“
He grinned. “Busted. I’m a monster. Jev is my deceptively harmless — and shockingly handsome — alter ego.”
“And I’m on top of it,” she announced with witty triumph.
“Is that a Freudian slip?”
His bluntness caught her off guard. A self-conscious blush rose in her face.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
You seem to vacillate between assistance and assault. Which is it?'
'I'm not surprised you've driven three men to try and kill you, I'm only surprised there weren't more,' said Damen, bluntly.
'There were,' said Laurent, 'more.
”
”
C.S. Pacat (Captive Prince (Captive Prince, #1))
“
There is no new beginning. No second chance.
You turned to me and I wasn't there.
You are dead. If I had taken your call, you would be alive.
It's as blunt as that.
I'm sorry.
”
”
Rosamund Lupton (Sister)
“
What can I say, I'm a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff which despite the light of progress and all that, still vanishes every day like shadows at noon, goings unheralded, passings unmourned, well, you get the drift.
As a counselor once told me -a counselor for Disaffected Yought, I might add: "You like that crap because it reminds you of you." Couldn't of said it better or put it more bluntly. Don't even disagree with it either.
”
”
Mark Z. Danielewski (House of Leaves)
“
She's like a sister. People say we're such opposites, but that's what makes us such good friends. She's incredibly blunt. I love that about her. If some guy has said or done something to me she doesn't like, she'll grab my cell phone and say, 'I'm deleting his number.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
I seem to grow more acutely conscious of the swift passage of time as I grow older. When I was small, days and hours were long and spacious, and there was play and acres of leisure, and many children's books to read. I remember that as I was writing a poem on "Snow" when I was eight. I said aloud, "I wish I could have the ability to write down the feelings I have now while I'm still little, because when I grow up I will know how to write, but I will have forgotten what being little feels like." And so it is that childlike sensitivity to new experiences and sensations seems to diminish in an inverse proportion to growth of technical ability. As we become polished, so do we become hardened and guilty of accepting eating, sleeping, seeing, and hearing too easily and lazily, without question. We become blunt and callous and blissfully passive as each day adds another drop to the stagnant well of our years.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
It's the truth. I'm sorry to be blunt about it, but girls don't like guys who are doormats. Especially pretty girls, because there's no novelty in it. Guys are hitting on them all of the time. They can't walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it's easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
”
”
Karin Slaughter (Pretty Girls)
“
I didn't want to tell you I'd been scared, much less why. I guess that was stupid."
"It was."
"Aren't you supposed to say something like 'no, it wasn't. Blah, blah, support, stroke, let me get you some chocolate'?"
"You haven't red the marriage handbook's footnotes. It's another woman who does that sort of thing. I believe I'm allowed to be more blunt, then ask if you'd like a quick shag."
"Shag yourself
”
”
J.D. Robb (Eternity in Death (In Death, #25.5))
“
You're wrong, I want to say. I'm exactly like you. But I can't. The fact is, alcoholics have programs, steps to take so they can fit into society and function. Crazies like Alison--all they have are padded cells and blunted utensils. That's their normal.
Our normal.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Rose," Alberta said, leaning toward me. "I'm going to be blunt with you. I'm not going to give you lectures or demand any explanations. Honestly, since you aren't my student anymore, I don't have the right to ask or tell you anything."
"You can lecture," I told her. "I've always respected you and want to hear what you have to say."
The ghost of a smile flashed on her face. "All right, here it is. You screwed up."
"Wow. You weren't kidding about bluntness."
"The reasons don't matter. You shouldn't have left. You shouldn't have dropped out. Your education and training are too valuable—no matter how much you think you know—and you are too talented to risk throwing away your future."
I almost laughed. "To tell you the truth? I'm not sure what my future is anymore."
"Which is why you need to graduate."
"But I dropped out."
She snorted. "Then drop back in!"
"I—what? How?"
