Iceland Travel Quotes

The problem with driving around Iceland is that you’re basically confronted by a new soul-enriching, breath-taking, life-affirming natural sight every five goddamn minutes. It’s totally exhausting.

That we leave our homes, that we step through our doors to the world, that we travel our whole lives not because we want to collect exotic T-shirts, not because we want to consume foreign adventure the same Western way we consume plastic and Styrofoam and LCD TVs and iPads, but because it has the power to renew us—not the guarantee, not the promise, just the possibility. Because there are places our imaginations can never construct for us, and there are people who we will never meet but we could and we might. It reminds us that there is always reason to begin again.

(Interviews Ntozake Shange) “What do you think an artist’s job is?” “To keep our sensibilities alive, so we aren’t numb by our struggles to survive. That’s what I think our job is right now.

There must be a better reason to travel, a better way of travelling, than the hoarding of sights your friends haven’t seen.

...Bhutan all but bases its identity upon its loneliness, and its refusal to b assimilated into India, or Tibet, or Nepal. Vietnam, at present, is a pretty girl with her face pressed up against the window of the dance hall, waiting to be invited in; Iceland is the mystic poet in the corner, with her mind on other things. Argentina longs to be part of the world it left and, in its absence, re-creates the place it feels should be its home; Paraguay simply slams the door and puts up a Do Not Disturb sign. Loneliness and solitude, remoteness and seclusion, are many worlds apart.

Snarling an oath from an Icelandic saga, I reclaimed my place at the head of the queue. "Oy!" yelled a punk rocker, with studs in his cranium. "There's a fackin' queue!" Never apologize, advises Lloyd George. Say it again, only this time, ruder. "I know there's a 'fackin' queue'! I already queued in it once and I am not going to queue in it again just because Nina Simone over there won't sell me a ruddy ticket!" A colored yeti in a clip-on uniform swooped. "Wassa bovver?" "This old man here reckons his colostomy bag entitles him to jump the queue," said the skinhead, "and make racist slurs about the lady of Afro-Caribbean extraction in the advance-travel window." I couldn't believe I was hearing this.

For some reason I just want to mention another German artist I like a lot. Imi Knoebel. He once described hiding in an attic during the bombing of Dresden and how the flashes of bombs filled a triangular shaped window in the room he was in and the experience contributed to his love of simple shapes. Is that love or merely imprinting. It was simple and strong and one is forced in a way to see the world the way it IS shaped. Art becomes a momory more than anything else. A kind of chooser. It shows how we were touched.

Astronaute, j'explorais tous les secrets d'un univers bien plus vaste que ce que j'imaginais.

For all these reasons (...) working class intellectuals like big words and their sentence formation is excessively ornate. It's what they think of as 'smart'. Pomposity. It's an embarrassing condition of being unsophisticated and not knowing what is truly smart which is simplicity and modernism; certainly it was twenty years ago that I learned to write. But the working class person is above all afraid to seem dumb so in acting 'smart' and footnoting everything they betray the insecurity and weightiness of the unexperienced conclusion, which is an imitation of what writers are like. In general I think writers are not smart. They are something else and each writer can fill in a word here, but smart is not what that word is.

we’re all enjoying thinking about how much where you come from shapes what you see when you leave. Home, I tell them, is the paper on which travel writes. Travel writers are always writing home.

Alcoa, the biggest aluminum company in the country, encountered two problems peculiar to Iceland when, in 2004, it set about erecting its giant smelting plant. The first was the so-called hidden people—or, to put it more plainly, elves—in whom some large number of Icelanders, steeped long and thoroughly in their rich folkloric culture, sincerely believe. Before Alcoa could build its smelter it had to defer to a government expert to scour the enclosed plant site and certify that no elves were on or under it. It was a delicate corporate situation, an Alcoa spokesman told me, because they had to pay hard cash to declare the site elf-free, but, as he put it, “we couldn’t as a company be in a position of acknowledging the existence of hidden people.

He had studied philosophy as a young man, but clay really spoke to him. I like mud, he explained. And then he went on to explain the Earth's magnetism, and why clay does stick together and it's about ions and stuff. And there are specific muds, or clays. For instance, this: red. Deep deep beautiful red. Albany slip. I stand there in awe, slipping around in worlds of specialization. The endless details, but the Earth is a big wad of it, mud. And that would be a huge start, to know that you liked it. There it is.

