I Stand To Be Corrected Quotes

Cordelia: I personally don't think it's possible to come up with a crazier plan. Oz: We attack the Mayor with hummus. Cordelia: I stand corrected. Oz: Just keeping things in perspective.

Frank stared at her. "But you throw Ding Dongs at monsters." Iris looked horrified. "Oh, they're not Ding Dongs." She rummaged under the counter and brought out a package of chocolate covered cakes that looked exactly like Ding Dongs. "These are gluten-free, no-sugar-added, vitamin-enriched, soy-free, goat-milk-and-seaweed-based cupcake simulations." "All natural!" Fleecy chimed in. "I stand corrected." Frank suddenly felt as queasy as Percy.

Political correctness is communist propaganda writ small. In my study of communist societies, I came to the conclusion that the purpose of communist propaganda was not to persuade or convince, not to inform, but to humiliate; and therefore, the less it corresponded to reality the better. When people are forced to remain silent when they are being told the most obvious lies, or even worse when they are forced to repeat the lies themselves, they lose once and for all their sense of probity. To assent to obvious lies is in some small way to become evil oneself. One's standing to resist anything is thus eroded, and even destroyed. A society of emasculated liars is easy to control. I think if you examine political correctness, it has the same effect and is intended to.

I stand corrected. Afternoons are hard. Mornings are pure evil from the pits of hell,

He's better-looking then the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that." The insult slid off of Bobby like water. "So, you know, kid, according to thief culture, if you're going to court Kat, you now owe me two dozen goats." "It's a dozen," Eddie corrected. "Yeah, but Kat's worth two," Hamish said with a wink. Through it all, Hale said nothing. Then, finally, he smiled. "I'm afraid I'm all out of goats at the moment, but I've got some ruby cuff links you can have." "No." Bobby shook his head. "It's goats or nothing." "Sorry, Kat." Hale shrugged, disappointed. "It was fun while it lasted." "Don't look at me." Kat threw up her hands. "I'm officially ignoring all of you.

I have been a friend to Shadowhunters. I know many of your families, going back for hundreds of years." "There is nothing we can do to correct the questionable judgments of our ancestors," Lucian said. Magnus hated this guy.

He reached out, opened the glove compartment, and took out a gun. It was a Smith & Wesson .38 five-shot special. It looked a lot like my gun. "I stopped by your apartment this morning and picked this up for you," Ranger said. "I found it in the cookie jar." "Tough guys always keep their gun in the cookie jar." "Name one." "Rockford." Ranger grinned. "I stand corrected.

That cat doesn't have a lick of sense,' I said, sighing. Well, honey, he's not right in the head,' Dad said, flipping his cigarette into the front yard. I glared at him. 'And just what do you mean by that?' Dad counted on his fingers. 'He's cross-eyed; he jumps out of trees after birds and then doesn't land on his feet; he sleeps with his head smashed up against the wall, and the tip of his tail is crooked.' Oh yeah? Well, how about this: he once got locked in a basement by evil Petey Scroggs in the middle of January and survived on snow and little frozen mice. When I'm cold at night he sleeps right on my face. Of that whole litter of kittens he came out of he's the only one left. One of his brothers didn't even have a butthole.' I stand corrected. PeeDink is a survivor.

Sometimes I'll spend an hour writing a tiny email. I work on it until I've created the illusion that I've dashed it off in three minutes. If I make a typo, I let it stand. Sometimes in fact I correct the typo without thinking, and then I back up and retype the typo so that it'll look more casual. I don't know why.

I can't be anything but what I am, Elle. If you want a man who is going to treat you like a broken doll, you sure as hell come to the wrong place. And if you expect me to step aside and let you make decisions that are ultimately going to harm you, then baby, you definitely have the wrong man because I protect my woman. Right or wrong, politically correct or not, I stand in front of her when there's need.

I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )

I was wrong to insult you, and not only because you are my hosts. I am afraid that I mistook kindness for weakness. My apologies. I stand - only with your aid - profoundly corrected.

Sorry, Bill. I just have this awful vision of being p-peeled like an onion, looking for the seeds." He grinned. "Onions don't have seeds, Cordelia." "I stand corrected," she said dryly.

Woolsey quirked an eyebrow. “You are a funny thing,” he said. “I would say I could see what those boys see in you, but …” He shrugged. His yellow dressing gown had a long, bloody tear in it now. “Women are not something I have ever understood.” “What about them do you find mysterious, sir?” “The point of them, mainly.” “Well, you must have had a mother,” said Tessa. “Someone whelped me, yes,” said Woolsey without much enthusiasm. “I remember her little.” “Perhaps, but you would not exist without a woman, would you? However little use you may find us, we are cleverer and more determined and more patient than men. Men may be stronger, but it is women who endure.” “Is that what you are doing? Enduring? Surely an engaged woman should be happier.” His light eyes raked her. “A heart divided against itself cannot stand, as they say. You love them both, and it tears you apart.” “House,” said Tessa. He raised an eyebrow. “What was that?” “A house divided against itself cannot stand. Not a heart. Perhaps you should not attempt quotations if you cannot get them correct.

And you get to bathe the verminion for the next month,” Grady added. Sophie groaned. She swore the giant mutant-hamster-thing had been plotting to destroy her since she’d helped trap it when it arrived at Havenfield. “That’s just mean.” “No, that’s awesome,” Dex corrected. “Glad you think so, Dex,” Grady told him, “ ’Cause you get to help her.” “Hey—I didn’t do anything wrong!” “I never said you did. But do you really think Sophie will let you just stand there and watch her work?

Asking isn't what I had in mind,” Sicarius said. “Yes, I can see that.” Amaranthe planted a hand on his chest, fingers splayed. “Why don’t you give Yara and me a few minutes alone to discuss this? I’ll brief you on whatever we decide to do before we do it. And you can loiter nearby in case anything goes wrong.” His face didn't soften exactly—and he gave that hand a long look before meeting Amaranthe’s eyes— but the hostility he’d been oozing did seem to lessen. “Assassins don’t loiter,” he said. The comment startled Evrial, and she wondered if she’d heard it correctly. The man hadn't uttered much that could be classified as humor, not with her around anyway. Maybe he was simply feeling indignant.But Amaranthe smiled. “What do you call it?” “Standing. Purposefully.

If you call yourself an "authoress" on your Facebook profile, you suck at life. You are stupid and your children are ugly. It doesn't matter if you're just trying to be cute and original. You're not. You are about as original as all those other witless twits "writing" the one millionth shitty Fifty Shades clone. Or maybe you're trying to show your 2000 fake Facebook "friends" that you are an empowered feminist who will not stand for sexist terminology. But you're not showing people that you are fighting the good fight, you're showing people that you are a sheep, who's trying just a little too hard to ride the current wave of idiotic political correctness. The word "author" is no more gender-discrimination than the word "person." Do you call yourself a personess? No, of course not, because then you might as well wear a sign around your neck that says, "Hello, I'm a retard.

Suddenly gator was framed in the doorway, grinning at them, his black unruly hair tumbling into his face and his piercing blue eyes bright with laughter. "Oh, I see you are most friendly with each other. And Lily was so worried." He turned his head. "Ian Tucker, come look at this. Our man has found himself a little kitty cat." "Shut up, Gator, or I'm going to shoot you." Nicholas put the gun away and looked down at dahlia. She had the covers pulled up to her chin. Here eyes were enormous and getting bigger by the moment as more Ghost Walkers crowded into the doorway to gape at the sight of Nicholas, the loner, in bed with Dahlia. "And you said he didn't know what to do with a woman," Tucker Addison accused the tallest of the group, Ian McGillicuddy. "I stand corrected." Ian gave Nicholas a small salute. Dahlia made a small distressed squeak. Nicholas picked up the gun. "I'm going to start shooting if the lot of you don't get out and close the door." "What a poor sport," Gator groused. "And this is my house.

Hearts don't start out frozen," Cassandra said wisely. "Something happened to you." Mr. Severin gave her a slightly mocking glance. "How do you know so much about the heart?" "I've read novels-" Cassandra began earnestly, and was disgruntled to hear his quiet laugh. "Many of them. You don't think a person can learn things from reading novels?" "Nothing that actually applies to life." But the blue-green eyes contained a friendly sparkle, as if he found her charming. "But life is what novels are about. A novel can contain more truth than a thousand newspaper articles or scientific papers. It can make you imagine, just for a little while, that you're someone else- and then you understand more about people who are different from you." The way he listened to her was so very flattering, so careful and interested, as if he were collecting her words like flowers to be pressed in a book. "I stand corrected," he said. "I see I'll have to read one.

