β
Whenever my environment had failed to support or nourish me, I had clutched at books...
β
β
Richard Wright (Black Boy)
β
I am against religion because it teaches us to be satisfied with not understanding the world.
β
β
Richard Dawkins
β
You have no responsibility to live up to what other people think you ought to accomplish. I have no responsibility to be like they expect me to be. It's their mistake, not my failing.
β
β
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
β
Sorry about the blood in your mouth. I wish it was mine.
I couldn't get the boy to kill me, but I wore his jacket for the longest time.
β
β
Richard Siken (Crush)
β
I learned very early the difference between knowing the name of something and knowing something.
β
β
Richard P. Feynman
β
I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of the hunger for life that gnaws in us all.
β
β
Richard Wright (Black Boy)
β
Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.
β
β
Donna Tartt (The Secret History)
β
Do I love you because you're beautiful, or are you beautiful because I love you?
β
β
Richard Rodgers (Rodgers & Hammerstein's Cinderella Piano, Vocal and Guitar Chords)
β
If you love me, Henry, you donβt love me in a way I understand.
β
β
Richard Siken (Crush)
β
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: youβre falling to the floor crying thinking, βI am falling to the floor crying,β but thereβs an element of the ridiculous to it β you knew it would happen and, even worse, while youβre on the floor crying you look at the place where the wall meets the floor and you realize you didnβt paint it very well.
β
β
Richard Siken
β
I... a universe of atoms, an atom in the universe.
β
β
Richard P. Feynman
β
Iβm here not because I am supposed to be here, or because Iβm trapped here, but because Iβd rather be with you than anywhere else in the world.
β
β
Richard Bach (The Bridge Across Forever: A True Love Story)
β
More generally, as I shall repeat in Chapter 8, one of the truly bad effects of religion is that it teaches us that it is a virtue to be satisfied with not understanding.
β
β
Richard Dawkins (The God Delusion)
β
I sleep. I dream. I make up things that I would never say. I say them very quietly.
β
β
Richard Siken
β
I am a happy camper so I guess Iβm doing something right. Happiness is like a butterfly; the more you chase it, the more it will elude you, but if you turn your attention to other things, it will come and sit softly on your shoulder.
β
β
J. Richard Lessor
β
I'm battling monsters, I'm pulling you out of the burning buildings/ and you say I'll give you anything but you never come through.
β
β
Richard Siken (Crush)
β
I would rather have questions that can't be answered than answers that can't be questioned.
β
β
Richard P. Feynman
β
He was pointing at the moon, but I was looking at his hand.
β
β
Richard Siken
β
I do not exist to impress the world. I exist to live my life in a way that will make me happy.
β
β
Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
β
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Arabia. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.We privileged few, who won the lottery of birth against all odds, how dare we whine at our inevitable return to that prior state from which the vast majority have never stirred?
β
β
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
β
I'm smart enough to know that I'm dumb.
β
β
Richard P. Feynman
β
Tell me we're dead and I'll love you even more.
β
β
Richard Siken (Crush)
β
You're asking me to define an abstract concept that no one has managed to explain since time began. You sort of sprang it on me," Gansey said. "Why do we breathe air? Because we love air? Because we don't want to suffocate. Why do we eat? Because we don't want to starve. How do I know I love her? Because I can sleep after I talk to her. Why?
β
β
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
I think it's much more interesting to live not knowing than to have answers which might be wrong.
β
β
Richard P. Feynman
β
If your happiness depends on what somebody else does, I guess you do have a problem.
β
β
Richard Bach
β
All the time you're saying to yourself, 'I could do that, but I won't,' β which is just another way of saying that you can't.
β
β
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
β
Is that too much to expect? That I would name the stars
for you? That I would take you there? The splash
of my tongue melting you like a sugar cube?
β
β
Richard Siken (Crush)
β
And thus I clothe my naked villainy
With odd old ends stol'n out of holy writ;
And seem a saint, when most I play the devil.
