I Rarely Listen Quotes

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I will tell you a story, one I used to tell to a little boy with dark hair. A silent boy who rarely laughs, who listened more closely than I realized. A boy who had a name and not a title
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Endless moons, an opaque universe, thunder, tornadoes, the quaking earth. Rare moments of peace; forehead up against my knees, arms around my head, I thought, I listened, I longed not to exist. But life was there, a transparent pearl, a star revolving slowly on its own axis.
Shan Sa (Empress)
The world is full of talkers, but it is rare to find anyone who listens. And I assure you that you can pick up more information when you are listening than when you are talking.
E.B. White (The Trumpet of the Swan)
I guess he had listened to more beefs and more problems from more people than any of us. A guy that'll really listen to you, listen and care about what you're saying, is something rare.
S.E. Hinton (The Outsiders)
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
I call it treason against rock 'n' roll because rock is the antithesis of politics. Rock should never be in bed with politics. ... When I was a kid and my parents started talking about politics, I'd run to my room and put on the Rolling Stones as loud as I could. So when I see all these rock stars up there talking politics, it makes me sick. .... If you're listening to a rock star in order to get your information on who to vote for, you're a bigger moron than they are. Why are we rock stars? Because we're morons. We sleep all day, we play music at night and very rarely do we sit around reading the Washington Journal.
Alice Cooper
Listen up, Mount High-Hair," Gustav barked. "Say what you want about me, but lay off the rest of the team. I've been through a lot of stuff with these people. Nobody can tell me that Fancy Dancer and Lady Slick-Pants aren't heroes. Captain Gloom-Cape over there, too. And even Shrimp Charming has his moments." Briar leaned back in her chair. "I admire your ability to insult your friends *while* you defend them. It's a rare talent.
Christopher Healy (The Hero's Guide to Storming the Castle (The League of Princes, #2))
I learned that effective communication starts with the understanding that there is MY point of view, (my truth), and someone else's point of view (his truth). Rarely is there one absolute truth, so people who believe that they speak THE truth are very silencing of others. When we realize and recognize that we can see things only from our own perspective, we can share our views in a nonthreatening way. Statements of opinion are always more constructive in the first person "I" form. The ability to listen is as important as the ability to speak. Miscommunication is always a two way street.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
Once in a rare lifetime have you ever been in a roomful of people who only helped you when you looked at them, listened to them. this was one of those magic times. I knew it.
Charles Bukowski (Notes of a Dirty Old Man)
Stop that. I need you listening, not racking your brain for rare negatives.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
They are strong and brave and caring, and even though I know they must cry and get angry and maybe even throw things when they’re alone, they rarely show it to me. Instead, they encourage me to get out of the house and into the car and back on the road, so to speak. They listen and ask and worry, and they’re there for me. If anything, they’re a little too there for me now. They need to know where I’m going, what I’m doing, who I’m seeing, and when I’ll be back. Text us on the way there, text us on your way home.
Jennifer Niven (All the Bright Places)
The Couple Overfloweth We sometimes go on as though people can’t express themselves. In fact they’re always expressing themselves. The sorriest couples are those where the woman can’t be preoccupied or tired without the man saying “What’s wrong? Say something…,” or the man, without the woman saying … and so on. Radio and television have spread this spirit everywhere, and we’re riddled with pointless talk, insane quantities of words and images. Stupidity’s never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying. What we’re plagued by these days isn’t any blocking of communication, but pointless statements. But what we call the meaning of a statement is its point. That’s the only definition of meaning, and it comes to the same thing as a statement’s novelty. You can listen to people for hours, but what’s the point? . . . That’s why arguments are such a strain, why there’s never any point arguing. You can’t just tell someone what they’re saying is pointless. So you tell them it’s wrong. But what someone says is never wrong, the problem isn’t that some things are wrong, but that they’re stupid or irrelevant. That they’ve already been said a thousand times. The notions of relevance, necessity, the point of something, are a thousand times more significant than the notion of truth. Not as substitutes for truth, but as the measure of the truth of what I’m saying. It’s the same in mathematics: Poincaré used to say that many mathematical theories are completely irrelevant, pointless; He didn’t say they were wrong – that wouldn’t have been so bad. (Negotiations)
Gilles Deleuze (Negotiations 1972-1990)
I'll tell you a story- one that I used to tell a little boy with dark hair, a silent boy who rarely laughed, who listened more closely than I realized. A boy who had a name and not a title.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I'm one of those guys who actually listens when his woman talks. I'm a rare breed. Dangerous, apparently, since you aren't expecting me to hear you.
Stephanie Rowe (Darkness Arisen (Order of the Blade #6))
And maybe they don’t because they’re under the misapprehension that because I talk about race a lot, that I must love talking about it. I don’t. And I’ll let you in on a little secret about what other black people rarely say: Explaining your life to a world that doesn’t care to listen is often more draining than living in it.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life.
Laurence Cossé (A Novel Bookstore)
The sweetest melody that plays on starry nights and wintry days, most soothing to my listening ears and calming to beleaguering fears, I call a symphony on air― the song of sweet, still silence rare.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
I realized then why people call suicide hotlines. The person on the other end of the line wasn’t a therapist, wasn’t going to prescribe medicine, wasn’t going to try to convince the caller to feel differently, wasn’t going to love the caller the way a family member would. The person on the other end of the line was going to listen without judgment or fear, an invaluable gift that the suicidal rarely receive.
Mark Lukach (My Lovely Wife in the Psych Ward)
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
Michel Houellebecq (Whatever)
Hey, I heard this great song,” he said. Gansey tried to tune out the sound of a raven horking down a hot dog. “Want a listen?” Gansey and Ronan rarely agreed on music, but Gansey shrugged an agreement. Removing his headphones from his neck, Ronan placed them on Gansey´s ears - they smelled a little dusty and birdy from proximity to Chainsaw. Sound came through the headphones: “Squash one, squash tw -” Gansey tore them off as Ronan dissolved into manic laughter, which Chainsaw echoed, flapping her wings, both of them terrible and amused. “You bastard,” Gansey said savagely. “You bastard. You betrayed my trust.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I’ll tell you a story—one I used to tell a little boy with dark hair, a silent boy who rarely laughed, who listened more closely than I realised. A boy who had a name and not a title.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Don't listen to me. Advice so rarely finds its inteded audience. It's like the sword in the stone — you leave it there, maybe someday someone finds it useful. Sorry, people — we're driving through lativia and I can't reach for my state of mind. 1. Thoughts are made of water and water always finds a way. 2. If you can't dodge the water, run.
Dave Eggers
Listen, listen!" I interrupted her. "Forgive me if I tell you something else.... I tell you what, I can't help coming here to-morrow, I am a dreamer; I have so little real life that I look upon such moments as this now, as so rare, that I cannot help going over such moments again in my dreams. I shall be dreaming of you all night, a whole week, a whole year. I shall certainly come here to-morrow, just here to this place, just at the same hour, and I shall be happy remembering today. This place is dear to me already. I have already two or three such places in Petersburg. I once shed tears over memories ... like you.... Who knows, perhaps you were weeping ten minutes ago over some memory.... But, forgive me, I have forgotten myself again; perhaps you have once been particularly happy here....
Fyodor Dostoevsky (White Nights)
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I mean only that in our Times, 'tis not a rare Dispute," Maskelyne assures him. "Reason, or any Vocation to it,-- the Pursuit of the Sciences,-- these are the hope of the Young, the new Music their Families cannot follow, occasionally not even listen to.
Thomas Pynchon (Mason & Dixon)
On the surface, at least, it seemed that I had more problems than Ted did. He was one of those rare people who listen with full attention, who evince a genuine caring by their very stance. You could tell things to Ted that you might never tell anyone else.
Ann Rule (The Stranger Beside Me: Ted Bundy: The Shocking Inside Story)
In the rare moments I permitted any stillness, I noted a small fluttering at the pit of my belly, a barely perceptible disturbance. The faint whisper of a word would sound in my head: writing. At first I could not say whether it was heartburn or inspiration. The more I listened, the louder the message became: I needed to write, to express myself through written language not only so that others might hear me but so that I could hear myself. The gods, we are taught, created humankind in their own image. Everyone has an urge to create. Its expression may flow through many channels: through writing, art, or music or through the inventiveness of work or in any number of ways unique to all of us, whether it be cooking, gardening, or the art of social discourse. The point is to honor the urge. To do so is healing for ourselves and for others; not to do so deadens our bodies and our spirits. When I did not write, I suffocated in silence.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
Ideally, I'd be paid money to sit in a dimly lit room, reading and talking to nobody. Apart from maybe on the rare occasion where I'm wheeled out to talk at someone about something I'm interested in, and everybody is forced to listen but not allowed to respond.
