Icy River Quotes

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A book floated down the Amper River. A boy jumped in, caught up to it, and held it in his right hand. He grinned. He stood waist-deep in the icy, Decemberish water. “How about a kiss, Saumensch?” he said.
Markus Zusak (The Book Thief)
Soldier! Let me cradle your head and caress your face, let me kiss your dear sweet lips and cry across the seas and whisper through the icy Russian grass how I feel for you . . . Luga, Ladoga, Leningrad, Lazarevo . . . Alexander, once you carried me, and now I carry you. Into my eternity, now I carry you. Through Finland, through Sweden, to America, hand outstretched, I stand and limp forward, the galloping steed black and riderless in my wake. Your heart, your rifle, they will comfort me, they’ll be my cradle and my grave. Lazarevo drips you into my soul, dawn drop by moonlight drop from the river Kama. When you look for me, look for me there, because that’s where I will be all the days of my life. (Tatiana)
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The expression "following suit" is a curious one, because it has nothing to do with walking behind a matching set of clothing. If you follow suit, it means you do the same thing somebody else has just done. If all of your friends decided to jump off a bridge into the icy waters of an ocean or river, for instance, and you jumped in right after them, you would be following suit. You can see why following suit can be a dangerous thing to do, because you could end up drowning simply because somebody else thought of it first.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
What a view, i said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I beheld the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence.
James Dickey (Deliverance)
...when the words pour out of you just right, you understand that these sentences are all part of a river flowing out of your own distant, hidden ranges, and all words become the dissolving snow that feeds your mountain streams forever. The language locks itself in the icy slopes of our own high passes, and it is up to us, the writers, to melt the glaciers within us. When these glaciers break off, we get to call them novels, the changelings of our burning spirits, our life's work.
Pat Conroy (My Reading Life)
The possible, as it was presented in her Health textbook (a mathematical progression of dating, "career," marriage, and motherhood), did not interest Harriet. Of all the heroes on her list, the greatest of them all was Sherlock Holmes, and he wasn’t even a real person. Then there was Harry Houdini. He was the master of the impossible; more importantly, for Harriet, he was a master of escape. No prison in the world could hold him: he escaped from straitjackets, from locked trunks dropped in fast rivers and from coffins buried six feet underground. And how had he done it? He wasn’t afraid. Saint Joan had galloped out with the angels on her side but Houdini had mastered fear on his own. No divine aid for him; he’d taught himself the hard way how to beat back panic, the horror of suffocation and drowning and dark. Handcuffed in a locked trunk in the bottom of a river, he squandered not a heartbeat on being afraid, never buckled to the terror of the chains and the dark and the icy water; if he became lightheaded, for even a moment, if he fumbled at the breathless labor before him– somersaulting along a river-bed, head over heels– he would never come up from the water alive. A training program. This was Houdini’s secret.
Donna Tartt (The Little Friend)
Came the visions of icy beauty, from the land of death where they dwell. Pursuing their prize and grisly duty, came the thieves of the charm and spell. The bells chimed thrice, and death came a-calling. Alluring of shape though seldom seen, they traveled the breeze on a spark. some fed twigs to their newborn queen, while others invaded the dark. the bells chimed thrice, and death came a-calling. some they called and others they kissed as they traveled on river and wave. with resolve they came and did insist: every one touched to a grave. the bells chimed thrice, and death came a-calling. roving to hunt and gathering to dance, they practiced their dark desires by casting a hex and a beautiful trance, before feeding the queen's new fires. the bells chimed thrice, and death came a-calling. till he parted the falls and the bells chimed thrice, till he issued the calls and demanded the price. the bells chimed thrice and death met the mountain. they charmed and embraced and they tried to extoll but he bade them in grace and demanded a soul. the bells fell silent and the mountain slew them all. and the mountain entombed them all.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
Standing by the frozen glass, he stared down at the icy, barely lit streets running towards the river Seine, the bell-clanging local church, then to the sky like black lead. ("Israbel")
Tanith Lee (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
Though it is 2500 feet high, the glacier flowed over its ground as a river flows over a boulder; and since it emerged from the icy sea as from a sepulcher it has been sorely beaten with storms; but from all those deadly, crushing, bitter experiences comes this delicate life and beauty, to teach us that what we in our faithless ignorance and fear call destruction is creation.
John Muir (Wilderness Essays)
Phoebe waited for Chase to lead the way. When he hit the water, he started swearing. His combinations were so colorful that she started to laugh…right up until the icy river reached her feet and instantly soaked her boots. It was even colder than the last time.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The dream clung to her. Her sleep had been full of Jupiter ever since the survey last week: that overwhelming, unstoppable girth; the swirling patterns of the atmosphere, dark belts and light stripes rolling in circular rivers of ammonia crystal clouds; every shade of orange in the spectrum, from soft, sand-coloured regions to vivid streams of molten vermilion; the breathtaking speed of a ten-hour orbit, whipping around and around the planet like a spinning top; the opaque surface, simmering and roaring in century-old tempests. And the moons! The ancient, pockmarked skin of Callisto and the icy crust of Ganymede. The rusty cracks of Europa’s subterranean oceans. The volcanoes of Io, magma fireworks leaping up from the surface.
Lily Brooks-Dalton (Good Morning, Midnight)
You are funny like a kid and awesome like a princess Unseen like an angel, like the morning sunshine… Kindness like a river and highness like a mountain, In the middle of the Rheine, the cute face and sweet lips … (La la la la, La la , mmmm , mm …) Keep the lovely smile, in your juicy icy eyes Open the heaven for my eyes, forever angel voice Never angry never harsh, never mad never marsh Dear or darling, either diamond or dime, Overall the dream of the world
M.F. Moonzajer (A moment with God ; Poetry)
On a night of icy silver radiance, when the very sea and stars seemed on fire with light.