β
β
William Shakespeare (Richard III)
β
I drank coffee and read old books and waited for the year to end.
β
β
Richard Brautigan (Trout Fishing in America)
β
I woke up in the morning and I didnβt want anything, didnβt do anything, couldnβt do it anyway, just lay there listening to the blood rush
through me and it never made any sense, anything.
β
β
Richard Siken
β
You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.
β
β
Richard Siken (Crush)
β
Iβve been rereading your story. I think itβs about me in a way that might not be flattering, but thatβs okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster. Thanks. Sometimes you get so close to someone you end up on the other side of them.
β
β
Richard Siken
β
Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.
β
β
Richard Matheson (I Am Legend)
β
I have always wanted to write a book that ended with the word 'mayonnaise.
β
β
Richard Brautigan
β
Did you get notes for me?"
"No", Ronan replied,"I thought you were dead in a ditch.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don't know anything about, such as whether it means anything to ask why we're here. I don't have to know an answer. I don't feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell.
β
β
Richard P. Feynman
β
I swear, I end up feeling empty, like you've taken something out of me and I have to search my body for scars.
β
β
Richard Siken (Crush)
β
I am thrilled to be alive at time when humanity is pushing against the limits of understanding. Even better, we may eventually discover that there are no limits.
β
β
Richard Dawkins (The God Delusion)
β
The more I study religions the more I am convinced that man never worshiped anything but himself.
β
β
Richard Francis Burton (The Book of a Thousand Nights and One Night: 17 Volumes, Complete)
β
You can know the name of a bird in all the languages of the world, but when you're finished, you'll know absolutely nothing whatever about the bird... So let's look at the bird and see what it's doing β that's what counts. I learned very early the difference between knowing the name of something and knowing something.
β
β
Richard P. Feynman ("What Do You Care What Other People Think?": Further Adventures of a Curious Character)
β
Hello, darling. Sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. You see, I take the parts that I remember and stitch them back together to make a creature that will do what I say or love me back.
β
β
Richard Siken (Crush)
β
Finding is losing something else.
I think about, perhaps even mourn,
what I lost to find this
β
β
Richard Brautigan (Loading Mercury With a Pitchfork)
β
I don't know what's the matter with people: they don't learn by understanding, they learn by some other way β by rote or something. Their knowledge is so fragile!
β
β
Richard P. Feynman
β
You wanted happiness, I canβt blame you for that, and maybe a mouth sounds idiotic when it blathers on about joy but tell me you love this, tell me youβre not miserable.
β
β
Richard Siken (Crush)
β
In life you have to learn to count the good days. You have to tuck them in your pocket and carry them around with you. So Iβm putting today in my pocket and Iβm off to bed.
β
β
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
β
My Chief Rabbit has told me to stay and defend this run, and until he says otherwise, I shall stay here. --Bigwig
β
β
Richard Adams (Watership Down (Watership Down, #1))
β
As a writer, I can think of no greater terror than confronting a blank page, except perhaps the terror of being shot at.
β
β
Richard Castle (Naked Heat (Nikki Heat, #2))
β
I'll tell you about it because I am here and you are distant.
β
β
Richard Brautigan (In Watermelon Sugar)
β
Here I am
leaving you clues. I am singing now while Rome
burns. We are all just trying to be holy. My applejack,
my silent night, just mash your lips against me.
We are all going forward. None of us are going back.
β
β
Richard Siken
β
What I am going to tell you about is what we teach our physics students in the third or fourth year of graduate school... It is my task to convince you not to turn away because you don't understand it. You see my physics students don't understand it... That is because I don't understand it. Nobody does.
β
β
Richard P. Feynman (QED: The Strange Theory of Light and Matter)
β
I'm only interested in stories that are about the crushing of the human heart.
β
β
Richard Yates
β
I think Iβm always so much more happy with books and movies and stuff. I think I get more excited about well-done representations of life than life itself.
