I've Made Mistakes Quotes

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The mistakes I've made are dead to me. But I can't take back the things I never did.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
What a waste my life would be without all the beautiful mistakes I've made.
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
Do you blame me for every mistake I made? For every girl I tumbled? For every dumb thing I've said? Because if we start running tallies on stupid, you know who's going to come out ahead.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
God knows I'm not perfect, either. I've made tons of stupid mistakes, and later I regretted them. And I've done it over and over again, thousands of times; a cycle of hollow joy and vicious self-hatred. But even so, every time I learned something about myself -Misato Katsuragi
Hideaki Anno (新世紀エヴァンゲリオン原画集 1 (Groundwork of EVANGELION VOL.1))
I think I've made a mistake.' 'Then make it into something better.
Stephanie Garber (Caraval (Caraval, #1))
I've made mistakes. More than my share. Hopefully, I've learned from them, but can't guarentee anything. There's only one thing I can promise. I'm taking this to the end." -Bobby Pendragon
D.J. MacHale
I’ve made a mistake. It started with a prince, as most stories do. Once I felt the thrum of his heart beneath my fingers, I couldn’t forget it.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
I have not always chosen the safest path. I've made my mistakes, plenty of them. I sometimes jump too soon and fail to appreciate the consequences. But I've learned something important along the way: I've learned to heed the call of my heart. I've learned that the safest path is not always the best path and I've learned that the voice of fear is not always to be trusted.
Steve Goodier
You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me any more. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine.
Neil Gaiman (Stardust)
I can't let the mistakes I've made bury me.
Victoria Aveyard (Glass Sword (Red Queen, #2))
You're still... Declan?"-- --Voice hoarse, he said, "Aye, it's me. I will never be your perfect Viking, Regin! I've made unforgivable mistakes. I've no family or friends, and my men hold no love for me. I'm scarred inside and out. And I'm bloody askin' for you anyway!
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
The whole night had been a mistake. It's not going to let me rewind. Or unmake the mistakes I've made.Or the promises I've mad. Or have her back. Or have me back.
Gayle Forman (Where She Went (If I Stay, #2))
To some people, I am kind of a Merlin who takes lots of crazy chances, but rarely makes mistakes. I've made some bad ones, but fortunately, the successes have come along fast enough to cover up the mistakes. When you go to bat as many times as I do, and continually improve upon your mistakes, you're bound to get a good average.
Walt Disney Company
The worst mistakes I've made have been the ones directed by sweet-natured hopefulness.
Charles Baxter (The Feast of Love)
Bah! Suffragettes. I've no time for suffragettes. They made the biggest mistake in history. They went for equality. They should have gone for power!
Jennifer Worth (Shadows of the Workhouse)
But even though I know my flaws are many (many many many), and there are always ways I could be better, and I should never stop working for that—I also need to give myself a break. I can cut myself some slack sometimes. Because I’m a work in progress. Because nobody is perfect. At least I acknowledge the mistakes I’ve made, and am making. At least I’m trying. That means something, doesn’t it? And just because I have room for improvement doesn’t mean I’m worthless, or that I have nothing to offer to, like, the world.
Hannah Harrington (Speechless)
Sometimes I imagine my own autopsy. Disappointment in myself: right kidney. Disappointment of others in me: left kidney. Personal failures: kishkes. ... When the clocks are turned back and the dark falls before I'm ready, this, for reasons I can't explain, I feel in my wrists. And when I wake up and my fingers are stiff , almost certainly I was dreaming of my childhood. ... Yesterday I saw a man kicking a dog and I felt it behind my eyes. I don't know what to call this, a place before tears. The pain of forgetting: spine. The pain of remembering: spine. All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist: my knees. ... To everything a season, to every time I've woken only to make the mistake of believing for a moment that someone was sleeping beside me: a hemorrhoid. Loneliness: there is no organ that can take it all.
Nicole Krauss
My attitude is born out of necessity. I've made mistakes. I've made decisions I regretted. I know what it's like to live with regret. I live with it everyday. But if I let it take over, I'd never get out of bed in the morning.
Maya Banks (Hidden Away (KGI, #3))
I'm pro-choice because I've never been a fourteen-year-old incest victim pregnant by her father, or a woman who's going to die if her pregnancy continues, or even a teenager who made a mistake or a rape victim. I want women to have choices, but I also believe that it's a life, especially once it's big enough to live outside the womb.