How, I wonder, staring out my hotel window into black nothingness, can Icelanders possibly be happy living under this veil of darkness? I’ve always associated happy places with palm trees and beaches and blue drinks and, of course, swim-up bars. That’s paradise, right? The global travel industry certainly wants us to think so. Bliss, the ads tell us, lies someplace else, and that someplace else is sunny and eighty degrees. Always. Our language, too, reflects the palm-tree bias. Happy people have a sunny disposition and always look on the bright side of life. Unhappy people possess dark souls and black bile.

For some reason I just want to mention another German artist I like a lot. Imi Knoebel. He once described hiding in an attic during the bombing of Dresden and how the flashes of bombs filled a triangular shaped window in the room he was in and the experience contributed to his love of simple shapes. Is that love or merely imprinting. It was simple and strong and one is forced in a way to see the world the way it IS shaped. Art becomes a memory more than anything else. A kind of chooser. It shows how we were touched.

When Neil Armstrong took his small step from Apollo 11 and looked around, he probably thought, Wow, sort of like Iceland—even though the moon was nothing like Iceland. But then, he was a tourist, and a tourist can’t help but have a distorted opinion of a place: he meets unrepresentative people, has unrepresentative experiences, and runs around imposing upon the place the fantastic mental pictures he had in his head when he got there. When Iceland became a tourist in global high finance it had the same problem as Neil Armstrong.

How did the Vikings survive in greenless Greenland and earthless Scotland? How did they have enough provisions to push on to Woodland and Vineland, where they dared not go inland to gather food, and yet they still had enough food to get back? What did these Norsemen eat on the five expeditions to America between 985 and 1011 that have been recorded in Icelandic sagas? There were able to travel to all these distant, barren shores because they had learned to preserve codfish by hanging it in the frosty winter air until it lost four-fifths of its weight and became a durable woodlike plank.

ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,

Although they made it their own, the Vikings were not the first explorers of the North Atlantic. For at least two centuries before the beginning of the Viking Age, Irish monks had been setting out in their curachs in search of remote islands where they could contemplate the divine in perfect solitude, disturbed only by the cries of seabirds and the crashing of the waves on the shore. The monks developed a tradition of writing imrama, travel tales, the most famous of which is the Navigatio sancti Brendani abbatis (The Voyage of St Brendan the Abbot). The Navigatio recounts a voyage purported to have been made by St Brendan (d. c. 577) in search of the mythical Isles of the Blessed, which were believed to lie somewhere in the western ocean. The imrama certainly show a familiarity with the North Atlantic–the Navigatio, for example, describes what are probably icebergs, volcanoes and whales–but they also include so many fantastical and mythological elements that it is impossible to disentangle truth from invention. There is no evidence to support claims that are often made that St Brendan discovered America before the Vikings, but Irish monks certainly did reach the Faeroe Islands and Iceland before them. Ash from peat fires containing charred barley grains found in windblown sand deposits at Á Sondum on Sandoy in the southern Faeroes has been radiocarbon-dated to between the fourth and sixth centuries AD. Although no trace of buildings has yet been found, the ash probably came from domestic hearths and had been thrown out onto the sand to help control erosion, which was a common practice at the time. As peat was not used as a fuel in Scandinavia at this time but was widely used in Britain and Ireland, this evidence suggests that seafaring Irish monks had discovered the Faeroes not long after Ireland’s conversion to Christianity. No physical traces of an Irish presence in Iceland have been found in modern times, but early Viking settlers claimed that they found croziers and other ecclesiastical artefacts there. There are also two papar place-names (see here) associated with Irish monks, Papos and Papey, in the east of Iceland. The monks, all being celibate males, did not found any permanent self-sustaining communities in either place: they were always visitors rather than settlers.

He spoke 29 languages, including Greek, Arabic, Persian, Icelandic, Turkish, Swahili, Hindi, and a host of other European, Asian, and African tongues.

In 2008 geneticists at the University of York discovered that mice have left genetic trails in much the same way as humans. Rodents that traveled into Orkney on Viking ships ended up leaving much of their DNA in the mouse populations on the island. Indeed, the Scandinavian mice left a pattern so clear that scientists have found they can draw an accurate map of human movements based on mouse movements alone. A more recent study tracked marauding mice of the early tenth century into Greenland from Iceland and before that from either Norway or the northern part of Britain.

We kept saying, ‘These banks are out of business.’ But the government kept saving the banks,” he said. “And right in the midst of this Iceland went broke.

Before traveling to Iceland, I made a vow to myself that there were two subjects that I would not mention: Björk and elves.

