I Wish You Knew Quotes

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I wish I knew how to quit you.
Annie Proulx (Brokeback Mountain)
And tell Rowan,” Aelin said, fighting her own sob, “that I'm sorry I lied. But tell him it was all borrowed time anyway. Even before today, I knew it was all just borrowed time, but I still wish we'd had more of it.” She fought past her trembling mouth. “Tell him he has to fight. He must save Terrasen, and remember the vows he made to me. And tell him . . . tell him thank you—for walking that dark path with me back to the light.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
We'd start slow, the way we always did, because the run, and the game, could go on for awhile. Maybe even forever. That was the thing. You just never knew. Forever was so many different things. It was always changing, it was what everything was really all about. It was twenty minutes, or a hundred years, or just this instant, or any instant I wished would last and last. But there was only one truth about forever that really mattered, and that was this: it was happening. Right then, as I ran with Wes into that bright sun, and every moment afterwards. Look, there. Now. Now. Now.
Sarah Dessen (The Truth About Forever)
Clary, Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do. I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that. I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you. All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me. The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go. I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you. _Jace
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Though these words will never find you, I hope that you knew I was thinking of you today….. and that I was wishing you every happiness. Love Always, The girl you loved once.
Ranata Suzuki
I know you don't want this, Katsa. But I can't help myself. The moment you came barreling into my life I was lost. I'm afraid to tell you what I wish for, for fear you'll... oh, I don't know, throw me into the fire. Or more likely, refuse me. Or worst of all, despise me," he said, his voice breaking and his eyes dropping from her face. His face dropping into his hands. "I love you," he said. "You're more dear to my heart than I ever knew anyone could be. And I've made you cry; and there I'll stop.
Kristin Cashore (Graceling (Graceling Realm, #1))
Anne, I don't want to live. . . . Now listen, life is lovely, but I Can't Live It. I can't even explain. I know how silly it sounds . . . but if you knew how it Felt. To be alive, yes, alive, but not be able to live it. Ay that's the rub. I am like a stone that lives . . . locked outside of all that's real. . . . Anne, do you know of such things, can you hear???? I wish, or think I wish, that I were dying of something for then I could be brave, but to be not dying, and yet . . . and yet to [be] behind a wall, watching everyone fit in where I can't, to talk behind a gray foggy wall, to live but to not reach or to reach wrong . . . to do it all wrong . . . believe me, (can you?) . . . what's wrong. I want to belong. I'm like a jew who ends up in the wrong country. I'm not a part. I'm not a member. I'm frozen.
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
Nicholas Sparks (A Walk to Remember)
I once had a dreams of becoming a beautiful poet, but upon an unfortunate series of events some of those dreams dashed and divided like a million stars in the night sky that I wished on over and over again, sparkling and broken. But I didn't really mind, because I knew that it takes getting everything you ever wanted, and then losing it to know what true freedom is.
Lana Del Rey
I miss you,' she said. 'Every day, I miss you. And I wonder what you would have made of all this. Made of me. I think - I think you would have been a wonderful king. I think they would have liked you more than me, actually.' Her throat tightened. 'I never told you - how I felt. But I loved you, and I think a part of me might always love you. Maybe you were my mate, and I never knew it. Maybe I'll spend the rest of my life wondering about that. Maybe I'll see you again in the Afterworld, and then I'll know for sure. But until then ... until then I'll miss you, and I'll wish you were here.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
How little we know of what there is to know. I wish that I were going to live a long time instead of going to die today because I have learned much about life in these four days; more, I think than in all other time. I'd like to be an old man to really know. I wonder if you keep on learning or if there is only a certain amount each man can understand. I thought I knew so many things that I know nothing of. I wish there was more time.
Ernest Hemingway (For Whom the Bell Tolls (War Promo))
Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I have had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.
Charles Dickens (A Tale of Two Cities)
I wish I knew how to quit you, Tumblr.
John Green
Now there's something I understand a little better. Hate, sadness, even joy. to be able to share it with another person...Naruto Uzumaki from fighting him i learned that. he knew pain like i did and then he taught me that you can change your path. I wish that one day i can be needed by someone. Not as a frightening weapon...But as the sand's Kazekage.
Masashi Kishimoto
I am so sorry. I wish you knew even one tenth of one percent of how sorry I am. ...It was my fault. Can I kill myself here, or should I do it outside, so the mess on your carpet doesn't upset your mother?
Laurie Halse Anderson (Twisted)
At first I did not love you, Jude; that I own. When I first knew you I merely wanted you to love me. I did not exactly flirt with you; but that inborn craving which undermines some women's morals almost more than unbridled passion--the craving to attract and captivate, regardless of the injury it may do the man--was in me; and when I found I had caught you, I was frightened. And then--I don't know how it was-- I couldn't bear to let you go--possibly to Arabella again--and so I got to love you, Jude. But you see, however fondly it ended, it began in the selfish and cruel wish to make your heart ache for me without letting mine ache for you.
Thomas Hardy (Jude the Obscure)
Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with visions of myself dancing and laughing and crying with them. Three years down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lay your head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiveness that was as wide as wavering as the ocean. And if I said that I didn't plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
Lana Del Rey
When I say I'm going to forget you I know it's impossible to forget someone I once knew. What I want is to erase you from my thoughts and purge you from my memories. I'm saying it's what I wish for, not what is or could ever be.
Donna Lynn Hope
We can't lose you," she said after a few moments of awkward as hell silence. "You have to understand that we aren't doing this because we don't care about Kat. We're doing this because we love you." "But I love her," I said without hesitation. Dee's eyes widened, probably since it was the first time she'd herd me say it out loud, well, about anyone other than my family. I wished I had said it more often, especially to Kat. Funny how that kind of shit always turns out in the end. While you're deep in something, you never say or do what you need to. It's always after the fact, when it's too late that you realize what you've should've said or done/ It couldn't be too late. I knew that. The fact that I was still alive was testament to that. Like Dee said, though, there were worse things than death.
Jennifer L. Armentrout (Origin (Lux, #4))
You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me any more. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine.
Neil Gaiman (Stardust)
Sometimes I remember that I can't always protect those I love." Under his fingers, her hair was soft and silky. She didn't try to tell him that he wasn't God, that he couldn't protect everyone. He knew that. But knowing and believing were two different things. What she did say succeeded in stopping his heart. "I wish you'd love me." "Why?" "Because then maybe you could protect me, too." Haunting sorrow whispered through her tone.
Nalini Singh (Slave to Sensation (Psy-Changeling, #1))
I've never been in love. I will die without knowing what it feels like to need to see one person's face when you go to sleep at night, to crave seeing it when you wake up. I wish I knew.
Libba Bray
I only wish I knew that you'd actually want to be with me when that time is over.
Kiera Cass (The Elite (The Selection, #2))
You got no fuckin idea how bad it gets. I'm not you. I can't make it on a couple a high-altitude fucks once or twice a year. You're too much for me, Ennis, you son of a whoreson bitch. I wish I knew how to quit you.
Annie Proulx (Brokeback Mountain)
Bastian looked at the book. 'I wonder,' he said to himself, 'what's in a book while it's closed. Oh, I know it's full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there's a whole story with people I don't know yet and all kinds of adventures, deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut in a book. Of course you have to read it to find out. But it's already there, that's the funny thing. I just wish I knew how it could be.' Suddenly an almost festive mood came over him. He settled himself down, picked up the book, opened it to the first page, and began to read...
Michael Ende (The Neverending Story)
I am not forgotten, you know, no, I still receive a very great deal of fan mail. . . . Gladys Gudgeon writes weekly. . . . I just wish I knew why. . . .” He paused, looking faintly puzzled, then beamed again and returned to his signing with renewed vigor. “I suspect it is simply my good looks. . . .
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Hey, our hair's the same color," I said, eyeing us side by side in the mirror. Sure is, Girlfriend." Eric grinned at me. "But are you blond all the way down?" Don't you wish you knew?" Yes," he said simply. Well, you'll just have to wonder." I am," he said. "Blond everywhere," I could tell as much from your chest hair." He raised my arm to check my armpit. "You silly women, shaving your body hair," He said, dropping my arm.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
So you speak French?" Isabelle sighed. "I wish I spoke another language. But Hodge never thought we needed to learn anything but ancient Greek and Latin, and nobody speaks those." "I also speak Russian and Italian. And some Romanian," Sebastian said with a modest smile. "I could teach you some phrases-" "Romanian? That's impressive," said Jace. "Not many people speak it." "Do you?" Sebastian asked with interest. "Not really," Jace said with a smile so disarming Simon knew he was lying. "My Romanian is pretty much limited to useful phrases like, 'Are these snakes poisonous?' and 'But you look much too young to be a police officer.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
November 20. Andrius's birthday. I had counted the days carefully. I wished him a happy birthday when I woke and thought about him while hauling logs during the day. At night, I sat by the light of the stove, reading Dombey and Son. Krasivaya. I still hadn't found the word. Maybe I'd find it if I jumped ahead. I flipped through some of the pages. A marking caught my eye. I leafed backward. Something was written in pencil in the margin of 278. Hello, Lina. You've gotten to page 278. That's pretty good! I gasped, then pretened I was engrossed in the book. I looked at Andrius's handwritting. I ran my finger over this elongated letters in my name. Were there more? I knew I should read onward. I couldn't wait. I turned though the pages carefully, scanning the margins. Page 300: Are you really on page 300 or are you skipping ahead now? I had to stifle my laughter. Page 322: Dombey and Son is boring. Admit it. Page 364: I'm thinking of you. Page 412: Are you maybe thinking of me? I closed my eyes. Yes, I'm thinking of you. Happy birthday, Andrius.
Ruta Sepetys (Between Shades of Gray)
And then it was, that grief and pain made themselves known to me as never before. Note this, because I knew the full absurdity of Fate and Fortune and Nature more truly than a human can bear to know it. And perhaps the description of this, brief as it is, may give consolation to another. The worst takes its time to come, and then to pass. The truth is, you cannot prepare anyone for this, nor convey an understanding of it through language. It must be known. And this I would wish on no one in the world.
Anne Rice (Pandora (New Tales of the Vampires, #1))
You know nothing about me. You see me. But you don't see me. Everyone else sees me. And yet no one has the foggiest notion of the gathering storm within me. It's my secret private little hell. I live with it, I sleep with it. I love that no one knows. I wish you knew. Sometimes I fear you do.
André Aciman (Enigma Variations)
I wish you knew how I value you; and what an inexpressible blessing it is to have one whom one can always trust, one always the same, always ready to give comfort, sympathy and the best advice. God bless you, my dear, you are too good for me.' -Charles to Emma, 1859
Deborah Heiligman (Charles and Emma: The Darwins' Leap of Faith)
When violet eyes get brighter And heavy wings grow lighter I'll taste the sky and feel alive again And I'll forget the world that I knew But I swear I won't forget you Oh if my voice could reach back through the past I'd whisper in your ear: "Oh darling I wish you were here.
Owl City (Owl City - Ocean Eyes Piano, Vocal and Guitar Chords)
Sometimes I wish I were passionate about something real. Something I knew I could succeed in. Right now all my dreams are a little far-fetched.
Kasie West (P.S. I Like You)
I was never in love with someone else I never had somebody waiting on me 'Cause you were all of my dreams come true And I just wish you knew Taylor, I was so in love with you.
Owl City
For a long time," he said at last, "when I was small, I pretended to myself that I was the bastard of some great man. All orphans do this, I think," he added dispassionately."It makes life easier to bear, to pretend that it will not always be as it is, that someone will come and restore you to your rightful place in the world." He shrugged. "Then I grew older, and knew that this was not true. No one would come to rescue me. But then-" he turned his head and gave Jamie a smile of surpassing sweetness. "Then I grew older still, and discovered that after all, it was true. I am the son of a great man." The hook touched Jamie's hand, hard and capable. "I wish for nothing more.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.
Christopher Hitchens (Hitch 22: A Memoir)
Just another day in my life. This was one of those days when I thought that maybe a new life, a different life, wouldn't be so bad. But where the hell had I put the receipt, and could you return something that was over twenty years old? Where do you go to get a new life when your old one has you so puzzled you don't know how to fix it? Wish I knew.