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
I want a girl because I want to bring her up so that she shan't make the mistakes I've made. When I look back upon the girl I was I hate myself. But I never had a chance. I'm going to bring up my daughter so that she's free and can stand on her own feet. I´m not going to bring a child into the world, and love her, and bring her up, just so that some man may want to sleep with her so much that he's willing to provide her with board and lodging for the rest of her life.
W. Somerset Maugham (The Painted Veil)
In this new, turbulent reality, the one person I recognize is him. My memories of him - memories of us - have done something to me. I've changed somewhere deep inside. I feel different. Heavier, like my feet have been more firmly planted, liberated by certainty, free to grow roots here in my own self, free to trust unequivocally in the strength and steadiness of my own heart. It's an empowering discovery, to find that I can trust myself - even when I'm not myself - to make the right choices. To know for certain now that there was at least one mistake I never made. Aaron Warner Anderson is the only emotional through line in my life that ever made sense. He's the only constant. The only steady, reliable heartbeat I've ever had. Aaron, Aaron, Aaron, Aaron. I had no idea how much we'd lost, no idea how much of him I'd longed for. I had no idea how desperately we'd been fighting. How many years we'd fought for moments - minutes - to be together. It fills me with a painful kind of joy. - Ella
Tahereh Mafi (Defy Me (Shatter Me, #5))
It took me a long time to figure out that’s what you were saying. And it seemed that every time one of us came back for the other, we weren’t ready. But, ten years later, here I am. Fighting. I’d like to think I’ve learned from my mistakes. I’d also like to think we’ve finally made it to the point where we are ready for each other.
Tarryn Fisher (Thief (Love Me with Lies, #3))
I put you through hell and then I only made it worse, all the mistakes I made trying to get you back.' 'I've forgiven you.' 'Forgive, yes. Understand, yes. Forget, no.
Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
Okay I've been stupid in the past. Not consistently stupid, but occasionally stupid. And I've made mistakes. You bet, I've made mistakes.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
I'm not sure what I am anymore... Sometimes I think I'm nothing but what other people have done to me―a big collection of brainwashing, surgeries, and cures... That, and all the mistakes I've made. All the people I've disappointed.
Scott Westerfeld (Specials (Uglies, #3))
If I could live again my life, In the next – I’ll try, - to make more mistakes, I won’t try to be so perfect, I’ll be more relaxed, I’ll be more full – than I am now, In fact, I’ll take fewer things seriously, I’ll be less hygienic, I’ll take more risks, I’ll take more trips, I’ll watch more sunsets, I’ll climb more mountains, I’ll swim more rivers, I’ll go to more places – I’ve never been, I’ll eat more ice creams and less lima beans, I’ll have more real problems – and less imaginary ones, I was one of those people who live prudent and prolific lives - each minute of his life, Of course that I had moments of joy – but, if I could go back I’ll try to have only good moments, If you don’t know – that’s what life is made of, Don’t lose the now! I was one of those who never goes anywhere without a thermometer, without a hot-water bottle, and without an umbrella and without a parachute, If I could live again – I will travel light, If I could live again – I’ll try to work bare feet at the beginning of spring till the end of autumn, I’ll ride more carts, I’ll watch more sunrises and play with more children, If I have the life to live – but now I am 85, - and I know that I am dying …
Jorge Luis Borges
You see, you’re doing it again. Telling me nothing. (Tory) You know, trust is always a good idea…for someone else. Every time I’ve ever made the mistake of trusting someone…it was a mistake that I regretted and paid for dearly. I’m really happy that no one has ever hurt you badly. I haven’t been so lucky, okay? (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I'm letting go of all my lonely yesterdays, I've forgiven myself for the mistakes I've made, now there's just one thing, the only thing I wanna do. I wanna love somebody, love somebody like you.
Keith Urban
I’ve made so many mistakes in my life. So many. But you, Ollie? You’re the first thing I’ve done right.
Becka Mack (Consider Me (Playing For Keeps, #1))
I don’t want to make the same mistakes I’ve made before. I want to be free. I want to be with you. We will be together. I believe I will have less to live for, if I am not with you.
Melissa de la Cruz (Revelations (Blue Bloods, #3))
I've made so many mistakes, so many corrections. I'm so far from perfect so many imperfections. But I'm a go getta I get up and go get it, so if you preaching prosperity, i wanna hit it....
50 Cent
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face. For a brief moment,I'm lost to my surroundings. The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance. This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face. Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede. But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram. This girl strikes like a viper.
Marie Lu (Legend (Legend, #1))
I need to stop renaming the decisions I've made as mistakes just because I wish I could take them back.