Any man who stands for progress has to criticize, disbelieve and challenge every item of the old faith. Item by item he has to reason out every nook and corner of the prevailing faith. If after considerable reasoning one is led to believe in any theory or philosophy, his faith is welcomed. His reasoning can be mistaken, wrong, misled and sometimes fallacious. But he is liable to correction because reason is the guiding star of his life. But mere faith and blind faith is dangerous: it dulls the brain, and makes a man reactionary.

I thought I was a good person until I started hanging out with you bitches. Now I stand corrected.

We're sure it is," the Raven striker said, "seeing how you're dating a prostitute." "Stripper," Dan corrected as she showed up and wound an arm around Matt's waist. Her stilettos hung off her fingers by their thin straps and she jiggled them as she spoke. "Hopefully you're smart enough to distinguish between the two professions. If you're not, I have serious concerns about your academic standings." Neil

When rehabilitation works, there is no question that it is the best and most productive use of the correctional system. It stands to reason: if we can take a bad guy and turn him into a good guy and then let him out, then that’s one fewer bad guy to harm us. . . . Where I do not think there is much hope. . .is when we deal with serial killers and sexual predators, the people I have spent most of my career hunting and studying. These people do what they do. . .because it feels good, because they want to, because it gives them satisfaction. You can certainly make the argument, and I will agree with you, that many of them are compensating for bad jobs, poor self-image, mistreatment by parents, any number of things. But that doesn’t mean we’re going to be able to rehabilitate them.

Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?" "Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?" Maxon looked shocked. "America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating. "And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!" He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair. "And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?" His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him. "Actually, Maxon, I think you will find your soul mate here. Honestly." "Really?" His voice charged with hope at my prediction. "Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.

Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.

I use the example as computed by the mathematician Michael Berry. If you know a set of basic parameters concerning the ball at rest, can compute the resistance of the table (quite elementary), and can gauge the strength of the impact, then it is rather easy to predict what would happen at the first hit. The second impact becomes more complicated, but possible; you need to be more careful about your knowledge of the initial states, and more precision is called for. The problem is that to correctly predict the ninth impact, you need to take into account the gravitational pull of someone standing next to the table (modestly, Berry's computations use a weight of less than 150 pounds). And to compute the fifty-sixth impact, every single elementary particle of the universe needs to be present in your assumptions!

Miranda shook her head slowly. 'Good heavens. That's quite an act you put on.' He drew himself up haughtily. 'I beg your pardon.' 'An act,' Miranda repeated. 'Stand as tall as you like, and frown at me all you wish. I saw you just now. You were feeding cats.' 'So I was. And do you make something of that?' 'You,' Miranda said daringly, 'have a kind heart.' He turned away from her, the tails of his greatcoat swirling about him. 'Don't enlarge too much upon the matter. The cats were hungry. I had food. This seemed to be a problem with a ready solution. It's not kindness to solve problems; it's efficiency.' 'I stand corrected. You have an efficient heart.

Lena.” Alex’s voice is stronger, more forceful now, and it finally stops me. He turns so that we’re face-to-face. At that moment my shoes skim off the sand bottom, and I realize that the water is lapping up to my neck. The tide is coming in fast. “Listen to me. I’m not who—I’m not who you think I am.” I have to fight to stand. All of a sudden the currents tug and pull at me. It’s always seemed this way. The tide goes out a slow drain, comes back in a rush. “What do you mean?” His eyes—shifting gold, amber, an animal’s eyes—search my face, and without knowing why, I’m scared again. “I was never cured,” he says. For a moment I close my eyes and imagine I’ve misheard him, imagine I’ve only confused the shushing of the waves for his voice. But when I open my eyes he’s still standing there, staring at me, looking guilty and something else—sad, maybe?—and I know I heard correctly. He says, “I never had the procedure.” “You mean it didn’t work?” I say. My body is tingling, going numb, and I realize then how cold it is. “You had the procedure and it didn’t work? Like what happened to my mom?” “No, Lena. I—” He looks away, squinting, says under his breath, “I don’t know how to explain.

In the very first month of Indian Opinion, I realized that the sole aim of journalism should be service. The newspaper press is a great power, but just as an unchained torrent of water submerges whole countrysides and devastates crops, even so an uncontrolled pen serves but to destroy. If the control is from without, it proves more poisonous than want of control. It can be profitable only when exercised from within. If this line of reasoning is correct, how many of the journals in the world would stand the test? But who would stop those that are useless? And who should be the judge? The useful and the useless must, like good and evil generally, go on together, and man must make his choice.

But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they’re doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don’t want to. Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas – none of them bother me. I don’t care what banner they raise. But what I can’t stand are hollow people. [...] Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it's important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive.

I stand corrected. Yours is a far superior arbitrary system of governance.

Do you imagine --" Mr. Lorry had begun, when Miss Pross took him up short with: "Never imagine anything. Have no imagination at all." "I stand corrected; do you suppose -- you go so far as to suppose, sometimes?" "Now and then," said Miss Pross.

I stand corrected," Theo said, jamming his hands into the pockets of his trousers and rocking back on the heels of his pointy-toed shoes. "You guys are almost as gorgeous as I am." "Weak," said Nim. "We're going to need a higher caliber of compliment.

She came quickly over to me and held out her hand. I looked at her full of distrust. Was she doing this freely, with a light heart? Or was she doing it just to get rid of me? She put her arm around my neck, tears in her eyes. I just stood and looked at her. She offered me her mouth but I couldn't believe her, it was bound to be a sacrifice on her part, a means of getting it over with. She said something, it sounded to me like "I love you anyway!" She said it very softly and indistinctly, I may not have heard it correctly, perhaps she didn't say exactly those words. But she threw herself passionately on my neck, held both arms around my neck a little while, even raised herself on tiptoe to reach well up, and stood thus. Afraid that she was forcing herself to show me this tenderness, I merely said "How beautiful you are now!" That was all I said. I stepped back, bumped against the door and walked out backward. She was left standing inside.

I finally couldn’t stand it anymore and said to him, ‘If there’s any fault in me, then please tell me honestly. If I can correct it, I will.’ And he replied, ‘You don’t have any fault. The fault is in me.’ When I heard that, it made me unbearably sad. It made me cry. And I longed more than ever to know how I might be to blame.

I've a habit of placing a happy-face or a frowny-face on my calendar, depending on what kind of day I've had.  Often I slap a droopy circle in the box, discouraged by the things I failed to accomplish and the unpleasant encounters endured.  But then, invariably, a wise muse stops to ask me these three questions:   Did your children let you hug them today?  Yes.   Did you do a kind deed for someone?  Anyone?  Yes.   Did God forsake you today?  No.   Then, my dear, despite your challenges, it was a good day after all.   Standing corrected,  I twist that frowny-face upside down and smile.

Arriving on Bainbridge Island is the opposite of arriving in Seattle. When you got in your car and waited to unload off the ferry in Seattle, you saw the Space Needle, cars, and a mound of urban construction. Once you exit the ferry terminal on Bainbridge, however, it’s mostly trees. Pine as far as the eye can see. Well, pines, firework and coffee stands, and eventually a casino. You drive through the Port Madison Indian Reservation when you leave the island. I couldn’t help but smile as I went past the casino. I didn’t really get gambling, since I’d never had money to throw away, but as I passed through all the beautiful countryside that I’m sure once belonged to the tribe, I sort of hoped they would rob the white man blind. Perhaps not politically correct, but the feeling was there all the same.

I also believe that man’s continued domestication (if you care to use that silly euphemism) of dogs is motivated by fear: fear that dogs, left to evolve on their own, would, in fact, develop thumbs and smaller tongues, and therefore would be superior to men, who are slow and cumbersome, standing erect as they do. This is why dogs must live under the constant supervision of people.... From what Denny has told me about the government and its inner workings, it is my belief that this despicable plan was hatched in a back room of none other than the White House, probably by an evil adviser to a president of questionable moral and intellectual fortitude, and probably with the correct assessment—unfortunately, made from a position of paranoia rather than of spiritual insight—that all dogs are progressively inclined regarding social issues.

Virginia," Billy said urgently. "Don't do this." "Shut up,Billy." "Think of the people in San Francisco." "I don't know any of the people in San Francisco," Virginia answered, then paused. "Well,actually I do,and I don't like them. But I do like you,Billy, and I'm not going to allow you to end up as lunch for some raggedy lion-monster-thingy." "A sphinx," Machiavelli corrected her. He was standing at the bars again. "Mistress Dare," the Italian said carefully. "I absolutely applaud you for what you want to do for your friend. But I urge you to think of the bigger picture.

When the injustice is great enough, justice will lend me the strength needed to correct it. None may stand against it. It will shatter every barrier, sunder any shield, tear through any enchantment, and lend its servant the power to pass sentence. Know this: There is nothing on all the Planes that can stay the hand of justice when it is brought against them. It may unmake armies. It may sunder the thrones of gods. Know that for all who betray justice, I am their fate. And fate carries an executioner's axe.

