Ian Brown Quotes

We've searched our database for all the quotes and captions related to Ian Brown. Here they are! All 48 of them:

He went on loving her,” she whispered, as much to herself as to anyone else. “He didn’t forget her.” "Of course he didna forget her.” She opened her eyes to see Ian’s long face and kind brown eyes six inches away. A broad work-worn hand rested on hers, warm and hard, a hand even larger than her own. “Neither did we,” he said.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
The stains of so many years of misery make the chair look like it’s a bleeding, rotting corpse all its own. The spot that stands out the most is where his head was when he ate lead the first time. I take another hit from the cigarette, wiping at my eyes. A laugh bubbles out. I thought stains were supposed to fade with age, just like the bad stuff that happens to you, but they don’t. Fifteen years isn’t enough to make blood blend into brown carpets with every other mess? Bullshit.
Ian Kirkpatrick (Plead More, Bodymore (Bodymore #2))
I understand how insubstantial this seems, how minor: man buys a coffee in French! But it was Gégé and Jean-Claude, and my own Walker, who reminded me how to do that simpest thing. They reminded me not to be ashamed. That is never a small accomplishment.
Ian Brown (The Boy in the Moon: A Father's Journey to Understand His Extraordinary Son)
Curiosity is a shit-starter. But that’s okay. Sometimes we have to rumble with a story to find the truth. In his book Curious: The Desire to Know and Why Your Future Depends on It, Ian Leslie writes, “Curiosity is unruly. It doesn’t like rules, or, at least, it assumes that all rules are provisional, subject to the laceration of a smart question nobody has yet thought to ask. It disdains the approved pathways, preferring diversions, unplanned excursions, impulsive left turns. In short, curiosity is deviant.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
They were striking the set of a play, humble, one-handed domestic drama, without permission from the cast. They started in what she called her sewing room—his old room. She was never coming back, she no longer knew what knitting was, but wrapping up her scores of needles, her thousand patterns, a baby’s half-finished yellow shawl, to give them all away to strangers was to banish her from the living. They worked quickly, almost in a frenzy. She’s not dead, Henry kept telling himself. But her life, all lives, seemed tenuous when he saw how quickly, with what ease, all the trappings, all the fine details of a lifetime could be packed and scattered, or junked. Objects became junk as soon as they were separated from their owner and their pasts—without her, her old tea cosy was repellent, with its faded farmhouse motif and pale brown stains on cheap fabric, and stuffing that was pathetically thin. As the shelves and drawers emptied, and the boxes and bags filled, he saw that no one owned anything really. It’s all rented, or borrowed. Our possessions will outlast us, we’ll desert them in the end. They worked all day, and put out twenty-three bags for the dustmen.
Ian McEwan (Saturday)
Breakfast was Bond’s favourite meal of the day. When he was stationed in London it was always the same. It consisted of very strong coffee, from De Bry in New Oxford Street, brewed in an American Chemex, of which he drank two large cups, black and without sugar. The single egg, in the dark blue egg-cup with a gold ring round the top, was boiled for three and a third minutes. It was a very fresh, speckled brown egg from French Marans hens owned by some friend of May in the country. (Bond disliked white eggs and, faddish as he was in many small things, it amused him to maintain that there was such a thing as the perfect boiled egg.) Then there were two thick slices of wholewheat toast, a large pat of deep yellow Jersey butter and three squat glass jars containing Tiptree ‘Little Scarlet’ strawberry jam; Cooper’s Vintage Oxford marmalade and Norwegian Heather Honey from Fortnum’s. The coffee pot and the silver on the tray were Queen Anne, and the china was Minton, of the same dark blue and gold and white as the egg-cup.
Ian Fleming (From Russia With Love (James Bond, #5))
For one… If you shoot me and your boss realizes it was without good reason, you’ll have fucked up your trial period. And trust me; I know you’re still in it.” Ian pulled open a drawer in a small brown cabinet. “Secondly, it could end very badly for me and I’d rather prevent that. Getting shot is not on my list of things to do today.” He wrapped his hand around the steel grip of his own weapon and removed it from the drawer. “And last but not least, if you plan to shoot me… Well, it’ll be a matter of which of us is quicker and has better aim.” A pleasant smile crossed his features and he casually waved the gun from side to side. “Do you want to risk it?