Alicia Cook (Stuff I've Been Feeling Lately)
I tried to look the other way But I couldn't turn around It's OK for you to hate me For all the things I've done I've made a few mistakes But I'm not the only one
Five Finger Death Punch
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely. During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me." "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
Nicole Krauss (The History of Love)
But that doesn't mean to say, of course, there aren't occasions now and then - extremely desolate occasions - when you think to yourself: 'What a terrible mistake I've made with my life.' And you get to thinking about a different life, a better life you might have had. For instance, I get to thinking about a life I may have had with you, Mr. Stevens. And I suppose that's when I get angry about some trivial little thing and leave. But each time I do, I realize before long - my rightful place is with my husband. After all, there's no turning back the clock now. One can't be forever dwelling on what might have been. One should realize one has as good as most, perhaps better, and be grateful.
Kazuo Ishiguro (The Remains of the Day)
Now, I've made mistakes. I've lost people. But you've thrown them away. There is an important difference.
Claire Vaye Watkins (Gold Fame Citrus)
I look at the moon, and I can’t help but think of everyone else on the planet who’s looking up at it, too, and how alone I am, even though we’re all here on the same Earth. I think about the fact that we should all be connected, but we’re not. We’re too preoccupied trying to hurt each other. It makes me think of how hypocritical I can be, and the mistakes I’ve made, and the ways I’ve hurt people, too.
Kacen Callender (Felix Ever After)
Because you’re it for me. Whether it’s today, tomorrow, a year, or decades from now, that’ll never change.” Josh’s lips brushed against my skin before he pulled back, his face taut with emotion. “I’m human, Red. I’ve made mistakes in the past, and I’ll make many more in the future. But one mistake I’ll never make is letting you go, not when there’s even a sliver of a chance left for us. Because the possibility of you is better than the reality of anyone else.
Ana Huang (Twisted Hate (Twisted, #3))
I want to feel as though I am loved, no matter what decisions or mistakes I've made. Because I love him for all of his.
Amy Ewing (The Black Key (The Lone City, #3))
I survived something I shouldn't have. Final thoughts: it's about time. I've made mistake, but I'm gonna go out right." -Rufus Emeterio-
Adam Silvera
I won’t ever move on, Crimson.’ He took her hand and brought it to his heart. Scarlett’s heart beat wild and uneven in response, but Julian’s remained steady and unwavering beneath her palm. ‘I’ve made a lot of mistakes. I gave you space, because I thought that’s what you needed. But I realized as soon as I saw you today that I was wrong. So I’m in this carriage with you now, ready to go wherever you’re going, even if it means watching you with another man.
Stephanie Garber (Finale (Caraval, #3))
I’ve made a thousand mistakes in my life, and I might make a thousand more, but walking away from you won’t be one of them. I don’t deserve you, but if you were mine, I’d spend every last damn day of my life trying.
Melanie Harlow (If You Were Mine (After We Fall, #3))
... I learn from my mistakes, and falling for you was by far the worst mistake I’ve ever made.
Daniele Lanzarotta (Blood Bound (Imprinted Souls, #4))
I think about all of the things I've done, Oskar. And all of the things I didn't do. The mistakes I've made are dead to me. But I can't take back the things I never did.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Irimiás: God is not made manifest in language, you dope. He's not manifest in anything. He doesn't exist... God was a mistake. I've long understood there is zero difference between me and a bug, or a bug and a river, or a river and a voice shouting above it. There's no sense or meaning in anything. It's nothing but a network of dependency under enormous fluctuating pressures. It's only our imaginations, not our senses, that continually confront us with failure and the false belief that we can raise ourselves by our own bootstraps from the miserable pulp of delay. There's no escaping that, stupid.
László Krasznahorkai (Satantango)
I`ve got a black woolen hat and it`s got Pervert written across the front of it. It`s the name of the clothing label. And I was with my wife and my baby at the supermarket and I didn`t think. I just put my hat on Clara`s head, because it was cold. And the looks. I couldn`t figure out why I was getting death looks. And then I realized my 10-month old baby`s wearing a hat with the word Pervert written on it and these people were like, `There`s Satan! There`s Satan out with his kid!` And then I made a point of her wearing it every time we went there.
Ewan McGregor
You might be thinking, “I’m not perfect, I’ve made mistakes, I mess up constantly, and I seem to be going the wrong way.”  Remember, it’s the “layers” in life that create the perfection.  Don’t view your life as “mistakes” view them as Da Vinci’s layers, and God is using your mistakes to help create a masterpiece with you.
Trent Shelton (You're Perfect: for the Heart that's meant to Love You)
I think I’ve made a mistake.” “Then make it into something better.
