I Don't Recognise You Quotes

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fit in here, in my palm, in my shadow, don’t be bigger than my idea of you, don’t be more beautiful than i can accept, don’t be more human than i am willing to allow you to be and be quiet, you’re too loud, even your un-belonging is loud. quiet your dreams, your voice, your hair, quiet your skin, quiet your displacement, quiet your longing, your colour, quiet your walk, your eyes. who said you could look at me like that? who said you could exist without permission? why are you even here? why aren’t you shrinking? i think of you often. you vibrate. you walk into a room and the temperature changes. i lean in and almost recognise you as human. but, no. we can’t have that.
Warsan Shire
The point is not that I don't recognise bad people when I see them — I grant you I may quite well be taken in by them — the point is that I know a good person when I see one.
Enid Blyton (The Rubadub Mystery (Barney Mysteries, #4))
6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. Blurred out lines from hangovers to coffee Another vagabond lost to love. 4am alone and on my way. These are my finest moments. I scrub my skin to rid me from you and I still don’t know why I cried. It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest. But then you must have changed your mind or made a wrong because why did you leave? 6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. I replace cafés with crowded bars and empty roads with broken bottles and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this. There is no right way to do this. There is no right way to do this.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
You don’t think he’s our man?” asked Adam. It occurred to him that Ramsbottom was not exactly forthcoming with information. “I didn’t say that,” Ramsbottom said. “In fact he is behaving very cautiously indeed, which makes me feel very suspicious.” “He has probably figured out that you are following him,” said Adam. “One can hardly fail to notice you hanging around all the time.” “That may be so,” said Ramsbottom. “Can’t you get a disguise or something?” asked Adam. “So he does not recognise you.
Max Nowaz (Get Rich or Get Lucky)
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
Life isn't about having, it's about being. You could surround yourself with all that money can buy, and you'd still be as miserable as a human can be. I know people with perfect bodies who don't have half the happiness I've found. On my journeys I've seen more joy in the slums of Mumbai and the orphanages of Africa than in wealthy gated communities and on sprawling estates worth millions. Why is that? You'll find contentment when your talents and passion are completely engaged, in full force. Recognise instant self-gratification for what it is. Resist the temptation to grab for material objects like the perfect house, the coolest clothes or the hottest car. The if I just had X, I would be happy syndrome is a mass delusion. When you look for happiness in mere objects, they are never enough. Look around. Look within.
Nick Vujicic
We don't fall in love with people because they're good people. We fall in love with people whose darkness we recognise. You can fall in love with a person for all of the right reasons, but that kind of love can still fall apart. But when you fall in love with a person because your monsters have found a home in them-- that's the kind of love that owns your skin and bones. Love, I am convinced, is found in the darkness. It is the candle in the night.
C. JoyBell C.
I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
I love you because you have this fire in you that you don't even recognise, but I do. You're strong and you're a survivor.
Jennifer L. Armentrout (Fire In You)
Look... we're getting to be old men, and we've spent our lives looking for the weaknesses in one another's systems. I can see through Eastern values just as you can see through our Western ones. Both of us, I am sure, have experienced ad nauseam the technical satisfactions of this wretched war. But now your own side is going to shoot you. Don't you think it's time to recognise that there is as little worth on your side as there is on mine?
John le Carré (Tinker, Tailor, Soldier, Spy)
My name is John Taylor. I’m a private eye, specialising in cases of the weird and uncanny. I don’t solve murders, I don’t do divorce work, and I wouldn't recognise a clue if you held it up before my face and said Look, this is a clue.
Simon R. Green (Hell to Pay (Nightside, #7))
It was always the same question, over and over again. Like the start of a procession. And it took me years to recognise the unsaid words that marched silently behind. Are you okay; because I love you. Are you okay; because I need you. Are you okay; because I don’t know how to live without you.
Lang Leav
I was always in love with love and now I am in love. In love, everything looks different. Everything tastes different. It is as if you have been reborn, transformed, become another person whom you don't completely recognise.
Chloe Thurlow (Girl Trade)
I didn’t know what falling love felt like, I’d never done it before. I discovered you recognise it easily when it arrives.
Mhairi McFarlane (Don’t You Forget About Me)
Abigail,’ he says. ‘I thought it was you.’ ‘Hi!’ I say loudly. ‘Mark!’ ‘Who?’ says Robert. Fuck, he doesn’t know his real name. Why do I give everyone stupid nicknames? ‘I almost don’t recognise you out of your SKINNY JEANS,’ I enunciate carefully. He’s wearing grey flannel trousers and a pink T-Shirt with leather Converses. He speaks clothes exceptionally confidently for a straight man. I wonder if he’d take me shopping. ‘Oh, right. Got it.’ ‘That’s odd,’ says Skinny Jeans. ‘Since I was wearing nothing at all when you left my room without saying goodbye . . . let’s see, seven weeks ago?’ ‘Um, yes. Well, you know . . .’ I trail off. Come on, Robert, I think desperately. ‘I’m sorry, were you planning on making me breakfast in bed?’ says Robert. Yes! Make a joke! ‘I’m sorry, were you planning on making me breakfast in bed?’ I say. Skinny Jeans grins. ‘Scrambled eggs? Toast? On a little tray?’ ‘Scrambled eggs? Toast? On a little tray with a rose on it?’ I say. ‘Don’t fuck with my script,’ says Robert, which makes me grin slightly more broadly
Gemma Burgess
You have not been yourself all day," said Henry, and rose from his seat with face unmoved. Margaret rushed at him and seized both his hands. She was transfigured. "Not any more of this!" she cried. "You shall see the connection if it kills you, Henry! You have had a mistress—I forgave you. My sister has a lover—you drive her from the house. Do you see the connection? Stupid, hypocritical, cruel—oh, contemptible!—a man who insults his wife when she's alive and cants with her memory when she's dead. A man who ruins a woman for his pleasure, and casts her off to ruin other men. And gives bad financial advice, and then says he is not responsible. These men are you. You can't recognise them, because you cannot connect. I've had enough of your unneeded kindness. I've spoilt you long enough. All your life you have been spoiled. Mrs. Wilcox spoiled you. No one has ever told what you are—muddled, criminally muddled. Men like you use repentance as a blind, so don't repent. Only say to yourself, 'What Helen has done, I've done.
E.M. Forster (Howards End)
It's the self that suffers, and there's a place where the self - ceases. I don't know how to say it. But I believe that the reality, the truth which I recognise in suffering as I don't in comfort and happiness - that the reality of pain is not pain. If you can get through it. If you can endure it all the way.