Natasha McNeely (Under the Stairs)
To her complete bafflement, instead of continuing his attack, Ian Thornton turned around and met her stormy eyes, an odd expression on his handsome face. “I apologize, Elizabeth,” he said grimly. “My remarks were uncalled for.” And on that amazing note he strode off, saying that he intended to spend the day hunting. Elizabeth tore her startled gaze from his departing back, but the vicar continued staring after him for several long moments. Then he turned and looked at Elizabeth. An odd, thoughtful smile slowly dawned across his face and lit his brown eyes as he continued gazing at her. “Is-is something amiss?” she asked. His smile widened, and he leaned back in his chair, beaming thoughtfully at her. “Apparently there is,” he answered, looking positively delighted. “And I, for one, am vastly pleased.” Elizabeth was beginning to wonder if a tiny streak of insanity ran in the family, and only good manners prevented her from remarking on it. Instead she stood up and began clearing the dishes.
Judith McNaught (Almost Heaven (Sequels, #3))
She arranged the bacon on a platter and then debated what to do with the ten-inch biscuit that had actually been four small biscuits when she’d placed the pan in the oven. Deciding not to break it into irregular chucks, she placed the entire biscuit neatly in the center of the bacon and carried the platter over to the table, were Ian had just seated himself. Returning to the stove, she tried to dig the eggs out of the skillet, but they wouldn’t come loose, so she brought the skillet and spatula to the table. “I-I thought you might like to serve,” she offered formally, to hide her growing trepidation over the things she had prepared. “Certainly,” Ian replied, accepting the honor with the same grave formality with which she’d offered it: then he looked expectantly at the skillet. “What have we here?” he inquired sociably. Scrupulously keeping her gaze lowered, Elizabeth sat down across from him. “Eggs,” she answered, making an elaborate production of opening her napkin and placing it on her lap. “I’m afraid the yolks broke.” “It doesn’t matter.” When he picked up the spatula Elizabeth pinned a bright, optimistic smile on her face and watched as he first tried to lift, and then began trying to pry the eggs from the skillet. “They’re stuck,” she explained needlessly. “No, they’re bonded,” he corrected, but at least he didn’t sound angry. After another few moments he finally managed to pry a strip loose, and he placed it on her plate. A few moments more and he was able to gouge another piece loose, which he placed on his own plate. In keeping with the agreed-upon truce they both began observing all the polite table rituals with scrupulous care. First Ian offered the platter of bacon with the biscuit centerpiece to Elizabeth. “Thank you,” she said, choosing two black strips of bacon. Ian took three strips of bacon and studied the flat brown object reposing on the center of the platter. “I recognize the bacon,” he said with grave courtesy, “but what is that?” he asked, eyeing the brown object. “It looks quite exotic.” “It’s a biscuit,” Elizabeth informed him. “Really?” he said, straight-faced. “Without any shape?” “I call it a-a pan biscuit,” Elizabeth fabricated hastily. “Yes, I can see why you might,” he agreed. “It rather resembles the shape of a pan.
Judith McNaught (Almost Heaven (Sequels, #3))
Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.” A hysterical giggle welled up in Elizabeth as she saw Ian’s impervious expression begin to waver when the vicar promptly launched into a recitation of his tribulations as Ian’s uncle: “You cannot imagine how trying it used to be when I was forced to console weeping young ladies who’d cast out lures in hopes Ian would come up to scratch,” he told Elizabeth. “And that’s nothing to how I felt when he raced his horse and one of my parishioners thought I would be the ideal person to keep of the bets!” Elizabeth’s burst of laughter rang like music through the hills, and the vicar, ignoring Ian’s look of annoyance, continued blithely, “I have flat knees from the hours, the weeks, the months I’ve spent praying for his immortal soul-“ “When you’re finished itemizing my transgressions, Duncan, “ Ian cut in, “I’ll introduce you to my companion.” Instead of being irate at Ian’s tone, the vicar looked satisfied. “By all means, Ian,” he said smoothly. “We should always observe all the proprieties.” At that moment Elizabeth realized with a jolt that the shaming tirade she’d expected the vicar to deliver when he first saw them had been delivered after all-skillfully and subtly. The only difference was that the kindly vicar had aimed it solely at Ian, absolving her from blame and sparing her any further humiliation. Ian evidently realized it, too; reaching out to shake his uncle’s hand, he said dryly, “You’re looking well, Duncan-despite your flattened knees. And,” he added, “I can assure you that your sermons are equally eloquent whether I’m standing up or sitting down.” “That is because you have a lamentable tendency to doze off in the middle of them either way,” the vicar replied a little irritably, shaking Ian’s hand.
