Ice Forming Quotes

We've searched our database for all the quotes and captions related to Ice Forming. Here they are! All 100 of them:

Oo, I like a good cat fight – especially when it doesn’t involve me,’ Oscar said. ‘Shut up!’ Bryony and Raya said simultaneously. A hairline crack formed in the ice between them.
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask for)
The heater spits a chorus of steam, his bones no longer brittle and cold. The ice man melted, a new form waiting to emerge once all the crystals get shaken away.
Lee Matthew Goldberg (The Ancestor)
A thin, flexible, layer of ice had already formed on the water, and the undulating movement caught the light of the setting sun, like a sparkling curtain of light billowing across the bay. Connie tried to capture the moment in her mind as the thin ice shimmered in oranges and reds as it moved between already forming pieces of thicker ice.
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
I tried to imagine Tate on ice skates. This vision didn’t form in my brain likely because Tate’s badassness reached across four states and halted such activity.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
At the kitchen table she examined the glass of ice. Each cube was rounded by room temperature, dissolving in its own remains, and belatedly she understood that this was how a loved one disappeared. Despite the shock wave of walking into an empty flat, the absence isn’t immediate, more a fade from the present tense you shared, a melting into the mast, not an erasure but a conversion in form, from presence to memory, from solid to liquid, and the person you once touched runs over your skin, now in sheets down your back, and you may bathe, may sink, may drown in the memory, but your fingers cannot hold it.
Anthony Marra (A Constellation of Vital Phenomena)
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park / Congo)
Frost grows on the window glass, forming whorl patterns of lovely translucent geometry. Breathe on the glass, and you give frost more ammunition. Now it can build castles and cities and whole ice continents with your breath’s vapor. In a few blinks you can almost see the winter fairies moving in . . . But first, you hear the crackle of their wings.
Vera Nazarian (The Perpetual Calendar of Inspiration)
War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
The dividing line forms-fashioned from: Dragon's tears Missed years Overcome fears The fire and ice paradox Seen with True Sight Darkness does not always equate to evil Light does not always bring good
P.C. Cast (Destined (House of Night, #9))
It's not so much my own death that is intolerable, it's the death of those around me. Because I love them. And part of me dies with them. Therefore all love, if you like, is a form of suicide.
S.K. Tremayne (The Ice Twins)
If the river has a soul, it's a peaceful one. If it has a lesson to impart, that lesson is patience. There will be drought, it says; there will be floods; the ice will form, the ice will melt; the water will flow and blend into the river's brackish mouth, then join the ocean between Lewes and Cape May, endlessly, forever, amen.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
And while the ice was melting to form a flood in which I threatened to drown I awoke one afternoon to find that my first northern winter had set.
Ralph Ellison (Invisible Man)
The darkness at the sides of the road. It possesses neither form nor name, but whoever passes here knows when it comes out and follows after and sends shudders like rippling streams down his back.
Tarjei Vesaas (The Ice Palace)
What about James?” “James? James, the guy I work with? James who takes ice cream scooping more seriously than anyone should? James who almost had a nervous breakdown when the chocolate and rainbow sprinkles accidentally got mixed together? That James?” “He has a good work ethic. And he’s cute.” “Hello, I’m not thirty. I don’t want a good work ethic yet. I just want someone who can form complete sentences.
Robin Benway (Audrey, Wait!)
Everything you say is absolutely right — the death of those we love is so much worse than our own death, and yes all love is a form of suicide, you destroy yourself, you surrender yourself, you kill something in yourself, willingly, if you really love.
S.K. Tremayne (The Ice Twins)
There was a Princess Somebody of Denmark sitting at a table with a number of people around her, and I saw an empty chair at their table and sat down. She turned to me and said, "Oh! You're one of the Nobel-Prize-winners. In what field did you do your work?" "In physics," I said. "Oh. Well, nobody knows anything about that, so I guess we can't talk about it." "On the contrary," I answered. "It's because somebody knows something about it that we can't talk about physics. It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance--gold transfers we can't talk about, because those are understood--so it's the subject that nobody knows anything about that we can all talk about!" I don't know how they do it. There's a way of forming ice on the surface of the face, and she did it!
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
On a world where a common table implement is a little device with which you crack the ice that has formed on your drink between drafts, hot beer is a thing you come to appreciate.
Ursula K. Le Guin (The Left Hand of Darkness)
A film closed over the past as she spoke, a barrier as brittle and fragile as ice forming. It would grow and strengthen. It would become impenetrable, opaque.
Kim Edwards
But at the end of every show we would realize that true happiness often lies where you very least expect it. It might arrive in a form of a gentle breeze or a handful of peanuts, but when it came, we would seize it with our own brand of folksy wisdom.
David Sedaris (Holidays on Ice)
Sometimes people ask you: "When is your birthday?" But you might ask yourself a more interesting question: "Before that day which is called my birthday, where was I?" Ask a cloud: "What is your date of birth? Before you were born, where were you?" If you ask the cloud, "How old are you? Can you give me your date of birth?" you can listen deeply and you may hear a reply. You can imagine the cloud being born. Before being born it was the water on the ocean's surface. Or it was in the river and then it became vapor. It was also the sun because the sun makes the vapor. The wind is there too, helping the water to become a cloud. The cloud does not come from nothing; there has been only a change in form. It is not a birth of something out of nothing. Sooner or later, the cloud will change into rain or snow or ice. If you look deeply into the rain, you can see the cloud. The cloud is not lost; it is transformed into rain, and the rain is transformed into grass and the grass into cows and then to milk and then into the ice cream you eat. Today if you eat an ice cream, give yourself time to look at the ice cream and say: "Hello, cloud! I recognize you.
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
Layer upon layer of soft-packed snowflakes settled in near silence, forming a quilt of feathery ice crystals.
Rebecca Nichols Alonzo (The Devil in Pew Number Seven)
The girl's kind, good. . . . Totally too good for you." "So were you." He kissed her cheek, singed it with his lips. "You still are." "Bastard." She shoved him, ignoring the burning in her palm from touching him. He put a hand on his shoulder, metling the ice that formed where she'd pushed too hard. It crackled under his touch. "Only because Beira murdered my father.
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
Lightning and love are created in very similar ways. There is some debate over how both lightning and love form, but most experts agree that both require the presence of complementary opposites. A towering thundercloud is full of opposites: ice and positive charge at its uppermost point, water and negative change at its base. In electricity and in love, opposites attract, and so as these opposites begin to interact, an electrical field develops. In a cloud, this field eventually grows so powerful that it must burst from the cloud in the form of lightning, visible from miles away. It is essentially the same in a love affair.