"With paperwork. Just like everything else in the world.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I'm surprised you're not freaking."
"I don't freak'" he said bluntly.
"You kinda did when I burst into flames earlier."
"You caught me by surprise. Next time, I'll just whip out the marshmallows.
”
”
Rick Gualtieri (Bill the Vampire (The Tome of Bill, #1))
“
Do you remember our first kiss? I do. Not a day goes by I don’t think of the feel of that bicuspid against my tongue. It had such a distinctive feel, neither cuspid nor molar…but I’m not sure it knew that – that was what endeared it to me so. It was like the blunted tusk of a wild boar.
”
”
Benson Bruno (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
“
Put bluntly, the struggle that so many companies have to differentiate or communicate their true value to the outside world is not a business problem, it's a biology problem. And just like a person struggling to put her emotions into words, we rely on metaphors, imagery and analogies in an attempt to communicate how we feel. Absent the proper language to share our deep emotions, our purpose, cause or belief, we tell stories. We use symbols. We create tangible things for those who believe what we believe to point to and say, "That's why I'm inspired." If done properly, that's what marketing, branding and products and services become; a way for organizations to communicate to the outside world. Communicate clearly and you shall be understood.
”
”
Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
“
As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. “You probably already know this,” she said bluntly, “but I love you. In fact, I love you so much that I don’t mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I’m never going to obey you. But I’m always going to love you.” The
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Beth stared at the bowl, a fragile piece of the past, such a delicate object in Ian’s large, blunt fingers. “Are you certain?”
“Of course I’m certain.” His frown returned. “Do you not want it?”
“I do want it,” Beth said hastily. She held her hands out for it. “I’m honored.” The frown faded, to be replaced by a slight quirk of his lips.
“Is it better than a new carriage and horses and a dozen frocks?”
“What are you talking about? It’s a hundred times better.”
“It’s only a bowl.”
“It’s special to you, and you gave it to me.” Beth took it carefully and smiled at the dragons chasing one another in eternal determination. “It’s the best gift in the world.”
Ian took it gently back from her and replaced it in its slot. That made sense; in here it would stay safe and unbroken.
But the kiss Ian gave her after that was anything but sensible. It was wicked and bruising, and she had no idea why he smiled so triumphantly.
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
No,” said Dimitri bluntly. “Adrian’s not responsible. His intentions are honorable here. I’ll vouch
for him. I’m Dimitri Belikov. This is Rose Hathaway, Sydney Ivashkov.”
Normally, a human introduced with a royal Moroi last name would have warranted a double take.
But it was clear this woman never heard anything past Rose and Dimitri’s names. I saw it clearly in
her eyes: the same awe and worship I’d observed in so many other faces whenever this dynamic duo
introduced itself. And like that, the woman turned from fiercely protective doorkeeper to swooning fangirl.
”
”
Richelle Mead (The Ruby Circle (Bloodlines, #6))
“
I’m thinking that I like you, and that’s a problem for me.”
His serious tone startles me. “Why’s it a problem?”
“Because I don’t like people,” he says bluntly. “I deal with people.
”
”
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
“
She wanted to tell the girl: It’s complicated. I am now a person I never imagined I would be, and I don’t know how to square that. I would like to be content, but instead I am stuck inside a prison of my own creation, where I torment myself endlessly, until I am left binge-eating Fig Newtons at midnight to keep from crying. I feel as though societal norms, gendered expectations, and the infuriating bluntness of biology have forced me to become this person even though I’m having a hard time parsing how, precisely, I arrived at this place. I am angry all the time. I would one day like to direct my own artwork toward a critique of these modern-day systems that articulates all this, but my brain no longer functions as it did before the baby, and I am really dumb now. I am afraid I will never be smart or happy or thin again. I am afraid I might be turning into a dog.
Instead, she said, smiling, I love it. I love being a mom.
