“
We have to allow ourselves to be loved by the people who really love us, the people who really matter. Too much of the time, we are blinded by our own pursuits of people to love us, people that don't even matter, while all that time we waste and the people who do love us have to stand on the sidewalk and watch us beg in the streets! It's time to put an end to this. It's time for us to let ourselves be loved.
”
”
C. JoyBell C.
“
But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you…don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me…please.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
I decided to find you, throw myself at your feet, and beg you to have mercy on me. Honestly, I’ll accept whatever you choose, Kelsey. Just don’t ask me to live apart from you again. Because...I can’t.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
”
”
Gillian Flynn (Gone Girl)
“
Laugh, even when you feel too sick or too worn out or tired.
Smile, even when you're trying not to cry and the tears are blurring your vision.
Sing, even when people stare at you and tell you your voice is crappy.
Trust, even when your heart begs you not to.
Twirl, even when your mind makes no sense of what you see.
Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring.
Run, even when it feels like you can't run any more.
And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started.
”
”
Alysha Speer
“
Hey, come on, don’t cry,” he begs. “It breaks my fucking heart to hear you cry.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
I think about you every second of every day and I don’t know how to get over you,” she says.
“Don’t,” I beg her. “Please don’t get over me.
”
”
Colleen Hoover (November 9)
“
I beg you, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
It would’ve been easier to die. It’s not that I want to be dead now. I don’t. I have a lot in my life that I get satisfaction from, that I love. But some days, especially in the beginning, it was so hard. And I couldn’t help but think that it would’ve been so much simpler to go with the rest of them. But you—you asked me to stay. You begged me to stay. You stood over me and you made a promise to me, as sacred as any vow.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Don't fight them anymore.I'm going to go with them."
"No. I won't let them take you."
"You have to," I begged.
He was breathing hard, every part of him braced and ready to attack. We locked gazes, and a thousand messages seemed to flow between us as the old electricity crackled in the air.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Please," he says. "I'm begging you to stop."
I still.
"I can't stomach your pain," he says. "I can feel it so strongly and it's making me crazy- please," he says to me. "Don't be sad. Or hurt. Or guilty. You've done nothing wrong."
"I'm sorry-"
"Don't be sorry, either," he says. "God, the only reason I'm not going to kill Kent for this is because I know it would only upset you more.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Don't leave me," I begged, when I found air to speak. Kellan wrapped his arms around me just as tight. Voice cracking he murmured, "I won't...I'm yours, Kiera, for as long as you want me." Pulling back I cupped his face. "Forever, I want you forever.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
I know I'm a bad bargain. But I'm begging you to have me anyway. Because I want a chance to make you as happy as you make me. I want to build a life with you."
He fought to steady his voice. "Please come to me, Cat, because there's no surviving you. You don't have to love me back. You don't have to be mine. Just let me be yours.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Please don't take him away from this world. Please don't let him die here in my arms, not after everything we've been through together, not after You've taken so many others. Please, I beg You, let him live. I am willing to sacrifice anything to make this happen- I'm willing to do anything You ask. Maybe you'll laugh at me for such a naive promise, but I mean it in earnest, and I don't care if it makes no sense or seems impossible. Let him live. Please. I can't bear this a second time.
Tell me there is still good in this world. Tell me there is still hope for all of us.
”
”
Marie Lu (Champion (Legend, #3))
“
Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this.
”
”
Laurie Halse Anderson (Wintergirls)
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
I don't think we get answers to every question. We don't get all the whys. But I think when we look back to the end of our lives, if we do the best we can, and we will see that the things we begged God to take from us, the things we cursed him for, the things that made us turn our backs on him, are the things that were the biggest blessings, the biggest opportunities for growth.
”
”
Amy Harmon (Making Faces)
“
Everyone is guilty at one time or another of throwing out questions that beg to be ignored, but mothers seem to have a market on the supply. "Do you want a spanking or do you want to go to bed?" Don't you want to save some of the pizza for your brother?" Wasn't there any change?
”
”
Erma Bombeck
“
I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don't want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can't I say that, Willy?
”
”
Arthur Miller (Death of a Salesman)
“
But I’m begging you, Violet. Don’t offer me your body unless you’re offering me everything. I want you more than I want to fuck you. I want those three little words back.
”
”
Rebecca Yarros (Iron Flame (The Empyrean, #2))
“
Why? You want to know why?
Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight.
Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop.
Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you.
"Why?" is the wrong question.
Ask "Why not?
”
”
Laurie Halse Anderson (Wintergirls)
“
I'm begging you, to come be with me." And she pressed her mouth against his and murmured against his lips. "Forever."
For a few seconds he didn't respond.
Then a groan escaped his throat and he thrust his fingers in her hair, pulling her mouth back to his with a fierce hunger.
"Kiss me," she whispered. "And don't stop.
”
”
Aprilynne Pike (Destined (Wings, #4))
“
I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--"
"Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?"