Stephanie Garber (Caraval (Caraval, #1))
An exceptional future can only be built on the transformation of the mess I’ve made, not the elimination of it.
Craig D. Lounsbrough
I’ve made many mistakes, but I’ve learned from them.
Oscar Auliq-Ice
Every mistake I’ve made, every wrong I’ve repeated, every unhealed headache: I feel it all and more as the weight of my old world crushes me. If you looked inside me, I bet you’d find two different hearts beating for two different people, like the sun and moon up at the same time, a terrible eclipse I’m the only witness to. My worlds collided and I can’t get up.
Adam Silvera (More Happy Than Not)
She tells me about dreams. She says my dreams are helium and balloons, and I've made the mistake of letting go a few to many times, but I still got this one. Tied around my finger like a wedding ring because even though I don't believe in marriages, I'm gonna bring this one home.
Shane L. Koyczan (Silence Is A Song I Know All The Words To)
because when i feel the human world is doomed, has doomed itself by its own mingy beastliness, then i feel the colonies aren't far enough. the moon wouldn't be far enough, because even there you could look back and see the earth, dirty, beastly, unsavory among all the stars: made foul by men. Then i feel i've swallowed gall, and its eating my inside out, and nowhere's far enough to get away. but when i get a turn, i forget it all again. though it's a shame, what's been done to people these last hundred years: men turned into nothing but labor-insects, and all their manhood taken away, and all their real life. i'd wipe the machines off the face of the earth again, and end the industrial epoch absolutely, like a black mistake. but since i can't, an' nobody can, i'd better hold my peace, an' try an' life my own life: if i've got one to live, which i rather doubt.
D.H. Lawrence (Lady Chatterley's Lover)
All the mistakes I’ve made have been because I’ve assumed something and then acted as though it was fact. Very dangerous, Agent Lemieux. Believe me. I wonder if you haven’t already leaped to a false conclusion?
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.' Tears slip down my face. 'Yes,' I murmur. Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes. I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.' Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck. No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.' I'm sure I don't know what you mean.' she says, sounding uncertain for the first time. That's why they were able to take you. They found your fear.' And what, pray, was it?' Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.' I am not like them. I am their hope. I sustain them.' No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.' Circe laughts, a splintered cackle that finds a way under my skin. And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?' I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.' And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone. It's as if she's delivered a blow to my heart. My hand falters. 'I-I...' Gemma, you're not alone,' Circe gasps, and my hand touches metal. No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I’ve spent my adult life trying to mend the mistakes I made when I was young, which is what we all do, I suppose—
Tananarive Due (The Good House)
I have played in every toilet but you still want to spoil it to prove I've made a big mistake
Muse
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way. The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
Richard Yates (Revolutionary Road)
Loving someone doesn't mean you're never going to make mistakes," he said. "I.'ve made more than my share. I know that. And some of them I will never have the chance to make up for. But I'm trying my best with your brother. He knows how much I love him. How proud I am of him. I need you to know it too. You kids, you're the one thing I'm certain of, the one thing I'll always be certain of. Not the Clave. Not, unfortunately, my marriage. You. And if I have to, I'll spend the rest of my life trying to prove to you that you can be certain of me.
Cassandra Clare (Tales from the Shadowhunter Academy)
It's hard to explain. I mean... I don't know. I don't know anything anymore. When we were young, things were so much simpler... You have to understand that I'm not the girl I used to be. I'm a wide and a mother now, and like everyone else I am not perfect. I struggle with the choices I've made and I make mistakes, and half the time I wonder who I really am or what I'm doing or whether my life means anything at all. I'm not special at all, and you need to know that. You have to understand that I'm just...ordinary.
Nicholas Sparks (The Best of Me)
Whoever said that the past isn’t dead had it backward. It’s the future that’s already dead, already played out. This whole night has been a mistake. It’s not going to let me rewind. Or unmake the mistakes I’ve made. Or the promises I’ve made. Or have her back. Or have me back.