Judith McNaught (Almost Heaven (Sequels, #3))
Separately they surveyed their individual plates, trying to decide which item was most likely to be edible. They arrived at the same conclusion at the same moment; both of them picked up a strip of bacon and bit into it. Noisy crunching and cracking sounds ensued-like those of a large tree breaking in half and falling. Carefully avoiding each other’s eyes, they continued crunching away until they’d both eaten all the bacon on their plates. That finished, Elizabeth summoned her courage and took a dainty bite of egg. The egg tasted like tough, salted wrapping paper, but Elizabeth chewed manfully on it, her stomach churning with humiliation and a lump of tears starting to swell in her throat. She expected some scathing comment at any moment from her companion, and the more politely he continued eating, the more she wished he’d revert to his usual unpleasant self so that she’d at least have the defense of anger. Lately everything that happened to her was humiliating, and her pride and confidence were in tatters. Leaving the egg unfinished, she put down her fork and tried the biscuit. After several seconds of attempting to break a piece off with her fingers she picked up her knife and sawed away at it. A brown piece finally broke loose; she lifted it to her mouth and bit-but it was so tough her teeth only made grooves on the surface. Across the table she felt Ian’s eyes on her, and the urge to weep doubled. “Would you like some coffee?” she asked in a suffocated little voice. “Yes, thank you.” Relieved to have a moment to compose herself, Elizabeth arose and went to the stove, but her eyes blurred with tears as she blindly filled a mug with freshly brewed coffee. She brought it over to him, then sat down again. Sliding a glance at the defeated girl sitting with her head bent and her hands folded in her lap, Ian felt a compulsive urge to either laugh or comfort her, but since chewing was requiring such an effort, he couldn’t do either. Swallowing the last piece of egg, he finally managed to say, “That was…er…quite filling.” Thinking perhaps he hadn’t found it so bad as she had, Elizabeth hesitantly raised her eyes to his. “I haven’t had a great deal of experience with cooking,” she admitted in a small voice. She watched him take a mouthful of coffee, saw his eyes widen with shock-and he began to chew the coffee. Elizabeth lurched to her feet, squired her shoulders, and said hoarsely, “I always take a stroll after breakfast. Excuse me.” Still chewing, Ian watched her flee from the house, then he gratefully got rid of the mouthful of coffee grounds.
Judith McNaught (Almost Heaven (Sequels, #3))
It was the same as I remembered it,” she whispered, sounding defeated and puzzled and shattered. It was better than he remembered. Stronger, wilder…And the only reason she didn’t know it was because he hadn’t succumbed to temptation yet and kissed her once more. He had just rejected that idea as complete insanity when a male voice suddenly erupted behind them: “Good God! What’s going on here!” Elizabeth jerked free in mindless panic, her gaze flying to a middle-aged elderly man wearing a clerical collar who was dashing across the yard. Ian put a steadying hand on her waist, and she stood there rigid with shock. “I heart shooting-“ The gray-haired man gasped, sagging against a nearby tree, his hand over his heart, his chest heaving. “I heard it all the way up the valley, and I thought0” He broke off, his alert gaze moving from Elizabeth’s flushed face and tousled hair to Ian’s hand at her waist. “You thought what?” Ian asked in a voice that struck Elizabeth as being amazingly calm, considering they’d just been caught in a lustful embrace by nothing less daunting than a Scottish vicar. The thought had scarcely crossed her battered mind when the man’s expression hardened with understanding. “I thought,” he said ironically, straightening from the tree and coming forward, brushing pieces of bark from his black sleeve, “that you were trying to kill each other. Which,” he continued more mildly as he stopped in front of Elizabeth, “Miss Throckmorton-Jones seemed to think was a distinct possibility when she dispatched me here.” “Lucinda?” Elizabeth gasped, feeling as if the world was turning upside down. “Lucinda sent you here?” “Indeed,” said the vicar, bending a reproachful glance on Ian’s hand, which was resting on Elizabeth’s waist. Mortified to the very depths of her being by the realization she’d remained standing in this near-embrace, Elizabeth hastily shoved Ian’s hand away and stepped sideways. She braced herself for a richly deserved, thundering tirade on the sinfulness of their behavior, but the vicar continued to regard Ian with his bushy gray eyebrows lifted, waiting. Feeling as if she were going to break from the strain of the silence, Elizabeth cast a pleading look at Ian and found him regarding the vicar not with shame or apology, but with irritated amusement. “Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.
