I Ain't Hitting Quotes

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done!

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place, and I don't care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that! I'm always gonna love you, no matter what. No matter what happens. You're my son and you're my blood. You're the best thing in my life. But until you start believing in yourself, you ain't gonna have a life.

Falling down ain't falling down, If you don't cry when you hit the floor, It's called the past cause I'm getting past, And I ain't nothing like I was before, You ought to see me now

We ain't in the game to love these hoes, you suppose to hit it and pass it to the left. I didn't love that hoe, it was just something to do.

They's a heap more to God's will than death, disapoint-ment, and like thet. Hit's God's will for us to be good and do good, love one another, be forgivin'..." He laughed. "I reckon I ain't very forgivin', son. I can forgive a fool, but I ain't inner-rested in coddlin' hypocrites. Well anyhow, folks who think God's will jest has to do with sufferin' and dyin', they done missed the whole point.

Why does everyone hit me in the face? Ain't I ugly enough?

Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That’s how winning is done! Now, if you know what you’re worth, then go out and get what you’re worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody. Cowards do that and that ain’t you. You’re better than that!

Well'm, faith ain't no magic wand or money-back gar'ntee, either one. Hit's jest a way a'livin'. Hit means you don't worry th'ew the days. Hit means you go'on be holdin' on to God in good or bad times, and you accept whatever happens. Hit means you respect life like it is - like God made it- even when it ain't what you'd order from the wholesale house. Faith don't mean the Lord go'n make lions lay down with lambs jest cause you ast him to, or make fire not burn. Some folks, when they pray to git well and don't even git better, they say God let'm down. But I say that warn't even what Jesus was a-talkin' bout. When Jesus said ast and you'll git it, He was givin' a gar'ntee a-spiritual healin, not body healin'. He was sayin' thet if'n you git beat down - scairt to death you cain't do what you got to, or scairt you go'n die, ir scairt folks won't like you- why, all you got to do is put yore hand in God's and He'll lift you up.

I'm here to tell niggas it ain't all swell. There's Heaven then there's Hell niggas One day your cruisin' in your seven, Next day your sweatin', forgettin' your lies, Alibis ain't matchin' up, bullshit catchin' up Hit with the RICO, they repoed your vehicle Everything was all good just a week ago 'Bout to start bitchin' ain't you? Ready to start snitchin' ain't you? I forgive you. Weak ass, hustlin' just ain't you Aside from the fast cars Honeys that shake they ass in bars You know you wouldn't be involved With the Underworld dealers, carriers of mac-millers East coast bodiers, West coast cap-peelers Little monkey niggas turned gorillas.

She would never want me. I’m a fucking retard.” I hit the side of my head with the heel of my palm as my eyes blurred again. “I don’t think right in here. I’m fucked up—I don’t get people, they don’t get me. And I ain’t ever gonna be able to read people. Why would someone as perfect as her want someone as fucked up as me? Someone who isn’t right in the head?

I am making a correction to one of the quotes you guys have for Sly Stallone; It's not ethical to put " " around words saying a person said something and did not. Hence the meaning of quoting someone; means that person said exactly what you're putting quotes around-Verbatim. Here's the real quote by Sly Stallone in Rocky Balboa; "It ain't about how hard you can hit it's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done." Under your quote guidelines should read only enter quotes if you without a doubt are in fact quoting something someone said verbatim.

Jefferson needs something in that cell,” I said. “Yes, he do,” the minister said. “You hit the nail on the head, mister. Yes, he do. But not that box.” “And what do you suggest, Reverend Ambrose?” I asked. “God,” the minister said. “He ain’t got but five more Fridays and a half. He needs God in that cell, and not that sin box.” “What sin box?” I said. “What you call that kind of music he listen to?” the minister asked. “Us standing in there trying to talk to him, and him listening to that thing till she got to reach over and turn it off—what you call it?” “I call it company, Reverend Ambrose,” I said. “And I call it sin company,” he said. “And I don’t care what you call it!” I said to him.

What I Will by Suheir Hammad I will not dance to your war drum. I will not lend my soul nor my bones to your war drum. I will not dance to your beating. I know that beat. It is lifeless. I know intimately that skin you are hitting. It was alive once hunted stolen stretched. I will not dance to your drummed up war. I will not pop spin break for you. I will not hate for you or even hate you. I will not kill for you. Especially I will not die for you. I will not mourn the dead with murder nor suicide. I will not side with you nor dance to bombs because everyone else is dancing. Everyone can be wrong. Life is a right not collateral or casual. I will not forget where I come from. I will craft my own drum. Gather my beloved near and our chanting will be dancing. Our humming will be drumming. I will not be played. I will not lend my name nor my rhythm to your beat. I will dance and resist and dance and persist and dance. This heartbeat is louder than death. Your war drum ain’t louder than this breath.

Hang the boy, can't I never learn anything? Ain't he played tricks on me enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can;t learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a-laying up sin and suffering for the both of us, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart almost breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hooky this evening, and I'll just be obleeged to make him work tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child.

John laughed. “You know, I’ve heard all the sayings about the wrath of women, but whew, Scar, you have a temper.” The others chuckled. “Keep it in mind, John Little,” I warned him. I didn’t feel much like chuckling. He laughed. “I’ll be sure to inform Jenny Percy,” he said. I rolled my eyes, but this time I heard a small laugh come from Rob’s distant corner. “So she really kissed Scar?” “Should have seen it, Rob! Scar’s right in the middle of giving her a talking-to, and Jenny lays one on her,” Much crowed. “So that’s how we shut her up,” John said. I knew he were fair close to me so I tried to kick him. It took a few attempts, but one finally hit something and I heard him whine, “Ow, Scar!” “And none of you jumped in to defend—her—her honor?” Rob asked, but it got broken up with laughs. “The lot of you are stupid blighters,” I snapped. “It ain’t for laughing.” This made them crack apart with howls.

I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not, whether or not hit blows up right in his face, like this one did in mine. ("A Bear Hunt")

Ren crossed his arms over his chest. "is it LoJacked?" "Of course," Andy said indignantly. "That's my baby. I even have a kill switch on her." "Then stop the engine." Andy appeared downright horrified by Ren's suggestion. "Are you out of your mind? What if someone hits it for stalling? I had that thing on order for over a year. Custom hand built. The epitome of German engineering. I even paid extra for the paint on her. Ain't no way I'm going to chance someone denting my baby. Or, God forbid, totaling it." Jess rolled his eyes at the boy's hissy fit. If he kept that up, he'd be putting Andy back in diapers. He turned to Ren. "You take the air. I'll get a bike." Then he focused his attention on Andy again. "And you-" Andy held his cell phone out to him. "Have an app. Track her down, get my car back, and beat the hell out of her...in that precise order.

All the neighborhood dogs can see right through me. They know. They aren’t even barking. Out of pity, I suppose. The Carlucci’s dog is the worst barker in the neighborhood, but not today. I walk up to his gate and give it a shake. No reaction. He sits on the porch staring at me, like I ain’t nothin’. I look around and find a stick. I throw it at him. Down deep, I really didn’t intend to hit him, but the stick bounces off his rump. I cringe and cover my mouth. “Sorry,” I say. The old dog just walks to his back yard, disgusted with the whole mess. “You don’t understand,” I yell after him. “I’m having a life crisis!

Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it. One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.

