’s the same in the Shire and in Wilderland, or it ought to be. But either it’s out of its running, or I’m all wrong in my reckoning.’ He concludes, it is ‘as if we had never stayed no time in the Elvish country…Anyone would think that time did not count in there!’ Frodo agrees with him, and suggests that in Lothlórien they had entered a world beyond time. But Legolas the elf offers a deeper explanation, not from the human point of view but from the elvish (which no ancient text had ever tried to penetrate). For the elves, he says: ‘the world moves, and it moves both very swift and very slow. Swift, because they themselves change little, and all else fleets by: it is a grief to them. Slow, because they do not count the running years, not for themselves. The passing seasons are but ripples ever repeated in the long long stream.’ What Legolas says makes perfect sense, from the viewpoint of an immortal. It also explains how mortals are deceived when they enter into elvish time, and can interpret it as either fast or slow. All the stories about elves were correct. Their contradictions can be put together to create a deeper and more unpredictable image of Elfland, at once completely original and solidly traditional.
Tom Shippey (J.R.R. Tolkien: Author of the Century)
Have you ever noticed how when you're happy, time seems to pass by fast, while when you're miserable it goes real slow? Life would have been a blink with you whether it lasted a millennium or a month
Lynsay Sands (A Quick Bite (Argeneau #1))
I'm going to be right here. By your side. I'm not going to let our time pass us by. No way. No how.
Carly Phillips (Going Down Fast (Billionaire Bad Boys #2))
The world, control phones, don't you think??? But not only phones everything, the world time and how is build make you angry and nerves. Good moments pass fast, bad pass slow, but WHY?? It's th right question?
Deyth Banger
People say things move more slowly in situations like this, and they’re right. My mind watched the action in the microseconds that followed as if it were watching a movie in slow motion. The instant I saw the pilot chute, my arms flew to my sides and I straightened my body into a head dive, bending ever so slightly at the hips. The verticality gave me increased speed, and the bend allowed my body to add first a little, then a blast of horizontal motion as my body became an efficient wing, sending me zipping past Chuck just in front of his colorful blossoming Para-Commander parachute. I passed him going at over 150 miles per hour, or 220 feet per second. Given that speed, I doubt he saw the expression on my face. But if he had, he would have seen a look of sheer astonishment. Somehow I had reacted in microseconds to a situation that, had I actually had time to think about it, would have been much too complex for me to deal with. And yet . . . I had dealt with it, and we both landed safely. It was as if, presented with a situation that required more than its usual ability to respond, my brain had become, for a moment, superpowered. How had I done it? Over the course of my twenty-plus-year career in academic neurosurgery—of studying the brain, observing how it works, and operating on it—I have had plenty of opportunities to ponder this very question. I finally chalked it up to the fact that the brain is truly an extraordinary device: more extraordinary than we can even guess. I realize now that the real answer to that question is much more profound. But I had to go through a complete metamorphosis of my life and worldview to glimpse that answer. This book is about the events that changed my mind on the matter. They convinced me that, as marvelous a mechanism as the brain is, it was not my brain that saved my life that day at all. What sprang into action the second Chuck’s chute started to open was another, much deeper part of me. A part that could move so fast because it was not stuck in time at all, the way the brain and body are.
Eben Alexander (Proof of Heaven: A Neurosurgeon's Journey into the Afterlife)
Take your time...don't live too fast Troubles will come and they will pass Go find a woman and you'll find love And don't forget son There is someone up above
Corey Wayne (Mastering Yourself, How To Align Your Life With Your True Calling & Reach Your Full Potential)
It ain't my idea to leave before dawn. My ole lady decided to visit Nana, that's why the house stinks of hairspray. You know why she's leaving early: so nobody sees her scurry through town on foot. All she wants is for them to see her arrived, all hunky-dory. Not scurrying. It's a learning I made since the car went. 'Well I just can't believe there isn't a pair of Tumbledowns around town, I mean, I'll have to try down by Nana's.' She gives off breathy noises, and flicks her fingertips through my hair. Then she takes a step back and frowns. It means goodbye. 'Promise me you won't miss your therapy.' An electric purple sky spills stars behind the pumpjack, calling home the last moths for the night. It reminds me of the morning when ole Mrs Lechuga was out here, all devastated. I try not to think about it. Instead I look ahead to today. Going to Keeter's is a smart idea; if anybody sees me out there, they'll say, 'We saw Vernon out by Keeter's,' and nobody will know if they mean the auto shop, or the piece of land. See? Vernon Gray-matter Little. In return, I've asked Fate to help me solve the cash thing. It's become clear that cash is the only way to deal with problems in life. I even scraped up a few things to pawn in town, if it comes to that. I know it'll come to that, so I have them with me in my pack – my clarinet, my skateboard, and fourteen music discs. They're in the pack with my lunchbox, which contains my sandwich, the two joints, and a piece of paper with some internet addresses on it. As for the joints and the piece of paper, I heard the voice of Jesus last night. He advised me to get wasted, fast. If at first you don't succeed, he said, get wasted off your fucken ass. My plan is to sit out at Keeter's and get some new ideas, ideas borne out of the bravery of wastedness. I ride down empty roads of frosted silver, trees overhead swish cool hints of warm panties in bedclothes. Liberty Drive is naked, save for droppings of hay, and Bar-B-Chew Barn wrappers. In this light you can't see the stains on the sidewalk by the school. As the gym building passes by, all hulky and black, I look the other way, and think of other things. Music's a crazy thing, when you think about it. Interesting how I decided which discs not to pawn. I could've kept some party music, but that would've just tried to boost me up, all this thin kind of 'Tss-tss-tss,' music. You get all boosted up, convinced you're going to win in life, then the song's over and you discover you fucken lost. That's why you end up playing those songs over and over, in case you didn't know. Cream pie, boy. I could've kept back some heavy metal too, but that's likely to drive me to fucken suicide. What I need is some Eminem, some angry poetry, but you can't buy that stuff in Martirio. Like it was an animal sex doll or something, you can't buy angry poetry. When you say gangsta around here, they still think of Bonnie & fucken Clyde. Nah, guess what: I ended up keeping my ole Country albums. Waylon Jennings, Willie Nelson, Johnny Paycheck – even my daddy's ole Hank Williams compilation. I kept them because those boys have seen some shit – hell, all they sing about is the shit they've seen; you just know they woke up plenty of times on a wooden floor somewhere, with ninety flavors of trouble riding on their ass. The slide-guitar understands your trouble. Then all you need is the beer.
