I Am A Winner Quotes

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She tried to imagine her former self. Enemy. Prisoner. Friend? Daughter. Spy. Prisoner again. “What am I now?” Sarsine held both of Kestrel’s hands. “What ever you want to be.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I am my own best friend and my own worst enemy. Before coming here, I was thinking I don't deserve it, that i wouldn't be able to meet your expectations, and that you had probably chosen the wrong candidate. At the same time, my heart was telling me that i was being rewarded because i hadn't given up and had fought to the end
Paulo Coelho (The Winner Stands Alone)
I am a great champion; when I ran the ground shook and the sky opened and mere mortals parted the way to victory, and I met my owner in the winners circle where he put a blanket of flowers on my back
Dreamerz
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Positive energy is your priceless life force. Protect it. Don't allow people to draw from your reserves; select friends who recharge your energies . . . I'm not asking you to cut people out of your life, but I am asking you to invest your time with people who will push you to be your best. Winners love to see other people win.
Chalene Johnson (PUSH: 30 Days to Turbocharged Habits, a Bangin' Body, and the Life You Deserve!)
I must congratulate myself, in passing, for never having lost the ability to examine my conscience, never having lost the gift of finding myself wanting & defective. Why fear the criticism of others when you, yourself, are first out of the critical gate? If self-denigration is the race I am the winner, even before the starting gun. Collect the bets.
Frank McCourt
It is has been a long time since I have written one of my statuses about life. I have been very busy trying to promote my Fan page, Friends and services, and my books. However, I can tell you all one thing for certain. I am not a Quitter. I will not stop writing books. I will not stop pushing myself to succeed. I will not stop being who I am. I am a winner. Winning is an attitude. You take the good with the bad and you keep on going. It gets hard, you get tired and sometimes burnt out but you keep on going anyway, because you can. Winners have setbacks, but winners learn tighten their belts and go on. Winner look at what has gone wrong and instead of complaining they find ways of doing it better. Winners know that Rome was not built in a day and take every day as it comes. Winners do not whine, they roar.
Alexander Stone
This is your war now.' I despised myself for the cheesy sentiment, but what else did I have? 'Some war,' he said dismissively. 'What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They're made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Graze, with a predetermined winner.
John Green (The Fault in Our Stars)
She remembered her letter confessing every thing to Arin. I am the Moth. I am your country’s spy, she’d written. I have wanted to tell you this for so long. She’d scrawled the emperor’s secret plans. It didn’t matter that this was treason. It didn’t matter that she was supposed to marry the emperor’s son on First-summer’s day, or that her father was the emperor’s most trusted friend. Kestrel ignored that she’d been born Valorian. She’d written what she felt. I love you. I miss you. I would do anything for you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Those reasons are much more basic: it is flagrantly unjust to keep women out, by whatever unconscious means we do so; and we simply cannot afford to do without women’s expertise, whether it is in technology, the economy or social care. If that means fewer men get into the legislature, as it must do – social change always has its losers as well as its winners – I am happy to look those men in the eye.
Mary Beard (Women & Power: A Manifesto)
Some days I am not sure if my faith is riddled with doubt, or whether, graciously, my doubt is riddled with faith. And yet I continue to live in a world the way a religious person lives in the world; I keep living in a world that I know to be enchanted, and not left alone. I doubt; I am uncertain; I am restless, prone to wander. And yet glimmers of holy keep interrupting my gaze.
Lauren F. Winner (Still: Notes on a Mid-Faith Crisis)
You may encounter many disappointments. Be strong. Tell yourself, “I am good enough, I will try again.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
I sit on a man’s back choking him and making him carry me, and yet assure myself and others that I am sorry for him and wish to lighten his load by all means possible…except by getting off his back. —LEO TOLSTOY, WRITINGS ON CIVIL DISOBEDIENCE AND NONVIOLENCE
Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
So, if I'm no cheerleader of sports, why write a chapter about it? Sports do have some positive impact on society. They solve problems, such as how to get inner-city kids to spend $175 on shoes. They serve as a backdrop for some of our most memorable commercials. And they remain the one and only relevant application of math. Not only that, but we have sports to thank for most of the last century's advances in manliness. The system starts in school, where gym class separates the men from the boys. Then those men are taught to be winners, or at least, losers that hate themselves.
Stephen Colbert (I Am America (And So Can You!))
It's kind of like... It's kind of like playin' a basketball game. I am there and the other player is there, and it's just the two of us and I put the other player's body in my van. And I am the winner.
Chris Onstad
So what does the winner get in the end?" Tate asked. "They get to sit around with the losers and say, 'I am King Xavier of the world.' Repeat after me." "And me?" Tate asked. "You get to be my queen." "How come you're the leader of the community?" Narnie asked, almost smiling. "Why can't Tate be?" Webb looked at his sister, grinning. "Why can't you, Narnie?" Fitz leaned his head on Narnie's shoulder. "And I'll be your queen?" "You can be the eunuch," Jude said, shoving him out of the way, "and I'll be her prince." He bowed and took Narnie's hand, kissing it, and their eyes met. It was awkward for a moment until Narnie looked away.
Melina Marchetta (On the Jellicoe Road)
Dear 2016, If I had any defeats in your team, I am glad they were on my terms. Love, Defeated Winner
Jasleen Kaur Gumber
That's the thing with putting yourself out of your comfort zone: once you get there, you're like, Now I'm uncomfortable, what am I supposed to be doing?”
Alexis Hall (Rosaline Palmer Takes the Cake (Winner Bakes All, #1))
Ronan raised his brows. “To the tune of fifty keystones?” “What do I care?” Kestrel wanted to end this conversation. “I am wealthy enough.” She touched Ronan’s sleeve. “And how much”—she rubbed the silk between her fingers—“did this cost?” “Ronan, whose deftly embroidered shirt was easily the same price the slave had been, allowed that a point had been made. “He will last longer than this shirt.” Kestrel let go of the cloth. “I’d say I got a bargain.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Dostoevsky was writing about losers. The main character of The Iliad, Hector, is a loser. It’s very boring to talk about winners. The real literature always talks about losers. Madame Bovary is a loser. Julien Sorel is a loser. I am doing only the same job. Losers are more fascinating. Winners are stupid … because usually they win by chance
Umberto Eco
The only other person I have fallen in love with that way is Jesus, and I hope that goes more smoothly. I hope I remember, when I'm bored with Him, and antsy, and sick of brushing my teeth next to the same god every morning, I hope I remember not to leave Him. I am not so worried that He will leave me. The Bible, after all, is full of stories about God sticking with His Bride, no matter how stiff-necked and prideful and unfaithful she may be.
Lauren F. Winner (Girl Meets God)
I am not a saint. I am, however, beginning to learn that I am a small character in a story that is always fundamentally about God.
Lauren F. Winner (Still: Notes on a Mid-Faith Crisis)
I am not perfect." It came out in a rush of breath. "See I thought I was. Thank God I ain't. See a perfect thing ain't got a chance. The world kills it, everything perfect. (Listen to him!) Now see a thing that ain't perfect, it grows like a weed. Yeah, like a weed! A thing that ain't perfect gets hand clapping, smiles, takes the wire an easy winner. But the world ain't set up right if you perfect. You lible to run right into a brick wall. Looks like suicide. All the weeds say, looka there, it suicide!
Harry Crews (Naked in Garden Hills)
What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They're made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Grace, with a predetermined winner.
John Green (The Fault in Our Stars)
I AM A CONSISTENT WINNER BECAUSE: 1. I objectively identify my edges. 2. I predefine the risk of every trade. 3. I completely accept the risk or I am willing to let go of the trade. 4. I act on my edges without reservation or hesitation. 5. I pay myself as the market makes money available to me. 6. I continually monitor my susceptibility for making errors. 7. I understand the absolute necessity of these principles of consistent success and, therefore, I never violate them.