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
I love you,” Bill said helplessly, as if he wished those magic words would heal me. But he knew they wouldn’t. “That’s what you all keep saying,” I answered. “But it doesn’t seem to get me any happier.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
To my son, If you are reading this letter, then I am dead. I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt. I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate. There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid. At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame. I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you. The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you. For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right. I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy. Stephen
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It's so easy to wish for death when nothing's wrong with you! It's so easy to fall in love with death, and I've been all my life, and seen it's most faithful worshippers crumble in the end, screaming just to live, as if all the dark veils and the lillies and the smell of candles, and grandiose promises of the grave meant nothing. I knew that. But I always wished I was dead. It was a way to go on living
Anne Rice
Oh. My. God. You're Rose Hathaway aren't you?" "Yeah." I said with surprise. "Do you know me?" "Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath. "Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch. Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her. "What's your name?" I asked. "Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me." "Right." I said, hiding a smile. "I figured it out." "I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape. "I don't know." I said. "You should talk to Christian Ozera." She gaped. "Would he talk to me?" "If you bring up fighting the establishment, yeah he'll talk to you." "Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly. "Yeah." I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?" "Yeah." I wondered where he was. Talking to Jill was exhausting. "Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?" "Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties. "I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'" I laughed in spite of myself. "I think you're giving me more credit than I deserve." "No way. And I don't believe any of those stories, you know." "Um, stories?" "Yeah about you beating up Christian Ozera." "Thanks." I said.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I wish you to know you have been the last dream of my soul. Since I knew you, I have been troubled by a remorse that I thought would never reproach me again, and have heard whispers from old voices impelling me upward, that I thought were silent for ever. I had unformed ideas of striving afresh, beginning anew, shaking off sloth and sensuality, and fighting out the abandoned fight. A dream, all a dream, that ends in nothing… But I wish you to know that you inspired it. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into the fire.
Charles Dickens
[I]t's important to know whether you're putting energy into something that has the potential to pay off. This is one of life's biggest challenges. We often stay in dead-end situations way too long...hoping the situation will improve.
Tina Seelig (What I Wish I Knew When I Was 20)
I once stood in a field in Ireland, alone, a little lost, and wishing for you more than I wished for my next breath. And you came, though I never asked you, you came because you knew I needed you. We don't always do what's right, what's good. Not even for each other. But when it counts, down to the core of it, I believe we do exactly that. What's right and good for each other. There's no rule to that. It's just love." Just love, she thought when he stepped out. She may have been going into her own personal hell to face a killer, but right at that moment she considered herself the luckiest woman in the world.
J.D. Robb (New York to Dallas (In Death, #33))
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything. What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them. Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to. A few Americans, but very few, still have extended families. The Navahos. The Kennedys. But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man. When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this: “You are not enough people!” I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family. They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome. Wouldn't you have loved to be that baby?
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
sure enough you've always been beautiful and yet you've struggled to see this because society took your truth then replaced it with lies I wish you knew just how remarkable you are I wish you knew just how amazing you already were before the world told you who you should be
R.H. Sin (She Felt Like Feeling Nothing (Volume 1) (What She Felt))
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art. LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN. I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.* Who are you? Are you in touch with all your darkest fantasies? Have you created a life for yourself where you’re free to experience them? I Have. I Am Fucking Crazy. But I Am Free.
Lana Del Rey
Who was your first kiss?” Heat rushed into my face. I flattered myself by thinking maybe he wanted to kiss me. I wished he wanted to kiss me. “I haven’t …” Squeezing my eyes closed, I began again. “I haven’t been kissed. Yet.” “Why?” I rolled my eyes at his innocence. “You obviously know I’m not like other girls. I’m shy and I don’t spend time with boys. My father is strict and—” “That’s not why.” He thought he knew me so well. “Fine. You tell me why I haven’t been kissed.” I regretted the words and my tone instantly. What if he told me what I already knew? That I was lacking. Not interesting or pretty enough. “You were waiting.
Gwen Hayes (Falling Under (Falling Under, #1))
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
A strange thing happened to me in my dream. I was rapt into the Seventh Heaven. There sat all the gods assembled. As a special dispensation I was granted the favor to have one wish. "Do you wish for youth," said Mercury, "or for beauty, or power, or a long life; or do you wish for the most beautiful woman, or any other of the many fine things we have in our treasure trove? Choose, but only one thing!" For a moment I was at a loss. Then I addressed the gods in this wise: "Most honorable contemporaries, I choose one thing — that I may always have the laughs on my side." Not one god made answer, but all began to laugh. From this I concluded that my wish had been granted and thought that the gods knew how to express themselves with good taste: for it would surely have been inappropriate to answer gravely: your wish has been granted.
Søren Kierkegaard
He will break you." "He wishes he knew how," Neil said. "Trust me. I promise I'll come back, and when I do I'll bring Andrew back with me. It's going to be fine.
Nora Sakavic (The Raven King (All for the Game, #2))
I stare off into space for a minute. "I just wish my life would go back to the way it was." "Why?" "Because I was happy then. Things weren't perfect, but still, I knew where I fit. I knew where I was going." "And you don't feel that way anymore?" "No. I feel kind of...lost in the middle of my own life, if that makes any sense.
Catherine McKenzie (Forgotten)
Daylight fades away as I watch you. Darkness claims the sky and I wish you knew that nothing you can do can keep me from you. But I stay out of sight and only whisper to you. Words I can’t say. Words you don’t need to hear. Words I can’t keep from tangling my way. Now, I can’t stand alone. Now, I am under your influence. You’ve taken over me and Now, I can’t ignore what I’ve been shown. You’ve claimed me and I don’t care who knows. You’ve claimed me and I don’t care if it shows. I’m weakened and I’m strengthened in your arms. You’ve claimed me and I need to feel you close.” “You stand wanting more than you could ever understand. I stand helpless needing to give in to your every command. Wanting to see you smile has consumed me and tied both my hands. Nothing I offer could ever be worthy of your love. It’s a miracle that you saw me and never ran. I will spend my whole life trying to be the man you think I am.   Now, I can’t stand alone. Now, I am under your influence. You’ve taken over me and Now, I can’t ignore what I’ve been shown. You’ve claimed me and I don’t care who knows. You’ve claimed me and I don’t care if it shows. I’m weakened and I’m strengthened in your arms. You’ve claimed me and I need to feel you close.” “You hold fire within your gaze. It mesmerizes everyone you allow into your maze. I know nothing of your thoughts but I need to bask within the warmth of your rays. Nothing you do could ever be wrong. You’re forever perfect in every way.   Now, I can’t stand alone. Now, I am under your influence. You’ve taken over me and Now, I can’t ignore what I’ve been shown. You’ve claimed me and I don’t care who knows. You’ve claimed me and I don’t care if it shows. I’m weakened and I’m strengthened in your arms. You’ve claimed me and I need to feel you close.” ~ Dank
Abbi Glines (Predestined (Existence, #2))
Somewhere out there is a true and living prophet of destruction and I dont want to confront him. I know he's real. I have seen his work. I walked in front of those eyes once. I wont do it again. I wont push my chips forward and stand up and go out to meet him. It aint just bein older. I wish that it was. I cant say that it's even what you are willin to do. Because I always knew that you had to be willin to die to even do this job. That was always true. Not to sound glorious about it or nothin but you do. If you aint they'll know it. They'll see it in a heartbeat. I think it is more like what you are willin to become. And I think a man would have to put his soul at hazard. And I wont do that.
Cormac McCarthy (No Country for Old Men)
As real as,' said Eddie. 'As real as what?' said Jack. 'Wish I knew,' said Eddie. 'But I can't do corroborative nouns. None of us are perfect, are we? I can get started. As big as, as obscene as, as foul as. But I can't get any further. But that's life for you again. As unfair as...
Robert Rankin (The Hollow Chocolate Bunnies of the Apocalypse)
Well, I’ve been a musician my whole life. When I was two, I would sing the theme from Star Wars in my crib; my mom taped it for proof. Then, when I was five, I asked for a violin. No one knew why I would want one, but my wish was granted and I ended up a classically trained fiddler by age 12. The only problem with that was, when you’re a classical violinist, everybody expects you to be satisfied with playing Tchaikovsky for the rest of your life, and saying you want to play jazz, rock, write songs, sing your songs, hook up your fiddle to a guitar amp, sleep with your 4-track recorder, mess around with synths, dress like Tinkerbell in combat boots, AND play Tchaikovsky is equivalent to spitting on the Pope.
Emilie Autumn
You must go after your wish. As soon as you start to pursue a dream, your life wakes up and everything has meaning.
Barbara Sher (I Could Do Anything If I Only Knew What It Was: How to Discover What You Really Want and How to Get It)
I wish I knew what he was reading. I know I don’t like books, but you can always tell what someone is thinking by what they’re reading.
Alice Oseman (Solitaire)
Kate, I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up. I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible. When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing. I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you. Thank you for being here, my beauty. Mon ange. My Kate. Yours utterly, Vincent
Amy Plum (Die for Me (Revenants, #1))
Then I heard someone laugh. I wished I didn't know whose laugh it was, but I knew Will's laugh just like I knew he had a small scar right above his left elbow. You couldn't be reluctantly lust-ridden for someone without noticing stuff about them.
Elizabeth Scott (Perfect You)
Jane hid her trembling hands inside her muff. She wished there was a way to hide the fact that she was trembling all over. “I understood you from the first moment I saw you,” she admitted, her voice little more than a whisper. Mr Churchill looked up from her ribbons, and she was bowled over by his beautiful, soul-piercing, intelligent eyes. “And I knew from the moment you looked at me, that you understood me like no one has ever understood me before.” 
Jeanette Watts (My Dearest Miss Fairfax)
I once had dreams of becoming a beautiful poet, but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again, sparkling and broken. But I didn't really mind because I knew that it takes getting everything you ever wanted, and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I'd been living, they asked me why - but there's no use in talking to people who have home. They have no idea what it's like to seek safety in other people - for home to be wherever you lay your head.
Lana Del Rey
When I’m a Duchess,” she said to herself (not in a very hopeful tone though), “I won’t have any pepper in my kitchen at all. Soup does very well without. Maybe it’s always pepper that makes people hot-tempered,” she went on, very much pleased at having found out a new kind of rule, “and vinegar that makes them sour—and camomile that makes them bitter—and—and barley-sugar and such things that make children sweet-tempered. I only wish people knew that; then they wouldn’t be so stingy about it, you know—
Lewis Carroll (Alice in Wonderland)
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
Margery Williams Bianco (The Velveteen Rabbit)
It wasn’t like a first kiss because we knew each other too intimately for that. And it wasn’t like a last kiss because we’d only just begun. It was the kiss you spend your whole life waiting for. The kiss you wish would swallow you whole so you’d always be living it. This was the kiss of a lifetime, shared with a woman I’d spent a few lifetimes waiting for.
Nicole Williams (Fissure (The Patrick Chronicles, #1))
First, opportunites are abundant. At any place and time you can look around and identify problems that need solving....regardless of the size of the problem, there are ususally creative ways to use the resources already at your disposal.
Tina Seelig (What I Wish I Knew When I Was 20)
You know, Vik, you’re amazingly human at times. (Alix) I know. But I wonder if the feelings I have are real or just electrical stimulations in my cortex that simulate human emotion. I wish I knew if they were real or imagined. (Vik) And that makes you completely human, sweetie. We all have those doubts. (Alix)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
Alex stepped out from behind the rock. Relieved to see him in one piece, I threw myself forward and hugged him. He returned the embrace with a low chuckle, "Jeez, Dez, if I knew this was what it would take to get you to put your hands all over me again, I would have done it sooner.
Jus Accardo (Tremble (Denazen, #3))
I'm glad I found you because before you I never knew what to wish for.
Atticus . (The Dark Between Stars)
I dreamed of you, even before I knew you were real. In all my years of wishing, I wished for you. The moment I saw you, I felt it. My whole world shifted. My whole existence grew brighter.
Sarah Fine (Chaos (Guards of the Shadowlands, #3))
Tell the others,” Aelin breathed, trying to find the right words. “Tell the others that I am sorry. Tell Lysandra to remember her promise, and that I will never stop being grateful. Tell Aedion … Tell him it is not his fault, and that …” Her voice cracked. “I wish he’d been able to take the oath, but Terrasen will look to him now, and the lines must not break.” Elide nodded, tears sliding down her blood-splattered face. “And tell Rowan …” Aelin’s soul splintered as she saw the iron box the escorts now carried between them. An ancient, iron coffin. Big enough for one person. Crafted for her. “And tell Rowan,” Aelin said, fighting her own sob, “that I’m sorry I lied. But tell him it was all borrowed time anyway. Even before today, I knew it was all just borrowed time, but I still wish we’d had more of it.” She fought past her trembling mouth. “Tell him he has to fight. He must save Terrasen, and remember the vows he made to me. And tell him … tell him thank you—for walking that dark path with me back to the light.” They
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
You know what happens when someone dies?' Delia said suddenly, startling me a bit. I kept putting together my sandwich, though, not answering: I knew there was more. 'It's like, everything and everyone refracts, each person having a different reaction'...'When Wish died, it just knocked the wind out of me. Truly. It's like that stupid thing bert and Wes do, the leaping out thing, trying to scare each other: it was the biggest gotcha in the world.' She looked down at the sandwiches. 'I'd just assumed she'd be okay. It had never occurd to me she might actually just be... gone. You know?'...'And then she was,' Delia said, her hand on the bread bag. 'Gone. Gotcha. And suddenly I had these two boys to take care of, plus a newborn of my own. It was just this huge loss, this huge gap, you know'...'Some people... they can just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just ... something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remebering and getting on at the same time.' I envied Delia. At least she knew what she was up against. Maybe that's what you got when you stood over your grief, facing it finally. A sense of its depths, its area, the distance across, and the way over or around it, whichever you chose in the end.