Anne Rivers Siddons (Colony)
I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There—for with your leave, my sister, I will put some trust in preceding navigators—there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent forever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
It’s ahead of us. All I can tell you is, not even courage will help.” “Are you reading Alma Mahler again?” “No.” Her voice was even and knowing. The underground river. The ceiling lowers, grows wet, the water rushes into darkness. The air becomes damp and icy, the passage narrows. Light is lost here, sound; the current begins to flow beneath great, impassable slabs.
James Salter (Light Years (Vintage International))
Ted lunged at me, put his hands on my shoulders, and pushed me into the river. The plunge into the icy water took my breath away. I came up sputtering and grabbed the rope on the edge of the raft, too dazed for the moment to do more than hang on. I looked up at Ted and our eyes locked. His face had gone blank, as though he was not there at all. I had a sense he wasn’t seeing me. I struggled to pull myself into the raft. He didn’t move, he didn’t speak. I could find no expression on his face.
Elizabeth Kendall (The Phantom Prince: My Life with Ted Bundy)
The Gray King’s back arched, and his mouth hung open, gasping in the icy thrall of shock; with both of his arms he pushed at Locke’s head, as though by prying the smaller man off him he could undo his wound, but Locke held fast, and in an impossibly calm voice he whispered, “Calo Sanza. My brother and my friend.” Backward, the Gray King toppled, and Locke slid the knife out of his back just before he struck the deck. Locke fell on top of him. He raised the dagger once again and brought it down in the middle of the Gray King’s chest, just beneath his rib cage. Blood spurted and the Gray King flailed, moaning. Locke’s voice rose as he worked the knife farther in: “Galdo Sanza, my brother and my friend!” With one last convulsive effort, the Gray King spat warm coppery blood into Locke’s face and grabbed at the dagger that transfixed his chest; Locke countered by bearing down with his useless left side, batting the Gray King’s hands away. Sobbing, Locke wrenched the dagger out of the Gray King’s chest, raised it with a wildly shaking right arm, and brought it down in the middle of the Gray King’s neck. He sawed at the windpipe until the neck was half-severed and great rivers of blood were flowing on the deck. The Gray King shuddered one last time and died, his wide white eyes still fixed on Locke’s. “Bug,” Locke whispered. “His real name was Bertilion Gadek. My apprentice. My brother. And my friend.” His strength failed, and he slid down atop the Gray King’s corpse. “My friend.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Through the stillness, snow fell not in skeins but in infinitely layered arabesques, filigree in motion, ornamenting the icy air, of an especially intense white in the dove-gray light of the morning, laying boas on the limbs of leafless trees, ermine collars on the tops of walls, a grace of softness in a hard world. You might have thought it would fall forever, endlessly beautifying all it touched, except for the reminder of the river. When the snowflakes met the undulant water, they ceased to exist.
Dean Koontz (Innocence)
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.” “Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder. “Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?” As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?” “Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes. “You might have broken your neck. Why can’t you leave these things to the proper authorities?” “I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!” “How was I supposed to do that when you never left the house alone?” “But you could have come at any time. I was waiting for you!” Er Lang was incensed. “Is this the thanks I get?” If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him. I meant to break away at once, but he caught me, his hand behind my head. “Are you going to complain about this?” he demanded. Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look. “Open your mouth then.” “Why?” “I’m going to put my tongue in.” That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
Yangsze Choo (The Ghost Bride)
Kind Providence unto our needs has tempered its decrees      And met our wants, our carping plaints to still Green herbs, and berries hanging on their rough and brambly sprays      Suffice our hunger's gnawing pangs to kill. What fool would thirst upon a river's brink? Or stand and freeze      In icy blasts, when near a cozy fire? The law sits armed outside the door, adulterers to seize,      The chaste bride, guiltless, gratifies desire. All Nature lavishes her wealth to meet our just demands; But, spurred by lust of pride, we stop at naught to gain our ends!
Petronius (The Satyricon)
Not that everything "went black," nothing of the sort; only that the event itself is cloudy because of some primitive, numbing effect that obscured it at the time; the same effect, I suppose, that enables panicked mothers to swim icy rivers, or rush into burning houses, for a child; the effect that occasionally allows a deeply bereaved person to make it through a funeral without a singe tear. Other things—naked, sputtering, indelible in their horror—are too terrible to really ever grasp at all. It is only later, in solitude, in memory, that the realization dawns; when the ashes are cold; when the mourners have departed; when one looks around and finds oneself—quite to one's surprise—in an entirely different world.
Donna Tartt (The Secret History)
… Not that everything “went black,” nothing of the sort; only that the event itself is cloudy because of some primitive, numbing effect that obscured it at the time; the same effect, I suppose, that enables panicked mothers to swim icy rivers, or rush into burning houses, for a child; the effect that occasionally allows a deeply bereaved person to make it through a funeral without a single tear. Some things are too terrible to grasp at once. Other things—naked, sputtering, indelible in their horror—are too terrible to really ever grasp at all. It is only later, in solitude, in memory, that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself —quite to one’s surprise—in an entirely different world.
Donna Tart, The Secret History
And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road’s edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed—a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist.
Donna Tartt (The Secret History)
It was soft, tickling. The liquid was cold going on, like dipping her pinky into a winter river's icy slurry. A thrill shot through her neck. Then, everything on her finger closed up., tightened, stopped breathing. She felt it being suffocated. She almost yelped, leapt up to run away. She hated it. "Okay", Celeste said, "go like this." Agnes opened her eyes, saw Celeste blowing on her own hands, and looked down. The pink was catching light she hadn't even know was present in the dark forest. It looked as thought it moved on her nail, breathed more and more color into itself. She saw the speckles of glitter, not too much, just enough. It was alive, and perfect.