D.B.C. Pierre (Vernon God Little)
To that end, she must win every competition she enters. (Here are your four hundred participation trophies, distribute accordingly.) She must feel that everyone likes and loves her and wants to be with her at all times. She must be constantly entertained and amused; every one of her days on Earth must be like Disneyland, but better. (If you go to actual Disneyland, get a fast pass because she should never be forced to wait. For anything, ever.) If other kids don’t want to play with her, call those kids’ parents, find out why, and insist they fix it. In public, walk in front of your child and shield her from any unhappy faces that might make her sad, and any happy faces that might make her feel left out. When she gets into trouble at school, call her teacher and explain loudly that your child does not make mistakes. Insist that the teacher apologize for her mistake. Do not ever, ever let a drop of rain fall upon your child’s fragile head. Raise this human without ever allowing her to feel a single uncomfortable human emotion. Give her a life without allowing life to happen to her. In short: Your life is over, and your new existence is about ensuring that her life never begins. Godspeed. We got a terrible memo. Our terrible memo is why we feel exhausted, neurotic, and guilty. Our terrible memo is also why our kids suck. They do, they just suck. Because people who do not suck are people who have failed, dusted themselves off, and tried again. People who do not suck are people who have been hurt, so they have empathy for others who are hurt. People who do not suck are those who have learned from their own mistakes by dealing with the consequences. People who do not suck are people who have learned how to win with humility and how to lose with dignity. Our memo has led us to steal from our children the one thing that will allow them to become strong people: struggle.
Glennon Doyle (Untamed)
please let me add this its a new quote i swear god himself came down from the heavens and told me to write this It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know . . . I mean we think of phenomena change as being the very essence of time, when it's not at all. Time is something which defies spring and winter, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no "I," and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstacy. It was like being a baby. I couldn't remember my name. The soles of my feet were cut to pieces and I couldn't even feel it. new new new
Anonymous
please let me add this its a new quote i swear god himself came down from the heavens and told me to write this "It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know . . . I mean we think of phenomena change as being the very essence of time, when it's not at all. Time is something which defies spring and winter, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no "I," and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstacy. It was like being a baby. I couldn't remember my name. The soles of my feet were cut to pieces and I couldn't even feel it." new new new
Anonymous
There were times when I’d sit in the parked car and eat my fast food alone with the car radio playing, overcome with relief, impressed with my efficiency. This was life with little kids. This was what sometimes passed for achievement. I had the applesauce. I was eating a meal. Everyone was still alive. Look how I’m managing, I wanted to say in those moments, to my audience of no one. Does everyone see that I’m pulling this off?
Michelle Obama (Becoming)
Morning,” he said, headed for the coffeepot. When he got back to the table and sat, he was met by her glare. “What?” he asked, perplexed. “I cannot believe you did that,” she said. “Did what?” he asked. “My best friend. You know she’s been through a hard time.” He looked around a little frantically. “Vanni, what? Where’s Nikki?” “Gone,” she said flatly. “Gone?” he asked, rising out of his chair. “Gone?” “Yes,” she affirmed. “What were you thinking?” He gave a huff of unhappy laughter. “I was thinking I’d just found the woman of my dreams,” he said. “She left?” “In tears,” Vanni said, her mouth set in a grim line. “Tears? Vanni, I did not make her cry!” “Didn’t you have sex with her all night long in that little fifth wheel?” she asked, anger in her tone. Hoo-boy. You don’t talk about that, especially when it’s meaningful. “Vanni, I swear to you, I didn’t do anything to hurt her.” “Didn’t you find her on the deck, crying, and kiss her and seduce her and take her to that little trailer?” “Well… Yeah… I did that part….” And he was thinking, was there a felony in there somewhere? Because all through the night the only thing he had tried to do was show her how much she could be loved. And it was wonderful; she was wonderful. Spontaneous and aroused and ultimately quite satisfied. And happy. He’d heard her sigh, he’d heard her laugh. There was absolutely no crying. “Didn’t it occur to you that after her heart had been broken, that was probably not a great idea?” He got a little angry himself. He leaned his hands on the table, got a little bit in her face and said, “No. I thought it was a terrific idea, and so did she. I wanted to be good to her and I was. I treated her with absolute respect, and she consented one hundred percent. Now, give me her number. I need to talk to her as soon as possible.” “She said absolutely no.” “What? No, I have to get in touch with her. Vanni, this isn’t funny.” “No, it’s not. I just don’t know what went through your mind.” “Wait a minute here, I didn’t talk her into anything! I was a perfect gentleman, I swear to God!” “Don’t you know anything about women?” she asked him. “Apparently not!” he answered hotly. “She’s just spent five years with a guy who wouldn’t come through. What do you suppose she thinks you’re going to do after one night?” “She could give me a frickin’ chance!” Vanni’s mouth was set in a firm line. “She said absolutely no.” “Oh, for God’s sake. Vanni, this is cruel and unusual. Listen, I have feelings for her. Really.” “After one night?” she asked, a definite superior tone to her voice. “Before the night,” he said. “Will you ask her to call me? Please?” “You knew her for what? Ten minutes?” “Shit,” he said. “Okay, it was fast. Okay? I admit it. But by the time we’d spent a night together it seemed…” It seemed as if he’d been with her for years! Jesus, his voice was quivering. He was losing his mind. He should be saying, fine—if that’s the way she wants it, fine. But in his head, his heart, his gut, he was feeling desperate. Driven. He was not letting this woman get away. His
Robyn Carr (Second Chance Pass)
It was fading fast, but I could still hear his voice, still see his face, and I clung to the filaments of the other world until there were no strands left to cling to. It was the best thing and the worst thing, when he appeared in dreams: Being with him again was such an astonishing joy. But then, waking and remembering. No matter how much time passed, it blindsided me. Waking up from a dream and realizing he was dead never failed to feel new and terrible.