Maggie Stiefvater (All the Crooked Saints)
Any more bitching from the geriatric crew? What a bunch of old women. Should I hire another crewmate to change your bed diapers while I’m at it? Next time I’ll let The League have you. Vik, I’m relinquishing control back to you. (Devyn) It’s what I live for. By the way, ye organic life forms aren’t the only ones who’ve soiled themselves. Can I have a minute to attend my needs, Captain Asshole? (Vik)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
How can I number the worlds to which the eye gives me entry? - the world of light, of colour, of shape, of shadow: of mathematical precision in the snowflake, the ice formation, the quartz crystal, the patterns of stamen and petal: of rhythm in the fluid curve and plunging line of the mountain faces. Why some blocks of stone, hacked into violent and tortured shapes, should so profoundly tranquillise the mind I do not know. Perhaps the eye imposes its own rhythm on what is only a confusion: one has to look creatively to see this mass of rock as more than jag and pinnacle - as beauty. Else why did men for so many centuries think mountains repulsive? A certain kind of consciousness interacts with the mountain-forms to create this sense of beauty. Yet the forms must be there for the eye to see. And forms of a certain distinction: mere dollops won't do it. It is, as with all creation, matter impregnated with mind: but the resultant issue is a living spirit, a glow in the consciousness, that perishes when the glow is dead. It is something snatched from non-being, that shadow which creeps in on us continuously and can be held off by continuous creative act. So, simply to look on anything, such as a mountain, with the love that penetrates to its essence, is to widen the domain of being in the vastness of non-being. Man has no other reason for his existence.
Nan Shepherd (The Living Mountain)
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong
the difference between secret and lie is similar to the difference of ice and water. when you heat ice it becomes water. and when you force anyone to reveal there secrets it comes in a form of lie.
Munendra Dwivedi
He and Brenna were different in one crucial respect, a difference they had both gone to great lengths to avoid discussing - the lack of a mating bond between them. He was a psychic being. He would have seen it had it been present in any form. That it wasn't, was a sign that though they might be drawn to each other, they weren't made to fit. He didn't give a damn. He was keeping her.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Nature forms patterns. Some are orderly in space but disorderly in time, others orderly in time but disorderly in space. Some patterns are fractal, exhibiting structures self-similar in scale. Others give rise to steady states or oscillating ones. Pattern formation has become a branch of physics and of materials science, allowing scientists to model the aggregation of particles into clusters, the fractured spread of electrical discharges, and the growth of crystals in ice and metal alloys. The dynamics seem so basic—shapes changing in space and time—yet only now are the tools available to understand them.
James Gleick (Chaos: Making a New Science)
I think reading is important in any form. I think a person who's trying to learn to like reading should start off reading about a topic they are interested in, or a person they are interested in.
Ice Cube
Slowly the shapes around her took on form. Huge empty eyes stared at her hungrily through the gloom, and dimly she saw the jagged shadows of long teeth. She had lost the count. She closed her eyes and bit her lip and sent the fear away. When she looked again, the monsters would be gone. Would never have been. She pretended that Syrio was beside her in the dark, whispering in her ear. Calm as still water, she told herself. Strong as a bear. Fierce as a wolverine. She opened her eyes again. The monsters were still there, but the fear was gone.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
All mathematicians live in two different worlds. They live in a crystalline world of perfect platonic forms. An ice palace. But they also live in the common world where things are transient, ambiguous, subject to vicissitudes. Mathematicians go backward and forward from one world to another. They’re adults in the crystalline world, infants in the real one.
Sylvain Cappell
The crystal trees among them were hung with glass-like trellises of moss. The air was markedly cooler, as if everything was sheathed in ice, but a ceaseless play of light poured through the canopy overhead. The process of crystallization was more advanced. The fences along the road were so encrusted that they formed a continuous palisade, a white frost at least six inches thick on either side of the palings. The few houses between the trees glistened like wedding cakes, white roofs and chimneys transformed into exotic miniarets and baroque domes. On a law of green glass spurs, a child’s tricycle gleamed like a Faberge gem, the wheels starred into brilliant jasper crowns.
J.G. Ballard (The Crystal World)
From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, octahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for.
Anthony Doerr (All the Light We Cannot See)
In the infinite permutations of an ice crystal, everything repeats itself, but, really, from another point of view, nothing repeats itself. The arms go out, forming dendrites, sectored plates, the same angle every time, but the final product – because of wind, because of molecular vibration, because of rate of growth and temperature – is never the same.
Anthony Doerr (About Grace)
Two men. I had just killed two men. A killing machine, I hadn't even hesitated. Fear and rage settled deep in my chest, forming a layer of ice around my heart.
Maria V. Snyder (Poison Study (Study, #1))
There in the dim light, staring at the shadow on the wall, I poured out the story of my life. It had been so long, but slowly, like melting ice, I released each circumstance. How I managed to support myself. Yet never managed to go anywhere. Never went anywhere, but aged all the same. How nothing touched me. And I touched nothing. How I'd lost track of what mattered. How I worked like a fool for things that didn't. How it didn't make a difference either way. How I was losing form. The tissues hardening, stiffening from within. Terrifying me.
Haruki Murakami (Dance Dance Dance)
We feign disinterest and laugh, and creep into the kitchen some nights, a triangle of light spilled on the floor form the fridge, shoveling cold casseroles, ice cream, jelly, cheese, into our mouths, swallowing without chewing as we listen to the steady, echoing tisk-tisk-tisk of the clock. I have done this. Millions of people have done this. There is an empty space in many of us that gnaws at our ribs and cannot be filled by any amount of food. There is a hunger for something, and we never know quite what it is, only that it is a hunger, so we eat.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Are you particularly attached to these? He fingered the lace around the crease where her thigh curved against the most intimate part of her. "Wh-what?" Her hands dripped form his head to dig into the sheets. He filed away her responsiveness when touched in that particular area. I'll take that as a no." Gipping hold of the front, he tore the fragile fabric off her body. The scraps fell away like mist.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Once a patient goes brain dead and relatives sign his organ donation consent form, he will get the best medical treatment of his life. A hospital code blue may be a call for doctors to rush to the bedside of a beating heart cadaver who needs his or her heart defibrillated.
Dick Teresi (The Undead: Organ Harvesting, the Ice-Water Test, Beating Heart Cadavers--How Medicine Is Blurring the Line Between Life and Death)
Cold winds blow and thick ice forms, I conjure up this fairy storm. To seven corners of the human world the Rainbow Fairies will be hurled! I curse every part of Fairyland, with a frosty wave of my icy hand. For now and always, from this day, Fairyland will be cold and gray!
Daisy Meadows (Ruby The Red Fairy)
I’m not what you want.” The words came out strangled because a lump had formed in Maia’s throat. Jack’s brows drew together in a frown. “What the fuck, Maia?” She cleared her throat and sipped on her wine before continuing, “I’m not what you want. You want a quiet life. The white picket fence. The woman who’s safe at home. That’s what you want.” Jack looked at her steadily, his expression inscrutable. “You’re right,” he said, and Maia felt her heart break a little. “That’s what I want. I want to take care of my woman, I want that quiet life.” Jack leaned closer and cupped Maia’s face gently with one hand, using his thumb to tip her chin up to him. “Babe, that’s what I want, but you are what I need.