”
”
Rachel Yoder (Nightbitch)
“
You hate me because I’m blunt and have no patience for wasted time or wasted words. Because I’m not nice. Well, a lot of nice people are nice because they’ve figured out it’s a great way to get things from other people. Some of the slimiest snakes I’ve run across have been nice. So let me tell you now, if you ever see me resort to being nice, run.
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
Cool. I'm Kathryn, but everyone calls me Kat. And do not make any cat jokes or I'll have to hurt you. With my claws." she waved the long, blunt tips of her fingers at me. "Truth be told, I stopped speaking meow a long time ago." speaking meow? "I'm guessing calling you pretty kitty is out.
”
”
Gena Showalter
“
I’m just an honest person, but if I’m truly being honest, sometimes blunt is just mean. Honesty can be an excuse for bullying.
”
”
Sarah Beth Durst (The Spellshop)
“
The bed creaks as he eases closer. And then I feel it.
Oh, fucking hell. Just no. He can’t do this to me.
It’s big, it’s hard, and it’s nudging my ass.
We both freeze. Well, Gabriel freezes. His dick? It nudges me again, that blunt head pushing into the small of my back as if to say hello.
“Involuntary reaction,” Gabriel says in a strangled voice. “Ignore it.”
His hard-on says otherwise.
I swallow with difficulty. “Your hard dick is poking me in the ass. I can no more ignore it than if you slapped me in the face with it.”
He stills, a sound gurgling in his throat. I’m about to apologize for being so crude, when he bursts out laughing.
”
”
Kristen Callihan (Managed (VIP, #2))
“
She thought she'd get out clean, but the foyer monitor blinked on as she reached for her jacket. "Going somewhere, Lieutenant?"
"Jesus, Roarke, why not just knock me over the head with a blunt instrument. Keeping tabs on me?"
"As often as possible. Wear your coat if you're going out. That jacket isn't warm enough for this weather."
"I'm just going into Central for a couple of hours."
"Wear the coat," he repeated, "and the gloves in the pocket. I'm sending one of the four-wheels around."
She opened her mouth, but he'd already vanished. "Nag, nag, nag," she muttered, then nearly jolted when he swam back on-screen.
"I love you, too," he said easily, and she heard his chuckle as the image faded again.
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
I stared at Jenna’s profile until she slowly turned to look at me. “What?” she asked.
“I’m about to fuck the shit out of you.”
Her eyes widened. Damn. Was that too blunt?
“Romantically, of course,” I quickly added, just in case. “Also, you look really pretty today. Have I told you that?
”
”
J. Daniels (Down Too Deep (Dirty Deeds, #4))
“
In a voice like velvet, he says, “I want to taste every inch of you. I want to hear you scream my name. I want to make you come so hard, you forget your own. I don’t have time to fuck around—excuse the pun—with the kind of wooing I’d usually do to win you, so that’s why I’m being so blunt.
”
”
J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
“
The principal: You're a smart girl, so I'm going to be blunt. I think you'd be a lot happier if you stopped acting so weird.
Me: Who says I'm not happy?
”
”
Laura Ruby (Bad Apple)
“
I’m blunt and sharp and full of black and white. She’s all my colour.
”
”
Fredrik Backman (Things My Son Needs to Know About The World)
“
She read him better than he realized and eyed him warily. "Do you want to know?"
He thought for a moment, then shook his head. "Nay." It was in the past. "Then I would have to kill him."
Her eyes widened, his blunt statement surprising her. "You would do that for me?"
The woman was daft. "I will kill anyone who harms you." He cocked a brow. "I hope that doesn't offend your delicate sensibilities?"
"No," she said hesitantly. "Though I'm not used to having such a fierce protector."
He kissed her forehead. "Get used to it.