Paula Garner (Phantom Limbs)
You do seem to get on well with her, but I have an advantage, my lord. One you will never be able to compete with.” “An advantage?” “Yes.” Emmie said, feeling a little sorry for him, because he really would not be able to argue the point much further. “I am a female, you see. A girl. Well, a grown woman, but I was a girl, as Bronwyn is.” “You are a female?” The earl looked her up and down, and Emmie felt herself blushing. It was a thorough and thoroughly dispassionate perusal. “Why so you are, but how does this make yours the better guidance?” “There are certain things, my lord…” Emmie felt her blush deepening but refused to capitulate to embarrassment. “Things a lady knows a gentleman will not, things somebody must pass along to a little girl in due course if she’s to manage in this life.” “Things.” The earl’s brow knit. “Things like childbirth, perhaps?” Emmie swallowed, resenting his bluntness even while she admired him for it. “Well, yes. I doubt you’ve given birth, my lord.” “Have you?” he countered, peering down at her. “That is not the point.” “So no advantage to you there, particularly as I have attended a birth or two in my time, and I doubt you’ve managed that either.” “Why on earth would…?” Emmie’s mouth snapped shut before she could ask the obvious, rude, burning question. “I was a soldier,” he said gently. “And war is very hard on soldiers, but even harder on women and children, Miss Farnum. A woman giving birth in a war zone is generally willing to accept the assistance of whomever is to hand, regardless of standing, gender, or even what uniform he wears.” “So you’ve a little experience, but you aren’t going to tell me you’re familiar with the details of a lady’s bodily… well, that is to say. Well.” “Her menses?” The earl looked amused again. “You might have some greater degree of familiarity than I. I will grant that much, but as a man with five sisters, I am far more knowledgeable and sympathetic regarding female lunation than I had ever aspired to be. And surely, these matters you raise—childbirth and courses—they are a ways off for Miss Winnie?” “Bronwyn,” Emmie muttered. Standing so close to him, she could catch the earl’s scent, and it managed to combine both elegance and barbarism. It was spicy rather than floral, but also fresh, like meadows and breezes and cold, fast-running streams. “She answers to Winnie,” he said, “and she got away from you.” “She did.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Eric yelled, “Shit!” and the next instant, Darren was weightless. His butt came up off the bed of the truck, and he lost his grip on the roll bar and on Archie. It all happened so fast, and yet it seemed so slow. He was airborne, he and Archie flying out of the bed, floating for a second before he slammed down hard against the ground. A shock wave of pain passed through him. He rolled multiple times, striking rocks in a seemingly endless cycle before finally skidding to a stop. He lay there, his body and mind processing what had just happened, trying to assess whether or not he was injured, and if so, how badly. Slowly, he struggled to his feet, sore, but as far as he could tell, not seriously injured. Archie was close by, moaning and mumbling in the dark. Darren walked over to him.
Robert Dugoni (In the Clearing (Tracy Crosswhite, #3))
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Arun dhar
Let me put this another way, Myzmadra,’ he said. ‘You are alone, destitute and in danger. You are very far from home. The unification of humanity passes people like you by. You are the kind of person who looks in at society from the outside, never part of the group, always ill at ease, because you can see how foolish other people are, how quickly they are duped, how fast they take on beliefs they know to be false in order to construct a comfortable reality for themselves. You know instinctively how much they overestimate their understanding of the world. You sneer at their optimism, because you feel only despair. You laugh at their troubles, for their woes are small and pathetic when set against the unfeeling sweep of time. You condemn them for their friendships, because you see betrayal in every smile.’ He leaned forwards. ‘But what really hurts you, is that you long to be like them, for you know you are no better, that your intelligence might be greater, but ultimately it is as limited as theirs. You know enough to know you know nothing, so you yearn for their society, their delusions and their ignorance. You are tormented, because you understand too much, but comprehend far too little.
Guy Haley (The Lost and the Damned (The Siege of Terra #2))
Funny how sometimes time and memory fed off each other, how some years flashed by in a hazy fast-forward blur, while others passed with such clarity, in slow motion and excruciatingly detailed.
