Protective Mum Quotes

We've searched our database for all the quotes and captions related to Protective Mum. Here they are! All 38 of them:

Harry, despite your privileged insight into Voldemort’s world (which, incidentally, is a gift any Death Eater would kill to have), you have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort’s followers!” “Of course I haven’t!” said Harry indignantly. “He killed my mum and dad!” “You are protected, in short, by your ability to love!” said Dumbledore loudly.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
But why me? Because, idiot, you... are funny and smart and you have a giant heart that you can't even pretend to hide. And you love your friends and your mum, and you held my hand and made me sing when I was so scared I thought I was going to die. I knew you understood, right from the beginning, this thing inside, the stuff in your head that you need to make real. You get that.... And you wear stupid Superman pyjamas without any irony, and your face lights up when you talk about the movies you love.... And... you protect my dwarf. You always have her back. And you have a dimple when you smile that's so cute I almost died the first time I saw it.
Melissa Keil (Life in Outer Space)
I was ten and stopped taking off my coat. That morning, Mum had covered us one by one in udder ointment to protect us from the cold.
Marieke Lucas Rijneveld (The Discomfort of Evening)
Compared to you,” said the Klavar soprano, “humans are joyful rosebushes bouncing through the stars. If you ever stopped napping long enough to escape Earth, you would sweep across this galaxy like nothing before, an endless wave of carnage. You would hunt our worlds one by one and ruin everything we’ve built. Only your laziness protects us.” Capo hopped down off the railing. She lifted her tail in the air haughtily and glanced back over her furry shoulder. “Most likely,” she purred. “Best keep mum, don’t you think? Wouldn’t want to wake us u
Catherynne M. Valente (Space Opera (Space Opera, #1))
Married?” my mother said. I was waiting for, “What, like Elton John?” or some such. “Yes, Mum.” “Well, I suppose that means you won’t catch AIDS.” “Very true,” said I. “Wedding rings are more than adequate protection…
Debbie McGowan (Checking Him Out (Checking Him Out, #1))
No, I was waiting for the train. The three forty-seven to Yass. Comes every afternoon and, according to the station master, it’s never late and I knew that. And then you came along and you spoke to me and nobody had looked me in the eye for years. My mum wouldn’t. She told me later that she couldn’t, because she was scared to see that I might hate her. She feels like she didn’t protect me from him. But I remember you that day and you looked at peace with yourself and it made me reconsider everything I had planned to do. Because I thought to myself, you can’t do this to her, not after the Hermit thing.” “Do what to me? I don’t think that leaving me on that platform would have changed my life, Griggs,” I lie. “You being on that platform changed mine.” This isn’t romance. This isn’t a declaration of love or affirmation of friendship. This is something more. “I wasn’t there that day to get on the three forty-seven to Yass,” he says. “I was there to throw myself in front of it.
Melina Marchetta (On the Jellicoe Road)
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me. I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve. As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'. When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened. But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both. (describing childhood rape)
Tracey Emin (Strangeland)
By attempting to kill you, Voldemort himself singled out the remarkable person who sits here in front of me, and gave him the tools for the job! It is Voldemort's fault that you were able to see into his thoughts, his ambitions, that you even understand the snakelike language in which he gives orders, and yet, Harry, despite your privileged insight into Voldemort's world (which, incidentally, is a gift any Death Eater would kill to have), you have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort's followers!" "Of course I haven't!" said Harry indignantly. "He killed my mum and dad!" "You are protected, in short, by your ability to love!" said Dumbledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mirror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not!
J.K. Rowling
I’ve come to realise that I misjudged her. I based what I thought I knew about parenting on my own mum’s hands-off approach. I thought Debbie’s behaviour to be extreme, but this is how mothers are supposed to be, protective of their brood even way into adulthood. They fight your corner.