Gayle Forman (Where She Went (If I Stay, #2))
I’m trying to decide Which way to go I think I made a wrong turn back there somewhere Didn’t cha know, didn’t cha know Tried to move but I lost my way Didn’t cha know, didn’t cha know Stopped to watch my emotions sway Didn’t cha know, didn’t cha know Knew the toll, but I would not pay Didn’t cha know, didn’t cha know Cause you never know where the cards may lay Time to save the world Where in the world is all the time So many things I still don’t know So many times I’ve changed my mind Guess I was born to make mistakes But I ain’t scared to take the weight So when I stumble off the path I know my heart will guide me back
Erykah Badu
I just want you to know that I love you. Once you’re older, you’ll realize that I made an endless line of mistakes during your childhood. I know that. I’ve resigned myself to it. But I just want you to know that I did my very, very best. I left it all on the field. I gave this every ounce of everything I had. I
Fredrik Backman (Things My Son Needs to Know about the World)
August 21. ... I've become pretty good at telling weeds fom not-weeds. But every once in a while I have my doubts. I come across an especially difficult root. I pull and it doesn't come out. I pull again. It resists. I dig my gloved fingers into the soil and grab it with both hands and pull yet again. It begins to come out, but I can see it's going to take several more hard pulls. And that's when the doubts begin. I begin to wonder: Have I made a mistake? Is this really a weed? If it's not supposed to be here, why is it resisting so? But it's too late now. There's nothing to do with a plant half pulled but to go all the way. And so I tug some more, and finally, shedding clods of dirt and worms, it breaks free of the earth---and I try not to hear the tiny, anguished cry.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
Regrets are the last words you speak to your loved ones when you die and the one thing we all fear when we live. I'd rather regret the things I've done and said than regret the things I haven't done or said. It is all the experiences and people you missed out on in life that you will feel the most regretful for in the end. God will forgive you of your mistakes, but there is nothing to forgive if you have never even tried, done or said anything that made a difference in your life or others.
Shannon L. Alder
from the Basement tapes Eric outdid Dylan with the apologies. To the untrained eye, he seemed sincere. The psychologists on the case found Eric less convincing. They saw a psychopath. Classic. He even pulled the stunt of self-diagnosing to dismiss it. "I wish I was a fucking sociopath so I didn't have any remorse," Eric said. "But I do." Watching that made Dr. Fuselier angry. Remorse meant a deep desire to correct a mistake. Eric hadn't done it yet. He excused his actions several times on the tapes. Fuselier was tough to rattle, but that got to him. "Those are the most worthless apologies I've ever heard in my life," he said. It got more ludicrous later, when Eric willed some of his stuff to two buddies, "if you guys live." "If you live?" Fuselier repeated. "They are going to go in there and quite possibly kill their friends. If they were the least bit sorry they would not do it!
Dave Cullen (Columbine)
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
[When explaining over reactions to small mistakes] I get swallowed up in the moment, and I can't tell the right response from the wrong response. All I know is that I have to get out of the situation as soon as I can, so I don't drown. To get away, I'll do anything. Crying, screaming and throwing things, hitting out even... Finally, finally, I'll calm down and come back to myself. Then I see no sign of the tsunami attack--only the wreckage I've made. And when I see that, I hate myself. I just hate myself.
Naoki Higashida (The Reason I Jump: the Inner Voice of a Thirteen-Year-Old Boy with Autism)
Never felt anything like this. Told you I didn’t care how crazy this was. Still don’t. I love you.” “Brian,” I whispered. He took my face between his hands. “I love you, Syd,” he repeated, eyes serious. “Fuck it, all right? Fuck our crazy. I want it.” A laugh bubbled in my throat. “I love you, too,” I said. “You’re the best mistake I’ve ever made.
J. Daniels (Four Letter Word (Dirty Deeds, #1))
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal. College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain. Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed—maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
Haruki Murakami (South of the Border, West of the Sun)
Ollie Girl, I’ve made a lot of mistakes, lived my life a little too carelessly, in ways that people didn’t approve of. But I wouldn’t change a thing. Because I was waiting for you. Waiting for a love that would walk into my life and blow my whole world up. I want to celebrate every Valentine’s Day & birthday with you. Love, Carter
Becka Mack (Consider Me (Playing For Keeps, #1))
An embroidery circle takes up a spot in the middle of the counter. I rush toward it and pick it up. My heart rate speeds up in my chest as I check out the most beautiful design I’ve ever seen. There’s no mistaking who made this. Santiago crafted a field of wildflowers, making up every color of the rainbow. It’s hands-down the best gift anyone has given me. A wobbly looking quote takes up the top of the design. Where most people see weeds, I only see you—my beautiful wildflower, untamed and free.
Lauren Asher (Redeemed (Dirty Air, #4))
My mind repeats all the mistakes I’ve made, like a bad movie reminding me of all the things that cause me so much doubt. There are things that go wrong in my life, like a roller coaster that twists and bends. People say that this is just how life goes. But too often I am wondering if maybe it’s just me. Too often I am thinking about how often my doubt shows.