Holly Smale (Cassandra in Reverse)
there was a sort of embarrassment about storytelling that struck home powerfully about one hundred years ago, at the beginning of modernism. We see a similar reaction in painting and in music. It's a preoccupation suddenly with the surface rather than the depth. So you get, for example, Picasso and Braque making all kinds of experiments with the actual surface of the painting. That becomes the interesting thing, much more interesting than the thing depicted, which is just an old newspaper, a glass of wine, something like that. In music, the Second Viennese School becomes very interested in what happens when the surface, the diatonic structure of the keys breaks down, and we look at the notes themselves in a sort of tone row, instead of concentrating on things like tunes, which are sort of further in, if you like. That happened, of course, in literature, too, with such great works as James Joyce's Ulysses, which is all about, really, how it's told. Not so much about what happens, which is a pretty banal event in a banal man's life. It's about how it's told. The surface suddenly became passionately interesting to artists in every field about a hundred years ago. In the field of literature, story retreated. The books we talked about just now, Middlemarch, Bleak House, Vanity Fair -- their authors were the great storytellers as well as the great artists. After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's..." So there was a great split that took place. Story retreated, as it were, into genre fiction-into crime fiction, into science fiction, into romantic fiction-whereas the high-art literary people went another way. Children's books held onto the story, because children are rarely interested in surfaces in that sort of way. They're interested in what-happened and what-happened next. I found it a great discipline, when I was writing The Golden Compass and other books, to think that there were some children in the audience. I put it like that because I don't say I write for children. I find it hard to understand how some writers can say with great confidence, "Oh, I write for fourth grade children" or "I write for boys of 12 or 13." How do they know? I don't know. I would rather consider myself in the rather romantic position of the old storyteller in the marketplace: you sit down on your little bit of carpet with your hat upturned in front of you, and you start to tell a story. Your interest really is not in excluding people and saying to some of them, "No, you can't come, because it's just for so-and-so." My interest as a storyteller is to have as big an audience as possible. That will include children, I hope, and it will include adults, I hope. If dogs and horses want to stop and listen, they're welcome as well.
Philip Pullman
You did listen." He sat back, nodding his head. "Okay, then. Now tell me what you really thought." "I told you. It was interesting." "Interesting," he said, "is not a word." "Since when?" "It's a placeholder. Something you use when you don't want to say something else." He leaned a little closer to me. "Look, if you're worried about my feelings, don't be. You can say whatever you want. I won't be offended." "I did. I liked it." "Tell the truth. Say something. Anything. Just spit it out." "I—" I began, then stopped myself. Maybe it was the fact that he was so clearly on to me. Or my sudden awareness of how rarely I was honest. Either way, I broke. "I… I didn't like it," I said. He slapped his leg. "I knew it! You know, for someone who lies a lot, you're not very good at it." This was a good thing. Or not? I wasn't sure. "I'm not a liar," I said. "Right. You're nice," he said. "What's wrong with nice?" "Nothing. Except it usually involves not telling the truth," he replied. "Now. Tell me what you really thought.
Sarah Dessen (Just Listen)
The world is full of doctors, but healers are rare. The world is full of pills, but medicine is rare. The world is full of stethoscopes, but listening is rare. And when someone’s in misery, I have no doubt you’ll appear.
Abhijit Naskar (See No Gender)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
Sylvia rarely flattered the men in her life- she envied them. She was far more likely to compete with a man than a woman. In her journal she describes this jealousy of which she is painfully aware; "It is an envy born of the desire to be active and doing, not passive and listening." She craved the "double life" of men, who could enjoy career, sex, and family. "I can pretend to forget my envy," she writes, "no matter, it is there, insidious, malignant, latent.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
The third facilitative aspect of the relationship is empathic understanding. This means that the therapist senses accurately the feelings and personal meanings that the client is experiencing and communicates this understanding to the client. When functioning best, the therapist is so much inside the private world of the other that he or she can clarify not only the meanings of which the client is aware but even those just below the level of awareness. This kind of sensitive, active listening is exceedingly rare in our lives. We think we listen, but very rarely do we listen with real understanding, true empathy. Yet listening, of this very special kind, is one of the most potent forces for change that I know.
Carl R. Rogers
Doesn’t matter whether you’re a baker’s wife or a whore or a princess—if you have the strength, you can take a lover, write a motet, lead an army, rule a country. Women have. Not all, granted, but some. And we adore them, don’t we? In theory. We make statues of warrior women, paint them on our ceilings—goddesses with shields and togas and one fair breast exposed so there can be no doubt. The palaces of Europe are covered in them. The Opéra stages, too, for that matter. Yet most women I know—no matter how clever, no matter how strong—are dragged down by husbands or fathers or titles or too many petticoats, or priests clutching at their hems, telling them, ‘No, you cannot do that, you cannot be that.’ I never listened. That’s rare.
Kelly Gardiner (Goddess)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. "Now, then," he said. "We can do this the easy way, or we can make things difficult." With a soft snort, she turned her head. It was as if he'd ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. "Listen sharp, now." He gave her ear a rough tweak and sank his voice to a low threat. "If you know what's good for you, you'll do as I say." Though she spoke not a word, her reply was clear: You can kiss my great wolly arse. Confounded sheep.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Cops and Robbers in 1965 England was still a kind of Ealing comedy: crimes rarely involved firearms. The denizens of F-wing were losers in a game they had been playing against the cops. In queues for exercise, the constant questions were 'What you in for, mate?', followed by 'What you reckon you'll get?' When Freddie and I responded with 'Suspicion of drug possession' and 'We're innocent, we'll get off' they would burst into laughter, offering: 'Listen, mate, they wouldn't have you in here if they had any intention of letting you off. You're living in dreamland, you are.
Joe Boyd (White Bicycles: Making Music in the 1960s)
Aloneness – that is what SM feels like to me. Isolated, alone, separated, left out as I silently stand by watching others experience life while the words freeze inside me, afraid to speak up or join in a conversation. Actually feeling the anxiety shaking inside my chest as I try to get up the courage to speak to someone or call or text a friend. SM feels like the child standing alone behind the door watching the other kids in the playground – afraid to ask, 'may I play?' It feels like the teenager standing silently against the wall, listening to classmates laugh and chat, invisible to everyone and wondering what it would be like to have a friend. It feels like the 50-year-old office worker, alone in her cube while others chat and laugh in the aisle, still left out. I live inside a shell, a mask that looks like me, but isn't me. I am in here, but it is really hard to let others see. I'm so grateful for the few dear friends I have now. Most people, though, only see the shell and assume I'm aloof and uncaring because I am quiet. I feel very deeply. I feel others' joy and pain intensely, yet they rarely know. I'm not quiet because I am uncaring. I'm silent because I'm afraid.
Carl Sutton (Selective Mutism In Our Own Words: Experiences in Childhood and Adulthood)
Listen to me, Harry. You happen to have many qualities Salazar Slytherin prized in his hand-picked students. His own very rare gift, Parseltongue — resourcefulness — determination — a certain disregard for rules,” he added, his mustache quivering again. “Yet the Sorting Hat placed you in Gryffindor. You know why that was. Think.” “It only put me in Gryffindor,” said Harry in a defeated voice, “because I asked not to go in Slytherin. . . .” “Exactly,” said Dumbledore, beaming once more. “Which makes you very different from Tom Riddle. It is our choices, Harry, that show what we truly are, far more than our abilities.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
My parents kept a small cabin the mountains. It was a simple thing, just four walls, and very dark inside. A heavy felt curtain blotted out whatever light made it through the canopy of huge pines and down into the cabin's only window. There was a queen-size bed in there, an armchair, and a wood-burning stove. It wasn't an old cabin. I think my parents built it in the seventies from a kit. In a few spots the wood beams were branded with the word HOME-RITE. But the spirit of the place me think of simpler times, olden days, yore, or whenever it was that people rarely spoke except to say there was a store coming or the berries were poisonous or whatnot, the bare essentials. It was deadly quiet up there. You could hear your own heart beating if you listened. I loved it, or at least I thought I ought to love it - I've never been very clear on that distinction.
Ottessa Moshfegh (Homesick for Another World)
I had no interest in starting over again, but there are some people whom we grant the role of oracle in our lives and when they speak--rarely, gravely--we are well-advised to listen.
Ann Patchett (What Now?)
There is a very old story, rarely told, of a wolf that runs into the ocean and becomes a whale. It is said that the two animals share a spirit. I'd been sent a vision, though I didn't know by whom. Sila, perhaps. Or Singarti. Maybe even Ataata. I couldn't speak to them, couldn't summon them- but I could watch. I could listen. And I thought I understood their message. The wolf is not bound to its shape. I can change form at will, transforming to a whale when it must swim in the sea. Seeing the whale, no one would ever suspect it had once been a wolf.
Jordanna Max Brodsky (The Wolf in the Whale)
In the 1950s I rarely went to a community meeting without Jimmy and would usually just listen or ask questions. Now, having worked in the city and socialized with Jimmy’s friends and Correspondence readers for years, I felt I had something to contribute. I was beginning to feel comfortable with the we pronoun, so comfortable that in FBI records of that period I am described as Afro-Chinese.
Grace Lee Boggs (Living for Change: An Autobiography)
Listen.’ Caroline moved closer and lowered her voice. ‘I take marriage seriously. I have tried to respect the vows made as a foolish girl. But my dear, consider this. We are granted only one life. And during that life, opportunities for a true meeting of hearts come rarely, if at all. I do not flout convention casually. But nor will I subjugate my deepest yearnings to rules dictated by others.