"I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--"
He looked wild with pain; it pinned me in place, even before what he had said registered in my mind.
"I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
The love of my life is gone, and I can't just call her and say I'm sorry and have her come back. She's gone forever. So yes, Monique, that is something I do regret. I regret every second I didn't spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, 'I'm in love with Celia St. James!' and let them crucify me for it. That's what I should have done. And now that I don't have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Let me kiss you.” Qhuinn groaned as he leaned in. “I know I don't deserve it, but please ... it's what you can do for me. Let me feel you....”
Qhuinn's mouth brushed his own. Came back for more. Lingered.
“I'll beg for it.” More with the caress of those devastating lips. “If that’s what it takes. I don't give a fuck, I'll beg...
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
That isn’t a yes. Do I need to get on my knees and beg you, Anastasia? Is that what you want?” She shakes her head and laughs. “The only time I ever want to see a grown man on his knees in front of me, Nate, is when his face is between my legs. So no, I don’t want you to beg me.
”
”
Hannah Grace (Icebreaker (UCMH, #1))
“
Who is here with you?”
“Don’t stop,” she begged.
“Who is here with you?” he repeated, harshly this time.
“You are.”
“What is my name?”
“Reyes
”
”
Gena Showalter (The Darkest Pleasure (Lords of the Underworld, #3))
“
People are starving for love, not knowing their heart is a magical kitchen. Open your heart. Open your magical kitchen and refuse to walk around the world begging for love. In your heart is all the love you need. Your heart can create any amount of love, not just for yourself, but for the whole world.
”
”
Miguel Ruiz
“
Just follow my lead,’ I said. ‘It’ll be fun.’
‘Please,’ Sam begged, ‘don’t let those words be carved on my tombstone.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Meadows, baby. Our last name is Meadows.” “Yours. Don’t get ahead of yourself. You’ll be expected to beg.” There’s no stopping the savage grin from gracing my lips. “I love to beg.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
So don't fall in love, there's just too much to lose; if you're given the chance then I'm begging you choose to walk away, walk away, don't let it get you. I can't bear to see the same thing happen to you.
”
”
Mayday Parade
“
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.”
“But why? Why can’t you let it go?”
He grabbed her shoulders and shook her. “Because I love you!”
Her mouth fell open.
“I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
“You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
She can sit up and beg, and
she can give her paw —
I don't say she will, but she can.
”
”
Dorothy Parker
“
She wanted to say "Don't leave me", but she couldn't do it, not again. She was so tired of begging people to love her.
”
”
Kristin Hannah (The Nightingale)
“
And there is something great about knowing that my only job is to be as happy as I can be about my life, and feel as good as I can about myself, and to lead as full and eventful a life as I can, so that it doesn’t ever feel like I’m just waiting around for some guy to ask me out. And most importantly, it’s good for us all to remember that we don’t need to scheme and plot and beg to get someone to ask us out. We’re fantastic.
”
”
Liz Tuccillo (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
“
Sam," she said.
"I'm trying!"
"Sam," she repeated.
"No," he spat, hearing her tone. "No!"
He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough.
"Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't."
She knew he wasn't speaking to her.
The water hit her neck.
"Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words.
"Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
I hid this one in hopes that you would find it long after I'm gone. I hope you find this months from now, when I'm still out there, on the road, away from you. I can't imagine what the time apart has done to us. I'm hoping we're more in love than ever. I'm hoping that when I come back, you'll move in with me. In all honesty, I'm hoping that when I come back, you'll agree to marry me someday. Because that's what I want, what I dream about. You, mine, for the rest of my life. I hope you feel the same because I don't know what I would do without you. I love you so much. But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you, don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me. Please.
”
”
S.C. Stephens
“
Aren’t you worn out from running?” His lips follow a tear down my neck, and then he brushes my face with his hand. “I don’t want to live without you another day. I’m begging you for another chance. Please.
”
”
Willow Aster (True Love Story)
“
I don't want to beg or promise you things I can't give you. There isn't much of me to give, but what I have is yours. This is all up to you, Sadie. If you want me, I'm yours. If you can't do this, then I'll walk away and leave you alone. I swear.
”
”
Abbi Glines (Breathe (Sea Breeze, #1))
“
I beg young people to travel. If you don’t have a passport, get one. Take a summer, get a backpack and go to Delhi, go to Saigon, go to Bangkok, go to Kenya. Have your mind blown. Eat interesting food. Dig some interesting people. Have an adventure. Be careful. Come back and you’re going to see your country differently, you’re going to see your president differently, no matter who it is. Music, culture, food, water. Your showers will become shorter. You’re going to get a sense of what globalization looks like. It’s not what Tom Friedman writes about; I’m sorry. You’re going to see that global climate change is very real. And that for some people, their day consists of walking 12 miles for four buckets of water. And so there are lessons that you can’t get out of a book that are waiting for you at the other end of that flight. A lot of people—Americans and Europeans—come back and go, ohhhhh. And the light bulb goes on.