Ursula K. Le Guin
Maybe it's the gay friends I have but they're all like... Sex! Exclamation mark exclamation mark! Which is extremely wonderful for them - I'm not saying they should be any other way - but. They're good at casual sex. I can't even imagine having it. I don't think any of my friends could put up with dating a guy who doesn't want to have sex. It's hard enough feeling like you're an outsider with most people because you're gay! And so you have to work harder to find your people. But you do it, you meet other gay guys, you manage to become friends with some of them, and then it still turns out you don't fit in. You're still different. What do you do then?
Cynthia So (If You Still Recognise Me)
I love you even still...even still that you are so damaged that you do not recognise love when it is right in your face. I know you want love but you don't understand that love doesn't alays have to be pain.
Ella December
I scrub my skin to rid me from you and I still don’t know why I cried. It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest. But then you must have changed your mind or made a wrong because why did you leave?
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
I love you, don't you fucking see that?" Dan was desperate, grabbing hold of the second wrist, shaking Vadim. "But how can I do that if you can't love me? If you need me instead of love me? If you fall in love with someone else, while expecting me to keep you together? How the fuck is that going to work? It fucking hurts, you understand? And I don't know what the fuck to do about it, because I can't just switch off and stop loving you. It doesn't work like that. It'll never happen, you get me? I tried that shit, several times already, but there's no fucking way I'll ever not love you and that fucking hurts like fucking shit when you're someone I don't recognise anymore!
Aleksandr Voinov
Let's go back to the train station,' she said. 'Or, rather, let's come back to this room, to the day when we sat here together for the first time and you recognised that I existed and gave me a gift. That was your first attempt to enter my soul, and you weren't sure whether or not you were welcome. But, as you say in your story, human beings were once divided and now seek the embrace that will reunite them. That is our instinct. But it is also our reason for putting up with all the difficulties we meet in that search.I want you to look at me, but I want you to take care that I don't notice. Initial desire is important because it is hidden, forbidden, not permitted. You don't know whether you are looking at your lost half or not; she doesn't know either, but something is drawing you together, and you must believe that it is true you are each other's "other half
Paulo Coelho (Eleven Minutes)
I wanted to do something that I don’t know how to do, and offer you the experience of watching someone fumble, because I think maybe that’s what art should offer. An opportunity to recognise our common humanity and vulnerability.
Charlie Kaufman
Hey," a voice cut me off. "I know you!" I recognised the voice, but more than that I recognised the look on Macey's face as Preston came into view. "Don't you have a baby to kiss?" Macey said with a sigh. "Cammie, right?" Preston asked. "Macey didn't tell me you were coming." "Yeah. It's a great chance to see the political process up close and-" "Seriously," Macey snapped. "Go. Kiss. A baby.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
And we’ll change. And we’ll have difficulties. Because that’s life. You don’t recognise the highs without the lows, sugar. I’ve changed too. That’s how I knew you were it. That’s how I know I’ll love you in every version of yourself, because we’re all constantly changing. Growing. Becoming.
Elsie Silver (Hopeless (Chestnut Springs, #5))
Straining to hear, I can make out something acoustic. Coming from...the backyard? I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve. But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan. What an asshole. The mesh screen and two floors between us don't seem like enough to protect him from my anger. "Nice apology," I call down to him. "I've apologised thirteen times," he yells back, "and so far you haven't called me back." I open my mouth to say it doesn't matter, but he's already redirecting the song. "Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here." (...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!" The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..." I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him. (...) "Dad. How did Matt know which window was mine?" "Well..." he peeks over the sports section. "I reckon I told him." "You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!" He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned." "It's not any of those things! I hate him!
Emery Lord (Open Road Summer)
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she’d either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she’d do what most people do when confronted with something they don’t understand: Panic.
Jeanette Winterson (Oranges Are Not the Only Fruit)
No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live — I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest — " "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness — to glory?
Charlotte Brontë (Jane Eyre)
We were hounded everywhere we went. They claimed we were thieves. Of course we were, but they didn’t even bother to gather evidence. The proof was we were gypsies. I’m telling you this because to recognise a gypsy you have to know he was born with a low-caste mark on his forehead. We have been persecuted by every single regime in Europe There is no difference between fascists, communists and democrats; the fascists were just a little more efficient. Gypsies make no particular fuss about the Holocaust because the difference from the persecution we were used to was not that great. You don’t seem to believe me?
Jo Nesbø (Nemesis (Harry Hole, #4))
It is hard for me to see myself if those who are supposed to love me the most don't see me either. But now it is time I do start acknowledging my strengths and recognising my weaknesses not as failure, but as potential. It is time to stop doing everything I can to get them to notice me and start doing everything I can to notice myself
Dawn Goodwin (What I Never Told You)
Maybe I know that what I've been clinging on to is that perfect glass dome my heart lives in when I'm crushing on somebody, when I get to linger in the sweetness of how I feel about them at a distance. If I don't tell people I like them, I don't give them the power to hurt me. If the glass dome is cracked even a fraction, who knows what could get in?
Cynthia So (If You Still Recognise Me)
I like that you give me the space to just be quiet if I want, and that's the kind of space that makes me want to speak. And you always listen to me. I'm nervous a lot of the time that I don't have anything important to say. When I opened this blank card and I started writing, I had to believe that what I'm saying is important enough to write down and give to you.
Cynthia So (If You Still Recognise Me)
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Gilan threw back his head and laughed. 'A mistake? One mistake? You should be so lucky. You'll make dozens! I made four or five on my first day! Of course you'll make mistakes. Just don't make any of them twice. If you do mess things up, don't try to hide it. Don't try to rationalise it. Recognise it and admit it and learn from it. We never stop learning, none of us. Not even Halt,' he added, seriously.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
I never expected…I never--” His eyes flared as he seemed to recognise where I was going with my words. He advanced on me, his body moving into my space until he stood directly in front of me. “Don’t,” he said, almost pleadingly. “Don’t. Please don’t” I lifted my gaze, gathering all my courage, refusing to back down. “I never expected to fall in love with you. And I thought maybe…” …you could love me back. Even if you leave. You could leave loving me.
Mia Sheridan (Kyland)
We stabilised the Wall’s degradation with software running on dumb machines,” she said. “But when Felka was born we found that she managed the task just as efficiently as the computers; in some ways better than they ever did. In fact, she seemed to thrive on it. It was as if in the Wall she found…” Galiana trailed off. “I was going to say a friend.” “Why don’t you?” “Because the Wall’s just a machine. Which means if Felka recognised kinship…what would that make her?