Victoria Paige (Fire and Ice (Guardians, #1))
Over the vistas broke a cold gray light, such as seen in those false dawns that are neither night nor true morning, when the world and all its contents seem but shapes of mist, formed in vain hope and desire... If you awake from troubled sleep at such a time, you can only sit by the window and think of those that have been lost to you, those that followed your parents into those cold and heartless regions below the grass, silent and dark. Eventually, morning comes and the world resumes its solidity, but another tiny thread of ice has been stitched into your heart forever.
K.W. Jeter (Morlock Night)
If you have a monster inside of you, please teach it how to jump, and laugh, and fly and catch fish! Please teach it to climb mountains to watch sunsets and wade in ponds to feel moonlight. Please love your monster, tell it that it has a home, teach it that it has a place in this world, maybe it likes ice cream, maybe marshmallows make it smile, maybe it goes to beautiful places in its dreams at night. One day it will sit atop a clocktower and cast sunbeams onto everyone! Because it will learn that! Because angels are too busy to do that, but monsters are not. Monsters would love to catch sunbeams and eat sugar donuts. Teach your monsters, they will form moonbeams one day!
C. JoyBell C.
Frigideiro! " said Hermione again from the desk next to him. Her water was solid ice and there were white crystals forming on the rim of her glass. She seemed to be totally intent on her own work and not at all conscious of the other students staring at her with hateful eyes, which was either (a) dangerously oblivious of her or (b) a perfectly honed performance rising to the level of fine art.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
We were hockey gypsies, heading down another gravel road every weekend, plowing into the heart of that magnificent northern landscape. We never gave a thought to being deprived as we travelled, to being shut out of the regular league system. We never gave a thought to being Indian. Different. We only thought of the game and the brotherhood that bound us together off the ice, in the van, on the plank floors of reservation houses, in the truck stop diners where if we'd won we had a little to splurge on a burger and soup before we hit the road again. Small joys. All of them tied together, entwined to form an experience we would not have traded for any other. We were a league of nomads, mad for the game, mad for the road, mad for ice and snow, an Arctic wind on our faces and a frozen puck on the blade of our sticks.
Richard Wagamese (Indian Horse)
A Rough Guide Be polite at the reception desk. Not all the knives are in the museum. The waitresses know that a nice boy is formed in the same way as a deckchair. Pay for the beer and send flowers. Introduce yourself as Richard. Do not refer to what somebody did at a particular time in the past. Remember, every Friday we used to go for a walk. I walked. You walked. Everything in the past is irregular. This steak is very good. Sit down. There is no wine, but there is ice cream. Eat slowly. I have many matches.
Mark Haddon (The Talking Horse and the Sad Girl and the Village Under the Sea: Poems)
Liam Beckett, did you break my daughter?!” “Oh come on. She hit me! I didn’t break her. Well, my perfectly chiseled body might have hurt her slightly. But it wouldn’t be an issue if she would learn how to keep her hands off of me.” “You little shit,” I laugh over my father’s shoulders. Liam laughs loudly, “I’ll go get some ice for the big baby.” “Don’t call my little princess a baby!” Daddy yells after Liam. “I’m fine, just hit him weird,” I say to soothe his worry. “How many times do I have to tell you not to hit like that? I could see your form was off all the way across the room. Should have gone for the crotch. Always go for the crotch, Dani.” Oh lord, here we go. He’s been teaching me how to kick a man’s ass since I was five and Zac stole my doll. Of course, his first lesson was for me to always go for the crotch. “Daddy, I wasn’t trying to hurt him. We were just joking around.” “Joking around? You aren’t supposed to joke around with boys. I need to look into that island . Ship your ass off,” he grumbles under his breath.
Harper Sloan (Unexpected Fate (Hope Town, #1))
There are many different forms of betrayal, but one hurts the most, Betraying Your Self.
Oscar Auliq-Ice
Poems ancient and modern prowled the ice floes in bear form, filled with words that could wound with their beauty.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
What type of flavor do you think I prefer?" She cocked her head. "The subtle, the delicately made. You're the type of person who wants the mystery inside the flower bud." I can still appreciate the different nuances of the stronger flavors." He studied the orchid in the center of the table. "With the very delicate, you sculpt something down to such a whisper of form, there's nothing else it can be. It's in strength you find surprises, variation.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
She wasn't the desert or the flowers. She wasn't ice or steel. She was a goddamn diamond, formed under terrible pressure, as hard and unforgiving as the rock Logan had put on her finger.
Kit Rocha (Beyond Innocence (Beyond, #6))
When demand for her attention exceeds supply on a grand scale, it is not surprising to find practices of men trying to turn the heads of women previously unknown to them—via catcalling and wolf-whistling and various forms of online trolling (from the patently abusive to ostensibly reasonable demands for rational debate, which unfortunately sometimes result in her being belittled, insulted, or mansplained to). In public settings, she is told to smile or asked what she’s thinking by many a (male) stranger—especially when she appears to be “deep inside her own head” or “off in her own little world,” i.e., appearing to think her own thoughts, her attention inwardly, rather than outwardly, focused. These gestures are then supposed to either make her look, or else force her to stonewall—a withholding, rather than sheer absence, of reaction. So her silence is icy; her neutral expression, sullen. Her not looking is snubbing; her passivity, aggression. But an ice queen, a bitch, a temptress—or an angel, for that matter—each has something in common: they are human, all too human, female characters.
Kate Manne (Down Girl: The Logic of Misogyny)
How wonderful it would be, frankly, if everybody in the world would suddenly lose his sight or forget the existence of light. Immediately, there would be agreement about form. Everybody would accept the fact that a loaf of bread is a loaf of bread whether triangular or round. The girl a little while ago would have kept her eyes shut and listened to my voice. If she had, perhaps we could have become friendly and I could have taken her to the playground and we could have eaten ice cream together. Just because there was light, she heedlessly thought that a triangular loaf of bread was not bread but a triangle. This thing called light is itself transparent, but it apparently changes into something nontransparent.
Kōbō Abe (The Face of Another)
Wednesday, November 8th, 1893 Here I sit in the still winter night on the drifting ice-floe, and see only stars above me. Far off I see the threads of life twisting themselves into the intricate web which stretches unbroken from life’s sweet morning dawn to the eternal death-stillness of ice. Thought follows thought—you pick the whole to pieces, and it seems so small—but high above all towers one form … Why did you take this voyage? … Could I do otherwise? Can the river arrest its course and run up hill? My plan has come to nothing. That palace of theory which I reared, in pride and self-confidence, high above all silly objections has fallen like a house of cards at the first breath of wind. Build up the most ingenious theories and you may be sure of one thing—that fact will defy them all. Was I so very sure? Yes, at times; but that was self-deception, intoxication. A secret doubt lurked behind all the reasoning. It seemed as though the longer I defended my theory, the nearer I came to doubting it. But no, there is not getting over the evidence of that Siberian drift-wood. But if, after all, we are on the wrong track, what then? Only disappointed human hopes, nothing more. And even if we perish, what will it matter in the endless cycles of eternity?