”
”
Henry Rollins
“
I beg your pardon?" Robson says.
One thing Waterhouse likes about these Brits is that when they don't know what the hell you're talking about, they are at least open to the possibility that it might be their fault.
”
”
Neal Stephenson (Cryptonomicon)
“
Just please stay. I am begging you and I don't beg, Theresa.
”
”
Anna Todd
“
But one thing I beg of you, look on me as your friend; and if you want some help, advice, or simply want to open your heart to someone- not now, but when things are clearer in your heart- think of me.' He took her hand and kissed it. 'I shall be happy, if I am able...' Pierre was confused.
'Don't speak to me like that; I'm not worth it!' cried Natasha...
'Hush, hush your whole life lies before you,' he said to her.
'Before me! No! All is over for me,' she said, with shame and humiliation.
'All over?' he repeated. 'If I were not myself, but the handsomest, cleverest, best man in the world, and if I were free I would be on my knees this minute to beg for your hand and your love.
”
”
Leo Tolstoy (War and Peace)
“
Every day that I don’t beg Cardan for forgiveness over a feud he started is a day I win. He can humiliate me, but every time he does and I don’t back down, he makes himself less powerful. After all, he’s throwing everything he’s got at someone as weak as I am and it’s not working. He’s going to take himself down.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Ren? I begged. Please don't leave me.
You are in my heart. Always. His warm voice whispered softly and then faded away.
”
”
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
“
How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.
”
”
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
“
I don't like running away," Michael; brought his eyes from the floor to mine. "I don't run, I don't hide, I don't cower, I don't beg, Cassie, because running and hiding and begging doesn't work. It never works.
”
”
Jennifer Lynn Barnes (All In (The Naturals, #3))
“
My heart- dammit-- my heart stopped in my chest as I stared at them. He had me by the throat because he had my whole world in his hands. I said one word I thought I'd never utter to the bastard.
"Please." I swallowed hard, but the words came out easier than I could've ever imagined. "Please don't hurt her."
"You'd beg for a human who wouldn't do the same for you?"
"I'd do anything for her."
"And I would do anything for him." Kat gasped out.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper.
“I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.”
He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
I tug his head down to mine. “I need you, Reed. Don’t make me beg.”
And just like that, he gives in. One hand comes up to tangle in my hair while the other pulls me roughly against him. “You don’t ever have to ask again. I’ll give you anything you want.
”
”
Erin Watt (Paper Princess (The Royals, #1))
“
There's a wonderful old Italian joke about a poor man who goes to church every day and prays before the statue of a great saint, begging, "Dear saint-please, please, please...give me the grace to win the lottery." This lament goes on for months. Finally the exasperated staue comes to life, looks down at the begging man and says in weary disgust, "My son-please, please, please...buy a ticket."
Prayer is a realtionship; half the job is mine. If I want transformation, but can't even be bothered to articulate what, exactly, I'm ainming for, how will it ever occur? Half the benefit of prayer is in the asking itself, in the offering of a clearly posed and well-considered intention. If you don't have this, all your pleas and desires are boneless, floppy, inert; they swirl at your feet in a cold fog and never lift.
”
”
Elizabeth Gilbert
“
I can see that I imagine all kinds of rejection that never happens. I can see that I beg and plead for love that is freely offered because I somehow believe that if I don't ask for it, everyone will forget about me: I will be a little kid sent off to sleep-away camp whose parents forget to meet her at the bus when she comes back in August. Or else I think people are nice to me only to be nice to me, that they feel sorry for me because I am such a loser- as if anyone could possibly be that generous.
”
”
Elizabeth Wurtzel (More, Now, Again: A Memoir of Addiction)
“
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.'
He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
”
”
F. Scott Fitzgerald (The Short Stories)
“
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't.
Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy?
Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away.
Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh.
Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there.
Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
”
”
Alysha Speer
“
There’s something simmering inside of me. Something I’ve never dared to tap into, something I’m afraid to acknowledge. There’s a part of me clawing to break free from the cage I’ve trapped it in, banging on the doors of my heart, begging to be free. Begging to let go. Every day I feel like I’m reliving the same nightmare. I open my mouth to shout, to fight, to swing my fists, but my vocal cords are cut, my arms are heavy and weighted down as if trapped in wet cement and I’m screaming but no one can hear me, no one can reach me and I’m caught. And it’s killing me. I’ve always had to make myself submissive, subservient, twisted into a pleading, passive mop just to make everyone else feel safe and comfortable. My existence has become a fight to prove I’m harmless, and I’m not a threat, that I’m capable of living among other human beings without hurting them. And I’m so tired I’m so tire I’m so tired I’m so tired and sometimes I get so angry. I don’t know what’s happening to me.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
And…well, you were going to, ah…give him your flower—” I do a literal spit take. Coffee drizzles down my chin and neck, and I quickly grab a napkin to wipe it away before it stains my pajama top. “Oh my God. Mom. Don’t ever say that again. I beg of you.” “I was trying to be parental,” she says primly. “There’s parental, and then there’s Victorian England.” “All right. You were going to fuck him—” “That’s not parental either!