- Celine
β
β
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
β
I have a friend who's an artist and has sometimes taken a view which I don't agree with very well. He'll hold up a flower and say "look how beautiful it is," and I'll agree. Then he says "I as an artist can see how beautiful this is but you as a scientist take this all apart and it becomes a dull thing," and I think that he's kind of nutty. First of all, the beauty that he sees is available to other people and to me too, I believe. Although I may not be quite as refined aesthetically as he is ... I can appreciate the beauty of a flower. At the same time, I see much more about the flower than he sees. I could imagine the cells in there, the complicated actions inside, which also have a beauty. I mean it's not just beauty at this dimension, at one centimeter; there's also beauty at smaller dimensions, the inner structure, also the processes. The fact that the colors in the flower evolved in order to attract insects to pollinate it is interesting; it means that insects can see the color. It adds a question: does this aesthetic sense also exist in the lower forms? Why is it aesthetic? All kinds of interesting questions which the science knowledge only adds to the excitement, the mystery and the awe of a flower. It only adds. I don't understand how it subtracts.
β
β
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman)
β
All night I streched my arms across
him, rivers of blood, the dark woods, singing
with all my skin and bone ''Please keep him safe.
Let him lay his head on my chest and we will be
like sailors, swimming in the sound of it, dashed
to pieces.'' Makes a cathedral, him pressing against
me, his lips at my neck, and yes, I do believe
his mouth is heaven, his kisses falling over me like stars.
β
β
Richard Siken (Crush)
β
What's friendship's realest measure?
I'll tell you. The amount of precious time you'll squander on someone else's calamities and fuck-ups.
β
β
Richard Ford
β
What I cannot create, I do not understand.
β
β
Richard P. Feynman
β
Did I hurt your feelings again? Sorry. When this is all over I'll send some flowers to your inner child.
β
β
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
β
My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I really am ruggedly handsome, aren't I?
β
β
Richard Castle (Heat Rises (Nikki Heat, #3))
β
Who am I? Who am I?β
βYouβre Jude St. Francis. You are my oldest, dearest friend. Youβre the son of Harold Stein and Julia Altman. Youβre the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. Youβre a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. Youβre a swimmer. Youβre a baker. Youβre a cook. Youβre a reader. You have a beautiful voice, though you never sing anymore. Youβre an excellent pianist. Youβre an art collector. You write me lovely messages when Iβm away. Youβre patient. Youβre generous. Youβre the best listener I know. Youβre the smartest person I know, in every way. Youβre the bravest person I know, in every way. Youβre a lawyer. Youβre the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. Youβre a mathematician. Youβre a logician. Youβve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.β
"And who are you?"
"I'm Willem Ragnarsson. And I will never let you go.
β
β
Hanya Yanagihara (A Little Life)
β
And therefore, β since I cannot prove a lover,
To entertain these fair well-spoken days, β
I am determined to prove a villain,
And hate the idle pleasures of these days.
β
β
William Shakespeare (Richard III)
β
Sometimes he wakes so far from himself that he canβt even remember who he is. βWhere am I?β he asks, desperate, and then, βWho am I? Who am I?β
And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willemβs whispered incantation. βYouβre Jude St. Francis. You are my oldest, dearest friend. Youβre the son of Harold Stein and Julia Altman. Youβre the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs.
βYouβre a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen.
βYouβre a swimmer. Youβre a baker. Youβre a cook. Youβre a reader. You have a beautiful voice, though you never sing anymore. Youβre an excellent pianist. Youβre an art collector. You write me lovely messages when Iβm away. Youβre patient. Youβre generous. Youβre the best listener I know. Youβre the smartest person I know, in every way. Youβre the bravest person I know, in every way.
βYouβre a lawyer. Youβre the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it.
βYouβre a mathematician. Youβre a logician. Youβve tried to teach me, again and again.
βYou were treated horribly. You came out on the other end. You were always you.
β
β
Hanya Yanagihara (A Little Life)
β
Boo, Forever
Spinning like a ghost
on the bottom of a
top,
I'm haunted by all
the space that I
will live without
you.