Alastair Reynolds (Beyond the Aquila Rift: The Best of Alastair Reynolds)
If I wanted ultimate honesty for him, I had to be prepared to do the same. It hurt to look deep inside—to give myself no room to hide and to come face to face with a girl I no longer recognised. But I did it. Because I was strong and brave and ready to give in order to receive. “No matter how screwed up and wrong the past few months have been, they’ve been the best thing that’s ever happened to me.” Jethro sucked in a breath. “If a guardian angel had told me this would happen. If they’d come to me the night before you stole me and explained the atrocities I would live through, I would still have come with you.” A groan cut short as Jethro froze in place. “I would’ve waited for you with open arms. I would’ve gladly said goodbye to my life and let you torment me because it made me a better person—a stronger person—a person worthy of what I feel for you.” I stiffened. “So don’t tell me you wish you’d never met me, Jethro Hawk, because I would live a thousand debts just for the gift of having you love me.
Pepper Winters (Third Debt (Indebted, #4))
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she'd do what most people do when confronted with something they don't understand: Panic. What constitutes a problem is not the thing, or the environment where we find the thing, but the conjunction of the two; something unexpected in a usual place (our favourite aunt in our favourite poker parlour) or something usual in an unexpected place (our favourite poker in our favourite aunt).
Jeanette Winterson (Oranges Are Not the Only Fruit)
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she'd do what most people do when confronted with something they don't understand: Panic. What constitutes a problem is not the thing, or the environment where we find the thing, but the conjunction of the two; something unexpected in a usual place (our favourite aunt in our favourite poker parlour) or something usual in an unexpected place (our favourite poker in our favourite aunt).
Jeanette Winterson (Oranges Are Not the Only Fruit)
But first, I want you to over-spend on junk one last time. Take your credit card or store card, walk into any shop you choose and buy something you don’t need with money you don’t have. As you hand the card to the cashier, focus on how you’re feeling. Is it giving you pleasure? Does it make you feel good? As you punch your PIN into the card reader, concentrate on your emotions. Is this expenditure giving you a buzz? Is it making you happy? When you get home with your purchase, unpack it and hold it. Are you happy with it? Be aware of exactly how this purchase has made you feel. Stripped of the brainwashing that previously told you this sort of spending gave you pleasure, you can recognise what an empty, meaningless act it is to spend money you don’t have on something you don’t need.
Allen Carr (Allen Carr's Get Out of Debt Now: The Easy Way (Allen Carr's Easyway Book 33))
We live in a world where we have to sacrifice our comfort for the sake of others. Where we have to go an extra mile to meet others' needs. Where we have to dig deep in our resources to please others. I have gone out of my comfort zone for some people. Some people have gone out of their comfort zone for me. And I'm grateful. It's life. It's a common thing. There is no right or wrong to this behaviour. We do it because either we want to or that we must. By the way, our self-sacrificing service can be unhealthy to us. Some people burn themselves down trying to keep others warm. Some break their backs trying to carry the whole world. Some break their bones trying to bend backwards for their loved ones. All these sacrifices are, sometimes, not appreciated. Usually we don't thank the people who go out of their comfort zone to make us feel comfortable. Again, although it's not okay, it's a common thing. It's another side of life. To be fair, we must get in touch with our humanity and show gratitude for these sacrifices. We owe it to so many people. And sometimes we don't even realise it. Thanks be to God for forgiving our sins — which we repeat. Thanks to our world leaders and the activists for the work that they do to make our economic life better. Thanks to our teachers, lecturers, mentors, and role models for shaping our lives. Thanks to our parents for their continual sacrifices. Thanks to our friends for their solid support. Thanks to our children, nephews, and nieces. They allow us to practise discipline and leadership on them. Thanks to the doctors and nurses who save our lives daily. Thanks to safety professionals and legal representatives. They protect us and our possessions. Thanks to our church leaders, spiritual gurus and guides, and meditation partners. They shape our spiritual lives. Thanks to musicians, actors, writers, poets, and sportspeople for their entertainment. Thanks to everyone who contributes in a positive way to our society. Whether recognised or not. Thank you. Thank you. Thank you!
Mitta Xinindlu
I have stopped loving you. I have stopped caring about you. I have stopped worrying about you. I have simply . . . stopped. This might come as news to you but despite everything, despite the cruelty, the selfishness and the pain you have caused, I still found a way to care. But not any more. Now, I am putting you on notice. I no longer need you. I don’t think fondly of our early days, so I am erasing these memories and all that followed. For much of our time together I wished for a better relationship than the one we have, but I’ve come to understand this is the hand I have been dealt. And now I am showing you all my cards. Our game is complete. You are the person I share this house with, nothing more, nothing less. You mean no more to me than the shutters that hide what goes on in here, the floorboards I walk over or the doors we use to separate us. I have spent too much of my life trying to figure out your intricacies, of suffering your deeds like knives cutting through scar tissue. I am through with sacrificing who I should have been to keep you happy as it has only locked us in this status quo. I have wasted too much time wanting you to want me. I ache when I recall the opportunities I’ve been too scared to accept because of you. Such frittered-away chances make me want to crawl on my hands and knees to the end of the garden, curl up into a ball on a mound of earth and wait until the nettles and the ivy choke and cover me from view. It’s only now that I recognise the wretched life you cloaked me in and how your misery needed my company to prevent you from feeling so isolated. There is just one lesson I have learned from the life we share. And it is this: everything that is wrong with me is wrong with you too. We are one and the same. When I die, your flame will also extinguish. The next time we are together, I want one of us to be lying stiff in a coffin wearing rags that no longer fit our dead, shrunken frame. Only then can we separate. Only then can we be ourselves. Only then do I stand a chance of finding peace. Only then will I be free of you. And should my soul soar, I promise that yours will sink like the heaviest of rocks, never to be seen again.
John Marrs (What Lies Between Us)
Let us for a moment imagine what would have happened on the Galilean hillside, when our Lord fed the five thousand, if the Apostles had acted as some act now. The twelve would be going backwards, helping the first rank over and over again, and leaving the back rows unsupplied. Let us suppose one of them, say Andrew, venturing to say to his brother Simon Peter, 'Ought we all to be feeding the front row? Ought we not to divide, and some of us go to the back rows?' Then suppose Peter replying 'Oh no; don't you see these front people are so hungry? They have not had half enough yet; besides, they are nearest to us, so we are more responsible for them.' Then, if Andrew resumes his appeal, suppose Peter going on to say, 'Very well; you are quite right. You go and feed all those back rows; but I can't spare anyone else, I and the other ten of us have more than we can do here.' Once more, suppose Andrew persuades Philip to go with him; then, perhaps, Matthew will cry out and say, 'Why, they're all going to those farther rows! Is no one to be left to these needy people in front?' Let me ask the members of Congress, Do you recognise these sentences at all?
