Ibis Love Quotes

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Heart lesson #4: the unrequited heart. You can't make anyone love you back.
Ibi Kaslik
Ubi amo, ibi patria. Where I love. there is my home.
Elizabeth Hunter (This Same Earth (Elemental Mysteries, #2))
How was it that no one had ever told her that it was not love itself, but its treacherous gatekeepers which made the greatest demands on your courage: the panic of acknowledging it; the terror of declaring it; the fear of being rebuffed? Why had no one told her that love's twin was not hate but cowardice?
Amitav Ghosh (Sea of Poppies (Ibis Trilogy, #1))
We were a mob a gang ghetto a pack of wolves animals thugs hoodlums men They were kids having fun home loved supported protected full of potential boys
Ibi Zoboi (Punching the Air)
There is within me a knot of cruelty borne by the stream of love, much as our blood sometimes bears the seed of our destruction ...
James Hurst (The Scarlet Ibis)
Love is not popular. Not noble. . . not love, no reward. Trust love. Is not love. Trust yourself.
Ibi Kaslik (Skinny)
IT’S A TRUTH universally acknowledged that when rich people move into the hood, where it’s a little bit broken and a little bit forgotten, the first thing they want to do is clean it up. But it’s not just the junky stuff they’ll get rid of. People can be thrown away too, like last night’s trash left out on sidewalks or pushed to the edge of wherever all broken things go. What those rich people don’t always know is that broken and forgotten neighborhoods were first built out of love.
Ibi Zoboi (Pride)
Sometimes love is not enough to keep a community together. There needs to be something more tangible, like fair housing, opportunities, and access to resources. Lifeboats and lifelines are not supposed to just be a way for us to get out. They should be ways to let us stay in and survive. And thrive.
Ibi Zoboi (Pride)
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
Charlotte Brontë (Shirley)
Ah, mija! There you go! Rivers flow. A body of water that remains stagnant is just a cesspool, mi amor! It’s time to move, flow, grow. That is the nature of rivers. That is the nature of love!
Ibi Zoboi (Pride: A Pride & Prejudice Remix)
We have more space and less time. And the love we had for our whole neighborhood now only fits into this wood-frame house in the middle of a quiet block. We don't know the people who live across the street or on either side of us.
Ibi Zoboi (Pride)
They got married at a very, very young age. And thank los espíritus, as Madrina would say, that they at least liked each other. They more than liked each other, though. They are actually still in love. I know this because as we’re all yapping in the living room, Papi washes the dishes, cleans the kitchen, and comes back to offer Mama a glass of water while he takes her empty plate.
Ibi Zoboi (Pride: A Pride & Prejudice Remix)
falling in love, getting married, having kids… it works for some people. But there’s no reason you have to live like that. Choosing one life means abandoning the possibility of living another way. If I were to give up on this adventure and get married and raise a family instead, I could still be reasonably happy. But I also think I would reflect back on the road not taken, and cry about it too.
Hiroshi Yamamoto (The Stories of Ibis)
warm summer breeze blows, and tiny bumps form on my arms. This is what Madrina calls grains of sugar adding sweetness to my soul; the first sparks of love and attraction, of something so new and tender that if I’m too firm with it, it will burst.
Ibi Zoboi (Pride: A Pride & Prejudice Remix)
We fold our immigrant selves into this veneer of what we think is African American girlhood. The result is more jagged than smooth. This tension between our inherited identities and our newly adopted selves filters into our relationships with other girls and the boys we love, and how we interact with the broken places around us.
Ibi Zoboi (American Street)
I have always thought of Bushwick as home, but in that moment, I realize that home is where people I love are, wherever that is.
Ibi Zoboi (Pride)
I dreamed of going to the most remote places on this earth to dig for old bones, older than people. Before humans and their stupid ideas. Before hate. Maybe even before love, too. Dinosaurs just existed. No lectures, no books, no language. No world-conquering Europeans and no defeated everybody else. Just those powerful, unrestrained creatures roaming the planet.
Ibi Zoboi (Black Enough: Stories of Being Young & Black in America)
Bodies” by Drowning Pool “Breath of Life” by Florence & The Machine “Bullet With a Name” by Nonpoint “Corrupt” by Depeche Mode “Deathbeds” by Bring Me the Horizon “The Devil In I” by Slipknot “Devil’s Night” by Motionless in White “Dirty Diana” by Shaman’s Harvest “Feed the Fire” by Combichrist “Fire Breather” by Laurel “Getting Away with Murder” by Papa Roach “Goodbye Agony” by Black Veil Brides “Inside Yourself” by Godsmack “Jekyll and Hyde” by Five Finger Death Punch “Let the Sparks Fly” by Thousand Foot Krutch “Love the Way You Hate Me” by Like a Storm “Monster” by Skillet “Pray to God (feat. HAIM)” by Calvin Harris “Silence” by Delirium
Penelope Douglas (Corrupt (Devil's Night, #1))
Dear Holly: Heart lesson #3: post-heartbreak survival. The heart is resilient, I mean literally. When a body is burned, the heart is the last organ to oxidize. While the rest of the body can catch flame like a polyester sheet on a campfire, it takes hours to burn the heart to ash. My dear sister, a near-perfect organ! Solid, inflammable. Heart lesson #4: the unrequited heart. You can't make anyone love you back.