They say there's a heaven for those who will wait Some say it's better but I say it ain't I'd rather laugh with the sinners than cry with the saints The sinners are much more fun

Tell me, how many real motherfuckers feel me? I smoke a blunt and freak the funk until these jealous motherfuckers kill me I'm out the gutter, pick a hero I'm 165 and staying high til I die, my competion's zero Cause I could give a fuck about you, better duck Or I'll be forced to hit yo ass up I give a fuck I'm sick inside my mind, why you sweatin me? It's gonna take an army full of crooked ass cops to come and get me Niggaz know I ain't the one to sleep on, I'm under pressure Gotta sleep with my piece, an extra clip beside my dresser Word to God I've been ready to die since I was born I don't want no shit but niggaz trip and yo it's on Open fire on my adversaries, don't even worry Better have on a vest aim for the chest and then you buried

Well’m, faith ain’t no magic wand or money-back gar’ntee, either one. Hit’s jest a way a-livin’. Hit means you don’t worry th’ew the days. Hit means you go’n be holdin’ on to God in good or bad times, and you accept whatever happens. Hit means you respect life like it is—like God made it—even when it ain’t what you’d order from the wholesale house. Faith don’t mean the Lord is go’n make lions lay down with lambs jest cause you ast him to, or make fire not burn. Some folks, when they pray to git well and don’t even git better, they say God let’m down. But I say thet warn’t even what Jesus was a-talkin’ bout. When Jesus said ast and you’ll git it, He was givin’ a gar’ntee a-spiritual healin’, not body healin’. He was sayin’ thet if’n you git beat down—scairt to death you cain’t do what you got to, or scairt you go’n die, or scairt folks won’t like you—why, all you got to do is put yore hand in God’s and He’ll lift you up. I know

...he’s my own dead sister’s boy, poor thing, and I ain’t got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart most breaks.

It ain’t what he’s done to get here, son. It’s what’s inside him. Call it a curse or a devilment. Whatever it is, it lives in some people. There’s not many types like ’em in this world. But Nate’s one of ’em. He got that thing in him, son, deep inside. It’s too bad really, on account of he’s a good man, my kind of man. But a man can’t control what’s in him once it’s turned loose no more than you or I can hold on to a bag of groceries if we was to get hit by a bus.

I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it." "Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself." Anthony looked appalled now and complained, "You didn't say she was that mad." "Didn't I? Think you're wearing that black eye just because she's a mite annoyed?" "That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married." That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides." "So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't." "Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so." Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?" "Panda bears indeed," Anthony snorted as soon as the door closed. James looked up to reply drolly, "Least the roof is still intact.

His fingers gouged into my leg harder. "My sister was in that cafeteria," he said. "She saw her friends die, thanks to you and that puke boyfriend of yours. She still has nightmares about it. He got what he deserved, but you got a free pass. That ain't right. You should've died that day, Sister Death. Everyone wishes you would have. Look around. Where is Jessica, if she wants you here so bad? Even the friends you came here with don't want to be with you." "Let go of me," I said again, pulling on his fingers. But he only pinched tighter. "Your boyfriend isn't the only one who can get his hands on a gun," he said. Slowly he eased himself up to standing again. He reached into the waistband of his jeans and pulled out something small and dark. He pointed it at me, and when the moonlight hit it, I gasped and pressed myself against the barn wall.

You’re goddamn right I’d fight him. But he’s got to promise to fuck first. If he ain’t going to fuck, I ain’t going to fight. You give up all your energy when you come. I mean, you give up all of it! So, if you’re going to fuck before a gig, how are you going to give something when it’s time to hit?

He ain't never been hit, nor yet swore at. An' he don't need to be. Treat him nice, like he's used to bein' treated. An' don't get sore on him if he mopes fer me, jes' at fust. Because he's sure to. Dogs ain't like folks. They got hearts. Folks has only got souls. I guess dogs has the best of it, at that.

I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not.

Well, if it ain’t Mr. Rogers. What are you doing here?” I walked to Marlene and kissed her cheek. “You’re not trying to hit on my woman, are you?” Grouper waved me off and grumbled something. “It’s Sunday,” Marlene said. “We play checkers and watch TV. But there’s no football on today.” “I was in the neighborhood, so thought I’d stop in and check on things.” Grouper tried to play off his visit as casual. “He turns on my television every week before we play. I don’t really like football, but we play checkers, too, so I don’t say anything.” “Is that so? The old bastard even comes in on his day off, huh?” “That’s not nice. He’s not a bastard. He’s just old and moves sort of slow. And a little hard of hearing, too.

Given the complexity of the chore, “escapees,” as free-floating fecal material is known in astronautical circles, plagued the crews. Below is an excerpt from the Apollo 10 mission transcript, starring Mission Commander Thomas Stafford, Lunar Module Pilot Gene Cernan, and Command Module Pilot John Young, orbiting the moon 200,000-plus miles from the nearest bathroom. CERNAN:…You know once you get out of lunar orbit, you can do a lot of things. You can power down…And what’s happening is— STAFFORD: Oh—who did it? YOUNG: Who did what? CERNAN: What? STAFFORD: Who did it? [laughter] CERNAN: Where did that come from? STAFFORD: Give me a napkin quick. There’s a turd floating through the air. YOUNG: I didn’t do it. It ain’t one of mine. CERNAN: I don’t think it’s one of mine. STAFFORD: Mine was a little more sticky than that. Throw that away. YOUNG: God almighty. [And again eight minutes later, while discussing the timing of a waste-water dump.] YOUNG: Did they say we could do it anytime? CERNAN: They said on 135. They told us that—Here’s another goddam turd. What’s the matter with you guys? Here, give me a— YOUNG/STAFFORD: [laughter]… STAFFORD: It was just floating around? CERNAN: Yes. STAFFORD: [laughter] Mine was stickier than that. YOUNG: Mine was too. It hit that bag— CERNAN: [laughter] I don’t know whose that is. I can neither claim it nor disclaim it. [laughter] YOUNG: What the hell is going on here?

One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'. Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'? 'No, Daddy'! 'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'. For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'. The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.

Miriam really hates for me to ride to and from the ranch alone so your coming along should make her feel better. Right, Miriam?" Miriam cast her a don't-play-my-own-tricks-on-me look. For her benefactress's peace of mind, less than for Rider's knowledge, Willow added, "I've told Miriam she doesn't need to worry about me. I always carry a pistol." Rider's brows shot up. "You pack a gun?" "Uh-huh, an old Colt .45. It was a present from Nick, my oldest brother." "And I bet you know how to shoot it, too." He smiled wryly. "I ain't no quick draw, but I usually hit what I aim at.

Then the time came for you to be your own man and take on the world, and you did. But somewhere along the line, you changed. You stopped being you. You let people stick a finger in your face and tell you you’re no good. And when things got hard, you started looking for something to blame, like a big shadow. Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is going to hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now if you know what you’re worth then go out and get what you’re worth. But you’ve got to be willing to take the hits, and not pointing fingers saying you ain’t where you want to be because of him, or her, or anybody! Cowards do that and that ain’t you! You’re better than that! I’m always going to love you no matter what. No matter what happens. You’re my son and you’re my blood. You’re the best thing in my life. But until you start believing in yourself, you ain’t going to have a life.

I was only hit on once at the grocery store. I remember it was early one Saturday morning and I was buying my daily bacon, when I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, "Excuse me, young man, could you reach up and grab some ketchup for me?" Well I'm no dummy. I know when I'm getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, "Thank you," like I was some piece of meat, a boy toy, or something. Finally I just blurted out, "Look, I'm married, lady!" She acted all surprised and confused. "Excuse me? I don't understand!" I shook my head with a smirk, raised my left hand, and showed her my wedding ring. "Married!" I loudly told her. "I'm taken!" A stock boy at the end of the aisle looked at us and inquired, "Is everything okay?" "I'm fine," I assured him. "I know how to deal with predators." Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. "Well, I never!" "And you ain't gonna with me either, " I yelled after her. I have to admit, it was nice to get the attention.

ain’t trying to say nothing but what she said, Althea, which is if anybody cared enough to look, they could’ve saw my dangers.” She stops, like she just hit on something. “You know, maybe it’d be easier if they was just straight-up monsters, right? Walking ’round with horns like the devil, so everybody could see ’em real easy.” She raises her hands to her head and makes horns with her fingers, then laughs. “I’ll tell you, this old girl’s seen a lot in this raggedy-ass life of mine, but I still can’t monsterfy somebody that mean something to me, even when I been gutted by their horns. Now, that right there’s what really fucks with you.