Judith McNaught (Almost Heaven (Sequels, #3))
A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty. She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands. “Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.” When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall. God help him. This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice. “Munro, ye do remember Lady Elizabeth, eh?” How could he forget the reason why he’d avoided Sutherland lands for the past three years?
Victoria Roberts (Kill or Be Kilt (Highland Spies, #3))
can hardly blame ye for not waiting.” I could see Ian in profile, leaning over the log basket. His long, good-natured face wore a slight frown. “Weel, I didna think it right, especially wi’ me being crippled …” There was a louder snort. “Jenny couldna have a better husband, if you’d lost both legs and your arms as well,” Jamie said gruffly. Ian’s pale skin flushed slightly in embarrassment. Jamie coughed and swung his legs down from the hassock, leaning over to pick up a scrap of kindling that had fallen from the basket. “How did ye come to wed anyway, given your scruples?” he asked, one side of his mouth curling up. “Gracious, man,” Ian protested, “ye think I had any choice in the matter? Up against a Fraser?” He shook his head, grinning at his friend. “She came up to me out in the field one day, while I was tryin’ to mend a wagon that sprang its wheel. I crawled out, all covered wi’ muck, and found her standin’ there looking like a bush covered wi’ butterflies. She looks me up and down and she says—” He paused and scratched his head. “Weel, I don’t know exactly what she said, but it ended with her kissing me, muck notwithstanding, and saying, ‘Fine, then, we’ll be married on St. Martin’s Day.’ ” He spread his hands in comic resignation. “I was still explaining why we couldna do any such thing, when I found myself in front of a priest, saying, ‘I take thee, Janet’… and swearing to a lot of verra improbable statements.” Jamie rocked back in his seat, laughing. “Aye, I ken the feeling,” he said. “Makes ye feel a bit hollow, no?” Ian smiled, embarrassment forgotten. “It does and all. I still get that feeling, ye know, when I see Jenny sudden, standing against the sun on the hill, or holding wee Jamie, not lookin’ at me. I see her, and I think, ‘God, man, she can’t be yours, not really.’ ” He shook his head, brown hair flopping over his brow. “And then she turns and smiles at me …” He looked up at his brother-in-law, grinning. “Weel, ye know yourself. I can see it’s the same wi’ you and your Claire. She’s … something special, no?” Jamie nodded. The smile didn’t leave his face, but altered somehow. “Aye,” he said softly. “Aye, she is that.” Over the port and biscuits, Jamie and
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, A Breath of Snow and Ashes, An Echo in the Bone)
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?” “Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done. “The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.” In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.” Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow. Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it. “There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.” “Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.” “She’s incredibly beautiful,” Alex said. A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
Judith McNaught (Almost Heaven (Sequels, #3))
Holy mischief twinkled in Ian's brown eyes.
Peter Wisan (Kristian's War (The Searchers Series, #1))
« Ian grinned and then flicked a finger at me. “He’s definitely off limits though?” “This little one is not for loan to anyone.” “Trina had her heart set on tormenting the boy. She’ll be disappointed.” “Trina will get over it. »
Gillibran Brown (Christmas at Leo's (Memoirs of a Houseboy, #5))
Roosevelt was a brilliant, vociferous, combustible man, not the type who ordinarily reaches the presidency. In his whirlwind career, which had taken him from college to the White House in less than twenty years, he had been many things: a historian, lawyer, ornithologist, minority leader of the New York State Assembly, boxer, ranchman, New York City police commissioner, naturalist, hunter, civil service reformer, prolific author, devoted husband and father, voracious reader, assistant secretary of the navy, war hero, empire builder, advocate of vigorous physical exercise, governor of New York, and vice president of the United States. He was a big, broad-shouldered, barrel-chested man, with tan, rough-textured skin. His hair was close-cropped and reddish-brown in color, with bristles around the temples beginning to show gray, and his almost impossibly muscular neck looked as if it was on the verge of bursting his collar-stays. He wore pince-nez spectacles with a ribbon that hung down the left side of his face. When he smiled or spoke, he revealed two very straight rows of teeth, plainly visible from incisor to incisor, their gleaming whiteness sharply accented by his ruddy complexion.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
Nicholas was already tall for his age, dark unruly hair and dark eyes, although in the photograph you couldn’t tell if they were brown or dark blue.