β
β
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
β
It'll be OK. I'm ready. Blue, kiss me.
β
β
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
Reading was like a drug, a dope. The novels created moods in which I lived for days.
β
β
Richard Wright (Black Boy)
β
Okay, so Iβm the dragon. Big deal. You still get to be the hero.
β
β
Richard Siken
β
I'm in a constant process of thinking about things.
β
β
Richard Brautigan
β
The way you slam your body into mine reminds me Iβm alive, but monsters are always hungry, darling.
β
β
Richard Siken (Crush)
β
I couldn't claim that I was smarter than sixty-five other guys--but the average of sixty-five other guys, certainly!
β
β
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
β
I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling.
The enormity of my desire disgusts me.
β
β
Richard Siken (War of the Foxes)
β
After sleeping through a hundred million centuries we have finally opened our eyes on a sumptuous planet, sparkling with color, bountiful with life. Within decades we must close our eyes again. Isnβt it a noble, an enlightened way of spending our brief time in the sun, to work at understanding the universe and how we have come to wake up in it? This is how I answer when I am askedβas I am surprisingly oftenβwhy I bother to get up in the mornings.
β
β
Richard Dawkins
β
with this bullet lodged in my chest, covered with your name, I will turn myself into a gun, because
itβs all I have,
because Iβm hungry and hollow and just want something to call my own. Iβll be your slaughterhouse, your killing floor, your morgue and final resting, walking around with this
bullet inside me
βcause I couldnβt make you love me and Iβm tired of pulling your teeth.
β
β
Richard Siken (Crush)
β
The way you slam your body into mine reminds me Iβm alive, but monsters are always hungry, darling, and theyβre only a few steps behind you, finding the flaw, the poor weld, the place where we werenβt stitched up quite right, the place they could almost slip right into through if the skin wasnβt trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for to love me. If this isnβt a kingdom then I donβt know what is.
β
β
Richard Siken (Crush)
β
So I have just one wish for you β the good luck to be somewhere where you are free to maintain the kind of integrity I have described, and where you do not feel forced by a need to maintain your position in the organization, or financial support, or so on, to lose your integrity. May you have that freedom.
β
β
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
β
I agree with people like Richard Dawkins that mankind felt the need for creation myths. Before we really began to understand disease and the weather and things like that, we sought false explanations for them. Now science has filled in some of the realm β not all β that religion used to fill.
β
β
Bill Gates
β
I can live with doubt and uncertainty and not knowing. I think it is much more interesting to live not knowing than to have answers that might be wrong. If we will only allow that, as we progress, we remain unsure, we will leave opportunities for alternatives. We will not become enthusiastic for the fact, the knowledge, the absolute truth of the day, but remain always uncertain β¦ In order to make progress, one must leave the door to the unknown ajar.
β
β
Richard P. Feynman
β
I wasted time, and now doth time waste me;
For now hath time made me his numbering clock:
My thoughts are minutes; and with sighs they jar
Their watches on unto mine eyes, the outward watch,
Whereto my finger, like a dial's point,
Is pointing still, in cleansing them from tears.
Now sir, the sound that tells what hour it is
Are clamorous groans, which strike upon my heart,
Which is the bell: so sighs and tears and groans
Show minutes, times, and hours.
β
β
William Shakespeare (Richard II)
β
It's been suggested that if the super-naturalists really had the powers they claim, they'd win the lottery every week. I prefer to point out that they could also win a Nobel Prize for discovering fundamental physical forces hitherto unknown to science. Either way, why are they wasting their talents doing party turns on television?
By all means let's be open-minded, but not so open-minded that our brains drop out.
β
β
Richard Dawkins
β
We pull our boots on with both hands
but we can't punch ourselves awake and all I can do
is stand on the curb and say Sorry
about the blood in your mouth. I wish it was mine.
I couldn't get the boy to kill me, but I wore his jacket for the longest time.