Nobody doan never have touch Porhl! When I little, de brudder try. Oh yeah. I raise up dis bony knee hard in his what he got dere, and dat were dat and nobody since! You hear dis gul, Mr. free man Jacob Early? And nobody since! An I ain’t no Jez’bel, she screamed. In this way was Pearl’s decision made, and by the time they were on the march through Milledgeville she was drummer for Clarke’s company. She just hit the drum once every other step and they kept the pace, some with smiles on their faces. She looked straight ahead and kept her shoulders squared against the shoulder straps, but she could tell that white folks watched from the windows. And none of them knew she wasn’t but the drummer boy they saw.

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get it and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!

Let me tell you something you already know. The world ain't all sunshine and rainbows . It's a very mean and nasty place, and I don't care how tough you are , it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard you hit. It's about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. That's how winning is done! Now, if you know what you're worth, then go out and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody. Cowards do that and that ain't you. You're better than that.

You’ve given me an in, babe. I’m not getting out. So you can scream and protest as much as you want. Tongue-fucking you and you sucking me off ain’t enough anymore. I’ve given you plenty of time to get used to being back with me.” “What are you saying?”  Gabe backed her against the center island and spun her around, bending her over the edge. Beatrice felt her heart pound against her breastbone in . . . anticipation? There was a twitch between her legs and her panties were already damp. Gabe’s crotch hit her ass—he was already hard.  “Gabe,” she hissed weakly in protest. “Shut up!” He growled in her ear as he bent over her. His hands shoved her skirt up. She got wetter. “That attitude is sexy, and it makes me hard as hell. But it’s only because I can’t wait to fuck it out of you.

I want a love like me thinking of you thinking of me thinking of you type love or me telling my friends more than I've ever admitted to myself about how I feel about you type love or hating how jealous you are but loving how much you want me all to yourself type love or seeing how your first name just sounds so good next to my last name. and shit- I wanted to see how far I could get without calling you and I barely made it out of my garage. See, I want a love that makes me wait until she falls asleep then wonder if she's dreaming about us being in love type love or who loves the other more or what she's doing at this exact moment or slow dancing in the middle of our apartment to the music of our hearts. Closing my eyes and imagining how a love so good could just hurt so much when she's not there and shit I love not knowing where this love is headed type love. And check this- I wanna place those little post-it notes all around the house so she never forgets how much I love her type love then not have enough ink in my pen to write all the love type love and hope I make her feel as good as she makes me feel and I wanna deal with my friends making fun of me the way I made fun of them when they went through the same kind of love type love. The only difference is this is one of those real type loves and just like in high school I wanna spend hours on the phone not saying shit and then fall asleep and then wake up with her right next to me and smell her all up in my covers type love and I wanna try counting the ways I love her then lose count in the middle just so I could start all over again and I wanna celebrate one of those one-month anniversaries even though they ain't really anniversaries but doing it just 'cause it makes her happy type love and check this- I wanna fall in love with the melody the phone plays when our numbers dial in type love and talk to you until I lose my breath, she leaves me breathless, but with the expanding of my lungs I inhale all of her back into me. I want a love that makes me need to change my cell phone calling plan to something that allows me to talk to her longer 'cause in all honesty, I want to avoid one of them high cell phone bill type loves and I don't want a love that makes me regret how small my hands are I mean the lines on my palms don't give me enough time to love you as long as I'd like to type love and I want a love that makes me st-st-st-stutter just thinking about how strong this love is type love and I want a love that makes me want to cut off all my hair. Well maybe not all of the hair, maybe like I'd cut the split ends and trim the mustache but it would still be a symbol of how strong my love is for her. I kind of feel comfortable now so I even be fantasize about walking out on a green light just dying to get hit by a car just so I could lose my memory, get transported to some third world country just to get treated and somehow meet up again with you so I could fall in love with you in a different language and see if it still feels the same type love. I want a love that's as unexplainable as she is, but I'm married so she is gonna be the one I share this love with.

Fresh seafood stock made from shrimp and crab... It's hot and spicy- and at the same time, mellow and savory! Visions of lush mountains, cool springs and the vast ocean instantly come to mind! She brought out the very best flavors of each and every ingredient she used! "I started with the fresh fish and veggies you had on hand... ... and then simmered them in a stock I made from seafood trimmings until they were tender. Then I added fresh shrimp and let it simmer... seasoning it with a special blend I made from spices, herbs like thyme and bay leaves, and a base of Worcestershire sauce. I snuck in a dash of soy sauce, too, to tie the Japanese ingredients together with the European spices I used. Overall, I think I managed to make a curry sauce that is mellow enough for children to enjoy and yet flavorful enough for adults to love!" "Yum! Good stuff!" "What a surprise! To take the ingredients we use here every day and to create something out of left field like this!" "You got that right! This is a really delicious dish, no two ways about it. But what's got me confused... ... is why it seems to have hit him way harder than any of us! What on earth is going on?!" This... this dish. It... it tastes just like home! It looks like curry, but it ain't! It's gumbo!" Gumbo is a family dish famously served in the American South along the shores of the Gulf of Mexico. A thick and spicy stew, it's generally served over steamed rice. At first glance, it closely resembles Japan's take on curry... but the gumbo recipe doesn't call for curry powder. Its defining characteristic is that it uses okra as its thickener. *A possible origin for the word "gumbo" is the Bantu word for okra-Ngombu.*

about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it. One day Tom was in the act of dosing the crack when his aunt’s yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said: “Don’t ask for it unless you want it, Peter.” But Peter signified that he did want it. “You better make sure.” Peter was sure. “Now you’ve asked for it, and I’ll give it to you, because there ain’t anything mean about me;

Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

Damn It Feels Good To Be A Gangsta Verse 1 Damn it feels good to be a gangsta A real gangsta-ass nigga plays his cards right A real gangsta-ass nigga never runs his f**kin mouth Cuz real gangsta-ass niggas don't start fights And niggas always gotta high cap Showin' all his boys how he shot em But real gangsta-ass niggas don't flex nuts Cuz real gangsta-ass niggas know they got em And everythings cool in the mind of a gangsta Cuz gangsta-ass niggas think deep Up three-sixty-five a year 24/7 Cuz real gangsta ass niggas don't sleep And all I gotta say to you Wannabe, gonnabe, cocksuckin', pussy-eatin' prankstas 'Cause when the fire dies down what the f**k you gonna do Damn it feels good to be a gangsta Verse 2 Damn it feels good to be a gangsta Feedin' the poor and helpin out with their bills Although I was born in Jamaica Now I'm in the US makin' deals Damn it feels good to be a gangsta I mean one that you don't really know Ridin' around town in a drop-top Benz Hittin' switches in my black six-fo' Now gangsta-ass niggas come in all shapes and colors Some got killed in the past But this gangtsa here is a smart one Started living for the lord and I last Now all I gotta say to you Wannabe, gonnabe, pussy-eatin' cocksuckin' prankstas When the sh*t jumps off what the f**k you gonna do Damn it feels good to be a gangsta Verse 3 Damn it feels good to be a gangsta A real gangta-ass nigga knows the play Real gangsta-ass niggas get the flyest of the b**ches Ask that gangsta-ass nigga Little Jake Now b**ches look at gangsta-ass niggas like a stop sign And play the role of Little Miss Sweet But catch the b**ch all alone get the digit take her out and then dump-hittin' the ass with the meat Cuz gangsta-ass niggas be the gang playas And everythings quiet in the clique A gangsta-ass nigga pulls the trigger And his partners in the posse ain't tellin' off sh*t Real gangsta-ass niggas don't talk much All ya hear is the black from the gun blast And real gangsta-ass niggas don't run for sh*t Cuz real gangsta-ass niggas can't run fast Now when you in the free world talkin' sh*t do the sh*t Hit the pen and let the mothaf**kas shank ya But niggas like myself kick back and peep game Cuz damn it feels good to be a gangsta Verse 4 And now, a word from the President! Damn it feels good to be a gangsta Gettin voted into the White House Everything lookin good to the people of the world But the Mafia family is my boss So every now and then I owe a favor gettin' down like lettin' a big drug shipment through And send 'em to the poor community So we can bust you know who So voters of the world keep supportin' me And I promise to take you very far Other leaders better not upset me Or I'll send a million troops to die at war To all you Republicans, that helped me win I sincerely like to thank you Cuz now I got the world swingin' from my nuts And damn it feels good to be a gangsta