Mark Douglas (Trading in the Zone: Master the Market with Confidence, Discipline, and a Winning Attitude)
I DECLARE I will live victoriously. I was created in the image of God. I have the DNA of a winner. I am wearing a crown of favor. Royal blood flows through my veins. I am the head, never the tail, above never beneath. I will live with purpose, passion, and praise, knowing that I was destined to live in victory. This is my declaration.
Joel Osteen (I Declare: 31 Promises to Speak Over Your Life)
Here we are on top of the world. We have arrived at this peak to stay there forever. There is, of course, this thing called history. But history is something unpleasant that happens to other people. —Arnold Toynbee, recalling the 1897 diamond jubilee celebration of Queen Victoria   Like other practicing historians, I am often asked what the “lessons of history” are. I answer that the only lesson I have learnt from studying the past is that there are no permanent winners and losers. —Ramachandra Guha
Graham Allison (Destined For War: Can America and China Escape Thucydides's Trap?)
I am telling you a simple rule: the more negative you think and speak the more negative things will happen in your life and the more positive you shall think and speak; there are increased possibilities of positive happenings.
Pradeep Chaswal (How to be Successful in Present Day World (Winner Series, #1))
I am empowered by every problem to seek the power of God.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Indeed, the biggest winners in the world are those who answer yes to the question, “Am I living the life I choose?
Jack Welch (Winning: The Answers: Confronting 74 of the Toughest Questions)
Some war,” he said dismissively. “What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They’re made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Grace, with a predetermined winner.
John Green (The Fault in Our Stars)
Listen well, as I speak of my upsurge; For I’m a lover, without a lover I am a flame, without a combustion I am a novice, without a mentor I am a healer, without a wounded I am a winner, without a trophy I’m a captain, without a devotee And above all, I’m alone – not lonely
Zubair Ahsan (Of Endeavours Blue)
The phrases “I am not…” has a great creative power. When you tell yourself “I am not…”, remember you have just created something. Be careful of whom you say you are not; you will never be such a person! You are not a loser!
Israelmore Ayivor (Daily Drive 365)
What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They're made of me as surely as my brain and my heart is made of me. It is a civil war, Hazel Grace, with a predetermined winner.
John Green (The Fault in Our Stars)
What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They’re made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Grace, with a predetermined winner.
John Green (The Fault in Our Stars)
That is the way a whore talks. A whore is also a woman, but I am not a whore. You'll be one. Not through you.
Ernest Hemingway (Winner Take Nothing)
Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.” His hands cradled her face. “Don’t touch me,” she said. Arin’s hands fell. “Gods,” he said hoarsely. “Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.” Arin shook his head. “It’s harder to live.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In fact, in the fixed mindset, adolescence is one big test. Am I smart or dumb? Am I good-looking or ugly? Am I cool or nerdy? Am I a winner or a loser? And in the fixed mindset, a loser is forever.
Carol S. Dweck (Mindset: The New Psychology of Success)
In order to win life's daily struggles, you must have a winner's mind. One that is in control and proclaims that you will conquer today's challenges and that you will adapt and overcome any obstacle put or placed in your way. But if you continue to nurture a mind set on losing or quitting, you will find yourself in a losing position every time. Today, adjust your mind set and proclaim "I am a winner because winning is within me.
Keyon Polite
Most exciting email I have received! "Congratulations! You are a finalist in the 2020 Saturday Evening Post Great American Fiction Contest. We will be announcing the winner, runners-up, and honorable mentions very soon, but first I am reaching out to each finalist to applaud your work and clarify details with regard to publication rights." Stay tuned!
Caroline Walken
I am trying now to re-create in my mind the picture of the man as I saw him in 1939- he, the revered author of Sinister Barriers, I the novice. I think I can rely on my near-photographic memory for the purpose. (I call it "near-photographic" because I can only remember things that happen to be lying around near photographs.) Let's see, as I recall, he is six-feet seven-inches tall (when he is sitting down, that is) with a long and majestic English face. Then, too, I distinctly remember, there was a small flashing golden aura about his head, the occasional play of hissing flashes when he moved it suddenly, and the distant rumble of thunder when he spoke.
Isaac Asimov (The Hugo Winners Vol 1 and 2 1955-1970)
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
Food is something I am going to have to face at least three times a day for the rest of my life. And I am not perfect. But one really bad day does not mean that I am hopeless and back at square one with my eating disorder. Olympic ice skaters fall in their quest for the gold. Heisman Trophy winners throw interceptions. Professional singers forget the words. And people with eating disorders sometimes slip back into an old pattern. But all of these individuals just pick themselves back up and do the next right thing. The ice skater makes the next jump. The football player throws the next pass. The singer finishes the song. And I am going to eat breakfast.
Jenni Schaefer (Life Without Ed: How One Woman Declared Independence from Her Eating Disorder and How You Can Too)
Just close your eyes and try to think it over You realize I'm not the man you know, girl I hypotize ya I paralyze ya Go on and scream cause nobody's gonna find ya Did I ever think to tell you I am a monster? You ain't ever seen this side of me Maybe I should wear a warning that says there is danger, If you ever get too close to me...
Kris Allen
A winner mindset is not an "I want" or "I wish" mindset, but an "I am" mindset.
Brandon Grant
I am born to win.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
The more obsessed with personal identity campus liberals become, the less willing they become to engage in reasoned political debate. Over the past decade a new, and very revealing, locution has drifted from our universities into the media mainstream: 'Speaking as an X' . . . This is not an anodyne phrase. It tells the listener that I am speaking from a privileged position on this matter. (One never says, 'Speaking as an gay Asian, I fell incompetent to judge on this matter'). It sets up a wall against questions, which by definition come from a non-X perspective. And it turns the encounter into a power relation: the winner of the argument will be whoever has invoked the morally superior identity and expressed the most outrage at being questioned. So classroom conversations that once might have begun, 'I think A, and here is my argument', now take the form, 'Speaking as an X, I am offended that you claim B'. This makes perfect sense if you believe that identity determines everything. It means that there is no impartial space for dialogue. White men have one "epistemology", black women have another. So what remains to be said? What replaces argument, then, is taboo. At times our more privileged campuses can seem stuck in the world of archaic religion. Only those with an approved identity status are, like shamans, allowed to speak on certain matters. Particular groups -- today the transgendered -- are given temporary totemic significance. Scapegoats -- today conservative political speakers -- are duly designated and run off campus in a purging ritual. Propositions become pure or impure, not true or false. And not only propositions but simple words. Left identitarians who think of themselves as radical creatures, contesting this and transgressing that, have become like buttoned-up Protestant schoolmarms when it comes to the English language, parsing every conversation for immodest locutions and rapping the knuckles of those who inadvertently use them.
Mark Lilla (The Once and Future Liberal: After Identity Politics)
I turned on the water then returned to the door jamb. “That’s not fair, you’re nice and clean.” “I am?” He took a few steps toward me. “Aren’t you?” “No,” he scowled and shook his head. “I’m dirty. But you knew that.” Now, if you haven’t heard an Irishman say the word “dirty” before, I will compare it with dynamite in your ovaries. They say it with like, seven Rs.
Nicole Castro (Winner's Curse)
There is a fun fact that suggests America has 40 lawyers for every engineer, whereas China, emerging as one of the world’s most dynamic nations, has 40 engineers for every lawyer. I am not sure exactly what that says, but it can’t be a plus for the United States. It may only be coincidence that the explosion in ethical and legal lapses in the business world parallels proportionately the increase in lawyers.
Jon M. Huntsman Sr. (Winners Never Cheat: Even in Difficult Times)
I cannot describe God in the same way that I cannot describe a picture I am holding millimeters from my eyes—the picture is made strange and unknowable not because it is distant but because it is so close.