Fridtjof Nansen (Farthest North: The Incredible Three-Year Voyage to the Frozen Latitudes of the North (Modern Library Exploration))
Mad cow disease is caused by a prion, a weirdly folded protein molecule that triggers weird folding in other molecules, like Kurt Vonnegut’s infectious form of water, ice-nine, in his great early novel Cat’s Cradle.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Then, when the entire mass of these dream-thoughts is subject to the pressure of the dream-work, and the pieces are whirled about, broken up, and pushed up against one another, rather like ice-floes surging down a river, the question arises: what has become of the bonds of logic which had previously given the structure its form?
Sigmund Freud (The Interpretation of Dreams (World's Classics))
More and more the world resembles an entomologist's dream. The earth is moving out of its orbit, the axis has shifted; from the north the snow blows down in huge knife-blue drifts. A new ice age is setting in, the transverse sutures are closing up and everywhere throughout the corn belt the fetal world is dying, turning to dead mastoid. Inch by inch the deltas are drying out and the river beds are smooth as glass. A new day is dawning, a metallurgical day, when the earth shall clink with showers of bright yellow ore. As the thermometer drops, the form of the world grows blurred; osmosis there still is, and here and there articulation, but at the periphery the veins are all varicose, at the periphery the light waves bend and the sun bleeds like a broken rectum.
Henry Miller (Tropic of Cancer (Tropic, #1))
Harry took a deep, steadying breath and then said, “Okay, I can’t see the World Cup. Can I go now, then? Only I’ve got a letter to Sirius I want to finish. You know — my godfather.” He had done it. He had said the magic words. Now he watched the purple recede blotchily from Uncle Vernon’s face, making it look like badly mixed black currant ice cream. “You’re — you’re writing to him, are you?” said Uncle Vernon, in a would-be calm voice — but Harry had seen the pupils of his tiny eyes contract with sudden fear. “Well — yeah,” said Harry, casually. “It’s been a while since he heard from me, and, you know, if he doesn’t, he might start thinking something’s wrong.” He stopped there to enjoy the effect of these words. He could almost see the cogs working under Uncle Vernon’s thick, dark, neatly parted hair. If he tried to stop Harry writing to Sirius, Sirius would think Harry was being mistreated. If he told Harry he couldn’t go to the Quidditch World Cup, Harry would write and tell Sirius, who would know Harry was being mistreated. There was only one thing for Uncle Vernon to do. Harry could see the conclusion forming in his uncle’s mind as though the great mustached face were transparent. Harry tried not to smile, to keep his own face as blank as possible. And then — “Well, all right then. You can go to this ruddy … this stupid … this World Cup thing. You write and tell these — these Weasleys they’re to pick you up, mind. I haven’t got time to go dropping you off all over the country. And you can spend the rest of the summer there. And you can tell your — your godfather … tell him … tell him you’re going.” “Okay then,” said Harry brightly.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Reading was my salvation. Libraries and universities and schools from all over Louisiana donated books to Angola and for once, the willful ignorance of the prison administration paid off for us, because there were a lot of radical books in the prison library: Books we wouldn’t have been allowed to get through the mail. Books we never could have afforded to buy. Books we had never heard of. Herman, King, and I first gravitated to books and authors that dealt with politics and race—George Jackson, Frantz Fanon, Malcolm X, Marcus Garvey, Steve Biko, Eldridge Cleaver’s Soul on Ice, J. A. Rogers’s From “Superman” to Man. We read anything we could find on slavery, communism, socialism, Marxism, anti-imperialism, the African independence movements, and independence movements from around the world. I would check off these books on the library order form and never expect to get them until they came. Leaning against my wall in the cell, sitting on the floor, on my bed, or at my table, I read.
Albert Woodfox (Solitary: Unbroken by Four Decades in Solitary Confinement)
As his hands fell upon the keyboard, it was still possible to believe a beautiful harmony had been formed at random, in spite of him. But a second later the music came surging out, the power of it sweeping away all doubts, voices, sounds, wiping away the fixed grins and exchanged glances, pushing back the walls, dispersing the light of the reception room out into the nocturnal immensity of the sky beyond the windows. He did not feel as if he were playing. He was advancing through a night, breathing in its delicate transparency, made up as it was of an infinite number of facets of ice, of leaves, of wind. He no longer felt any pain. No fear about what would happen. No anguish or remorse. The night through which he was advancing expressed this pain, this fear, and the irremediable shattering of the past, but this had all become music and now only existed through its beauty.
Andreï Makine (Music of a Life)
Greg looked at Aunt Dahlia. “You need to leave.” “I already told her that,” Ham growled. Greg ignored Ham like he didn’t exist and said to Aunt Dahlia, “I’ll ask the manager to have you removed.” “Since I dine here once a month, I doubt he’ll choose removing me over removing the lot of you.” She twirled her finger in the air to indicate us all. “Do you think,” Nina started and I looked at her to see her looking at Max, “that this is normal? I mean, does this kind of thing happen to other people in the world? I really want to know.” Max smiled at his wife. I looked back at Aunt Dahlia to see, scarily, she was looking at me. “You need to phone your father.” “No, she doesn’t.” This was said by Kami Maxwell. I leaned forward and plonked my forehead on the table. --- “Is there a problem here?” A mild-mannered-looking suited man I suspected was the manager entered the situation. “No, I’m simply having a word with my niece,” my aunt replied. “Yes, this woman interrupted my wife’s dinner in an extremely unpleasant way,” Greg contradicted. “She’s not your wife,” Ham grunted. Uh-oh. Shocking the crap out of me, Greg, with narrowed eyes and anger contorting his face, instantly fired back at Ham, “She’ll always be my wife.” I went still. The table went still. I fancied the restaurant went still as I was pretty certain I watched ice form in a thick layer, crackling and groaning all around Ham. “Well shit.” His words were sarcastic but that didn’t mean they weren’t dripping icicles. “See I’m in a position to apologize since I fucked your wife against the wall before we left to come here.” This was when I plonked my head on the table again. “Oh my,” Nina breathed as she glanced at Max. “We haven’t done that in a while, darling. We should do that again.
Kristen Ashley (Jagged (Colorado Mountain, #5))
She sailed slowly along the east coasts, but here she surfed like a swift trader, icicles blown in strange angles and spirals in her rigging. The unearthly icicles often shattered, only to reform once more, and ice sometimes formed on the sails too, to break off in dangerous, sharp shards whenever the sails luffed.