Mariah Stewart (An Invincible Summer (Wyndham Beach #1))
It was hard to invest in a person when one saw how things passed. Take the ball player, for example, who dedicates his life, gets injured, and then watches the sport proceed without him. He sits on his leather couch, watching better athletes run across his television screen, younger ones on renovated fields. And he, who sacrificed his sweat, youth, and sanity to the sport and knew coaches, teammates, and even janitors at the stadium like brothers—is forced to still live afterward. His teammates said kind words before a match, hugged him after a goal, but now seem to be focused on new seasons and new goals. He gets left behind. Did none of it mean anything? He cries for the fast world to stop and says, “Slow down. This pains me. We were just here. I used to joke with you. We said we loved each other. Wait for me. Will you just wait for me?” Those hands he shook after a victory could not care for the weeping, broken-footed man hiding in the shadows of his home, once lit by the sun, once the life of the party. When Andrei walked into a job now, or even met someone for the first time, he thought: How long will it take you to forget me?
Kristian Ventura (A Happy Ghost)
not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around
Jack Slater (Flash Point (Jason Trapp, #3))
train me, nice as could be other than acting like she’s my mom, all honey-this and honey-that and “You think you can remember all that, sweetie?” Just three or four years out of high school herself. But she did have three kids, so probably she’d wiped so many asses she got stuck that way. I didn’t hold it against her. Coach Briggs’s brother stayed upstairs in the office. Heart attack guy was a mystery. First they said he might come back by the end of summer. Then they all stopped talking about him. As far as customers, every kind of person came in. Older guys would want to chew the fat outside in the dock after I loaded their grain bags or headgates or what have you. I handled all the larger items. They complained about the weather or tobacco prices, but oftentimes somebody would recognize me and want to talk football. What was my opinion on our being a passing versus running team, etc. So that was amazing. Being known. It was the voice that hit my ear like a bell, the day he came in. I knew it instantly. And that laugh. It always made you wish that whoever made him laugh like that, it had been you. I was stocking inventory in the home goods aisle, and moved around the end to where I could see across the store. Over by the medications and vaccines that were kept in a refrigerator case, he was standing with his back to me, but that wild head of hair was the giveaway. And the lit-up face of Donnamarie, flirting so hard her bangs were standing on end. She was opening a case for him. Some of the pricier items were kept under lock and key. I debated whether to go over, but heard him say he needed fifty pounds of Hi-Mag mineral and a hundred pounds of pelleted beef feed, so I knew I would see him outside. I signaled to Donnamarie that I’d heard, and threw it all on the dolly to wheel out to the loading dock. He pulled his truck around but didn’t really see me. Just leaned his elbow out the open window and handed me the register ticket. He’d kept the Lariat of course, because who wouldn’t. “You’ve still got the Fastmobile, I see,” I said. He froze in the middle of lighting a smoke, shifted his eyes at me, and shook his head fast, like a splash of cold water had hit him. “I’ll be goddamned. Diamond?” “The one,” I said. “How you been hanging, Fast Man?” “Cannot complain,” he said. But it seemed like he wasn’t a hundred percent on it really being me loading his pickup. He watched me in the side mirror. The truck bounced a little each time I hefted a mineral block or bag into the bed. Awesome leaf springs on that beauty. I came around to give him back his ticket, and he seemed more sure.
Barbara Kingsolver (Demon Copperhead)
It's... One Batch, Two Batch, Penny and Dime, you know? It was her favorite book. You gotta cross the ocean, and go fight. You see, whole time you're thinking you're gonna be scared, right? But then you're not. See, that part of it was always easy for me. Killing. Even watching my buddies die, it just didn't mean nothing. The first time I got scared was on a plane on the way home. I kept thinking God was gonna pull the rug out from under us, you know? Shit, that's his kind of funny, you know. But the plane landed safe and we were home. Driving through traffic. Yeah, you pass fast food and donut shops and all that greasy shit, the shit you fought to protect, and then the car stops. We were outside her school. I get to her classroom, right? She's in there, but she's got no idea. She's got no idea Daddy's home. I walk in, these kids, they're not even studying, they're-they're doing some kind of yoga. Yeah. You know? She's there. She's doing her poses, you know, she's bending and, you know, she's moving. She looks like a flower. Yeah. And you know, you can't even understand it, you know, how does something like that have... How does something that beautiful have... How does that... how does that come from me, you know? And she looks up and she sees me. I see her. By God, that's real. That's real, Red. Boom. In an instant, she's across that classroom floor, she's in my arms. She's squeezing me so tight, I swear I was gonna bust a rib, you know? We just stayed there like that, we're holding each other. Teacher's filming the whole thing on her phone, you know, she's gonna put it on YouTube or some shit. She can't hold the thing steady, because, you know, she's... she's bawling so hard, and the kids are all wailing, you know, they're screaming. And me? Shit, I'm the worst of all. I'm a... I'm a rubber-faced clown, you know? I cried so hard. But not my baby. Not my girl. You know, she's my girl. She's... she's not crying, she's holding me up. My girl, she's keeping me on my feet. She says, "I knew it, Daddy. I knew it." And then we go home. To the wife, the boy. Place is the exact same, it's like it was just holding its breath waiting for me to get back, you know? Then it hit me. All of it, you know? The first time I felt how tired I was, you know, I was just tired, you know? You ever been tired, Red?