John Marrs (Keep It in the Family)
Pip, I’m not your enemy, I’m your mum. I only care about your safety and your happiness, the two things you lost last time. It’s my job to protect you, whether you like it or not.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Dad’s voice falters as he says goodbye. He is choking down his own grief to protect Mum, I know. He loves her deeply. I accept that he is incapable of expressing all this, and I am incapable of even saying the right thing, should he ever do so. And lurking deeper, is the knowledge that he has been here, himself. When I was aged about 5, his father—my grandfather—had cancer and took his own life by walking into the sea. My dad found his body under a jetty. What would it have been like to experience that tragedy? And then, to try and live, to go on raising a family, with those images haunting you?
Linda Collins (Loss Adjustment)
Mum was pregnant, then there was Sharron. [...] I wanted to keep him away from her - but for the wrong reasons. In my head he was mine, he was my special person but, of course, as I was getting older, his interest in me was waning anyway. I don't know whether it was because he had lost interest in me, or because the abuse elsewhere was so horrific, particularly without him in my life to make things seem better but, whatever the reason, I soon moved from wanted him to leave Sharron alone for my sake, to wanting him to leave her alone for the right reasons. She was tiny, just a toddler, and the thought of him touching her or abusing her horrified me. I started trying to attract his attention whenever he looked at her. I'd dance, I'd sing, I'd sit on his lap. I'd do a hundred things that were completely out of character - anything, anything to avoid seeing that look in his eye when he glanced at the baby. I knew that he was planing to do to her what he had done to me. I tried to get in the way, I tried to get him to play with me, but once Sharron was about three, the penny finally dropped. I had always thought he wasn't in the same category as the others; they weren't nice, and he always was. But as she began to replace me, it made me face up to things. What Uncle Andrew did wasn't right. [...] Even though I loved my uncle, and craved his attention, the thought of him coming into my bed was starting to repulse me. sharron slept in my bed, too, by then, and I wanted that to continue because I wanted to protect her. Of course, there were plenty of times when I wasn't there. I was still being taken away to be abused. I was at school; Sharon was often left unprotected. Something must have been happening because she started wetting the bed almost every night. This was a sign that even I couldn't turn away from. Sharon was being abused. I was sure of it. But I wouldn't stand for it, not for much longer. p209-2010
Laurie Matthew (Groomed)
He does fool me. I know he’s not always 100 percent honest about everything. I think about that story about his parents—how he invited them to the wedding but they refused to come because they were so angry with him for leaving Rachel. I always thought that was odd, because on the two occasions when I’ve spoken to his mum she sounded so pleased to be talking to me. She was kind, interested in me, in Evie. “I do hope we’ll be able to see her soon,” she said, but when I told Tom about it he dismissed it. “She’s trying to get me to invite them round,” he said, “just so she can refuse. Power games.” She didn’t sound like a woman playing power games to me, but I didn’t press the point. The workings of other people’s families are always so impenetrable. He’ll have his reasons for keeping them at arm’s length, I know he will, and they’ll be centred on protecting me and Evie. So why am I wondering now whether that was true? It’s this house, this situation, all the things that have been going on here—they’re making me doubt myself, doubt us. If I’m not careful they’ll end up making me crazy, and I’ll end up like her. Like Rachel.