Eugene Stock
You want me,' I put my hand on his chest and feel his heart pounding. 'And I know that scares you even though I want you just as badly.' He stiffens. 'But here's the thing,' I hold his gaze, knowing he could bolt at any second. 'You don't get to dictate how I feel. You might give the orders out there, but not in here. You don't get to tell me we can fuck but I can't fall for you. That's not fair. You can only respect what I choose to do. So we're not doing this again until I want to risk my heart. And if I fall, then that's my problem, not yours. You're not responsible for my choices.' His jaw clenches once. Twice. And then he pushes off the wall, giving me space. 'I think that's for the best. I'm graduating soon, and who knows where I'll end up. Besides, you and I are chained together because of Sgaeyl and Tairn, which complicates... everything.' He retreats one step at a time, the distance more than just physical. 'Besides, with all that pretending, I'm sure we'll eventually forget last night ever happened.' The way we're looking at each other tells me neither of us is ever going to forget. And he can avoid it all he wants, but we're going to end up right here time and again until he's willing to recognise what this is. Because if there's one thing I know for certain, it's that I'm going to fall for this man- if I haven't already- and he's halfway there, too, whether he realises it or not. Turning my back on him, I walk to the shattered halves of my throwing target and pick them up before heading back across my room. 'I never figured you for a liar, Xaden.' I shove the halves at his chest. 'You can get me a new one when you're ready to come to your senses. Then we'll blow off some steam.' I throw the aggravating man out.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
... [T]hose who most seem to be themselves appear to me people impersonating what they think they might like to be, believe they ought to be, or wish to be taken to be by whoever is setting standards. So in earnest are they that they don't even recognise that being in earnest -is the act-. For certain self-aware people, however, this is not possible: to imagine themselves being themselves, living their own real, authentic, or genuine life, has for them all the aspects of a hallucination. I realise that what I am describing, people divided in themselves, is said to characterise mental illness and is the absolute opposite of our idea of emotional integration. The whole Western idea of mental health runs in precisely the opposite direction: what is desirable is congruity between your self-consciousness and your natural being. But there are those whose sanity flows from the conscious -separation- of those two things. If there even -is- a natural being, an irreducible self, it is rather small, I think, and may even be the root of all impersonation -- the natural being may be the skill itself, the innate capacity to impersonate. I'm talking about recognising that one is acutely a performer, rather than swallowing whole the guise of naturalness and pretending that it isn't a performance but you. . . . All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self. It certainly does strike me as a joke about -my- self. What I have instead is a variety of impersonations I can do, and not only of myself -- a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required, an ever-evolving stock of pieces and parts that forms my repertoire. But I certainly have no self independent of my imposturing, artistic efforts to have one. Nor would I want one. I am a theater and nothing more than a theater.
Philip Roth (The Counterlife)
Here’s a sentence in a book I’m reading: ‘We belong, of course, to a generation that’s seen through things, seen how futile everything is, and had the courage to accept futility, and say to ourselves: There’s nothing for it but to enjoy ourselves as best we can.’ Well, I suppose that’s my generation, the one that’s seen the war and its aftermath; and, of course, it is the attitude of quite a crowd; but when you come to think of it, it might have been said by any rather unthinking person in any generation; certainly might have been said by the last generation after religion had got the knock that Darwin gave it. For what does it come to? Suppose you admit having seen through religion and marriage and treaties, and commercial honesty and freedom and ideals of every kind, seen that there’s nothing absolute about them, that they lead of themselves to no definite reward, either in this world or a next which doesn’t exist perhaps, and that the only thing absolute is pleasure and that you mean to have it — are you any farther towards getting pleasure? No! you’re a long way farther off. If everybody’s creed is consciously and crudely ‘grab a good time at all costs,’ everybody is going to grab it at the expense of everybody else, and the devil will take the hindmost, and that’ll be nearly everybody, especially the sort of slackers who naturally hold that creed, so that they, most certainly, aren’t going to get a good time. All those things they’ve so cleverly seen through are only rules of the road devised by men throughout the ages to keep people within bounds, so that we may all have a reasonable chance of getting a good time, instead of the good time going only to the violent, callous, dangerous and able few. All our institutions, religion, marriage, treaties, the law, and the rest, are simply forms of consideration for others necessary to secure consideration for self. Without them we should be a society of feeble motor-bandits and streetwalkers in slavery to a few super-crooks. You can’t, therefore, disbelieve in consideration for others without making an idiot of yourself and spoiling your own chances of a good time. The funny thing is that no matter how we all talk, we recognise that perfectly. People who prate like the fellow in that book don’t act up to their creed when it comes to the point. Even a motor-bandit doesn’t turn King’s evidence. In fact, this new philosophy of ‘having the courage to accept futility and grab a good time’ is simply a shallow bit of thinking; all the same, it seemed quite plausible when I read it.
John Galsworthy (Maid In Waiting (The Forsyte Chronicles, #7))
It’s a long, slow process. And it has a couple of component pieces. The core attitude that the Christian tradition works with is the piece called ‘surrender’ or ‘kenosis’. Kenosis is the word in Greek which Saint Paul used to depict ‘putting on the mind of Christ’. And it, basically, is pretty close to what the Buddhists mean by non-clinging. Doesn’t hang on, doesn’t insist, doesn’t assert, doesn’t grab, doesn’t brace, doesn’t defend, you know. It’s the mind that [she sighs and relaxes outwards]. We try to put that mind on. In one of those ancient early Christian writings, the Gospel of Thomas, the students asked Jesus, “What are your students like, how would you describe them?” and He said, “They are like small children, playing in a field not their own. When the landlords come and demand, “Give us back our field!” the children return it by stripping themselves and standing naked before them.” So that’s the description from Jesus of this process. So it’s the lifelong practice, the core practice, of learning to recognise when you’ve gotten into one of these postures: tightened, urgent, angry, self-important, and in that moment… Open to Him. So that’s the hang of it, that’s the heart of it combined with a couple of complementary practices which come from the mindfulness sector. The one being – the piece that I learned from the Gurdjieff Work – is to learn how to even notice when you’re getting into these states of constriction, and smaller-self urgency, and automaticity, because we don’t notice that automatically. It’s like you don’t notice the moment you fall asleep at night. So you sink into these lower, unfree, ugly states of being automatically. So you have to learn to even notice when that happens. And the second – Interviewer: There is this point… where you see you could go both ways, you could serve the ego or you can surrender. And you can decide. Cynthia: Yeah. There is definitely that point. What makes it difficult though is that for a long, long time in the practice you can see that point. You can see yourself going over the waterfall, but you don’t have the power to swim away yet. So what you have to do is live in the gap and say, “Oh my God, look at what’s happening to me, I can see that I’m sinking but I don’t have the force to stop.” And it takes a long time until we have the force. And to be able to see that you’re falling into a bad state doesn’t, for a long time, mean you can do anything about it. I think that’s a truism that disappoints many people, so the even more painful penance is you just have to sit there and watch it. Your only real choice is can you just see it, and the horror and remorse and helplessness, or do you just pretend, “Oh well, I’m really right! I’m going to fight for this for all…” Can you just go with the lower state or can you wait in the gap? So for me that’s brought a whole new meaning to that whole British cliché ‘mind the gap’!