”
”
Monica McCarty (Highland Outlaw (Campbell Trilogy, #2))
“
Oh, you didn't want to hear that? I'm sorry. You'll just have to forget that I wrote it. There are several convenient ways to do that. I hear hitting yourself on the head with a blunt object can be very effective. You should try using one of Brandon Sanderson's fantasy novels. They're big enough, and goodness knows, that's really the only useful thing to do with them.
”
”
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
“
Rose,” she said, leaning toward me. “I’m going to be blunt with you. I’m not going to give you lectures or demand any explanations. Honestly, since you aren’t my student anymore, I don’t have the right to ask or tell you anything.” It was like what Adrian had said. “You can lecture,” I told her. “I’ve always respected you and want to hear what you have to say.” The ghost of a smile flashed on her face. “All right, here it is. You screwed up.” “Wow. You weren’t kidding about bluntness.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Hi. I’m on the run from the FBI, Interpol, and a Las Vegas criminal gang,” I announced bluntly, to avoid any misunderstandings.
“Congratulations,” he said.
”
”
Isabel Allende (Maya's Notebook)
“
Because the reason I don't know much about love is that I've really only ever loved one woman. But every day with her is like being a pirate in a magical land far away full of adventures and treasures. Making her laugh is a bit like wearing rain boots that are a little too big and jumping into the deepest of puddles.
I'm blunt and sharp and full of black and white. She's all my color.
”
”
Fredrik Backman
“
I had, bluntly, the worst fucking headache I had ever had in my life. I’m trying to think of the best way to describe it. Try this. Imagine a migraine, on top of a hangover, while sitting in a kindergarten of thirty screaming children, who are all taking turns stabbing you in the eye with an ice pick.
”
”
John Scalzi (The End of All Things (Old Man's War, #6))
“
Grace.” His head dipped toward mine. “Tell me to leave.”
“No,” I whispered back, relaxing into the wall, and he melted into me with a groan. “I want you to stay.”
He looked into my eyes as if searching for the answer to something. “If I stay I’m going to fuck you.”
I trembled in reaction to his bluntness and licked my lips before I moved my feet, widening my legs so he could fit just right between them. His eyes flared at the movement, and I reached up so our lips brushed as I whispered. “I’m counting on it.
”
”
Samantha Young (Moonlight on Nightingale Way (On Dublin Street, #6))
“
I wish I could have the ability to write down the feelings I have now while I'm still little, because when I grow up I will know how to write, but I will have forgotten what being little feels like." And so it is that childlike sensitivity to new experiences and sensations seems to diminish in an inverse proportion to the growth of technical ability. As we become polished, so do we become hardened and guilty of accepting eating, sleeping, seeing, and hearing too easily and lazily, without question. We become blunt and callous and blissfully passive as each day adds another drop to the stagnant well of our years.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Bluntly and quietly, in a series of simple, forthright sentences, she dismantled the architecture of unhappiness that had been growing up around us for the past several days. She was calling from the office she said, and had to talk in a low voice, 'but if you can hear me, Sid' she began, 'there are four things I want you to know. First, I haven't stopped thinking about you since I left the house this morning. Second, I've decided to have the baby, and we're never going to use the word "abortion" again. Third, don't bother to make dinner. [...] Fourth, make sure Mr. Johnson's ready for action. I'm going to attack you the minute I walk in the door, my love, so be prepared.
”
”
Paul Auster (Oracle Night)
“
I’m not saying that I have a drinking problem; I don’t. But I don’t ever drink for pleasure. I do it out of necessity. I use it as another painkiller: to blunt the edge of things, to alleviate the chronic, aching torment of memory.
”
”
Lucy Foley (The Hunting Party)
“
For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity.
Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting."
Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories.
The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it.
— excerpt of "Praise For The Prancy Boys," by Clint Catalyst
appears in first edition (ISBN # 1-932360-56-5)
”
”
Mattilda Bernstein Sycamore (That's Revolting!: Queer Strategies for Resisting Assimilation)
“
There's only you, Violence. Is that what you needed to hear?'
I nod.