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Other Guardians have died fulfilling their duty to you long
before I came along,” he said, touching my cheek, my hair. “I
will die for you one day.”
“Don’t say that,” I begged. “Will, I love you.
You’re the only one who understands what I go through every
day, the only one I can share this world with. You’re my best
friend, and I can’t take it if you’re going to shut me out like
this.
”
”
Courtney Allison Moulton (Angelfire (Angelfire, #1))
“
Yeah, I need sex or I die. So stop with the obnoxious chaperone shit, because I really don't want you anywhere nearby while I'm doing it, and I don't think you want that either."
She gave them the sweetest smile.
"And know that the second you're gone, I'm going to ride Con until he begs for mercy."
Eidolon sighed. Shade swore. And Con muttered something that sounded strangely like "Mercy".
~Sin
”
”
Larissa Ione (Sin Undone (Demonica, #5))
“
I begged her, 'Please don't leave me stranded in the middle of some primitive zarking forest with no medical help and a head injury. I could be in serious trouble and so could she.'"
"What did she say?"
"She hit me on the head with the rock again," Ford responded curtly.
"I think i can confirm that was my daughter."
"Sweet kid."
"You have to get to know her," said Arthur.
"She eases up, does she?"
"No, but you get a better sense of when to duck.
”
”
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
“
After Kellan begged me for a final kiss, Griffin murmured, “Your wedding day is Thanksgiving. That’s convenient.” He pointed at Kellan. “You probably won’t forget your anniversary.” He looked over at Anna. “We shoulda done that. I already forgot ours.”
Anna smirked at Griffin while Kellan’s lip twitched. “Uh, it won’t always be on Thanksgiving, Griff.”
He looked horribly confused. “Huh? Yeah, it will.”
“Kellan bit his lip. I could tell he was trying really hard not to laugh, since laughing hurt. “Thanksgiving isn’t on the same day every year. It moves around.”
Griffin glared at Kellan. “Don’t even try fucking with me, Kell.” He tapped his finger to his head. “I’m on to you.”
I heard Matt and Evan snigger with Justin and Denny. My dad stared at the ceiling as he shook his head. I couldn’t contain my giggle; poor Kellan had to take long, slow exhales so he didn’t laugh with everyone else. “Griff, I’m not . . .
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Mustang: (snatches puppy) Dog, huh? (pause) I LOVE DOGS!
Fuery: Really? You mean it?!
Mustang: OF COURSE! Dogs embody loyalty! They follow their master's commands above all else! Be a jerk to them and they don't complain and they never once beg for a paycheck! Trust me, Fuery, they're the great servants of man! (sings) LOYAL CANINE, HOW WE SALUTE THEE!
”
”
Hiromu Arakawa
“
God preserve you, my dear boy, from ever asking forgiveness for a fault from a woman you love. From one you love especially, however greatly you may have been in fault. For a woman--devil only knows what to make of a woman: I know something about them, anyway. But try acknowledging you are in fault to a woman. Say, "I am sorry, forgive me," and a shower of reproaches will follow! Nothing will make her forgive you simply and directly, she'll humble you to the dust, bring forward things that have never happened, recall everything, forget nothing, add something of her own, and only then forgive you. And even the best, the best of them do it. She'll scrape up all the scrapings and load them on your head. They are ready to flay you alive, I tell you, every one of them, all these angels without whom we cannot live! I tell you plainly and openly, dear boy, every decent man ought to be under some woman's thumb. That's my conviction--not conviction, but feeling. A man ought to be magnanimous, and it's no disgrace to a man! No disgrace to a hero, not even a Caesar! But don't ever beg her pardon all the same for anything...
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
It may not feel too classy, begging just to eat
But you know who does that?
Lassie, and she always gets a treat
So you wonder what your part is
Because you're homeless and depressed But home is where the heart is
So your real home's in your chest
Everyone's a hero in their own way Everyone's got villains they must face
They're not as cool as mine
But folks you know it's fine to know your place
Everyone's a hero in their own way
In their own not-that-heroic way
So I thank my girlfriend Penny
Yeah, we totally had sex
She showed me there's so many different muscles I can flex
There's the deltoids of compassion,
There's the abs of being kind
It's not enough to bash in heads
You've got to bash in minds
Everyone's a hero in their own way Everyone's got something they can do Get up go out and fly
Especially that guy, he smells like poo
Everyone's a hero in their own way
You and you and mostly me and you
I'm poverty's new sheriff
And I'm bashing in the slums
A hero doesn't care if you're a bunch of scary alcoholic bums
Everybody!
Everyone's a hero in their own way Everyone can blaze a hero's trail
Don't worry if it's hard
If you're not a friggin 'tard you will prevail
Everyone's a hero in their own way Everyone's a hero in their...