Sarah Dessen (The Truth About Forever)
I don’t ever remember being afraid of “oldness”. There are things I miss about being younger - chiefly the ability to pull all-nighters and keep working and working well; and being smiled at by girls I didn’t know who thought I was cute; and I wish I had the eyesight I had even five years ago… but that stuff feels pretty trivial. I’m happier than I’ve been at any time in my life these days. I have a wonderful wife whom I adore, watched three amazing kids grow into two delightful adults and my favourite teenager, an astonishing number of grand life experiences, I’ve made art I’m proud of, I have real, true, glorious friends, and I’ve been able to do real good for things I care about, like freedom of speech, like libraries. Sometimes I’ll do something like An Evening With Neil and Amanda, or the 8 in 8 project, and completely surprise myself. I miss friends who have died, but then, I’m glad that time gave them to me, to befriend, even for a while, and that I was alive to know them. I knew Douglas Adams, and I knew Roger Zelazny, and I knew John M Ford, and I knew Diana Wynne Jones… do you know how lucky that makes me? Ah, I’m rabbiting on, and I sound a bit more Pollyannaish than I’m intending to sound: I know the downside of age and the downside of time, and I am sure that the view from age 51 is not the view from age 71. I wish the time hadn’t gone so fast, though. And sometimes I wish I’d enjoyed it more on the way, and worried about it less.
Neil Gaiman
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
when i was a boy a god often rescued me from the shouts and the rods of men and i played among trees and flowers secure in their kindness and the breezes of heaven were playing there too. and as you delight the hearts of plants when they stretch towards you with little strength so you delighted the heart in me father Helios, and like Endymion i was your favourite, Moon. o all you friendly and faithful gods i wish you could know how my soul has loved you. even though when i called to you then it was not yet with names, and you never named me as people do as though they knew one another i knew you better than i have ever known them. i understood the stillness above the sky but never the words of men. trees were my teachers melodious trees and i learned to love among flowers. i grew up in the arms of the gods.
Friedrich Hölderlin (Selected Poems and Fragments)
This is scary,” she whispers. “I’ve never had a boyfriend before. I don’t know how this works. Do people become exclusive this fast? Are we supposed to pretend we’re not that interested for a few more dates?” Oh, dear God. I’ve never been turned on by a girl laying claim to me before. I usually run in the other direction. She’s obliterating every single thing I thought I knew about myself with every new sentence that passes those lips. “I have no interest in faking disinterest,” I say. “If you want to call yourself my girlfriend half as much as I wish you would, then it would save me a whole lot of begging. Because I was literally about to drop to my knees and beg you.” She squints her eyes playfully. “No begging. It screams desperation.” “You make me desperate,” I say, pressing my lips to hers again.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
...I wish I could be an example to you..." I knew that I had conquered him, had rid myself of him mentally and emotionally; but I wanted to be sure. "You are not an example to me; you could never be," I spat at him. "You're a warning.
Richard Wright (Black Boy)
Sartaq said to her, clear and steady, “I heard the spies’ stories of you. The fearless Balruhni woman in Adarlan’s empire. Neith’s Arrow. And I knew …” Nesryn sobbed, tugging and tugging. Sartaq smiled at her—gently. Sweetly. In a way she had not yet seen. “I loved you before I ever set eyes on you,” he said. “Please,” Nesryn wept. Sartaq’s hand tightened on hers. “I wish we’d had time.” A hiss behind him, a rising bulk of shining black— Then the prince was gone. Ripped from her hands. As if he had never been.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
Isobel, this was the only way I knew how to reach you. After tonight it will all go away. I never meant for you to be pulled into any of this-ever. Please believe that. Somehow I've lost control of everything. I only wish I could see you again. I wish I could tell you everything that I couldn't before. Most of all, I wish there was a way we could start over. Whatever happens now, please believe that I didn't mean for it to end this way. Yours always. - V
Kelly Creagh (Nevermore (Nevermore, #1))
He wished he knew how to describe to her what he felt. I started counting time for you. I want to change who I am for you. You are my Grace. He was too full, and there weren't enough words. He said, "I did not know I needed grace until I met you." Then as she held him tightly, he knew that what he said had been enough.
Thea Harrison (Oracle's Moon (Elder Races, #4))
--- What is the victory of a cat on a hot tin roof? --- I wish I knew ... Just staying on it, I guess, as long as she can ... [More croquet sounds] Later tonight I'm going to tell you I love you an' maybe by that time you'll be drunk enough to believe me. Yes, they're playing croquet ... Big Daddy is dying of cancer ... What were you thinking of when I caught you looking at me like that? Were you thinking of Skipper? [Brick crosses to the bar, takes a quick drink, and rubs his head with a towel] Laws of silence don't work ... When something is festering in your memory or your imagination, laws of silence don't work, it's like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant .... Get dressed, Brick.
Tennessee Williams (Cat on a Hot Tin Roof and Other Plays)
I did not love you but I almost did. At one time, I might have loved you - at least, I felt I might have. If you were never loved by me, then nevertheless you were loveable to me. Last night I dreamt that your head lay on my stomach and traced the rise and fall of my breath. It felt completely normal - even though I knew once, we had left each other. Even though I knew we had wounded each other. In the dream state, forgiveness comes easily. I never loved you but I almost did. There are days when the breadth of ambiguity feels much worse. There are days I wish I would have loved you so I would know how to stop.
Sue Zhao
So are you going to tell me what happened last night?" "You were there. You saw what happened." "No. Last night...that wasn't you." "The last time you saw me I was jumping off the wall, Megan." Megan's gaze burns into me. She isn't backing down. "You were always a daredevil, but you never had a death wish. The girl I knew was always running towards something. Last night...you were running away.
Ally Carter (All Fall Down (Embassy Row, #1))
MARK SAID, “I knew. From the very first day, I knew that you were made for something great. I am proud to call you my friend and pack.”     CARTER SAID, “I hope you’re ready for werewolf stamina. Like, for real. You’re going to be sore. For days.”     KELLY SAID, “I really wish I hadn’t heard Carter say that. I need to pour bleach on my brain. For days.”  
T.J. Klune (Wolfsong (Green Creek, #1))
I'm bad for you. I told you I will break you and I will. I wish I knew how not to. I can't. I'm sorry. You have to take me like this...
Mercy Cortez
The bigger the problem, the bigger the opportunity. Nobody will pay you to solve a non-problem.”4
Tina Seelig (What I Wish I Knew When I Was 20)
That was the first time I ever saw him smile. It transformed him from someone menacing to someone you wished you knew.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You say the gentleman I knew has been replaced. How I wish I could offer better comfort than to say that no matter how you have changed, you wil be welcomed when you return. Do what you must. If it helps you to endure, put the feelings away for now, and lock the door. Perhaps someday we'll air them out together.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I want to know what your five-dollar wish was for.” “Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.” The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?” “Because I knew no one could ever want you as much as I do.” Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both. “What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair. “That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Tirian, with his head against Jewel's flank, slept as soundly as if he were in his royal bed at Cair Paravel, till the sound of a gong beating awoke him and he sat up and saw that there was firelight on the far side of the stable and knew that the hour had come. "Kiss me, Jewel," he said. "For certainly this is our last night on earth. And if ever I offended against you in any matter great or small, forgive me now." "Dear King," said the Unicorn, "I could almost wish you had, so that I might forgive it. Farewell. We have known great joys together. If Aslan gave me my choice I would choose no other life than the life I have had and no other death than the one we go to.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
Dear Camryn, I never wanted it to be this way. I wanted to tell you these things myself, but I was afraid. I was afraid that if I told you out loud that I loved you, that what we had together would die with me. The truth is that I knew in Kansas that you were the one. I’ve loved you since that day when I first looked up into your eyes as you glared down at me from over the top of that bus seat. Maybe I didn’t know it then, but I knew something had happened to me in that moment and I could never let you go. I have never lived the way I lived during my short time with you. For the first time in my life, I’ve felt whole, alive, free. You were the missing piece of my soul, the breath in my lungs, the blood in my veins. I think that if past lives are real then we have been lovers in every single one of them. I’ve known you for a short time, but I feel like I’ve known you forever. I want you to know that even in death I’ll always remember you. I’ll always love you. I wish that things could’ve turned out differently. I thought of you many nights on the road. I stared up at the ceiling in the motels and pictured what our life might be like together if I had lived. I even got all mushy and thought of you in a wedding dress and even with a mini me in your belly. You know, I always heard that sex is great when you’re pregnant. ;-) But I’m sorry that I had to leave you, Camryn. I’m so sorry…I wish the story of Orpheus and Eurydice was real because then you could come to the Underworld and sing me back into your life. I wouldn’t look back. I wouldn’t fuck it up like Orpheus did. I’m so sorry, baby… I want you to promise me that you’ll stay strong and beautiful and sweet and caring. I want you to be happy and find someone who will love you as much as I did. I want you to get married and have babies and live your life. Just remember to always be yourself and don’t be afraid to speak your mind or to dream out loud. I hope you’ll never forget me. One more thing: don’t feel bad for not telling me that you loved me. You didn’t need to say it. I knew all along that you did. Love Always, Andrew Parrish
J.A. Redmerski
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.
Ryan O'Connell
Everything you do.. defies any dream I've ever dreamed. You're so much more perfect to me than I ever knew how to wish for. ~Tara Mae~
Lucian Bane (White Knight Dom Academy: The Beginning (White Knight Dom Academy, #1))
I’m sorry,” I whispered. “I never wanted this for you. This life…I knew it was going to kill me in the end. I wish you didn’t have to be here when it finally caught up.
Julie Kagawa (Soldier (Talon, #3))
[I]f you have talent in an area and there's a big market for your skills, then that is a great area to find a job.
Tina Seelig (What I Wish I Knew When I Was 20)
You still think I’m too optimistic, don’t you?” Shallan said. “It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.” “People who don’t understand pain.” “Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .” “The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?” “Yes.” “The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.” He stopped in the chasm. She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?” “Yes,” he whispered. Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.” He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken. Then she smiled. Oh, storms. She smiled anyway. It was the single most beautiful thing he’d seen in his entire life. “How?” he asked.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.
Karen Marie Moning (Shadowfever (Fever, #5))
Are you enjoying your company so far?" "Yes! It's been a pleasure getting to know these ladies." "Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of. "Umm..." Maxon looked past Gavril at me. "Almost." "Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?" Mercifully, all the girls let out light giggles, so I blended in. The little traitor! "What exactly did these girls do that isn't so sweet?" Gavril asked Maxon. "Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding." Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something. "I don't remember anyone yelling at him in the Great Room. Do you?" Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me." "A scolding, you say? Whatever for?" Gavril continued. "Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did. "So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince. "Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
Kiera Cass (The Selection (The Selection, #1))
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
A Song I wish you were here, dear, I wish you were here. I wish you sat on the sofa and I sat near. The handkerchief could be yours, the tear could be mine, chin-bound. Though it could be, of course, the other way around. I wish you were here, dear, I wish you were here. I wish we were in my car and you'd shift the gear. We'd find ourselves elsewhere, on an unknown shore. Or else we'd repair to where we've been before. I wish you were here, dear, I wish you were here. I wish I knew no astronomy when stars appear, when the moon skims the water that sighs and shifts in its slumber. I wish it were still a quarter to dial your number. I wish you were here, dear, in this hemisphere, as I sit on the porch sipping a beer. It's evening, the sun is setting; boys shout and gulls are crying. What's the point of forgetting if it's followed by dying?
Joseph Brodsky
Once she'd loved my filet mignon, my carnivore inklings, but now she was a vegan princess, living off of beans. She'd given up the cheese and bacon, sworn off Burger King, and when I wouldn't do the same she gave me back my ring. I stood there by the romaine lettuce, feeling my heart pine. Wishing that this meatless beauty still would be all mine. She turned around to go to checkout, fifteen items or less. And I knew this was the last go-round, so this is what I said. ... "Don't you ever give me no rotten tomato, 'cause all I ever wanted was your sweet potato.
Sarah Dessen (This Lullaby)
I would carry some of it if I could, Bean said silently. Like I did today, you can turn it over to me and I’ll do it, if I can. You don’t have to do this alone. Only even as he thought this, Bean knew it wasn’t true. If it could be done, Ender was the one who would have to do it. All those months when Bean refused to see Ender, hid from him, it was because he couldn’t bear to face the fact that Ender was what Bean only wished to be — the kind of person on whom you could put all your hopes, who could carry all your fears, and he would not let you down, would not betray you. I want to be the kind of boy you are, thought Bean. But I don’t want to go through what you’ve been through to get there.
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
I wanted love and goodness in this which is living death,' I said. 'It was impossible from the beginning, because you cannot have love and goodness when you do what you know to be evil, what you know to be wrong. You can only have the desperate confusion and longing and the chasing of phantom goodness in its human form. I knew the real answer to my quest before I ever reached Paris. I knew it when I first took a human life to feed my craving. It was my death. And yet I would not accept it, could not accept it, because like all creatures I don't wish to die! And so I sought for other vampires, for God, for the devil, for a hundred things under a hundred names. And it was all the same, all evil. And all wrong. Because no one could in any guise convince me of what I myself knew to be ture, that I was damned in my own mind and soul.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care. I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.' I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research. Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery. To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be. Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit. So, I believed.