Cynthia Bourgeault
...But I know as well as the next werewolf who’s fallen that you don’t get to choose who trips you. Once your soul recognises its other half, what follows is no longer within your control..." ~ Connor Larsen
J.A. Belfield (Unnatural (Holloway Pack, #4))
When people come to you to be married, you tend to put the couple through their paces beforehand, don’t you?’ ‘I give them pastoral advice.’ ‘You tell them what marriage is all about; warn them that it’s not all lovey-dovey and that as soon as you have children it’s a different kettle of fish altogether . . . .’ Knowing that Inspector Keating had three children under the age of seven, Sidney recognised that he had to be careful of his reply: ‘Well, I . . .’ ‘There’s the money worries, and the job worries and you start to grow old. Then you realise that you’ve married someone with whom you have nothing in common. You have nothing left to say to each other. That’s the kind of thing you tell them, isn’t it?’ ‘I wouldn’t put it exactly like that . . .’ ‘But that’s the gist?’ ‘I do like to make it a bit more optimistic, Geordie. How friendship sometimes matters more than passion. The importance of kindness . . .’ ‘Yes, yes, but you know what I’m getting at.
James Runcie (Sidney Chambers and The Shadow of Death: Grantchester Mysteries 1)
be on the lookout for chauffeur knowledge. Do not confuse the company spokesperson, the ringmaster, the newscaster, the schmoozer, the verbiage vendor or the cliché generator with those who possess true knowledge. How do you recognise the difference? There is a clear indicator: true experts recognise the limits of what they know and what they do not know. If they find themselves outside their circle of competence, they keep quiet or simply say, ‘I don’t know.’ This they utter unapologetically, even with a certain pride. From chauffeurs, we hear every line except this. See
Rolf Dobelli (The Art of Thinking Clearly: The Secrets of Perfect Decision-Making)
You are getting harder and harder to find. You are stepping further and further away from me. You’re shrinking into a past that I don’t recognise anymore. Come back… Another
A.J. Waines (Girl on a Train)
We learned that to lie to a machine, you don't need to be a perfect writer: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.
Nick Harkaway (Gnomon)
We learned that to lie to a machine, you don't need to be a perfect liar: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.
Nick Harkaway (Gnomon)
The fact is, I was sick, but not in an easily explained flu kind of way. It’s my experience that people are a lot more sympathetic if they can see you hurting, and for the millionth time in my life I wish for measles or smallpox or some other recognisable disease just to make it simple for me and also for them. Anything would be better than the truth: I shut down again. I went blank. One minute I was spinning, and the next minute my mind was dragging itself around in a circle, like an old, arthritic dog trying to lie down. And then I just turned off and went to sleep, but not sleep in the way you do every night. Think a long, dark sleep where you don’t dream at all.
Jennifer Niven
You’ve lost, Nefarian,” Skulduggery said. “Even your henchman is abandoning you. Even he recognises your defeat. I’m placing you under arrest for murder, attempted murder, conspiracy to commit murder and, I don’t know, possibly littering.
Derek Landy (Skulduggery Pleasant: Books 1 - 12 (Skulduggery Pleasant))
Mother is crying at the hands of Man. Through selfish desire, Man has lost his identity, and no longer knows himself in the looking glass. He has forsaken all that is pure and precious, blinded by the devil Greed. The world and her children are dying at the hands of Man — adult Man; innocence has been lost. You must be reminded of who you are and why. I have come here out of love; I don’t want you to forget this when the apocalypse takes hold. Mother and I must be cruel to be kind, just as the bitch dog eats her deformed young. Man must learn to love again as seething hatred has rotted his blackened heart. Man is to be silenced and muzzled like a vicious dog. Man will no longer be able to breathe the air freely. Man will no longer be able to touch, hug, caress, and feel what it is to be human. Man will no longer recognise himself or others because his humanity will be taken from him and he will be muzzled like a rabid dog. Only then will he appreciate what has been taken from him. The world has become a cold place, but it will be colder, until he learns what is to be a warm human being once again. Only when Man has to pay for free things, like air, will he understand what it once was to be a human.
