Id Card Funny Quotes

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The ringtone was a dead giveaway, emphasis on dead . . . creepy organ music. She didn’t even have to glance at the image of fanged bunny slippers on the screen to know who was calling. She just sighed, thumbed it on, and held it to her ear. “Claire! I need you here immediately. Something’s wrong with Bob.” Myrnin, her mad-scientist, blood-addicted boss, sounded actually shaken. “I can’t get him to eat his insects, and I used his favorites. He just sits there.” “Bob,” she repeated, looking at Shane in wide-eyed disbelief. “Bob the spider.” “Just because he’s a spider doesn’t mean he deserves any less concern! Claire, you have a way with him. He likes you.” Just what she needed. Bob the spider liked her. “You do realize that he’s a year old, at least. And spiders don’t live that long.” “You think he’s dead?” Myrnin sounded horrified. So wrong. “Is he curled up?” “No. He’s just quiet.” “Well, maybe he’s not hungry.” “Will you come?” Myrnin asked. He sounded calmer now, but also oddly needy. “It’s been very lonely here these past few days. I’d like your company, at least for a little while.” When she hesitated, he used the pity card. “Please, Claire.” “Fine,” she sighed. “I’m bringing Shane.” After a second of silence, he said, flatly, “Goody,” and hung up.
Rachel Caine
In my mind, she was Lebkuchen Spice—ironic, Germanic, sexy, and off beat. And, mein Gott, the girl could bake a damn fine cookie … to the point that I wanted to answer her What do you want for Christmas? with a simple More cookies, please! But no. She warned me not to be a smart-ass, and while that answer was totally sincere, I was afraid she would think I was joking or, worse, kissing up. It was a hard question, especially if I had to batten down the sarcasm. I mean, there was the beauty pageant answer of world peace, although I’d probably have to render it in the beauty pageant spelling of world peas. I could play the boo-hoo orphan card and wish for my whole family to be together, but that was the last thing I wanted, especially at this late date.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
I’d even had business cards made up reading, ABIGAIL COOPER, P.I. with teeny-weeny little letters underneath in parentheses spelling out PSYCHIC INTUITIVE. Most people think I’m trying to be clever. The truth is, I’m a chickenshit.
Victoria Laurie (Abby Cooper, Psychic Eye (Psychic Eye Mystery, #1))
I'd been so tired of 'strong female characters' for so long by then. I was so tired of the way female strength was made to look cold and humorless; the way it was characterized as deviant and 'unnatural' and always lonely and exceptional. I was tired of the grim undertone of tragedy that lurked under its surface. 'Strong female characters' were never funny, and they never had any fun, either. More often than not, they were celibate, friendless, and clinically depressed. Their monomaniacal devotion to crime fighting made them lean, cranky, and impatient. Naturally, they had axes to grind: they were avenging brides, poker-faced assassins, gloomy ninjas with commitment issues. Who were these characters? What were they trying to tell us? Why didn't they ever say goodbye before hanging up the phone? And why were they always being reborn or remade as killing machines after losing everything they held dear? ...I don't want to see another symbolic woman start all over again. I want to see the symbolic world change to acknowledge her existence. I don't want to see a young girl get a makeover or go shopping with her boyfriend's credit card. I want to watch her blow up the Death Star - metaphorically, of course.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
So I did some research,” she went on. “The good thing about being a famous model is that you can call anyone and they’ll talk to you. So I called this illusionist I’d seen on Broadway a couple of years ago. He heard the story and then he laughed. I said what’s so funny. He asked me a question: Did this guru do this after dinner? I was surprised. What the hell could that have to do with it? But I said yes, how did you know? He asked if we had coffee. Again I said yes. Did he take his black? One more time I said yes.” Shauna was smiling now. “Do you know how he did it, Beck?” I shook my head. “No clue.” “When he passed the card to Wendy, it went over his coffee cup. Black coffee, Beck. It reflects like a mirror. That’s how he saw what I’d written. It was just a dumb parlor trick.