Lance Armstrong (It's Not About the Bike: My Journey Back to Life)
(about William Blake) As for Blake's happiness--a man who knew him said: "If asked whether I ever knew among the intellectual, a happy man, Blake would be the only one who would immediately occur to me." And yet this creative power in Blake did not come from ambition. ...He burned most of his own work. Because he said, "I should be sorry if I had any earthly fame, for whatever natural glory a man has is so much detracted from his spiritual glory. I wish to do nothing for profit. I wish to live for art. I want nothing whatever. I am quite happy." ...He did not mind death in the least. He said that to him it was just like going into another room. On the day of his death he composed songs to his Maker and sang them for his wife to hear. Just before he died his countenance became fair, his eyes brightened and he burst into singing of the things he saw in heaven.
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
It was odd–talking to the trees, so I made a joke out of it. While sitting by a pawpaw tree, I whispered, “Is this where you grew up? . . . (Yes, and I never left home) . . . I hope to leave home . . . (Wish I could).” I laughed so hard at a tree wanting to leave home, I keeled over. Then I cried. I knew why but I couldn’t think about it or I’d cry all day.
G.M. Monks (Iola O)
It's hard to describe the feeling. And I knew from Horus's memory that this kind of union was very rare-like the one time when the coin doesn't land heads or tails, but stands on it's edge, perfectly balanced. He did not control me. I did not use him for power. We acted as one. Our voices spoke in harmony. "Now." And the magic bonds that held us shattered. My combat avatar formed around me, lifting me off the floor and encasing me with golden energy. I stepped forward and raised my sword. The falcon warrior mimicked the movement, perfectly attuned to my wishes. Set turned and regarded me with cold eyes. "So, Horus," he said. "You managed to find the pedals of your little bike, eh? That does not mean you can ride." "I am Carter Kane," I said. "Blood of the Pharaohs, Eye of Horus. And now, Set-brother,uncle,traitor-I'm going to crush you like a gnat.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I'm proud of you, Bliss," he said. "Michael's sword released the souls that were trapped in your blood. You freed them. You freed me." "But now I'm never going to see you again, am I?" she asked. Dylan smiled. "It's unlikely. But I never say never.' "I wish you wouldn't go. I'll miss you so much," Bliss said. "I'll miss you too." Dylan put his hand up, and so did Bliss. But this time, instead of touching air, she felt his warm hand grasping her cold one. She looked at Allegra. Somehow, she knew her mother was making this happen. Dylan leaned down, and she could feel his lips, soft and inviting, gently kissing hers. Then Dylan was gone. But Bliss did not feel anguished. She felt at peace. Dylan was not broken and incomplete anymore. He was whole.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
The Handsome Prince Handbook is mute on the subject of chronic workaholism—Prince Charming, apparently, knew how to delegate—and I didn't know where else to turn for help. What do you do when life begins to go wrong and you've used up all three wishes?
Nancy Atherton (Aunt Dimity's Good Deed (Aunt Dimity Mystery, #3))
I came into the unknown and stayed there unknowing rising beyond all science. I did not know the door but when I found the way, unknowing where I was, I learned enormous things, but what I felt I cannot say, for I remained unknowing, rising beyond all science. It was the perfect realm of holiness and peace. In deepest solitude I found the narrow way: a secret giving such release that I was stunned and stammering, rising beyond all science. I was so far inside, so dazed and far away my senses were released from feelings of my own. My mind had found a surer way: a knowledge of unknowing, rising beyond all science. And he who does arrive collapses as in sleep, for all he knew before now seems a lowly thing, and so his knowledge grows so deep that he remains unknowing, rising beyond all science. The higher he ascends the darker is the wood; it is the shadowy cloud that clarified the night, and so the one who understood remains always unknowing, rising beyond all science. This knowledge by unknowing is such a soaring force that scholars argue long but never leave the ground. Their knowledge always fails the source: to understand unknowing, rising beyond all science. This knowledge is supreme crossing a blazing height; though formal reason tries it crumbles in the dark, but one who would control the night by knowledge of unknowing will rise beyond all science. And if you wish to hear: the highest science leads to an ecstatic feeling of the most holy Being; and from his mercy comes his deed: to let us stay unknowing, rising beyond all science.
Juan de la Cruz
You don't need the makeup." Sabrina felt like her face is on fire. He knew about her late-night beauty sessions. And, if she had heard him correctly, he was also admitting that he thought she was pretty. She looks over at him and found he was looking at her. "I kind of wish I hadn't said that," he said. "Me, too," she replied. "Would it help if I said you were stinky, muck-covered toad-face?" Sabrina nodded and edged as far away as she could on the trampoline. Puck did the same.
Michael Buckley (Tales From the Hood (The Sisters Grimm, #6))
That was always the dream, wasn’t it? “I wish I knew then what I know now”? But when you got older, you found out that you now wasn’t you then. You then was a twerp. You then was what you had to be to start out on the rocky road of becoming you now, and one of the rocky patches on that road was being a twerp. A much better dream, one that’d ensure sounder sleep, was not to know now what you didn’t know then.
Terry Pratchett (Night Watch (Discworld, #29))
Allie would love what you've done," he remarked. "She was always a softie when it came to things like this." I folded my hands in my lap. "I wish she could be there this weekend." Noah glanced at the stack of letters. I knew he was imagining Allie, and for a brief moment, he looked strangely younger. "So do I," he said.
Nicholas Sparks (The Wedding (The Notebook, #2))
What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had! "I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now." "Think again," it said: "that won't do." Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little." "I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here." So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
Oh, my God. What was she thinking?! Sex - even superior mind-blowing sex - wasn't worth not being able to see again. Then again.... Rhys chuckled in her ear, his hand splayed across her belly. Interesting train of thought. Shit, I knew I was good, but to the point of wishing you were blind? Damn, I'm a god!
Jolyn Palliata (Connected (Twists of Fate, #1))
Sometimes when the Spirit of God was striving and calling so plainly, I would yield and say, 'Yes, Lord; I will go.' The glory of God came upon me like a cloud, and I seemed to be carried away hundreds of miles and set down in a field of wheat, where the sheaves were falling all around me. I was filled with zeal and power, and felt as if I could stand before the whole world and plead with dying sinners. It seemed to me that I must leave all and go at once. Then Satan would come in like a flood and say, 'You would look nice preaching, being a gazing-stock for the people to make sport of. You know you could not do it.' Then I would think of my weakness and say, 'No; of course I cannot do it.' Then I would be in darkness and despair. I wanted to run away from God, or I wished I could die; but when I began to look at the matter in this way, that God knew all about me, and was able and willing to qualify me for the work, I asked Him to qualify me for the work. I ASKED HIM TO QUALIFY ME.
Maria Beulah Woodworth-Etter
His lips twitched upward, and warmth spread through him as he said, "I can't dance." "Dancing is for people who don't truly appreciate the buffet." "I have nothing to wear." "I'll find something for you." "The nobility will gossip about you until the day you die," he said. One last attempt to talk sense into her even though he knew it was a lost cause. "They need a new hobby anyway." She smiled at him.
C.J. Redwine (The Wish Granter (Ravenspire, #2))
Do you sometimes wish you could fast-forward a week? You know something bad's coming up, and you know you'll get through it, but the prospect just makes you feel sick. I worried for about thirty minutes, and though I knew there was no point in doing so, I could feel my anxiety twisting me up in a knot. 'Bullshit,' I told myself stoutly. 'This is utter bullshit.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
She chokes up again, but she forces herself onward. “Your dad understood you.” Her voice squeaks, and her shoulders lift in a slight shrug. “He understood the things you love. He understood your sense of humor. He had access to pieces of you I couldn’t get to, and I was okay with that, mostly. But when he died—god, Alice, I haven’t been able to figure out how to be what you need. He always knew the right thing to say to you. He always knew how to cheer you up, or how to talk you down. “And I want to be a good parent to you, but I can’t be him.” “I don’t need you to be him,” I promise tearily. “You deserve to have him,” she says. “You don’t know how many times I’ve wished it had been me instead.” “Mom.” My heart cracks, shatters. I wrap my arms around her again. “Don’t say that.
Emily Henry (Great Big Beautiful Life)
I used to think I couldn't go a day without your smile. Without telling you things and hearing your voice back. Then, that day arrived and it was so damn hard but the next was harder. I knew with a sinking feeling it was going to get worse, and I wasn't going to be okay for a very long time. Because losing someone isn't an occasion or an event. It doesn't just happen once. It happens over and over again. I lose you every time I pick up your favorite coffee mug; whenever that one song plays on the radio, or when I discover your old t-shirt at the bottom of my laundry pile. I lose you every time I think of kissing you, holding you, or wanting you. I go to bed at night and lose you, when I wish could tell you about my day. And in the morning, when I wake and reach for the empty space across the sheets, begin to lose you all over again.
Lang Leav (Memories)
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.
Michelle Zauner (Crying in H Mart)
People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they’ve woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I’ll be talking, and will be interested in what I’m saying, but then someone—I’m convinced this what happens—someone—and I wish I knew who, because I would have words for this person—for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head.
Dave Eggers
Will I begin it? said Doyler laughing. That's all that's in it, he laughing said. Oh sure that grin. Oh sure that wonderful saucerful grin. Jim sat on the grass and he plucked at the blades. He knew for certain sure that Doyler would be turning from him again. He said, You'll be walking away from me soon, won't you now? There was no answer. Jim plucked the grass and stared beyond where the waves broke on the island shore. He said, I wish you wouldn't Doyler. It does break my heart when you walk away. Old pal o' me heart, said Doyler. But already he had turned, and he was walking away. Walking that slow dreadful slope with never a leaf or a stone. Walking; and though Jim tried to keep pace, e could not, and sometimes he called out, Doyler! Doyler! but he never heard or he did not heed, only farther and farther he walked away. And when Jim woke from these dreams, if he did not remember, he knew he had dreamt, for the feeling inside him of not feeling at all. And it was hard then to make his day.
Jamie O'Neill (At Swim, Two Boys)
I'm in position." Charlie's voice, coming through my earpiece. "Wish I could say the same. All the blood's rushing to my head." "Thrope stuff?" Charlie sounds a little worried. "No, I'm upside down." "Why?" "I thought it would make me look all cool and ninja-y." "No one's supposed to be bale to see you." "Ah. I knew there was a flaw in my plan. Also, i slipped." "In fact, the whole point of being a ninja is not to be seen." "Fortunately I have this nifty safety harness, which is why I'm dangling instead of plummeting. Thanks for asking.
D.D. Barant (Better Off Undead (The Bloodhound Files, #4))
I am very concerned when I imagine how strangled and cut off you currently live, afraid of touching anything that is filled with memories (and what is not filled with memories?). You will freeze in place if you remain this way. You must not, dear. You have to move. You have to return to his things. You have to touch with your hands his things, which through their manifold relations and affinity are after all also yours. You must, Sidie (this is the task that this incomprehensible fate imposes upon you), you must continue his life inside of yours insofar as it was unfinished; his life has now passed onto yours. You, who quite truly knew him, can quite truly continue in his spirit and on his path. Make it the task of your mourning to explore what he had expected of you, had hoped for you, had wished to happen to you. If I could just convince you, my dear friend, that his influence has not vanished from your existence
Rainer Maria Rilke (The Dark Interval: Letters on Loss, Grief, and Transformation (Modern Library Classics))
I was just wishing for you," he said. "And here you are." "Must be your lucky day, Ace." "Eve." He lifted a hand, not quite steady, skimmed his fingers along her jaw. "Eve," he said again, and his arms were around her, banded like steel as he lifted her off her feet. "Oh God. Eve." She felt the shudder run through him as he buried his face in her hair, against the curve of her neck. And knew she'd been right to come. Whatever else there was, she'd been right to come. "Everything's okay now." To soothe, she ran her hands over his back. "It's okay." "You landed in a field of cows, in a jet-copter." "You're telling me?" He rubbed his hands up and down her arms before linking them with hers and easing back to look at her face. "You must love me madly." "I must." His eyes were wild and beautiful, his lips warm and tender as he pressed them to her cheeks. "Thank you." "You're welcome, but you missed a spot." She found his mouth with hers and let him sink in. When she felt the heat, the punch, her lips curved against his. "That's better.