The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.

In Vietnam, lying became so much part of the system that sometimes not lying seemed immoral...The teenage adrenaline-drained patrol leader has to call in the score so analysts, newspaper reporters, and politicians back in Washington have something to do. Never mind that Smithers and his squad may have stopped a developing attack planned to hit the company that night, saving scores of lives and maintaining control over a piece of ground. All they'll be judged on, and all their superiors have to be judged on, is the kill ratio. Smithers's best friend has just been killed. Two other friends are missing pieces of their bodies and are going into shock. No one in the squad knows if the enemy is 15 meters away waiting to open up again or running. Smithers is tired and has a lot of other things on his mind. With scorekeepers often 25 kilometers away, no one is going to check on the score. In short, Smithers has a great incentive to lie. He also has a great need to lie. His best friend is dead. "Why?" he asks himself. This is where the lying in Vietnam all began. It had to fill the long silence following Smithers's anguished "Why?" So it starts. "Nelson, how many did you get?" Smithers asks. PFC Nelson looks up from crying over the body of his friend Katz and says, "How the fuck do I know?" His friend Smithers says, "Well, did you get that bastard that came around the dogleg after Katz threw the Mike-26?" Nelson looks down at Katz's face, hardening and turning yellow like tallow. "You're goddamn right I got him," he almost whispers. It's all he can offer his dead friend. "There's no body." "They drug the fucker away. I tell you I got him!" Nelson is no longer whispering. … The patrol leader doesn't have a body, but what are the odds that he's going to call his friend a liar or, even more difficult, make Katz's death meaningless, given that the only meaning now lies in this one statistic? No one is congratulating him for exposing the enemy, keeping them screened from the main body, which is the purpose of security patrols. He calls in one confirmed kill. ... Just then PFC Schroeder comes crawling over with Kool-Aid stains all around his mouth and says, "I think I got one, right by the dogleg of the trail after Katz threw the grenade." "Yeah, we called that one in." "No, it ain't the one Nelson got. I tell you I got another one." Smithers thinks it was the same one but he's not about to have PFC Schroeder feeling bad, particularly after they've all seen their squad mate die. … the last thing on Smithers's mind is the integrity of meaningless numbers. The message gets relayed to the battalion commander. He's just taken two wounded and one dead. All he has to report is one confirmed, one probable. This won't look good. Bad ratio. He knows all sorts of bullets were flying all over the place. It was a point-to-point contact, so no ambush, so the stinkin' thinking' goes round and round, so the probable had to be a kill. But really if we got two confirmed kills, there was probably a probable. I mean, what's the definition of probable if it isn't probable to get one? What the hell, two kills, two probables. Our side is now ahead. Victory is just around the corner. … [then the artillery has to claim their own additional kills…] By the time all this shit piles up at the briefing in Saigon, we've won the war.

That was brave of you, carrying her over your shoulder,’ said Nanny. ‘With them elves firing arrows, too.’ ‘And it meant less chance of one hitting me, too,’ said Granny. Nanny Ogg was shocked. ‘What? You never thought that, did you?’ ‘Well, she’d been hit already. If Yd been hit too, neither of us’d get out,’ said Granny, simply. ‘But that’s – that’s a bit heartless, Esme.’ ‘Heartless it may be, but headless it ain’t. I’ve never claimed to be nice, just to be sensible.

I don’t think we’re making love anymore. I don’t know what to call it but whatever it is hurts too good. We’re locked in with her legs wrapped around my waist and my free hand scraping across her stomach like it’s been years since I felt it. It ain’t been shit but two weeks, but separations hit different in our world.

One Headlight" So long ago, I don't remember when That's when they say I lost my only friend Well they said she died easy of a broken heart disease As I listened through the cemetery trees I seen the sun coming up at the funeral at dawn The long broken arm of human law Now it always seemed such a waste She always had a pretty face So I wondered how she hung around this place Hey, come on try a little Nothing is forever There's got to be something better than In the middle But me and Cinderella We put it all together We can drive it home With one headlight She said it's cold It feels like Independence Day And I can't break away from this parade But there's got to be an opening Somewhere here in front of me Through this maze of ugliness and greed And I seen the sun up ahead At the county line bridge Saying all is good and nothingness is dead We'd run until she's out of breath She ran until there's nothing left She hit the end, it's just her window ledge Hey, come on try a little Nothing is forever There's got to be something better than In the middle But me and Cinderella We put it all together We can drive it home With one headlight This place is old It feels just like a beat up truck I turn the engine, but the engine doesn't turn What smells of cheap wine and cigarettes This place is always such a mess Sometimes I think I'd like to watch it burn I'm so alone, I feel just like somebody else Man, I ain't changed, but I know I ain't the same But somewhere here in between the city walls of dying dreams I think her death it must be killing me Hey Hey Hey, come on try a little Nothing is forever There's got to be something better than In the middle But me and Cinderella We put it all together We can drive it home With one headlight The Wallflowers, Bringing Down the Horse (1996)

Oh, my name is Mr. Cookie Face And I am here to flow Singing hip-hop songs Is what I know Now, gather ‘round And listen to this Because if you ignore my words You’ll get hit with my fist Because I’m a hip-hop master And I’m crafting a sick beat I can’t rap any faster Because then I’ll need to eat Creepers, skeletons, and zombies all know it I’m the Man and I don’t need to show it Haters try to flex But won’t block my success Rhymes flow through my brain Like honey in a bee’s nest Mr. Cookie Face ain’t no dessert Best back away or You gonna get hurt.

Jane Says" Jane says I'm done with Sergio He treat me like a rag-doll She hides The television Says I don't owe him nothing, But if he come back again Tell him, wait right here for me Or Try again tomorrow I'm gonna kick tomorrow I'm gonna kick tomorrow She get mad and she start to cry She take a swing man She can't hit She don't mean no harm She just don't know (Don't know, don't know) What else to do about it Jane says Have you seen my wig around? I feel naked without it She knows They all want her to go But that's O.K. man She don't like them anyway Jane says I'm going away to Spain When I get my money saved I'm gonna start tomorrow I'm gonna kick tomorrow I'm gonna kick tomorrow Jane goes To the store at 8:00 She walks up on St. Andrew's She waits And gets her dinner there She pulls her dinner From her pocket Jane says I ain't never been in love I don't know what it is She only knows if someone wants her I wonder if they want me I only know they want me She gets mad And she starts to cry She takes a swing man She can't hit! She don't mean no harm She just don't know (Don't know, don't know) What else to do about it Jane says Jane says Jane's Addiction, Jane's Addiction (1987)

The reward for work well-done is more work. “Ain’t that the truth,” I muttered. I stuffed the book back in my pocket and hit the road again.