Jonathan Dunne (Finding Jesus)
recognisably Ryan. And there he was as a teenager. He was wearing the same William Peacocke school uniform Jessica and Izzy had once worn. He was attempting a smile but it didn’t reach his eyes. He looked sad. Haunted. Irene studied Jessica, gesturing for her to come closer. ‘I know you.’ ‘I don’t think . . .’ ‘Oh my goodness, you’ve come back.’ Irene clasped Jessica’s hand. There was still strength there. ‘Does Ryan know?’ Gently, Jessica extracted her hand. ‘Sorry, I don’t . . .’ She looked to Becky for help, but she shrugged. ‘He’ll be so happy,’ Irene said. ‘So happy to see you, Isabel.’ Jessica opened her mouth to
Mark Edwards (In Her Shadow)
It began with the socialist doctrine. You know their doctrine; crime is a protest against the abnormality of the social organisation and nothing more, and nothing more; no other causes admitted! … ’ ‘You are wrong there,’ cried Porfiry Petrovitch – he was noticeably animated and kept laughing as he looked at Razumihin, which made him more excited than ever. ‘Nothing is admitted,’ Razumihin interrupted with heat. ‘I am not wrong. I’ll show you their pamphlets. Everything with them is “the influence of environment”, and nothing else. Their favourite phrase! From which it follows that, if society is normally organised, all crime will cease at once, since there will be nothing to protest against and all men will become righteous in one instant. Human nature is not taken into account, it is excluded, it’s not supposed to exist! They don’t recognise that humanity, developing by a historical living process, will become at last a normal society, but they believe that a social system that has come out of some mathematical brain is going to organise all humanity at once and make it just and sinless in an instant, quicker than any living process! That
Fyodor Dostoevsky (Crime and Punishment)
You have to be comfortable with being uncomfortable. And I think the key takeaway there is that if we continue to only speak to people who agree with us, we won’t make change. We won’t change people’s minds. So the first step is being comfortable with being uncomfortable: being willing to speak to people who don’t agree with you. The second is that we have to recognise that the people that we’re speaking to, that maybe we see as enemies or as adversaries, quite often have a lot more in common with us than we care to realise
Alison Goldsworthy (Poles Apart: Why People Turn Against Each Other, and How to Bring Them Together)
And if one day I don't recognise you I'll love you anyway
nicole florina
I suppose I also thought you might learn something from my experience and apply it to your own future prospects. I’m offering you advice, if you wish to take it. So—don’t waste time as I have done waiting for something to happen. Fortune really does favour the brave, you know. Don’t believe you can find happiness celebrating the good fortune of others. An eternity spent smiling and cooing over the good luck of your friends makes the heart sick in the end. And above all, don’t long for what you cannot have, but learn to recognise what is possible, and when it presents itself, seize upon it with both hands. It seems to me this is the only route to happiness for those of us born with neither beauty, riches, nor charm.
Janice Hadlow (The Other Bennet Sister)
Being a true leader, as opposed to a competent manager, requires a willingness to get your hands dirty. I have said before that I do not expect anyone to do a job I cannot do myself. While this is clearly unrealistic as a company grows and expands, the perception of being willing to step in and assist must remain. The weight of leadership includes staying calm while others panic and coming up with solutions rather than joining the chorus of complaints. The Covid-19 pandemic has certainly helped distinguish the leaders from the managers. Leaders are prepared to take responsibility when things go wrong, even if the true responsibility lies with someone else. Leaders are visible. Leaders have a vision, even if it is only short term. I don’t really believe in long-term planning. I make up the rules of the game based on one-year plans. This means I always retain visibility and control. Five years is too long a time to have any certainty that the objectives will be met. Leadership is not a popularity contest, but it also should not inspire fear. Leaders earn respect and loyalty, recognising that these take a long time to earn and a second to lose. A leader is not scared of collaboration and listening to the opinions of others, as well as accepting help when it’s needed. Leadership is not a quality that you are born with, it is something that you learn over time. I was not a leader in my Coronation days, and I am the first to admit that I made a lot of mistakes. Even at African Harvest, as much as I achieved financial success and tried different techniques to earn respect, I never truly managed to deal with the unruly investment team. But, having built on years of experience, by the time I hit my stride at Sygnia, I was a leader. Within any organisation of substantial size, there is space for more than one leader, whether they head up divisions or the organisation itself. There are several leaders across Sygnia weaving the fabric of our success. I am no longer the sole leader, having passed the baton on to others in pursuit of my own dreams. To quote the Harvard Business Review, ‘The competencies most frequently required for success at the top of any sizable business include strategic orientation, market insight, results orientation, customer impact, collaboration and influence, organisational development, team leadership, and change leadership.’ That is what I looked for in my successor, and that is what I found in David. I am confident that all the leaders I have groomed are more than capable of taking the company forwards.
Magda wierzycka (Magda: My Journey)
The vibrating sounds of a big brass bell reached them from the town. Nekhludoff’s driver, who stood by his side, and the other men on the raft raised their caps and crossed themselves, all except a short, dishevelled old man, who stood close to the railway and whom Nekhludoff had not noticed before. He did not cross himself, but raised his head and looked at Nekhludoff. This old man wore a patched coat, cloth trousers and worn and patched shoes. He had a small wallet on his back, and a high fur cap with the fur much rubbed on his head. “Why don’t you pray, old chap?” asked Nekhludoff’s driver as he replaced and straightened his cap. “Are you unbaptized?” “Who’s one to pray to?” asked the old man quickly, in a determinately aggressive tone. “To whom? To God, of course,” said the driver sarcastically. “And you just show me where he is, that god.” There was something so serious and firm in the expression of the old man, that the driver felt that he had to do with a strong-minded man, and was a bit abashed. And trying not to show this, not to be silenced, and not to be put to shame before the crowd that was observing them, he answered quickly. “Where? In heaven, of course.” “And have you been up there?” “Whether I’ve been or not, every one knows that you must pray to God.” “No one has ever seen God at any time. The only begotten Son who is in the bosom of the Father he hath declared him,” said the old man in the same rapid manner, and with a severe frown on his brow. “It’s clear you are not a Christian, but a hole worshipper. You pray to a hole,” said the driver, shoving the handle of his whip into his girdle, pulling straight the harness on one of the horses. Some one laughed. “What is your faith, Dad?” asked a middle-aged man, who stood by his cart on the same side of the raft. “I have no kind of faith, because I believe no one--no one but myself,” said the old man as quickly and decidedly as before. “How can you believe yourself?” Nekhludoff asked, entering into a conversation with him. “You might make a mistake.” “Never in your life,” the old man said decidedly, with a toss of his head. “Then why are there different faiths?” Nekhludoff asked. “It’s just because men believe others and do not believe themselves that there are different faiths. I also believed others, and lost myself as in a swamp,--lost myself so that I had no hope of finding my way out. Old believers and new believers and Judaisers and Khlysty and Popovitzy, and Bespopovitzy and Avstriaks and Molokans and Skoptzy--every faith praises itself only, and so they all creep about like blind puppies. There are many faiths, but the spirit is one--in me and in you and in him. So that if every one believes himself all will be united. Every one be himself, and all will be as one.” The old man spoke loudly and often looked round, evidently wishing that as many as possible should hear him. “And have you long held this faith?” “I? A long time. This is the twenty-third year that they persecute me.” “Persecute you? How?” “As they persecuted Christ, so they persecute me. They seize me, and take me before the courts and before the priests, the Scribes and the Pharisees. Once they put me into a madhouse; but they can do nothing because I am free. They say, ‘What is your name?’ thinking I shall name myself. But I do not give myself a name. I have given up everything: I have no name, no place, no country, nor anything. I am just myself. ‘What is your name?’ ‘Man.’ ‘How old are you?’ I say, ‘I do not count my years and cannot count them, because I always was, I always shall be.’ ‘Who are your parents?’ ‘I have no parents except God and Mother Earth. God is my father.’ ‘And the Tsar? Do you recognise the Tsar?’ they say. I say, ‘Why not? He is his own Tsar, and I am my own Tsar.’ ‘Where’s the good of talking to him,’ they say, and I say, ‘I do not ask you to talk to me.’ And so they begin tormenting me.