Paula Hawkins (The Girl on the Train)
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
My mum once told me that the bravest sailors weren’t the ones who sailed through the storm, but the ones who remained in port whilst it raged out at sea. I never really understood what she meant by that, until now. For seventeen years I succeeded in standing back and watching that storm wreak havoc, never once venturing into the expanse of the ocean like a large proportion of kids on my estate had done. Unlike me, they were drawn into the glamour and the notoriety of joining a gang. Some did it for the promise of a family unit that they didn’t have at home. Some did it because they were too weak or too vulnerable to say no, while others did it because they were bored. And some, like Eastern, joined out of sheer desperation. I chose to stay away. It’s true, I might’ve been the delinquent kid that everyone saw when they looked at me. I might’ve gotten into trouble with the law, but I refused to set sail into a storm that wasn’t of my own making. I refused to join a gang. The way I saw it, whatever trouble I got into was on my terms and not for some self-proclaimed gang leader with a skewed view of the world and their own set of rules. I never wanted to be beholden to anyone but myself, and above all else, I always wanted more out of life than the hand I’ve been dealt. Maybe it was my mother’s fault for filling my head with far-fetched stories, but I wanted what was on the other side of the storm. I wanted what lay far, far beyond the horizon. Deep down I’d craved the life my mum used to tell me about in her stories. It gave me something to focus on, to dream about, even if it wasn’t real. Ironic then, that I’m now a part of the life I worked so hard to avoid, trying to protect the people I love from falling victim to it. And all because my love for a makeshift family meant I couldn’t stand back and watch the storm anymore. I must set sail right into the heart of it because I love Eastern, Tracy and Braydon enough to do something about their situation. They might not be my blood, but they are my family and I won’t abandon them in a time of need. Pity the same couldn’t be said for my own parents.
Bea Paige (Reject (Academy of Misfits, #2))
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
I look her square in the eye, then say, “I’m not freaking out, nor am I going to. I’m glad you told me, and I now realise that I feel the same way and I cannot go on hiding those feelings from you or from myself. I want to hold you, protect you and learn all there is to know about you. If you will let me, and in return I will try to open myself up to you.” My Mum always said to me that ‘actions speak louder than words’, so I hope my next action will tell her all she needs to know. I kiss her, pouring all that I am and all that I feel into the kiss. I think it worked. We both come up for air, look into each other’s eyes and we both smile genuine smiles. Her smile, and the love I see in her eyes hits me, thumping me like a punch in the chest. It hurts, but it feels so fucking good.
J.A. Heron (30 Days)
You told me that when Catherine died, your mum forced you to move in with her because she didn't know how else to look after you. You said it probably helped your mum more than it helped you. It really got me thinking about the things we do to protect those we love. We all try to do what we think is best but really we have no idea! As often as not we can make things worse. Look at how I spent years being Fiona's mother because I thought I could save her from herself. Did it work? No! Because I was doing what I thought was best because I loved her.
Lucy Robinson (The Unfinished Symphony of You and Me)
Recipes can tell a story. Some ingredients, like emotions, we keep tucked inside to protect ourselves, holding on to something we consider precious, vulnerable, hurtful.” Mum taps her chest near her heart. “Not everyone is like that, though. Others want to share all their recipes. They’re giving, kind, generous people, who love openly, love hard, and it makes them equally precious but no less vulnerable. It’s all a metaphor for how we love. Some give freely of their ingredients. Of their recipes. Of themselves.
L.B. Dunbar (Look With Your Heart (Heart Collection #3))
1. No acting like a sap. So if I catch myself gazing longingly and thinking things like 'she's the most beautiful girl in the world', I'm in trouble. 2. No we-ing. As in 'we love this', 'we are cat people', 'we are going to live happily ever after'. 3. No daydreaming. Fantasies about a future we're not going to have is a major red flag. 4. Absolutely no serious conversations. That means conversations about Mum or not wanting to go to Oxford or my complicated feeeelings about things like Dad or the wedding. 5. No fighting and especially no making up. Fighting about stuff implies you have some kind of investment. Making up after a fight is protecting that investment.
Ciara Smyth (The Falling in Love Montage)
All I know is that this man is special to me. He has the ability to make me feel more than any other man I’ve ever met. He makes me angry and challenges me, almost at the same time as making me laugh and filling me with a strong sense of protectiveness towards him. He makes me feel alive, the way that my mum had always promised me would happen when I met someone serious. But I know looking at him that I still mean absolutely nothing to him.