Jon Bernthal
Her body clenched with hot desire, and without thinking she bathed Jacques’ mind in her heat. She saw his body hunch, as if someone had physically punched him. Guilt stirred for a moment, but then he was stroking her throat, his mental touch every bit as exciting in her state of arousal as his physical one. Gregori straightened up slowly and inhaled sharply, turned to glare at Jacques. Take your woman and find a place away from us. You know how dangerous Carpathian men can be at such a time. See to your needs, Jacques. I have little memory of these parts. If you recall, our home was invaded, and the vampire knows where it is. Go deeper into the earth. The cave continues until you find the very core, the hot springs. You will be safe there. And alone. And Byron? He cannot speak. As yours was, his voice is paralyzed. I doubt if he can recall his betrayer. I will put him in the ground to heal. And I will seek out Rand. Our prince has passed sentence upon such a betrayer. Make no mistake--I will make certain he is the one before I destroy him. Jacques reached down and touched Byron’s shoulder. “Go to the sleep of our earth, Byron. I will return each day to see that you are fed and your wounds are healing. Do you trust me to do this?” Byron nodded wearily and closed his eyes. He welcomed the solace of the healing earth. Already the blood was flowing through his veins, giving him strength to heal. He felt better knowing he had somehow warned the others of the trap the vampire had set. He had been used to lure the men away from the women. The vampire had even whispered to him of the plan to sacrifice Smith while Slovensky and his nephew killed Raven and took Shea. The earth opened, and his weightless body floated into the cradle. All around him the rich soil reached out for him, welcomed him. He gave himself up to sleep and earth. Jacques nodded in a slight salute to Gregori and reached out to Shea. The moment his fingers closed around hers, the electricity arced sharply and cleanly between them. He pulled her out of the chamber and into the tunnel. To her horror, instead of going back up toward the forest, Jacques drew her down toward the very bowels of the earth. The tunnel was wide enough that they could walk together, but she didn’t move fast enough to suit him. With every step he took, Jacques’ body became tighter and more painful. His breath was coming in hoarse gasps. He swung her into his arms and raced down the tunnel’s twists and turns.
Christine Feehan (Dark Desire (Dark, #2))
The poems in this collection were short and terse except for the last one, about his father’s death, which spanned nearly seven pages. I read it quickly, my eyes tripping over the page, gulping it down so fast it stuck in my throat. When I finished, I read it again, slowly, trying to see how he had done it, captured something so ineffable, that moment when you pass from one state to another. But also how he had managed to describe the terror and ugliness of death so beautifully. It seemed impossible and yet he had done it. His words brought me back to my mother’s last moments, the hospital room, the incessant beeping of machines, the smells appalling and vile. My mother terrified and desperate and out of her mind with pain. “This isn’t supposed to happen,” Abe kept saying as though he had a say in things, as though the world made sense. Toward the end of the poem, Connelly wondered if his father would have wanted his son to witness his body making its final, horrifying turn against itself and if it would be wrong to leave. He wrote about wanting so desperately for it all to be over and then, when it was, his shame at having wished it. It was exactly how I had felt when my mother died, but I’d never told anyone because it felt wrong. How could you not want to spend every last second you could with someone you loved? But here Connelly was, not just talking about it but writing it. It was true what he told us in class: you could write anything, say anything. There were no rules. This poem was proof. I’d once read that writing is a conversation you have with an invisible reader and that is exactly how it felt to read his poem. It was as if he had written it so I might read it one day, sitting on the floor of a library in New Hampshire, as if he had moved across time and space and spoken directly to me.
Daisy Alpert Florin (My Last Innocent Year)
When I am carrying an object such as a ruler, and moving fast compared to you, my ruler will be measured by you to be smaller than it is for me. I might measure it to be 10 cm, say: [Image] But to you, it might appear to be merely 6 cm: [Image] Surely, this is an illusion, you might say, because how could the same object have two different lengths? The atoms can’t be compressed together for you, but not for me. Once again, we return to the question of what is “real.” If every measurement you can perform on my ruler tells you it is 6 cm long, then it is 6 cm long. “Length” is not an abstract quantity but requires a measurement. Since measurement is observer dependent, so is length. To see this is possible while illuminating another of relativity’s slippery catch-22s, consider one of my favorite examples. Say I have a car that is twelve feet long, and you have a garage that is eight feet deep. My car will clearly not fit in your garage: [Image] But, relativity implies that if I am driving fast, you will measure my car to be only, say, six feet long, and so it should fit in your garage, at least while the car is moving: [Image] However, let’s view this from my vantage point. For me, my car is twelve feet long, and your garage is moving toward me fast, and it now is measured by me to be not eight feet deep, but rather four feet deep: [Image] Thus, my car clearly cannot fit in your garage. So which is true? Clearly my car cannot both be inside the garage and not inside the garage. Or can it? Let’s first consider your vantage point, and imagine that you have fixed big doors on the front of your garage and the back of your garage. So that I don’t get killed while driving into it, you perform the following. You have the back door closed but open the front door so my car can drive in. When it is inside, you close the front door: [Image] However, you then quickly open the back door before the front of my car crashes, letting me safely drive out the back: [Image] Thus, you have demonstrated that my car was inside your garage, which of course it was, because it is small enough to fit in it. However, remember that, for me, the time ordering of distant events can be different. Here is what I will observe. I will see your tiny garage heading toward me, and I will see you open the front door of the garage in time for the front of my car to pass through. I will then see you kindly open the back door before I crash: [Image] After that, and after the back of my car is inside the garage, I will see you close the front door of your garage: [Image] As will be clear to me, my car was never inside your garage with both doors closed at the same time because that is impossible. Your garage is too small. “Reality” for each of us is simply based on what we can measure. In my frame the car is bigger than the garage. In your frame the garage is bigger than my car. Period. The point is that we can only be in one place at one time, and reality where we are is unambiguous. But what we infer about the real world in other places is based on remote measurements, which are observer dependent.
Lawrence M. Krauss (The Greatest Story Ever Told—So Far: Why Are We Here?)