Diane Cook (The New Wilderness)
These are the forgeries of jealousy; And never, since the middle summer’s spring, Met we on hill, in dale, forest, or mead, By pavèd fountain or by rushy brook, Or in the beachèd margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. Therefore the winds, piping to us in vain, As in revenge have sucked up from the sea Contagious fogs, which, falling in the land, Hath every pelting river made so proud That they have overborne their continents. The ox hath therefore stretched his yoke in vain, The plowman lost his sweat, and the green corn Hath rotted ere his youth attained a beard. The fold stands empty in the drownèd field, And crows are fatted with the murrain flock. The nine-men’s-morris is filled up with mud, And the quaint mazes in the wanton green, For lack of tread, are undistinguishable. The human mortals want their winter here. No night is now with hymn or carol blessed. Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound. And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems’ thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set. The spring, the summer, The childing autumn, angry winter, change Their wonted liveries, and the mazèd world By their increase now knows not which is which. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original.
William Shakespeare (A Midsummer Night’s Dream)
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
Laura Frantz (Courting Morrow Little)
When he struck the icy water, he feared his heart might stop. He wasn’t sure what he’d expected, but the force of the river was terrifying, flowing fast and hard as an avalanche. The noise was deafening even beneath the water, but with fear also came a kind of giddy vindication. He’d been right. The Voice of God. There was always truth in legend. Kaz had spent enough time building his own myth to know. He’d wondered where the water that fed the Ice Court’s moat and fountains came from, why the river gorge was so very deep and wide. As soon as Nina had described the drüskelle initiation ritual, he’d known: The Fjerdan stronghold hadn’t been built around a great tree but around a spring. Djel, the wellspring, who fed the seas and rains, and the roots of the sacred ash. Water had a voice. It was something every canal rat knew, anyone who had slept beneath a bridge or weathered a winter storm in an overturned boat—water could speak with the voice of a lover, a long-lost brother, even a god.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron
Ah, New England. An amalgam of picket fences and crumbling bricks; Ivy League schools and dropped Rs; social tolerance and the Salem witch trials, Henry David Thoreau and Stephen King, P-town rainbows and mill-town rust; Norman Rockwell and Aerosmith; lobster and Moxie; plus the simmering aromas of a million melting pot cuisines originally brought here by immigrants from everywhere else searching for new ways to live. It’s a place where rapidly-growing progressive cities full of the ‘wicked smaaht’ coexist alongside blight-inflicted Industrial Revolution landscapes full of the ‘wicked poor’. A place of forested mountains, roaring rivers, crystalline lakes, urban sprawl, and a trillion dollar stores. A place of seasonal tourism beach towns where the wild, rank scent of squishy seaweed casts its cryptic spell along the vast and spindrift-misted seacoast, while the polished yachts of the elite glisten like rare jewels on the horizon, just out of reach. Where there are fiery autumn hues and leaves that need raking. Powder snow ski slopes and icy windshields that need scraping. Crisp daffodil mornings and mud season. Beach cottage bliss and endless miles of soul-sucking summer traffic . Perceived together, the dissonant nuances of New England stir the imagination in compelling and chromatic whorls.
Eric J. Taubert
At this point, the sequence of my memories is disrupted. I sank into a chaos of brief, incoherent and bizarre hallucinations, in which the grotesque and the horrible kept close company. Prostrate, as if I were being garrotted by invisible cords, I floundered in anguish and dread, oppressively ridden by the most unbridled nightmares. A whole series of monsters and avatars swarmed in the shadows, coming to life amid draughts of sulphur and phosphorus like an animated fresco painted on the moving wall of sleep. There followed a turbulent race through space. I soared, grasped by the hair by an invisible hand of will: an icy and powerful hand, in which I felt the hardness of precious stones, and which I sensed to be the hand of Ethal. Dizziness was piled upon dizziness in that flight to the abyss, under skies the colour of camphor and salt, skies whose nocturnal brilliance had a terrible limpidity. I was spun around and around, in bewildering confusion, above deserts and rivers. Great expanses of sand stretched into the distance, mottled here and there by monumental shadows. At times we would pass over cities: sleeping cities with obelisks and cupolas shining milk-white in the moonlight, between metallic palm-trees. In the extreme distance, amid bamboos and flowering mangroves, luminous millennial pagodas descended towards the water on stepped terraces.