E.M. Prazeman (Confidante (The Lord Jester's Legacy, #2))
We give thanks to all of the waters of the world for quenching our thirst, for providing strength and nurturing life for all beings. We know its power in many forms—waterfalls and rain, mists and streams, rivers and oceans, snow and ice. We are grateful that the waters are still here and meeting their responsibility to the rest of Creation. Can we agree that water is important to our lives and bring our minds together as one to send greetings and thanks to the Water? Now our minds are one.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Dante’s notions of sin are shaped largely by the writings of St. Thomas Aquinas. In his famous Summa Theologiae, Aquinas argues that any evil action or sin is a form of self-destruction. He assumes that human beings have a nature that is supposed to be rational and good. Aquinas conceives of this nature, that of the rational animal, as being created by God specifically to pursue goodness, more specifically, the virtues. When a human being departs from this natural purpose, she injures herself, for she does what she was not intended to do. She wars against herself and her nature. Why does Aquinas hold this peculiar view of sin? One reason is because he accepts Boethius’ assertion that goodness and being are convertible. In other words, anything that exists has some goodness in it because God made it. And no matter how marred or broken or sinful that being is, it still maintains some goodness so long as it exists. According to this view, no one, not even Lucifer encased in ice at the bottom of Dante’s Inferno, is wholly evil. Evil can only feed off of goodness like a parasite; if all the goodness of a creature were eliminated, the creature in question would no longer exist.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
The true blessing of the mountains is not that they provide a challenge or a contest, something to be overcome and dominated (although this is how many people have approached them). It is that they offer something gentler and infinitely more powerful: they make us ready to credit marvels - whether it is the dark swirl which water makes beneath a plate of ice, or the feel of the soft pelts of moss which form on the lee sides of boulders and trees. Being in the mountains reignites our astonishment at the simplest transactions of the physical world: a snowflake a millionth of an ounce in weight falling on to one's outstretched palm, water patiently carving a runnel in a face of granite, the apparently motiveless shift of a stone in a scree-filled gully. Tu put a hand down and feel the ridges and score in a rock where a glaciers has passed, to hear how a hillside comes alive with moving water after a rain shower, to see late summer light filling miles of landscape like an inexhaustible liquid - none of these is a trivial experience. Mountains returns to us priceless capacity for wonder which can so insensibly be leached away by modern existence, and they urge us to apply that wonder to our own everyday lives.
Robert Macfarlane (Mountains of the Mind: A History of a Fascination)
The months came and went, and back and forth they twisted through the uncharted vastness, where no men were and yet where men had been if the Lost Cabin were true. They went across divides in summer blizzards, shivered under the midnight sun on naked mountains between the timber line and the eternal snows, dropped into summer valleys amid swarming gnats and flies, and in the shadows of glaciers picked strawberries and flowers as ripe and fair as any the Southland could boast. In the fall of the year they penetrated a weird lake country, sad and silent, where wild- fowl had been, but where then there was no life nor sign of life— only the blowing of chill winds, the forming of ice in sheltered places, and the melancholy rippling of waves on lonely beaches.
Jack London (The Call of the Wild (Kingfisher Classics))
The Onondaga Nation schools recite the Thanksgiving Address, a river of words as old as the people themselves, known in Onondaga language as the Words That Come Before All Else. This ancient order of protocol sets gratitude as the highest priority. The gratitude is directed straight to the ones who share their gifts with the world. (excerpt) ‘Today we have gathered and when we look upon the faces around us we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now let us bring our minds together as one as we give greetings and thanks to each other as People. Now our minds are one. We are thankful to our Mother the Earth, for she gives us everything that we need for life. She supports our feet as we walk about upon her. It gives us joy that she still continues to care for us, just as she has from the beginning of time. To our Mother, we send thanksgiving, love, and respect. Now our minds are one. We give thanks to all of the waters of the world for quenching our thirst, for providing strength and nurturing life for all beings. We know its power in many forms—waterfalls and rain, mists and streams, rivers and oceans, snow and ice. We are grateful that the waters are still here and meeting their responsibility to the rest of Creation. Can we agree that water is important to our lives and bring our minds together as one to send greetings and thanks to the Water? Now our minds are one. Standing around us we see all the Trees. The Earth has many families of Trees who each have their own instructions and uses. Some provide shelter and shade, others fruit and beauty and many useful gifts. The Maple is the leader of the trees, to recognize its gift of sugar when the People need it most. Many peoples of the world recognize a Tree as a symbol of peace and strength. With one mind we greet and thank the Tree life. Now our minds are one.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Both the ferial and the festal cuisine, therefore, must be seen as styles of unabashed eating. Neither attempts to do anything to food other than render it delectable. Their distinction is grounded, not in sordid dietetic tricks, but in a choice between honest frugality or generous expense. Both aim only at excellence; accordingly, neither is suitable for dieting. Should a true man want to lose weight, let him fast. Let him sit down to nothing but coffee and conversation, if religion or reason bid him to do so; only let him not try to eat his cake without having it. Any cake he could do that with would be a pretty spooky proposition - a little golden calf with dietetic icing, and no taste at all worth having. Let us fast, then - whenever we see fit, and as strenuously as we should. But having gotten that exercise out of the way, let us eat. Festally, first of all, for life without occasions is not worth living. But ferially, too, for life is so much more than occasions, and its grand ordinariness must never go unsavored. But both ways let us eat with a glad good will, and with a conscience formed by considerations of excellence, not by fear of Ghosts.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
He is a seemingly arbitrary man, this is because he knows what he is talking about better than any one else. He is a philosopher and a metaphysician, and one of the most advanced scientist of his day, and he has, I believe an absolutely open mind. This, with an iron nerve, a temper of ice-brook, and indomitable resolution, self-command, and toleration exalted from virtues to blessings, and the kindliest and truest heart that beats, these form his equipment for the noble work that he is doing for mankind, work both in theory and practice, for his views are as wide as his all-embracing sympathy.