J.D. Robb (Portrait in Death (In Death, #16))
For a while we pretended That we never had to end it But we knew we'd have to say goodbye You were crying at the airport When they finally closed the plane door I could barely hold it all inside Torn in two And I know I shouldn't tell you But I just can't stop thinking of you Wherever you are You Wherever you are Every night I almost call you Just to say it always will be you Wherever you are I could fly a thousand oceans But there's nothing that compares to What we had, and so I walk alone I wish I didn't have to be gone Maybe you've already moved on But the truth is I don't want to know Torn in two And I know I shouldn't tell you But I just can't stop thinking of you Wherever you are You Wherever you are Every night I almost call you Just to say it always will be you Wherever you are You can say we'll be together Someday Nothing lasts forever Nothing stays the same So why can't I stop feeling this way Torn in two And I know I shouldn't tell you But I just can't stop thinking of you Wherever you are You Wherever you are Every night I almost call you Just to say it always will be you Wherever you are
5 Seconds of Summer
The young specialist in English Lit, having quoted me, went on to lecture me severely on the fact that in every century people have thought they understood the Universe at last, and in every century they were proved to be wrong. It follows that the one thing we can say about our modern 'knowledge' is that it is wrong. The young man then quoted with approval what Socrates had said on learning that the Delphic oracle had proclaimed him the wisest man in Greece. 'If I am the wisest man,' said Socrates, 'it is because I alone know that I know nothing.' The implication was that I was very foolish because I was under the impression I knew a great deal. Alas, none of this was new to me. (There is very little that is new to me; I wish my correspondents would realize this.) This particular theme was addressed to me a quarter of a century ago by John Campbell, who specialized in irritating me. He also told me that all theories are proven wrong in time. My answer to him was, 'John, when people thought the Earth was flat, they were wrong. When people thought the Earth was spherical, they were wrong. But if you think that thinking the Earth is spherical is just as wrong as thinking the Earth is flat, then your view is wronger than both of them put together.
Isaac Asimov (The Relativity of Wrong)
eveything that comes together, falls apart," the Old Man said. "Everything. the chair I'm sitting on. It was built, and so it will fall apart. I'm gonna fall apart, probably before this chair. And you're gonna fall apart. the cells and organs and systems that make you you - they came together, grew together and so must fall apart. the buddha knew one thing that science didn't prove for millenia after his dead: entropy increases. Things fall apart." We are all going, I thought, and it applies to turtles and turtlenecks, Alaska the girl and Alaska the place, because nothing can last, not even the earth itself. The buddah said that suffering was caused by desire, we'd learned, and that the cessation of desire meant the cessation of suffering. when you stopped wishing things wouldn't fall apart, you'd stop suffering when they did. Some day no one will remember that she ever existed, i wrote in my notebook, and then, or that I did. Because memories fall apart too. And then you're left with nothing, left not even with a ghost, but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying away. (...) I'd tasted her boozy breath. and then something invisible snapped inside her and that which had come together commenced to fall apart. And maybe that was the only asnwer we'd ever have. She fell apart because that's what happens.
John Green (Looking for Alaska)
Lugh got born first. On Midwinter Day when the sun hangs low in the sky. Then me. Two hours later. That pretty much says it all. Lugh goes first, always first, an I follow on Behind. An that's fine. That's right. That's how it's meant to be. Because everthin'set. It's all fixed. The lives of everybody who's bin born. The lives of everybody still waitin'to be born. It was all set in the stars the moment the world began. The time of yer birthin, the time of yer death. Even what kinda person yer gonna be, good or bad. If you know how to read the stars, you can read the story of peoples'lives. The story of yer own life. What's gone, what's now an what's still to come. Back when Pa was a boy, he met up with a traveler, a man who knew many things. He learned Pa to read the stars. Panever says what he sees in the night sky but you can see it lays heavy on him. Because you cain't change what's written. Even if Pa was to say what he knew, even if he was to warn you, it would still come to pass. I see the way he looks at Lugh sometimes. The way he looks at me. An I wish he'd tell us what he knows. I believe Pa wishes he'd never met that traveler. If you seen me an Lugh togather, you'd never think we was the same blood. Never think we grew togather in the same womb. He's got gold hair. I got black. Blue eyes. Brown eyes. Strong. Scranwy. Beautiful. Ugly. He's my light. I'm his shadow. Lugh shines like the sun. That must of made it east fer them to find him. All they had to do was follow his light.
Moira Young
I never knew I never knew that everything was falling through That everyone I knew was waiting on a cue To turn and run when all I needed was the truth But that's how it's got to be It's coming down to nothing more than apathy I'd rather run the other way than stay and see The smoke and who's still standing when it clears Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Let's rearrange I wish you were a stranger I could disengage Just say that we agree and then never change Soften a bit until we all just get along But that's disregard Find another friend and you discard As you lose the argument in a cable car Hanging above as the canyon comes between Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your ... And suddenly I become a part of your past I'm becoming the part that don't last I'm losing you and its effortless Without a sound we lose sight of the ground In the throw around Never thought that you wanted to bring it down I won't let it go down till we torch it ourselves And everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Everyone knows She's on your mind Everyone knows I'm in over my head I'm in over my head I'm over my... Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind.
The Fray
Try this one,' said Jack, 'and I'll say it just one time. Tell you what, we could a had a good life together, a fuckin real good life. You wouldn't do it, Ennis, so what we got now is Brokeback Mountain. Everything built on that. It's all we got, boy, fuckin all, so I hope you know that if you don't never know the rest. Count the damn few times we been together in twenty years. Measure the fuckin short leash you keep me on, then ask me about Mexico and then tell me you'll kill me for needin it and not hardly never gettin it. You got no fuckin idea how bad it gets. I'm not you. I can't make it on a couple a high-altitude fucks once or twice a year. You're too much for me, Ennis, you son of a whoreson bitch. I wish I knew how to quit you.
Annie Proulx (Brokeback Mountain)
My darling Julie, I know you'll never see this letter, but it helps to write to you every day. It keeps you close to me. G-d, I miss you so. You haunt every hour of my life. I wish I'd never met you. No-I don't mean that! What good would my life be without my memories of you to make me smile. I keep wondering if you're happy. I want you to be. I want you to have a glorious life. That's why I couldn't say the things I knew you wanted to hear when we were together. I was afraid if I did, you'd wait for me for years. I knew you wanted me to say I loved you. Not saying that to you was the only unselfish thing I did in Colorado, and I now I regret even that. I love you, Julie. Christ, I love you so much. I'd give up all my life to have one year with you. Six months. Three. Anything. You stole my heart in just a few days, darling, but you gave me your heart, too. I know you did- I could see it in your eyes every time you looked at me. I don't regret the loss of my freedom any more or rage at the injustice of the years I spent in prison. Now, my only regret is that I can't have you. You're young, and I know you'll forget about me quickly and go on with your own life. That's exactly what you should do. It's what you must do. I want you to do that, Julie. That's such a lousy lie. What I really want is to see you again, to hold you in my arms, to make love to you over and over again until I've filled you so completely that there's no room left inside of you for anyone but me, ever. I never thought of sexual intercourse as 'making love' until you. You never knew that. .... I wish I had time to write you a better letter or that I'd kept one of the others I've written so I could send that instead. They were all much more coherent than this one. I won't send another letter to you, so don't watch for one. Letters will make us both hope and dream, and if I don't stop doing that, I will die of wanting you. Before I go--I see from the newspapers that Costner has a new movie coming out in the States. If you dare to start fantasizing over Kevin after you see it, I will haunt you for the rest of your life. I love you, Julie. I loved in Colorado. I love you here, where I am. I will always love you. Everywhere. Always.
Judith McNaught (Perfect (Paradise, #2))
An old lady had an Alderney cow, which she looked upon as a daughter. ....The whole town knew and kindly regarded Miss Betsy Barker's Alderney, therefore great was the sympathy and regret when, in an unguarded moment, the poor cow fell into a lime-pit. She moaned so loudly that she was soon heard and rescued; but meanwhile the poor beast had lost most of her hair and came out looking naked, cold and miserable, in a bare skin. Everybody pitied the animal, though a few could not restrain their smiles at her droll appearance. Miss Betsy Barker absolutely cried with sorrow and dismay; and it was said she thought of trying a bath of oil. This remedy, perhaps, was recommended by some one of the number whose advice she asked; but the proposal, if ever it was made, was knocked on the head by Captain Brown's decided "Get her a flannel waistcoat and flannel drawers, ma'am, if you wish to keep her alive, But my advice is, kill the poor creature at once." Miss Betsy Barker dried her eyes, and thanked the Captain heartily; she set to work, and by-and-by all the town turned out to see the Alderney meekly going to her pasture, clad in dark grey flannel.I have watched her myself many a time. Do you ever see cows dressed in grey flannel in London?
Elizabeth Gaskell (Cranford)
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
I started to tell the story, but everything had happened so quickly that it was hard to remember – it was like a terrible dream, the kind you can only remember parts of. By the time I’d finally managed to put all the facts together, my glass was empty and my head was sore. ‘The thing is,’ I told her, ‘I spend each day waiting, hoping for it to get better, but it just… it never does. And it’s hard, you know? I wish I knew what to do.’ Katie laid a hand on mine. ‘Well, for one thing, I think you need to look after yourself.’ ‘Me?’ I said. ‘No, no, I’m okay. Really I am.’ ‘You’re not. Look at yourself. Look at the weight you’re carrying. You’re exhausted.’ ‘Well…’ I looked down at my glass, breathing deeply to stop the tears from falling. ‘It’s hard to know what to do about that.
Andy Marr (Hunger for Life)
I would die again for you, Lucinda," he murmured. "I don't want you to die for me. I want you to live." Pulling his face down, she kissed him. Again and again, until he kissed her back with growing passion and until his body stopped shuddering. "I love you," she whispered against his mouth, knowing he wouldn't—couldn't—say it, himself. And then he surprised her. "I love you, Lucinda," he whispered back. "I wish I could be what you want.” “She lifted her head to look him in his deep blue eyes. "You are what I want, Robert. Even before I knew.
Suzanne Enoch (England's Perfect Hero (Lessons in Love, #3))
Missing Alina was worse than a terminal illness. At least when you were terminal you knew the pain was going to end eventually. But there was no light at the end of my tunnel. Grief was going to devour me, day into night, night into day, and although I might feel like I was dying from it, might even wish I was, I never would. I was going to have to walk around with a hole in my heart forever. I was going to hurt for my sister until the day I died. If you don't know what I mean or you think I'm being melodramatic, then you've never really loved anyone.
Karen Marie Moning (Darkfever (Fever, #1))
I wish we could live the rest of our lives on these rocks,' I said. 'Why isn't it possible to just live at the edge of both, the ocean and the land?' Of course I knew why. The edge was an uncomfortable and dangerous place for both of us. The rocks were nowhere to live. I had wanted him to come to my world for that same reason. 'One day these rocks won't be here,' he said. 'The ocean will waste them away.' 'Then we could find new rocks,' I said. 'Eventually you have to choose,' he said. 'That's how the story has always been and that's the way it will be forever.' 'But why?' I asked. 'Well,' he said, thinking, 'I guess because the choice is always there.
Melissa Broder (The Pisces)
You have broken my heart I am a little kid, I cannot stop crying I hit my feet to the ground and my hands to my head Like a fly I cannot get up from the sticky ground I cannot talk about you Because it hurts I feel the pain inside my bones I cannot forget you The reality has become dream and dream has become nightmare These are my tears They are not my sweats I have not pissed on myself Every drop carries pain and regret They are all because of you, You broke my virgin heart and poor soul, I thought we belonged with each other We shared dreams and wishes We shared love and devotion I did not know they were all lies, If I knew you were leaving me one day, I would have loved you more than I did Maybe it would have changed your mind Because I still love you
M.F. Moonzajer (A moment with God ; Poetry)
The fan was spinning and as the shadows passed over the white ceiling I let my eyes unfocus until all of it looked like a universe being born or a planet unraveling, some creation or catastrophe depending on which way gravity was going and where you were standing. So instead of Elizabeth Taylor I thought about stars and how little I knew about them, and how if I was an explorer and I had to sail a boat across the ocean without rador or an electronic compass I’d be screwed because the only constellations I knew were the Big Dipper and Little Dipper and I always got them confused. And even though I knew I’d never have to sail that boat I still wished I knew more about stars and other things. And I wished I could remember lying in the back yard as a kid with my hands locked behind my head, looking up at the night sky and dreaming. But I couldn’t, because it wasn’t something I ever did. It would have been a nice memory though
Paul Neilan (Apathy and Other Small Victories)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
He knew that people were staring at him. He looked different. Even different from other Erasers. He wasn't as —seamless. He didn't look as human as the rest of them did when they weren't morphed. He kind of looked morphy all the time. He hadn't seen his plain real face in —a long time. "I know who you are." Ari almost jumped —he hadn't noticed the boy slide onto the bench next to him. He frowned down at the small, open face. "What?" he growled. This was when the little boy would get scared and probably turn and run. It always happened. The boy smiled. "1 know who you are," he said, pointing at Ari happily. Ari just snarled at him. The boy wiggled with excitement. "You're Wolverine!" Ari stared at him. "You look awesome, dude," said the boy. "You're totally my favorite. You're the strongest one of all of them and the coolest too. I wish 1 was like you." Ari almost gagged. No one had ever, ever said anything like that to him.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Kait,im not always the beat at exspressing myself to you,so im taking advantage of the fact that i will be completely unresponsive when you read this, and therefore incapable of messing things up. I want to thank you for giving me a chance. when i first saw you, i knew i had found something incredible. And since then all i've wanted was to be with you as much as possible. When i thought i had lost you, i was torn betewwn wanting you back and wanting the best for you-wanting you to be happy.seeing you so miserable during the weeks we were apart gave me the courage to fight for us...to find a way for things to work.And seeing you happy again in the dayswe've been back together makes me think i did the right thing. I cant promise you an ordinary experience,kate.I wish i could transform myself into a normal man and be there for you,always,without th trama that defines my life as "the walking dead." Since that isnt possible, I can only reassure yoiu that i will do everything in my power to make it up make it up to you. To give you more that a normal boyfriend could.I have no idea what that will mean, exactly, but i'm looking forward to finding out. With you. Thank ou for being here, my beauty. Mon ange. My Kate. Yours utterly, Vincent
Amy Plum (Die for Me (Revenants, #1))
A Thing I Have Learned (Written By a Nobody Who Has Been Everybody) It is easy to morn the lives we aren't living. Easy to wish we'd developed other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscope versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. ...We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let's be kind to the people in our own existence. Let's occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on forever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential.