Charles Todd (Wings Of Fire (Inspector Ian Rutledge, #2))
When sex is the means of exploitation, there are three methods. The first is seduction that leads to the direct theft of secrets. For example, Ian Clement, deputy to the then mayor of London, Boris Johnson, was caught in a honey trap while in Beijing for the 2008 Olympics. He was approached by an attractive woman, agreed to have a couple of drinks, then invited her up to his hotel room.40 There he passed out, apparently drugged, and woke to find his room ransacked for documents and the contents of his BlackBerry downloaded. A top aide to Prime Minister Gordon Brown fell for the same trap in the same year.41 The second method is seduction that leads to blackmail, using compromising photographs. This classic honey trap (meiren ji, literally ‘beautiful person plan’) was perfected by the Russians.42 Though the method is not uncommon, cases rarely come to light.43 In 2017 the former deputy head of MI6, Nigel Inkster, said that China’s agencies were using honey traps more often.44 In 2016 reports suggested that the Dutch ambassador to Beijing had been entrapped.
Clive Hamilton (Hidden Hand: Exposing How the Chinese Communist Party is Reshaping the World)
What is war but the physical resolution of philosophical differences? -- Ian "One-Eye
C S Brown
Well, I suppose you have read the Green Shutters by this time. 'Tis a brutal and bloody work; too sinister, I should think, for a man of your kindlier disposition. There is too much black for the white in it. Even so, it is more complimentary to Scotland, I think, than the sentimental slop of Barrie and Crockett, and Maclaren. It was antagonism to their method that made me embitter the blackness; like old Gourlay I was "going to show the dogs what I thought of them." Which was a gross blunder, of course.
George Douglas Brown
• 22 toe touches • 16 sit-ups • 23 leg lifts, lying on my front • 15 push-ups • 440 running-on-the-spot steps, each 4 inches high, with 10 stride jumps every 75 steps You do all this in 9.5 minutes.
Ian Brown (Sixty: The Beginning of the End, or the End of the Beginning?)
Mistress Agatha Brown, she was Church of England, but she just done gone to the Catholics. And it seems they don’t hold with places like 3½, not even when they’re decently run.
Ian Fleming (The James Bond Complete Collection: All 14 Original Books Including Casino Royale, Dr. No and Quantum of Solace)
Marcie felt something on her hair and woke to look into Ian’s rich brown eyes. Dawn was barely lighting the cabin and he was running his big hand over her curls. “Morning,” she said sleepily. He didn’t say anything. He just lowered his lips to hers and touched them gently, sweetly. She felt the brush of his beard, the soft flesh of his lips and let her eyes drop closed. He moved over her mouth for a moment. She moaned and slipped an arm around his neck, holding him there. He pulled back just a little and whispered, “We’re snowed in, honey.” “Good.” “I was jealous of Bobby, you know,” Ian said, petting her hair back along her temple, moving it over her ear. “Be careful, Ian—you’re talking about ‘it.’” “I’m ready to tell you anything you want to know. We were all a little jealous of Bobby. He had something real special with you. You sent him panties.” Her cheeks warmed in spite of herself. Her eyes got very round. “He showed you?” Ian chuckled. “He showed everyone. Very skimpy panties. I think they were lime-green with black lace or something.” “I cannot believe he showed you!” “He was proud of them. He kept them tucked in his inside pocket like a good-luck charm.” “They were perfectly clean, I’ll have you know.” “Aw, that almost comes as a disappointment,” Ian said, chuckling. “They should have had your scent on them.” “They had Tide and Downy on them!” “And you sent him that picture—on the motorcycle.” She put her hands over her face. In muffled tones she muttered, “I’m mortified.” He pulled her hands away and lightly kissed her again. “So the night I almost froze to death was actually the second time you’ve seen me in my underwear.” “Technically, I’ve seen your underwear a ton of times. I came home a couple of times to see your cute little rump sticking out of the covers, not to mention all that underwear on my tub, drying out,” he said. “And I’d trade my life to see you in your underwear again.” Her eyes got round for a minute, but then she smiled slightly and a little laugh escaped her. “I’ve heard some interesting come-ons in my limited experience, but that’s a new one. Tell me, do I have to shoot you after you peek?” “What if I told you, you might have to shoot me to stop me? Would that scare you?” “You don’t scare me, Ian. I know you’d protect me from anything. Even yourself.” He
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Ian mulled that over for a moment. We waited. Finally he said, “That’s a butterfly.” I stifled my sign of impatience. “Yeah, we can see that.” “More specifically,” he went on, “that’s the Swordgrass Brown Tisiphone Abeona.” I felt my stomach drop at that last word. I swallowed hard, repeating his words in my own head. “What did you say?” Something in my voice must have come out as a threat. Ian put his hands up as though warding me off. “Whoa, calm down, dude.” I
Harlan Coben (Shelter (Micky Bolitar, #1))
You weren't kidding about the rolls," Rebus said, taking another bite. "Bacon just the right side of crispy," Robert Chatham agreed. They were seated across from one another at a booth with padded seats and a Formica-topped table. Mugs of dark-brown tea and plates in front of them, Radio Forth belting out from the kitchen.