I can't see why you should want to dance with me now, when you never have before." The statement was more revealing than she had intended it to be. She cursed her own wayward tongue, while his speculative gaze wandered over her face. "I wanted to," he surprised her by murmuring. "However, there always seemed to be good reasons not to." "Why--" "Besides," Westcliff interrupted, reaching out to take her gloved hand, "there was hardly a point in asking when your refusal was a forgone conclusion." Deftly he pressed her hand to his arm and led her toward the mass of couples in the center of the room. "It was not a forgone conclusion." Westcliff glanced at her skeptically. "You're saying that you would have accepted me?" "I might have." "I doubt it." "I did just now, didn't I?" "You had to. It was a debt of honor." She couldn't help but laugh. "For what, my lord?" "The calf's head," he reminded her succinctly. "Well, if you hadn't served such a nasty object in the first place, I wouldn't have needed to be rescued!" "You wouldn't have need to be rescued if you didn't have such a weak stomach." "You're not supposed to mention body parts in front of a lady," she said virtuously. "Your mother said so." Westcliff grinned. "I stand corrected.

You give me offense, and I take it. I take offense to the fact that you would stand here and belittle Simone’s beliefs and her work to correct what she feels are grave wrongs when you take no action to fight for your beliefs. It is one thing to compare or even belittle sacred truths when both parties are working toward rectifying wrongs. But it is quite another to rail against a person who is doing something when you do nothing.

I start tidying my Gilmore Girls DVDs into the correct order, too jittery to stand still.

I read what I write over and over and make corrections and improvements, until I reach the conclusion that the material deserves to stand on its own

1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.

Even though she was still so tired she felt glued to the matress, the yelling made Helen's eyes open. She saw Ariadne, Cassandra, and Noel standing over her bed. Correction, they were standing over Lucas's bed and Helen was in it. Her eyes snapped open and her head whipped around to look at Lucas. He was frowning himself awake and starting to make some gravelly noise in the back of his throat. "Go argue someplace else," he groaned as he rolled over onto Helen. He tucked himself up against her, awkwardly fighting the drag of the casts on his legs as he tried to bury his face in Helen's neck. She nudged him and looked up at Noel, Ariadne, and a furious Cassandra. "I came to see how he was and then I couldn't get back to my bed," Helen tried to explain, absolutely mortified. She gasped involuntarily as one of Lucas's hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he'd just realized that pillows weren't shaped like hourglasses. His head jerked up and he looked around, alert for a fight. "Oh, yeah," he said to Helen as he remembered. His eyes relaxed back into a sleepy daze. He smiled up at his family and stretched until he winced, then rubbed at his sore chest, no longer in a good mood. "Little privacy?" he asked. His mother, sister, and cousin all either crossed their arms or put their hands on their hips.

If we suddenly plant our foot, and say, — I will neither eat nor drink nor wear nor touch any food or fabric which I do not know to be innocent, or deal with any person whose whole manner of life is not clear and rational, we shall stand still. Whose is so? Not mine; not thine; not his. But I think we must clear ourselves each one by the interrogation, whether we have earned our bread to-day by the hearty contribution of our energies to the common benefit? and we must not cease to tend to the correction of these flagrant wrongs, by laying one stone aright every day.

She blinked and kissed me abruptly, somewhere between mouth and cheek. It was an inaccuracy I didn't try to correct either way. I turned away before I could see if there were going to be any tears and started for the doors at the far end of the hall. I looked back once, as I was mounting the steps. Ortega was still standing there, arms wrapped around herself, watching me leave. In the stormlight, it was too far away to see her face clearly. For a moment something ached in me, something so deep-rooted that I knew to tear it out would be to undo the essence of what held me together. The feeling rose and splashed like the rain behind my eyes, swelling as the drumming on the roof panels grew and the glass ran with water.

Then I began to smell it again, like each time he returned, like the day back in the spring when I rode up on the drive standing in one of his stirrups - that odor in the his clothes and beard and flesh too which I believed was the smell of powder and glory, the elected victorious but know better now: know now to have been only the will to endure, a sardonic and even humorous declining of self-delusion which is not even kin to that optimism which believes that that which is about to happen to us can possibly be the worst which we can suffer.

It is (to describe it figuratively) as if an author were to make a slip of the pen, and as if this clerical error became conscious of being such. Perhaps this was no error but in a far higher sense was an essential part of the whole exposition. It is, then, as if this clerical error were to revolt against the author, out of hatred for him, were to forbid him to correct it, and were to say, "No, I will not be erased, I will stand as a witness against thee, that thou art a very poor writer.

Can’t machines build these faster?” he asked the woman, looking around the starship shell.“Why, of course!” she laughed.“Then why do you do it?”“It’s fun. You see one of these big mothers sail out those doors for the first time, heading for deep space, three hundred people on board, everything working, the Mind quite happy, and you think, I helped build that. The fact a machine could have done it faster doesn’t alter the fact that it was you who actually did it.” “Hmm,” he said. “Well, you may ‘hmm’ as you wish,” the woman said, approaching a translucent hologram of the half-completed ship, where a few other construction workers were standing, pointing inside the model and talking. “But have you ever been gliding or swum underwater?” “Yes,” he agreed. The woman shrugged. “Yet birds fly better than we do, and fish swim better. Do we stop gliding or swimming because of this?” He smiled. “I suppose not.” “You suppose correctly,” the woman said. “And why?” She looked at him, grinning. “Because it’s fun.

He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.” My ears burned. Oh great, am I the color of a tomato now? “Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was. “Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject. “I got you Moby-Dick,” I blurted out. He gave me a sly smile. “Mmmm, did you? How... interesting.” “And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner. “Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?” I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.” Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.” “Was?” I squeaked. Then I cleared my throat and tried again. “I mean—” “Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.” His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me. “It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain. I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.” “I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.

I’m not joking when I refer to our country as the United States of Amnesia, although I was corrected recently by Studs Terkel out of Chicago. And he said, “Gore, it’s not the United States of Amnesia; it’s the United States of Alzheimer’s.” I stand corrected.

What do you mean 'warn me'?" Why did they both think I was going to claw her eyes out? The old me must've been psychotic." "I told you she has a soft spot for me." "Yeah, and I have a soft spot for tater tots, but that doesn't require me to warn people." "I think I can safely say she doesn't feel about me like you feel about tater tots," Cheney said, unsuccessfully trying to suppress his amusement. "I don't know, I really like tater tots," I mumbled. Cheney's laughter filled the room. "I stand corrected. Apparently your love for fried potato nuggets is much deeper that I gave credit.

--How I Was Visited By Messengers-- Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse. "i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher. "water should help," I said and looked at the water. it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to. "there is the water," I thought. but that wasn't the water and instead I got an itch in my ear. I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass. under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four. "well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make. -August 22, 1937

I have talents that I'm not supposed to have: I can tell who crushes on who by how they stand, I can read strides, I can hear the tonal differences between an alto and a soprano singing the same line so clearly that to me they sing entirely different notes, and I can read through the lines and tell when a person doesn't need to be writing at all. That, that is what makes me a snob, because I cannot abide a person putting pen to paper or fingers on keys when they don't need to, when word choice is not as relevant and demanding and essential to them as breathing and syntax is about being correct and not about being evocative.

We walk up the sandy slope toward the dining terrace. I see Troy sitting at a table with some people I know. I look at Scottie to see if she sees him, and she is giving him the middle finger. The dining terrace gasps, but I realize it’s because of the sunset and the green flash. We missed it. The flash flashed. The sun is gone, and the sky is pink. I reach to grab the offending hand, but instead, I correct her gesture. “Here, Scottie. Don’t let that finger stand by itself like that. Bring up the other fingers just a little bit. There you go. That’s the cool way to do it.” Troy stares at us and smiles a bit. He’s completely confused. “All right, that’s enough.” I suddenly feel sorry for Troy. He must feel awful.

In Jesus, God has put up a "Gone Fishing" sign on the religion shop. He has done the whole job in Jesus once and for all and simply invited us to believe it - to trust the bizarre, unprovable proposition that in him, every last person on earth is already home free without a single religious exertion: no fasting till your knees fold, no prayers you have to get right or else, no standing on your head with your right thumb in your left ear and reciting the correct creed - no nothing. . . . The entire show has been set to rights in the Mystery of Christ - even though nobody can see a single improvement. Yes, it's crazy. And yes, it's wild, and outrageous, and vulgar. And any God who would do such a thing is a God who has no taste. And worst of all, it doesn't sell worth beans. But it is good news - the only permanently good news there is - and therefore I find it absolutely captivating. - as quoted in All Is Grace, by Brennan Manning.