Jean Lorrain (Monsieur De Phocas)
I became expert at making myself invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike. But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs. And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water. If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
Donna Tartt (The Secret History)
Studies show that enthusiastic people get better breaks. They’re promoted more often, have higher incomes, and live happier lives. That’s not a coincidence. The word enthusiasm comes from the Greek word entheos. Theos is a term for “God.” When you’re enthusiastic, you are full of God. When you get up in the morning excited about life, recognizing that each day is a gift, you are motivated to pursue your goals. You will have a favor and blessing that will cause you to succeed. The eight undeniable quality of a winner is that they stay passionate throughout their lives. Too many people have lost their enthusiasm. At one time they were excited about their futures and passionate about their dreams, but along the way they hit some setbacks. They didn’t get the promotions they wanted, maybe a relationship didn’t work out, or they had health issues. Something took the wind out of their sails. They’re just going through the motions of life; getting up, going to work, and coming home. God didn’t breathe His life into us so we would drag through the day. He didn’t create us in His image, crown us with His favor, and equip us with His power so that we would have no enthusiasm. You may have had some setbacks. The wind may have been taken out of your sails, but this is a new day. God is breathing new life into you. If you shake off the blahs and get your passion back, then the winds will start blowing once again--not against you, but for you. When you get in agreement with God, He will cause things to shift in your favor. On January 15, 2009, Capt. Chelsey “Sully” Sullenberger successfully landed a jet airplane in the Hudson River after the plane’s engines were disabled by multiple bird strikes. Despite the dangers of a massive passenger plane landing in icy waters, all 155 passengers and crew members survived. It’s known as the “Miracle on the Hudson.” Just after the successful emergency landing and rescue, a reporter asked a middle-aged male passenger what he thought about surviving that frightening event. Although he was shaken up, cold and wet, the passenger had a glow on his face, and excitement in his voice when he replied: “I was alive before, but now I’m really alive.” After facing a life-and-death situation, the survivor found that his perspective had changed. He recognized each moment as a gift and decided that instead of just living, he would start really living.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
The thought brought a ghost of a smile to his lips. Winter evoked primordial feelings of seeking shelter and fire. The realization of the unforgiving side of mother nature wrapping icy fingers into one’s soul.
Jaime Allison Parker (River at the World's Dawn (The Louhi Chronicles Book 2))
She let him into the house secretly, saw him privately, and kept him out of his father’s sight.53 And yet, even Corneil, this creature of deceit, could not deny the truth about himself. He alternated his bombast with references to “my shame & mortification & sorrow.” He was literally fatalistic about his hope of reform. He wrote to Greeley of his “determination to humbly forfeit my life as the penalty of further vice.” It was the one prediction about himself that would come true.54 ON FEBRUARY 15, 1866, the locomotive Augustus Schell chuffed onto the Albany bridge and rolled westward along its 2,020-foot span, over a total of nineteen piers, across an iron turntable above the center of the river below, and rattled down into Albany itself. Following this symbolic inauguration, the first passenger train crossed one week later. After four years of construction (and many more of litigation), the bridge gave the New York Central a continuous, direct connection to the Hudson River Railroad, and thus to Manhattan. But its completed track became a lighted fuse.55 The Commodore’s cold response to Corneil’s backsliding revealed the icy judge who had always lurked behind the encouraging father. So, too, did the implacable warrior remain within the diplomat who had negotiated with Corning and Richmond. In December 1865, for example, the New York Court of Appeals handed down final judgment in the long-running court battle between Vanderbilt and the New York & New Haven Railroad over the shares that Schuyler had fraudulently issued in 1854. Over the years, weary shareholders had settled with the company—but the Commodore refused. He had waged his battle until the court ruled that the company owed $900,000 to Schuyler’s victims. “The great principle is now settled by the highest court in this State,” wrote the Commercial and Financial Chronicle, “that railroad and other corporations are bound by the fraudulent acts of their own agents.”56 It was, indeed, a great principle—but businessmen also saw a more personal lesson in the Schuyler fraud case. “The Commodore’s word is as good as his bond when it is fairly
T.J. Stiles (The First Tycoon: The Epic Life of Cornelius Vanderbilt (Pulitzer Prize Winner))
Three windows, three faces. And the first face: the moon-face of Toby Dance. The first window, the parlor window of that solid frame house and the Christmas-dreaming, bright-eye gleaming face of five year old Toby Dance who, no more than a twinkling instant before, has sent a tissue paper letter up the roaring red throat of the parlor chimney; a prayerful inventory of certain wonders he should like to find beneath the enchanted tree next morning. And now he watches from the window all the capricious white wizardry of snow and the swathed, candied hills beyond the river and the Chinese Elm in the backyard now lofty and up-thrust against the pearled sky like a black, ermined dancer, and Toby sighs and sees his breath suddenly being upon the icy window pane and that printed breath is a faith that already ancient, faery legions of the Ice King are bearing his letter high and away for the right eyes to read.