M.A. Sandiford (Darcy's Redemption: A Pride and Prejudice Variation)
Good follow-up is just as important as the meeting itself. The great master of follow-up was Alfred Sloan, the most effective business executive I have ever known. Sloan, who headed General Motors from the 1920s until the 1950s, spent most of his six working days a week in meetings—three days a week in formal committee meetings with a set membership, the other three days in ad hoc meetings with individual GM executives or with a small group of executives. At the beginning of a formal meeting, Sloan announced the meeting’s purpose. He then listened. He never took notes and he rarely spoke except to clarify a confusing point. At the end he summed up, thanked the participants, and left. Then he immediately wrote a short memo addressed to one attendee of the meeting. In that note, he summarized the discussion and its conclusions and spelled out any work assignment decided upon in the meeting (including a decision to hold another meeting on the subject or to study an issue). He specified the deadline and the executive who was to be accountable for the assignment. He sent a copy of the memo to everyone who’d been present at the meeting. It was through these memos—each a small masterpiece—that Sloan made himself into an outstandingly effective executive.
Peter F. Drucker (The Effective Executive: The Definitive Guide to Getting the Right Things Done (Harperbusiness Essentials))
People retreated behind their front doors into the hidden zone of their private, family worlds and when outsiders asked how things were they answered, Oh, everything’s going along just fine, not much to report, situation normal. But everyone secretly knew that behind that door things were rarely humdrum. More typically, all hell was breaking loose, as people dealt with their angry fathers, drunken mothers, resentful siblings, mad aunts, lecherous uncles and crumbling grandparents. The family was not the firm foundation upon which society rested, but stood at the dark chaotic heart of everything that ailed us. It was not normal, but surreal; not humdrum, but filled with event; not ordinary, but bizarre. He remembered with what excitement he had listened, at the age of twenty, to the Reith Lectures delivered on BBC Radio by Edmund Leach, the great anthropologist and interpreter of Claude Lévi-Strauss who, a year earlier, had succeeded Noel Annan as provost of King’s. “Far from being the basis of the good society,” Leach had said, “the family, with its narrow privacy and tawdry secrets, is the source of all our discontents.” Yes! he thought. Yes! That is a thing I also know. The families in the novels he later wrote would be explosive, operatic, arm-waving, exclamatory, wild. People who did not like his books would sometimes criticize these fictional families for being unrealistic—not “ordinary” enough. However, readers who did like his books said to him, “Those families are exactly like my family.
Salman Rushdie (Joseph Anton: A Memoir)
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
Because you know, truth is, I don’t give a shit about some scratched-up vinyl Rahsaan Kirk, Ornette Coleman sound-like-a-goose-trying-to-fuck-a-bicycle bootleg pressing from the rare Paris concert of 1967. I spend five minutes listening to that, I’m like to want to slap somebody. I
Michael Chabon (Telegraph Avenue)
Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo. (Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.)
Nick Hornby (The Polysyllabic Spree)
Tell me!” Cecily insisted later, shaking Colby by both arms. “Cut it out, you’ll dismember me,” Colby said, chuckling. She let go of the artificial arm and wrapped both hands around the good one. “I want to know. Listen, this is my covert operation. You’re just a stand-in!” “I promised I wouldn’t tell.” “You promised in Lakota. Tell me in English what you promised in Lakota.” He gave in. He did tell her, but not Leta, what was said, but only about the men coming to the reservation soon. “We’ll need the license plate number,” she said. “It can be traced. “Oh, of course,” he said facetiously. “They’ll certainly come here with their own license plate on the car so that everyone knows who they are!” “Damn!” He chuckled at her irritation. He was about to tell her about his alternative method when a big sport utility vehicle came flying down the dirt road and pulled up right in front of Leta’s small house. Tate Winthrop got out, wearing jeans and a buckskin jacket and sunglasses. His thick hair fell around his shoulders and down his back like a straight black silk curtain. Cecily stared at it with curious fascination. In all the years she’d known him, she’d very rarely seen his hair down. “All you need is the war paint,” Colby said in a resigned tone. He turned the uninjured cheek toward the newcomer. “Go ahead. I like matching scars.” Tate took off the dark glasses and looked from Cecily to Colby without smiling. “Holden won’t tell me a damned thing. I want answers.” “Come inside, then,” Cecily replied. “We’re attracting enough attention as it is.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Jeremy Bentham startled the world many years ago by stating in effect that if the amount of pleasure obtained from each be equal there is nothing to choose between poetry and push-pin. Since few people now know what push-pin is, I may explain that it is a child's game in which one player tries to push his pin across that of another player, and if he succeeds and then is able by pressing down on the two pins with the ball of his thumb to lift them off the table he wins possession of his opponent's pin. [...] The indignant retort to Bentham's statement was that spiritual pleasures are obviously higher than physical pleasures. But who say so? Those who prefer spiritual pleasures. They are in a miserable minority, as they acknowledge when they declare that the gift of aesthetic appreciation is a very rare one. The vast majority of men are, as we know, both by necessity and choice preoccupied with material considerations. Their pleasures are material. They look askance at those who spent their lives in the pursuit of art. That is why they have attached a depreciatory sense to the word aesthete, which means merely one who has a special appreciation of beauty. How are we going to show that they are wrong? How are we going to show that there is something to choose between poetry and push-pin? I surmise that Bentham chose push-pin for its pleasant alliteration with poetry. Let us speak of lawn tennis. It is a popular game which many of us can play with pleasure. It needs skill and judgement, a good eye and a cool head. If I get the same amount of pleasure out of playing it as you get by looking at Titian's 'Entombment of Christ' in the Louvre, by listening to Beethoven's 'Eroica' or by reading Eliot's 'Ash Wednesday', how are you going to prove that your pleasure is better and more refined than mine? Only, I should say, by manifesting that this gift you have of aesthetic appreciation has a moral effect on your character.
W. Somerset Maugham (Vagrant Mood)
But you know, the longer you listen to this abortion debate, the more you hear this phrase “sanctity of life”. You’ve heard that. Sanctity of life. You believe in it? Personally, I think it’s a bunch of shit. Well, I mean, life is sacred? Who said so? God? Hey, if you read history, you realize that God is one of the leading causes of death. Has been for thousands of years. Hindus, Muslims, Jews, Christians all taking turns killing each other ‘cause God told them it was a good idea. The sword of God, the blood of the land, vengeance is mine. Millions of dead motherfuckers. Millions of dead motherfuckers all because they gave the wrong answer to the God question. “You believe in God?” “No.” Boom. Dead. “You believe in God?” “Yes.” “You believe in my God? “No.” Boom. Dead. “My God has a bigger dick than your God!” Thousands of years. Thousands of years, and all the best wars, too. The bloodiest, most brutal wars fought, all based on religious hatred. Which is fine with me. Hey, any time a bunch of holy people want to kill each other I’m a happy guy. But don’t be giving me all this shit about the sanctity of life. I mean, even if there were such a thing, I don’t think it’s something you can blame on God. No, you know where the sanctity of life came from? We made it up. You know why? ‘Cause we’re alive. Self-interest. Living people have a strong interest in promoting the idea that somehow life is sacred. You don’t see Abbott and Costello running around, talking about this shit, do you? We’re not hearing a whole lot from Mussolini on the subject. What’s the latest from JFK? Not a goddamn thing. ‘Cause JFK, Mussolini and Abbott and Costello are fucking dead. They’re fucking dead. And dead people give less than a shit about the sanctity of life. Only living people care about it so the whole thing grows out of a completely biased point of view. It’s a self serving, man-made bullshit story. It’s one of these things we tell ourselves so we’ll feel noble. Life is sacred. Makes you feel noble. Well let me ask you this: if everything that ever lived is dead, and everything alive is gonna die, where does the sacred part come in? I’m having trouble with that. ‘Cuz, I mean, even with all this stuff we preach about the sanctity of life, we don’t practice it. We don’t practice it. Look at what we’d kill: Mosquitoes and flies. ‘Cause they’re pests. Lions and tigers. ‘Cause it’s fun! Chickens and pigs. ‘Cause we’re hungry. Pheasants and quails. ‘Cause it’s fun. And we’re hungry. And people. We kill people… ‘Cause they’re pests. And it’s fun! And you might have noticed something else. The sanctity of life doesn’t seem to apply to cancer cells, does it? You rarely see a bumper sticker that says “Save the tumors.”. Or “I brake for advanced melanoma.”. No, viruses, mold, mildew, maggots, fungus, weeds, E. Coli bacteria, the crabs. Nothing sacred about those things. So at best the sanctity of life is kind of a selective thing. We get to choose which forms of life we feel are sacred, and we get to kill the rest. Pretty neat deal, huh? You know how we got it? We made the whole fucking thing up! Made it up!
George Carlin (More Napalm and Silly Putty)
Mindfulness helps us step back, observe those self-defeating thoughts without judgment, and abandon them. But when we are not in the present moment and we’re listening to that self-critic, here’s what can happen: We can get so keyed up (“No, I’ve got to shoot real quick, because I want to make it”) that our energy is channeled through a narrow, tense spectrum. We rarely get into flow that way. On the contrary, we get in our own way.
George Mumford (The Mindful Athlete: Secrets to Pure Performance)
a twenty-year study that tracked six thousand British civil servants found that when their bosses criticized them unfairly, didn’t listen to their problems, and rarely praised them, employees suffered more angina, heart attacks, and deaths from heart disease. You get the idea. It doesn’t matter whether the assholes around you are getting ahead or (more likely) screwing up their lives, careers, and companies. They pose a danger to you and others.
Robert I. Sutton (The Asshole Survival Guide: How to Deal with People Who Treat You Like Dirt)
Listen to me now, because if there is one thing in your lifetime that I want you to believe with every fiber of your being, it is this: You are a feat of physics and complex molecules, a spirit magnificent in magnitudes, a precious and invaluable treasure to be cherished—you are the only one of your kind. There has never been another you to walk this planet. There will never be another you again. You are bigger than your body. Your soul is rare.