In the first place, I was standing still. Having banked right in order to correct a sudden drift, I saw the landscape freeze abruptly where it was and remain jiggling on the same spot. I was making no headway. My wings had ceased to nibble into the outline of the earth. I could see the earth buckle, pivot - but it stayed put. The plane was skidding as if on a toothless cogwheel.

1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).

political correctness. The history of this concept is as wild and unruly as the conversations about it have become. At this point, the term is so loaded that I think it makes more sense to talk about inclusive language.

I am willing to contribute for a grand tombstone for Political Correctness (PC). This mouthplug has made us cowards, afraid to exercise our freedom of expression. It has stifled frank exchange of ideas and has made debates one-sided and pre-concluded. It has given strength to ideas which cannot defend themselves in an open debate. PC may be acceptable in private space but it is diastrous in public space as it makes that public space an oxymoron by making it restricted to only the "acceptable". Democracy is about competitive ideas and PC is undemocratic as it discounts the possibility of a level playing field. All growth of ideas is through cross fertilisation and PC leads to degeneration of ideas by restricting the process to inbreeding. Only those who use weakness as leverage to gain advantage without effort or have an hidden agenda will root for PC. It is the tool of the lazy and the devious. My offer for its tombstone stands.

In The Unbearable Lightness of Being, Tereza lives with Tomas, but her love requires mobilization of all her strength, and suddenly she can’t go on, she longs to retreat down below, to where she came from. And I ask myself: What is happening with her? And this is the answer I find: She is overcome by vertigo. But what is vertigo? I look for a definition and I say: “A heady, insuperable longing to fall.” But immediately I correct myself, I sharpen the definition: Vertigo is “the intoxication of the weak. Aware of his weakness, a man decides to give in rather than stand up to it. He is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down. Vertigo is one of the keys to understanding Tereza

Writers have come to master nearly every trade. They are inventors and entrepreneurs of character, plot, and dialogue. They are the eager scientists that can’t wait to try out their new experiment. They are the maestros of the symphony that plays in their head, conducting what happens, where, and at what precise moment. They are engineers and architects that design the structure of their piece so it stands the test of time and continues to fire on all cylinders. They play mechanics and doctors in their revisions, hoping they prescribe the correct diagnosis to fix the piece’s 'boo boos'. They are salesmen who pitch not an idea or a product, but themselves, to editors, publishers, and more importantly, their readers. They are teachers who through their craft, preach to pupils about what works and what doesn’t work and why. Writers can make you feel, can make you think, can make you wonder, but they can also grab your hand and guide you through their maze. Similar to what Emerson stated in 'The Poet,' writers possess a unique view on life, and with their revolving eye, they attempt to encompass all. I am a writer.

Back in the kitchen, Mummy was trying to make her [knitted] hippo stand up on the table. I had to swallow a gasp of horror -- its head was the same size as its body, none of its limbs were equal in length, and it appeared to have a fin. She didn't seem perturbed and carried on trying to make it stand with a childlike patience. Because of its grotesquely misshapen head, it looked as if it was trying to do some kind of yoga headstand. "That hippo's got five legs," observed Allegra from the window seat. "Unless you've made it very anatomically correct? In which case it's positively disturbing.

Art is dead. Art is dead. Art is dead. Art is dead. Entertainers like to seem complicated But we're not complicated I can explain it pretty easily Have you ever been to a birthday Party for children? And one of the children won't stop screaming 'Cause he's just a little Attention attractor When he grows up To be a comic or actor He'll be rewarded for never maturing For never under- Standing or learning That every day Can't be about him There's other people You selfish asshole I must be psychotic I must be demented To think that I'm worthy Of all this attention Of all of this money, you worked really hard for I slept in late while you worked at the drug store My drug's attention, I am an addict But I get paid to indulge in my habit It's all an illusion, I'm wearing make-up, I'm wearing make-up Make-up, make-up, make-up, make... Art is dead So people think you're funny, how do we get those people's money? I said art is dead We're rolling in dough, while Carlin rolls in his grave His grave, his grave The show has got a budget The show has got a budget And all the poor people way more deserving of the money Won't budge it 'Cause I wanted my name in lights When I could have fed a family of four For forty fucking fortnights Forty fucking fortnights I am an artist, please God forgive me I am an artist, please don't revere me I am an artist, please don't respect me I am an artist, you're free to correct me A self-centred artist Self-obsessed artist I am an artist I am an artist But I'm just a kid I'm just a kid I'm just a kid Kid And maybe I'll grow out of it.

My father says most people who say they like poetry only pretend to like it.' 'I guess you like it?' 'I love it very much.' Her long hair swirled as she shook her head to correct herself. That's redundant. The word 'love' stands alone. 'Very much' only weakens it. I love words. Most people aren't very careful with them.

Just as the weak, despairing person is unwilling to hear anything about any consolation eternity has for him, so a person in such despair does not want to hear anything about it, either, but for a different reason: this very consolation would be his undoing; as a denunciation of all existence. Figuratively speaking, it is as if an error slipped into an author's writing and the error became conscious of itself as an error; perhaps it actually was not a mistake but in a much higher sense an essential part of the whole production, and now this error wants to mutiny against the author, out of hatred toward him, forbidding him to correct it and in maniacal defiance saying to him: No! I refuse to be erased! I will stand as a witness against you; a witness that you are a second-rate author.

He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.

At some point, I realized that museums and libraries (in what I imagine must have been either a hard-won gesture of goodwill, or in order not to appear irrelevant) had removed many nineteenth-century historically specific markers--such as slave, colored, and Negro--from their titles or archives, and replaced these words instead with the sanitized, but perhaps equally vapid, African-American. In order to replace this historical erasure of slavery (however well intended), I re-erased the postmodern African-American, then changed those titles back. That is, I re-corrected the corrected horror in order to allow that original worry to stand. My intent was to explore and record not only the history of human thought, but also how normative and complicit artists, curators, and art institutions have been in participating in--if not creating--this history.

Some of my readers may have an interest in being informed whether or no any portions of the Marshalsea Prison are yet standing. I did not know, myself, until the sixth of this present month, when I went to look. I found the outer front courtyard, often mentioned here, metamorphosed into a butter shop; and I then almost gave up every brick of the jail for lost. Wandering, however, down a certain adjacent 'Angel Court, leading to Bermondsey', I came to 'Marshalsea Place:' the houses in which I recognised, not only as the great block of the former prison, but as preserving the rooms that arose in my mind's-eye when I became Little Dorrit's biographer. The smallest boy I ever conversed with, carrying the largest baby I ever saw, offered a supernaturally intelligent explanation of the locality in its old uses, and was very nearly correct. How this young Newton (for such I judge him to be) came by his information, I don't know; he was a quarter of a century too young to know anything about it of himself. I pointed to the window of the room where Little Dorrit was born, and where her father lived so long, and asked him what was the name of the lodger who tenanted that apartment at present? He said, 'Tom Pythick.' I asked him who was Tom Pythick? and he said, 'Joe Pythick's uncle.

There are 1.2 billion Muslims in the world today. Of course not all of them are radicals. The majority of them are peaceful people. The radicals are estimated to be between 15-25%, according to all intelligence services around the world. That leaves 75% of them - peaceful people. But when you look at 15-25% of the world Muslim population, you're looking at 180 million to 300 million people dedicated to the destruction of Western civilization. That is as big as the United States. So why should we worry about the radical 15-25%? Because it is the radicals that kill. Because it is the radicals that behead and massacre. When you look throughout history, when you look at all the lessons of history, most Germans were peaceful. Yet the Nazis drove the agenda. And as a result, 60 million people died, almost 14 million in concentration camps. 6 million were Jews. The peaceful majority were irrelevant. When you look at Russia, most Russians were peaceful as well. Yet the Russians were able to kill 20 million people. The peaceful majority were irrelevant. When you look at China for example, most Chinese were peaceful as well. Yet the Chinese were able to kill 70 million people. The peaceful majority were irrelevant. When you look at Japan prior to World War II, most Japanese were peaceful as well. Yet, Japan was able to butcher its way across Southeast Asia, killing 12 million people, mostly killed by bayonets and shovels. The peaceful majority were irrelevant. On September 11th in the United States we had 2.3 million Arab Muslims living in the United States. It took 19 hijackers - 19 radicals - to bring America down to its knees, destroy the World Trade Center, attack the Pentagon and kill almost 3000 Americans that day. The peaceful majority were irrelevant. So for all our power of reason, and for all us talking about moderate and peaceful Muslims, I'm glad you're here. But where are the others speaking out? And since you are the only Muslim representative in here, you took the limelight instead of speaking about why our government - I assume you're an American (the Muslim says yes) - As an American citizen, you sat in this room, and instead of standing up and saying a question, or asking something about our four Americans that died and what our government is doing to correct the problem, you stood there to make a point about peaceful, moderate Muslims. I wish you had brought ten with you to question about how we could hold our government responsible. It is time we take political correctness and throw it in the garbage where it belongs.” - Brigette Gabriel (transcript from Benghazi Accountability Coalition - Heritage Foundation)

Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.