Harlan Coben (Tell No One)
Having nothing more than those two pennies was both horrible and just the slightest bit funny, the way being flat broke at times seemed to me. As I stood there gazing at Elk Lake, it occurred to me for the first time that growing up poor had come in handy. I probably wouldn’t have been fearless enough to go on such a trip with so little money if I hadn’t grown up without it. I’d always thought of my family’s economic standing in terms of what I didn’t get: camp and lessons and travel and college tuition and the inexplicable ease that comes when you’ve got access to a credit card that someone else is paying off. But now I could see the line between this and that—between a childhood in which I saw my mother and stepfather forging ahead over and over again with two pennies in their pocket and my own general sense that I could do it too.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Where the hell were the sales ladies? The ones every store had to help relieve customers of guys with panic stricken eyes and the sudden need to drink away the pain of the credit card swipe. Ah! Nice. A female employee turned towards us and started walking. Thank god someone finally recognized the look of horror. She paused in front of us. "Do you need help?" "Yes!" I damn near shouted in the poor thing's face. She was only around five foot and that was with the tallest red heels I'd ever seen. Her face was clean of makeup except for bright red lipstick. She looked like she knew what she was doing. So I did what any sane man would do. I pushed Amy towards her and said, "Can you dress her?" The ladies eyes narrowed. "That came out wrong." I grumbled. "Can you help her find some clothes? She needs a whole new wardrobe. Shoes, under things." I coughed into my hand and looked away. Bar. Bar. Where was a freaking bar?
Rachel Van Dyken (Bang Bang (Eagle Elite, #4.6))
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and 'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
Alice Oseman (Solitaire)
Sister didn't have to make a special valentine for Billy Grizzwold. She found the perfect one for him at the card store. It showed a scary-looking Frankenbear-type monster with a bolt on each side of his neck. It said: Monsters come in every shape and size. But when it comes to creepy, you take the prize! She'd sign it, "Guess Who." She couldn't wait to see Billy's face when he opened it at the class Valentine's Day party. But Sister forgot to watch when Billy opened her valentine because among the valentines she received was one that took her breath away. It was all hearts and flowers and inside it said, “Will you be my special friend?” “Wow!” said Lizzy Bruin. “It must have cost a whole dollar!” “It’s signed, ‘Guess who,’” said Sister. “Who do you suppose it’s from?” “Well, I know who you hope it’s from,” said Lizzy. “If somebody sent me a beautiful valentine that cost a whole dollar, I’d sure want to know who it was from. There’s Herbie over by the punch bowl. Go ask him.” Sister started for the punch bowl, but Billy Grizzwold blocked her way. He had the valentine Sister had sent him. “I’ll be glad to get you some punch,” said Billy. “And throw it down my back?” said Sister. “No, nothing like that,” said Billy. “I’m sorry about all the stuff I did. And I really don’t blame you for sending me this. It’s really pretty funny. How’d you like that valentine I sent you?” “You sent me?” said Sister. “You sent me this valentine?” “Yep,” said Billy. “I saved up for weeks to get it.” Sister was confused. She didn’t know what to say, so she just said, “Thanks.
Stan Berenstain (The Berenstain Bears' Funny Valentine)
I’d never do that.” The fact that he thinks I’d out him hurts. He knows I’m queer. It reminds me how little I actually know Eddie. He plays his cards very close to the vest. Jacob’s always been the one who helps him open up around us, who can access the funny parts of him. But now…
Wendy Heard (We'll Never Tell)
If you don't tell me why you're avoiding me, then, like, we might as well just get it over with and stop being friends." He stiffens and turns red, even visible in the dim light. It dawns on me that we're never going to be best friends again. "It's...," he says. "It is very difficult... for me... to be around you." "Why?" It take him a while to answer. He smooths his hair to one side, and rubs his eye, and checks that his collar isn't turned up, and scratches his knee. And then he starts to laugh. "You're so funny, Victoria." He shakes his head. "You're just so funny." At this, I get a sudden urge to punch him in the face. Instead, I descend into hysteria. "For fuck's sake! What are you talking about?!" I begin to shout, but you can't really tell over the noise of the crowd. "You're insane. I don't know why you're saying this to me. I don't know why you decided you wanted to become BFFs all over again, and now I don't know why you won't even look me in the eye. I don't understand anything you're doing or saying, and it's killing me, because I already don't understand anything about me or Michael or Becky or my brother or anything on this shitty planet. If you secretly hate me or