Courtney Peppernell (Mending the Mind (Pillow Thoughts, #3))
I've never been able to forget the infinite little smile of pure affection that danced across his livid face. Enough gaiety to fill the universe. Few people past twenty preserve any of the affection, the affection of animals. This world isn't what we expected. So our looks change! They change plenty! We made a mistake! And turned into a thorough stinker in next to no time! Past twenty it shows in our face! A mistake! Our face is just a mistake!
Louis-Ferdinand Céline (Journey to the End of the Night)
You have to understand that I’m not the girl I used to be,” she said. “I’m a wife and a mother now, and like everyone else I’m not perfect. I struggle with the choices I’ve made and I make mistakes, and half the time I wonder who I really am or what I’m doing or whether my life means anything at all. I’m not special at all, Dawson, and you need to know that. You have to understand that I’m just… ordinary.” “You’re not ordinary.” Her look was pained but unflinching. “I know
Nicholas Sparks (The Best of Me)
Anxiety I struggle with things that are as easy to others as breathing. Like breathing. Like answering the phone. Or sending that email I have been meaning to for weeks. I panic when I am asked out to dinner, even if it’s with someone I really want to see. It’s hard for me to commit to anything, and when I do, I overthink it until my brain tells me I have made a mistake, like a rat caught in a maze, trying to claw its way out. I don’t know why I am like this. People ask me why I can’t do anything without jumping through a thousand thoughts, like hoops. But sometimes I wonder if my inability to function in the real world is really such a bad thing. I wonder if that’s why I’ve spent so much time sheltered in my imagination. And because I can’t live in the real world, I create worlds to belong to. And I wonder if the very thing I’ve always been told is my weakness, has all along, been my strength.
Lang Leav (Love Looks Pretty on You)
Really, you’re truly a virgin?” “Does that make me weak in your eyes, less of a man?” He looks at me straight on once again, sees so deep inside me that I feel something ignite. “Because the truth is, Rosie, I never met anyone I wanted after I met you. I made a vow to myself that wasting my time with anyone else was a fool’s mistake. One I wasn’t willing to make. You ruined me for girls. You made me only want a woman.” “Any woman?” “No, Rosie. Not any woman. You. I’ve
Johnny Knox (Rekindled: A Mountain Man Romance)
I am sorrowful. I am sorrowful that I happened to be born into a world where being disgusted with yourself was what you were supposed to be. I am sorrowful that my fellow countrymen feel that being human is something to repress, something ugly, something nasty. It's... It's just a fucking shame. It really is. I am penitent. I am penitent for all the relationships this shame has ruined. I am penitent that I've allowed my shame and unhappiness to spread to others. I've fucked men and I've fucked women, Father Kolkan. I have sucked numerous pricks, and I have had my pricked sucked by numerous people. I have fucked and been fucked. And it was lovely, really lovely. I had an excellent time doing it, and I would gladly do it again. I really would. I have been lucky enough to find and meet and come to hold beautiful people in my arms - honestly, some beautiful, lovely, brilliant people - and I am filled with regret that my awful self-hate drove them away. I don't know if you made the world, Father Kolkan. And I don't know if you made my people or if they made themselves. But if it was your words they taught me as a child, and if it's your words that encourage this vile self-disgust, this ridiculous self-flagellation, this incredibly damaging idea that to be human and to love and to risk making mistakes is wrong, then... Well, I guess fuck you, Father Kolkan.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
I’ll do whatever I have to in order to be worthy of her. She’s everything I’ve ever wanted.” “Don’t change for her. She made that mistake with me. She fell in love with you just the way you are. Just be you, Beau. Just be you.” She loved me. Hearing those words sent a shiver of pleasure over me. I’d finally won my girl. “She had Mr. Perfect and she wanted me instead. Doesn’t make any sense,” I said, grinning over at Sawyer. “There’s no accounting for taste,” he chuckled and elbowed me in the ribs. “Go get her, man. She’s convinced she has to step out of our lives so we can fix our relationship. Her heart’s breaking. I could see it in her eyes. She is ready to sacrifice her happiness in order to do what she thinks is best for you. Go put the girl out of her misery.” Step out of my life. Like hell. I slapped Sawyer on the back and headed out to set her straight. But first I was going to feast on those full lips of hers that were all puckered up in a frown.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
I came at her like a snake. "I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
Are you sure this is what you want?” Alex asked. “You were just telling me you wanted a new adventure – this sounds like you’re settling down.” “Merlin is my next adventure,” she said. “I’ve never known someone who makes me excited just to wake up in the morning. I don’t look at the world and feel useless anymore, because I know I mean the world to him. He’s lived as long as I have, made just as many mistakes, and still has all his original teeth – I’m never going to find another man like him! I probably sound like an old loon, but one day you’ll understand. When you meet the person you’re meant to be with, everything changes – you don’t feel like you’re fighting the world alone anymore.