Matt Haig (The Midnight Library (The Midnight World, #1))
For weeks Charlie had been singing the same song over and over again. “Dinah won’t you blow…” He sang it twenty-four hours a day, with the same vacant, cheerful tone. ”Dinah won’t you blow your hor-or-orn?” He kept the beat with his head, endlessly banging it against the hallways bulkhead. “Dinah won’t you blow…” Johnnie-O, who had very little patience to begin with, would have pulled out his hair, were it possible for an Afterlight’s hair to come out. “Dinah won’t you blow…” Johnnie squeezed his oversized hands into fists, wishing there was something he could bust, but having spent many years trying to break things, he knew more than anyone that Everlost stuff didn’t break, unless breakage was its purpose. “Dinah won’t you blow your horn!” “Dammit, will you shut your hole or I swear I’m gonna pound you into next Tuesday and then throw you out of the stinkin’ window where you and your song can drown and sink down to the center of earth for all I care, so you better shut your hole right now!” Charlie looked at him for a moment, eyes wide, considering it. Then he said, ”Someone’s in the kitchen with Dinah!” Johnnie groaned.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
[Dialogue between Solon and an Egyptian Priest] In the Egyptian Delta, at the head of which the river Nile divides, there is a certain district which is called the district of Sais [...] To this city came Solon, and was received there with great honour; he asked the priests who were most skilful in such matters, about antiquity, and made the discovery that neither he nor any other Hellene knew anything worth mentioning about the times of old. On one occasion, wishing to draw them on to speak of antiquity, he began to tell about the most ancient things in our part of the world-about Phoroneus, who is called "the first man," and about Niobe; and after the Deluge, of the survival of Deucalion and Pyrrha; and he traced the genealogy of their descendants, and reckoning up the dates, tried to compute how many years ago the events of which he was speaking happened. Thereupon one of the priests, who was of a very great age, said: O Solon, Solon, you Hellenes are never anything but children, and there is not an old man among you. Solon in return asked him what he meant. I mean to say, he replied, that in mind you are all young; there is no old opinion handed down among you by ancient tradition, nor any science which is hoary with age.
Plato (Timaeus and Critias)
But still I would try to picture the exact moment when the beating of my heart would no longer be going on inside my head. .. But everybody knows life isn't worth living. Deep down I knew perfectly well that it doesn't much matter whether you die at thirty or at seventy, since in either case other men and women will naturally go on living— and for thousands of years. .. At that point, what would disturb my train of thought was the terrifying leap I would feel my heart take at the idea of having twenty more years of life ahead of me. But I simply had to stifle it by imagining what I’d be thinking in twenty years when it would all come down to the same thing anyway. Since we’re all going to die, it’s obvious that when and how don’t matter. .. It would take all my strength to quiet my heart, to be rational. .. Throughout the whole absurd life I’d lived, a dark wind had been rising toward me from somewhere deep in my future, across years that were still to come, and as it passed, this wind leveled whatever was offered to me at the time, in years no more real than the ones I was living. .. for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. .. For everything to be consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate.
Albert Camus (The Stranger)
I'm Perfect at Feelings,
 so I have no problem telling you
 why you cried over the third lost
 metal or the mousetrap. I knew
 that orgasms weren't your fault 
and that feeling of keeping solid
 in yourself but wanting an ecstatic
 black hole was just bad beauty. 

 Certain loves were perfect
 in the daytime and had every 
right to express carnally behind
 the copy machine and there are 
no hard feelings for the boozy 
sodomy and sorry XX daisy chain,
 whenever it felt right for you.

 And when the moment of soft 
levitation with erasing hands 
made you feel dirty, like
 the main person to think up love
 in the first place, I knew that.
 It's okay, you're an innocent
 with the brilliance of an animal stuffing yourself sick on a kill.
 Don't, don't feel like the runt alien 
on my ship: I get you. I know
 the dimensions of your wishing 
and losing and don't think you
 a glutton with petty beefs. But
 even I, who know your triggers,

 your emblematic sacs of sad fury,
 I understand why the farthest fat trees 
sliver down with your disappointment 
and why the big sense of the world,
 wrong before you, shrugs but
 somewhere grasps your spinning,
 stunning, alone. But you have me.
Brenda Shaughnessy (Human Dark with Sugar)
I ask you to come down to earth," said the Baron in a calm, rather faint voice, "and to take up the duties of your station!" "I have no intention of obeying you, my Lord Father," said Cosimo. "I am very sorry." They were ill at ease, both of them, bored. Each knew what the other would say. "And what about your studies? Your devotions as a Christian?" said the father. "Do you intend to grown up like an American Savage?" Cosimo was silent. These were thoughts he had not yet put to himself and had no wish to. Then he exclaimed: "Just because I'm a few yards higher up, does it mean that good teaching can't reach me?" This was an able reply too, though it diminished, in a way, the range of his gesture; a sign of weakness. His father realized this and became more pressing. "Rebellion cannot be measured by yards," said he. "Even when a journey seems no distance at all, it can have no return." Now was the moment for my brother to produce some other noble reply, perhaps a Latin maxim, but at that instant none came into his head, though he knew so many by heart. Instead he suddenly got bored with all this solemnity, and shouted: "But from the trees I can piss farther," a phrase without much meaning, but which cut the discussion short. As though they had heard the phrase, a shout went up from the ragamuffins around Porta Capperi. The Baron of Rondo's horse shied, the Baron pulled the reins and wrapped himself more tightly in his cloak, ready to leave. Then he turned, drew an arm out of his cloak, pointed to the sky, which had suddenly become overcast with black clouds, and exclaimed: "Be careful, son, there's Someone who can piss on us all!"...
Italo Calvino
When tomorrow starts without me, And I’m not there to see, If the sun should rise and find your eyes All filled with tears for me; I wish so much you wouldn’t cry The way you did today, While thinking of the many things, We didn’t get to say. I know how much you love me, As much as I love you, And each time you think of me, I know you’ll miss me too; But when tomorrow starts without me, Please try to understand, That an angel came and called my name, And took me by the hand, And said my place was ready, In heaven far above And that I’d have to leave behind All those I dearly love. But as I turned to walk away, A tear fell from my eye For all my life, I’d always thought, I didn’t want to die. I had so much to live for, So much left yet to do, It seemed almost impossible, That I was leaving you. I thought of all the yesterdays, The good ones and the bad, The thought of all the love we shared, And all the fun we had. If I could relive yesterday Just even for a while, I’d say good-bye and kiss you And maybe see you smile. But then I fully realized That this could never be, For emptiness and memories, Would take the place of me. And when I thought of worldly things I might miss come tomorrow, I thought of you, and when I did My heart was filled with sorrow. But when I walked through heaven’s gates I felt so much at home When God looked down and smiled at me, From His great golden throne, He said, “This is eternity, And all I’ve promised you. Today your life on earth is past But here it starts anew. I promise no tomorrow, But today will always last, And since each day’s the same way, There’s no longing for the past. You have been so faithful, So trusting and so true. Though there were times You did some things You knew you shouldn’t do. But you have been forgiven And now at last you’re free. So won’t you come and take my hand And share my life with me?” So when tomorrow starts without me, Don’t think we’re far apart, For every time you think of me, I’m right here, in your heart.
Eben Alexander (Proof of Heaven: A Neurosurgeon's Journey into the Afterlife)
I am wounded. I am marked by old codes, which shielded me in one world and then chained me in the next. I think of your grandmother calling me and noting how you were growing tall and would one day try to “test me.” And I said to her that I would regard that day, should it come, as the total failure of fatherhood because if all I had over you were my hands, then I really had nothing at all. But, forgive me, son, I knew what she meant and when you were younger I thought the same. And I am now ashamed of the thought, ashamed of my fear, of the generational chains I tried to clasp onto your wrists. We are entering our last years together, and I wish I had been softer with you. Your mother had to teach me how to love you—how to kiss you and tell you I love you every night. Even now it does not feel a wholly natural act so much as it feels like ritual. And that is because I am wounded. That is because I am tied to old ways, which I learned in a hard house. It was a loving house even as it was besieged by its country, but it was hard. Even in Paris, I could not shake the old ways, the instinct to watch my back at every pass, and always be ready to go.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
Nick was waiting for him. Gabriel hesitated. He wished those text messages had come with some kind of sign, whether Nick was pissed or exasperated or just completely done with him. Hell, a freaking emoticon would have been helpful. His own room sat pitch-dark at the opposite end of the hallway. A black hole. Gabriel eased around the creaky spot in the floor and slid past his twin's room. Once in his own, he flung his duffel bag onto the ground and shut the door, closing the dark around himself. He sighed and kicked his shoes into the well of blackness under the bed. Maybe Nick hadn't heard him. Maybe he thought he was still out in the car. "You are so predictable." Gabriel swore and fumbled for the light switch. Nick was straddling his desk chair backward, his arms folded on the backrest. "What the hell is wrong with you?" Gabriel snapped. "Why are you sitting here in the dark?" His twin shrugged. Because I knew you'd walk right past my room.
Brigid Kemmerer (Spark (Elemental, #2))
The next thing he knew, a creature from between dimensions was standing beside his bed looking down at him disapprovingly. The creature had many eyes, all over it, ultra-modern expensive-looking clothing, and rose up eight feet high. Also, it carried an enormous scroll. "You're going to read me my sins," Charles Freck said. The creature nodded and unsealed the scroll. Freck said, lying helpless on his bed, "And it's going to take a hundred thousand hours." Fixing its many compound eyes on him, the creature from between dimensions said, "We are no longer in the mundane universe. Lower-plane categories of material existence such as 'space' and 'time' no longer apply to you. You have been elevated to the transcendent realm. Your sins will be read to you ceaselessly, in shifts, throughout eternity. The list will never end." Know your dealer. Charles Freck thought, and wished he could take back the last half-hour of his life. A thousand years later he was still lying there on his bed with the Ayn Rand book and the letter to Exxon on his chest, listening to them read his sins to him. They had gotten up to the first grade, when he was six years old. Ten thousand years later they had reached the sixth grade. The year he had discovered masturbation. He shut his eyes, but he could still see the multi-eyed, eight-foot-high being with its endless scroll reading on and on. "And next-" it was saying. Charles Freck thought, At least I got a good wine.
Philip K. Dick (A Scanner Darkly)
I am not so much fun Anymore; Couldn’t carry the role of ingenue In a bucket, you say, laughing. And I want to punch you. I was never innocent, but Thanks to you I know things I wish I did not remember. You don’t like it When I talk to the man myself, Specifying quantities and Give him the money Instead of giving it to you And letting you take care of it. You keep asking me, Where’s the dope? Until I finally say, I hid it. The look you give me is Pure bile. Well, fuck you. This isn’t like Buying somebody a drink. You don’t leave your stash out Where I might find it. Finally I think I’ve made you wait Long enough, So I get out the little paper envelope And hand it to you. You are still in charge of This part, so you relax. Performing your junky ritual with Your favorite razor blade, until I ask you how to calculate my dose So I won’t O.D. when I do this And you’re not around. Then you really flip. You tell me it’s a bad idea For me to do this with other people. ** Was it such a good idea For me to do it with you? Do you wait for me to turn up Once every three months So you can get high? Is this our version of that famous Lesbian fight about Nonmonogamy? Let me tell you what I don’t like. I don’t like it when you Take forever to cut up brown powder And cook it down and Suck it up into the needle And measure it, then take Three times as much for yourself AS you give me. I don’t like it when you Fuck me After you’ve taken the needle Out of my arm. You talk too much And spoil my rush. All I really want to do Is listen to the tides of blood Wash around inside my body Telling me everything is Fine, fine, fine._ And I certainly don’t want to Eat you or fuck you Because it will take forever To make you come, If you can come at all, And by then the smack will have worn off And there isn’t any more. I’m trying to remember What the part is that I do like. I think this shit likes me A lot more than I like it. Now you’re hurt and angry because I don’t want to see you again And the truth is, I would love to see you, As long as I knew you were holding. So you tell me Is this what you want? I bet it was what you wanted All along.