something, you need to spit it out. I'm asking you to give me one straight answer, one single sentence that might sort at least something out in my head, but NO. You don't care, do you!? You don't give a SINGLE SHIT about my feelings, or anyone else's. You're just like everyone else." "You're wrong," he says. "You're wro-" "Everyone's got such dreadful problems." I shake my head wildly, holding on to it with both hands. "Even you. Even perfect innocent Lucas has problems." He's staring at me in a kind of terrified confusion, and it's absolutely hilarious. I start to crack up. "Maybe, like, everyone I know has problems. Like, there are no happy people. Nothing works out. Even if it's someone who you think is perfect. Like my brother!" I grin wildly at him. "My brother, my little brother, he's soooo perfect, but he's- he doesn't like food, like, he literally doesn't like food, or, I don't know, he loves it. He loves it so much that that it has to be perfect all the time, you know?" I grabbed Lucas by one shoulder again so he understands. "And then one day he gets so fed up with himself, like, he was annoyed, he hated how much he loves food, yeah, so he thought that it was better if there wasn't any food." I started laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So he, last year, he-" I hold up my wrist and point at it-"he hurt himself. And he wrote me this card, telling me he was really sorry and all, but I shouldn't be sad because he was actually really happy about it." I shake my head and laugh and laugh. "And you know what just makes me want to die? The fact that, like, all the time, I knew it was coming, but I didn't do anything. I didn't say anything to anyone about it, because I thought I'd been imagining it. Well, didn't I get a nice surprise when I walked into the bathroom that day?" There are tears running down my face. "And you know what's literally hilarious? The card had a picture of a cake on it!" He's not saying anything because he doesn't find anything hilarious, which strikes me as odd. He makes this pained sound and turns at a sharp right angle and strides away. I wipe the tears of laughter from my eyes, and then I take that flyer out of my pocket and look at it, but the music has started again and I'm too cold and my brain doesn't seem to be processing anything. Only that goddamn picture of that goddamn cake.
Alice Oseman (Solitaire)
Sorry about that. For years, my sister has labored under the impression that she’s funny. My father and I have humored her in this.” Rylann waved this off. “No apology necessary. She’s just protective of you. That’s what siblings do—at least, I assume it is.” “No brothers or sisters for you?” Kyle asked. Rylann shook her head. “My parents had me when they were older. I asked for a sister every birthday until I was thirteen, but it wasn’t in the cards.” She shrugged. “But at least I have Rae.” “When did you two meet?” “College. We were in the same sorority pledge class. Rae is…” Rylann cocked her head, trying to remember. “What’s that phrase men always use when describing their best friend? The thing about the hooker and the hotel room.” “If I ever woke up with a dead hooker in my hotel room, he’d be the first person I’d call. A truer test of male friendship there could not be.” Rylann smiled. “That’s cute. And a little scary, actually, that all you men have planned ahead for such an occasion.” She waved her hand. “Well, there you go. If I ever woke up with a dead hooker in my hotel room, Rae would be the first person I’d call.” Kyle rested his arms on the table and leaned in closer. “Counselor, you’re so by the book, the first person you’d call if you woke up next to a dead hooker would be the FBI.” “Actually, I’d call the cops. Most homicides aren’t federal crimes, so the FBI wouldn’t have jurisdiction.” Kyle laughed. He reached out and tucked back a lock of hair that had fallen into her eyes. “You really are a law geek.” At the same moment, they both realized what he was doing. They froze, eyes locked, his hand practically cupping the side of her cheek. Then they heard someone clearing her throat. Rylann and Kyle turned and saw Jordan standing at their table. “Wine, anyone?” With her blue eyes dancing, she set two glasses in front of them. “I’ll leave you two to yourselves now.” Rylann watched as Jordan strolled off. “I think you’re going to have some explaining to do after I leave,” she whispered to Kyle. “Oh, without a doubt, she’s going to be all up in my business over this.
Julie James (About That Night (FBI/US Attorney, #3))
What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003
Anonymous
Oh, girl! He's got a big one,” the fortune teller exclaimed, her dark eyes briefly flickering up to Violet's face before returning back to the cards spread out in front of her. She paused for a moment as she studied them, her pointer finger tapping against her jaw. Finally, she added, “Just like a summer sausage, and I'm not talking about the snack-sized ones. And it's attached to a body that could put Dwayne Johnson to shame. What women could resist a package like that? I'd say the future is definitely going to be bright... at least for you.