β
β
Richard Siken (Crush)
β
But what [Gansey] said was, "I'm going to need everyone to be straight with each other from now on. No more games. This isn't just for Blue, either. All of us."
Ronan said, "I'm always straight."
Adam replied, "Oh, man, that's the biggest lie you've ever told."
Blue said, "Okay.
β
β
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β
I read because one life isn't enough, and in the page of a book I can be anybody;
I read because the words that build the story become mine, to build my life;
I read not for happy endings but for new beginnings; I'm just beginning myself, and I wouldn't mind a map;
I read because I have friends who don't, and young though they are, they're beginning to run out of material;
I read because every journey begins at the library, and it's time for me to start packing;
I read because one of these days I'm going to get out of this town, and I'm going to go everywhere and meet everybody, and I want to be ready.
β
β
Richard Peck (Anonymously Yours)
β
I will be very careful the next time I fall in love, she told herself. Also, she had made a promise to herself that she intended on keeping. She was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. They weren't worth it in the long run. They were emotionally too expensive and the upkeep was complicated. They were like having a vacuum cleaner around the house that broke all the time and only Einstein could fix it. She wanted her next lover to be a broom.
β
β
Richard Brautigan (Sombrero Fallout (Arena Books))
β
I am not a believer in love at first sight. For love, in its truest form, is not the thing
of starry-eyed or star-crossed lovers, it is far more organic, requiring nurturing and time
to fully bloom, and, as such, seen best not in its callow youth but in its wrinkled maturity.
Like all living things, love, too, struggles against hardship, and in the process sheds
its fatuous skin to expose one composed of more than just a storm of emotionβone of loyalty
and divine friendship. Agape. And though it may be temporarily blinded by adversity,
it never gives in or up, holding tight to lofty ideals that transcend this earth and
timeβwhile its counterfeit simply concludes it was mistaken and quickly runs off to
find the next real thing.
β
β
Richard Paul Evans (The Letter (The Christmas Box, #3))
β
I had a dream about you. We were in the gold room
where everyone finally gets what they want.
You said Tell me about your books, your visions made
of flesh and light and I said This is the Moon. This is
the Sun. Let me name the stars for you. Let me take you
there. The splash of my tongue melting you like a sugar
cubeβ¦We were in the gold room where everyone
finally gets what they want, so I said What do you
want, sweetheart? and you said Kiss me. Here I am
leaving you clues. I am singing now while Rome
burns. We are all just trying to be holy. My applejack,
my silent night, just mash your lips against me.
We are all going forward. None of us are going back.
β
β
Richard Siken
β
When it came time for me to give my talk on the subject, I started off by drawing an outline of the cat and began to name the various muscles.
The other students in the class interrupt me: "We *know* all that!"
"Oh," I say, "you *do*? Then no *wonder* I can catch up with you so fast after you've had four years of biology." They had wasted all their time memorizing stuff like that, when it could be looked up in fifteen minutes.
β
β
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
β
Richard wrote a diary entry in his head.
Dear Diary, he began. On Friday I had a job, a fiancΓ©e, a home, and a life that made sense. (Well, as much as any life makes sense). Then I found an injured girl bleeding on the pavement, and I tried to be a Good Samaritan. Now I've got no fiancΓ©e, no home, no job, and I'm walking around a couple of hundred feet under the streets of London with the projected life expectancy of a suicidal fruitfly.
β
β
Neil Gaiman (Neverwhere (London Below, #1))
β
You told some human kid?β
I coughed, buying time. βHe's Neph, too.β
Jonathan LaGrey went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine.
βWhich one's his father?β he asked through clenched teeth.
βRichard Rowe. I guess you'd know him as Pharzuph.β Oh, boy. He wasn't pale anymore.
βYou came across the countryββ
βShhh!β I warned him as people looked over. He lowered his voice to a shouted whisper.