Today I got jealous because a girl was talking to you, and now I’m all ready for you to hit it raw. I don’t know what a normal relationship is, but this can’t be it. This thing we have is twisted. It ain’t right, Trig.

I talked with Paul McCartney about this recently. We changed it: every track was a potential single; there was no filler. And if there was, it was an experiment. We’d use the extended time we had with an album just to make more of a statement. If LPs hadn’t existed, probably the Beatles and ourselves wouldn’t have lasted more than two and a half years. You had to keep condensing, reducing what it was you wanted to say, to please the distributor. Otherwise radio stations wouldn’t play it. Dylan’s “Visions of Johanna” was the breakthrough. “Goin’ Home” was eleven minutes long—“It ain’t gonna be a single. Can you extend and expand the product? Can it be done?” And that was really the main experiment. We said, you can’t edit this shit, it either goes out like it is or you’re done with it. I’ve no doubt Dylan felt the same about “Sad-Eyed Lady of the Lowlands” or “Visions of Johanna.” The record got bigger—and could anybody listen to that much? It’s over three minutes. Can you keep their attention? Can you keep your audience? But it worked. The Beatles and ourselves probably made the album the vehicle for recording and hastened the demise of the single. It didn’t go away immediately; you always needed a hit single. It just extended you without your even really knowing it.

The way she was gripping my dick had a nigga ready to shed a fucking tear! Nah this good pussy bitch gotta go! I tried to pull out of her, and the pussy sucked my shit back in, right before my fucking eyes. I pulled out of her ass so quick, fuck that! Ion even want to fuck that type of pussy, that shit is like a fucking drug. She ain't gone have my ass running around here feenin’ for my next hit! Fuck that!

Ain't Lookin' Back" (Verse 1) City lights, country nights, blending in a perfect flow, I'm hitting this life full throttle, ready for the show. You're yesterday's echo, fading in the track, When you take out the trash, ain't no sense in looking back. (Chorus) 'Cause I'm living loud, in the here and now, No rearview glances, I've made my vow. I won't be a part of letting you destroy me, I'm all about the future, that's where you'll see me. (Verse 2) Got my heart tuned up, like a guitar's string, Every lesson learned, is a song I'll sing. I'm done with the digging, done with the old hack, When you take out the trash, you don't unpack. (Bridge) I'm a modern rebel, with an old soul's wisdom, Cutting ties with the past, like a sharp incision. I'm not just surviving, I'm on the attack, When you take out the trash, you don't look back. (Chorus) 'Cause I'm living loud, in the here and now, No rearview glances, I've made my vow. I won't be a part of letting you destroy me, I'm all about the future, that's where you'll see me. (Outro) So here's to the bright days, and the starlit nights, To the new beginnings, and the soaring heights. I'm stepping forward, on a one-way track, 'Cause when you take out the trash, you ain't lookin' back.

Kiera, if you have these damn babies while I’m holding you, I swear I ain’t talking to yo’ ass no mo’! Now, hold they lil hyper asses in there until you free to let loose. Squeeze yo’ damn legs together!” I said to her, and this heifer gripped my shirt. “Listen to me, nigga! I’m about to have these fuckin’ babies, and if I have them on yo’ ass, you better catch both of them! Don’t fuck with me right now, Justice!” How the hell was I supposed to catch them if I’m holding her ass. Somebody was gon’ hit the damn floor.

Licorice tattoo turned a gun metal blue Scrawled across the shoulders of a dying town Took the one eyed-jacks across the railroad tracks And the scar on its belly pulled a stranger passing through He's a juvenile delinquent, never learned how to behave But the cops would never think to look in Burma-Shave And the road was like a ribbon and the moon was like a bone He didn't seem to be like any guy she'd ever known He kind of looked like Farley Granger with his hair slicked back She says, I'm a sucker for a fella in a cowboy hat How far are you going? Said depends on what you mean He says I'm only stopping here to get some gasoline I guess I'm going thataway just as long as it's paved And I guess you'd say I'm on my way to Burma Shave And with her knees up on the glove compartment She took out her barrettes and her hair spilled out like root beer And she popped her gum and arched her back Hell, Marysville ain't nothing but a wide spot in the road Some nights my heart pounds like thunder Don't know why it don't explode 'Cause everyone in this stinking town's got one foot in the grave And I'd rather take my chances out in Burma Shave Presley's what I go by, why don't you change the stations? Count the grain elevators in the rearview mirror She said mister, anywhere you point this thing It got to beat the hell out of the sting Of going to bed with every dream that dies here every mornin' And so drill me a hole with a barber pole And I'm jumping my parole just like a fugitive tonight Why don't you have another swig and pass that car if you're so brave I wanna get there before the sun comes up in Burma Shave And the spiderweb crack and the mustang screamed The smoke from the tires and the twisted machine Just a nickel's worth of dreams and every wishbone that they saved Lie swindled from them on the way to Burma Shave And the sun hit the derrick and cast a batwing shadow Up against the car door on the shotgun side And when they pulled her from the wreck You know she still had on her shades They say that dreams are growing wild Just this side Of Burma Shave

He holds the knife above my head. “Are you going to use it on either me or Garrett?” Not that he seems put off by the idea, more curious. “Why? We both know you would enjoy it.” I wink before punching him in the gut. He bends over, wheezing, and I pluck the blade from his hand and turn to the cans as he laughs breathlessly. “I’m gonna marry her,” he tells Garrett, but I ignore that, taking it as just another one of his crazy ramblings. “You have to ask her, genius.” Garrett chuckles. “Nah, I’ll just put a ring on her finger one day and tell her it happened,” he declares earnestly. Rolling my eyes, I toss the knife like Rich once taught me. It hits the can and knocks it off. Whooping, I turn to them with a smirk. “Remember that when you piss me off next time.” Stalking around the table, I grab the knife and wander back over as they watch me in shock. Flipping it in the air, showing off, I drop it in Diesel’s hand. “Thanks, crazy.” I saunter away, their eyes still locked on me. “I think I just came,” I hear Diesel say. Garrett snorts. “You’re nasty.” “You telling me you didn’t just get hard?” Diesel asks loudly. “I ain’t talking about my cock with you,” he replies as I giggle.

You wanna see a game, kid? They ain’t the Cubs, but what the hell.” Lucas lifted Sarah to straddle the back of his neck and she grabbed his ear and him with the pacifier. What felt like a gob of saliva hit him in the part of his hair. “I’ll teach you how to boo. Maybe we can get you a bag to put on your head.

Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.

The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.

Sitting there watching him made me inwardly wish I too could have a piece of candy. Then, M&M turned around slowly and looked at me and with his Southern drawl said, “I don’t know why you’re ah lookin’, cause you sho’ ain’t gonna get none.” Sometimes kids can be so mean to each other. I never did get any candy. I even prayed and asked God for candy, but still never got any. Two years later I was getting off the bus, and as I walked down the aisle toward the exit door I happened to see that M&M had fallen asleep in his seat. His mouth was wide open as he slept, and I could look right down and see inside of it. As I stared in I was jolted to see that all of his teeth were rotted out! The only thing left where his teeth used to be were black stubs that were recessed below the gumline. In his mouth was a half-melted piece of Starburst candy slowly dissolving away and filling his mouth with sugar even as he slept. The realization hit me that what happened to M&M would have been my same tragedy if I was allowed to eat candy the way I wanted to. I thanked the Lord that He didn’t answer my prayer about candy.