Ian Rankin (Rather Be the Devil (Inspector Rebus, #21))
Trot Nixon to Pedro Martinez to crazy-ass Manny Ramirez to Keith
Ian Browne (Idiots Revisited: Catching Up With the Red Sox Who Won the 2004 World Series)
Well, shit, we weren’t even around. Why do
Ian Browne (Idiots Revisited: Catching Up With the Red Sox Who Won the 2004 World Series)
believe,
Ian Brown (Sixty: A Diary: My Year of Aging Semi-Gracefully)
Why do they make you do this? This blonde hair, green-eye obsession? Isn’t Mrs. Ivory a brunette, too?” “Yes, but they don’t care. Ian is obsessive-compulsive with everything, and this is something that would kill him. He needs his home to be a specific way. He’s obsessed with the idea of perfection. It is thought that green eyes are demonic. Evil, really. That the green-eyed demon is superior than the black-eyed demon. I mean witches, monsters, demons all possess green eyes historically. They are wicked.” I shook with chills. Ian Ivory wanted to live a wicked, demonic life. “I love your eyes.” I immediately looked away. “Demi, I love everything about you. I loved your curly black hair. I love the way you never listen and talk way too much. I love that… I love that even when you’ve seen nothing but horror, there’s still hope inside those stunning brown eyes.” He moved closer and his warm, minty breath grazed my skin. “You’re absolutely sure?” His fingers traced my abdomen, sending goosebumps everywhere. I leaned in and kissed Bradley.
Monica Arya (The Favorite Girl)
Looking down, observers saw a sphere of purple-pink light burst through the cloud ceiling, like an air bubble breaking the surface of a body of water. William Laurence, watching from a window in The Great Artiste, was awestruck. The sphere merged into an ascending column of dirty brown smoke and ash, and “we watched it shoot upward like a meteor coming from the earth instead of from outer space, becoming ever more alive as it climbed skyward through the white clouds. It was no longer smoke, or dust, or even a cloud of fire. It was a living thing, a new species of being, born right before our incredulous eyes.
Ian W. Toll (Twilight of the Gods: War in the Western Pacific, 1944-1945)
Despite the seriousness of their wounds, despite the agonizing haul in a springless wagon up the Knostrope Pass from Rorke’s Drift to Helpmekaar, despite the lack of proper medical facilities and the desperately unhygienic conditions in which they were treated, and despite the prevalence of disease, all of the wounded from Rorke’s Drift who came under Blair-Brown’s care survived.
Ian Knight (Zulu Rising: The Epic Story of iSandlwana and Rorke's Drift)
Blond, silver, black, brown, red hair. Blue, green, brown, black eyes. White, black, skin colors of every variety. I was stunned. I realized then that we’d fought against all the peoples of the world. At the same time, I thought, what a funny country America is, all those different kinds of people fighting in
Ian W. Toll (Twilight of the Gods: War in the Western Pacific, 1944-1945 (The Pacific War Trilogy))
Observing his captors, Kojima was astounded by their racial and ethnic diversity: “Blond, silver, black, brown, red hair. Blue, green, brown, black eyes. White, black, skin colors of every variety. I was stunned. I realized then that we’d fought against all the peoples of the world. At the same time, I thought, what a funny country America is, all those different kinds of people fighting in the same uniform!”61 On
Ian W. Toll (Twilight of the Gods: War in the Western Pacific, 1944-1945 (The Pacific War Trilogy))
DOUBLE FUCK!