She shut her eyes against the realisation rising within her like a tidal wave. It would sweep away everything in its path once she admitted it. Consume her entirely. The thought was enough for her to straighten and wipe away her tears. 'I can't accept this.' 'It was made for you,' he smiled softly. She couldn't bear that smile, his kindness and joy, as she corrected. 'I will not accept it.' She placed the orb back in its box and handed it to him. 'Return it.' His eyes shuttered. 'It's a gift, not a fucking wedding ring.' She stiffened. 'No, I'll look to Eris for that.' He went still. 'Say that again.' She made her face cold, the only shield she had against him. 'Rhys says Eris wants me for his bride. He'll do anything we want in exchange for my hand.' The Siphons atop Cassian's hands flickered. 'You aren't considering saying yes.' She said nothing. Let him believe the worst. He snarled. 'I see. I get a little too close and you shove me away again. Back to where it's safe. Better to marry a viper like Eris than be with me.' 'I am not with you,' she snapped. 'I am fucking you.' 'The only thing fit for a bastard-born brute, right?' 'I didn't say that.' 'You don't need to. You've said it a thousand times before.' 'Then why did you bother to cut in at the ball?' 'Because I was fucking jealous!' he roared, wings splaying. 'You looked like a queen, and it was painfully obvious that you should be with a princeling like Eris and not a low-born nothing like me! Because I couldn't stand the sight of it, right down to my gods-damned bones! But go ahead, Nesta. Go ahead and fucking marry him and good fucking luck to you!' 'Eris is the brute,' she shot back. 'He is a brute and a piece of shit. And I would marry him because I am just like him!' The words echoed through the room. His pained face gutted her. 'I deserve Eris.' Her voice cracked. Cassian panted, his eyes still lit with fury- and now with shock. Nesta said hoarsely. 'You are good, Cassian. And you are brave, and brilliant, and kind. I could kill anyone who has ever made you feel less than that- less than what you are. And I know I'm a part of that group, and I hate it.' Her eyes burned, but she fought past it. 'You are everything I have never been, and will never be good enough for. Your friends know it, and I have carried it around with me all this time- that I do not deserve you. The fury slid from his face. Nesta didn't stop the tears that flowed, or the words that tumbled out. 'I didn't deserve you before the war, or afterward, and I certainly don't now.' She let out a low, broken laugh. 'Why do you think I shoved you away? Why do you think I wouldn't speak to you?' She put a hand on her aching chest. 'After my father died, after I failed in so many ways- denying myself of you...' She sobbed. 'It was my punishment. Don't you understand that?' She could barely see him through her tears. 'From the moment I met you, I wanted you more than reason From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead...' She buried her face in her hands. 'It doesn't matter,' she whispered. 'I do not deserve you, and I never, ever will.' Utter silence filled the room. Such silence that she wondered if he'd left, and lowered her hands to see if he was there. Cassian stood before her. Tears streaming down his beautiful, perfect face. She didn't balk from it, letting him see her like this: her most raw, most base self. He'd always seen all of her, anyway. He opened his mouth and tried to speak. Had to swallow and try again. Nesta saw all the words in his eyes, though. The same ones she knew lay in her own.

His conversion (tawbat) was begun by Ḥasan of Baṣra. Ạt first he was a usurer and committed all sorts of wickedness, but God gave him a sincere repentance, and he learned from Ḥasan something of the theory and practice of religion. His native tongue was Persian (‘ajamí), and he could not speak Arabic correctly. One evening Ḥasan of Baṣra passed by the door of his cell. Ḥabíb had uttered the call to prayer and was standing, engaged in devotion. Ḥasan came in, but would not pray under his leadership, because Ḥabíb was unable to speak Arabic fluently or recite the Koran correctly. The same night, Ḥasan dreamed that he saw God and said to Him: “O Lord, wherein does Thy good pleasure consist?” and that God answered: “O Ḥasan, you found My good pleasure, but did not know its value: if yesternight you had said your prayers after Ḥabíb, and if the rightness of his intention had restrained you from taking offence at his pronunciation, I should have been well pleased with you.

Perhaps it was the silken dress on my body or the golden roses at my shoulder, but I had determined that I was going to be the most perfect, delightful charity student the duke had ever encountered. I was going to stand correctly, speak correctly, smile correctly, listen attentively. I was going to make him positively reel with my perfection, so I added another “Very,” with a trace more of awe. Mrs. Westcliffe granted me a glance of approval. “The duke designed it himself, every corner. When completed, Tranquility will feature some of the most modern and superb workmanship in the kingdom. Of course, with this dreadful war dragging on, finding enough laborers to finish it all has become something of a chore.” I wanted to ask about the fourteen years before that, but today I was the perfect charity student. So I merely nodded in sympathy. How do you do, Your Grace? So sorry to hear about your lack of peasant workers. What a rather large bother this war with the Kaiser has turned out to be!

Fifteen. Be as careful as crossing frozen water, alert as a Warrior on enemy ground. Be as courteous as a Guest, as fluid as a Stream. Be as shapeable as a block of wood, as receptive as a glass. Don’t seek and don’t expect. Be patient and wait until your mud settles and your water is clear. Be patient and wait. Your mud will settle. Your water will be clear. Sixty-three. Act without doing, work without effort, think of the large as small and the many as few. Confront the difficult while it is easy, accomplish the great one step at a time. Don’t reach and you will find, if you run into trouble throw yourself toward it. Don’t cling to comfort and everything will be comfortable. Seventy-nine. Failure is an opportunity. If you blame others, there is no end to blame. Fulfill your obligations, correct your mistakes. Do what you need to do and step away. Demand nothing and give all. Demand nothing and give all. Twenty-four. Stand on your toes and you won’t stand firm. Rush ahead and you won’t go far. Try to shine and you’ll extinguish your light. Try to define yourself, you won’t know who you are. Don’t try to control others. Let go and let them be. As I read this book it calms me without effort, fills in the blanks of my strategy for survival. Control by letting go of control, fix your problems by forgetting they’re problems. Deal with them and the World and yourself with patience and simplicity and compassion. Let things be, let yourself be, let everything be and accept it as it is. Nothing more. Nothing less. Nothing more.

I believe that the Salafi slogan of “Follow the Daleel from Quran and Sunnah” is used or abused (inadvertently or not) to sever the link we Muslims have with the four great schools of thought. With-out a common thread, we don’t have a leg to stand on and we become vulnerable to manipulative sharks who would wish to steer our youth to devilish fanatic groups like ISIS. A Muslim, who adheres to one of the madhabs, will have the correct understanding of the Islamic creed and will not be lured with empty slogans by the wolves in sheep’s clothing.

But if my father could stand up to schoolmasters and if he inherited some of his own father's gifts as a teacher, he himself could never have become one. He could teach and loved teaching. He could radiate enthusiasm, but he could never impose discipline. He could never have taught a dull subject to a dull boy, never have said: "Do this because I say so." Enthusiasm spread knowledge sideways, among equals. Discipline forced it downwards from above. My father's relationships were always between equals, however old or young, distinguished or undistinguished the other person. Once, when I was quite little, he came up to the nursery while I was having my lunch. And while he was talking I paused between mouthfuls, resting my hands on the table, knife and fork pointing upwards. "You oughtn't really to sit like that," he said, gently. "Why not?" I asked, surprised. "Well..." He hunted around for a reason he could give. Because it's considered bad manners? Because you mustn't? Because... "Well," he said, looking in the direction my fork was pointing, "Suppose somebody suddenly fell through the ceiling. They might land on your fork and that would be very painful." "I see," I said, though I didn't really. It seemed such an unlikely thing to happen, such a funny reason for holding your knife and fork flat when you were not using them... But funny reason or not, it seems I have remembered it. In the same sort of way I learned about the nesting habits of starlings. I had been given a bird book for Easter (Easter 1934: I still have the book) and with its help I had made my first discovery. "There's a blackbird's nest in the hole under the tiles just outside the drawing-room window," I announced proudly. "I've just seen the blackbird fly in." "I think it's probably really a starling," said my father. "No, it's a blackbird," I said firmly, hating to be wrong, hating being corrected. "Well," said my father, realizing how I felt but at the same time unable to allow an inaccuracy to get away with it, "Perhaps it's a blackbird visiting a starling." A blackbird visiting a starling. Someone falling through the ceiling. He could never bear to be dogmatic, never bring himself to say (in effect): This is so because I say it is, and I am older than you and must know better. How much easier, how much nicer to escape into the world of fantasy in which he felt himself so happily at home.