Bram Stoker (Dracula)
I was gazing at a cup of cocoa on my night table. As I focused on the thick brown skin that had formed upon its surface like ice on a muddy pond something at the root of my tongue leapt like a little goat and my stomach turned over. There are not many things that I despise but chiefest among them is skin on milk. I loathe it with a passion. Not even the thought of the marvelous chemical change that forms the stuff—the milk’s proteins churned and ripped apart by the heat of boiling then reassembling themselves as they cool into a jellied skin—was enough to console me. I would rather eat a cobweb.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
Joffrey called out, “Dog!” Sandor Clegane seemed to take form out of the night, so quickly did he appear. He had exchanged his armor for a red woolen tunic with a leather dog’s head sewn on the front. The light of the torches made his burned face shine a dull red. “Yes, Your Grace?” he said. “Take my betrothed back to the castle, and see that no harm befalls her,” the prince told him brusquely. And without even a word of farewell, Joffrey strode off, leaving her there. Sansa could feel the Hound watching her. “Did you think Joff was going to take you himself?” He laughed. He had a laugh like the snarling of dogs in a pit. “Small chance of that.” He pulled her unresisting to her feet. “Come, you’re not the only one needs sleep. I’ve drunk too much, and I may need to kill my brother tomorrow.” He laughed again. He was mocking her, she realized. “No one could withstand him,” she managed at last, proud of herself. It was no lie. Sandor Clegane stopped suddenly in the middle of a dark and empty field. She had no choice but to stop beside him. “Some septa trained you well. You’re like one of those birds from the Summer Isles, aren’t you? A pretty little talking -bird, repeating all the pretty little words they taught you to recite.” “ Take your look.” His fingers held her jaw as hard as an iron trap. His eyes watched hers. Drunken eyes, sullen with anger. She had to look. The right side of his face was gaunt, with sharp cheekbones and a grey eye beneath a heavy brow. His nose was large and hooked, his hair thin, dark. He wore it long and brushed it sideways, because no hair grew on the other side of that face. The left side of his face was a ruin. His ear had been burned away; there was nothing left but a hole. His eye was still good, but all around it was a twisted mass of scar, slick black flesh hard as leather, pocked with craters and fissured by deep cracks.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Vexed with herself, Cassandra took a handkerchief from the congealed pocket of her dress and pressed it hard over a new trickle of tears. After a minute or two had passed, she became aware of someone ascending the stairs in a measured tread. Embarrassed to be caught crying on the steps like a lost child, Cassandra struggled to rise. A low voice stopped her. "No... please. I only wanted to give you this." Through a blur, she saw the dark form of Tom Severin, who had come to stand a step below her, with two glasses of iced champagne in his hands. He extended one to her. Cassandra began to reach for it, but hesitated. "I'm not supposed to have champagne unless it's mixed with punch." One corner of his wide mouth tipped upward. "I won't tell." Cassandra took the glass gratefully, and drank. The cold fizz was wonderful, easing the dry tightness of her throat. "Thank you," she murmured.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
How cruel it is that this memory should surface in a winter storm so long after she is dead. How cruel to have this fleeting, fragmented vision, seen through an ice-crusted window, then to wonder if it is real, or if it is the perturbation of a brain undone by alcohol. He has reassembled the memory like a shattered relic, and it is finally whole; and still he has doubts. He will never see her more clearly than that night at 529 Maple. When he recalls it in later years, he will wonder if he is distorting it, embellishing it, because each time he consciously recalls her, that forms a new memory, a new imprint to be stacked on top of the previous one. He fears that too much handling will make it crumble.
Abraham Verghese (Cutting for Stone)
Every witch or wizard with a wand has held in his or her hands more power than we will ever know. With the right spell or potion, they can fabricate love, travel through time, change physical form and even extinguish life. In the wrong hands, power and magic can be dark, lethal, and consuming. Lord Voldemort showed us that; he sought power so viciously that he tore apart the fabric of his soul and lost everything that made him human. He is the ultimate villain, motivated by an ice-cold desire for power and destruction. Obviously few people could match Voldemort in general evil intent (though Bellatrix Lestrange and Dolores Umbridge indeed try), but there are certainly other characters attracted to power.
J.K. Rowling (Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists (Pottermore Presents, #2))
He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.
Hermann Hesse
Melkor's envy grew then the greater within him; and he also took visible form, but because of his mood and the malice that burned in him that form was dark and terrible. And he descended upon Arda in power and majesty greater than any other of the Valar, as a mountain that wades in the sea and has its head above the clouds and is clad in ice and crowned with smoke and fire; and the light of the eyes of Melkor was like a flame that withers with heat and pierces with a deadly cold.
J.R.R. Tolkien
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
What a skeletal wreck of man this is. Translucent flesh and feeble bones, the kind of temple where the whores and villains try to tempt the holistic domes. Running rampid with free thought to free form, and the free and clear. When the matters at hand are shelled out like lint at a laundry mat to sift and focus on the bigger, better, now. We all have a little sin that needs venting, virtues for the rending and laws and systems and stems are ripped from the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve? When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned. For the rest of us, there is always Sunday. The day of the week the reeks of rest, but all we do is catch our breath, so we can wade naked in the bloody pool, and place our hand on the big, black book. To watch the knives zigzag between our aching fingers. A vacation is a countdown, T minus your life and counting, time to drag your tongue across the sugar cube, and hope you get a taste. WHAT THE FUCK IS ALL THIS FOR? WHAT THE HELL’S GOING ON? SHUT UP! I can go on and on but lets move on, shall we? Say, your me, and I’m you, and they all watch the things we do, and like a smack of spite they threw me down the stairs, haven’t felt like this in years. The great magnet of malicious magnanimous refuse, let me go, and punch me into the dead spout again. That’s where you go when there’s no one else around, it’s just you, and there was never anyone to begin with, now was there? Sanctimonious pretentious dastardly bastards with their thumb on the pulse, and a finger on the trigger. CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT! Government is another way to say better…than…you. It’s like ice but no pick, a murder charge that won’t stick, it’s like a whole other world where you can smell the food, but you can’t touch the silverware. Huh, what luck. Fascism you can vote for. Humph, isn’t that sweet? And we’re all gonna die some day, because that’s the American way, and I’ve drunk too much, and said too little, when your gaffer taped in the middle, say a prayer, say a face, get your self together and see what’s happening. SHUT UP! FUCK YOU! FUCK YOU! I’m sorry, I could go on and on but their times to move on so, remember: you’re a wreck, an accident. Forget the freak, your just nature. Keep the gun oiled, and the temple cleaned shit snort, and blaspheme, let the heads cool, and the engine run. Because in the end, everything we do, is just everything we’ve done.
Stone Sour (Stone Sour)
On the flat expanse of pancake ice, War stood by the Pale Rider’s side. Though their forms did not touch, their shadows intertwined, black on black, in a smoky caress. “Knew you’d come,” Death said cheerfully. She smiled, and that slow motion of her lips hinted at many things. “The White Rider divided, and the world on the brink of destruction. How could I stay away?” “I could set my watch by you.” “You don’t have a watch.” Her smile broadened into a grin. “An hourglass, maybe . . .” “Please, not another joke about a scythe . . .” She mimed zipping her mouth shut. A pause, as they listened to the sounds of the boy healing and the man summoning doom. “I like him,” War said. Even though she hadn’t specified whether she meant the boy or the man, Death smiled and nodded. “Me too.” “You like everyone.” “Well, yes.” The two shared a quiet laugh, their voices mingling in perfect harmony. A longer pause, and then War asked, “What of Famine?” “What of her? She’s not mine. Not yet, anyway. She will be soon enough.” The Red Rider slid him a look. “That’s cold, even for you.” “Eh, just practical.” A shrug. “Everyone comes to me eventually. It’s the journey that makes it interesting.” “Such a people person!” He flashed her a grin. “My best quality.” “Oh,” said War, sliding her gloved hand into his pale one, “I can think of others that are better.
Jackie Morse Kessler (Loss (Riders of the Apocalypse, #3))
Whilst ladies persist in maintaining the strictly defensive condition, men must naturally, as it were, take the oppposite line, that of attack; otherwise, if both parties held aloof, there would be no more marriages; and the two hosts would die in their respective inaction, without ever coming to a battle. Thus it is evident that as the ladies will not, the men must take the offensive... Is it not time that the ladies should take an innings? Let us widowers and bachelors form an association to declare that for the next hundred years we will make love no longer. Let the young women come and make love to us; let them write us verses; let them ask us to dance, get us ices and cups of tea, and help us on with our cloaks at the hall-door; and if they are eligible, we may perhaps be induced to yield and say, 'La, Miss Hopkins - I really never - I am so agitated - Ask papa!