Ian Schrauth (Vacillating brown and Black: Vol. 3)
I lost the boy I used to love! Now he’s gone!
Ian Schrauth (Vacillating brown and Black: Vol. 3)
I thought I was done…Not until this shit started…
Ian Schrauth (Vacillating Brown and Black: Vol. 1 (The Vacillation Saga: Tammy))
God damn, boy, can you sit down a little harder?
Ian Schrauth (Vacillating Brown and Black: Vol. 1 (The Vacillation Saga: Tammy))
Ha, Ha. Quit being a smart ass. Seriously. You sound dull.
Ian Schrauth (Vacillating Brown and Black: Vol. 1 (The Vacillation Saga: Tammy))
Using my palm to wipe away a bit of steam, I stared into my green eyes. My father had passed that color onto Ian and me. Our mother had brown eyes. I remembered that.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
We had a sort of manager at the time, and he introduced us to John Curd and his partner, Chris Gabrin, so we turned up at this pub in London on our bikes, and gave Chris a pint of piss! That was our introduction to our management – we all pissed in a beer glass, put a bit of brown ale on the top and brought it out to him outside the pub! And we made him drink it; we were a right bunch of wankers!
Ian Glasper (Burning Britain: The History of UK Punk 1980-1984)
William Shirer, witnessing the scene, the 600 Reichstag deputies, ‘little men with big bodies and bulging necks and cropped hair and pouched bellies and brown uniforms and heavy boots, little men of clay in his fine hands, leap to their feet like automatons, their right arms upstretched in the Nazi salute, and scream “Heil’s”.
Ian Kershaw (Hitler: 1889-1936 Hubris: 1889-1936: Hubris)
I watched as Ian pulls the cooked squash out of the oven and drops it on the part of the cooktop that is currently not in use to let it cool for a moment while he mixes honey vinegar and a touch of brown sugar into thick crème fraîche, tasting along the way with the spoons I keep in a little cup on the stovetop. Satisfied with the crema, he turns back to the food processor, where he has chopped the pistachios, shallots, olives, and herbs, and empties out the contents into a bowl, adding a splash of the honey vinegar, a pinch of red pepper flakes, and a healthy glug of olive oil. He tastes, adds salt and a good grinding of black pepper, tastes again, and nods, pleased with himself. "Ten minutes to go," I say, checking my phone. "Keep talking me through things." Ian reaches for a large flour tortilla and places it in a dry nonstick skillet. "I'm going to assemble the quesadilla now," he says, sprinkling shredded fontina cheese over the whole surface of the tortilla. He dots the shredded cheese with small bits of fresh goat cheese. "I'm using fontina because it melts well and is mild, and some chèvre for a bit of punch and creaminess. Now the pork." He has sliced the pork thin, and layers it over the cheeses, following with cubes of the roasted squash.
Stacey Ballis (How to Change a Life)
There's a beautiful text of Martin Luther King's,' Vanier said, without hesitation. 'Someone said to him, will it always be like this— that someone will always despise people and want to get rid of others? And he said yes, until we have all learned to recognize, accept, and love what is despicable in all of us. And what is that despicability? That we are born to die. That we have not full control of our lives. And that's part of our makeup. But we need to discover that we are built for something else, too, which is togetherness, and that we have to try and stop this need to be the best.
Ian Brown (The Boy in the Moon: A Father's Journey to Understand His Extraordinary Son)
I sketched a picture of Jean-Claude in my notebook; he saw me, so I showed it to him. He erupted in pleasure. It seemed I'd found a way into his trust and his company—into his world. It was easier to do this with the residents than I had imagined. There were not rules, no prescribed routes: you went with what was available, with the most human thing you could catch on to.
Ian Brown (The Boy in the Moon: A Father's Journey to Understand His Extraordinary Son)
Le Cardinal's conclusion suprised him. L'Arche produced a collective intelligence that was greater than the sum of its parts; interaction between the able and the disabled produced points of view that were more sophisticated than either group reported on its own.
Ian Brown (The Boy in the Moon: A Father's Journey to Understand His Extraordinary Son)
The same. Sure. You, with your freckles and your bright open eyes that your mom probably says are hazel or even green even though they’re basically just brown. You, a team player. You, going by Ian, and getting away with it.
Sacha Lamb (Avi Cantor Has Six Months to Live)