Lily Morton (Rule Breaker (Mixed Messages, #1))
To introduced myself to you in this nightmare story.I'm a victim of rape on my childhood stage l'd experienced rape in my life the victim were my sibblings and community members as I told you that on my growth. My mum was upsent it were only my dad, sister and brother in my house my dad were living with heart condition desease than my mom choose to hunting work live us with dad on my toddler stage hape you imagine the situation.By telling you this I don'nt expected your pitty or. being sorry for me but I'm going somewhere I want to speak with someone who condem,look him or herself down lost confident with same and other stuation.There's hope if l managed to survive on my situations you can to.God favoured me my introduced himself to me on my teenage stage ashored me that he love me and transformed my life mostly healed me day by day couse this situations is deep it a proccess to be heal in it l use to say it like living in fire where you need to live with God himself in it.Why I say this? allow me to say it some sort of journey of chosen people.The reason is other people take it easy as we have different categories of help and high science source to cure this the truth is it can't why?Rape destroy the whole life of person as human divided into 3 part which is body,soul spirit as I experience it not once several times till I reach the stage where I can rescure myself by confronting the victims,shortly it spoiled my whole 3 part you see I needed my creater to rebuid me and that not heppening overnight I personally say rape victims needed. Lifesaviour and Lifeguide who is God himself to rescue and guide you in life journey course this thing is a beast that never die if you never experience it you'll never understand it thanks for your trying don't need to.what I need is your support,how? pray for me,not feeling sorry,give hope,listen me,never judge ,stop gossip rather ask the ask,allow me to take my own decisions, give me time,be partient of me,avoid to remind me my past,believe in me,be careful on showing me my weekest sport rather put me on the spot where I can see for myself, give me chance of proving myself. This is what I can do;Forgive,move on,not forget,love other people not trust them 100% ,(truely fall in love conditional),Over protective while others says I'm selfish,depend on God's hand 100%, sensetive person, enjoy my space,help others, prayful person,other people says I'm moody person when I separate myself to meet with God in his present,can think wise things and do big things,focus on something that can keep my mind busy to escape on thinking about past,fight to change, enjoy to spend time with fruitfull freinds, rocking on doing my own business, on my own space,Not easy to accept people in my space till I know him or her better,enjoy nature things,love to be me,layalt pertionate & kind person.
Nozipho N.Maphumulo
Amal, it's naïve to think that because somebody is ignorant they are a bad person. I feel so much for Leila because I know that she understands that she can be all she wants to be, not in spite of Islam, but because of it." "It's her mum's stupid fault." "Amal, Gulchin's just trying to bring up Leila in the only way she knows how. She married young. She never had the opportunity to gain an education. She can't read. She can't write. Her world has always been about raising her children and looking after her home. There's nothing wrong with that, if that's what she chooses." "Yeah, but she's forcing it on Leila!" "Which is wrong. But try to expand your mind and think about things from other people's perspectives. Everything is relative, If you want to understand a problem you look at its cause. You don't look at its manifestation." "How is that supposed to make Leila feel better?" She sighs, playing with my hair. "God knows... Sometimes, Amal, people are paralysed by their traditions and customs It's all they know, so you can't judge them for following and believing what they know." "Come off it, Mum! Any moron would realize that she following her village's culture, not Islam. So for her to g around and tell the world it's Islam when it's the exact opposite is so dumb!" "Yes, I know that. But from her point of view I believe she thinks she is simply trying to protect Leila." "Protect her from what? It's a crappy shopping spree" "Everybody's scared of what they don't know, Amal.
Randa Abdel-Fattah (Does My Head Look Big In This?)
Diesel saw that before any of us. The rest of us lived in ignorance, unwilling to bend and break. Not him, he ripped open those walls inside me, refusing to hide from the truth. Some might call him crazy, but maybe he’s just enlightened… and, okay, a little crazy. Kenzo… fuck, Kenzo. It will kill him if I die. He already lost his mum, and he’s got such a caring heart, even if you don’t always see it. When he loves, he loves hard. He’s all in. Ryder will blame himself. He thinks it’s his job to protect everyone, to see everything coming, but he’s only human. It won’t stop him from hating himself however. Garrett is so close to the edge anyway, this might push him over. My scarred enforcer will become lost in his demons until it gets him killed.