”
”
Joss Whedon (Dr. Horrible’s Sing-Along Blog: The Book)
“
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
This was not the time to say “I don’t know.” The brothers had begging, hungry looks, like dogs waiting to be fed. They wanted an answer. It would be nice if it was the right answer, but if it couldn’t be, then any answer would do, because then we would stop being worried...and then his mind caught alight.
That’s what the gods are! An answer that will do! Because there’s food to be caught and babies to be born and life to be lived and so there is no time for big, complicated, and worrying answers! Please give us a simple answer, so that we don’t have to think, because if we think, we might find answers that don’t fit the way we want the world to be.
”
”
Terry Pratchett (Nation)
“
Sidonie, I know you don't remember it, but you once promised to trust me beyond all reason. And I swear to you that all that I am, all that I possess, including this gem-stone, is yours. I need you. I can't do this alone. Forget your memories. Look into your heart. And if you can find somewhere there, some lingering spark of trust that owes naught to reason, I beg you to speak the word written here.
”
”
Jacqueline Carey (Kushiel's Mercy (Imriel's Trilogy, #3))
“
And there is something great about knowing that my only job is to be as happy as I can be about my life, and feel as good as I can about myself, and to lead as full and eventful a life as I can, so that it doesn’t ever feel like I’m just waiting around for some guy to ask me out. And most importantly, it’s good for us all to remember that we don’t need to scheme and plot and beg to get someone to ask us out. We’re fantastic.
”
”
Greg Behrendt (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
“
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
”
”
Tommy Orange (There There)
“
Clove!" Cato's voice is much nearer now. I can tell by the pain in it that he sees her on the ground.
"You better run now, Fire Girl," says Thresh.
I don't need to be told twice. I flip over and my feet dig into the hard-packed earth as I run away from Thresh and Clove and the sound of Cato's voice. Only when I reach the woods do I turn back for an instant. Thresh and both large backpacks are vanishing over the edge of the plain into the area I've never seen. Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
I shook my head, sweeping my lips across hers. Not good enough. “I need to hear you say it. I need to know you’re mine.”
“I’ve been yours since the second we
met,” she said, begging. I stared into her eyes for a few seconds, and then felt my mouth turn up into a half smile, hoping her words were true and not just spoken in the moment. I leaned down and kissed her tenderly, and then she slowly pulled me into her. My entire body felt like it was melting inside of her.
“Say it again.” Part of me couldn’t believe it was all really happening.
“I’m yours.” She breathed. “I don’t ever want to be apart from you again.”
“Promise me,” I said, groaning with another thrust.
“I love you. I’ll love you forever.” She looked straight into my eyes when she spoke, and it finally clicked that her words weren’t just an empty promise.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence.
The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption.
At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching.
Eat me up, my love, or else I’m going to eat you up.
Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me.
Sign my death with your teeth
”
”
Hélène Cixous (Stigmata: Escaping Texts)
“
Swallow the tears back often enough and they’ll start feeling like acid dripping down your throat. It’s that terrible moment when you’re sitting still so still so still because you don’t want them to see you cry you don’t want to cry but your lips won’t stop trembling and your eyes are filled to the brim with please and I beg you and please and I’m sorry and please and have mercy and maybe this time it’ll be different but it’s always the same. There’s no one to run to for comfort. No one on your side. Light a candle for me, I used to whisper to no one. Someone. Anyone. If you’re out there. Please tell me you can feel this fire.
”
”
Tahereh Mafi
“
The Warrior Woman Code:
A confident woman doesn't beg a man to stay, cry if they don't or need to tear down other women to be loved. She knows her value. When the person she is meant to be with finds her, that person will know it also. He won't be confused by it. He will fight for her because without her he feels incomplete. She will always be foremost in his mind above anyone else. She doesn't have to scheme to keep or entice him. She is okay walking away from him because she doesn't want to be seen as a choice or a woman that has some potential. She demands to be seen as "the one." To settle for anything less than that is an admission of insecurity and lack of self love.
”
”
Shannon L. Alder
“
The Eleven king looked sternly upon Thorin, when he was brought before him, and asked him many questions. But Thorin would only say that he was starving.
"Why did you and your folk three times try to attack my people at their merrymaking?" asked the king.
"We did not attack them," answered Thorin, "we came to beg because we were starving."
"Where are your friends now, and what are they doing?"
"I don't know, but I expect that they're all starving in the forest."
"What were you doing in the forest?"
"Looking for food and drink, because we were starving."
"And what brought you into the forest at all?" asked the king angrily.
At that Thorin shut his mouth and would not say another word.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
“
This is scary,” she whispers. “I’ve never had a boyfriend before. I don’t know how this works. Do people become exclusive this fast? Are we supposed to pretend we’re not that interested for a few more dates?”
Oh, dear God.
I’ve never been turned on by a girl laying claim to me before. I usually run in the other direction. She’s obliterating every single thing I thought I knew about myself with every new sentence that passes those lips.