Lauren F. Winner (Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God)
On any given morning, I might not be able to list for you the facts I know about God. But I can tell you what I wish to commit myself to, what I want for the foundation of my life, how I want to see. When I stand with the faithful at Holy Comforter and declare that we believe in one God . . . I am saying, Let this be my scaffolding. Let this be the place I work, struggle, play, rest. I commit myself to this.
Lauren F. Winner (Still: Notes on a Mid-Faith Crisis)
An inner voice tells me that this is not the true Jacob. The theory accomplishes a lot, but it does not bring us closer to the secrets of the Old One. In any case, I am convinced that He does not play dice.
Kai Bird (American Prometheus: THE INSPIRATION FOR 'OPPENHEIMER', WINNER OF 7 OSCARS, INCLUDING BEST PICTURE, BEST DIRECTOR AND BEST ACTOR)
Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.
William Kennedy (Billy Phelan's Greatest Game)
Trump was not a politician who could parse factions of support and opprobrium; he was a salesman who needed to make a sale. “I won. I am the winner. I am not the loser,” he repeated, incredulously, like a mantra.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Can I pretend to be as cold as Augustus? I now know why he did not flinch in hanging my wife. And I am beginning to understand why Golds rule. They can do what I cannot. Though I am alone, I know I will soon find others. They want me to soak in the guilt for now. They want me lonely, mournful, so that when I meet the others, the winners, I will be relieved. The murders will bind us, and I’ll find the company of the winners a salve to my guilt. I do not love my fellow students, but I will think I do. I will want their comfort, their reassurances that I am not evil. And they will want the same. This is meant to make us a family—one with cruel secrets. I am right.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
I want to speak with her alone,” Cheat told Sarsine. She said, “Arin--” “--is not the leader of the Herrani. I am.” “We’ll see how long that lasts,” said Kestrel, then bit her lip. He saw her do it, and they both knew what it meant. A mistake.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
When I came out of the Charity Ward of the L.A. County General Hospital in 1955 after drinking ten years without missing a night or day (except while in jail) they told me that if I ever took another drink I would be dead. I went back to my shack job and I asked her, “What the hell am I going to do now?” “We’ll play the horses,” she said. “Horses?” “Yeah, they run and you bet on them.” She had found some money on the boulevard so we went out. I had 3 winners, one of them paid over 50 bucks. It seemed very easy. We went out a second time and I won again. That night I decided that if I mixed some wine with milk it might not hurt me. I tried a glass, half wine, half milk. I didn’t die. The next glass I tried a little less milk and a little more wine. By the time the night was over I had been drinking straight wine. In the morning I got up without hemorrhaging. After that I drank and played the horses. 27 years later I am still doing both. Time is made to be wasted...
Charles Bukowski (More Notes of a Dirty Old Man: The Uncollected Columns)
I'm not going to be raped. I'm not going to be murdered. I'm going to bring him to justice so this never happens to anyone else. I'm not going to think like a victim. I'm going to think like a winner. Because that's what I am. I'm Ruthless, by God, and I need to act like it.
Carolyn Lee Adams (Ruthless)
People think Judaism and Christianity are radically different from one another, and that the difference is straightforward. But on Ascension Day, I am struck by the deep similarity that lies just underneath. Both Jews and Christians live in a world that is not yet redeemed, and both us await ultimate redemption. Some of us wait for a messiah to come once and forever; others of us wait for Him to come back. But we are both stuck living in a world where redemption is not complete, where we have redemptive work to do, where we cannot always see God as clearly as we would like, because He is up in Heaven. We are both waiting.
Lauren F. Winner (Girl Meets God)
Lo, I am with you always, even unto the end of the age.” Note the “I Am.” In the Greek it is the strongest possible form of expression – Ego Eimi. Both ego and eimi mean “I am” but the former puts the emphasis on the “I” while the latter puts it on the “am.” Taken together they are the strongest Greek form to express the name of God as the great “I AM.” That is how the risen Christ here refers to Himself. “Lo, I AM with you!” But there is a lovely feature in the Greek construction here which does not reveal itself in our English translation. It reads like this: “And lo, I with you AM…” You and I dear fellow believer, are in between the “I” and the “AM.” He is not only with us, He is all around us. Not only now and then, but “always” which literally translated is, “all the days” … this day, this hour, this moment. Why, when we reflect on it, were not our Lord’s sudden appearings & disappearings during the 40 days between His resurrection and His ascension meant to teach those early disciples (and ourselves) this very thing, that even when He is invisible He is none the less present, hearing, watching, knowing, sympathizing, overruling? Let us never forget that the special promise of His presence is given in connection with our going forth as winners of others to Him.
J. Sidlow Baxter (Baxter's Explore the Book)
Cheat propped his elbows on his knees and gazed up at Kestrel. He scrutinized her: the long, loosely clasped hands, the folds of her dress. Kestrel’s clothes had mysteriously appeared in the suite’s wardrobe, probably while she had slept, and she was glad. The dueling ensemble had served well enough, but wearing a dress fit for society made Kestrel feel ready for different kinds of battle. “Where is Arin?” Cheat said. “In the mountains.” “Doing what?” “I don’t know. I imagine that, since the Valorian reinforcements will come through the mountain pass, he is analyzing its values and drawbacks as a battleground.” Cheat gave her a gleeful smirk. “Does it bother you, being a traitor?” “I don’t see how I am.” “You just confirmed that the reinforcements will come through the pass. Thank you.” “It’s hardly worth thanking me,” she said. “Almost every useful ship in the empire has been sent east, which means there is no other way into the city. Anyone with brains could figure that out, which is why Arin is in the mountains, and you are here.” A flush began to build under Cheat’s skin.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
And yet that performance has a method. Trump's artlessness, like Mark Antony's, is only apparent. Listen, for example, as he performs one of his favorite riffs. He begins by saying something critical of Mexicans and Chinese. Then he turns around and says, 'I love the Mexican and Chinese people, especially the rich ones who buy my apartments or stay at my hotels or play on my golf courses.' It's their leaders I criticize, he explains, but then in a millisecond he pulls the sting from the criticism: 'they are smarter and stronger than our leaders; they're beating us.' And then the payoff all this has been leading up to, the making explicit of what has been implied all along. 'If I can sell them condominiums, rent space to them in my building at my price, and outfox them in deals, I could certainly outmaneuver them when it came to trade negotiations and immigration.' (And besides, they love me.) Here is the real message, the message that makes sense of the disparate pieces of what looks like mere disjointed fumbling: I am Donald Trump; nobody owns me. I don't pander to you. I don't pretend to be nice and polite; I am rich and that's what you would like to be; I'm a winner; I beat people at their own game, and if you vote for me I will beat our adversaries; if you want wonky policy details, go with those losers who offer you ten-point plans; if you want to feel good about yourselves and your country, stick with me. So despite the lack of a formal center or an orderly presentation, Trump was always on point because the point was always the same. He couldn't get off message because the one message was all he had.