Davis Grubb (A Tree Full of Stars)
She stepped into the water, which was lukewarm, but sometimes the cold didn’t bother her. Sometimes she craved the icy embrace of winter.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Cheng Xin realized that she still had two friends. In this brief, nightmarish period of history, she had only these two real friends. If she ended her life now, how would they feel? Her transparent, empty heart tightened and cramped up, as though squeezed by numerous hands. The placid surface of the lake in her mind shattered, and the reflected sunlight burned like fire. Seven years ago, she hadn’t been able to press that red button in front of all of humanity; now, thinking of her two friends, she could not swallow this capsule that would bring her relief. She saw again her boundless weakness. She was nothing. A moment ago, the river in front of her had been frozen solid, and she could have easily walked to the other shore. But now, the surface had melted, and she would have to wade through the black, icy water.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
How you must hate us for what we did to you.” Behind her, she heard Sedric give a small gasp of dismay. She ignored him. “Hate you?” Paragon slowly digested her words before he spoke again. He did not turn to look at her, but kept his eyes focused on the river ahead of him as the ship moved steadily against the current. “Why would I waste my time with hate? What was done to me was unforgivable, of course. Completely unforgivable. Those who did it are no longer alive to be punished or to apologize. Even if they were and did, it would not undo what they did. The torments I endured cannot be undone. The stolen future cannot be given back to me. The companionship of my own kind, the chance to hunt and kill, to fight and mate, to live a life in which I am neither servant or master—all those things are forever lost to me.” He did glance back at her now; the blue of his eyes paled to an icy gray. “Can you think of anything that anyone could do to make up for it? Any sacrifice that could be offered that would be adequate reparation?” Her heart was beating so hard that there was a ringing in her ears. Was that why he had rolled so many times and taken so many human lives? Did he think that enough humans had died in expiation for the sin against him, or would he demand more? She hadn’t answered his questions. His voice was a bit more penetrating as he nudged her with, “Well? What sacrifice would be adequate?” “None that I can think of,” she replied softly. She tightened her grip on the railing, wondering if he would immediately turn turtle and drown then all. “Neither can I,” he replied. “No vengeance could resolve it. No sacrifice would make reparations for it.” He returned his gaze to the river. “And so I have decided to move beyond it. To be what I am now, in this incarnation, as no other is available to me. To have what life I may for as long as the wood of this body lasts me.” She couldn’t quite believe what she was hearing. “Then you have forgiven us?” Paragon gave a quiet snort. “Wrong on two points. I haven’t forgiven anything. And I don’t believe in the ‘us’ you think I might take vengeance on. You didn’t do this to me. But even if you had, killing you would not undo it.” Behind her, Sedric suddenly spoke. “That is not the attitude I would have expected from a dragon.” Paragon have a snort, half contempt, half amusement. “I told you. I am not a dragon. And neither are those creatures that you intend to visit and study. That’s why I called you forward. To tell you that. To tell you that there’s no point to your journey. Studying those pathetic wretches will not teach you anything about dragons. No more than studying me would.” “How can they not be dragons?” “In a world where dragons lived, they would not have survived.” “Other dragons would have killed them?” “Other dragons would have ignored them. They would have died and been eaten. Their memories and knowledge would have been preserved by those who fed upon them.” “It seems cruel.” “Would it have been crueler than enabling them to exist as they are now?” She took a breath and then tried to speak boldly. “You have chosen to continue as you are. Should not they be given that choice?” The muscles in his back tightened, and she felt a gout of fear. But when he turned back to her, there was a spark of respect in his blue eyes that had not been there before. He gave her a slow nod. “A point.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….
Mark Kaplon
Hand in hand, my love, come away with me into the blackness— by the trunk of an old strong oak: I long to hold you all through the night and, knowing not of dawn, to not talk once— a pair of hands nightswept-earth…. Dawning starlight above splinters the sky to nerves— now's time for leaving: poised on the verge of shorelines burgeoning everything inside is raw and tingling…. Over the mountain in utter aloneness winds are blowing in a cold void…. Just a few promises I’d packed when I made my way east like a cloud torn from moorings always there've been those of us who sought their origins on the road — under an empty moon— and the origins of origins…. In electrical well-spring vision nuzzled in the bosom of hills on the roaming magnetic earth— far away though they are the cloud-river of stars configures over and over these visions of you…. Shaking off its dust— that glittering icy swirl abides…. On the roaming magnetic earth lying flat, my eyes shocked awake by the electric liquid light: chilling winds do not chill me I know no harm can hold me even a killing wound will only seep me back into the stars... be seeping out from me: in the float of her womb and cradled from the cold— that cradle-of-stars hanging the milky way…. Over the bay just-beginning—a cusp and crescent sliver—by the constellations paling fading…. Transient as I am from before and into after— like blue vapor, breath travels in a light from long ago… here though I knew she'd be to be here with her in scorn of all happenstance is more than a choice: a joy that's almost loss— lightning and paralysis…. The blue fire of delight flickers through sockets of her skull— so all the world knows not or pretends not to know: a person takes a lifetime to get to know but the thrill of remembrance when our eyes met was just one instant: it happens all the time….
Mark Kaplon (Song of Rainswept Sand)
John stood in the kitchen. Though the heat was on, he felt cold, and it wasn’t just the damp clothes or the chill day. The décor was icy. White, gray, black, silver, nothing out of place but for a messy blanket on the couch. The blanket was colorful and rumpled and looked warm. Emily’s blanket, he guessed. Her mess was what marked her.
Chuck Wendig (Black River Orchard)
Mist lies over the river like the icy breath of winter angels. Darkness gathers round... and it is beautiful. Thank you for this life, this death, whatever it is you are that makes us finally see.
Jay Woodman
I stood on the old ferry dock and watched the icy sludge slide by. Patches of white ice slipped through, but mostly it was grey slush, sluggish and heavy looking. The air was sharp and clear, one of the few benefits of the evacuation and reducing temperature, the centuries-old odour of industry and modern life frozen and discarded, leaving a crispness previously only found among the peaks of mountain ranges. On the far bank stood the ruins of Birkenhead, where the riots had been particularly bad and the fires that followed were allowed to rage out of control. It had taken weeks for the conflagration to finally die, leaving behind soot-blackened husks of buildings, grotesque sculptures of melted glass and metal and more dead than anyone ever cared to count.
Neil Davies (Hard Winter: The Novel)
I guess I was lucky I didn't drown, or smother in the thick, black, icy mud that the river left behind in its slow withdrawal back within its banks. I didn't feel lucky. When I regained consciousness, my head and ribs winning the battle with the rest of my body for sharp, almost unbearable pain, my first thought was Chrissy. Chrissy, pulled away from me by the merciless power of the water. Chrissy, lost somewhere, maybe injured, calling for me and I wasn't there for her. Chrissy, beautiful, wonderful Chrissy, quite probably lying in the mud, dead! My scream of anguish, of pain and loss, echoed through the empty Liverpool streets. There was no shame or embarrassment in that shout, that bellow of emotion. I had lost the woman I loved. Nothing I’d ever felt compared to the agony, the gut-wrenching loss of that moment. I cried. I sat there in the middle of a street I didn't recognise, not knowing how far the wave had carried me, and cried.