“I have no interest in faking disinterest,” I say. “If you want to call yourself my girlfriend half as much as I wish you would, then it would save me a whole lot of begging. Because I was literally about to drop to my knees and beg you.”
She squints her eyes playfully. “No begging. It screams desperation.”
“You make me desperate,” I say, pressing my lips to hers again.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Kiss me!” I pleaded. “Please, Pigeon! I told him no!”
Abby shoved me away. “Leave me alone, Travis!”
She shouldered passed me, but I grabbed her wrist. She kept her arm straight, outstretched behind her, but she didn’t turn around.
“I am begging you.” I fell to my knees, her hand still in mine. My breath puffed out in white steam as I spoke, reminding me of the cold. “I’m begging you, Abby. Don’t do this.”
Abby glanced back, and then her eyes drifted down her arm to mine, seeing the tattoo on my wrist. The tattoo that bared her name.
She looked away, toward the cafeteria. “Let me go, Travis.”
The air knocked out of me, and with all hope obliterated, I relaxed my hand, and let her slip out of my fingers.
Abby didn’t look back as she walked away from me, and my palms fell flat on the sidewalk. She wasn’t coming back. She didn’t want me anymore, and there was nothing I could do or say to change it.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down.
Sometimes I just survive.
But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
That's when the stories show up in me.
They find me all the time.
They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent.
The only trouble is, I don't know which of those stories comes first.
Maybe they all just merge into one.
We'll see, I guess.
I'll let you know when I decide.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
Say whatever is in your heart,” Violet said. Her lips
twisted wryly. “And if that doesn’t work, I suggest that
you take a book and knock him over the head with it.”
Hyacinth blinked, then blinked again. “I beg your pardon.”
“I didn’t say that,” Violet said quickly.
Hyacinth felt herself smile. “I’m rather certain you
did.”
“Do you think?” Violet murmured, concealing her own
smile with her teacup.
“A large book,” Hyacinth queried, “or small?”
“Large, I think, don’t you?”
Hyacinth nodded. “Have we The Complete Works of
Shakespeare in the library?”
Violet’s lips twitched. “I believe that we do.”
Something began to bubble in Hyacinth’s chest. Something
very close to laughter. And it felt so good to feel it
again.
“I love you, Mother,” she said, suddenly consumed by
the need to say it aloud. “I just wanted you to know that.”
“I know, darling,” Violet said, and her eyes were shining
brightly. “I love you, too.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Questions, I've got some questions
I want to know you
But what if I could ask you only one thing
Only this one time, what would you tell me?
Well maybe you could give me a suggestion
So I could know you, what would you tell me?
Maybe you could tell me what to ask you
Because then I'd know you, what would you tell me
Please tell me that there's time
To make this work for all intents and purposes
And what are your intentions, will you try?
Impressions, you've made impressions
They're going nowhere
They're just going to wait here if you let them
Please don't let them
I want to know you
And if they're going to haunt me
Please collect them
Please just collect them
And now I'm begging
I'm begging you to ask me just one question
One simple question
Because then you'd know me
I'll tell you that there's time
To make this work for all intents and purposes
At least for my own
What is a heart worth if it's just left all alone?
Leave it long enough and watch it turn into stone
Why must we always be untrue?
”
”
Jack Johnson (Curious George: Jack Johnson and Friends - Guitar Recorded Version)
“
If you are able to judge God so easily, you certainly can judge the world. You must choose two of your children to spend eternity in God's new heavens and new earth....And you must choose three of your children to spend eternity in hell.....
I am only asking you to do something that you believe God does. He knows every person ever conceived, and he knows them so much more deeply and clearly than you will ever know your own children...You believe he will condemn most to an eternity of torment, away from his presence and apart from his love."
Mack: "I don't want to be the judge...
I can't do this."
You suppose then that God does this so easily, but you cannot?"
This couldn't be real. How could God ask him to choose among his own children? Even if Katie or Josh, or Jon or Tyler committed some heinous crime, he still wouldn't do it. He couldn't! For him, it wasn't about their performance; it was about his love for them.
Mack: "I can't, I can't....Could I go instead?....I'll go in their place...Could I do that?" He fell at her feet crying and begging now. "Please let me go for my children..I am begging you. Please...Please..."
-"Now you sound like Jesus.....That is how Jesus loves.
”
”
William Paul Young (The Shack)
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Look,” I began, “I get it. You don’t like me, but—”
“I don’t like you?”
He let out a low, flat laugh. One fell into the next, and it was awful—not at all him. He was half
choking on them as he turned around, shaking his head. It almost sounded like a sob, the way his
breath burst out of him.
“I don’t like you,” he repeated, his face bleak. “I don’t like you?”
“Liam—” I started, alarmed.
“I can’t—I can’t think about anything or anyone else,” he whispered. A hand drifted up, dragging
back through his hair. “I can’t think straight when you’re around. I can’t sleep. It feels like I can’t
breathe—I just—”
“Liam, please,” I begged. “You’re tired. You’re barely over being sick. Let’s just… Can we just
go back to the others?”