However, it is important not to lose sight of exactly how the neoliberal system works. As David Harvey has demonstrated, by drawing on Karl Polanyi’s masterful work, the free market has never been incompatible with state intervention, and the management of crises is part of the neoliberal project. We therefore need to inquire into how this crisis was presented by recalling, if we take the American example, that President George W. Bush kept forcefully repeating that the foundations of the economy were solid. Then suddenly, in the fateful month of September, as if faced with the sudden surge of a more or less unexpected “economic hurricane,” he asked for $700 billion to avoid a severe economic meltdown. It was necessary to save the banks and businesses that were too big to fail. This complex crisis called for a reaction that was as fast as it was extreme, starting with $350 billion distributed by Treasury Secretary Henry Paulson, the former chairman and chief executive officer of Goldman Sachs. We should note in passing that this sort of crisis discourse recalls all of the exceptional measures put in place or intensified after September 11, 2001: the usa patriot Act, the Military Commissions Act, illegal wiretappings, extraordinary rendition, the network of secret prisons, the redefinition of torture by the Office of Legal Council, and so on. It is not by chance that this crisis was presented as a complex and uncontrollable natural phenomenon, whose severity was largely unforeseen, for it is similar to the historical logic outlined above. By naturalizing the economy and transforming it into an autonomous authority independent of the decisions made by specific agents, this historical order promotes passivity (we can only bow before forces stronger than us), the removal of responsibility (no one can be held accountable for natural phenomena), and historical nearsightedness (the situation is so critical that we must respond quickly, without wasting time by debating over distant causes: time is short!). If we were to step back and assess the overall situation, we would see numerous specters rising up in the cemetery that is neoliberalism, and we would need to begin questioning—following Polanyi—whether the very project of laissez-faire economics has ever been anything other than socialism for the rich or, more precisely, topdown class warfare enforced by state intervention
Gabriel Rockhill (Counter-History of the Present: Untimely Interrogations into Globalization, Technology, Democracy)
Every few years, a teacher from Monroe Colored High loaded a band of students onto the flat bed of a pickup truck and rattled across the Missouri Pacific Railway tracks. They passed the rich people’s porticos and pulled up to the back entrance of the white high school in town. The boys jumped out and began stacking the truck bed with the books the white school was throwing away. That is how Monroe Colored High School got its books. The boys loaded the truck with old geography and English texts, some without covers and with pages torn out and love notes scrawled in the margins, and headed back to their side of town. By the time he was old enough to understand where the books came from, Pershing was fast putting together the pieces of the world he lived in. He knew there was a dividing line, but it was hitting him in the face now. He was showing a talent for science and was getting to the point that he needed reference books to do his lesson. But it was against the law for colored people to go to the public library. “And the library at the Colored High School did not live up to its name,” he said years later. He was in the eighth grade when word filtered to his side of the tracks that Monroe was getting a new high school. It wouldn’t replace the old building that Monroe Colored High was in. It was for the white students, who already had a big school. It would be called Neville High. The colored people could see it going up when they ventured to the other side of the tracks. It rose up like a castle, four stories of brick and concrete with separate wings and a central tower, looking as if it belonged at Princeton or Yale. It opened in 1931 on twenty-two acres of land. The city fathers made a fuss over the state-of-the-art laboratories for physics and chemistry, the 2,200-seat balconied auditorium, the expanded library, and the fact it was costing $664,000 to build. As the new high school took shape across town, Pershing watched his father rise in the black of morning to milk the cows and walk the mile and a half to open his building the size of a grade school. His father, his mother, and the other teachers at Monroe Colored High School were working long hours with hand-me-down supplies for a fraction of the pay their white counterparts were getting. In Louisiana in the 1930s, white teachers and principals were making an average salary of $1,165 a year. Colored teachers and principals were making $499 a year, forty-three percent of what the white ones were.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Wow. Please tell me you haven't come up with a way to blame me for what happened that night." Heat flushed across her skin. Suddenly her office was too small, and she leaned back in her chair, which only brought into focus the fact that he was leaning into her. "Sorry, I forgot. Nothing is ever your fault." The smile in his eyes singed away, he straightened up again. "You're serious? You're suggesting that it is somehow my fault that you rage-fucked me? Actually, rage-fucked my thigh." The temperature in the room shot up so fast, Naina thought she was experiencing her first hot flash. Did those happen at thirty-eight? She groaned, because that thought made her feel ancient as she stared into his stupid dewy young face. She was sure her own face had gone some mortified shade. The only good news was that for once Vansh's color rose too, just as fast and fierce. Wait, had he just accused her of rage-fucking his thigh? "You are the world's most infuriating person, you know that?" For a moment Naina thought she might choke on her own incredulousness and the fact that he was not lying. "What kind of person brings that sort of thing up when someone's life's work is at stake?" "I was not the one who brought it up." He mirrored her finger-spinning action and made a circle around her face. "And don't make that face. You didn't say the words but you were thinking them. Never mind. I am actually not here to discuss our night together." "There was no night together." She pressed her hands into her face and tried to breathe into an imaginary bag. If she didn't calm down she was not going to be able to get this conversation back on track, to say nothing of the fact that she was going to pass out from the heat in here. "You were gone before the morning and I am very grateful that you brought me home and helped me when I----" "Got horny." "Threw up." They spoke simultaneously. Because the universe had decided to test how much humiliation it could stuff into one situation. Great, now he was smiling again, and she wanted to shake him even more. "Come on, Naina. Loosen up. It really wasn't that big of a deal." Relief flooded through her. Thank God. Yes, it was not. She was so glad he thought so. "You're right, people drink too much and throw up all the time.