ββwith the son of the Duke of Lust?! Son of aβ
β
β
Wendy Higgins (Sweet Evil (Sweet, #1))
β
Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. Itβs two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, Iβd know it was something true. Now Iβm trying to dig deeper. I didnβt want to write these pages until there were no hard feelings, no sharp ones. I do not have that luxury. I am sad and angry and I want everyone to be alive again. I want more landmarks, less landmines. I want to be grateful but Iβm having a hard time with it.
β
β
Richard Siken
β
Poets say science takes away from the beauty of the stars - mere globs of gas atoms. I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination - stuck on this carousel my little eye can catch one - million - year - old light. A vast pattern - of which I am a part... What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?
β
β
Richard P. Feynman
β
You could give Aristotle a tutorial. And you could thrill him to the core of his being. Aristotle was an encyclopedic polymath, an all time intellect. Yet not only can you know more than him about the world. You also can have a deeper understanding of how everything works. Such is the privilege of living after Newton, Darwin, Einstein, Planck, Watson, Crick and their colleagues.
I'm not saying you're more intelligent than Aristotle, or wiser. For all I know, Aristotle's the cleverest person who ever lived. That's not the point. The point is only that science is cumulative, and we live later.
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Richard Dawkins
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Christians are usually sincere and well-intentioned people until you get to any real issues of ego, control power, money, pleasure, and security. Then they tend to be pretty much like everybody else. We often given a bogus version of the Gospel, some fast-food religion, without any deep transformation of the self; and the result has been the spiritual disaster of "Christian" countries that tend to be as consumer-oriented, proud, warlike, racist, class conscious, and addictive as everybody else-and often more so, I'm afraid.
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Richard Rohr (Breathing Underwater: Spirituality and the 12 Steps)
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Now youβve said it. The hopeless emptiness. Hell, plenty of people are on to the emptiness part; out where I used to work, on the Coast, thatβs all we ever talked about. Weβd sit around talking about emptiness all night. Nobody ever said βhopeless,β though; thatβs where weβd chicken out. Because maybe it does take a certain amount of guts to see the emptiness, but it takes a whole hell of a lot more to see the hopelessness. And I guess when you do see the hopelessness, thatβs when thereβs nothing to do but take off. If you can
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Richard Yates (Revolutionary Road)
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What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
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Yann Martel (Life of Pi)
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I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in the sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occured to them to do anything less then perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I Belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
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Richard Yates (Revolutionary Road)
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My Name
βI guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrongββSorry for the mistake,ββand you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There as something near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.
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Richard Brautigan (In Watermelon Sugar)
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This royal throne of kings, this scepterβd isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fearβd by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry
Of the worldβs ransom, blessed Maryβs Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea,
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!
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William Shakespeare (Richard II)
β
We still groped for each other on the backstairs or in parked cars
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββas the road around us
grew glossy with ice and our breath softened the view through the glass
ββββββββββββββββββββalready laced with frost,
but more frequently I was finding myself sleepless, and he was running out of
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββlullabies.
But damn if there isnβt anything sexier
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββthan a slender boy with a handgun,
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββa fast car, a bottle of pills.
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Richard Siken (Crush)
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The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctorβs clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
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John Richard Spencer
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Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, Iβm sorry I couldnβt come to your party.
Dear So-and-So, Iβm sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldnβt?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think Iβm the dragon,
that would be so like me, but Iβm not. Iβm not the dragon.
Iβm not the princess either.
Who am I? Iβm just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes youβre washing up
in a strangerβs bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroomβs gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesnβt look that much different from home,
because it didnβt,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldnβt say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. Itβs like a religion. Itβs
terrifying. No one
will ever want to sleep with you.
Okay, if youβre so great, you do itβ
hereβs the pencil, make it work β¦
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where Iβm coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
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Richard Siken
β
How often since then has she wondered what might have happened if she'd tried to remain with him; if sheβd returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldnβt they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.
Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.
Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.
It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
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Michael Cunningham (The Hours)