“I love you.” He turned toward me, that agonized expression still on his face. “I love you every
second of every day, and I don’t understand why, or how to make it stop—”
He looked wild with pain; it pinned me in place, even before what he had said registered in my
mind.
“I know it’s wrong; I know it down to my damn bones. And I feel like I’m sick. I’m trying to be a
good person, but I can’t. I can’t do it anymore.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Tony:...but you need something to do about Noah.
Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
”
”
David Levithan (Boy Meets Boy)
“
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed.
He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.”
And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected.
First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned.
His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.”
Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation.
And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.”
It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else.
“I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?”
“Er…yes?”
Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?”
“Ehhhh…” Gareth wasn’t quite sure what to make of this.
“The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses.
“Servants?” Gareth asked.
“Brothers.” He handed Gareth a glass. “Welcome to the family.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
The Psychopath Free Pledge:
1. I will never beg or plead for someone else again. Any man or woman who brings me to that level is not worth my heart.
2. I will never tolerate criticisms about my body, age, weight, job, or any other insecurities I might have. Good partners won't put me down, they'll raise me up.
3. I will take a step back from my relationship once every month to make sure that I am being respected and loved, not flattered and love-bombed.
4. I will always ask myself the question: "Would I ever treat someone else like this?" If the answer is no, then I don't deserve to be treated like that either.
5. I will trust my gut. If I get a bad feeling, I won't try to push it away and make excuses. I will trust myself.
6. I understand that it is better to be single than in a toxic relationship.
7. I will not be spoken to in a condescending or sarcastic way. Loving partners will not patronize me.
8. I will not allow my partner to call me jealous, crazy, or any other form of projection.
9. My relationships will be mutual and equal at all times. Love is not about control and power.
10. If I ever feel unsure about any of these steps, I will seek out help from a friend, support forum, or therapist. I will not act on impulsive decisions.
”
”
Peace (Psychopath Free: Recovering from Emotionally Abusive Relationships With Narcissists, Sociopaths, & Other Toxic People)
“
Dorian strokes my exposed back with the tips of his fingers, sending shockwaves up and down my spine. I gasp from the contact, resisting the urge to beg him for more. He brings his face down to my neck, letting his lips brush my earlobe. “Gabriella, I would love to bend you over this desk right now and pull your dress up past your thighs and over your ass,” he murmurs, sex dripping from his soft lips.
“That sounds good to me,” I breathe, turning my head a fraction. “What’s stopping you?” Never in my life have I been this bold and eager with a man but Dorian has awakened the sleeping sex giant within me. If my days are numbered, I want to at least die happy.
“Oh, I would do it. But I know Aurora will come looking for me and I don’t want to be disturbed when I… ruin you.” Ruin me? It sounds so threatening and violent.
I love it.
”
”
S.L. Jennings (Dark Light (Dark Light, #1))
“
Well, I'm glad you're so amused," I said, running my fingers across the railing.
Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it."
Hmm. He was almost being funny.
"So...about what you said...," he started tentatively.
"Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes.
He laughed once. "The part about me being good..."
"Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress.
"I appreciate you making things look authentic, but you didn't need to go that far."
My head snapped up. How could he think that?
"Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more."
He was quiet, but there was a small smile on his face.
"Thank you," he finally said.
"Anytime."
Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony.
"Huh?"
"Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly.
I had to laugh. No such thing would happen in y world.
"he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice.
"Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times.
"Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you."
I hit his arm. "Shut up, Maxon."
"I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity.
"I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting.
"No, I don't suppose you can help it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Men write more books. Men give more lectures. Men ask more questions after lectures. Men post more e-mail to Internet discussion groups. To say this is due to patriarchy is to beg the question of the behavior's origin. If men control society, why don't they just shut up and enjoy their supposed prerogatives? The answer is obvious when you consider sexual competition: men can't be quiet because that would give other men a chance to show off verbally. Men often bully women into silence, but this is usually to make room for their own verbal display. If men were dominating public language just to maintain patriarchy, that would qualify as a puzzling example of evolutionary altruism—a costly, risky individual act that helps all of one's sexual competitors (other males) as much as oneself. The ocean of male language that confronts modern women in bookstores, television, newspapers, classrooms, parliaments, and businesses does not necessarily come from a male conspiracy to deny women their voice. It may come from an evolutionary history of sexual selection in which the male motivation to talk was vital to their reproduction.
”
”
Geoffrey Miller (The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature)
“
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed.
Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin.
"I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car."
I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed."
His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach.
"Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
America," he begged.
I turned to Maxon.
"They're fine. The rebels were slow, and everyone here knows what to do in an emergency."
I nodded. We stood there quietly for a minute, and I could tell he was about to move on.
"Maxon," I whispered.
He turned back, a little surprised to be addressed so casually.
"About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever."
He was dumbfounded. "What?"