Leo Tolstoy (Resurrection)
She laughed. ‘My dear Carlo, compliments even now aren’t quite so rare that I don’t recognise them, believe me. Thank you, Miss Martin, that was sweet of you.’ Her eyes as she smiled at me were friendly, almost warm, and for the first time since I had met her I saw charm in her – not the easy charm of the vivid personality, but the real and irresistible charm that reaches out halfway to meet you, assuring you that you are wanted and liked. And heaven knew I needed that assurance … I was very ready to meet any gesture, however slight, with the response of affection. Perhaps at last … But even as I smiled back at her it happened again. The warmth drained away as if wine had seeped from a crack and left the glass empty, a cool and misted shell, reflecting nothing. She turned away to pick up her embroidery.
Mary Stewart
​I have taken to thinking that to repent is to recognise that one has changed to the extent that one is no longer the person who committed some past wrong (the butterfly did not eat the cabbage leaf). Forgiveness is to accept that change has happened in another person (I see you’re no longer a caterpillar). ​I don’t think repentance is saying sorry. I don’t think forgiveness is responding to an apology with a ‘that’s OK’. ​I think repentance is when one recognises that one has become another person. ​I think forgiveness is accepting that the one who wronged you no longer exists, and that they are now a different person. ​And so, lying in my bunk, I think about all those ghosts against whom I bear grudges; memories of people who no longer exist. Have they moved on? They must have. Have I? I need to. They are no longer those people. I am no longer the person they knew. I understand that. I accept that. I repent and they are forgiven.
Paul McGranaghan (Northbound: 30 Days on the Camino Portugués (and onwards to Finesterre))
He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I don’t question if he wants this, because he’s told me he does. I don’t question if it’s a good choice or a bad one or worry about all it could ruin. Because when you love someone this much, when you’ve seen their hurt and their heart and you recognise them as your own—you’re left with no choice but to give yourself over to it. And I’m tired of being scared. I long to be loved by a man like Bo. I long to love him, the way he deserves.
Hannah Bonam-Young (Out on a Limb)
reward system But there’s a reward system you can use to keep yourself motivated. Here are some suggestions: Buy yourself an advent calendar, and for each day you don’t look at his profile or engage with him in any capacity, enjoy the treat for that day. If you can’t afford an advent calendar or can’t find one in the shops, make yourself a journal – on each successful day, write something amazing about yourself, and on a day where you did trip up, write something that reminds you of why you started doing this thirty-day challenge. Getting into the habit of saying nice things about yourself prepares you to become so used to compliments that you aren’t dangerously swooned when others recognise your greatness. Every ten days that pass without you breaking the rule, take yourself on a really nice solo date to an upscale bar, or your favourite club or restaurant, and imagine the room is full of men who are all waiting to be picked by you, the goddess. For even spicier results, wear something red so you feel even sexier. Getting into the habit of going out to bars and social environments alone will not just put you in a position of meeting new people, it will also quell your fear of being alone. There’s nothing more powerful than a woman who knows how to hold her own in a room full of strangers. Or, if you feel ready, each time you make it to the ten-day mark, why don’t you try practising your new confidence on your dating apps and let yourself be taken out? By the time the thirty-day window ends, you will have gone on three different dates with three new guys, which will significantly lower the hype around the man you’ve been thinking of. You never know: one of these guys could end up being far more interesting, way hotter and maybe even richer. As you get closer to the end of the thirty-day period, why not have a spa booked to mark the last day? It will be a period of reflection, relaxation, and remembering how far you’ve come within just a month of leaving a situation that could have dragged your life in a completely different direction. You deserve to meet the woman you’re destined to become: take the time to do so. Set a reminder on your phone every couple of days that says ‘It’s time to finally choose yourself for once. Don’t let him win!’ When it gets hard, ask yourself: At what point will I be the victor here? When will I finally walk away with my head held high? This must end at some point – why not now?
Chidera Eggerue (How To Get Over A Boy)
I just don’t see her with the same rose-tinted glasses you do, that’s all. I recognised her flaws, and I loved her in spite of them.
Pernille Hughes (Ten Years)
Do you typically question those on the Rise who you don't recognise like this?' I challenged. 'What an odd method of interrogation.' 'Only pretty ladies with shapely, bare legs
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Printers are like that,’ I say. ‘It’s in their nature. They print when you don’t need anything. And when you really need something printed out, the ink cartridge is empty or there’s a sheet of paper jammed inside, the printer tells you it’s lost its internet connection or that it doesn’t recognise the computer you’re trying to print from. If you ask me, the whole idea of a digital, paperless future is down to the fact that printers have driven so many people to despair and insanity. Paper is a good thing; it’s beautiful. There’s nothing wrong with paper: it feels pleasant in your hand and it’s the best way to read something. The only problem is getting those little black marks onto the surface of the paper in the first place. Even with all the modern technology at our disposal it’s all but impossible. I suspect – no, I’m absolutely convinced – that the printer companies and the antidepressant manufacturers of this world are in cahoots.
Antti Tuomainen (The Man Who Died)
Would you like to return to your room, Penellaphe?' Pulled from my thoughts, it took me a moment to respond. 'You mean my cell?' 'It's far more comfortable and not nearly as drafty as the dungeon,' he replied. 'A cell is a cell, no matter how comfortable it is,' I told him. 'I'm fairly certain this is the same conversation we had earlier,' Casteel commented. My gaze swivelled to Casteel. 'I'm fairly certain I don't care.' 'I'm also sure that we came to the conclusion that you have never been free, Princess,' Casteel tacked on. The truth of those words was still as brutal as it was when they had first been spoken. 'I don't believe you would even recognise freedom if it were ever offered to you.' 'I know enough to know that's not what you're offering,' I shot back, fury returning in a hot, welcoming wave, warming my too-cold skin.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
There are two kinds of peace. One is the sun-dappled walls of a bookshop, the gentle emptiness of your own bedroom – a kind of undisturbed, predictable peace in which you are only ever exactly what you are. The other is the peace that comes when no one sees you as anything more than another piece of a crowded picture. As soon as they turn away from you, you don’t exist. This is the peace I find in central London, on the days when no one recognises me. That feeling of disappearing into the noise.