Kirsten Robinson (Evergreen)
When I gave up the tying of ribbons, still I tied my garment about me: When I gave up tying my garment, still I covered my body in its folds. So when I give up passion, I see that anger remains; And when I renounce anger, greed is still with me still; And when greed is vanquished, pride and vainglory remain; When the mind is detached and casts Maya away,still it clings to the latter. Kabir says, 'Listen to me, dear Sadhu! the true path is rarely found.
Kabir (Songs of Kabir)
It was the Law of Attraction that she was referring to, and it was something I had always understood on a certain, nebulous level but rarely had paid attention to until a situation got so extreme that I had no other choice but to listen because I was out of other options. Like attracts like. Positive attracts positive, negative attracts negative. Change your outlook, change your day-to-day experience, change your future, change your world. Now that I was more conscious of it, I was working to enact it more into my life by making better choices and opening myself to the change that appeared for me to reach out and experience. That was key, too--being open to the change and allowing it to happen. Not being too afraid to experience something efferent and unfamiliar. Allowing yourself to stretch and grow in new ways of being. Change was scary, but it was exciting, too. It all comes back to you and your outlook.
Madelyn Alt
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Clarke remembered having his first experience with global communication when he worked at the Bishops Lydeard Post Office in his teens. “I was night operator for quite a long time at Bishops Lydeard, and one night there was a call from New York—very rare in those days. The call came by radio, of course; it was long before there was any telephonic cable. The operator in Taunton must have detected me listening in, and told me to unplug. I was probably weakening the signal.
Neil McAleer (Sir Arthur C. Clarke: Odyssey of a Visionary: The Biography (Arthur C. Clarke Collection))
In my new job [in 1982] I was confronted on an almost daily basis with issues I thought I had left behind at the VA. My experience with combat veterans had so sensitized me to the impact of trauma that I now listened with a very different ear when depressed and anxious patients told me stories of molestation and family violence. I was particularly struck by how many female patients spoke of being sexually abused as children. This was puzzling, as the standard textbook of psychiatry at the time stated that incest was extremely rare in the United States, occurring about once in every million women. Given that there were then only about one hundred million women living in the United States, I wondered how forty seven, almost half of them, had found their way to my office in the basement of the hospital. Furthermore, the textbook said, 'There is little agreement about the role of father-daughter incest as a source of serious subsequent psychopathology.' My patients with incest histories were hardly free of 'subsequent psychopathology'—they were profoundly depressed, confused, and often engaged in bizarrely self-harmful behaviors, such as cutting themselves with razor blades. The textbook went on to practically endorse incest, explaining that 'such incestuous activity diminishes the subject’s chance of psychosis and allows for a better adjustment to the external world.' In fact, as it turned out, incest had devastating effects on women’s well-being.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations. The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It’s a rare sermon, however, that suffers because of a good introduction. Mysteries beg for answers. People’s natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do. Talk about what people care about. Begin writing an introduction by asking, “Will my listeners care about this?” (Not, “Why should they care about this?”) Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, “I’m about to preach the Word of God. I want all of you settled. I’m not going to begin, in fact, until I have your complete attention.” No sermon is ready for preaching, not ready for writing out, until we can express its theme in a short, pregnant sentence as clear as crystal. The getting of that sentence is the hardest, most exacting, and most fruitful labor of study. We tend to use generalities for compelling reasons. Specifics often take research and extra thought, precious commodities to a pastor. Generalities are safe. We can’t help but use generalities when we can’t remember details of a story or when we want anonymity for someone. Still, the more specific their language, the better speakers communicate. I used to balk at spending a large amount of time on a story, because I wanted to get to the point. Now I realize the story gets the point across better than my declarative statements. Omit needless words. Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. Limits—that is, form—challenge the mind, forcing creativity. Needless words weaken our offense. Listening to some speakers, you have to sift hundreds of gallons of water to get one speck of gold. If the sermon is so complicated that it needs a summary, its problems run deeper than the conclusion. The last sentence of a sermon already has authority; when the last sentence is Scripture, this is even more true. No matter what our tone or approach, we are wise to craft the conclusion carefully. In fact, given the crisis and opportunity that the conclusion presents—remember, it will likely be people’s lasting memory of the message—it’s probably a good practice to write out the conclusion, regardless of how much of the rest of the sermon is written. It is you who preaches Christ. And you will preach Christ a little differently than any other preacher. Not to do so is to deny your God-given uniqueness. Aim for clarity first. Beauty and eloquence should be added to make things even more clear, not more impressive. I’ll have not praise nor time for those who suppose that writing comes by some divine gift, some madness, some overflow of feeling. I’m especially grim on Christians who enter the field blithely unprepared and literarily innocent of any hard work—as though the substance of their message forgives the failure of its form.
Mark Galli (Preaching that Connects)
I held my breath because it seemed the only sound left in the world and all around me then was an extraordinary silence. It made me feel light, that silence, as if I might float to the ceiling, as if I might be able to open my arms, flap them, and fly with the sparrows. I don’t know how long I sat there holding my breath in the dark, but I thought then of how loud the world could be, so much clatter and noise, and of how lovely and rare was a moment like this when one need not listen to anything at all.
Rattawut Lapcharoensap (Sightseeing)
In the years since the disaster, I often think of my friend Arturo Nogueira, and the conversations we had in the mountains about God. Many of my fellow survivors say they felt the personal presence of God in the mountains. He mercifully allowed us to survive, they believe, in answer to our prayers, and they are certain it was His hand that led us home. I deeply respect the faith of my friends, but, to be honest, as hard as I prayed for a miracle in the Andes, I never felt the personal presence of God. At least, I did not feel God as most people see Him. I did feel something larger than myself, something in the mountains and the glaciers and the glowing sky that, in rare moments, reassured me, and made me feel that the world was orderly and loving and good. If this was God, it was not God as a being or a spirit or some omnipotent, superhuman mind. It was not a God who would choose to save us or abandon us, or change in any way. It was simply a silence, a wholeness, an awe-inspiring simplicity. It seemed to reach me through my own feelings of love, and I have often thought that when we feel what we call love, we are really feeling our connection to this awesome presence. I feel this presence still when my mind quiets and I really pay attention. I don’t pretend to understand what it is or what it wants from me. I don’t want to understand these things. I have no interest in any God who can be understood, who speaks to us in one holy book or another, and who tinkers with our lives according to some divine plan, as if we were characters in a play. How can I make sense of a God who sets one religion above the rest, who answers one prayer and ignores another, who sends sixteen young men home and leaves twenty-nine others dead on a mountain? There was a time when I wanted to know that god, but I realize now that what I really wanted was the comfort of certainty, the knowledge that my God was the true God, and that in the end He would reward me for my faithfulness. Now I understand that to be certain–-about God, about anything–-is impossible. I have lost my need to know. In those unforgettable conversations I had with Arturo as he lay dying, he told me the best way to find faith was by having the courage to doubt. I remember those words every day, and I doubt, and I hope, and in this crude way I try to grope my way toward truth. I still pray the prayers I learned as a child–-Hail Marys, Our Fathers–-but I don’t imagine a wise, heavenly father listening patiently on the other end of the line. Instead, I imagine love, an ocean of love, the very source of love, and I imagine myself merging with it. I open myself to it, I try to direct that tide of love toward the people who are close to me, hoping to protect them and bind them to me forever and connect us all to whatever there is in the world that is eternal. …When I pray this way, I feel as if I am connected to something good and whole and powerful. In the mountains, it was love that kept me connected to the world of the living. Courage or cleverness wouldn’t have saved me. I had no expertise to draw on, so I relied upon the trust I felt in my love for my father and my future, and that trust led me home. Since then, it has led me to a deeper understanding of who I am and what it means to be human. Now I am convinced that if there is something divine in the universe, the only way I will find it is through the love I feel for my family and my friends, and through the simple wonder of being alive. I don’t need any other wisdom or philosophy than this: My duty is to fill my time on earth with as much life as possible, to become a little more human every day, and to understand that we only become human when we love. …For me, this is enough.
Nando Parrado
Yet I also felt, for the first time, truly and sincerely pissed. It was enough already. Enough! I’d reached that point that comes in the life of most anxiety sufferers when, fed up by the constant waking torture, dejected and buckled but not yet crushed, they at last turn to their anxiety, to themselves, and say, “Listen here: Fuck you. Fuck you! I am sick and fucking tired of this bullshit. I refuse to let you win. I am not going to take it anymore. You are ruining my fucking life and you MUST FUCKING DIE!” Unfortunately, this approach rarely solves the problem. Anxiety doesn’t bend to absolutism. You have to take a subtler, more reasoned approach. But that doesn’t mean anger is totally unhelpful. Being pissed off is a strong cocktail for the will. It stiffens the spine. It strengthens resolve. It makes a person less willing to run away from the anxiety and more willing to walk into it, which you’re going to have to do, ultimately, if you don’t want to end up a complete agoraphobic. Anger breeds defiance, and defiance is inspiriting. It’s good to refuse to give in to anxiety. You just have to know how much you can take.