"He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me."
Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face.
"Was everyone told this?" he asked, sounding appalled at the idea.
"I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room.
He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?"
"I hit your thigh!"
"Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism.
A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was.
"So how are you handling a roomful of crying women?" I asked.
There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it."
This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
My Sabine,
I just left your room. You were so beautiful lying there sound asleep that I couldn’t bear to wake you. But I’m not feeling so great and there are things I promised to tell you that I fear I may not get the chance to.
I know you had once hoped that I would be the one to pass on your letters to Maddie once you were gone. But, as it turns out, I think it is going to be me who ends up leaving the letters behind.
Be mad at me. You should. But after that try to understand that I did what I thought was best. I wanted to tell you. So many times I snuck down to your room planning on telling you everything, but I just couldn’t.
Partly it was for you – yes. You needed time and I didn’t want to influence your choices, even once I realised what was happening between us, even more so then. Falling in love with you only made those choices more complicated and I feared that you might choose to stay for me and then, after I was gone, change your mind. I couldn’t let that happen.
Partly the choice was selfish, and for that I am sorry. For so long now people have been trying to fix me, but where they failed, you succeeded. You’ve given me more life in the last couple of weeks that I’ve had in years. Being with you, loving you, making memories with you, fearing for you, wanting to show you the beauty of life instead of the terror – it was bittersweet, but more importantly Sabine, it was real.
I know this is the part when I beg you to go on, live your life and be happy. But I don’t need to say those things. I know you. Your lives will be extraordinary. You certainly made mine feel that way.
Please find it in your heart to forgive me one day. I wish we had more time, but I want to thank you – for giving me life in my time of death.
My love for you is eternal.
Ethan.
”
”
Jessica Shirvington (Between the Lives)
“
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."
[The notes of this paradoxalist do not end here, however. He could not
refrain from going on with them, but it seems to us that we may stop
here.]
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Commala-come-come
There’s a young man with a gun.
Young man lost his honey
When she took it on the run.
Commala-come-one!
She took it on the run!
Left her baby lonely
But he baby ain’t done.
Commala-come-coo
The wind’ll blow ya through.
Ya gotta go where ka’s wind blows ya
Cause there’s nothin else to do.
Commala-come-two!
Nothin else to do!
Gotta go where ka’s wind blows ya
Cause there’s nothin else to do.
Commala-come-key
Can you tell me what ya see?
Is it ghosts or just the mirror
That makes ya wanna flee?
Commala-come-three!
I beg ya, tell me!
Is it ghosts or just your darker self
That makes ya wanna flee?
Commala-come-ko
Whatcha doin at my do’?
If ya doan tell me now, my friend
I’ll lay ya on de flo’.
Commala-come-fo’!
I can lay ya low!
The things I’ve do to such as you
You never wanna know.
Commala-gin-jive
Ain’t it grand to be alive?
To look out on Discordia
When the Demon Moon arrives.
Commala-come-five!
Even when the shadows rise!
To see the world and walk the world
Makes ya glad to be alive.
Commala-mox-nix!
You’re in a nasty fix!
To take a hand in traitor’s glove
Is to grasp a sheaf of sticks!
Commala-come-six!
Nothing there but thorns and sticks!
When your find your hand in traitor’s glove
You’re in a nasty fix.
Commala-loaf-leaven!
They go to hell or up to heaven!
The the guns are shot and the fires hot,
You got to poke em in the oven.
Commala-come-seven!
Salt and yow’ for leaven!
Heat em up and knock em down
And poke em in the oven.
Commala-ka-kate
You’re in the hands of fate.
No matter if it’s real or not,
The hour groweth late.
Commala-come-eight!
The hour groweth late!
No matter what shade ya cast
You’re in the hands of fate.
Commala-me-mine
You have to walk the line.
When you finally get the thing you need
It makes you feel so fine.
Commala-come-nine!
It makes ya feel fine!
But if you’d have the thing you need
You have to walk the line.
Commala-come-ken
It’s the other one again.
You may know her name and face
But that don’t make her your friend.
Commala-come-ten!
She is not your friend!
If you let her get too close
She’ll cut you up again!
Commala-come-call
We hail the one who made us all,
Who made the men and made the maids,
Who made the great and small.
Commala-come-call!
He made us great and small!
And yet how great the hand of fate
That rules us one and all.
Commala-come-ki,
There’s a time to live and one to die.
With your back against the final wall
Ya gotta let the bullets fly.
Commala-come-ki!
Let the bullets fly!
Don’t ‘ee mourn for me, my lads
When it comes my day to die.
Commala-come-kass!
The child has come at last!
Sing your song, O sing it well,
The child has come to pass.
Commala-come-kass,
The worst has come to pass.
The Tower trembles on its ground;
The child has come at last.
Commala-come-come,
The battle’s now begun!
And all the foes of men and rose
Rise with the setting sun.
”
”
Stephen King (Song of Susannah (The Dark Tower, #6))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)