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic; I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain. Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed - maybe they were very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
Haruki Murakami (South of the Border, West of the Sun)
My heart seemed to stop. Garret paused, as if gathering his thoughts, or his courage, then took a deep breath. “I know I’ve made mistakes,” he continued, shaking his head. “But there’s still the chance for me to fix them. I shouldn’t have walked out that night.” His brow creased, a flicker of pain and regret going through his eyes. “Ember, I know you can’t feel what I do,” he said. “I get that. But…I want to be with you. And if that’s not possible, I’ll be content just to be close. Fighting Talon with you and Riley, helping people, saving other dragons from the Order-there is nothing I want more. And nowhere else I want to be.
Julie Kagawa (Soldier (Talon, #3))
She told me to picture little Georgia, at five years old or so (when this behavior was learned), and imagine calling her a “stupid fucking idiot” for making a mistake. It made me want to cry. Five-year-old Georgia doesn’t deserve that; she deserves understanding and patience and to know that mistakes can be made without them making her a broken person. And so when I berated myself for that wrong turn, I was perpetuating the narrative that Georgia doesn’t deserve to be treated with kindness. Even though I didn’t start it, the only person who could stop that cycle was myself, and a great way to do that was to picture myself as a little kid when I was being cruel to myself. It’s taken some time, but I’ve definitely been kinder to myself since I learned that.
Georgia Hardstark
Has anyone ever owned your body? Because that's how it would be between us." He bit her earlobe and sucked it into his mouth, savoring her taste, her scent, before continuing, "If you were mine, it would appear to the world as if you had a normal life, you might even feel as if your days were your own. But that would be an illusion; it wouldn't be just fucking with you and me. If you ever made the mistake of sleeping with me, it wouldn't be just sex. So, I'm warning you now. I'd own you. I'd own your body; I'd own your orgasms. I'd strip you naked, spread you wide and play with your body to my satisfaction before I'd ever let you experience release. Don't get me wrong, you wouldn't ever want to get away from me, but sweetheart, your life as you know it would be over. So before you ever let me sweet talk you into bed, understand that I'm just a little bit insane when it comes to you. It's the reason I've never put a move on you before, and it's the reason I'm going to let you slip away untouched tonight. I'm going to try my fucking best to stay away from you, but I don't know how long I'll be able to manage it. So if I come at you sometime in the future lying through my teeth and telling you it'll only be for fun, don't you fucking believe me.
Lynda Chance (Rule's Obsession (The House of Rule, #1))
I've always thought fairies were better than witches - and I liked feeling better than something else. It helped me cope with all the hatred the world sent us. Believing I was born that way made me feel valuable - like the universe was on my side." "Me too," Skylene said. "And we hated witches just like humankind hates us. But now we know we're not better than witches - and we're not any better than humankind, either." Brystal knelt in front of her troubled friends and placed a hand on both of their knees. "We're all just a couple of mistakes away from becoming the people we despise," she said. "So don't think worse of yourself, but let this change how you think of yourself. Start valuing who you are, more than what you are. Prove you're better than most people by showing more acceptance and empathy. And fuel your pride with what you earn and create, instead of what you're born with.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
Apology Letter from the Brain Hey there. I’m sorry. OK? But can I say something? Look. I admit I wasn’t perfect. No one is perfect. That’s a fact. Speaking of facts, don’t you think we all need to take a minute and decide who is right and who is wrong? Every side is different; it’s just that my side seems more right. I’m not just saying that because it’s my side. I think a lot of other people would agree with me, given the chance. If I upset you in some way, please know that wasn’t my intention. I didn’t know how sensitive you were. It’s obvious I can set you off very easily. That’s not an insult; it’s just an observation. I think it would help if we talked about this more and argued about who was telling the truth. I would like to see you in person and tell you how the situation has affected me. I may use this opportunity to bring up other times you have hurt me in the past. If possible, I would like to hurt you back. Either way, I want to be in control. Until then, take care. And please, remember I reached out first. I remain, THE BRAIN Apology Letter from the Heart Hey there. I’m sorry. I’ve found it hard to tell you this, and I realize my apology may be too little or come too late. It is important for me to let you know that I am sorry for what I did or said or didn’t do or say. I was wrong. I make mistakes. I HATE that I made one with you. I’m reaching out because life goes by so fast and I just don’t want my one life to go by without expressing this to you. I want to do and be better. This apology is yours. Feel free to do whatever you want with it. My hope is that it gives you comfort, but my goal is that it doesn’t cause you any pain. Again, I am TRULY sorry. Thank you for taking the time to read this. Love, THE HEART P.S. I’m sorry.