Daniel B. Smith (Monkey Mind: A Memoir of Anxiety)
I've long said my books 'happen' to me. They tend to blast in from nowhere, seize me by the throat, and howl, Write me! Write me now! But they rarely stand still long enough for me to see what and who they are, before they hurtle away again, and so I spend a lot of my time running after them, like a thrown rider after an escaped horse, saying, Wait for me! Wait for me!, and waving my notebook in the air. Rose Daughter happened, but it bolted with me. Writing it was quite like riding a not-quite-runaway horse, who is willing to listen to you, so long as you let it run.
Robin McKinley (Rose Daughter)
Women and horses have a lot in common. Would you like to know what? Fine. Well, if a horse refuses, you've phrased your question wrongly. It's the same with women. Don't ask them: 'Shall we go out to dinner?' Ask: 'What can I cook for you?' Can she say no to that? No, she can't. Instead of whispering instructions to them like you would to a horse - lie down, woman, put your harness on - you should listen to them. Listen to what they want. In fact, they want to be free and to sail across the sky. It takes only one word to hurt a woman, a matter of seconds, one stupid, impatient blow of the crop. But winning back her trust takes years. And sometimes there isn't the time. It's amazing how unimpressed people are by being loved when it doesn't fit in with their plans. Love irks them so much that they change the locks or leave without warning. And when a horse leaves us, Jeanno, we deserve that love as little as when a woman does. They are superior beings to us men. When they love us, then they are being gracious, for only rarely do we give them reason to love us. And that's why it hurts so much. When women stop loving, men fall into a void of their own making.
Nina George (The Little Paris Bookshop)
I live, at all times, for imaginative fiction; for ambivalence, not instruction. When language serves dogma, then literature is lost. I live also, and only, for excellence. My care is not for the cult of egalitarian mediocrity that is sweeping the world today, wherein even the critics are no longer qualified to differentiate, but for literature, which you may notice I have not defined. I would say that, because of its essential ambivalence, 'literature' is: words that provoke a response; that invite the reader or listener to partake of the creative act. There can be no one meaning for a text. Even that of the writer is a but an option. "Literature exists at every level of experience. It is inclusive, not exclusive. It embraces; it does not reduce, however simply it is expressed. The purpose of the storyteller is to relate the truth in a manner that is simple: to integrate without reduction; for it is rarely possible to declare the truth as it is, because the universe presents itself as a Mystery. We have to find parables; we have to tell stories to unriddle the world. "It is a paradox: yet one so important I must restate it. The job of a storyteller is to speak the truth; but what we feel most deeply cannot be spoken in words. At this level only images connect. And so story becomes symbol; and symbol is myth." "It is one of the main errors of historical and rational analysis to suppose that the 'original form' of myth can be separated from its miraculous elements. 'Wonder is only the first glimpse of the start of philosophy,' says Plato. Aristotle is more explicit: 'The lover of myths, which are a compound of wonders, is, by his being in that very state, a lover of wisdom.' Myth encapsulates the nearest approach to absolute that words can speak.
Alan Garner (The Voice That Thunders)
Now, isn’t that neat.” Midwestern sarcasm, when it’s done correctly, can be a thing of rare beauty. It’s like performance art. Everywhere else in the world, you can identify sarcasm if you’re paying attention. Even if the hostility isn’t overt, you can read the signs. There’ll be slightly elongated syllables or a pitch that’s just a little off. It’s like a trombone player with a plunger head. There’s that slight “wah-wah” tone-bending to let you know not to take this too seriously. Midwestern sarcasm plays it straight and makes you listen more closely. You have to treat every conversation like a safecracker. Unless your ears have been trained to recognize it, you’ll miss the hint of a minor key. Sometimes you don’t realize what’s happened until hours later, when it’s 3:00 a.m. and you’re half-asleep, and it suddenly hits you. “Aw, crap, they didn’t mean any of that, did they?” Midwestern sarcasm becomes even more deadly when it’s combined with small-town isolationism. These women had been cheerleaders at our high school, they weren’t indie rock aficionados, and Wilco isn’t exactly a household name. So on the one hand, it wasn’t surprising that they hadn’t followed every turn in my career. It’s shocking that they even remembered I played music at all.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
Again the guru said: Listen here, fortunate people of future times who follow the words of Padmakara! First of all, when embarking on the path you must be diligent. For so long in the past, you were engrossed in deluded experience; for incalculable aeons, anything you did went astray in delusion. Cut through this delusion right now while you have obtained a human body […] It is extremely difficult to obtain a human body. Having obtained it, only a few people hear the name of the Buddha. After hearing it, it is extremely rare that someone feels faith. And even feeling faith once, after entering the Dharma many people like stubborn beasts break their samayas and precepts and head downhill. Seeing these sentient beings, the bodhisattvas despair, and I, Padmakara, grieve.
Padmasambhava (Advice from the Lotus-Born: A Collection of Padmasambhava's Advice to the Dakini Yeshe Tsogyal and Other Close Disciples)
How do you know if you'd be better off without your family?" she asked. [...] "I don't think it's so cut and dry. Like, I still talk to my parents. They love me. They just have lives that aren't the one I want." [...] "Yeah, it's about choosing how you want the people in your life to make you feel. You can decide you only want people in your life who make you feel respected, cared for, listened to. Then you communicate that to them, and if they repeatedly make you feel disrespected, neglected, or ignored instead, you stop giving them your time or energy." "Family's hard because it's rarely all bad. There's all those pretty memories of good times too. [...]" "And it feels like if you cut those people off from your future, then you lose the folks that knew that part of your past. But it's not true. You keep those memories no matter what because they're yours. They don't belong to the people you shared them with.
Roan Parrish (The Holiday Trap)
For two years I've read the scrolls and learned the language, and I know more about magick than anyone here...You ask what the greatest power is, and I know that niether the dwarf magick of Terus, nor the dragon power of Victus is superior, even though I should say that Terus is because my father's a Mender and his spells come from the Green book. Even the elf magick that is so rare that none in Darton is a master or matron of it, is still just one of the three colours and no better than any other. That's the whole point of the system, and it's stupid...None of the scrolls explain anything, and niether do you. Instead we have to run around an obstacle course, trade jewels between rings and sit here and write rubbish answers to a trick question. And to end it all we have to listen to a Wizard from Celenia and hope to hear some more spells. Well I know as many spells as anyone here, but they're as useless as whistling to me.
T.B. McKenzie (The Dragon and the Crow)
It is critical to your family’s well being and to your kids’ self-esteem that you like (not just love) your youngsters. What does “like” mean? Here’s an example. It’s a Saturday and you’re home by yourself for a few hours—a rare occurrence! Everyone has gone out. You’re listening to some music and just puttering around. You hear a noise outside and look out to see a car pulling up in the driveway. One of your kids gets out and heads for the front door. How do you feel in your gut right at that moment? If it’s “Oh no, the fun’s over!” that may not be like. If it’s “Oh good, I’ve got some company!” that’s more like like. Liking your children and having a good relationship with them is important for lots of reasons. The most important reason, though, may be that it’s simply more fun. Kids are naturally cute and enjoyable a lot of the time, and you want to take advantage of that valuable quality. And they only grow up with you once.
Thomas W. Phelan (1-2-3 Magic: Effective Discipline for Children 2-12: Effective Discipline for Children 2–12)
People, in all sorts and kinds.. They always want something from you. Whether it's lust, money or love. Whether they need a listening ear of a shoulder to lean on.. Most of the time people just want other people because of their loneliness. They don't even look at what you have to offer, or what you truly need. All people care about is having someone who consumes their time. Someone who looks good on 'em. I mean, who even cares about personality nowadays? Man, as long as your'e pretty they will jump right on your ass. And that to me, is the ugliest thing in human kinds. The selfishness, the greed. Sure, everyone lives for their own longings. But oh, how beautiful it would be to find someone who asks for nothing but your well-being, it's so god damn rare these days. I just wish to find people who live for happiness within themselves and others. Even if that means being alone. Solitude is the most beautiful thing in life, embrace it.
I am convinced that in the present time, in spite of the difficulties man has to meet another in a state of oblation, communion and gift of self, there are latent hidden forces in him which can be awakened in order to enable him to discover and live this reality of love and fidelity. In order to really penetrate into this mystery of the union of the couple, it is essential that each one acquire an interior maturity, a maturity that is perhaps rare. I would add that in order to be truly united and to remain truly faithful to one another, the couple must listen and be open to the Spirit of God who has reserved for Himself the science of the heart. The heart of man is satisfied only by the Infinite and to discover this Infinite in union he must open himself to the Spirit of God, a spirit of giving, of receiving. The union between the two spouses can thus deepen to such an extent that they enter in a mystical manner into the very life of God Himself.
Jean Vanier (Eruption to Hope)
People, in all sorts and kinds.. They always want something from you. Whether it's lust, money, love or even friendship. Whether they need a listening ear of a shoulder to lean on. Most of the time people just want other people because of their loneliness. They don't even look at what you have to offer, or what you truly need. All people seem to care about is having someone who consumes their time. Someone who looks good on 'em. I mean, who even cares about personality nowadays? Man, as long as you're pretty they will jump right on your ass. And that to me, is the ugliest thing in human kinds. The selfishness, the greed. Sure, everyone lives for their own longings. But oh how beautiful it would be to find someone who asks for nothing but your well-being, it's so god damn rare these days. I just wish to find people who live for happiness within themselves and others. Even if that means being alone. Solitude is the most beautiful thing in life, embrace it.