Patrick Califia
I, um…Yes.” I gazed around the room. “Is there a closet, or—?” Her laughter finally escaped. “A closet. That’s adorable. You can just wish yourself into clothes, Little Brother.” “I…ah…” I knew she was right, but I felt so flustered I even ignored her little brother comment. It had been too long since I’d relied on my divine power. I feared I might try and fail. I might accidentally turn myself into a camel. “Oh, fine,” Artemis said. “Allow me.” A wave of her hand, and suddenly I was wearing a knee-length silver dress—the kind my sister’s followers wore—complete with thigh-laced sandals. I suspected I was also wearing a tiara. “Um. Perhaps something less Huntery?” “I think you look lovely.” Her mouth twitched at the corner. “But very well.” A flash of silver light, and I was dressed in a man’s white chiton. Come to think of it, that piece of clothing was pretty much identical to a Hunter’s gown. The sandals were the same. I seemed to be wearing a crown of laurels instead of a tiara, but those weren’t very different, either. Conventions of gender were strange. But I decided that was a mystery for another time.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library (The Midnight World, #1))
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse. The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
You just want to give up, he said when he was able to speak. Only you keep going. You still have to get up in the morning and pour the cereal in the bowls. You keep on breathing, whether you want to or not. Nobody's around to tell you how it's supposed to work. The usual rules just don't apply anymore. He was still talking, but she wasn't even sure if it was to her. When it started, he said, I thought nothing could be worse than those first days. And it wasn't only us, but everyone else you'd see, wandering around like they'd landed on a whole different planet. Instead of just dealing with your own heart getting ripped into pieces, wherever you looked you knew there were other people dealing with the same thing. You couldn't even be alone with it. Like you're out in the ocean and the undertow catches you and you start yelling for help, but then you look around, and all around you in the water for as far as you can see, there's all these other people flailing too. He sat there for a moment, shaking his head. You keep getting up in the morning and knowing this will continue maybe ten thousand more mornings. You wish you were the one who died. How much better would that be?
Joyce Maynard (The Usual Rules)
Thinking back now, I can see we were just at that age when we knew a few things about ourselves—about who we were, how we were different from our guardians, from the people outside—but hadn’t yet understood what any of it meant. I’m sure somewhere in your childhood, you too had an experience like ours that day; similar if not in the actual details, then inside, in the feelings. Because it doesn’t really matter how well your guardians try to prepare you: all the talksvideos, discussions, warnings, none of that can really bring it home. Not when you’re eight years old, and you’re all together in a place like Hailsham; when you’ve got guardians like the ones we had; when the gardeners and the delivery men joke and laugh with you and call you “sweetheart.”    All the same, some of it must go in somewhere. It must go in, because by the time a moment like that comes along, there’s a part of you that’s been waiting. Maybe from as early as when you’re five or six, there’s been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you’ll get to know how it feels.” So you’re waiting, even if you don’t quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don’t hate you or wish you any harm, but who nevertheless shudder at the very thought of you—of how you were brought into this world and why—and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it’s a cold moment. It’s like walking past a mirror you’ve walked past every day of your life, and suddenly it shows you something else, something troubling and strange.
Kazuo Ishiguro (Never Let Me Go)
I missed her every day. I missed her in ways I didn't yet understand—in ways I wouldn't find out for years to come. I missed her with this deep sort of regret, even though there was nothing I could have done. She never wanted anyone to see the monster on her shoulder, so she hid it, and when she finally took the monster's hand, it broke our hearts. It would keep breaking our hearts, everyone who knew her, over and over and over again. It was the kind of pain that didn't exist to someday be healed by pretty words and good memories. It was the kind of pain that existed because, once upon a time, so did she. And I carried that pain, and that love, and that terrible, terrible day, with me. I got comfortable with it. I walked with it. Sometimes the people you loved left you halfway through a story. Sometimes they left you without a goodbye. And, sometimes, they stayed around in little ways. In the memory of a musical. In the smell of their perfume. In the sound of the rain, and the itch for adventure, and the yearning for that liminal space between one airport terminal and the next. I hated her for leaving, and I loved her for staying as long as she could. And I would never wish this pain on anyone.
Ashley Poston (The Seven Year Slip)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
It is not upon you alone the dark patches fall, The dark threw its patches down upon me also, The best I had done seem’d to me blank and suspicious, My great thoughts as I supposed them, were they not in reality meagre? Nor is it you alone who know what it is to be evil, I am he who knew what it was to be evil, I too knitted the old knot of contrariety, Blabb’d, blush’d, resented, lied, stole, grudg’d, Had guile, anger, lust, hot wishes I dared not speak, Was wayward, vain, greedy, shallow, sly, cowardly, malignant, The wolf, the snake, the hog, not wanting in me, The cheating look, the frivolous word, the adulterous wish, not wanting, Refusals, hates, postponements, meanness, laziness, none of these wanting, Was one with the rest, the days and haps of the rest, Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat, Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Play’d the part that still looks back on the actor or actress, The same old role, the role that is what we make it, as great as we like, Or as small as we like, or both great and small." -from "Crossing Brooklyn Ferry
Walt Whitman (Leaves of Grass)
It is not your time, love. You will not die tonight. All this time she thought herself in love with the notion of Death. His gallantry, his beautiful soul. She believed he loved her because he had spared her from his grip. But it had not been Death, but Black. “Why?” she asked, and her body shook, knowing his sacrifice, knowing he knew her most guarded secret. “Because I loved you,” he murmured. “I couldn’t let you go, because I knew I could no longer see you, I couldn’t live, either.” Black had risked his life to save her from taking her own. He rose, helped her up and clutched her in his arms. “It is too soon for you to make your decision,” he said. “Come to me when you know what you want. My wishes will remain unchanged.” “What do you want?” He kissed her, pressed her body into his hot, hard one. “To be inside you. To lay you out and touch you with my hands, my mouth and tongue. I want to slip deep inside you and never leave. I want to wake up in the morning and open my eyes to find you lying there next to me. I want to look at my children and see you in their little faces.” “Jude,” she whispered, holding him, weakening. “But I want you to want that as much as I do, Isabella.” “We have too many secrets,” she began. “Our pasts…” “Secrets, like passion, are meant to be spent. I will bear all my sins, all my secrets, when you come to me. It’s all I can offer. You see, little love, I’m afraid, too, but the difference between us is that I believe it’s worth it to face that fear if it means that I’ll have you.
Charlotte Featherstone (Seduction & Scandal (The Brethren Guardians, #1))
At the end of the forest the guardian angel pointed to the village and said: ‘There you will find your mother. She is sitting outside the house, thinking of you. Go now. From here on, you won’t be able to see me.’ The child went to the village, but it looked strange and unfamiliar to her. In among the houses she knew, there were others she had never seen before; the trees looked different, and there was no trace of damage the enemy had done. All was peaceful, the grain waved in the breeze, the meadows were green, the trees were laden with fruit. But she had no trouble recognizing her mother’s house, and when she came close, she saw an old, old woman with bowed head, sitting on the bench outside the door, enjoying the last rays of the evening sun that hung low over the forest. The old woman looked up, and when she saw the little girl she cried out in joyful amazement. ‘Ah, dear child. God has granted my last wish, to see you once again before I die.’ She kissed her and pressed her to her heart. And then the little girl heard that she had spent thirty years with Saint Joseph in the forest, though to her it had seemed like three days. All the fear and misery her mother had suffered during the great war had passed her by, and her whole life had been just one joyful moment. Her mother had thought wild beasts had torn her to pieces years ago, and yet deep in her heart she had hoped to catch at least a glimpse of her just as she was when she went away. And when she looked up, there stood the dear child, wearing the same little dress.
Maurice Sendak (Dear Mili)
Surely you must be possessed by the devil," said Candide. "He is so deeply concerned in the affairs of this world," answered Martin, "that he may very well be in me, as well as in everybody else; but I own to you that when I cast an eye on this globe, or rather on this little ball, I cannot help thinking that God has abandoned it to some malignant being. I except, always, El Dorado. I scarcely ever knew a city that did not desire the destruction of a neighbouring city, nor a family that did not wish to exterminate some other family. Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell. A million regimented assassins, from one extremity of Europe to the other, get their bread by disciplined depredation and murder, for want of more honest employment. Even in those cities which seem to enjoy peace, and[Pg 100] where the arts flourish, the inhabitants are devoured by more envy, care, and uneasiness than are experienced by a besieged town. Secret griefs are more cruel than public calamities. In a word I have seen so much, and experienced so much that I am a Manichean." "There are, however, some things good," said Candide. "That may be," said Martin; "but I know them not.
Voltaire (Candide)
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
I pray where I am, sitting by the window, looking out through the curtain at the empty garden. I don't even close my eyes. Out there or inside my head, it's an equal darkness. Or light. My God. Who Art in the Kingdom of Heaven, which is within. I wish you would tell me Your Name, the real one I mean. But You will do as well as anything. I wish I knew what You were up to. But whatever it is, help me to get through it, please. Though maybe it's not our doing: I don't believe for an instant that what's going on out there is what You meant. I have enough daily bread, so I won't waste time on that. It isn't the main problem. The problem is getting it down without choking on it. Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves. I suppose I should say I forgive whoever did this, and whatever they're doing now. I'll try, but it isn't easy. Temptation comes next. At the Center, temptation was anything much more than eating and sleeping. Knowing was a temptation. What you don't know won't tempt you, Aunt Lydia used to say. Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge. I think about the chandelier too much, though it's gone now. But you could use a hook, in the closet. I've considered the possibilities. All you'd have to do, after attaching yourself, would be to lean your weight forward and not fight. Deliver us from evil. Then there's Kingdom, power, and glory. It takes a lot to believe in those right now. But I'll try it anyway. In Hope, as they say on the gravestones. You must feel pretty ripped off. I guess it's not the first time. If I were You I'd be fed up. I'd really be sick of it. I guess that's the difference between us. I feel very unreal talking to You like this. I fee as if I'm talking to a wall. I wish You'd answer. I feel so alone. All alone by the telephone. Except that I can't use the telephone. And if I could, who could I call? Oh God. It's no joke. Oh God oh God. How can I keep on living.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I’ve experienced a lot in my life. I’ve been in bloody battles. I’ve been with friends who were killed. I’ve seen terrible things done to man and beast, but I’ve never felt afraid. “I’ve been troubled. I’ve also been uneasy and tense. I’ve been in mortal danger, but I’ve never experienced that cold-sweat kind of fear, the kind that eats a man alive, brings him to his knees, and makes him beg. In fact, I always prided myself on being above that. I thought that I’d suffered through and seen so much that nothing could scare me anymore. That nothing could bring me to that point.” He brushed a brief kiss on my neck. “I was wrong. When I found you and saw that…that thing trying to kill you, I was enraged. I destroyed it without hesitation.” “The Kappa were terrifying.” “I wasn’t afraid of the Kappa. I was afraid…that I’d lost you. I felt an unquenchable, gut-wrenching, corrosive fear. It was unbearable. The most agonizing part was realizing that I didn’t want to live anymore if you were gone and knowing there was nothing I could do about it. I would be stuck forever in this miserable existence without you.” I heard every word he said. It pierced through me, and I knew I would have felt the same way if our places had been reversed. But I told myself that his heartfelt declaration was just a reflection of the tense pressure we’d been under. The little love plant in my heart was grasping at each wispy thought, absorbing his words like sweet drops of morning dew. But I chastised my heart and shoved the tender expressions of affection elsewhere, determined to be unaffected by them. “It’s okay. I’m here. You don’t need to be afraid. I’m still around to help you break the curse,” I said, trying to keep my voice even. He squeezed my waist and whispered softly, “Breaking the curse didn’t matter to me anymore. I thought you were dying.” I swallowed and tried to be flippant. “Well, I didn’t. See? I lived to argue with you another day. Now don’t you wish it had gone the other way?” His arms stiffened and he threatened, “Don’t ever say that, Kells.” After a second of hesitation, I said, “Well, thank you. Thank you for saving me.” He pulled me close, and I allowed myself a minute, just a minute, to lie back against him and enjoy it. I had almost died after all. I deserved some kind of reward for surviving, didn’t I?