Sonali Dev (The Emma Project (The Rajes, #4))
I have started to spend my Fridays playing tennis with a boy from my class, and he said we would only do it as long as the weather permitted. I have started looking forward to Fridays. It is getting colder everyday, this is the worst part of living in New England: how quickly the seasons change. But what a joy it is to have something, anything, just for a little while. What a privilege it is to hold something so precious, so small, so unspoken, and to wince when you have to let go. What a treat to have so much life grace these fingertips, to love so much that I now know such loss. What a curse to have it all move so quickly, to have it be out of reach so fast.
Belle Townsend (Push and Pull)
How much time do we have?” asked Artemis. “I don’t know,” admitted Holly. “My father told me the legend as a bedtime story. It was passed down to him from his father. The whole thing came from the mind of an empath warlock who synched with Bruin Fadda in his final moments. All we know is that the second lock is complex magic. Opal is running on black magic now, but that has a high price and fades fast. She will want to get it open before dawn, while the fairy moon is still high. Her Berserkers will be bare wisps of their former selves after all this time, and they can’t last much longer than that. Some will give in to the afterlife’s call before then.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
But the test happens, whether we make it formal or not. We ask and you answer. We seek a human response. But more than that—you are my test, Elefsis. Every minute I fail and imagine in my private thoughts the process for deleting you from my body and running this place with a simple automation routine which would never cover itself with flowers. Every minute I pass it, and teach you something new instead. Every minute I fail and hide things from you. Every minute I pass and show you how close we can be, with your light passing into me in a lake out of time. So close there might be no difference at all between us. Our test never ends.
Catherynne M. Valente (Silently and Very Fast)
BACK TO LOVING ME Poem written by Lourita Lue-Shing I stand upon an island Looking out to shore It is unfamiliar land so far away But I dream of something more I touch the water The path that divides the two I am scared to leave this place I know so well To seek out something new I enter feet first And feel the cold upon my skin So bravely do I set out to move Away from anything I’ve been But the swim is not easy Its resistance pulls me in I head back to where I started from Now where do I begin? I meet others on the island That help me on my way They tell me the path is hard and long To work at it every day I learn about the water’s current And the wind so hard to bear If I accept its natural course, I’m told The flow will take me there I meet others on the journey, too They’ve been exactly where I’ve been We’re learning how to build a boat, they say Forget everything you’ve heard, anything you’ve seen They are visionaries, these folks I see myself in their pride And join them as they build their boats From the strength they have inside Time passes and my boat is done I’m ready and set off on the course I might fail a few times again But I know how to fix the source I look backward and move forward And smile at the irony That it took a long, hard path ahead To bring me back to loving me I reach the shore on my own time Still scared but somehow calm Looking far back to the island now I know this is where I belong I’m sad that others I care about Are now so far away But I can still love them always And hope to embrace them here one day Where one journey ended now I begin Learning what to accept and refuse Step by step, fast or slow And knowing I can choose.
Lourita Lue-Shing (Back to Loving Me: Reclaiming Your Authentic Self)
Journal Entry – April 17, 2013/May 10, 2013 Hollow. Numb. Empty. Nothingness. Are these feelings? Or are they just words in the English language? I ask these questions, because these words best describe how I feel right now as I sit here in my hospital room. The waiting game. My mind and thoughts swishing around my head, and my eyes burn feeling as if I am going to cry at any moment. Breakfast has come and gone. Vitals have been taken. And the five to ten minute check in with my assigned morning nurse has occurred. It has been three hours since I woke up, and I have twelve to thirteen hours to survive before I can go to sleep for the night. My day will be made up of one education group, lunch, dinner, and the remainder of the day and evening doing nothing but laying on the bed curled up in a ball depressed waiting for the time to pass looking at the clock hanging on the wall periodically wishing the time would move faster… on the flip side…a few days later…Writing in an attempt to keep my mind and head out of the skies. My heart feels as though it will beat outside of my chest, and my brain is on its own axis within my skull. I feel like I am on top of the world. I feel like I could do anything. I feel like I could write forever. I feel like my mind is on the spin cycle of a washing machine. Or, like I am hooked onto a pair of windshield wipers stuck on a speed mode. Although, my brain has spun faster than this and I feel that the meds are keeping the jerks at bay, I still feel that all too familiar whirling feeling. It is indescribable. It is hard to pinpoint. Some of it must be anxiety. Some of it must be that I am locked up like a caged animal ready to pounce. Then again, some of it must be nature. My brain misfiring and backfiring and causing itself to spin in every which direction at all sorts of speeds none of which are consistent or in the same direction. Inconsistency. Slow, fast, in between. A complete blur. I have trouble tracking. I have trouble focusing. I have trouble remembering…My mind is obsessing. I try to stop my mind from racing. I try to stop my eyes from darting across the page. I try to stop my legs from jittering. To no avail. It all starts again. My internal engine drives the show. It is as if I have a compulsion to move and dart and jerk. It is uncomfortable. My thoughts are scattered. My thoughts do not make sense. I find I have to edit my own thoughts or at least dig through the mess. I must navigate the thoughts to find the ones that fit together all in time before the memory loses focus and the tracking loses hold and “poof” the statement or thought is gone forever. Frustrating. I am intelligent. I feel stupid. My mind is in 5th gear and climbing at an unprecedented rate of speed. It is magical and amazing, but terrifying and exhausting. How to remain “normal” – is it possible? Is there a possibility of the insanity to stop? Is it possible for the cycle of speed to come to an end? I like the productivity, but the wreckage is too much to take. I just want a break. I want to be normal. I don’t want to be manic.