She cracked open a Diet Mountain Dew. We watched the movie in silence. In the middle, I fell back asleep. • • • OCTOBER WAS PLACID. The radiator hissed and sputtered, releasing a sharp vinegary smell that reminded me of my dead parents’ basement, so I rarely turned on the heat. I didn’t mind the cold. My visit to Dr. Tuttle that month was relatively unremarkable. “How is everything at home?” she asked. “Good? Bad? Other?” “Other,” I said. “Do you have a family history of nonbinary paradigms?” When I explained for the third time that both my parents had died, that my mother had killed herself, Dr. Tuttle unscrewed the cap of her value-size bottle of Afrin, twirled around in her chair, tilted her head back so that she was looking at me upside down, and started sniffing. “I’m listening,” she said. “It’s allergies, and now I’m hooked on this nasal spray. Please continue. Your parents are dead, and . . . ?” “And nothing. It’s fine. But I’m still not sleeping well.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Predominantly inattentive type Perhaps the majority of girls with AD/HD fall into the primarily inattentive type, and are most likely to go undiagnosed. Generally, these girls are more compliant than disruptive and get by rather passively in the academic arena. They may be hypoactive or lethargic. In the extreme, they may even seem narcoleptic. Because they do not appear to stray from cultural norms, they will rarely come to the attention of their teacher. Early report cards of an inattentive type girl may read, "She is such a sweet little girl. She must try harder to speak up in class." She is often a shy daydreamer who avoids drawing attention to herself. Fearful of expressing herself in class, she is concerned that she will be ridiculed or wrong. She often feels awkward, and may nervously twirl the ends of her hair. Her preferred seating position is in the rear of the classroom. She may appear to be listening to the teacher, even when she has drifted off and her thoughts are far away. These girls avoid challenges, are easily discouraged, and tend to give up quickly. Their lack of confidence in themselves is reflected in their failure excuses, such as, "I can't," "It's too hard," or "I used to know it, but I can't remember it now." The inattentive girl is likely to be disorganized, forgetful, and often anxious about her school work. Teachers may be frustrated because she does not finish class work on time. She may mistakenly be judged as less bright than she really is. These girls are reluctant to volunteer for a project orjoin a group of peers at recess. They worry that other children will humiliate them if they make a mistake, which they are sure they will. Indeed, one of their greatest fears is being called on in class; they may stare down at their book to avoid eye contact with the teacher, hoping that the teacher will forget they exist for the moment. Because interactions with the teacher are often anxiety-ridden, these girls may have trouble expressing themselves, even when they know the answer. Sometimes, it is concluded that they have problems with central auditory processing or expressive language skills. More likely, their anxiety interferes with their concentration, temporarily reducing their capacity to both speak and listen. Generally, these girls don't experience this problem around family or close friends, where they are more relaxed. Inattentive type girls with a high IQ and no learning disabilities will be diagnosed with AD/HD very late, if ever. These bright girls have the ability and the resources to compensate for their cognitive challenges, but it's a mixed blessing. Their psychological distress is internalized, making it less obvious, but no less damaging. Some of these girls will go unnoticed until college or beyond, and many are never diagnosed they are left to live with chronic stress that may develop into anxiety and depression as their exhausting, hidden efforts to succeed take their toll. Issues
Kathleen G. Nadeau (Understanding Girls With AD/HD)
There are so many reasons why I'm proud to be an introvert. I love being a great listener & observer. I've learned so much about people that way & it's made it very hard for anyone to deceive me. I love the fact that I'm able to enjoy my own company. I'm rarely bored because I have books & movies or even my imagination to keep me company. Speaking of books, since I love reading & researching, it's made me knowledgeable on various topics so that when I do talk to others, I can follow along & understand almost anything. Lastly, there is something about being an introvert that requires a quiet type of confidence. Yes, many times we might feel awkward & like an outcast in certain situations, but for the most part, we happily stand alone. It takes courage to not allow the world to mold us into what they want. Once we become comfortable in our own skin, we learn that we are unique & strong people. We are able to make significant impacts while flying under the radar & without making a scene. We don't need the spotlight or validation to know our worth. It's a beautiful thing to be an Introvert. Just thought I'd share.
Instead of concentrating on how we can include the “other,” too often in American Christianity the focus becomes on when, how, and finding the right justifications for excluding the “other.” When I truly begin to appreciate the inclusive nature of Jesus, my heart laments at all the exclusiveness I see and experience. I think of my female friends; women of wisdom, peace, discernment, and character who should be emulated by the rest of us. When I listen and learn from these women, I realize what an amazing leaders they would be in church—but many never will be leaders in that way because they are lacking one thing: male genitals. Wise and godly women have been excluded, not because of a lack of gifting, education, or ability, but because they were born with the wrong private parts. I also think of a man who attended my former church who has an intellectual disability. He was friendly, faithful, and could always be counted on for a good laugh because he had absolutely no filter— yelling out at least six times during each sermon. One time in church my daughter quietly leaned over to tell me she had to go to the bathroom—and, in true form so that everyone heard, he shouted out, “Hey! Pipe it down back there!” It was hilarious. However, our friend has been asked to leave several churches because of his “disruptiveness.” Instead of being loved and embraced for who he is, he has been repeatedly excluded from the people of God because of a disability. We find plenty of other reasons to exclude people. We exclude because people have been divorced, exclude them for not signing on to our 18-page statements of faith, exclude them because of their mode of baptism, exclude them because of their sexual orientation, exclude them for rejecting predestination…we have become a religious culture focused on exclusion of the “other,” instead of following the example of Jesus that focuses on finding ways for the radical inclusion of the “other.” Every day I drive by churches that proudly have “All Are Welcome” plastered across their signs; however, I rarely believe it—and I don’t think others believe it either. Far too often, instead of church being something that exists for the “other,” church becomes something that exists for the “like us” and the “willing to become like us.” And so, Christianity in America is dying.
Benjamin L. Corey (Undiluted: Rediscovering the Radical Message of Jesus)
Keats captures both ecstasy and its link with death in his ‘Ode to a Nightingale’. Darkling I listen; and for many a time I have been half in love with easeful Death, Call’d him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy!16 The association of ecstatic states of mind with death is understandable. These rare moments are of such perfection that it is hard to return to the commonplace, and tempting to end life before tensions, anxieties, sorrows, and irritations intrude once more. For Freud, dissolution of the ego is nothing but a backward look at an infantile condition which may indeed have been blissful, but which represents a paradise lost which no adult can, or should wish to, regain. For Jung, the attainment of such states are high achievements; numinous experiences which may be the fruit of long struggles to understand oneself and to make sense out of existence. At a later point in this book, Jung’s concept of individuation, of the union of opposites within the circle of the individual psyche, will be further explored.
Anthony Storr (Solitude a Return to the Self)
The marketing geniuses on the corporate side of the country music labels had decided to start using focus groups to test their products before they were developed or released. An example of this would be to ask the focus group whether they liked sad songs or happy songs. “We like happy songs!” the focus group would chirp, and the word would go back to the writers and producers to come up with “happy” songs to record. This made it especially hard on the songwriters, who rarely feel a need to write when they are happy, as then they are busy luxuriating in the pleasure of happiness. When something bad happens, they want to find a way to transcend it, so they write a song about it. When Hank Williams, one of the greatest and most successful country artists of all time, wrote a song like “Your Cheatin’ Heart” or “I’m So Lonesome I Could Cry,” he wasn’t writing “happy” songs, yet they made the listener feel better. The listener could feel that someone else had gone through an experience similar to the listener’s own, and then went to the trouble and effort to write it down accurately and share the experience like a compassionate friend might do. In this way, hearing a song like “I’m So Lonesome I Could Cry” could make the listener feel better, or “happy.
Linda Ronstadt (Simple Dreams: A Musical Memoir)
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
But it still hurt anyway. You know a guy a long time, and I mean really know him, you don’t get used to the idea that he’s dead just overnight. Johnny was something more than a buddy to all of us. I guess he had listened to more beefs and more problems from more people than any of us. A guy that’ll really listen to you, listen and care about what you’re saying, is something rare. And I couldn’t forget him telling me that he hadn’t done enough, hadn’t been out of our neighborhood all his life—and then it was too late. I took a deep breath and opened the book. A slip of paper fell out on the floor and I picked it up. Ponyboy, I asked the nurse to give you this book so you could finish it. It was Johnny’s handwriting. I went on reading, almost hearing Johnny’s quiet voice. The doctor came in a while ago but I knew anyway. I keep getting tireder and tireder. Listen, I don’t mind dying now. It’s worth it. It’s worth saving those kids. Their lives are worth more than mine, they have more to live for. Some of their parents came by to thank me and I know it was worth it. Tell Dally it’s worth it. I’m just going to miss you guys. I’ve been thinking about it, and that poem, that guy that wrote it, he meant you’re gold when you’re a kid, like green. When you’re a kid everything’s new, dawn. It’s just when you get used to everything that it’s day. Like the way you dig sunsets, Pony. That’s gold. Keep that way, it’s a good way to be. I want you to tell Dally to look at one. He’ll probably think you’re crazy, but ask for me. I don’t think he’s ever really seen a sunset. And don’t be so bugged over being a greaser. You still have a lot of time to make yourself be what you want. There’s still lots of good in the world. Tell Dally. I don’t think he knows. Your buddy, Johnny.