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
Norton Juster (The Phantom Tollbooth)
I shall expect you and the Slytherins in the Great Hall in twenty minutes, also,” said Professor McGonagall. “If you wish to leave with your students, we shall not stop you. But if any of you attempt to sabotage our resistance or take up arms against us within this castle, then, Horace, we duel to kill.” “Minerva!” he said, aghast. “The time has come for Slytherin House to decide upon its loyalties,” interrupted Professor McGonagall. “Go and wake your students, Horace.” Harry did not stay to watch Slughorn splutter: He and Luna ran after Professor McGonagall, who had taken up a position in the middle of the corridor and raised her wand. “Piertotum--oh, for heaven’s sake, Filch, not now--” The aged caretaker had just come hobbling into view, shouting, “Students out of bed! Students in the corridors!” “They’re supposed to be, you blithering idiot!” shouted McGonagall. “Now go and do something constructive! Find Peeves!” “P-Peeves?” stammered Filch as though he had never heard the name before. “Yes, Peeves, you fool, Peeves! Haven’t you been complaining about him for a quarter of a century? Go and fetch him, at once!” Filch evidently thought Professor McGonagall had taken leave of her senses, but hobbled away, hunch-shouldered, muttering under his breath. “And now--Piertotum Locomotor!” cried Professor McGonagall. And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same. “Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The avatar smiled silkily as it leaned closer to him, as though imparting a confidence. "Never forget I am not this silver body, Mahrai. I am not an animal brain, I am not even some attempt to produce an AI through software running on a computer. I am a Culture Mind. We are close to gods, and on the far side. "We are quicker; we live faster and more completely than you do, with so many more senses, such a greater store of memories and at such a fine level of detail. We die more slowly, and we die more completely, too. Never forget I have had the chance to compare and contrast the ways of dying. [...] "I have watched people die in exhaustive and penetrative detail," the avatar continued. "I have felt for them. Did you know that true subjective time is measured in the minimum duration of demonstrably separate thoughts? Per second, a human—or a Chelgrian—might have twenty or thirty, even in the heightened state of extreme distress associated with the process of dying in pain." The avatar's eyes seemed to shine. It came forward, close to his face by the breadth of a hand. "Whereas I," it whispered, "have billions." It smiled, and something in its expression made Ziller clench his teeth. "I watched those poor wretches die in the slowest of slow motion and I knew even as I watched that it was I who'd killed them, who at that moment engaged in the process of killing them. For a thing like me to kill one of them or one of you is a very, very easy thing to do, and, as I discovered, absolutely disgusting. Just as I need never wonder what it is like to die, so I need never wonder what it is like to kill, Ziller, because I have done it, and it is a wasteful, graceless, worthless and hateful thing to have to do. "And, as you might imagine, I consider that I have an obligation to discharge. I fully intend to spend the rest of my existence here as Masaq' Hub for as long as I'm needed or until I'm no longer welcome, forever keeping an eye to windward for approaching storms and just generally protecting this quaint circle of fragile little bodies and the vulnerable little brains they house from whatever harm a big dumb mechanical universe or any conscience malevolent force might happen or wish to visit upon them, specifically because I know how appallingly easy they are to destroy. I will give my life to save theirs, if it should ever come to that. And give it gladly, happily, too, knowing that trade was entirely worth the debt I incurred eight hundred years ago, back in Arm One-Six.
Iain M. Banks (Look to Windward (Culture, #7))
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
Nicholas Sparks (Message in a Bottle)
Sometimes I think Earth has got to be the insane asylum of the universe. . . and I'm here by computer error. At sixty-eight, I hope I've gained some wisdom in the past fourteen lustrums and it’s obligatory to speak plain and true about the conclusions I've come to; now that I have been educated to believe by such mentors as Wells, Stapledon, Heinlein, van Vogt, Clarke, Pohl, (S. Fowler) Wright, Orwell, Taine, Temple, Gernsback, Campbell and other seminal influences in scientifiction, I regret the lack of any female writers but only Radclyffe Hall opened my eyes outside sci-fi. I was a secular humanist before I knew the term. I have not believed in God since childhood's end. I believe a belief in any deity is adolescent, shameful and dangerous. How would you feel, surrounded by billions of human beings taking Santa Claus, the Easter Bunny, the tooth fairy and the stork seriously, and capable of shaming, maiming or murdering in their name? I am embarrassed to live in a world retaining any faith in church, prayer or a celestial creator. I do not believe in Heaven, Hell or a Hereafter; in angels, demons, ghosts, goblins, the Devil, vampires, ghouls, zombies, witches, warlocks, UFOs or other delusions; and in very few mundane individuals--politicians, lawyers, judges, priests, militarists, censors and just plain people. I respect the individual's right to abortion, suicide and euthanasia. I support birth control. I wish to Good that society were rid of smoking, drinking and drugs. My hope for humanity - and I think sensible science fiction has a beneficial influence in this direction - is that one day everyone born will be whole in body and brain, will live a long life free from physical and emotional pain, will participate in a fulfilling way in their contribution to existence, will enjoy true love and friendship, will pity us 20th century barbarians who lived and died in an atrocious, anachronistic atmosphere of arson, rape, robbery, kidnapping, child abuse, insanity, murder, terrorism, war, smog, pollution, starvation and the other negative “norms” of our current civilization. I have devoted my life to amassing over a quarter million pieces of sf and fantasy as a present to posterity and I hope to be remembered as an altruist who would have been an accepted citizen of Utopia.
Forrest J. Ackerman
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
Hey, doll face…” “Haidyn?” I yank the phone from Kashton’s hands and look at the screen to see it’s a video. He’s sitting on my couch, dressed in nothing but a pair of jeans. The phone is propped up against something on the coffee table. I place my hand over my mouth to hold in my sob at the sight of him. This was last night…when I saw my phone on the coffee table when he stood in front of the floor-to-ceiling windows in my living room. “This isn’t how I wanted to tell you goodbye. But in our life, we rarely get what we want.” A soft smile tugs at his lips. “You were my exception.” He bows his head, his right hand twirling his wedding ring around his finger as he looks at it. “I knew that you were too good for me the moment I first saw you. That I’d never live up to the man you’d deserve. So I let you go…but when you were placed back in my life, I couldn’t stop myself.” He looks back at the phone and gives a soft smile. Back in his life? “I’ve done a lot of unforgivable shit in my life, but the best thing I ever did was make you my wife. I wish I could have done it differently. You deserved so much more than what I gave you. I should have gotten down on one knee and begged you to spend the rest of your life with me. I should have told you how much you changed me. That you showed me what being alive truly felt like. I always felt like I was missing something…my life was boring. Same thing over and over. And then you walked into my life with that amazing smile and when I looked into your eyes—I saw a future that I never thought existed…not for a man like me, anyway.” A lump forms in my throat, and I blink to clear the tears from my eyes so I can see him on the screen. “I knew you’d never give a man like me the chance at forever. So I forced your hand. I had to have Adam help me.” I look up at Adam, and his green eyes are already on mine. Blinking the fresh tears away, I drop mine back to the phone. “Because I knew that’d be the only way I’d ever get you. And I just couldn’t pass up the opportunity to be your husband.” He looks away from the camera as if he can’t look at me, and my chest tightens. How dare he leave me this memory? Why break my heart twice? When I found him in the living room and asked if he regretted marrying me…he had just left me this video. He knew then exactly what he was going to do. His blue eyes come back to the screen, meeting mine once again. “I’m sorry I couldn’t give you the forever you deserved, doll face. But I promise I gave you all I had left to offer.” The knot grows in my throat, and I can’t hold back the sob anymore as I remember what he said when I told him I chose to be with him forever. To some, forever is only a matter of seconds. “Please know that I loved you more than anything in this world…and when I walk out this door, I’m leaving a piece of myself behind with you because nothing short of forever would have been enough." He smiles, and I try to catch my breath. "You'll be safe at Carnage and my brothers will protect you." He leans forward and picks up the phone before speaking. "I love you, Charlotte.
Shantel Tessier (Madness (L.O.R.D.S., #6))
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs. Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger. I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack. “You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him. “You’re okay,” he says again. I like that, how he’s so sure. Not Are you okay? No question about it. You’re okay. He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.” I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?” “Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.” I take the one Declan offered and nibble a bit from the side. It is awesome. I peer up at him sideways. “How did you know?” He hesitates, but he doesn’t ask me what I mean. “I know the signs.” “I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.” I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once. This is okay. I’m okay. Declan was right. “Take it out on the punching bag,” calls Rev. “That’s what I do.” My eyes go wide. “Really?” “Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.” Rev returns with three sodas. “We’re doing something meaningful right now.” “We are?” I say. He meets my eyes. “Every moment is meaningful.” The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt. Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.” “No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?” Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.
Rachel Hawkins (Demonglass (Hex Hall, #2))
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
Armistead Maupin (More Tales of the City (Tales of the City, #2))
I went to my room and put some water on my hair, but you can't really comb a crew cut or anything. Then I tested to see if my breath stank from so many cigarettes and the Scotch and sodas I drank at Ernie's. All you do is hold your hand under your mouth and blow your breath up toward the old nostrils. It didn't seem to stink much, but I brushed my teeth anyway. Then I put on another clean shirt. I knew I didn't have to get all dolled up for a prostitute or anything, but it sort of gave me something to do. I was a little nervous. I was starting to feel pretty sexy and all, but I was a little nervous anyway. If you want to know the truth, I'm a virgin. I really am. I've had quite a few opportunities to lose my virginity and all, but I've never got around to it yet. Something always happens. For instance, if you're at a girl's house, her parents always come home at the wrong time – or you're afraid they will. Or if you're in the back seat of somebody's car, there's always somebody's date in the front seat – some girl, I mean – that always wants to know what's going on all over the whole goddam car. I mean some girl in front keeps turning around to see what the hell's going on. Anyway, something always happens. I came quite close to doing it a couple of times, though. One time in particular, I remember. Something went wrong, though – I don't even remember what any more. The thing is, most of the time when you're coming pretty close to doing it with a girl – a girl that isn't a prostitute or anything, I mean – she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you not them. Anyway, I keep stopping. The trouble is, I get to feeling sorry for them. I mean most girls are so dumb and all. After you neck them for a while, you can really watch them losing their brains. You take a girl when she really gets passionate, she just hasn't any brains. I don't know. They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I keep doing it anyway.
J.D. Salinger (The Catcher in the Rye)
That reminded him of how thrifty she was, and he promptly decided-at least for the moment-that her thriftiness was one of her most endearingly amusing qualities. “What are you thinking about?” she asked. He tipped his chin down so that he could better see her and brushed a stray lock of golden hair off her cheek. “I was thinking how wise I must be to have known within minutes of meeting you that you were wonderful.” She chuckled, thinking his words were teasing flattery. “How soon did my qualities become apparent?” “I’d say,” he thoughtfully replied, “I knew it when you took sympathy on Galileo.” She’d expected him to say something about her looks, not her conversation or her mind. “Truly?” she asked with unhidden pleasure. He nodded, but he was studying her reaction with curiosity. “What did you think I was going to say?” Her slim shoulders lifted in an embarrassed shrug. “I thought you would say it was my face you noticed first. People have the most extraordinary reaction to my face,” she explained with a disgusted sigh. “I can’t imagine why,” he said, grinning down at what was, in his opinion-in anyone’s opinion-a heartbreakingly beautiful face belonging to a young woman who was sprawled across his chest looking like an innocent golden goddess. “I think it’s my eyes. They’re an odd color.” “I see that now,” he teased, then he said more solemnly, “but as it happens it was not your face which I found so beguiling when we met in the garden, because,” he added when she looked unconvinced, “I couldn’t see it.” “Of course you could. I could see yours well enough, even though night had fallen.” “Yes, but I was standing near a torch lamp, while you perversely remained in the shadows. I could tell that yours was a very nice face, with the requisite features in the right places, and I could also tell that your other-feminine assets-were definitely in all the right places, but that was all I could see. And then later that night I looked up and saw you walking down the staircase. I was so surprised, it took a considerable amount of will to keep from dropping the glass I was holding.” Her happy laughter drifted around the room and reminded him of music. “Elizabeth,” he said dryly, “I am not such a fool that I would have let a beautiful face alone drive me to madness, or to asking you to marry me, or even to extremes of sexual desire.” She saw that he was perfectly serious, and she sobered, “Thank you,” she said quietly. “That is the nicest compliment you could have paid me, my lord.” “Don’t call me ‘my lord,’” he told her with a mixture of gentleness and gravity, “unless you mean it. I dislike having you address me that way if it’s merely a reference to my title.” Elizabeth snuggled her cheek against his hard chest and quietly replied, “As you wish. My lord.” Ian couldn’t help it. He rolled her onto her back and devoured her with his mouth, claimed her with his hands and then his body.
Judith McNaught (Almost Heaven (Sequels, #3))
The truth is,” she said shakily, “that I am scared to death of being here.” “I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.” His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?” She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.” “I thought it was a refreshing alternative to the usual insipid trivialities.” “Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier. “I did.” “I wish society felt that way.” He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?” “Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.” “What would they say?” he teased. “They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.” “What sorts of questions have you been asking?” Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.” “Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…” Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
Judith McNaught (Almost Heaven (Sequels, #3))
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle. 'That's a sound I never thought to hear from you, girl,' Amren said beside her. The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight. Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting. Nesta fell to one knee and bowed her head. 'I am sorry.' Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.' Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.' Nesta's brow furrowed. She hadn't changed anything. Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.' 'I didn't do anything.' 'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?' Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.' 'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.' 'But my power only creates terrible things. The House is good,' Nesta breathed. 'Is it?' Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.' Amren nodded. 'And where is it now?' 'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.' Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.' But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it. Amren chuckled gently. 'And worth it for that, too.' Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
E.R. Braithwaite (To Sir, With Love)
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
What did you think when I first told you about the animals I found?” He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.” She made a face at him. “Didn’t you think it was creepy? Or that I was weird?” “Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.” Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt? She tried again. “Did you ever tell anyone? Does your mom know?” He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.” He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair. He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could. It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him. His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?” She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first. “Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation. He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.” “I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.” He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.” She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing. But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))