Let me tell you something you already know. The world ain't all sunshine and rainbows. It's a very mean and nasty place and I don't care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain't about how hard ya hit. It's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done! Now if you know what you're worth then go out and get what you're worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain't where you wanna be because of him, or her, or anybody! Cowards do that and that ain't you! You're better than that!

I knew that Tricey was fucking around on me. Taleyi was the one that told me. Right after Tricey and I got back from Mexico, Taleyi hit me with a bomb.

I was crying so hard that I didn’t even want to bring my hands away. “Babe, stop crying,” he said with a chuckle. He looked at me and bit down on his lip making me all shy-like again. I backed away and tried to pull away from him to keep myself from crying even more. “You did all this?” I asked him, and he nodded. “I mean…I made sure it got set up. Tangie helped, but that’s why ain’t nobody been up here. They been taking care of this and making sure everything was right for you. Remember the chick that came through and said she needed our IDs and for us to sign for some insurance and shit?” “Yes,” I said and looked up at him and into his eyes. “That was my homegirl from the clerk’s office. She was filling the shit out we needed for the marriage license.” I laughed and hit Khi on the arm. I looked around, still amazed at how beautiful everything was. The place was filled with flowers, and a few candles were even lit at the front of the small chapel. “What about my hair…and what about what I have on?” I asked Khi, and he bit down on that damn lip again. “Don’t worry about your hair. You was ugly when I met you, so it’s only right I marry you looking the same way.” I cracked up laughing, and so did the nurse that stood by next to the wheelchair that she had wheeled Khi down in. I looked up at him with seriousness in my eyes and mouthed thank you to him. This wasn’t the dream wedding that I had wanted, but it was better, because my soon-to-be husband had planned it.

Temporary Thing" Hey now, bitch, now, baby you better make your face get out of here, quick Maybe your, was getting, ah, too rich It ain't like we ain't never seen this thing before And if it turns you then around then you better hit the door But I know, oh, it's just a temporary thing Oh yeah, it's just a temporary thing You've read too many books, you've seen too many plays And it's things like this, that turn you away Hey, now, now, look, huh, look, hey look, hey look you better think about it twice I know that your good breeding makes it seem not so nice It's just a temporary thing Ah-ha, ah-ha, ah-ha, it's just a temporary thing Where's the number, where's the dime and where's the phone I feel like a stranger, I guess you wanna go back home Your mother, your father, your brother I guess they wouldn't agree with me But I don't give two shits, they're no better than me Ah-ha, it's just a temporary thing Oh yeah, been there before just a temporary thing It's just a temporary thing Ah bitch, get off my kids, temporary thing Get out, it's just a temporary thing Yeah now, home (it's just a temporary thing) Temporary thing, huh, ah-ha (it's just a temporary thing) .... (it's just a temporary thing) .... (it's just a temporary thing) (it's just a temporary thing) (it's just a temporary thing)

I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .

I don’t know what the fuck that is. It ain’t music in my book. Sounds like listening to a TV test pattern through a box fan.

Never Let Me Down" (feat. Jay-Z, J-Ivy) [Intro:] Yeah Grandmama Told you I won't let you down Told you I won't let this rap game change me, right? [Chorus:] When it comes to being true, at least true to me One thing I found,one thing I found Oh no you'll neva let me down, Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) Get up I get(down) [Jay-Z:] Yo, yo first I snatched the street then I snatched the charts, First had they ear now I hav they're heart, Rappers came and went, I've been hear from the start, Seen them put it together Watch them take it apart, See the Rovers roll up wit ribbons I've seen them re-poed, re-sold and re-driven So when I reload, he holds #1 position When u hot I'm hot And when your feet cold, mines is sizzelin It's plain to see Nigga's can't f*** wit me Cuz ima be that nigga fo life This is not an image This is God given This is hard liven Mixed wit crystal sipping It's the most consistent Hov Give you the most hits you can fit inside a whole disc and Nigga I'm home on these charts, y'all niggaz visitin It's Hov tradition, Jeff Gordan of rap I'm back to claim pole position, holla at ya boy [Chorus] [Kanye West:] I get down for my grandfather who took my momma Made her sit that seat where white folks ain't wanna us to eat At the tender age of 6 she was arrested for the sit in With that in my blood I was born to be different Now niggas can't make it to ballots to choose leadership But we can make it to Jacob and to the dealership That's why I hear new music And I just don't be feeling it Racism still alive they just be concealing it But I know they don't want me in the damn club They even made me show I.D to get inside of Sam's club I did dirt and went to church to get my hands scrubbed Swear I've been baptised at least 3 or 4 times But in the land where nigga's praise Yukons and getting paid It gon' take a lot more than coupons to get us saved Like it take a lot more than do-rags to get your waves Noting sadder than that day my girl father past away So I promised to Mr Rany I'm gonna marry your daughter And u know I gotta thank u for they way that she was brought up And I know that u were smiling when u see that car I bought her And u sent tears from heaven when u seen my car get balled up But I can't complaint what the accident did to my Left Eye Cuz look what a accident did to Left Eye First Aaliyah and now romeo must die I know a got angels watching me from the other side

Help me,” the girl pleaded softly. Sam knelt beside her. He recoiled in shock. “Bette?” The left side of Bouncing Bette’s face was covered in blood. There was a gash above her temple. She was panting, gasping, like she had collapsed after a marathon and was trying with her last ounce of energy to crawl across the finish line. “Bette, what happened?” “They’re trying to get me,” Bette cried, and clutched at Sam’s arm. The three dark figures advanced to the edge of the circle of light. One was clearly Orc. No one else was that big. Edilio and Quinn moved into the garage doorway. Sam disengaged from Bette and took up a position beside Edilio. “You want me to beat on you guys, I will!” Orc yelled. “What’s going on here?” Sam demanded. He narrowed his eyes and recognized the other two boys, a kid named Karl, a seventh grader from school, and Chaz, one of the Coates eighth graders. All three were armed with aluminum bats. “This isn’t your business,” Chaz said. “We’re dealing with something here.” “Dealing with what? Orc, did you hit Bette?” “She was breaking the rules,” Orc said. “You hit a girl, man?” Edilio said, outraged. “Shut up, wetback,” Orc said. “Where’s Howard?” Sam asked, just to stall while he tried to figure out what to do. He’d lost one fight to Orc already. Orc took the question as an insult. “I don’t need Howard to handle you, Sam.” Orc marched right up to Sam, stopped a foot away, and put his bat on his shoulder like he was ready to swing for a home run. Like a batter ready for the next fastball. Only this was closer to T-ball: Sam’s head was impossible to miss. “Move, Sam,” Orc ordered. “Okay, I’m not doing this again,” Quinn said. “Let him have her, Sam.” “Ain’t no ‘let me,’” Orc said. “I do what I want.” Sam noticed movement behind Orc. There were people coming down the street, twenty or more kids. Orc noticed it too, and glanced behind him. “They aren’t going to save you,” Orc said, and swung the bat hard. Sam ducked. The bat whooshed past his head, and Orc rotated halfway around, carried forward by the momentum. Sam was thrown off balance, but Edilio was ready. He let loose a roar and plowed headfirst into Orc. Edilio was maybe half Orc’s size, but Orc was knocked off his feet. He sprawled out on the concrete. Chaz went after Edilio, trying to pull him off Orc. The crowd of kids who had come running down the street surged forward. There were angry voices and threats, all aimed at Orc. They yelled, Sam noted, but no one exactly jumped into the unequal fight.

Clutching a printed e-mail, Vivian moved towards the most famous desk in the world, her voice shaking with emotion. “Mr. President, tell me this Politico e-news article that just hit our computer screens is wrong. You’re not seriously considering dumping the Vice President and replacing him with Hilde? Tell me it ain’t so! Not Hilde Ramona Calhoun.” “Now, Vivian, calm down….you know I won’t do anything that major without talking first to you….and….of course, talking….to…The Wife.” “So, you are thinking about it? I knew it.” “I have to, Vivian, you know that, we all know the Veep can’t open his mouth without sticking in both feet.