Neil Davies (Hard Winter: The Novel)
chest. Everything looked strange and slow. Vernon bent over him. He felt him give his chest a big shove, and he felt his arms being raised. All at once the pressure seemed to break, and he coughed violently. Vernon rolled him to his side. He coughed, coughed again, felt a blinding icy headache take hold. Reality returned with a vengeance. Tom struggled to sit up. Vernon put his arms under his shoulders and supported him. “What happened?” “This foolish brother of yours, this Vernito, jumped into that river and pulled you out from under those logs. I have never seen such craziness in my life.” “He did?” Tom turned and looked at Vernon. He was soaked, and his forehead was cut. Blood and water ran together into his beard. Vernon grasped him, and he stood up. His head cleared a little more, and the pounding headache began to subside. He look down into the roaring chute of water ripping into the frenzied pool jammed full of broken tree trunks and branches. He looked at Vernon again. It finally sank in. “You,” he said incredulously. Vernon shrugged. “You saved my life.” “Well, you saved mine,” he said, almost defensively. “You decapitated a snake for me. All I did was jump.” Don Alfonso said, “By the Virgin Mary, I still cannot
Douglas Preston (The Codex)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees Ruth stormed away. She hated the Indians and prayed constantly not to hate her fellow captives as well. They were becoming Indian lovers. Only the stupefied Eliza had avoided it--and that was because she loved Indians so much she had married one. Ruth could not stand the sight of her own Indian, whose Mohawk name Mercy said meant “Otter.” Ruth could not bear to think that Otter owned her, but the other captives easily referred to their Indians as their masters. Every time Ruth had to step into the woods and be private for a few minutes, she walked farther than she needed to and stayed longer. Now she stomped off the lake and into the hated forest. If only she dared escape. The closer they got to Canada, the more desperate Ruth felt. She could not be a slave, she could not be an Indian, she could not-- Her foot reached the edge of a crag she had not seen and did not expect. In the moment of pitching over the cliff, Ruth abandoned hate and thought only of life. She scrabbled frantically. She was just flesh that wanted to go on breathing, and instead would be smashed bones on rocks below. “No!” she cried. “Please, Lord!” The hand that closed around her and kept her from going over was the hand of the Indian who had slain her father. For a moment they stood balanced on the icy rim, until Ruth let her anger come back. “You murderer,” she said, spitting on Otter. “I should have let myself fall before I let you catch me!” She jerked free and shoved him away. He fell soundlessly over the precipice.
Caroline B. Cooney (The Ransom of Mercy Carter)
Winfred Deben’s eyes yawed from the fire and gave Petey an icy glare so cold the lad pulled his cloak even tighter around his body and shivered a little. The old commander had a way of making grown men uncomfortable with just his eyes. They use to joke that Commander Deben could turn a river into a glacier just by looking at it. He was a stern man and he was not known to make jokes or take them well either.
J.R. Potts (Visitor on The Mountain (Book of The Burned Man 2))
prostrate to the father guru. I, the yogi Milarepa, From within the abiding nature will sing you a song. I’ll do a dance in the space free of true existence. Listen, assembly of mamos and dakinis. This reliance on confidence in cause and effect Is faith with which ordinary ones’ cannot compare. Staying alone in solitary places Is samadhi with which ordinary ones’ cannot compare. This resting evenly, free of perceiver and perceived, Is view with which ordinary ones’ cannot compare. This postmeditation that’s free of forgetting Is meditation with which ordinary ones’ cannot compare. This mindfulness without perceiver or perceived*3 Is conduct with which ordinary ones’ cannot compare. This union of compassion and emptiness Is fruition with which ordinary ones’ cannot compare. This clothing that’s free of any feeling of cold*4 Has softness and excellence with which ordinary ones’ cannot compare. This samadhi that’s without any hunger Is meat and beer with which ordinary ones’ cannot compare. This drinking from the river of enlightenment Is drinking with which ordinary ones’ cannot compare. Giving rise to contentment from within Is food and wealth with which ordinary ones’ cannot compare. Marpa Lotsawa, the translator, Is a siddha with whom ordinary ones cannot compare. The view of one’s mind as the face of the deity Is the yidam with which ordinary ones cannot compare. I, the yogi Milarepa, Am a meditator with which ordinary ones cannot compare. This body that’s without any sickness Is a doctor with which ordinary ones cannot compare. Now listen once more, assembly of dakinis: Where nothing is clear, it is clear for me.57 This very luminosity is clear. Where there is no heat, I feel warm. This very single cloth is warm. When there’s nothing comfortable, I feel good, This very illusory body feels good. Where there is no joy, I feel quite joyful, This very dream is so joyful. This yogi here feels better and better. Is Drakya Vajra high, or not? If Drakya Vajra isn’t high, Then how could vultures soar below? If the icy new year’s wind isn’t great, Then how could water in the mountain and valley freeze? If the garment of chandali isn’t warm, How could I feel warm with a single cotton cloth? If I don’t eat samadhi for my food, How could I survive being hungry with an empty belly? If the river of enlightenment isn’t drunk, Then how could I survive being thirsty without water? If the guru’s instructions are not profound, Then how is it obstructions and maras don’t come? If this yogi does not have realization, How could I wander in mountain retreats with no people? This is all due to the kindness of the wise guru. Put efforts in practicing just like this.
Tsangnyön Heruka (The Hundred Thousand Songs of Milarepa: A New Translation)
No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.