Rose Wynters (The Vampire's House of Pleasure Part 1 (The Vampire's House of Pleasure #1))
I’d been at the plant for three weeks when Curly invited me to his trailer for a drink. He lived just outside Hood River in a double-wide he shared with his mother, a woman he often spoke about. “I told Mother what you said about Dorothy’s mouth looking like a gunshot wound and, Lord, she just about bust a gut, she was laughing so hard. She is one funny lady, my mother. Nothing tickles her funny bone better than a knock-knock joke. You know any good sidesplitters?” Desperate as I was for company, I understood that I was clearly dealing with a loser. Management seemed the perfect career for a person like Curly. I could easily picture him in a short-sleeved shirt, the pocket lined with pens. Someone would ask him to check the time cards and he’d probably say something goofy like “Okey-dokey, artichokey.” I’d tried to straighten him out, but there’s only so much you can do for a person who thinks Auschwitz is a brand of beer. He
David Sedaris (Naked)
I was standing by the car when two police officers showed up in the alley, very interested in me and the BMW in an alley where car traffic was not allowed at all, sitting there with a Belgian plate tag in the middle of the coffeeshop district, with me, the Hungarian guy, leaning to it smoking a cigarette, obviously waiting for something to happen. They began to examine my IDs and started searching the car. They were looking for drugs, apparently. I had been dealing with them for a few minutes when Adam showed up at the end of the alley. I was the only one looking that way, seeing Adam walking to turn into the alley; the two officers were too busy to notice what I had witnessed. The moment Adam looked up and noticed the officers around me, the moment he was about to turn right towards us into the alley, he made a 180-degree turn, the way a bad kid would do when playing hide and seek. Catching his steps the way Mr. Bean or Benny Hill would do—I could almost hear the music too—was both very funny and very concerning. He was too stupid to be a criminal; he was such a lame criminal that he didn't even think of walking past the alley's entrance like nothing happened instead of turning around and acting so suspiciously and obviously being in the wrong. I began to wonder how the coffeeshop business would work out with this guy if he was suddenly on cocaine all the time before we even opened the club? How would not he get me in trouble when there would be kilograms of marijuana and tons of cash flying around? How could I ever quit this job even if we could manage to run the place and get rich over the next 2-3 years? How would I ever get rid of this embarrassing, childish, dangerously silly criminal guy? By some miracle, in the car—which was used by these junkies and was usually full of smoking accessories—the cops didn't find a cigarette paper either, although they were very, very thorough. Belgian BMW wagon with a Hungarian guy, in an alley in the area full of marijuana clubs. They were sure they had me now, that they would be rewarded for such a catch. But there was nothing in the car. I was able to show them Rachel's Belgian registration and everything, explaining that she was my girlfriend who was in Belgium at that time and we were both working for a company selling smoking accessories; I gave them my business card. I apologized for parking there and even driving into that alley with the car. They fined me regardless. Before we started dealing with the marijuana behalf my name, we were collecting fines attributed to Adam on my name. Talk about being cheap. Apparently, he had started growing a lot of marijuana without my knowledge in a place he did not want me to find out about. As I was driving back to Urgell, we were both very silent. I was calm but he was anxious and I could almost hear the gears spinning in his mind. Perhaps at the same moment, we both realized that if I got arrested for any reason and ended up in jail, Adam could keep the 33% profit of the coffeeshop which I had signed up for and which belonged to me. ‘Thinking quickly. Acting quicker.’ Never quick enough. The sneaker. Adam was usually very slow, whether he was high or low.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
I'd painted nearly every surface in the main room. And not with just broad swaths of colour, but with decorations- little images. Some were basic: colours of icicles drooping down the sides of the threshold. They melted into the first shoots of spring, then burst into full blooms of summer, before brightening and deepening into fall leaves. I'd painted a ring of flowers round the card table by the window, leaves and crackling flames around the dining table. But in between the intricate decorations, I'd painted them. Bits and pieces of Mor, and Cassian, and Azriel, and Amren... and Rhys. Mor went up to the large hearth, where I'd painted the mantel in black shimmering with veins of gold and red. Up close, it was a solid pretty bit of paint. But from the couch... 'Illyrian wings,' she said. 'Ugh, they'll never stop gloating about it.' But she went to the window, which I'd framed in tumbling strands of gold and brass and bronze. Mor fingered her hair, cocking her head. 'Nice,' she said, surveying the room again. Her eyes fell on the open threshold to the bedroom hallway, and she grimaced. 'Why,' she said, 'are Amren's eyes there?' Indeed, right above the door, in the centre of the archway, I'd painted a pair of glowing silver eyes. 'Because she's always watching.' Mor snorted. 'That simply won't do. Paint my eyes next to hers. So the males of this family will know we're both watching them the next time they come up here to get drunk for a week straight.' 'They do that?' They used to.' Before Amarantha. 'Every autumn, the three of them would lock themselves in this house for five days and drink and drink and hunt and hunt, and they'd come back to Velaris looking halfway to death but grinning like fools. It warms my heart to know that from now on, they'll have to do it with me and Amren staring at them.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))