K.A. Knight (Den of Vipers)
Live like there is no tommorow cause tommorow is never promised. You can lead a horse to water but you can't make it drink. God does not judge us on our fathers sins. Father son and holy spirit I hold you nearest. To be a mother you need to actually be there and represent what a mother is. You don’t get to be the mother if you show up after the kids are already grown up. She’s like all those animals at the end of the story who show up to eat the Little Red Hen’s bread. The train crawls out of the Tapachula station. From here on, he thinks, nothing bad can happen. People come here to prosper. You have nothing here. What have you accomplished? You can't live through or claim there your children if you weren't there for them. The garden is a metaphor of opposites man women good evil up down everything has a opposite. God had already planned my destiny before I was created. Treat others how they treat you or how you want to be treated. My kids are my world and I will protect them from your evil manipulative narcissistic ways. Forgive but never forget. Knowledge is power. You don't own me. I only owe my servitude to the family I created and God. Love thy father who art in heaven. Your only Australian if you live in Australia. If you live in America your American stop trying to get freinds and likes based on where other people think your from. Don't blow your own trumpet. A bad worker blames his tools. No worries mate she'll be right. Couldn't hand a man a grander spanner The game was a fizzer. I wouldn't piss on them even if they were on fire. If you think I'm bad you should see my sister. She gives me cupcakes for my birthday. Happy birthday man whore. She's like that white girl at the gangbang party Your mother and father would be proud lol. narcissistic siblings keep score and feel compelled to outplay a sibling. They often triangulate in the family, playing two against one. Children reared in narcissistic homes rarely feel connected to one another as adults which is a good thing. Suck a big black cock casey. And mum try too lol and dad I'm not even gonna bother keep paying that child support mum and keep it for yourself and your drugs and alcohole dad Lord knows
Rhys dean
Sade Adu: I was pretty much one of the lads, but I was an old soul even when I was a child. I grew up on a council estate in a village [in Essex]. It was the epitome of the English village. Our family was accepted really well. I had an older brother who was always very protective of me. My mum was a single parent, which was pretty unusual back then. Even more unusual was that she had two black kids, and the village was pure white as the driven snow. But we were accepted and there were no problems, no questions or conflicts because we were different.
Dylan Jones (Sweet Dreams: The Story of the New Romantics)
Mum was the one who buried her. In secret—to “protect” me. She told John she couldn’t bear to lose two children. For God’s sake. I assumed she’d taken her to the woods or something, not buried her under the damn house! Then again, if she hadn’t buried her under the house, I never would have dreamed up this teen pregnancy story. Thank you, Mummy. Thank you for everything.
Sally Hepworth (Darling Girls)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. “What’s been the most upsetting thing you’ve had to read about yourself?” “Well, those pictures the other day of my supposed cellulite upset me a lot actually. It really hurt me. It was too painful, too personal. It’s my body everyone was talking about, not just my face. I felt invaded because they put the cameras deliberately onto my legs.” Diana’s relationship with the paparazzi was obviously complex. She professed to hate them: “I know most of the paparazzi and their number plates. They think I am stupid but I know where they are. I’ve had ten years practice. I would support an antistalking bill tomorrow.” Then she took me to the window and started showing me the various media cars, vans, and motorbikes lurking outside. But when I asked why she doesn’t go out of one of the ten other more discreet exits, she exposed her contrary side: “I want to go out the front like anyone else. Why should I change my life for them?” “Because it would make your life easier?” I said. William was equally upset by the constant prying lenses: “Why do they have to chase my mother around so much? It’s unfair on her.” I was torn between genuine concern for the young man protecting his mum so gallantly, and a sense of foreboding for him that one day it would be him, not his mother, who would be chased just as aggressively. How do you explain to a thirteen-year-old boy that he sells papers and therefor he’s a valuable commodity to photographers and editors like me?