Stanley Fish
Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
When the dress for Irex’s dinner party arrived wrapped in muslin and tied with twine, it was Arin who brought the package to Kestrel. She hadn’t seen him since the first green storm. She didn’t like to think about that day. It was her grief, she decided, that she didn’t want to remember. She was learning to live around it. She had returned to her music, and let that outings and lessons flow around the fact of Enai’s death, smoothing its jagged edges. She spent little time at the villa. She sent no invitations to Arin for Bite and Sting. If she went into society, she chose other escorts. When Arin stepped into her sitting room that was really a writing room, Kestrel set her book next to her on the divan and turned its spine so that he wouldn’t see the title. “Hmm,” Arin said, turning the packaged dress over in his hands. “What could this be?” “I am sure you know.” He pressed it between his fingers. “A very soft kind of weapon, I think.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Are my friends dead?” Kestrel demanded. “Tell me.” “I will tell you after I have set you on that horse and you haven’t fought me, and after I am seated behind you and you don’t have any clever ideas to shove me off or throw us both. I’ll tell you when we’ve made it to the harbor.” He came close. She didn’t say anything, and he must have decided that she agreed, or maybe he didn’t want to hear her voice any more than she wanted to speak, because he didn’t wait for an answer. He lifted Kestrel onto Javelin, then settled behind her in a swift, fluid movement. Kestrel felt the lines of his body fit along hers. His closeness was a shock. Kestrel decided, however, to agree to the bargain. She didn’t signal Javelin to rear. She didn’t drive her head back into Arin’s jaw. She decided to behave. She focused on what mattered. That kiss had meant nothing. Nothing. What remained was the hand she had drawn, and how she would play it. The horses burst from the stables.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Even if you had no reason at all, fear isn’t foolish. I get frightened, too.” She remembered how he’d held his sword earlier. “You thought there were Valorians in the woods. You weren’t frightened then.” “Not exactly.” “Then what are you afraid of?” “Spiders,” he said gravely. She elbowed him. “Ow.” She snorted. “Spiders.” “Or those things with a thousand legs.” He shuddered. “Gods.” She laughed. Quietly, he said, “I was afraid when I came to the stable and saw that Javelin wasn’t in his stall.” Startled, she turned her head, catching a glimpse of the line of his jaw and the shadows of his throat. She returned her gaze to the road. Lightly, she said, “Worse than spiders?” “Ah, much worse.” “If I ran away, I wouldn’t get very far.” “In my experience, it’s a very bad idea to underestimate you.” “But you didn’t try to ride me down.” “No.” “You wanted to.” “Yes.” “What stopped you?” “Fear,” he said, “of what it would mean for me not to trust you. I saddled a horse. I was ready to ride…but I thought that if I did, I’d be nothing more than a different kind of prison to you.” His words made her feel strange. He changed his tone. There was mischief in it now. “Also, you’re a little intimidating.” “I am not.” “Oh, yes. I didn’t think you’d appreciate being followed. I’ve seen what happens to people who get on your bad side. And now you know my weakness, and will drop spiders down the back of my shirt if I cross you, and I’ll have a hard life indeed.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Your question.” “Never mind.” “I’ll tell you.” He shook his head. “Not necessary.” “It is you. It’s true, I haven’t wanted it to be you who tells me things I can’t recall. Not you.” She saw his flinch, and the effort to hide it. Tears sprang to her eyes. “Who are you, that you get to know so much about me that even I don’t know? Why do you get to tell me who I am? How did you get so much power? I have none. It’s not fair. You are unfair.” Her voice broke. “I am unfair.” His expression changed. “Kestrel.” She
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over. “Play your tiles,” Arin said roughly. Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions. Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud. Four vipers. “I win,” he said, and swept the matches into his hand. Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.” He gave her a humorless smile. “I did warn you.” “Yes. You did.” He stood. “I think I’ll take my leave while I have the advantage.” “Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise. He dropped her hand. “I have things to do.” “Like what?” She tried for a lighthearted tone. He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled. “I’ll walk you out,” she said. “Do you think I will lose my way? Or steal something as I go?” She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth. They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano. She stopped. “What is your interest in that room?” The look he gave her was cutting. “I have no interest in the music room.” Her eyes narrowed as she watched him walk away.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know. Her father would choose the water for Kestrel if he knew. Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear. She didn’t want to die. Arin was right. She played a game until its end. Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water. Kestrel gathered the strength in her legs and jumped onto the deck. Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled. Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.” His hands cradled her face. “Don’t touch me,” she said. Arin’s hands fell. “Gods,” he said hoarsely. “Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.” Arin shook his head. “It’s harder to live.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Carrie, Sheila, Sandy, Michael, my beloved husband and my family…I have been in a place for six incredible years where winning meant a crust of bread and to live another day. Since the blessed day of my liberation I have asked the question, ‘Why am I here? I am no better.’ In my mind’s eye I see those years and faces of those who never lived to see the magic of a boring evening at home. On their behalf I wish to thank you for honoring their memory, and you cannot do that in a better way than when you return to your homes tonight to realize that each of you who knows the joy of freedom are winners. Thank you on their behalf with all my heart.
Gerda Weissmann Klein
She let her bad mood seethe into the silence of the carriage. Finally, she couldn’t bear the vicious cycle of her thoughts, the way they kept returning to Irex and her stupid decision to humiliate him at Bite and Sting. “Well?” she asked Arin. He sat across from her in the carriage, but didn’t lift his eyes to meet hers. He studied his hands. “Well, what?” “What do you think?” “About?” “About the party. About anything. About the bargain we made that you could at least pretend to uphold.” “You want to gossip about the party.” He seemed tired. “I want you to speak to me.” He looked at her then. She found that she had clenched her silk skirts in a fist. She let go. “For example, I know you overheard about Senator Andrax. Do you think he merits torture? Death?” “He deserves what he gets,” he said, and went quiet again. Kestrel gave up. She sank into her anger. “That isn’t what’s bothering you.” Arin sounded reluctant, almost incredulous, as if he couldn’t believe the words coming from his mouth. Kestrel waited. He said, “That man is an ass.” It was clear whom he meant. It was clear that no slave should ever say that of any Valorian. But it was magic to hear the words out loud. Kestrel breathed a laugh. “And I am a fool.” She pressed chilly hands to her forehead. “I knew what he’s like. I should have never played Bite and Sting with him. Or I should have let him win.” The corner of Arin’s mouth twitched. “I enjoyed watching him lose.” There was silence, and Kestrel, though she felt comforted, knew that Arin’s understanding of the afternoon had been fairly complete. He had waited beyond the laran trees, listening to her and Irex. Would he have continued to do nothing, had something else happened? “Do you know how to play Bite and Sting?” she asked. “Maybe.” “Either you do or you don’t.” “Whether I know or don’t doesn’t matter.” She made an impatient noise. “Because?” His teeth flashed in the late, shifting light. “Because you would not want to play against me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
LEADING LESSONS Let them see you sweat. That’s what dancing is about. That’s what life is about. Basically, you get out what you put in to any situation. If you’re lazy, cynical, negative--like that gas station mechanic--it’s going to show in anything you do. But if you focus, prepare, give 110 percent, you’re a winner no matter what the outcome. Any area of your life that you give attention to--career, relationships, health--will be better. I’m not saying that we should all go out there and become workaholics. I’m saying that you should commit yourself fully; give your whole self to the effort. You can’t blame others for your circumstances or your failures. When you ask yourself, “What am I prepared to do?” the answer should always be, “Whatever it takes.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Cheat propped his elbows on his knees and gazed up at Kestrel. He scrutinized her: the long, loosely clasped hands, the folds of her dress. Kestrel’s clothes had mysteriously appeared in the suite’s wardrobe, probably while she had slept, and she was glad. The dueling ensemble had served well enough, but wearing a dress fit for society made Kestrel feel ready for different kinds of battle. “Where is Arin?” Cheat said. “In the mountains.” “Doing what?” “I don’t know. I imagine that, since the Valorian reinforcements will come through the mountain pass, he is analyzing its values and drawbacks as a battleground.” Cheat gave her a gleeful smirk. “Does it bother you, being a traitor?” “I don’t see how I am.” “You just confirmed that the reinforcements will come through the pass. Thank you.” “It’s hardly worth thanking me,” she said. “Almost every useful ship in the empire has been sent east, which means there is no other way into the city. Anyone with brains could figure that out, which is why Arin is in the mountains, and you are here.” A flush began to build under Cheat’s skin. He said, “My feet are dusty.” Kestrel had no idea how to respond to that. “Wash them,” he said. “What?” He took off his boots, stretched out his legs, and leaned back against the bench. Kestrel, who had been quite still, became stone. “It’s Herrani custom for the lady of the house to wash the feet of special guests,” said Cheat. “Even if such a custom existed, it died ten years ago. And I’m not the lady of the house.” “No, you’re a slave. You’ll do as I command.