As a kid my mom loved to read and was good at it. But when schools were integrated and she went to high school, they put her in remedial English because she wasn’t reading at the level of the white students her age. They. Thought. She. Had. A. Learning. Disability (except I’m sure they didn’t say it that politically correctly). In reality, my mom did not have a learning disability. What she had was a syndrome called “Years of being educated at Black public schools that didn’t have the greater resources of white public schools because of racism-it is.” Heard of that syndrome? Turns out this country still has it.

That was the first time in my life that anyone had rejected me so completely.' Tsukuru said. 'And the ones who did it were the people I trusted the most, my four best friends in the world. I was so close to them that they had been like an extension of my own body. Searching for the reason, or correcting a misunderstanding, was beyond me. I was simply, and utterly, in shock. So much so that I thought I might never recover. It felt like something inside me snapped.' The bartender brought over the glass of wine and replenished the bowl of nuts. Once he'd left, Sara turned to Tsukuru. 'I've never experienced that myself, but I think I can imagine how stunned you must have been. I understand that you couldn't recover from it quickly. But still, after time had passed and the shock had worn off, wasn't there something you could have done? I mean, it was so unfair. Why didn't you challenge it? I don't see how you could stand it.' Tsukuru shook his head slightly. 'The next morning I made up some excuse to tell my family and took the bullet train back to Tokyo. I couldn't stand being in Nagoya for one more day. All I could think of was getting away from there.' 'If it had been me, I would have stayed there and not left until I got to the bottom of it,' Sara said. 'I wasn't strong enough for that.' Tsukuru said. 'You didn't want to find out the truth?' Tsukuru stared at his hands on the tabletop, careful choosing his words. 'I think I was afraid of pursuing it, of whatever facts might come of light. Of actually coming face-to-face with them. Whatever the truth was, I didn't think it would save me. I'm not sure why, but I was certain of it.' 'And you're certain of it now?' 'I don't know,' Tsukuru said. 'But I was then.' 'So you went back to Tokyo, stayed holed up in your apartment, closed your eyes, and covered up your ears.' 'You could say that, yes.

Welcome to Sanctuary, my home and the focus of the Imperials, whom I serve and direct. This is an island of force in Free Alaska, of the planet Earth, and the system of mankind. We are those who wage eternal war against tyranny. We are those who choose death over submission. Freedom over oppression. And honor always. Choose our values, and you will have found a friend. Choose to control a free spirit and we will control you. Decide for others and we will decide for you. Use force against the vulnerable and our force will render you helpless. Practice coercion and we will oppress you. Bring strife to mankind and we will bring you war! Now is the time for your misgivings and complaints. Now is the time for you to voice your concerns and your apprehensions. Stand now and speak in freedom. Speak your mind and you will be heard. If you be injured, say now by whom. If you seek redress and your cause be just, I will stand with you. If a wrong can be righted, I will undertake that task. If it is I that have offended, show me my error and I will correct it. This is also the time for blood, if blood is what you seek. Here you can fight, if only combat will give you satisfaction. Here you can win in trial by ordeal, but here too you can lose. If your cause be as important as life itself to you, it is here you can wager your life. Fairness is intended, but beware that here lies the intent to prevail.| Your cause, if true, would be better served by reason, for with reason the Imperials can be moved. Force is the resort of passion, but passion may serve evil or good. Here it serves us and we will stand by its consequences even if it takes us all from the Earth. It is said where you find those who live by the sword you will find those who die by the sword. Look no further. You have found those who make such a choice for their life. You have found the Imperials. I am their Voice. Speak for yourself now if you will.

Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.

Now, where will I come by a book on etiquette? You wouldn't know if his lordship's got on win the library, would you, love?' Her colour somewhat heightened, she disengaged herself from his embrace, saying: 'No, but I shouldn't think so. He has one about ranks and dignitaries and orders of precedency: is that what you mean?' 'Nay, that's no use to me! I want one that'll tell me how to behave correctly.' 'I am well aware that you are trying to roast me,' said Anthea, resigned to this fate, 'and also that you don't stand in any need of a book on etiquette - though one of *propriety* wouldn't come amiss!' 'I'm not trying to roast you!' declared Hugo. 'I want to know how long you must be acquainted with a lass before it's polite to propose to her!

Scared?" he asked a few minutes later. Willow glanced up in surprise. "Scared of what?" "Me." "Should I be?" "You're an attractive woman practically alone with a man who's reputation is questionable." When she didn't repsond, he moved out of the shadows to stand over her. He restated his question. "Are you worried?" His stance and narrow-eyed expression were almost menacing. Was his move meant to intimidate her? The thought miffed her. She abruptly stood and moved closer, staring up at him defiantly. "I don't scare easy. 'Sides, I can take care of myself." His smile was rueful. "Against a man my size?" "My brothers taught me tricks to make up for my smaller size-if you'll remember correctly." Rider scowled. "I was caught off guard that day. What you did wasn't a very ladylike thing to do, you know." Willow's ire flared. "You got a real thing about this ladylike stuff, don't you, mister?" She punctuated each word with a jab of her finger against his chest. "Well,let me tell you something. When a gentleman forgets to be a gentleman, I reckon a lady can forget to be a lady." Rider captured her finger in his hand, surprising her with his smile. "You know, you're absolutely right. I can't argue with the truth; it would't be gentlemanly. Shall we call a truce and agree to be friends?"" Willow tried to tug her finger out of his grasp but he held it tight. "Well?" he prodded. "We can call a truce, but I ain't ready to call you friend." He retained his hold on her finger. "Friendly acquaintances, perhaps?" His grin was infuriating, but her finger was going numb. "Maybe," she relented. "Well,that's better than nothing, I suppose." He released her stiff finger, and she shook it behind her back to restore the circulation.

I daresay he is not happy that his daughter is now unchaperoned. A gentleman would bid his adieu." "You can't leave!" The words hung in the air.Sophia hid a wince and said again, in a more measured tone, "I'm sorry. I'm distraught over my father." MacLean gave her a devastatingly sexy half-smile. "You misunderstood me; I said, a gentleman would bid his adieu." His voice, low and soft, rolled over her senses like liguid silk. "Fortunately for us both, I am not a gentleman." "No?" She flicked a finger at the lace on his wrist. "You dress like one." "I dress like a dandy. Or,as my oldest brother, Alexander, often says, like a 'damned dandy.'" Her lips quirked. "Your brother sounds a bit harsh." "You have no idea." He smiled. "As I was saying, dressing fashionably does not make me a gentleman." "Fine.You are not a gentleman, and I am far from a child," she returned with a lofty wave of her hand. "I don't need my father's presence for protection." "But perhaps I do." She had to smile. "You don't need protection from me, Lord MacLean. I don't bite-though if I don't get something to eat soon, I may change my mind." His eyes sparkled with laughter. "By all means, then, let us eat." He led the way to the dining room, standing aside to allow her to enter. As she brushed past him, a hot sensation told her that his gaze was lingering on her posterior. She glanced back and found that she was correct. "Lord MacLean!" He reluctantly lifted hia gaze. "Yes?" "Is something wrong with my gown?" "No.There's absolutely nothing wrong with your gown. Or what's in it." She should have been shocked by his impropriety but instead was pleased he'd noticed. "Thank you. I must say..." She allowed her gaze to travel across him. "You fill your clothes well, too.

From *the form of time and of the single dimension* of the series of representations, on account of which the intellect, in order to take up one thing, must drop everything else, there follows not only the intellect’s distraction, but also its *forgetfulness*. Most of what it has dropped it never takes up again, especially as the taking up again is bound to the principle of sufficient reason, and thus requires an occasion which the association of ideas and motivation have first to provide. Yet this occasion may be the remoter and the smaller, the more our susceptibility to it is enhanced by interest in the subject. But, as I have already shown in the essay *On the Principle of Sufficient Reason*, memory is not a receptacle, but a mere faculty, acquired by practice, of bringing forth any representations at random, so that these have always to be kept in practice by repetition, otherwise they are gradually lost. Accordingly, the knowledge even of the scholarly head exists only *virtualiter* as an acquired practice in producing certain representations. *Actualiter*, on the other hand, it is restricted to one particular representation, and for the moment is conscious of this one alone. Hence there results a strange contrast between what a man knows *potentia* and what he knows *actu*, in other words, between his knowledge and his thinking at any moment. The former is an immense and always somewhat chaotic mass, the latter a single, distinct thought. The relation is like that between the innumerable stars of the heavens and the telescope’s narrow field of vision; it stands out remarkably when, on some occasion, a man wishes to bring to distinct recollection some isolated fact from his knowledge, and time and trouble are required to look for it and pick it out of that chaos. Rapidity in doing this is a special gift, but depends very much on the day and the hour; therefore sometimes memory refuses its service, even in things which, at another time, it has ready at hand. This consideration requires us in our studies to strive after the attainment of correct insight rather than an increase of learning, and to take to heart the fact that the *quality* of knowledge is more important than its quantity. Quantity gives books only thickness; quality imparts thoroughness as well as style; for it is an *intensive* dimension, whereas the other is merely extensive. It consists in the distinctness and completeness of the concepts, together with the purity and accuracy of the knowledge of perception that forms their foundation. Therefore the whole of knowledge in all its parts is permeated by it, and is valuable or troubling accordingly. With a small quantity but good quality of knowledge we achieve more than with a very great quantity but bad quality." —from_The World as Will and Representation_. Translated from the German by E. F. J. Payne in two volumes: volume II, pp. 139-141

I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.

Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.

I have these worksheets. They're great for the irregular verbs..." "Not today." He shot me a look and kept shuffling papers. "Okay," I said. "D'accord.Pas de papiers aujourd'hui. S'il vous plait,Alex. Je...je fais les choses la derniere fois." "Prochaine." "What?" "La prochaine fois," he correct. "Next time. Derniere fois is 'last time.' I'm not even going to start on your verb usage." "Right.La derniere...sorry...prochaine fois. How do you say 'I'm begging you'?" "Jes t'en supplie," he answered. Then, "You are aware that in order to speak better french, you actually have to speak French." "Oui,monsieur. But the Eiffel Tower will still be standing next week, and french fries will still be American." "Belgian," Alex sighed. "French fries started in Belgium. Look,I'm not going to force you to work. It's your choice and not my job." "Next week," I promised. "I promise." "Right." He rubbed the back of his head, pushing his hair into a funny little ducktail. "Okay,fine. How 'bout a movie?" Worked for me. "Sure.

Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England! Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him. Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack. Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?” “About what?” Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?” The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.” He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.

Who is Mr. Jasper?" Rosa turned aside her head in answering: "Eddy's uncle, and my music-master." "You do not love him?" "Ugh!" She put her hands up to her face, and shook with fear or horror. "You know that he loves you?" "O, don't, don't, don't!" cried Rosa, dropping on her knees, and clinging to her new resource. "Don't tell me of it! He terrifies me. He haunts my thoughts, like a dreadful ghost. I feel that I am never safe from him. I feel as if he could pass in through the wall when he is spoken of." She actually did look round, as if she dreaded to see him standing in the shadow behind her. "Try to tell me more about it, darling." "Yes, I will, I will. Because you are so strong. But hold me the while, and stay with me afterwards." "My child! You speak as if he had threatened you in some dark way." "He has never spoken to me about - that. Never." "What has he done?" "He has made a slave of me with his looks. He has forced me to understand him, without his saying a word; and he has forced me to keep silence, without his uttering a threat. When I play, he never moves his eyes from my hands. When I sing, he never moves his eyes from my lips. When he corrects me, and strikes a note, or a chord, or plays a passage, he himself is in the sounds, whispering that he pursues me as a lover, and commanding me to keep his secret. I avoid his eyes, but he forces me to see them without looking at them. Even when a glaze comes over them (which is sometimes the case), and he seems to wander away into a frightful sort of dream in which he threatens most, he obliges me to know it, and to know that he is sitting close at my side, more terrible to me than ever." "What is this imagined threatening, pretty one? What is threatened?" "I don't know. I have never even dared to think or wonder what it is." "And was this all, to-night?" "This was all; except that to-night when he watched my lips so closely as I was singing, besides feeling terrified I felt ashamed and passionately hurt. It was as if he kissed me, and I couldn't bear it, but cried out. You must never breathe this to any one. Eddy is devoted to him. But you said to-night that you would not be afraid of him, under any circumstances, and that gives me - who am so much afraid of him - courage to tell only you. Hold me! Stay with me! I am too frightened to be left by myself.

I’ve experienced all kinds of discrimination,” Oshima says. “Only people who’ve been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I’m as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they’re doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don’t want to. Like that lovely pair we just met.” He sighs and twirls the long slender pencil in his hand. “Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas—none of them bother me. I don’t care what banner they raise. But what I can’t stand are hollow people. When I’m with them I just can’t bear it, and wind up saying things I shouldn’t. With those women—I should’ve just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can’t do that. I say things I shouldn’t, do things I shouldn’t do. I can’t control myself. That’s one of my weak points. Do you know why that’s a weak point of mine?” “’Cause if you take every single person who lacks much imagination seriously, there’s no end to it,” I say. “That’s it,” Oshima says. He taps his temple lightly with the eraser end of the pencil. “But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.” Oshima points at the stacks with the tip of his pencil. What he means, of course, is the entire library. “I wish I could just laugh off people like that, but I can’t.

Being in the audience of the State of the Union is not a passive experience. Every few minutes when the president completed a thought, everyone stood up to clap. Stand up. Sit down. Stand up. Sit down. The sound of the springs in the aged chairs of the House Chamber became a secondary soundtrack. I was distracted by my discomfort and began to dread the end of his sentences. But then I noticed that not every person stood up every single time. I realized they only stood up when he said something their side agreed with. I decided that no matter what he said next, I was going to stay seated. I was really hurting. I was going to sit one round out. Well, as soon as I’d made my mind up that I was staying put, President Obama made a statement and everyone stood up. Everyone. Not half of the room. Every person in the room except me. It happened far too fast for me to correct my mistake. What did he say? “We need equal pay for women.” And I just sat there like a jerk. If the president himself had looked up and to the left, he’d have seen me just sitting there, seemingly opposed to equal pay for women! Good grief! I was not seated next to the first lady, thankfully. I made sure to stand up the rest of the time.

Realizing that the footman was still glowering at him, Ian looked down at the short man and said, “Your mistress is expecting me. Tell her I’ve arrived.” “I’m here, Aaron,” Elizabeth’s voice said softly, and Ian turned. One look at her and Ian forgot the footman, the state of the house, and any knowledge of architecture he’d ever possessed. Garbed in a simple gown of sky-blue gauze, with her hair twisted into thick curls bound with narrow blue ribbons, Elizabeth was standing in the hall with the poise of a Grecian goddess and the smile of an angel. “What do you think?” she asked expectantly. “About what?” he asked huskily, walking forward, forcing his hands not to reach out for her. “About Havenhurst?” she asked with quiet pride. Ian thought it was rather small and in desperate need of repair, not to mention furnishings. In fact, he had an impulse to drag her into his arms and beg her forgiveness for all he’d cost her. Knowing such a thing would shame and hurt her, he smiled and said truthfully, “What I’ve seen is very picturesque.” “Would you like to see the rest?” “Very much,” he exaggerated, and it was worth it to see her face light up. “Where are the Townsendes?” he asked as they started up the staircase. “I didn’t see a carriage in the drive.” “They haven’t arrived yet.” Ian correctly supposed that was Jordan’s doing and made a mental note to thank his friend.

This could get a little hairy,” I tell them in interruption. Seriously, I don’t want to know this secret. I’ve got too much other shit going on. I grimace at the very questionable intestines that belong to some fabled creature that surely can’t exist under the radar if all that fit inside it. “If you’re a respawner instead of an unkillable being, get out of the kitchen and at least a mile from the house.” Mom assured me there’s a five mile seclusion radius. Damien starts speaking to me, almost as though he’s too tired to deal with my tinkering right now. “Violet, that potion has to be fresh. There’s no need-" ... There’s a loud, bubbling, sizzling noise that cracks through the air, and I drop to the floor, as a pulse shoots from the pot. Damien yelps, as he and Emit are thrown into one wall, and Mom curses seconds before she and Arion are launched almost into each other, hitting opposing walls instead, when they manage to twist in the air to avoid touching. Everyone crashes to the ground at almost the same time. Groans and grunts and coughs of pain all ring out in annoyed unison. “I warned you,” I call out, even as most of them narrow their eyes in my direction. Damien shoots me a look of exasperation, and I shrug a shoulder. “She did warn us,” Mom grumbles as she remains lying on the floor, while everyone else pushes to their feet. “No one fucks up a potion better than I do. If I fuck it up enough, less power will be needed to raise them,” I go on, smiling over at Emit…who is just staring at me like he’s confused. “But it’s the exact right ingredients,” he says warily, as he stands. “She’s apples and oranges. You can’t compare her to anyone else using those ingredients for that reason,” Mom says dismissively, as I gesture to Vance. “Take him with you; I’m going to be a while. That was just the first volatile ingredient. I don’t think you want to be here for the yacktite—” “Ylacklatite,” they all correct in unison. “You don’t want to be here for those gross, possibly toxic, hard-to-say, fabled-creature intestines. It’s going to probably get crazy up in here,” I say as I twirl my finger around, staying on the floor for a minute longer. Sometimes there’s an echo. “Raise your heartbeat. You’re not taking this seriously enough,” Mom scolds. “What are you doing letting your heartbeat drop so much?” “You really should go. It gets unpredictable when—” The echo pulse I worried would come knocks Arion, Emit, and Damien to the ceiling this time, and I cringe when I hear things crack. When they drop, Arion and Emit land in a crouch, and Damien lands hard on his back, cursing the pot on the stove like it’s singled him out and has it in for sexual deviants. Arion’s lips twitch as he stares over at me, likely thinking what sort of punch a pencil could pack with this concoction. But I’ll be damned if Shera steals any of this juice for his freaky pencils. “Do you rip up those dolls to use them as a timer?” the vampire asks, as he stays on the floor, causing Mom to sneer in his direction. Another pulse cracks some glass, but everyone is under the reach of it now. Damien just shakes his head. “You have drawers full of toxic pencils I don’t even want to know the purpose of,” I tell him dryly. “You don’t get to judge.” His grin grows like he’s pleased with something. I think Mom is seconds away from a brain aneurism