Caitlin Devlin (The Real Deal)
You don’t know everything.’ He was pronouncing everything very distinctly but his eyes refused to focus on me. ‘You think you do.’ ‘Everything about what?’ I was mystified. ‘The case?’ ‘No.’ He shook his head. ‘No. Not saying. No comment.’ He had been so determined not to let anything slip when he was out with the team that he had retained the need for secrecy without being able to recognise whether it was needed. ‘Josh, you can say anything to me. You don’t have to be careful.’ ‘Could be given in evidence against me.’ He waved a finger at me, blinking. ‘So no.’ ‘OK,’ I said, frustrated. I could wait until the following day for a proper debrief, assuming he could remember anything by then. He slid away from the kitchen counter and crossed the room to where I was standing, not quite managing to do it in a straight line. He put his arms on my shoulders and leaned his forehead against mine. ‘The thing is, I can’t.’ ‘Can’t what?’ ‘You know.’ He sighed and I leaned away.
Jane Casey (The Close (Maeve Kerrigan #10))
The real point is that you made a mistake, and you won’t acknowledge it aloud. You imagined that I was a hero, and that I had some extraordinary ideas and ideals, and it has turned out that I am a most ordinary official, a card-player, and have no partiality for ideas of any sort. I am a worthy representative of the rotten world from which you have run away because you were revolted with its triviality and emptiness. Recognise it and be just: don’t be indignant with me, but with yourself,
Anton Chekhov (The Lady with the Dog & Other Stories (AmazonClassics Edition))
What Could Be As Lonely As Love" I'm so afraid of saying something wrong There's a real danger of saying nothing at all That I'll go back to the rabbit and drink Get half cut, fired up, not say what I think That you're funny, interesting too That the air warms up when you walk in the room That I still dream about the night we met How I don't mean it now as I meant it then, when I said What could be as lonely as love? What could ever hurt this much? What if you're the only one? So let me in let me in From out of the cold I'm okay, doing fine - the greatest lie ever told Even I don't recognise reflections of mine When I'm the next call down the emergency line, they'll say What could be as lonely as love? What could ever hurt this much? What if you're the only one? What could be as lonely as love? It's a cruel tide A violet ocean Amber Run, Philophobia (2019)
Amber Run
I'm not afraid of failure but if I can avoid failure the better because to learn I don't have to fail. You fail when you refuse to recognise failure.
Carlos Simpson
The very same.’ ‘So why did you leave without saying goodbye? How on earth were you there in the first place? And …’ She paused as her mind caught up with her mouth. In a quieter voice she added: ‘So you’re dead?’ ‘In human terms, yes.’ For the first time, the hard truth of this fact really dawned on her. It was too much. She fell back on to the bed and the tears started to flow. ‘Are you okay? Will I ever see you again, like you were, for real? I’ve only just got my best friend back and now …’ Elliot took a seat next to her and pulled her into a hug. Despite the boyish tone of his voice, Lisa still recognised the man within as he spoke. ‘Listen, we don’t have long.’ He took a deep breath. ‘And after this, I don’t know if or when we’ll see each other again.’ His words only increased the flow of Lisa’s tears. She’d feared this was coming, but that didn’t make it any easier to accept. ‘There are things I need to say to you,’ he continued, sounding short of breath, ‘but I have very little time. I know
S.D. Robertson (Stand By Me)
turn to where the kitchen is quiet. There’s no-one to hurt you on plain days like this. I don’t have to sketch on a smile. There is nobody here to recognise but me.
Jane Burn (Be Feared)
In Blaming Mode, you might say, “We broke up because I was angry with him for letting me down and not turning up. Maybe if I hadn’t been so upset, we’d still be together.” In Accountability Mode, you’d instead say, “We did break up when I expressed how upset I was about him disappointing me by failing to turn up, however, it was a culmination of repeated poor behaviour. The truth is, if I’m willing to be with someone who hasn’t actually properly left his wife, is inconsistent, disappears, calls me ‘needy’, and continuously devalues me with his behaviour, I’m contributing by setting the status quo and accepting it. I need to look at why I’m willing to accept this behaviour and the first thing I recognise is that I end up in relationships like this because I don’t believe I’m good enough.” That, ladies, is acknowledgement and accountability.
Natalie Lue (Mr Unavailable & The Fallback Girl)
Like the psychological model outlined above, the psychiatric understanding of ’organised paedophilia’ is a framework that is focused primarily on individual psychological factors and overlooks the role of violence in criminal groups and the contexts in which such groups emerge. The underlying assumption of literature on ‘organised paedophilia’ is that members of sexually abusive groups are motivated by a pathological sexual interest in children but this does not accord with evidence that suggests that abusive groups can simultaneously abuse children and women. It is increasingly recognised that sexual offenders may not specialise in one particular victim category, and a significant proportion of child sexual abusers have also offended against adults (Cann et al. 2007, Heil et al. 2003). Furthermore, many of the behaviours of abusive groups appear to be designed to elicit fear and pain from the victim rather than to generate sexual pleasure for the perpetrator per se., are not mutually exclusive, but there is a sadistic dimension to organised abuse that is not explicable as ‘paedophilic’. A survivor of organised abuse from Belgium, Regina Louf, made this point clearly when she said: I find the expression ‘paedophile network’ misleading. For me paedophiles are those men who go to playgrounds or swimming pools, priests…I certainly don't want to exonerate them, but I would rather have paedophiles than the types we were involved with. There were men who never touched the children. Whether you were five, ten, or fifteen didn’t matter. What mattered to them was sex, power, experience. To do things they would never have tried with their own wives. Among them were some real sadists. (Louf quoted in Bulte and de Conick 1998) A credible theoretical account of organised abuse must necessarily (a) account for the available empirical evidence of organised abuse, (b) address the complex patterns of abuse and violence evident in sexually abusive groups, and (c) explain the ways in which sexually abusive groups form in a range of contexts, including families and institutions.
Michael Salter (Organised Sexual Abuse)
The murders force us to cut off the hair of our sisters a few minutes before their deaths and we, temporarily spared, do it in the shadow of the whips. We have been deprived of a reason and are the tools of criminals. My friend who worked with me sorting clothes as me quietly:— Why have you changed so much? I don't recognise you!
Chil Rajchman
And if one day I don't recognise you, I'll love you anyway
Nicole Fiorina, Stay With Me