S.E. Hinton (The Outsiders)
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
Pity those who are punished. Alas! Who are we, after all? Who am I who speak to you now? Who are you, listening to me? Where do we come from? And is it quite certain we did nothing before we were born? The earth is not without some resemblance to a gaol. Who knows whether man is not a previous offender against divine justice? Take a close look at life. It is so organized that everywhere there is a sense of punishment. Are you what is called a happy man? Well, you are sad every day. Every day has its great sorrow or petty anxiety. Yesterday you were trembling for the health of someone dear to you, today you fear for your own; tomorrow it will be financial worries, the next day some back-biter’s slander, the day after that a friend’s misfortune. Then the weather, then something broken or lost, then a pleasure that your conscience and your backbone begrudge you. Another time, what is going on in the world. Not to mention heartache. And so on and so forth. One cloud clears, another forms. Hardly one day in a hundred that is entirely joyous, entirely sunny. And you are one of that small number who are happy! As for the rest of mankind, stagnant night is upon them. Reflective minds rarely use those terms, ‘the happy’ and ‘the unhappy’. In this world, the antechamber to another, of course, no one is happy. The real human division is this: the enlightened and the benighted. To reduce the numbers of the benighted, to increase the numbers of the enlightened, that is the object. That is why we cry: Education! Science! To teach someone to read is to light a fire! Every spelled-out syllable sparkles! And he who says ‘light’ does not necessarily say ‘joy’. People suffer in the light. An excess of it burns. The flame is enemy to the wing. To burn without ceasing to fly, that is the marvel of genius. Even if you have knowledge and even if you have love, you will still suffer. Each day begins with tears. The enlightened weep, if only for the benighted.
Victor Hugo (Les Misérables)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Amazing.” Anders glanced around with a start. He found Lucian leaning against the door frame, eyeing him with amusement. “What?” he asked, sitting up straight. “How everything can change so swiftly,” Lucian said dryly, moving into the kitchen. Anders watched him get a glass out of the cupboard before asking mildly, “And what is it you think is changing?” “Three days ago when you first realized you couldn’t read her and that she might possibly be your life mate, you weren’t happy,” Lucian said. He filled the glass with water, took a drink, and then continued, “You didn’t like the idea of anyone stealing so much of your attention, of having something to lose, of becoming a mother hen like me, or of being led around by your dick. Now you want to follow that presently very evident dick upstairs and claim Valerie by any means necessary.” Anders glanced down to note that not only did he still have an erection, but it was very evident in his boxers. Grabbing one of the couch pillows, he dragged it over his lap and muttered, “You caught all that from reading my thoughts, did you?” “Clear as glass,” Lucian said. “Right.” Anders said and grimaced at the knowledge that Lucian had read his less than complimentary thoughts about his worry for Leigh and being led around by his dick. Raising an eyebrow, he asked, “Do I owe you an apology?” “Nope. I can hardly complain when I was eavesdropping on your thoughts.” He took another drink of his water. As Lucian lowered the glass, he swallowed, and added, “But I’d go softly with Valerie. I wouldn’t want you to rush things and blow it.” “Thanks for the advice,” Anders said dryly. “I’m serious,” Lucian said softly. Anders stilled. As a rule, Lucian could be counted on to growl, grunt, or bark. His voice only got that soft, solemn sound on very rare occasions. When it did, you were smart to listen. Anders nodded. “I’m listening.” “She just experienced a nightmarish two weeks at the hands of what she thinks is a vampire. One of our kind,” he pointed out. “Ten days and nights in the flesh and three in fever-driven nightmares.” “But we aren’t vampires,” Anders pointed out. “We’re immortals.” “Semantics,” Lucian said with a shrug. “It won’t make any difference to her whether we are the mythological cursed and soulless beast Stoker wrote about, or scientifically evolved mortals turned nearly immortal by bio-engineered nanos that were introduced into our blood before the fall of Atlantis.” “Scientifically evolved mortals who need more blood than the human body can produce to power those nanos,” Anders added wearily. Lucian nodded. “We have fangs, we don’t age, we are hard to kill and we need blood to survive. To her and many others, we are vampires.” “We drink bagged blood to survive now,” Anders argued. “The immortal who kidnapped and held Valerie and the other women is a rogue.” “True,” Lucian agreed. “Unfortunately, Valerie’s first encounter with our kind was via that rogue. She, understandably, is not going to be very receptive to the possibility that there are good guys among our kind. She needs to get to know and trust us, you especially, before you reveal too much.” Anders nodded, seeing the wisdom in what he said. Then he cleared his throat and asked, “By don’t reveal too much, you aren’t including—” “No,” Lucian said, rare amusement curving his lips. “Bed her all you want, just keep your mouth shut while you do. At least until you think she can handle it. Otherwise,” he warned, “you could lose the chance of a lifetime.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Jackson gaped at her, wondering how this had all turned so terrible wrong. But he knew how. The woman was clearly daft. Bedlam-witted. And trying to drive him in the same direction. "You can't be serious. Since when do you know anything about investigating people?" She planted her hands on her hips. "You won't do it, so I must." God save him, she was the most infuriating, maddening-"How do you propose to manage that?" She shrugged. "Ask them questions, I suppose. The house party for Oliver's birthday is next week. Lord Devonmont is already coming, and it will be easy to convince Gran to invite my other two. Once they're here, I could try sneaking into their rooms and listening in on their conversations or perhaps bribing their servants-" "You've lost your bloody mind," he hissed. Only after she lifted an eyebrow did he realize he'd cursed so foully in front of her. But the woman would turn a sane man into a blithering idiot! The thought of her wandering in and out of men's bedchambers, risking her virtue and her reputation, made his blood run cold. "You don't seem to understand," she said in a clipped tone, as if speaking to a child. "I have to catch a husband somehow. I need help, and I've nowhere else to turn. Minerva is rarely here, and Gran's matchmaking efforts are as subtle as a sledgehammer. And even if my brothers and their wives could do that sort of work, they're preoccupied with their own affairs. That leaves you, who seem to think that suitors drop from the skies at my whim. If I can't even entice you to help me for money, then I'll have to manage on my own." Turning on her heel, she headed for the door. Hell and blazes, she was liable to attempt such an idiotic thing, too. She had some fool notion she was invincible. That's why she spent her time shooting at targets with her brother's friends, blithely unconcerned that her rifle might misfire or a stray bullet hit her by mistake. The wench did as she pleased, and the men in her family let her. Someone had to curb her insanity, and it looked as if it would have to be him. "All right!" he called out. "I'll do it." She halted but didn't turn around. "You'll find out what I need in order to snag one of my choices as a husband?" "Yes." "Even if it means being a trifle underhanded?" He gritted his teeth. This would be pure torture. The underhandedness didn't bother him; he'd be as underhanded as necessary to get rid of those damned suitors. But he'd have to be around the too-tempting wench a great deal, if only to make sure the bastards didn't compromise her. Well, he'd just have to find something to send her running the other way. She wanted facts? By thunder, he'd give her enough damning facts to blacken her suitors thoroughly. Then what? If you know of some eligible gentleman you can strong-arm into courting me, then by all means, tell me. I'm open to suggestions. All right, so he had no one to suggest. But he couldn't let her marry any of her ridiculous choices. They would make her miserable-he was sure of it. He must make her see that she was courting disaster. Then he'd find someone more eligible for her. Somehow. She faced him. "Well?" "Yes," he said, suppressing a curse. "I'll do whatever you want." A disbelieving laugh escaped her. "That I'd like to see." When he scowled, she added hastily, "But thank you. Truly. And I'm happy to pay you extra for your efforts, as I said." He stiffened. "No need." "Nonsense," she said firmly. "It will be worth it to have your discretion." His scowl deepened. "My clients always have my discretion.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The notion of a deaf lifeguard is not as farfetched as it might seem. Bathers in trouble rarely, if ever, cry for help. They can’t. They’re choking on water and can’t get out a sound. They either thrash madly or disappear quietly under the surface. That’s why lifeguards are trained to scan the surface with their eyes. They’re not listening for cries of “Help!” but watching for abnormal behavior in the water. When actual rescues aren’t being conducted, lifeguarding is almost entirely a visual task. As a group, I would later learn, the deaf are measurably superior to the hearing in the discernment of visual cues and the speed of responses to them. There’s nothing superhuman about this phenomenon.
Henry Kisor (What's That Pig Outdoors?: A Memoir of Deafness)
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
Yet most women I know—no matter how clever, no matter how strong—are dragged down by husbands or fathers or titles or too many petticoats, or priests clutching at their hems, telling them, ‘No, you cannot do that, you cannot be that.’ I never listened. That’s rare. Even a woman like the Comtesse pretends to pay attention to the sermons and the instructions, but then does whatever she wishes. I
Kelly Gardiner (Goddess)
Doesn’t matter whether you’re a baker’s wife or a whore or a princess—if you have the strength, you can take a lover, write a motet, lead an army, rule a country. Women have. Not all, granted, but some. And we adore them, don’t we? In theory. We make statues of warrior women, paint them on our ceilings—goddesses with shields and togas and one fair breast exposed so there can be no doubt. The palaces of Europe are covered in them. The Opéra stages, too, for that matter. Yet most women I know—no matter how clever, no matter how strong—are dragged down by husbands or fathers or titles or too many petticoats, or priests clutching at their hems, telling them, ‘No, you cannot do that, you cannot be that.’ I never listened. That’s rare. Even a woman like the Comtesse pretends to pay attention to the sermons and the instructions, but then does whatever she wishes. I don’t bother waiting to hear your words—any of you. You’ll only tell me what I know to be lies: you cannot do that, you cannot be that. Such words are wasted on me, as they are wasted on all women of ambition, of intellect, of power—and there are more of us than you know.