From the time I made my first recording in 1983, I was already telling cats like Spike, “Nah, I ain’t hitting that lick.” I was already sliding away from it. Then, after nearly losing my life in the car crash, I really couldn’t

If there's an opposite of seasick, I think that's what the bay does to me. Everything stills the moment the scents of salt hits me. Ocean breeze wrapped around my exposed waist, wind exacerbating the knots in my hair. It ain't that I feel free, but I feel home. Probably more home than I do anywhere else.

We started to dance. Florence was remarkably good. She clung to me like jello to a moulding tin, following my lead as though we'd practiced the mambo at Arthur Murray's for ten years. When the music stopped we walked over to the stand. The leader smiled widely and hit three questioning chords on his guitar. 'Please play, "I Got It Bad—"' 'And that ain't good!' He finished for me. 'Play it.' I opened my wallet. The smallest I had was a ten-dollar bill. I gave it to him. 'Play it ten times.' 'Yes, sir!' He slammed his foot down and they went into it.

DAVID. I don't believe this is a prayer for regret or remorse Or whatever. I think he's ... I think he's surprised at who He is ... who he really is. I think he's looking down blood on his fingers and he saying, "What am I Lord?" What a marvellous and fearful thing am I? Are all of us, sir. HEADMASTER. David did you hit Pharus Young? DAVID. I had prayed over it, so many times. Just kept praying On it. Every time it would happen. HEADMASTER. Every time? DAVID. And the Lord was silent. I mean when I got called To be a minister I could feel the Spirit but when I was Asking him to make this ... make it ... go away He fell so quiet And I ain't have nobody but Pharus. You understand, sir? It was us alone in it until I thought I heard somebody come In and ... HEADMASTER. What are you saying son? DAVID. I should have waited on the Lord. I didn't look to see where it was leading until it was too late ... HEADMASTER. You ... DAVID. 'Til I looked at my hands and some of the blood spilling was my own. (Shifts.)

One [cop] said he’d enjoyed the fracas. “Them queers have a good sense of humor and really had a good time,” he said. His “buddy” protested: “Aw, they’re sick. I like nigger riots better because there’s more action, but you can’t beat up a fairy. They ain’t mean like blacks, they’re sick. But you can’t hit a sick man.

Move on to who? It ain’t nobody but you for me. You got something you want to get off ya chest? Because da way I see it, we already wasted months not fucking with each other. I fucked up and you fucked up too. But fuck it. Everything on the table and shit good with our families. Take a nigga back, shut da fuck up, and let a real nigga give you real love.” Rodney hit his blunt, and Juicy’s eyes got big. “Rodney!” she yelled, wondering what had got into him. “If it ain’t yes daddy, I ain’t trying to hear the shit to be real with you.” “Oh, you trying to make this pussy wet?

They’re friendlier when you’re not driving like an arsehole with a death wish. You do realize this ain’t a road, right?” Tucker stopped. “What do you mean? The GPS lady told me to turn here.” Did he not notice that people on both sides were looking down at them from the platform like they were idiots? “Nope, she told you to turn on the road. This is where the train runs. In case you’ve forgotten what a train is, it’s a bit like a high-speed bullet that kills everything stupid enough to get in its path.” Tucker’s eyes went wide. “Holy shit. Holy shit. We’re going to get hit by a train. What should I do?” Brody yawned again. It had already been a long damn day. Why had he thought bringing the brain-damaged puppy along for the ride would be a good idea?

Ain't you interested in bettering yourself?" "'Bettering yourself.' Now there's a phrase for you. You think your brother is a better man now than he was when he was hoeing corn?" "He's happier." "That ain't the same thing. He's happy at everybody's else's expense. Progress is always at somebody's expense. Hit means putting everything in order till they's no room to breathe. Progress means cleaning everything up. But I like things dirty.

A man ain't never seen greatness till he set eyes on the likes of Armstrong. That the truth. Those hooded lids, that blinding smile: the jack was immense, majestic. But something else too: he looked brutally human, like he known suffering on its own terms. His mouth was shocking. He done wrecked his chops from the pressure of hitting all them high notes over the years. He lift a handkerchief to his mouth, wipe off a line of spittle. I seen something in him then: a sort of devastated patience, a awful tiredness. I known that look. My mama had it all her life.

Lucas looked down the street toward the Metrodome. "I don't want to do anything today. I just want to sit somewhere and see if I can feel good. There's a Twins game...." "Sarah's never been." "You wanna see a game, kid? They ain't the Cubs, but what the hell." Lucas lifted Sarah to straddle the back of his neck and she grabbed his ear and him with the pacifier. What felt like a gob of saliva hit him in the part of his hair. "I'll teach you how to boo. Maybe we can get you a bag to put on your head.

Now, tell me ’bout this locker business again,” Honey said as she picked up a glass and started drying it along beside me. “They’re just putting sticky notes and ugly letters on my locker, threatening me and stuff. It’s silly. Other than the time I was shoved into the locker and hit in the head, I haven’t suffered any injuries.” “And that sorry sonuvabitch ain’t stopping them from treating you this way?” I shrugged, thinking of Sawyer watching silently from a distance. “He’s just like his father. Don’t know why that surprises me. Ain’t gonna help none when Beau comes back. When my boy finds out Sawyer let this happen, he’s gonna be spittin’ mad. I was hoping them two’d mend fences once Beau shows back up.” “I don’t intend to tell Beau about any of this. He won’t know it happened, and once he’s back, it’ll have tapered off. That way he won’t have a reason to be mad at Sawyer.” Honey snorted and slapped the bar in front of me with her towel. “Girl, you grew up with Beau. You should know better than that. He ain’t a dummy. Besides, someone’ll tell him, and when they do, all Hell’s gonna break loose.

I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, “Excuse me, young man, could you reach up and grab some ketchup for me?” Well, I’m no dummy. I know when I’m getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, “Thank you,” like I was some piece of meat, a boy toy, or something. Finally I just blurted out, “Look, I’m married, lady!” She acted all surprised and confused. “Excuse me? I don’t understand!” I shook my head with a smirk, raised my left hand, and showed her my wedding ring. “Married!” I loudly told her. “I’m taken!” A stock boy at the end of the aisle looked at us and inquired, “Is everything okay?” “I’m fine,” I assured him. “I know how to deal with predators.” Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. “Well, I never!” “And you ain’t gonna with me either,” I yelled after her. I have to admit, it was nice to get the attention.

I grew up in a day and age where hitting .250 in any given season made you a god. It was a smaller game back then. You had to hit smart and run well. There was mind to it. Then they put in a jackrabbit ball and it became a thing of brawn. You had to pitch the seams off the goddam thing or knock it into the stands every game if you wanted to be anyone. The people want that action and maybe you can give it to them for a time. But your fame will not last. It's how you play the game day in and day out, through cold streaks and shit-hole road trips. You better enjoy every goddam bus and rain delay and asswipe motel and old loud-mouthed manager and drop to the minors. Because that's what this is. It ain't glory. It's a long, ugly haul. And at the end of the day you may be a hero or you may be a washed up never been. That's all.

Bolivar looked at the water bucket with irritation. “I’d like to shoot this damn bucket full of holes,” he said. “I don’t think you could hit that bucket if you was sitting on it,” Augustus said. “I’ve seen you shoot. You ain’t the worst shot I ever knew—that would be Jack Jennell—but you run him a close race. Jack went broke as a buffalo hunter quicker than any man I ever knew. He couldn’t have hit a buffalo if one had swallowed him.