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She had sworn to herself not to speak to Arin, but then he said, “You’re coming with me to the harbor.” This surprised her into saying, “To do what? Why not lock me up in the barracks? It would be a perfect prison for your prize.” He continued to walk her down the halls of her home. “Unless Cheat changes his mind about you.” Kestrel imagined the auctioneer unlocking her cell door. “I suppose I’m no good to you dead.” “I would never let that happen.” “What a touching concern for Valorian life. As if you hadn’t let your leader kill that woman. As if you’re not responsible for the death of my friends.” They stopped before the door to Kestrel’s suite. Arin faced her. “I will let every single Valorian in this city die if it means that you don’t.” “Like Jess?” Her eyes swam with sudden, unshed tears. “Ronan?” Arin looked away. The skin above his eye was beginning to blacken from where she had kicked him. “I spent ten years as a slave. I couldn’t be one anymore. What did you imagine, tonight, in the carriage? That it would be fine for me to always be afraid to touch you?” “That has nothing to do with anything. I am not a fool. You sold yourself to me with the intention of betrayal.” “But I didn’t know you. I didn’t know how you--” “You’re right. You don’t know me. You’re a stranger.” He flattened a palm against the door. “What about the Valorian children?” she demanded. “What have you done with them? Have they been poisoned, too?” “No. Kestrel, no, of course not. They will be cared for. In comfort. By their nurses. This was always part of the plan. Do you think we’re monsters?” “I think you are.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.” She could have pressed the issue, but his distraction was a less interesting mystery compared to one growing in her mind. She didn’t think Arin was who he appeared to be. He had the body of someone born into hard work, yet he knew how to play a Valorian game, and play it well. He spoke her language like someone who had studied it carefully. He knew--or pretended to know--the habits of a Herrani lady and the order of her rooms. He had been relaxed and adept around her stallion, and while that might not mean anything--he had not ridden Javelin--Kestrel knew that horsemanship among the Herrani before the war had been a mark of high class. Kestrel though that Arin was someone who had fallen far.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I’d better have a glass then. To complete my ensemble.” Kestrel didn’t quite forget her promise to Arin not to drink, but rather willed it away along with everything else about him. “Oh, yes,” said Jess. “You must. Don’t you think so, Ronan?” “I don’t think. I am thinking of nothing other than what Kestrel could be thinking, and whether she will dance with me. If I’m not mistaken, there is one final dance before this legendary wine is served.” Kestrel’s happiness faltered. “I’d love to, but…won’t your parents mind?” Ronan and Jess exchanged a glance. “They’re not here,” Ronan said. “They’ve left to spend the winter season in the capital.” Which meant that, were they here, they would object--as would any parents, given the scandal. Ronan read Kestrel’s face. “It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I spread my arms to encircle her till my elbows were firmly against the back of her rib cage. I wanted to fuse myself with her. I wanted to bite into her like an apple and then eat her, digest her, absorb her into my bloodstream, my hemoglobin, my ESR. “What are you thinking?” she asked. “I don’t know what to do. It’s a problem. I can’t have you.” “But I am yours,” she said simply. “I know, I know, but, I mean, I want to possess you like an apple,” I said. “An apple?” she burst out laughing. I didn’t know how to explain what I meant. I didn’t appreciate that someone who belonged to me could just laugh at what I had said. It was not permissible. It was against the rules. I rolled over forcefully so that she was on her back and I was on top. Then I bit her cheek as if I were biting an apple. It held none of the satisfaction I had imagined. I needed to bite her and swallow. I bit her round shoulders as if they were apples, then her stomach and her knees, her toes and her back, the round lobes of her bottom. I bit them harder than everything else because they were the roundest and most applelike. But she squealed, so I stopped. I noticed that my biting had caused her to start breathing heavily, so I replaced my teeth with my lips. I gathered different parts of her flesh between my lips and kissed her all over, in the opposite order in which I had bitten. In her breathless moans and her cries of pleasure I owned her more than I owned myself and was immersed in her more than I had ever been immersed in my own self. Me, I had not yet discovered. I was an unknown quantity, a constantly unraveling mystery. But India was absolutely and completely known both carnally and otherwise. I rolled off of her with the sweet exhaustion of a man who has just hunted his dinner animal.
Abha Dawesar (Babyji: Stonewall Book Award Winner)
I kind of conned you into believing you were falling in love with a healthy person,” he said. I shrugged. “I’d have done the same to you.” “No, you wouldn’t’ve, but we can’t all be as awesome as you.” He kissed me, then grimaced. “Does it hurt?” I asked. “No. Just.” He stared at the ceiling for a long time before saying, “I like this world. I like drinking champagne. I like not smoking. I like the sound of Dutch people speaking Dutch. And now…I don’t even get a battle. I don’t get a fight.” “You get to battle cancer,” I said. “That is your battle. And you’ll keep fighting,” I told him. I hated it when people tried to build me up to prepare for battle, but I did it to him, anyway. “You’ll…you’ll…live your best life today. This is your war now.” I despised myself for the cheesy sentiment, but what else did I have? “Some war,” he said dismissively. “What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They’re made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Grace, with a predetermined winner.” “Gus,” I said. I couldn’t say anything else. He was too smart for the kinds of solace I could offer. “Okay,” he said. But it wasn’t. After a moment, he said, “If you go to the Rijksmuseum, which I really wanted to do—but who are we kidding, neither of us can walk through a museum. But anyway, I looked at the collection online before we left. If you were to go, and hopefully someday you will, you would see a lot of paintings of dead people. You’d see Jesus on the cross, and you’d see a dude getting stabbed in the neck, and you’d see people dying at sea and in battle and a parade of martyrs. But Not. One. Single. Cancer. Kid. Nobody biting it from the plague or smallpox or yellow fever or whatever, because there is no glory in illness. There is no meaning to it. There is no honor in
John Green (The Fault in Our Stars)
He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.” Ronan’s anger dimmed a little. He waited, listening. “I never should have challenged Irex.” Kestrel decided to weave some truth into her story, to toughen the fabric of it. “But he and I have an unfriendly history. He made me an offer last spring. I turned him down. Since then, he has been…aggressive.” She had Ronan’s sympathy then, and she was grateful, for she didn’t know what she would do if he and Jess turned their backs on her. She needed them--not only today, but always. “Irex angered me. The slave was just an excuse.” How much easier everything would be if that were so. But Kestrel wouldn’t let herself consider the truth. She didn’t want to know its shape or see its face. “I was thoughtless and rash, but I’ve drawn my tiles and must play them. Will you help me, Ronan? Will you do as I asked in my letter?” “Yes.” He still looked unhappy. “Though as far as I can see, there is little for me to do but stand and watch you fight.” “And Jess? Will she be at the duel?” “Yes, as soon as she is done weeping her eyes out. What a fright you’ve given us, Kestrel.” Kestrel opened a saddlebag and passed Ronan the purse with the death-price. He took it, recognizing it by its weight and the fact that her letter had told him to expect it. Softly, he said, “You frightened me.” She embraced him, stepping into his arms. They relaxed around her. His chin rested on top of her head, and she felt his forgiveness. She tried to push away thoughts of Arin on the auction block, of the look in his eyes when he asked where his honor was, of him swearing at her guards in his tongue. She held Ronan more tightly, pressing her cheek against his chest. Ronan sighed. “I’ll ride with you to Irex’s house,” he said, “and see you safely home after you’ve won.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The question, therefore, which each of us has to answer to his own conscience is, "Has it been the end of my ministry, has it been the desire of my heart to save the lost and guide the saved? Is this my aim in every sermon I preach, in every visit I pay? Is it under the influence of this feeling that I continually live and walk and speak? Is it for this I pray and toil and fast and weep? Is it for this I spend and am spent, counting it, next to the salvation of my own soul, my chiefest joy to be the instrument of saving others? Is it for this that I exist? To accomplish this would I gladly die? Have I seen the pleasure of the Lord prospering in my hand? Have I seen souls converted under my ministry? Have God's people found refreshment from my lips and gone upon their way rejoicing, or have I seen no fruit of my labours, and yet am content to remain unblest? Am I satisfied to preach, and yet not know of one saving impression made, one sinner awakened?