My morning schedule saw me first in Cannan’s office, conferring with my advisor, but our meeting was interrupted within minutes by Narian, who entered without knocking and whose eyes were colder than I had seen them in a long time. “I thought you intended to control them,” he stated, walking toward the captain’s desk and standing directly beside the chair in which I sat.” He slammed a lengthy piece of parchment down on the wood surface, an unusual amount of tension in his movements. I glanced toward the open door and caught sight of Rava. She stood with one hand resting against the frame, her calculating eyes evaluating the scene while she awaited orders. Cannan’s gaze went to the parchment, but he did not reach for it, scanning its contents from a distance. Then he looked at Narian, unruffled. “I can think of a dozen or more men capable of this.” “But you know who is responsible.” Cannan sat back, assessing his opposition. “I don’t know with certainty any more than you do. In the absence of definitive proof of guilt on behalf of my son and his friends, I suggest you and your fellows develop a sense of humor.” Then the captain’s tone changed, becoming more forbidding. “I can prevent an uprising, Narian. This, you’ll have to get used to.” Not wanting to be in the dark, I snatched up the parchment in question. My mouth opened in shock and dismay as I silently read its contents, the men waiting for me to finish. On this Thirtieth Day of May in the First Year of Cokyrian dominance over the Province of Hytanica, the following regulations shall be put into practice in order to assist our gracious Grand Provost in her effort to welcome Cokyri into our lands--and to help ensure the enemy does not bungle the first victory it has managed in over a century. Regulation One. All Hytanican citizens must be willing to provide aid to aimlessly wandering Cokyrian soldiers who cannot on their honor grasp that the road leading back to the city is the very same road that led them away. Regulation Two. It is strongly recommended that farmers hide their livestock, lest the men of our host empire become confused and attempt to mate with them. Regulation Three. As per negotiated arrangements, crops grown on Hytanican soil will be divided with fifty percent belonging to Cokyri, and seventy-five percent remaining with the citizens of the province; Hytanicans will be bound by law to wait patiently while the Cokyrians attempt to sort the baffling deficiency in their calculations. Regulation Four. The Cokyrian envoys assigned to manage the planting and farming effort will also require Hytanican patience while they slowly but surely learn what is a crop and what is a weed, as well as left from right. Regulation Five. Though the Province Wall is a Cokyrian endeavor, it would be polite and understanding of Hytanicans to remind the enemy of the correct side on which to be standing when the final stone is laid, so no unfortunates may find themselves trapped outside with no way in. Regulation Six. When at long last foreign trade is allowed to resume, Hytanicans should strive to empathize with the reluctance of neighboring kingdoms to enter our lands, for Cokyri’s stench is sure to deter even the migrating birds. Regulation Seven. For what little trade and business we do manage in spite of the odor, the imposed ten percent tax may be paid in coins, sweets or shiny objects. Regulation Eight. It is regrettably prohibited for Hytanicans to throw jeers at Cokyrian soldiers, for fear that any man harried may cry, and the women may spit. Regulation Nine. In case of an encounter with Cokyrian dignitaries, the boy-invader and the honorable High Priestess included, let it be known that the proper way in which to greet them is with an ass-backward bow.

I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk." "Not on your life," Fletcher growled. From the sound, Breckenridge realized the group had moved closer to the tap. "You don't need to think you're going to give us the slip so easily," Fletcher said again. "My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?" Cobbins opined that she might try to steal a horse and ride off. "Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me." That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush. Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you." Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me." Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up." As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them." Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh. "All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you." From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work. "So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble." "Hmm." Heather's tone was tellingly mild. Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land. "If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution." Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth. A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more." "Thank you, Fletcher. Come, Martha-we don't want to waste the light." Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent. The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.

There are 1.2 billion Muslims in the world today. Of course not all of them are radicals. The majority of them are peaceful people. The radicals are estimated to be between 15-25%, according to all intelligence services around the world. That leaves 75% of them - peaceful people. But when you look at 15-25% of the world Muslim population, you're looking at 180 million to 300 million people dedicated to the destruction of Western civilization. That is as big as the United States. So why should we worry about the radical 15-25%? Because it is the radicals that kill. Because it is the radicals that behead and massacre. When you look throughout history, when you look at all the lessons of history, most Germans were peaceful. Yet the Nazis drove the agenda. And as a result, 60 million people died, almost 14 million in concentration camps. 6 million were Jews. The peaceful majority were irrelevant. When you look at Russia, most Russians were peaceful as well. Yet the Russians were able to kill 20 million people. The peaceful majority were irrelevant. When you look at China for example, most Chinese were peaceful as well. Yet the Chinese were able to kill 70 million people. The peaceful majority were irrelevant. When you look at Japan prior to World War II, most Japanese were peaceful as well. Yet, Japan was able to butcher its way across Southeast Asia, killing 12 million people, mostly killed by bayonets and shovels. The peaceful majority were irrelevant. On September 11th in the United States we had 2.3 million Arab Muslims living in the United States. It took 19 hijackers - 19 radicals - to bring America down to its knees, destroy the World Trade Center, attack the Pentagon and kill almost 3000 Americans that day. The peaceful majority were irrelevant. So for all our power of reason, and for all us talking about moderate and peaceful Muslims, I'm glad you're here. But where are the others speaking out? And since you are the only Muslim representative in here, you took the limelight instead of speaking about why our government - I assume you're an American (the Muslim says yes) - As an American citizen, you sat in this room, and instead of standing up and saying a question, or asking something about our four Americans that died and what our government is doing to correct the problem, you stood there to make a point about peaceful, moderate Muslims. I wish you had brought ten with you to question about how we could hold our government responsible. It is time we take political correctness and throw it in the garbage where it belongs.” - Brigette Gabriel (transcript from Benghazi Accountability Coalition - Heritage Foundation)                              

The path of what was to come was awful. It was the enormous dying, a sea of blood. From it the new sun arose, awful and a reversal of that which we call day. We have seized the darkness and its sun will shine above us, bloody and burning like a great downfall. When I comprehended my darkness, a truly magnificent night came over me and my dream plunged me into the depths of the millennia, and from it my phoenix ascended. But what happened to my day? Torches were kindled, bloody anger and disputes erupted. As darkness seized the world, the terrible war arose and the darkness destroyed the light of the world, since it was incomprehensible to the darkness and good for nothing anymore. And so we had to taste Hell. I saw which vices the virtues of this time changed into, how your mildness became hard, your goodness became brutality; your love became hate, and your understanding became madness. Why did you want to comprehend the darkness! But you had to or else it would have seized you. Happy the man who anticipates this grasp. Did you ever think of the evil in you? Oh, you spoke of it, you mentioned it, and you confessed it smilingly; as a generally human vice, or a recurring misunderstanding. But did you know 1 what evil is, and that it stands precisely right behind your virtues, that it is also your virtues themselves, as their inevitable substance?7! You locked Satan in the abyss for a millennium, and when the millennium had passed, you laughed at him, since he had become a children's fairy tale.72 But if the dreadful great one raises his head, the world winces. The most extreme coldness draws near. With horror you see that you are defenseless, and that the army of your vices falls powerless to its knees. With the power of daimons, you seize the evil, and your virtues cross over to him. You are completely alone in this struggle, since your Gods have become deaf You do not know which devils are greater, your vices, or your virtues. But ofone thing you are certain, that virtues and vices are brothers. 73We need the coldness of death to see clearly. Life wants to live and to die, to begin and to end.74 You are not forced to live eternally; but you can also die, since there is a will in you for both. Life and death must strike a balance in your existence.75 Today's men need a large slice of death, since too much incorrectness lives in them, and too much correctness died in them. What stays in balance is correct, what disturbs balance is incorrect. But if balance has been attained, then that which preserves it is incorrect and that which disturbs it is correct. Balance is at once life and death. For the completion of life a balance with death is fitting. If I accept death, then my tree greens, since dying increases life. If I plunge into the death encompassing the world, then my buds break open. How much our life needs death!