Ibi Kaslik (Skinny)
We were a mob a gang ghetto a pack of wolves animals thugs hoodlums men They were kids having fun home loved supported protected full of potential boys
Ibi Zoboi (Punching the Air)
Ubi amor, ibi dolor — Where there’s love, there’s pain
Ashlyn Drewek (Igni Ferroque (Tennebrose #2))
were a mob a gang ghetto a pack of wolves animals thugs hoodlums men They were kids having fun home loved supported protected full of potential boys
Ibi Zoboi (Punching the Air)
It occurred to him now to ask himself if this was how it happened : was it possible that the mere fact of using one's hands and investing one's attention in someone other than oneself, created a pride and tenderness that had nothing whatever to do with the response of the object of one's care - just as a craftsman's love for his handiwork is in no way diminished by the fact of it being unreciprocated?
Amitav Ghosh (Sea of Poppies (Ibis Trilogy, #1))
I give them each a kiss on the cheek, and in that moment, I feel like I can fly around the world and back if I want to, because this is what will always be here waiting for me: my parents’ love; my loud sisters; my crowded and cluttered apartment; and the lingering scent of home-cooked meals.
Ibi Zoboi (Pride: A Pride & Prejudice Remix)
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
Louise Erdrich (The Sentence)
Oh, it can’t be as bad as all that. Come on, can’t I interest you in some soup? I make a pretty mean vegetable barley, if I do say so myself.” “You know I love your food. It’s just that my stomach is in knots. I noticed a gray hair in the mirror the other day.” “Oh please, you’re still just a girl,” Ibis laughed, then caught himself. “I guess I shouldn’t speak to you that way, you being noble and all. I should be saying, ‘Yes, Your Ladyship,’ or in this case, ‘No, no, Your Ladyship! If you’ll allow me to be so bold as to speak plainly in your presence, I beg to differ, for I think you’re purty as a pot!’ That would be a more proper response.” Amilia smiled. “You know, I never have understood that saying of yours.” Ibis drew himself up in feigned offense. “I’m a cook. I like pots.
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
Sometimes the people who’ve owned the books in this shop leave little clues between the pages, and not just love notes or pressed flowers. You might come upon an unused Amtrak ticket tucked between the pages of The Adventures of Sherlock Holmes or a sprinkling of crumbs along the gutter inside The Complete Engravings, Etchings, and Drypoints of Albrecht Dürer. Makes you wonder what kind of person noshes on a salami sandwich over The Four Horsemen of the Apocalypse.
Camille DeAngelis (Petty Magic)
...yet, unbeknownst to him, it had been kept alive - and it was only now, in listening to Deet's songs, that he recognized that the secret source of its nourishment was music: he had always had a great love of dadras, chaitis, barahmasas, horis, kajris - songs such as Deeti was singing. Listening to her now, he knew why Bhojpuri was the language of this music: because of all the tongues spoken between the Ganges and the Indus, there was none that was its equal in the expression of the nuances of love, longing and separation - of the plight of those who leave and those who stay at home.
Amitav Ghosh (Sea of Poppies (Ibis Trilogy, #1))
The realization hit me so hard it nearly broke me. Love. Love, the only way a demon knew how. “Ubi amor, ibi dolor,” Remiel said as tears crested my cheeks. Where there’s love, there’s pain. “It’s a lesson God teaches us all. You, of all people, should know that, lamb.” He brushed the salty droplets away with his thumb, offering me a small, sad smile before he turned and headed toward Beliar.
Ashlyn Drewek (Igni Ferroque (Tennebrose #2))
Of course, he wasn't a CRAZY crazy like old Miss Leedie, who was in love with President Wilson and wrote him a love letter every day, but was a nice crazy, like someone you meet in your dreams.
James Hurst (The Scarlet Ibis)
She doesn't yet realize that love unreturned eventually transforms into a fierce, tangled mess, nerves and entrails exposed like split animal innards. She doesn't understand that sometimes the unrequited must demand reparations, that love can be a mean and spiteful process, that sometimes one loses patience with love. So, when nerves and guts have seemingly been packed away, sewn in and cleaned up so as not to make all the innocent bystanders uncomfortable, the carrier of this love becomes heavy with a toxic lump that grows, slowly and steadily, into a fierce ball of scarred tissue. Located two ribs below the heart, it is called hate.
Ibi Kaslik (Skinny)
Why should a man in Stygia send Kalanthes a gift? Ancient gods and queer mummies have come up the caravan roads before, but who loves the priest of Ibis so well in Stygia, where they still worship the arch-demon Set who coils among the tombs in the darkness? The god Ibis has fought Set since the first dawn of the earth, and Kalanthes has fought Set’s priests all his life. There is something dark and hidden here.
Robert E. Howard (The Coming of Conan the Cimmerian (Conan the Cimmerian, #1))
Different people lead different lives. Meeting a great guy, falling in love, getting married, having kids… it works for some people. But there’s no reason you have to live like that. Choosing one life means abandoning the possibility of living another way.
Hiroshi Yamamoto (The Stories of Ibis)
humans are fully capable of loving cats and dogs and tropical fish. If they can love something much less intelligent than humans that does not talk and looks nothing like them, why can they not love one another? Certainly,
Hiroshi Yamamoto (The Stories of Ibis)