Horatius Bonar (Words to Winners of Souls)
Yesterday while I was on the side of the mat next to some wrestlers who were warming up for their next match, I found myself standing side by side next to an extraordinary wrestler. He was warming up and he had that look of desperation on his face that wrestlers get when their match is about to start and their coach is across the gym coaching on another mat in a match that is already in progress. “Hey do you have a coach.” I asked him. “He's not here right now.” He quietly answered me ready to take on the task of wrestling his opponent alone. “Would you mind if I coached you?” His face tilted up at me with a slight smile and said. “That would be great.” Through the sounds of whistles and yelling fans I heard him ask me what my name was. “My name is John.” I replied. “Hi John, I am Nishan” he said while extending his hand for a handshake. He paused for a second and then he said to me: “John I am going to lose this match”. He said that as if he was preparing me so I wouldn’t get hurt when my coaching skills didn’t work magic with him today. I just said, “Nishan - No score of a match will ever make you a winner. You are already a winner by stepping onto that mat.” With that he just smiled and slowly ran on to the mat, ready for battle, but half knowing what the probable outcome would be. When you first see Nishan you will notice that his legs are frail - very frail. So frail that they have to be supported by custom made, form fitted braces to help support and straighten his limbs. Braces that I recognize all to well. Some would say Nishan has a handicap. I say that he has a gift. To me the word handicap is a word that describes what one “can’t do”. That doesn’t describe Nishan. Nishan is doing. The word “gift” is a word that describes something of value that you give to others. And without knowing it, Nishan is giving us all a gift. I believe Nishan’s gift is inspiration. The ability to look the odds in the eye and say “You don’t pertain to me.” The ability to keep moving forward. Perseverance. A “Whatever it takes” attitude. As he predicted, the outcome of his match wasn’t great. That is, if the only thing you judge a wrestling match by is the actual score. Nishan tried as hard as he could, but he couldn’t overcome the twenty-six pound weight difference that he was giving up to his opponent on this day in order to compete. You see, Nishan weighs only 80 pounds and the lowest weight class in this tournament was 106. Nishan knew he was spotting his opponent 26 pounds going into every match on this day. He wrestled anyway. I never did get the chance to ask him why he wrestles, but if I had to guess I would say, after watching him all day long, that Nishan wrestles for the same reasons that we all wrestle for. We wrestle to feel alive, to push ourselves to our mental, physical and emotional limits - levels we never knew we could reach. We wrestle to learn to use 100% of what we have today in hopes that our maximum today will be our minimum tomorrow. We wrestle to measure where we started from, to know where we are now, and to plan on getting where we want to be in the future. We wrestle to look the seemingly insurmountable opponent right in the eye and say, “Bring it on. - I can take whatever you can dish out.” Sometimes life is your opponent and just showing up is a victory. You don't need to score more points than your opponent in order to accomplish that. No Nishan didn’t score more points than any of his opponents on this day, that would have been nice, but I don’t believe that was the most important thing to Nishan. Without knowing for sure - the most important thing to him on this day was to walk with pride like a wrestler up to a thirty two foot circle, have all eyes from the crowd on him, to watch him compete one on one against his opponent - giving it all that he had. That is what competition is all about. Most of the times in wrestlin
JohnA Passaro
What about the Valorian children?” she demanded. “What have you done with them? Have they been poisoned, too?” “No. Kestrel, no, of course not. They will be cared for. In comfort. By their nurses. This was always part of the plan. Do you think we’re monsters?” “I think you are.” Arin’s fingers curled against the door. He shoved it open. He led her to the dressing room, opened the wardrobe, and riffled through her clothes. He pulled out a black tunic, leggings, and jacket and thrust them at Kestrel. Coolly she said, “This is a ceremonial fighting uniform. Do you expect me to fight a duel on the docks?” “You’re too noticeable.” There was something strange about his voice. “In the dark. You…you look like an open flame.” He found another black tunic and tore it between his hands. “Here. Wrap this around your hair.” Kestrel stood still, the black cloth limp in her arms as she remembered the last time she had worn such clothes. “Get dressed,” said Arin. “Get out.” He shook his head. “I won’t look.” “That’s right. You won’t, because you are going to get out.” “I can’t leave you alone.” “Don’t be absurd. What am I going to do, take back the city single-handedly from the comfort of my dressing room?” Arin dragged a hand through his hair. “You might kill yourself.” Bitterly, she said, “I should think it was clear from the way I let you and your friend push me around that I want to stay alive.” “You might change your mind.” “And do what, exactly?” “You could hang yourself with your dagger belt.” “So take it away.” “You’ll use clothes. The leggings.” “Hanging is an undignified way to die.” “You’ll break the mirror to your dressing table and cut yourself.” Again Arin’s voice seemed foreign. “Kestrel, I won’t look.” She realized why his words sounded rough. She had switched, at some point, to speaking in Valorian, and he had followed her. It was his accent that she heard. “I promise,” he said. “Your promises are worth nothing.” Kestrel turned and began to undress.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Ronan was waiting for her beyond the estate’s guarded gate. From the looks of things, he had been waiting for some time. His horse was nosing brown grass as Ronan sat on a nearby boulder, throwing pebbles at the general’s stone wall. When he saw Kestrel ride through the gate on Javelin, he flung his handful of rocks to the path. He remained sitting, elbows propped on his bended knees as he stared at her, his face pinched and white. He said, “I have half a mind to tear you down from your horse.” “You got my message, then.” “And rode instantly here, where guards told me that the lady of the house gave strict orders not to let anyone--even me--inside.” His eyes raked over her, taking in the black fighting clothes. “I didn’t believe it. I still don’t believe it. After you vanished last night, everyone at the party was talking about the challenge, yet I was sure it was just a rumor started by Irex because of whatever has caused that ill will between you. Kestrel, how could you expose yourself like this?” Her hands tightened around the reins. She thought about how, when she let go, her palms would smell like leather and sweat. She concentrated on imagining that scent. This was easier than paying heed to the sick feeling swimming inside her. She knew what Ronan was going to say. She tried to deflect it. She tried to talk about the duel itself, which seemed straightforward next to her reasons for it. Lightly, she said, “No one seems to believe that I might win.” Ronan vaulted off the rock and strode toward her horse. He seized the saddle’s pommel. “You’ll get what you want. But what do you want? Whom do you want?” “Ronan.” Kestrel swallowed. “Think about what you are saying.” “Only what everyone has been saying. That Lady Kestrel has a lover.” “That’s not true.” “He is her shadow, skulking behind her, listening, watching.” “He isn’t,” Kestrel tried to say, and was horrified to hear her voice falter. She felt a stinging in her eyes. “He has a girl.” “Why do you even know that? So what if he does? It doesn’t matter. Not in the eyes of society.” Kestrel’s feelings were like banners in a storm, snapping at their ties. They tangled and wound around her. She focused, and when she spoke, she made her words disdainful. “He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You’re good at this,” said Ronan. “What?” He leaned to touch the baby’s head. “Being a mother.” “What is that supposed to mean?” Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.” Kestrel set the baby on the grass next to Faris. “You cannot take it back.” “Just this once,” he said, echoing her earlier words during the game. She stood and walked away. He followed. “Come, Kestrel. I spoke only the truth.” They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall. “It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan. Visibly relieved, he said, “Good. The empire needs new life.” It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier. “It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--” He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.” “I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?” “You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.” “Benix, of course.” She laughed. “Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor. Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth. If it was true, what then?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
LEADING LESSONS It’s the failures that make us winners. When you win a competition, you celebrate. You are on cloud nine. But when you lose, you learn. In my case, losing Blackpool that first time was the best thing that ever happened to me. I dug deep down and asked myself what it was that was holding me back from achieving what I knew I was capable of. Failure shows you what’s possible. It makes your desire burn hotter. It builds courage, and in the end, it makes the win that much sweeter. I would rather fail at something than regret never trying. Leaders think of failures as experiments, showing them what works and what doesn’t and how to fix things. We live in a world where failure is thought of as something negative: no one likes the idea of screwing up. But what if you could change that? What if you could see failure as a positive? What if you could embrace failure as part of the process necessary to get what you want? Suddenly, the fear of it disappears. I never went into any competition wanting to fail (just the opposite), but after racking up my share of disappointments, I learned that I could deal with it. It hurt and pissed me off at the time, but now I see the value in it. I wouldn’t be where I am today without those failures notched on my belt.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
I realized that all of them—like me, like everyone—make mistakes, struggle with their weaknesses, and don’t feel that they are particularly special or great. They are no happier than the rest of us, and they struggle just as much or more than average folks. Even after they surpass their wildest dreams, they still experience more struggle than glory. This has certainly been true for me. While I surpassed my wildest dreams decades ago, I am still struggling today. In time, I realized that the satisfaction of success doesn’t come from achieving your goals, but from struggling well. To understand what I mean, imagine your greatest goal, whatever it is—making a ton of money, winning an Academy Award, running a great organization, being great at a sport. Now imagine instantaneously achieving it. You’d be happy at first, but not for long. You would soon find yourself needing something else to struggle for. Just look at people who attain their dreams early— the child star, the lottery winner, the professional athlete who peaks early. They typically don’t end up happy unless they get excited about something else bigger and better to struggle for. Since life brings both ups and downs, struggling well doesn’t just make your ups better; it makes your downs less bad. I’m still struggling and I will until I die, because even if I try to avoid the struggles, they will find me.