Georg Trakl (Poems and Prose)
I've made my thoughts clear enough on what I want from you.' He'd never met someone able to imply so much in so few words, in placing so much emphasis on you as to make it an outright insult. Cassian clenched his jaw. And didn't bother to restrain himself when he said, 'I'm tired of playing these bullshit games.' She kept her chin high, the portrait of queenly arrogance. 'I'm not.' 'Well, everyone else is. Perhaps you can find it in yourself to try a little harder this year.' Those striking eyes slid toward him, and it was an effort to stand his ground. 'Try?' 'I know that's a foreign word to you.' Nesta stopped at the bottom of the street, right along the icy Sidra. 'Why should I have to try to do anything?' Her teeth flashed. 'I was dragged into this world of yours, this court.' 'Then go somewhere else.' Her mouth formed a tight line at the challenge. 'Perhaps I will.' But he knew there was no other place to go. Not when she had no money, no family beyond this territory. 'Be sure to write.' She launched into a walk again, keeping along the river's edge. Cassian followed, hating himself for it. 'You could at least come live at the House,' he began, and she whirled on him. 'Stop,' she snarled. He halted in his tracks, wings spreading slightly to balance him. 'Stop following me. Stop trying to haul me into your happy little circle. Stop doing all of it.' He knew a wounded animal when he saw one. Knew the teeth they could bare, the viciousness they displayed. But it couldn't keep him from saying, 'Your sisters love you. I can't for the live of me understand why, but they do. If you can't be bothered to try for my happy little circle's sake, then at least try for them.' A void seemed to enter those eyes. An endless, depthless void. She only said, 'Go home, Cassian.' He could count on one hand the number of times she'd used his name. Called him anything other than you or that one. She turned away- toward her apartment, her grimy part of the city. It was instinct to lunge for her free hand. Her gloved fingers scraped against his calluses, but he held firm. 'Talk to me, Nesta. Tell me-' She ripped her hand out of his grip. Stared him down. A mighty vengeful queen. He waited, panting, for the verbal lashing to begin. For her to shred him into ribbons. But Nesta only stared at him, her nose crinkling. Stared, then snorted- and walked away. As if he were nothing. As if he weren't worth her time. The effort. A low-born Illyrian bastard. This time, when she continued onward, Cassian didn't follow. He watched her until she was a shadow against the darkness- and then she vanished completely. He remained staring after her, that present in his hands. Cassian's fingertips dug into the soft wood of the small box. He was grateful the streets were empty when he hurled the box into the Sidra. Hurled it hard enough that the splash echoed off the buildings flanking the river, ice cracking from the impact. Ice instantly re-formed over the hole he'd blown over. As if it, and the present, had never been.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
handed her to those who would have killed her. Or worse. She’d been newly orphaned, and even at eight, she knew that a life with Arobynn, with a new name that no one would recognize but someday everyone would fear, was a chance to start over. To escape the fate that led her to leap into the icy river that night ten years ago.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Thank you, Princess,” Prasutagus said, inclining is head to me. His eyes lingered on mine. And once again, I felt that same sense of familiarity. “Let me speak to Balfor. I’ll see to you and your men’s accommodations,” Bran told Prasutagus, then rose and left the room. I refilled the prince’s cup. “I was sorry to hear of the passing of your wife.” Prasutagus nodded. “Thank you. It has been a difficult year,” he said, then met my gaze. “You lost someone close to you in this attack on your people, I think.” Surprised by his observation, I nodded. I willed myself not to, but I could not hide the play of emotions on my face. “I did,” I said, my voice catching. Prasutagus, in a gesture of empathy, moved to take my hand but held back. When he did so, I noticed his fingers were tattooed with Ogham, the secret tree language. “As I remind myself, a person lives many lives, and those we love the most always return to us—one way or another.” “I… Thank you. I wish the same for you,” I said, lightly touching his fingers. “Prince Prasutagus, your lodgings are already ready,” Bran said. “Apparently, our housecarl is more astute than I am,” he added with a good-natured laugh. “Very well. Thank you,” Prasutagus said, rising. He turned to me. “Good night, Princess.” “Good night.” With that, Prince Prasutagus followed Bran from the dining hall toward the guest chambers. Balfor motioned for the prince’s men to follow him to the guest house just outside. I sat frozen. The moment our hands connected, a vision had danced through my mind. I saw Prasutagus and myself standing on the shore of an icy river. Prasutagus held my waist, his arm around me protectively. Yet, we looked different—different eyes, different hair, different everything. But inside of us, we were the same people. And what I felt for him… The ramifications of such a vision shook me to my very core.
Melanie Karsak (Queen of Oak (The Celtic Rebels, #1))
She’d been newly orphaned, and even at eight, she knew that a life with Arobynn, with a new name that no one would recognize but someday everyone would fear, was a chance to start over. To escape the fate that led her to leap into the icy river that night ten years ago.
Sarah J. Maas (Throne of Glass)
Asala looked over to Niko. They were struggling. They’d had training, but they hadn’t had this much time in the field before. She slapped her hand on their back. “Keep up.” “I am keeping up,” they said. “Are you?” Asala asked, and picked up her pace, almost doubling her speed. Icy wind flooded her lungs through her nostrils, which only drove her to push harder. “I see why you usually work alone,” said Niko. “No fun getting bogged down by us mere mortals.” For fun, Asala started jogging.