Ain’t no dick worth that kind of pain. I think I left my uterus on that bitch’s table.” This time, I laughed out loud. Dany looked at me and started laughing with me as she hit me in the arm. “That shit ain’t funny. I think you did it on purpose because I had you and yo bitch fighting.

ain’t never hit you, but if you hit me with that fucking tire iron, I’ma fight you like a nigga,” I lied.

Damn, this pussy good as fuck.” “Mmm hmmm. Mmmm.” He stopped pumping and I turned to look at him. “What?” “I know you ain’t just grab a piece of bacon while I’m hitting this pussy.” Laughing, I slid a piece of pancake off the plate and stuffed it in my mouth.

Carelessness. I lost my one true love. I started drinking. The first thing I know, I’m in a card game. Then I’m in a crap game. I wake up in a pool hall. Then this big Mexican lady drags me off the table, takes me to Philadelphia. She leaves me alone in her house, and it burns down. I wind up in Phoenix. I get a job as a Chinaman. I start working in a dime store, and move in with a 13-year-old girl. Then this big Mexican lady from Philadelphia comes in and burns the house down. I go down to Dallas. I get a job as a “before” in a Charles Atlas “before and after” ad. I move in with a delivery boy who can cook fantastic chili and hot dogs. Then this 13-year-old girl from Phoenix comes and burns the house down. The delivery boy—he ain’t so mild: He gives her the knife, and the next thing I know I’m in Omaha. It’s so cold there, by this time I’m robbing my own bicycles and frying my own fish. I stumble onto some luck and get a job as a carburetor out at the hot-rod races every Thursday night. I move in with a high school teacher who also does a little plumbing on the side, who ain’t much to look at, but who’s built a special kind of refrigerator that can turn newspaper into lettuce. Everything’s going good until that delivery boy shows up and tries to knife me. Needless to say, he burned the house down, and I hit the road. The first guy that picked me up asked me if I wanted to be a star. What could I say?

lady?” My whole body tenses. Damn it, I’m caught, my disguise didn’t work! Abort! “You’re no horse buyer. You’re a regular horse whisperer.” I spin, and see an elderly man—a real one—smiling at me with a set of pearl-white veneers. From his tailored three-piece suit, shiny snakeskin boots, and even shinier gold Rolex watch, I can tell right away he’s got money. But his demeanor is friendly. Gentlemanly. Almost bashful. “And such a lovely one, too,” he adds, with the tip of his felt cowboy hat. I realize this old-timer isn’t trying to blow my cover. Far from it. He’s trying to hit on me. “You’re very kind, sir,” I say, forcing an innocent smile. “My name’s Wyland. Cole Wyland.” He gestures at the stallion. “Always been partial to Belgian warmbloods too. Gorgeous creatures, ain’t they?” I’m confused.

Certified recovery services is totally incredible! I mean, for real, I never thought that I'd need a miracle to recover from a "simple" software update, but here we are. I was drinking coffee, clicking that update button like a good grown-up, and then out of nowhere—boom—my Bitcoin wallet that held $250,000 was more locked up than my grandad's liquor cabinet on holidays with the family. Now, my grandfather used to always tell me, "If you're gonna lose your mind, at least do it with a beer in your hand," but you know what—there ain't enough beer in this world when you realize that your recovery word is misspelled. I rechecked that piece of paper a million times hoping that magically the letters would reorder themselves. Spoiler alert—they did not. Cue the panic. I paced my living room back and forth, talking to my dog as if he knew the solution. Grandad's words came ringing in my head again: "If you mess up, don't cry—fix it. Or at least cry while you're fixing it." So, with the Google at my command and a tear in my eye, I found Certified Recovery Services. I'll admit, I was skeptical. It was too good to be true, like the TV adverts grandad loved to watch where the mop also made coffee. But necessity created boldness. Right from the first phone call, their customer service was professional but also understanding—like they could tell I was two steps from hugging my laptop and apologizing to it. They told me the whole thing to me in calming tones and reassured me that all was not lost (though my sanity threatened to be lost). Their updates were so regular, I came to look forward to their emails even more than my pizza delivery man brings mine. Within days—bingo, presto, like magic—my wallet was returned. All $250,000, sitting there as if it never even departed. I nearly kissed one on my screen. Grandad had a saying: "Life's gonna hit you in the face. Duck, or hire someone wiser than you." And that wiser person, it turns out, was Certified Recovery Services. They saved my money and my blood pressure, at least. So if your web world falls in, don't panic—down a pint, remember grandad's words of wisdom, and ring Certified Recovery Services. They'll sort you out. Here's Their Info Below: WhatsApp: (+1(740)258‑1417 ) mail: (certifiedrecoveryservices@zohomail com, certified @financier com) Website info;( https:// certifiedrecoveryservices com)

If there's an opposite if sea sick, I think that's what the bay does to me. Everything stills the moment the scent of salt hits me. Ocean breeze wrapped around my exposed waist. Wind exacerbating the knots in my hair. It ain't that I feel free, but I feel home. Probably more home than I do anywhere else. Which is ironic, 'cause it's blue too, and I know I'd drown the moment the waves took me in.

See, I know what I’m talking about,” Uncle Lee continued. “I ain’t fucked laying down since 1984. Now, I know you used to them white girls. They like to be on top. But black women like for you to get that thang from the back. You gotta stand up in it, like that songs says. Matter of fact, you need to play that song while you stand up in it. You gotta strip down to your damn church socks and grabbed them hips and pow! Pow! Pow! Gotta hit that jeep spot, Nephew!

Heck, no one knows if the internet will still be around in ten years— Rock-IT! Towne by Mark Streuber This is about the music and the bands who made it. And this is about all those unlikely people who became stars and then fell from the sky and had to scratch out a living to make ends meet at some crap job when their hit machine ran dry and their money ran out. And it’s about the fans who played their music on their first date, and their first prom, and when they cruised the street in their first car. The fans who cried during their first breakup, or first divorce, who jumped for joy during the birth of their child, or first big promotion. This is about the people who want to remember the good times— and the bad, I guess— and relive a happier time when they still had rock ‘n’ roll, and they still had something to believe in. That’s what this website is about. It’s not only about where they are now — or about the money— Rock-IT! Towne by Mark Streuber Rockers were pretty good at unzipping their fly on their own. They didn’t need a snot-nosed journalist to unzip it for them— Rock-IT! Towne by Mark Streuber You keep thinking this band will turn up, and maybe they will. But if you ain’t found ‘em yet, it’s a good bet your band has drowned…. Every band gets swept out to sea at one time or another. Most make it back to shore, but some don’t. I think your band has drowned and you ain’t never gonna see ‘em again— Rock-IT! Towne by Mark Streuber Be careful… The First Cut is the Deepest, as Rod Stewart once sang. But the second cut is pretty deep too— Rock-IT! Towne by Mark Streuber I knew them well enough. I knew they were as dysfunctional as any band I ever worked with. Although, I don’t think they used the word dysfunctional back then. I think they used words like screwed up—Rock-IT! Towne by Mark Streuber Seems she was more agreeable to you being here. For my part, I wanted to put you both in a sack and drop you into Lake Winona— Rock-IT! Towne by Mark Streuber Yeah, well. One man’s truth can be another man’s dagger to the heart— Rock-IT! Towne by Mark Streuber People move on, Jonathan. Rock music moved on. It was never gonna last. You write for a rock magazine. You of all people should know that… Yes, but it didn’t disappear without a trace— Rock-IT! Towne by Mark Streuber Fame, money, prestige, power. It’s what we think we want until we find out how it destroys as easily as it helps. I know that from personal experience— Rock-IT! Towne by Mark Streuber