Amy Poehler
I’m about to take a shower because I smell like an all-nighter, then I think I’ll take a bath so I can have a faucet orgasm. After all, I didn’t get any last night. A faucet orgasm is pretty much the same principle as a bidet orgasm except upside-down. When we were growing up we had bidets in all the bathrooms and when I was about ten I accidentally discovered one of the things they were good for. After that I used to spend hours on the damn thing. This dump we rent doesn’t have a bidet so I have to get in the tub and slide up toward the front, running my legs up the wall on either side of the faucet. Turn on the warm water and smile. Actually, you’ve got to get the water temperature just right first or you could really be in for a nasty shock. I’ve made that mistake a few times. This time I get it just right and I come three times before I get around to actually taking a bath.
Jay McInerney (Story of My Life)
The truth is, the person I've ben hating more than anyone is myself. It is so easy. So easy to look in the mirror at all my imperfections and think of all the ways I fall short of someone like Kristen. To struggle with geometry equations and underlying meanings in novels and know I'll never been smart the way Asha is. To realize how much I've screwed up and to obsess over all of the terrible ways I've wronged so many people. But. But even though I know my flaws are so many (many many many), and there are always ways I could be better, and I should never stop working for that - I also need to give myself a break. I can cut myself some slack sometimes. Because I'm a work in progress. Because nobody is perfect. At least I acknowledge the mistakes I've made, and am making. At least I'm trying. That means something, doesn't it? And just because I have room for improvement doesn't mean I'm worthless, or that i have nothing to offer to, like, the world.
Hannah Harrington (Speechless)
Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are ‘still’ struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it breathing."
Terri Windling
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
Nicholas Sparks (Message in a Bottle)
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells. He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair. He sat across from me and said, “Good evening, Kells. Did you sleep well?” “Uh, yes. Did you?” He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression. “Nope. I’ve got it all under control.” I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?” He smiled. “They’re completely fine. Thank you for asking.” “Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?” He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.” “Would they still be torn and bloody?” “No. When I reappear, they’re clean and whole again.” “Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.” I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles. He grinned. “Yes. Lucky for me.” I tugged the brush through my hair and winced. “That brings up another question.” Ren rose and took the brush out of my hand. “What…what are you doing?” I stammered. “Relax. You’re too edgy.” He had no idea. Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back. After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?” I jumped. “Umm…what?” I mumbled disconcertingly. “You wanted to ask me a question.” “Oh, right. It was, uh-that feels nice.” Did I say that out loud? Ren laughed softly. “That’s not a question.” Apparently, I did. “Was it something about me changing into a tiger?” “Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?” “No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life, every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.” Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just. “If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.” “You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?” Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke. “I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.” “What do you know about love and souls?” Lindsay growled as he stalked to the study door. “I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.” “You do indeed.” Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
Charlotte Featherstone (Addicted (Addicted, #1))
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-" Ivy:"Thank you. Thank you for risking your life. Thank you for saving me." "That's not what I wanted! Gratitude is the last thing I-" "Well, let me tell you what I want, Honesty." "When haven't I been honest? When?" "I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will." "So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?" "That's usually why people blackmail." "You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on." "Why didn't you tell me this before? You should have told me this before." "You weren't telling me things, either." "I was trying to protect you!" "What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you." "Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!" "You fell in love with me?" "Love you, Will." "Love you, Ivy.
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
Daniel Nayeri (Everything Sad Is Untrue)
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“ “Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.” “Yeah, well,” Daniel said. “He liked you.” They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!” It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel. No. She was finding her way to them. It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available. She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love. She was Lucinda. “Quick,” she said to Daniel. “Can we do another?” “Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“ “But my father paid you three zebra skins for the knife you had in your satchel!” Daniel grinned. “He drove a hard bargain.” “This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?” Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
Lauren Kate (Rapture (Fallen, #4))
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.” “Why did you stay,” he countered smoothly, “when you realized I was still there?” In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.” “You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.” “I was wrong,” she protested a little wildly. “Dangerous and-foolish!” “Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice. “Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.” Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively. He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.” “Why?” she whispered shakily. “So that we can finish what we began that weekend.” Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal. “I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.” Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry. “There are four steps separating us and a year and a half of wanting drawing us together,” he said. Elizabeth swallowed. “Couldn’t you meet me halfway?” The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.” “I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path. “Come here,” he invited huskily, “and I’ll show you.” It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
Judith McNaught (Almost Heaven (Sequels, #3))