William Makepeace Thackeray
Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.
Tom McLeish (Faith and Wisdom in Science)
Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!
Elizabeth Gilbert (The Signature of All Things)
Do you know what the foundation of mathematics is?" I ask. "The foundation of mathematics is numbers. If anyone asked me what makes me truly happy, I would say: numbers. Snow and ice and numbers. And do you know why?" He splits the claws with a nutcracker and pulls out the meat with curved tweezers. "Because the number system is like human life. First you have the natural numbers. The ones that are whole and positive. The numbers of a small child. But human consciousness expands. The child discovers a sense of longing, and do you know what the mathematical expression is for longing?" He adds cream and several drops of orange juice to the soup. "The negative numbers. The formalization of the feeling that you are missing something. And human consciousness expands and grows even more, and the child discovers the in between spaces. Between stones, between pieces of moss on the stones, between people. And between numbers. And do you know what that leads to? It leads to fractions. Whole numbers plus fractions produce rational numbers. And human consciousness doesn't stop there. It wants to go beyond reason. It adds an operation as absurd as the extraction of roots. And produces irrational numbers." He warms French bread in the oven and fills the pepper mill. "It's a form of madness.' Because the irrational numbers are infinite. They can't be written down. They force human consciousness out beyond the limits. And by adding irrational numbers to rational numbers, you get real numbers.
Peter Høeg
We stay in that sunshine, on that marvellous summit, for an hour and an era. We don’t talk much. Up there, language seems impossible, impertinent, sliding stupidly off this landscape. Its size makes metaphor and simile seem preposterous. It is like nowhere I have ever been. It shucks story, leaves the usual forms of meaning-making derelict. Glint of ice cap, breach of whales, silt swirls in outflows, sapphire veins of a crevasse field. A powerful dissonance overtakes my mind, whereby everything seems both distant and proximate at the same time. It feels as if I could lean from that summit and press a finger into the crevasses, tip a drop of water from the serac pool, nudge a berg along the skyline with my fingertip. I realize how configured my sense of distance has become from living so much on the Internet, where everything is in reach and nothing is within touch. The immensity and the vibrancy of the ice are beyond anything I have encountered before. Seen in deep time – viewed even in the relatively shallow time since the last glaciation – the notion of human dominance over the planet seems greedy, delusory. Up there on that summit, at that moment, gazing from the Inner Ice to the berg-filled sea, the idea of the Anthropocene feels at best a conceit, at worst a perilous vanity. I recall the Inuit word I first heard in northern Canada: ilira, meaning ‘a sense of fear and awe’, and also carrying an implication of the landscape’s sentience with it. Yes. That is what I feel here. Ilira.
Robert Macfarlane (Underland: A Deep Time Journey)
But germs are the most common snowflake starters and lie at the heart of 85 percent of all flakes.2 So next time you gaze at a lovely snowstorm, inform your favorite germophobe or hypochondriac that living bacteria sit shivering in most of those untold billions of flakes. Then hand him or her a snow cone or organize a catch-a-snowflake-on-your-tongue party. Once the ice-forming process is started, more molecules join the party, and the crystal grows. It can ultimately become either a snowflake or a rough granule of ice called by the odd name graupel. A snowflake contains ten quintillion water molecules. That’s ten million trillion. Ten snowflakes—which can fit on your thumb tip—have the same number of molecules as there are grains of sand on the earth. Or stars in the visible universe. How many flakes, how many molecules fashioned the snowy landscape I was observing as I drove east? It numbed the brain.
Bob Berman
But Thomas didn’t have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface—a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him. The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn’t. Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless.
James Dashner (The Maze Runner (Maze Runner, #1))
When the child asks: "Why have the leaves turned red?" or "Why does it snow?" we launch into explanations which have no obvious connection with the question. Leaves are red because it is cold, we say. What has cold to do with colour? How is the child to know that we are talking of abstract connections between atmospheric conditions and leaf chemistry? And why should he care? The child has asked 'why,' not 'how,' and certainly not 'how much.' And why should he care the molecular structure of water is believed to be such that at low temperatures it forms rigid bonds which make it appear as ice or snow? None of these abstractions says anything about what the child experiences: the redness of leaves and the cool, tickling envelopment by snow. The living response would be quite different. 'Why are the leaves red Dad?" "Because it is so beautiful, child. Don't you see how beautiful it is, all these autumn colours?" There is no truer answer. That is how the leaves are red. An answer which does not invoke questions, which does not lead the child into an endless series of questions, to which each answer is a threshold. The child will hear later on that a chemical reaction occurs in those leaves. It is bad enough, then; let us not make the world uninhabitable for the child too soon.
Neil Evernden (The Natural Alien)
I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.
Victoria Laurie (Sense of Deception (Psychic Eye Mystery, #13))
The brain of the modern human is no longer capable of understanding reality directly. It used to be that a person lived, looked toward the horizon, howled at the moon, and formed his conceptions, however biased, based on his own experiences and observations. There used to be this thing called independent learning. Not anymore. They crystallize our brains like ice from water. Imagine how slowly, starting in childhood, your brain is crystallized for you, forming your conception of reality. We could even determine a unit of currency for all humanity, ‘the value of one concept.’ Everyone would have their own change purse, so to speak, and the coins in it, though of various values, quantities, styles, and metals, would all be from a single mint.
Elizaveta Mikhailichenko (Preemptive Revenge)
The Aftermath When the fierce pure pleasure has clawed through, ripped open my tent of separateness, I lay in my lover's arms, weeping and exposed. I can't help seeing my sister, new widow whose heart hangs heavy, a side of beef in the ice box of her chest. I imagine her entering a bedroom like this, maples flaming beyond the window against a perfectly useless blue sky. And then my mother-in-law stops at the library on the way home from her husband’s funeral, picks up the book they've been holding. It sits in the passenger seat while she stares at the windshield, stunned, a bird flown into glass. Even my friend whose wife hasn’t died yet appears in this sex-drenched air. Tears pool in the shallows under his eyes. If his soul were a tin can, it would be sliced, the thick soup leaking out. The night is soaked with suffering. My dumb body, sprung open, can’t tell the difference between this blaze of pleasure and the sorrow it drags in. As I gaze out into the gathering darkness it seems I almost comprehend the mystery, glimpse the water of life pouring through my form into theirs, theirs back to mine, misery and ecstasy swirled like the blue white planet seen from space, but it lasts less than a moment-- the arms of my own dear one haul me back into my body, her flesh so ostentatiously alive.