The German losses are still being toted up, but at last count they stand at $21 billion in the Icelandic banks, $100 billion in Irish banks, $60 billion in various U.S. subprime-backed bonds, and some yet to be determined amount in Greek bonds. The only financial disaster in the last decade German bankers appear to have missed was investing with Bernie Madoff

We could start by considering what the English have given the world. And here is the first problem. For the greatest legacy the English have bequeathed the rest of humanity is their language. When an Icelander meets a Peruvian, each reaches for his English. Even in the Second World War, when the foundations were being laid for the Axis pact between Germany, Japan and Italy, Yosuke Matsuoka was negotiating for the Emperor in English. It is the medium of technology, science, travel and international politics. Three quarters of the world’s mail is written in English, four fifths of all data stored on computers is in English and the language is used by two thirds of the world’s scientists.

One of the distinctive traits about Iceland’s disaster, and Wall Street’s, is how little women had to do with it. Women worked in the banks, but not in the risk-taking jobs.

Maybe because there are so few Icelanders in the world, we know next to nothing about them. We assume they are more or less Scandinavian—a gentle people who just want everyone to have the same amount of everything. They are not. They have a feral streak in them, like a horse that’s just pretending to be broken.

get very drunk. This is what refreshes him, participating in the illusion of another life, which is the same thing that we’re always seeking when we travel: to get outside of ourselves and imagine new possibilities, however unlikely or unreal they are. Iceland remains ideal for this purpose. “It’s what fantasies are made of,” Hansson says. “This untamed wild, this alien landscape, this vastness.

In fact next morning was not the right time to ask questions either. Everyone had fierce headaches, and the sun was already high before we were ready to set out on the road again. I loitered, waiting for Donnachad to pay our host for all the food and drink we had consumed, but he made no move to do so, and our host seemed just as good-natured as when we first arrived. Donnachad muttered only a few gracious phrases of thanks and then we rejoined his men, who were trudging blearily forward. I sidled across to the elderly servant and asked him why we had left without paying. 'You never pay a briugu for hospitality,' he answered, mildly shocked. 'That would be an insult. Might even take you to court for looking to pay him.' 'In Iceland, where I come from,' I said, 'a farmer is expected to be hospitable and give shelter and food to travellers who come to his door, particularly if he is wealthy and can afford it. But I didn't see any farming near the house. I'm surprised that he doesn't move away to somewhere a bit more remote.' 'That's precisely why he's built his house beside the road,' explained the old man, 'so that as many people as possible can visit him. And the more hospitality he dispenses, the higher will rise his face price. That's how he can increase his honour, which is much more important to him than the amount of wealth he has accumulated.' What the briugu would do when all his hoarded savings ran out, he did not explain. 'A briugu should possess only three things,' concluded the old man with one of those pithy sayings of which the Irish are fond, 'a never-dry cauldron, a dwelling on a public road and a welcome for every face.' p243

Even the two moose were surprised. It was almost as cold as Iceland, but not quite. They decided to occupy the last hour on deck knitting hats and scarves for Snugs, Carla, and James. Clickety-click went their knitting needle antlers...

But words can of course equally well carry a blessing with them. A good word at parting is a gift of strength to the traveller. When the king said “Good luck go with you, my friend,” the man set out carrying a piece of the king's power in him. “Luck on your way to your journey's end, and then I will take my luck again,” is a saying still current among the Danish peasantry. A good word given on coming to a new place meant a real addition to one's luck. When Olaf the Peacock moved into his new homestead, old Hoskuld, his father, stood outside uttering words of good luck; he bade Olaf welcome with luck, and added significantly: “This my mind tells me surely, that his name shall live long.” Orðheill, word-luck, is the Icelandic term for a wish thus charged with power, either for good or evil, according as the speaker put his goodwill into his words and made them a blessing, or inspired them with his hate, so that they acted as a curse. There was man's life in words, just as well as in plans, in counsel. Thoughts and words are simply detached portions of the human soul and thus in full earnest to be regarded as living things.

Icelanders are among the most inbred human beings on earth—geneticists often use them for research.

When you asked me, breathless, breathing the same air I was breathing, 'And what now?' I didn't know what to to say. Three months later and I still don't know the answer. I've been a nomad my whole life. I've crossed half the world, from Chicago to Palestine, Iceland to the Sahara, and I've never known what name to give this anxious wandering. Now I know that I was looking for you. I know now that you are my destiny, my country, my church. I know that it became December when I left Luanda, and that ever since then Winter has been prowling like a ravenous wolf all around me.