Ray Dalio (Principles: Life and Work)
Describe the defeated ones,” said a merchant, when he saw that the Copt had finished speaking. And he answered: The defeated are those who never fail. Defeat means that we lose a particular battle or war. Failure does not allow us to go on fighting. Defeat comes when we fail to get something we very much want. Failure does not allow us to dream. Its motto is: “Expect nothing and you won’t be disappointed.” Defeat ends when we launch into another battle. Failure has no end; it is a lifetime choice. Defeat is for those who, despite their fears, live with enthusiasm and faith. Defeat is for the valiant. Only they will know the honor of losing and the joy of winning. I am not here to tell you that defeat is part of life; we all know that. Only the defeated know Love. Because it is in the realm of Love that we fight our first battles—and generally lose. I am here to tell you that there are people who have never been defeated. They are the ones who never fought. They managed to avoid scars, humiliations, and feelings of helplessness, as well as those moments when even warriors doubt the existence of God. Such people can say with pride: “I never lost a battle.” On the other hand, they will never be able to say: “I won a battle.” Not that they care. They live in a universe in which they believe they are invulnerable; they close their eyes to injustices and to suffering; they feel safe because they do not have to deal with the daily challenges faced by those who risk stepping out beyond their own boundaries. They have never heard the words “good-bye” or “I’ve come back. Embrace me with the fervor of someone who, having lost me, has found me again.” Those who were never defeated seem happy and superior, masters of a truth they never had to lift a finger to achieve. They are always on the side of the strong. They’re like hyenas, who eat only the leavings of lions. They teach their children: “Don’t get involved in conflicts; you’ll only lose. Keep your doubts to yourself and you’ll never have any problems. If someone attacks you, don’t get offended or demean yourself by hitting back. There are more important things in life.” In the silence of the night, they fight their imaginary battles: their unrealized dreams, the injustices to which they turned a blind eye, the moments of cowardice they managed to conceal from other people—but not from themselves—and the love that crossed their path with a sparkle in its eyes, the love God had intended for them, but which they lacked the courage to embrace. And they promise themselves: “Tomorrow will be different.” But tomorrow comes and the paralyzing question surfaces in their mind: “What if it doesn’t work out?” And so they do nothing. Woe to those who were never beaten! They will never be winners in this life.
Paulo Coelho (Manuscript Found in Accra)
Your question.” “Never mind.” “I’ll tell you.” He shook his head. “Not necessary.” “It is you. It’s true, I haven’t wanted it to be you who tells me things I can’t recall. Not you.” She saw his flinch, and the effort to hide it. Tears sprang to her eyes. “Who are you, that you get to know so much about me that even I don’t know? Why do you get to tell me who I am? How did you get so much power? I have none. It’s not fair. You are unfair.” Her voice broke. “I am unfair.” His expression changed. “Kestrel.” She held her breath until her lungs ached. She couldn’t speak. Here was the truth, it peeled itself open: she was the reason she was in that prison. She had made some fatal, unknown mistake. Arin looked like a good culprit, but he wasn’t the right one. She was. It had been her fault, hers alone. He reached across the table. His warm hand dwarfed hers. She saw it through her swimming vision. Those black-rimmed nails. Blacksmith. A sudden understanding held her still. She became aware of the weight of the dagger at her hip. Her sight cleared. She looked at Arin. He looked young. And too careful, and worried, and uncertain, and…something new was emerging, she saw it. It changed the quality of his expression the way light changes everything. A small sort of hope. “Maybe,” he said, “we could try being honest with each other.” She wondered what was in her expression that hope would grow in his. She wondered what he saw. “Arin,” she said, “I like the dagger.” He smiled.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
1. Linus Malthus "Winning is just the snow that came down yesterday"   Founder of total football. Tactical revolutionary who created the foundation of modern football  저희는 7가지 철칙을 바탕으로 거래를 합니다. 고객들과 지키지못할약속은 하지않습니다 1.정품보장 2.총알배송 3.투명한 가격 4.편한 상담 5.끝내주는 서비스 6.고객님 정보 보호 7.깔끔한 거래 [경영항목] 엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜등많은제품판매하고있습니다 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 제품효과 못보실 그럴일은 없지만 만의하나 효과못보시면 저희가 1차재발송과 2차 환불까지 약속합니다 텔레【KC98K】카톡【ACD5】라인【SPR331】 The only winner in the international major tournament, Holland, the best soccer line of football 2. Sir Alex Ferguson Mr.Man Utd   The Red Boss The best director in soccer history (most of the past soccer coach rankings are the top picks) It is the most obvious that shows how important the director is in football.   Manchester United's 27-year-old championship, the spiritual stake of all United players and fans, Manchester United itself 3. Theme Mourinho "I do not pretend to be arrogant, because I'm all true, I am a European champion, I am not one of the cunning bosses around, I think I am Special One." The Special One The cost of counterattack after a player Charming world with charisma and poetry The director who has the most violent career of soccer directors 4. Pep Guardiola A man who achieved the world's first and only six treasures beyond treble. Make a team with a page of football history 5. Ottmar Hitzfeld Borussia Dortmund and Bayern are the best directors in Munich history. Legendary former football manager of Germany Sir Alex Ferguson's rival
World football soccer players can not be denied
When the dress for Irex’s dinner party arrived wrapped in muslin and tied with twine, it was Arin who brought the package to Kestrel. She hadn’t seen him since the first green storm. She didn’t like to think about that day. It was her grief, she decided, that she didn’t want to remember. She was learning to live around it. She had returned to her music, and let that outings and lessons flow around the fact of Enai’s death, smoothing its jagged edges. She spent little time at the villa. She sent no invitations to Arin for Bite and Sting. If she went into society, she chose other escorts. When Arin stepped into her sitting room that was really a writing room, Kestrel set her book next to her on the divan and turned its spine so that he wouldn’t see the title. “Hmm,” Arin said, turning the packaged dress over in his hands. “What could this be?” “I am sure you know.” He pressed it between his fingers. “A very soft kind of weapon, I think.” “Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured. Arin set the package on the divan where she sat. “A new dress means an event on the horizon.” “Yes, a dinner party. Lord Irex is hosting.” He frowned. “And you’re going?” She shrugged. “Do you need an escort?” Kestrel intended to say no, but became distracted by the determined set to Arin’s mouth. He looked almost…protective. She was surprised that he should look that way. She was confused, and perhaps this made her say, “To be honest, I would be glad for your company.” His eyes held hers. Then his gaze fell to the book by Kestrel’s side. Before she could stop him, he took it with a nimble hand and read the title. It was a Valorian history of its empire and wars. Arin’s face changed. He returned the book and left.