Ellen Bass
What about Sandridge?" McKenna asked. "Do you love him?" "Yes," Aline whispered. She loved Adam dearly- just not in the way he meant. "And yet you're here with me," he murmured. "Adam-" She stopped and cleared her throat. "Whatever I choose to do... he doesn't mind. This has nothing to do with him... you and I..." "No, it doesn't," he said with sudden anger. "My God, he should be trying to tear my throat out, instead of letting you go somewhere alone with me. He should be willing to do anything short of murder- hell, I wouldn't even stop at that- to keep other men away from you." Disgust thickened his voice. "You're lying to yourself, if you think that you'll ever be satisfied with the kind of bloodless arrangement your parents had. You need a man who will match your will, own you, occupy every part of your body, and every corner of your soul. In the eyes of the world, Sandridge is your equal- but you and I know better. He's as different from you as ice from fire." He leaned over her, his body forming a hard, living cage around her. "I'm your equal," he said harshly, "though my blood is red instead of blue, though I was condemned by my very birth never to have you... inside, we're the same. And I would break every law of God and man if-" McKenna stopped suddenly, biting back the words as he realized that he was revealing too much, allowing his rampaging emotions to get the better of him.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
The two friends went on and on toward the sierra, at times keeping the highway, at times. deviating from it. Whenever they passed through a town or a hamlet, the slow peal of bells tolling the death-knell announced to our hero that the Angel of Death was not losing his time; that his arm reached to every part of the world, and that, though Gil felt it now weighing upon his breast like a mountain of ice, none the less did it scatter ruin and desolation over the entire surface of the earth. As they went, the Angel of Death related many strange and wonderful things to his protege. The foe of history, he took pleasure in scoffing at its pretended utility, in disproof of which he narrated many facts as they had actually occurred, and not as they are recorded on monuments and in chronicles. The abysses of the past opened before the entranced imagination of Gil Gil, revealing to him facts of transcendent importance concerning the fate of man and of empires, disclosing to him the great mystery of the origin of life and the no less great and terrible mystery of the end to which we, wrongly called mortals, are progressing, and causing him, finally, to comprehend, by the light of this sublime philosophy, the laws which preside at the evolution of cosmic matter, and its various manifestations in those ephemeral and transitory forms which are called minerals, plants,animals, stars, constellations, nebula, and worlds. ("The Friend Of The Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
And that date, too, is far off?' 'Far off; when it comes, think your end in this world is at hand!' 'How and what is the end? Look east, west, south and north.' 'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.' 'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.
Andrew Neff (The Mind Game Company: The Players)
Adding carbon dioxide, or any other greenhouse gas, to the atmosphere by, say, burning fossil fuels or leveling forests is, in the language of climate science, an anthropogenic forcing. Since preindustrial times, the concentration of CO2 in the atmosphere has risen by roughly a third, from 280 to 378 parts per million. During the same period, the concentration of methane has more than doubled, from .78 to 1.76 parts per million. Scientists measure forcings in terms of watts per square meter, or w/m2, by which they mean that a certain number of watts have been added (or, in the case of a negative forcing, like aerosols, subtracted) for every single square meter of the earth’s surface. The size of the greenhouse forcing is estimated, at this point, to be 2.5 w/m2. A miniature Christmas light gives off about four tenths of a watt of energy, mostly in the form of heat, so that, in effect (as Sophie supposedly explained to Connor), we have covered the earth with tiny bulbs, six for every square meter. These bulbs are burning twenty-four hours a day, seven days a week, year in and year out. If greenhouse gases were held constant at today’s levels, it is estimated that it would take several decades for the full impact of the forcing that is already in place to be felt. This is because raising the earth’s temperature involves not only warming the air and the surface of the land but also melting sea ice, liquefying glaciers, and, most significant, heating the oceans, all processes that require tremendous amounts of energy. (Imagine trying to thaw a gallon of ice cream or warm a pot of water using an Easy-Bake oven.) The delay that is built into the system is, in a certain sense, fortunate. It enables us, with the help of climate models, to foresee what is coming and therefore to prepare for it. But in another sense it is clearly disastrous, because it allows us to keep adding CO2 to the atmosphere while fobbing the impacts off on our children and grandchildren.
Elizabeth Kolbert (Field Notes from a Catastrophe)
Gregori’s silver eyes moved over both women, then settled on Shea. “The child must be protected. It is no use appealing to Raven for logic, as she has none, and Mikhail is so besotted with her that he does not see his first duty, so it is up to you. For the sake of all of us, you must protect this child. Do you understand?” She felt ensnared by those molten eyes. She might not fully comprehend his reasons, but she felt his genuine urgency. She nodded. “I’ll watch over her, healer.” “It is not for my sake only, but for humans and Carpathians alike. This child must live, Shea,” he reiterated. “She must.” She felt clearly the warning, the plea from his otherwise damned soul. This child was his only hope. “Gregori,” Mikhail reminded him softly, “if the child is your lifemate, and you do something careless, you are condemning her to death. Keep that in mind when you enter this place of madness.” Gregori’s eyes flashed at his old friend. “Do you think I would chance harming her in any way? I have waited several lifetimes for her. These humans are nothing. They have persecuted our people for far too long. I mean it to stop.” Mikhail nodded, his dark eyes, so like his brother's, black ice. "You are up to this, Jacques?" Jacques' smile was a humorless promis of retaliation. "Have no worries about me. I am looking forward to this." Mikhail sighed. "Two bloodthirsty savages thinking they are in the dark ages." Jacques exchanged a humorless grin with Gregori. "The dark ages were not such a bad time. At least justice could be dispensed easily without worrying about what the women would think." "You both have gone soft," Gregori snickered. "No wonder our people have such problems. The women are ruling, and you two besotted idiots just follow along." Jacques' solid form wavered, became transparent. "We will see who proves to be the soft one, healer." His body completely disappeared from sight. Mikhail glanced at Gregori, shrugged, then followed suit. None of this was to his liking. Gregori was a time bomb waiting to explode. And God only knew what Jacques was capable of.
Christine Feehan (Dark Desire (Dark, #2))
The dance began. Caran remained silent the entire time. When the instruments slowed to an end, a lute picking a light tune downward until there was no more music, Kestrel broke away. Caran gave her an awkward bow and left. “Well, that didn’t look very fun,” said a voice behind her. Kestrel turned. Gladness washed over her. It was Ronan. “I’m ashamed of myself,” he said. “Heartily ashamed, to be so late that you had to dance with such a boring partner as Caran. How did that happen?” “I blackmailed him.” “Ah.” Ronan’s eyes grew worried. “So things aren’t going well.” “Kestrel!” Jess threaded through milling people and came close. “We didn’t think you’d come. You should have told us. If we’d known, we’d have been here from the first.” Jess took Kestrel’s hand and drew her to the edge of the dance floor. Ronan followed. Behind them, dancers began the second round. “As it was,” Jess continued, “we barely made it into the carriage. Ronan was so listless, saying he saw no point in coming if he couldn’t be with you.” “Sweet sister,” said Ronan, “is it now my turn to share private things about you?” “Silly. I have no secrets. Neither do you, where Kestrel is concerned. Well?” Jess looked triumphantly between them. “Do you, Ronan?” He pinched the bridge of his nose between his fingers and thumb, brows rumpling into a pained expression. “Not anymore.” “You look lovely, Kestrel,” Jess said. “Wasn’t I right about the dress? And the color will go perfectly with the iced apple wine.” Kestrel felt giddy, whether form the relief of seeing her friends or because of Ronan’s forced confession, she wasn’t sure.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))