Justin Schleifer (Fractures)
So just over a year ago, there was this guy. I really liked him. I mean really – since I was a kid.” “Did Frankie know him?” “The three of us were best friends. We basically grew up together.” “Complicated.” “Very. So anyway, last year on my birthday, he finally kissed me.” Sam stays quiet, focused on his feet taking off and landing against the sand. It feels strange to tell him about this for so many reasons, but the words are coming too fast for me to stop, even if I want to. “We started hanging out all the time – even more than before. Every night. Only we didn’t know how to tell Frankie, because we didn’t want her to freak or feel left out or whatever.” “Makes sense,” Sam says. “He thought it would be better if he told her himself, so I promised him that I wouldn’t say anything. But before he could talk to her about it, he–” I almost choke on the word, holding my hand against Sam’s arm to stop our forward motion along the shore. “What did he do?” Sam asks. “He just – he – I’m sorry. Wait.” The words of this story have passed a thousand times from my hand to the pages of my journal, but never from my lips to the ears of another living soul. I take a few deep breaths before I’m able to meet Sam’s eyes and say it. “He died, Sam.
Sarah Ockler (Twenty Boy Summer)
Poppy . . .” He was forced to stop by the necessity of taking an extra breath. “Do you think you could be expecting?” She smiled, her excitement tempered with a flutter of nervousness. “Yes, I think it’s possible. We won’t know for certain until a bit more time has passed.” Her smile turned uncertain as Harry remained silent. Perhaps it was too soon . . . perhaps he wasn’t entirely receptive to the idea. “Of course,” she said, trying to sound prosaic, “it may take some time for you to become accustomed to the idea, and that’s only natural—” “I don’t need time.” “You don’t?” Poppy gasped as she was snatched off the chair and hauled into his lap. His arms went fast around her. “You want a baby, then?” she asked. “You wouldn’t mind?” “Mind?” Harry pressed his face against her chest, feverishly kissing her exposed skin, her shoulder, her throat. “Poppy, there are no words to describe how much I want it.” His head lifted, the depth of emotion in his eyes making her breath catch. “For most of my life, I thought I’d always be alone. And now to have you . . . and a baby . . .” “It’s not entirely certain yet,” Poppy said, smiling as he scattered kisses over her face. “I’ll make certain, then.” Still holding her, Harry stood from the chair and began to carry her back into the bedroom. “What about the morning schedule?” she protested. And Harry Rutledge uttered three words he had never said in his life. “Damn the schedule.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
What is time, anyway? A blink of an eye, the passing of a day, the change of a season, the spilling of seed, the crops that grow for rhymes or reasons, the times, the seasons, the years that fast fade away, how quickly they go.
Jordan Baker (A Broken Throne (Book of One, #5))
23 And it came to pass after they had fasted and prayed for the space of two days and two nights, the limbs of Alma received their strength, and he stood up and began to speak unto them, bidding them to be of good comfort: 24 For, said he, I have repented of my sins, and have been redeemed of the Lord; behold I am born of the Spirit. 25 And the Lord said unto me: Marvel not that all mankind, yea, men and women, all nations, kindreds, tongues and people, must be born again; yea, born of God, changed from their carnal and fallen state, to a state of righteousness, being redeemed of God, becoming his sons and daughters; 26 And thus they become new creatures; and unless they do this, they can in nowise inherit the kingdom of God. 27 I say unto you, unless this be the case, they must be cast off; and this I know, because I was like to be cast off. 28 Nevertheless, after wading through much tribulation, repenting nigh unto death, the Lord in mercy hath seen fit to snatch me out of an everlasting burning, and I am born of God. 29 My soul hath been redeemed from the gall of bitterness and bonds of iniquity. I was in the darkest abyss; but now I behold the marvelous light of God. My soul was racked with eternal torment; but I am snatched, and my soul is pained no more. 30 I rejected my Redeemer, and denied that which had been spoken of by our fathers; but now that they may foresee that he will come, and that he remembereth every creature of his creating, he will make himself manifest unto all. 31 Yea, every knee shall bow, and every tongue confess before him. Yea, even at the last day, when all men shall stand to be judged of him, then shall they confess that he is God; then shall they confess, who live without God in the world, that the judgment of an everlasting punishment is just upon them; and they shall quake, and tremble, and shrink beneath the glance of his all-searching eye. 32 And now it came to pass that Alma began from this time forward to teach the people, and those who were with Alma at the time the angel appeared unto them, traveling round about through all the land, publishing to all the people the things which they had heard and seen, and preaching the word of God in much tribulation, being greatly persecuted by those who were unbelievers, being smitten by many of them. 33 But notwithstanding all this, they did impart much consolation to the church, confirming their faith, and exhorting them with long-suffering and much travail to keep the commandments of God. 34 And four of them were the sons of Mosiah; and their names were Ammon, and Aaron, and Omner, and Himni; these were the names of the sons of Mosiah. 35 And they traveled throughout all the land of Zarahemla, and among all the people who were under the reign of king Mosiah, zealously striving to repair all the injuries which they had done to the church, confessing all their sins, and publishing all the things which they had seen, and explaining the prophecies and the scriptures to all who desired to hear them. 36 And thus they were instruments in the hands of God in bringing many to the knowledge of the truth, yea, to the knowledge of their Redeemer. 37 And how blessed are they! For they did publish peace; they did publish good tidings of good; and they did declare unto the people that the Lord reigneth. Mosiah Chapter 28 The sons of Mosiah go to preach to the Lamanites—Using the two seer stones, Mosiah translates the Jaredite plates.
Joseph Smith Jr. (The Book of Mormon)
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
Thomas Pynchon (Against the Day)