Rivers Solomon (The Vela (The Vela #1))
Artemis, the virgin huntress. It’s Greek. Think of her out on a moon yellow night, arrow notched taut in a bowstring and the taste of blood in her mouth. How seriously her parents considered the effect on destiny in the act of her naming, I don’t know. They had their pick of the pantheon. They could have called her Syrinx and had her running in terror from musically inclined men with hairy legs. She might have been more docile, vegetative even. But she would have had a tune to hum to herself then, high and reedy, remembering river banks. If they had called her Persephone they could have kept her, for half the year anyway, tending a fruitful garden. Though it is true that every fall her memory of them would drown in the icy River of Forgetfulness as she went into the underworld to live with her dreary husband, six bleeding pomegranate seeds glistening in his open palm. It might have been easier, for as it is she remembers nothing of them at all since they were forced to give her up for adoption when she was six months old. The name, which her adoptive parents decided to keep, thinking
Larissa Lai (When Fox is a Thousand)
But there was no avoiding it. Picking up the pig and nest, she held them in front of her and stepped into the water. Icy.   The water got deeper until it was just below her waist and tugging at the hem of her long Kitty underwear. If it got much deeper, her things and the pig would get wet. She was going to have to balance her knapsack and the nest of pig on top of her head.   She carefully lifted the whole bundle up, still keeping her fingers protectively wrapped around her weapons.   How had she come to this? How had she ended up a hungry, friendless fugitive in the middle of a frigid river wearing completely ridiculous lacy underthings?   With a pig balanced on top of her head?   At least there was no one around.   Just as she thought that, a piercing whistle cut through her thoughts.   No. Way.
Bridget Zinn (Poison)
When you drink water, the clouds, rivers, ocean, wells and icy mountains should come in your mind. But human ego makes you think that water was created in a factory. Let go of ego and be one with the universe. Ego uses you, the universe nourishes you.
Shunya
A Piece of Heaven Just For You by Maisie Aletha Smikle Just for you I will climb To the mountain peak Just for you I will dive in the ocean deep For you My love The valley is never too wide I will tread plateaus and plains And ride camels on their reins Just for you My beloved Just for you I will swim and thread rivers and seas Paddle through the frosty snow and icy breeze Just for you My darling I will do triathlons around the circumference of the globe Trek rocky grounds And slippery slopes Just for you My darling I will zipline from the north pole to the south pole I will swing from the treetops And parachute from the backdrop Just for you My darling Just for you I will sing And cook a pot of stew Just for you my love I will climb the stairs of heaven To reach the clouds And bring back a piece of heaven Just for you my beloved
Maisie Aletha Smikle
In all the known realms of this earth, only the queens of Weirandale had hair of that color: the cerulean blue of the icy Nargis River—the blue of a blue tanager.
Sarah Kozloff
The saga teems with life and action, with memorable and complex characters from the heroic Gunnar of Hlidarendi, a warrior without equal who dislikes killing, to the villainous, insinuating Mord Valgardsson, who turns out to be less dastardly than we first expect. Unforgettable events include Skarphedin’s head-splitting axe blow as he glides past his opponent on an icy river bank, or Hildigunn’s provoking of her uncle to seek blood revenge by placing on his shoulders the blood-clotted cloak in which her husband was slain... Just as in the Norse poem Völuspá (‘The Seeress’s Prophecy’) the gods met their doom (no mere twilight) at the hands of brute giants and monsters, after which a new and peaceful earth arose, so do the terrible events of Njal’s Saga lead finally and at great cost to a dignified resolution bearing the promise of a better time. (Robert Cook(
Anonymous (Njal's Saga)
When these weary travelers arrived at an icy river, they expected to find it frozen solid. Instead, a large section of icy water swirled in the middle of the river. With “one poor hatchet,” Washington remembered, he and Gist devoted an entire day to hacking out a rude raft to float them across. Midway across the river, it became wedged in an ice floe, stuck so fast that Washington “expected every moment our raft would sink and we perish.” He tried to free the craft by pushing a pole against the river bottom: “I put out my setting pole to try to stop the raft that the ice might pass by, when the rapidity of the stream threw it with so much violence against the pole that it jerked me into ten feet [of ] water.” Bobbing breathlessly in the current, Washington latched onto one log of the raft and heaved himself onto its surface. Unable to get ashore, he and Gist lay stranded on an island in the river. Although Washington had been submerged in the icy water, it was Gist who suffered frostbite in his toes and fingers. The pair withstood the elements on the island all night. By the next morning, the river having congealed into a sheet of ice, they were able to scramble across to safety. Clearly, to have survived these mishaps, Washington must have been a physical prodigy, made of seemingly indestructible stuff.
Ron Chernow (Washington: A Life)
Several years of living in the Netherlands had reduced my innate English prudishness somewhat, but I still suffered from a typical Englishman's angst at public nudity. Cowering between the changing rooms and the pool, I spent ten anguished minutes trying to decide whether to keep my swimming trunks on or risk taking them off. Would the other patrons run screaming if I stripped off? Or would they run screaming if I didn't? I eventually decided to assimilate as best as I could, and marched to the poolside dressed as God made me, flinging my towel aside with carefree abandon. No one ran screaming, although I did get a big smile and a wink from a bearish, Russian-looking man twice my age, and wondered briefly if I'd strayed into the wrong kind of bathhouse. The biggest surprise was that men and women were mixing freely not just in the pools but in the showers and changing rooms too, all as happily naked as the day they first drew breath. A group of older men sat talking about football in the hot tub, and a pair of middle-aged women were busily planning someone else's wedding while swimming lengths in the icy main pool. Yet despite the mixing of the sexes, the atmosphere was reassuringly chaste. I was almost certainly the only person who wasn't retired, and there were (to put it politely) more raisins on display than grapes. I didn't quite know where to look, and spent a lot of time feigning interest in the ceiling.
Ben Coates (The Rhine: Following Europe's Greatest River from Amsterdam to the Alps)
I want love, Diary. I want to feel my heart melt, want to see my icy stalactites shatter and plunge into a river of passion and beauty.
Melissa Panarello (100 Strokes of the Brush Before Bed)