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
It was then I saw on the side of the box – a name, a date: ‘Marcus Epstein: Frankfurt, March 2nd 1940’. It was today’s date, a year ago. And, at the bottom, a specific time. 2:10 p.m. ‘Romantic’, Mrs. Henderson had called Queenie’s clocks; but to me, realising what it probably meant, it made my throat thicken with tears. No wonder Mum had understood what a stopped clock might mean. Something must’ve happened to Marcus Epstein that day, at that time. Something terrible that made Queenie’s life stop dead. My brain tried to fill in the gaps. Perhaps Marcus was a Jew. Perhaps this was why she was so set on helping Hewish people, and had such guts when it came to standing up for what was decent. I didn’t know. In many ways it didn’t matter. It was Queenie’s private business. She was the person who’d thrown stones at German aircraft, and yet protected the injured pilot from more harm. She fought for people, that was what Queenie did. Beneath our race, our religion, we were all human beings. We all hurt in the same ways. Upstairs in front of the hall mirror, I could hear her now repinning her hair and fastening her coat. ‘Right, Olive, I’m ready,’ she called down. I went to join her, taking in her smooth, tearless face, the newly tidied hair. You’d never know from looking at her that her heart was still breaking. But that was the awful thing: life did go on, and so did that horrible empty ache you felt when someone wasn’t there any more.
Emma Carroll (Letters from the Lighthouse)
Sometimes I think I’m too proud, too self-protective, but then I see other girls making idiots of themselves over boys and I change my mind. I’d rather be too proud than make a laughingstock of myself. I think of how my mum acted when my dad left her for the awful Sif: no matter how upset Mum was, she never threw scenes, never begged him to stay. Maybe she lavished too much attention on me after he went, kept me a little too close, but I really admired how she behaved through the separation and divorce. Dad admired her too, I know. I’ve never been prouder of her. And I want to be like her. I won’t chase after a man; I won’t seem desperate or needy. I’ll be as cool as my mum.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
As much as he influenced her, Bindi changed Steve, too. After our Florida trip, Bindi and I went home, while Steve flew off to the Indonesian island of Sumatra. We couldn’t accompany him because of the malaria risk, so we kept the home fires burning instead. At one point, Steve was filming with orangutans when his newfound fatherhood came in handy. A local park ranger who had worked with the national park’s orangutans for twenty-five years accompanied Steve into the rain forest, where they encountered a mother and baby orangutan. The rangers keep a close eye on the orangutans to prevent poaching, and the ranger recognized a lot of the animals by sight. “She reminds me of Bindi,” Steve exclaimed, seeing the infant ape. It was a mischievous, happy baby, clinging to her mother way up in the top branches of a tree. “This will be great to film,” Steve said. “I’ll climb into the tree, and then you can get me and the orangutans in the same shot.” The ranger waved his hands, heading Steve off. “You absolutely can’t do that,” the ranger said. “The mother orangutans are extremely protective. If you make a move anywhere near that tree, she’ll come down and pull your arms off.” Steve paused to listen. “They are very strong,” the ranger said. “She won’t tolerate you in her tree.” “I won’t climb very close to her,” Steve said. “I’ll just go a little way up. Then the camera can shoot up at me and get her in the background.” The ranger looked doubtful. “Okay, Steve,” he said. “But I promise you, she will come down out of that tree and pull your head off.” “Don’t worry, mate,” Steve said confidently, “she’ll be right.” He climbed into the tree. Down came the mother, just as the ranger had predicted. Tugging, pulling, and dragging her baby along behind her, she deftly made her way right over to Steve. He didn’t move. He sat on his tree limb and watched her come toward him. The crew filmed it all, and it became one of the most incredible shots in documentary filmmaking. Mama came close to Steve. She swung onto the same tree limb. Then she edged her way over until she sat right beside him. Everyone on the crew was nervous, except for Steve. Mama put her arm around Steve’s shoulders. I guess the ranger was right, Steve thought, wondering if he would be armless or headless in the very immediate future. While hanging on to her baby, Mama pulled Steve in tight with her other arm, looked him square in the face, and…started making kissy faces at him. The whole crew busted up laughing as Mama puckered up her lips and looked lovingly into Steve’s eyes. “You’ve got a beautiful little baby, sweetheart,” Steve said softly. The baby scrambled up the limb away from them, and without taking her eyes off Steve, the mother reached over, grabbed her baby, and dragged the tot back down. “You’re a good mum,” Steve cooed. “You take good care of that little bib-bib.” “I have never seen anything like that,” the park ranger said later. I had to believe that the encounter was further evidence of the uncanny connection Steve had with the wildlife he loved so much, as well as one proud parent recognizing another.