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Just what do you think you’re doing, Arin?” He looked up at Sarsine, blearily rubbing his eyes. He had fallen asleep in a chair. It was full morning. “I couldn’t sleep in my old rooms. At least here, in Etta’s suite--” “I’m not talking about your choice of bedchamber, though I can’t help but notice how conveniently close it is to the east wing.” Arin winced. There was usually only one reason why a man kept a conquered woman prisoner after a battle. “This isn’t what it seems.” “Oh, no? Too many people heard you call her a spoil of war.” “It’s not true.” Sarsine threw her hands up in the air. “Then why did you say it?” “Because I couldn’t think of any other way to save her!” Sarsine stood still. Then she leaned over him and shook his shoulder as if waking him from a nightmare. “You? Save a Valorian?” Arin captured her hand. “Please listen to me.” “I will when you say something I can understand.” “I did your lessons for you, when we were children.” “So?” “I told Anireh to shut up when she made fun of your nose. Do you remember? She pushed me down.” “Your sister was too beautiful for her own good. But all this was long ago. What’s your point?” Arin held both her hands now. “We share something, and probably not for very long. The Valorians will come. There will be a siege.” He groped for what to say. “By the gods, just listen.” “Oh, Arin. Haven’t you learned? The gods won’t hear you.” She sighed. “But I will.” He told her about the day he had been sold to Kestrel, and every day since. He held nothing back. When he finished, Sarsine’s expression had changed. “You’re still a fool,” she said, but gently. “I am,” he whispered. “What do you plan to do with her?” Arin tilted his head helplessly against the carved back of his father’s chair. “I don’t know.” “She demanded to see a sick friend. Said you made her a promise.” “Yes, but I can’t do it.” “Why not?” “Kestrel hates me, but she still speaks to me. Once she sees Jess…she’ll never do that again.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
beyond them. The Six Diseases If we want to look at how we practice all forms of rivalry, there are six diseases my father wrote about, all of which stem from the desire we have to win at all costs. These diseases rely on being in competition, which is typically where we go in a relationship the moment any discord pops up. When we relate to others in these ways, we are disconnecting from them and disconnecting from our true selves in order to access some form of outside validation. In other words, there is no relationship, no collaboration, no cocreation. There is only the victor and the loser. The Six Diseases are: The desire for victory I have to be the winner. If I don’t win, I’m a loser. If I win, everyone else is a loser. The desire to resort to technical cunning I rely on the power of my wits to show you how great I am. Who cares about people or their feelings as long as everyone can see how clever I am? The desire to display all that has been learned Check me out. I know lots of things. I can speak at length about anything. It doesn’t matter what anyone else has to say (especially if it’s dumb). The desire to awe the enemy I am a force to be reckoned with. Look out! I will wow you to get your approval even if I have to do something shocking and wild to get your attention. The desire to play the passive role I am so easy to get along with. Who wouldn’t like me? I am so unobtrusive and sweet. I will put anything that’s important to me aside to make sure that you see how likeable and wonderful I am. How could you not like me when I sacrifice everything just for you? The desire to rid oneself of whatever disease one is affected by I am not okay as I am. I will perform constant self-work and read as many books as I can and take so many classes to make myself good that you will see that I am always trying to be a good person even if I continue to do lots of shitty things. I know I’m not okay as I am. And I know you know that I know I’m not okay as I am, which makes it okay not to get truly better as long as it looks like I’m trying.
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
Let’s just run through this again, shall we?” said the Demon King. He leaned back in his throne. “You happened to find the Tezumen one day and decided, I think I recall your words correctly, that they were ‘a bunch of Stone-Age no-hopers sitting around in a swamp being no trouble to anyone,’ am I right? Whereupon you entered the mind of one of their high priests—I believe at that time they worshipped a small stick—drove him insane and inspired the tribes to unite, terrorize their neighbors and bring forth upon the continent a new nation dedicated to the proposition that all men should be taken to the top of ceremonial pyramids and be chopped up with stone knives.” The King pulled his notes toward him. “Oh yes, some of them were also to be flayed alive,” he added. Quezovercoatl shuffled his feet. “Whereupon,” said the King, “they immediately engaged in a prolonged war with just about everyone else, bringing death and destruction to thousands of moderately blameless people, ekcetra, ekcetra. Now, look, this sort of thing has got to stop.” Quezovercoatl swayed back a bit. “It was only, you know, a hobby,” said the imp. “I thought, you know, it was the right thing, sort of thing. Death and destruction and that.” “You did, did you?” said the King. “Thousands of more-or-less innocent people dying? Straight out of our hands,” he snapped his fingers, “just like that. Straight off to their happy hunting ground or whatever. That’s the trouble with you people. You don’t think of the Big Picture. I mean, look at the Tezumen. Gloomy, unimaginative, obsessive…by now they could have invented a whole bureaucracy and taxation system that could have turned the minds of the continent to slag. Instead of which, they’re just a bunch of second-rate axe-murderers. What a waste. Quezovercoatl squirmed. The King swiveled the throne back and forth a bit. “Now, I want you to go straight back down there and tell them you’re sorry,” he said. “Pardon?” “Tell them you’ve changed your mind. Tell them that what you really wanted them to do was strive day and night to improve the lot of their fellow men. It’ll be a winner.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
We had a second date that night, then a third, and then a fourth. And after each date, my new romance novel protagonist called me, just to seal the date with a sweet word. For date five, he invited me to his house on the ranch. We were clearly on some kind of a roll, and now he wanted me to see where he lived. I was in no position to say no. Since I knew his ranch was somewhat remote and likely didn’t have many restaurants nearby, I offered to bring groceries and cook him dinner. I agonized for hours over what I could possibly cook for this strapping new man in my life; clearly, no mediocre cuisine would do. I reviewed all the dishes in my sophisticated, city-girl arsenal, many of which I’d picked up during my years in Los Angeles. I finally settled on a non-vegetarian winner: Linguine with Clam Sauce--a favorite from our family vacations in Hilton Head. I made the delicious, aromatic masterpiece of butter, garlic, clams, lemon, wine, and cream in Marlboro Man’s kitchen in the country, which was lined with old pine cabinetry. And as I stood there, sipping some of the leftover white wine and admiring the fruits of my culinary labor, I was utterly confident it would be a hit. I had no idea who I was dealing with. I had no idea that this fourth-generation cattle rancher doesn’t eat minced-up little clams, let alone minced-up little clams bathed in wine and cream and tossed with long, unwieldy noodles that are difficult to negotiate. Still, he ate it. And lucky for him, his phone rang when he was more than halfway through our meal together. He’d been expecting an important call, he said, and excused himself for a good ten minutes. I didn’t want him to go away hungry--big, strong rancher and all--so when I sensed he was close to getting off the phone, I took his plate to the stove and heaped another steaming pile of fishy noodles onto his plate. And when Marlboro Man returned to the table he smiled politely, sat down, and polished off over half of his second helping before finally pushing away from the table and announcing, “Boy, am I stuffed!” I didn’t realize at the time just how romantic a gesture that had been.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
Adam M. Grant (Originals: How Non-Conformists Move the World)