Kelly Gardiner (Goddess)
The Bible is a book that every Christian should read, listen to, or have read to him or her throughout his or her lifetime; however, in the event that God has gifted a person with the characteristic for the utter joy that envelopes some during times of, what they would describe as, “pleasure reading” (an often times rare characteristic), it is only acceptable that he or she (particularly) reads His Holy Word at least once during his or her lifetime. At least, that’s what I think.
Becky Rodriguez
just as I told Kathleen that very first day when I seen ’er, all looking fresh and pert as the flowers in May . . . I said to ’er, ‘One at a time and easy does it, and wash up proper after.’ Dr. Carr keeps telling them, but it’s a battle to get them to listen, and the careless ones pay the price.” Mrs. Walker had chatted herself into a disheartened state. “It’s rare to meet a proper young lady these days. Though Kathleen Boland could ’ave passed for a princess. Until she opened that shanty-Irish mouth of ’er’s.” I
Owen Parry (Bold Sons of Erin (Abel Jones, #5))
Ugh!” exclaimed the cow with a little shiver. “I know how that is! Nothing makes me more nervous than to have something watching me and not saying anything. I remember, when the rats used to live in our barn, that old Simon used to sit in his hole and just watch me without moving a whisker. Just did it to make me nervous. But excuse me, Freddy; I didn’t mean to mention the rats.” “Oh, that’s all right,” said the pig. “I don’t mind. Though I must confess I don’t know just what to do about them. It’s the only case so far that has given me much trouble.” “Nasty creatures!” exclaimed the cow. “If I could just get up in that loft, I’d show ’em!” “I wish you could,” said Freddy. “You could just pick the train up on one horn and walk off with it. But the stairs are too narrow. No, I’ve got to think out something else. Oh, I’ll get an idea sooner or later.” “That’s it,” said Mrs. Wiggins. “Ideas! You’ve got to have ’em to be a detective. And I can’t remember when I had my last one. But land sakes, there must be some way of getting the train. Couldn’t you tie a rope on it and pull it out?” “H’m,” said Freddy thoughtfully, “that’s an idea.” “An idea!” exclaimed the cow. “Gracious, Freddy, that isn’t an idea; it’s just something I thought of.” “It’s an idea all the same,” said the pig, “and a good one. But we’d have to do it quick, or they’d gnaw the rope in two. Come on, walk back to the barn with me and talk it over. I’d like to get at it tonight if I can.” So they strolled back, talking so earnestly that they never noticed that they were being rather clumsily shadowed by half a dozen animals of assorted sizes who dodged behind trees and darted across open places like Indians on the war-path. Mrs. Wiggins was so excited to find that she had really had an idea after all, and so flattered that Freddy was actually asking for her advice, that she hardly looked where she was going, and Alice remarked to Emma as they passed: “I’ve rarely seen Mrs. Wiggins so animated. She looks quite flushed.” “Humph!” replied Emma, who was a little upset that day because her Uncle Wesley had scolded her for eating minnows—“Humph! It always goes to her head when she gets a little attention!” Jinx was up in the loft where he spent much of his time now, though there was very little he could do there but watch the train make its periodic trips to the grain-box and back and listen to the insults and ribald songs that the rats shouted at him. He came down at once when Freddy called him, and went into conference with the pig and the cow. And when they finally separated to go to supper, they had decided on a plan. There was a door in the loft through which Mr.
Walter Rollin Brooks (Freddy the Detective (Freddy the Pig))
My dear Countess,” a fluting voice said at my right ear, and Lady Tamara’s soft hand slid along my arm, guiding me toward the lowest tier near the fireplace. Several people moved away, and we sank down onto the cushions there. Tamara gestured to one of the hovering foot-servants, and two glasses of wine were instantly brought. “Did I not predict that you would show us the way at the races as well?” “I won only once,” I said, fighting against embarrassment. Deric was grinning. “Beat me,” he said. “Nearly beat Renna.” “I had the best horse,” I countered. For a moment the conversation turned from me to the races the week before. It had been a sudden thing, arranged on the first really nice day we’d had, and though the course was purported to be rough, I had found it much easier than riding mountain trails. As Deric described the last obstacles of the race in which I had beaten him, I saw the shy red-haired Lord Geral listening with a kind of ardent expression in his eyes. He was another who often sought me out for dances but rarely spoke otherwise. Might my rose and ring have come from him? Tamara’s voice recalled my attention “…the way with swords as well, dear Countess?” I glanced at her, sipping at my wine as I mentally reached for the subject. “It transpires,” Tamara said with a glinting smile, “that our sharpest wits are also experts at the duel. Almost am I willing to rise at dawn, just to observe you at the cut and the thrust.” I opened my mouth to disclaim any great prowess with the sword, then realized that I’d walk right into her little verbal trap if I did so. Now, maybe I’m not any kind of a sharp wit, but I wasn’t going to hand myself over for trimming so easily. So I just smiled and sipped at my wine. Fialma’s faint, die-away voice was just audible on Tamara’s other side. “Tamara, my love, that is not dueling, but mere swordplay.” Tamara’s blue eyes rounded with perplexity. “True, true, I had forgotten.” She smiled suddenly, her fan waving slowly in query mode. “An academic question: Is it a real duel when one is favored by the opponent?” Fialma said, “Is it a real contest, say, in a race when the better rider does not ride?” She turned her thin smile to Shevraeth. “Your grace?” The Marquis bowed slightly, his hands at an oblique angle. “If a stake is won,” he said, “it is a race. If the point draws blood, it is a duel.” A murmur of appreciative laughter met this, and Fialma sighed ever so slightly. “You honor us,” she murmured, sweeping her fan gracefully in the half circle of Intimate Confidence, “with your liberality…” She seated herself at the other side of the fireplace and began a low-voiced conversation with Lady Dara, the heir to a northern duchy. Just beyond Fialma’s waving fan, Lord Flauvic’s metal-gold eyes lifted from my face to Shevraeth’s to Tamara’s, then back to me. What had I missed? Nee’s cheeks were glowing, but that could have been her proximity to the fire. Branaric spoke then, saluting Shevraeth with his wineglass. “Duel or dabble, I’d hie me to those practices, except I just can’t stomach rough work at dawn. Now, make them at noon, and I’m your man!” More laughter greeted this, and Bran turned to Flauvic. “How about you? Join me in agitating for a decent time?” Lord Flauvic also had a fan, but he had not opened it. Holding it horizontally between his fingers in the mode of the neutral observer, he said, “Not at any time, Tlanth. You will forgive me if I am forced to admit that I am much too lazy?
Sherwood Smith (Court Duel (Crown & Court, #2))
But I want to be ready. When I look in your eyes and see how much you want a son, I want so much to give you one. A little boy with blond hair and blue eyes, just like you.” “No, he should have green eyes and brown hair with red highlights—just like his mother.” Sylvan smiled again and swept a strand of her hair behind her ear. “Or, you never can tell—we might have a daughter. It’s extremely rare but it does happen from time to time.” Sophie shook her head. “I’d rather have a little boy. I think I would worry about a boy less than a girl.” “I doubt you’d worry less if you knew some of the things I got up to as a child.” “Yes, well you were killing abominable vrannas by the time you were nine. I hope you wouldn’t expect to let our son do anything like that.” “No.” Sylvan looked thoughtful. “There aren’t any vrannas aboard the ship. I suppose we could devise a different manhood ritual for him, though.” “Over my dead body!” Sophie pushed away from him. “Listen, Mister, if you think for one minute I would let you take any son of mine into that kind of dangerous situation—” She broke off because Sylvan was laughing softly. “What?” she demanded. “Nothing. I’m just thinking what a wonderful, protective mother you’re going to be when you’re ready to have children. When we’re both ready.” He pulled her close again and Sophie buried her face in his broad shoulder and breathed in his familiar, comforting scent. I
Evangeline Anderson (Sought (Brides of the Kindred, #3))
One night, my husband, Rodney, and I were surfing YouTube videos when we stumbled on a video of a Fiona Apple concert. It was an “aha!” moment for me. I thought: This woman is telling the truth with her body. She’s not what you would typically call a good dancer, she was jerky and unconcerned about looking pretty, but something about her was raw and real. She was moving with her wounds, with her limitations—she was moving truthfully. She wasn’t hiding, and she wasn’t afraid to be vulnerable and expose herself through her voice and movements. Her courage and honesty made her dance mesmerizing and powerful. It penetrated something deep inside me. When you bow to someone and say, “Namaste,” it means, “The deepest part of me acknowledges the deepest part of you.” Fiona Apple’s performance was a Namaste from her body to mine. I want to have the courage to be as honest in my life, my teaching, and in this book as she was in that dance. Yoga can bring you to this kind of truth by helping you to observe, then to let go of, the habits you cling to and the stories you use to protect yourself. As you practice, you become intimate with your body, which many of us spend a lifetime either alienated from or waging war with. Yoga practice can pierce emotional places that most of us guard or avoid. Our bodies are intelligent, more a source of direct truth than our minds, but we rarely listen to the wisdom that’s buried in our beautiful chambers.
Colleen Saidman Yee (Yoga for Life: A Journey to Inner Peace and Freedom)