Terri Irwin (Steve & Me)
My brother and I only had each other and it was our job to protect Mum from well-meaning adults who saw her as an adult-child incapable of performing her parental responsibilities.
Amra Pajalic (Things Nobody Knows But Me)
I find it hard to reconcile the two facets of Mum’s character: how can someone who is so warm and loving have shut her own mother out of her life? As I look at the framed photograph, I realise that she must have been hurt very badly indeed to have resorted to protecting herself in such a drastic way.
Fiona Valpy (Sea of Memories)
After he’s gone, I reflect on what I’ve learnt about the paradox of love: when the price of losing it is too high a risk to take, we draw back and protect ourselves from that loss, even though that means we stop ourselves from loving wholeheartedly. After Mum died, I think Dad and I were protecting ourselves from ever feeling that way again.
Fiona Valpy (The Dressmaker's Gift)
Six months after Lucien traveled to Australia, Mum left her son, her parents, her brothers and sisters, her work, her friends and her country, sailed over the Atlantic Ocean and the Mediterranean Sea, through the Suez Canal, across the Indian Ocean, into the Pacific and joined her husband in Sydney to start a new life. That's the sort of thing people did back then. Everyone was starting again after the war, after losing mothers and fathers, brothers and sisters, children, husbands and wives. It seems shocking now, but there wasn't such a sentimental attitude towards family or such a fear of death then as we have now. (People who live through wars often develop attachment disorders as protection from loss.)
Viv Albertine (To Throw Away Unopened)
Steve always had a feeling that he wouldn’t live a long life. He would sometimes say that he hoped a croc wouldn’t get him, because he felt it would undo all of his hard work convincing people that crocs are wonderful animals worth protecting. After losing his mother, Steve seemed even more focused on accomplishing as much as possible in the time he had here on earth. He was convinced that when it was his time to go, it would be quick, as his mum had died in the car accident. Steve didn’t fear death. Maybe that was part of his secret for being so gifted with wildlife. He had such perfect love for every animal, and especially crocodiles, that there didn’t seem to be any room left over for fear.
Terri Irwin (Steve & Me)
You know when you were a teenager and you’d see your mum with her best friends and they’d seem close, but they weren’t like how you were with your friends? There’d be a strange formality between them – a slight awkwardness when they first met. Your mum would clean the house before they came and they would talk about their children’s coughs and plans for their hair. When we were kids, Farly once said to me: ‘Promise we’ll never get like that. Promise when we’re fifty we’ll be exactly the same with each other. I want us to sit on the sofa, stuffing our faces with crisps and talking about thrush. I don’t want to become women who meet up once every couple of months for a craft fair at the NEC.’ I promised. But little did I know how much work it takes to sustain that kind of intimacy with a friend as you get older – it doesn’t just stick around coincidentally.” Excerpt From Everything I Know About Love Dolly Alderton This material may be protected by copyright.
Dolly Alderton (Everything I Know About Love)
I needed to protect myself, so my world would never collapse again, like it did when my mum died.
Alexandra Potter (One Good Thing)