'Even when I'm not with you, there's only you. Next time just ask. You've never had a problem being bluntly honest with me.' Wind blows around us, but he's as immovable as the parapet itself. 'As I remember, you've even thrown daggers at my head, which I greatly prefer over watching you get tangled up in your thoughts. If you're going to do this, then we have to trust each other.'
'And you want to do this?' I hold my breath.
He sighs, long and hard, then admits, 'Yes.' His hands slides up and caresses my cheek with his thumb. 'I can't make you any promises, Violence. But I'm tired of fighting it.'
'Yes.' One word has never meant so much to me.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
These thoughts have no meaning. They are idiot mantras that exist in a prearranged cycle: I'm no good, I'm the Angel of Death, I'm stupid, I can't do anything. Thinking the first thought triggers the whole circuit. It's like the flu: first a sore throat, then, inevitably, a stuffy nose and a cough.
Once, these thoughts must have had a meaning. They must have meant what they said. But repetition has blunted them. They have become background music, a Muzak medley of self-hatred themes.
”
”
Susanna Kaysen (Girl, Interrupted)
“
Please," I murmur, surprised by how much it sounds like I'm begging. "Please what?" he murmurs, feigning coyness. "Fuck me." The low growl in his throat proves he liked my crude, blunt answer. The panties slide down my legs, leaving a damp trail from my inner thigh
”
”
C.M. Owens (Blood's Fury (Deadly Beauties, #1))
“
I don’t eat when I’m stressed.” “That changes now.” “You can’t just decree that something will change and make it so.” “Watch me,” he snarls. Hades opens a door to what appears to be a study, though I can see a bed through the doorway on the other side of the room. He walks to the couch and sets me down. “Do not move.” “Hades.” “Persephone, I swear to the gods, if you don’t obey me this once, I will tie you down and feed you by hand.” Hades points a blunt finger at me. “Do not fucking move from that couch.” Then he’s gone, sweeping out of the room.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
I am fluent in snark.
Bethany only notices snark when snark grabs her off the sidewalk, throws her in the back of a sketchy van with tinted windows, drives to the middle
of the Meadow-lands in the dead of night, and uses a heavy blunt instrument
to smack her repeatedly about the head as it screams, “I’M SNARK. DO YOU FUCKING HEAR ME? I’M SNARKY SNARKY SNARK!” And even then she’s like, “Ohhhh? Snark? Is that you?
”
”
Megan McCafferty (Fourth Comings (Jessica Darling, #4))
“
My frustration grew. “What. Happened.”
Her eyes popped open as she exclaimed, “Nothing.”
… Pinching the bridge of my nose, I said, “Rhion, sweetheart, I’m going to be blunt here. I know what it feels like to have you riding me. I’m gonna say that’s a hellova lot more than nothing.
”
”
Aly Martinez (Singe (Guardian Protection, #1))
“
I love her with all my soul. Why, she is a child! She's a child now — a real child. Oh! you know nothing about it at all, I see."
"And are you assured, at the same time, that you love Aglaya too?"
"Yes — yes — oh; yes!"
"How so? Do you want to make out that you love them BOTH?"
"Yes — yes — both! I do!"
"Excuse me, prince, but think what you are saying! Recollect yourself!"
"Without Aglaya — I — I MUST see Aglaya! — I shall die in my sleep very soon — I thought I was dying in my sleep last night. Oh! if Aglaya only knew all — I mean really, REALLY all! Because she must know ALL — that's the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don't know what I'm talking about — I'm so confused. You pained me so dreadfully. Surely — surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it — I know it! Probably I am in fault all round — I don't quite know how — but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand — I am assured she will."
"No, prince, she will not. Aglaya loved like a woman, like a human being, not like an abstract spirit. Do you know what, my poor prince? The most probable explanation of the matter is that you never loved either the one or the other in reality.
”
”
Fyodor Dostoevsky (The Idiot)
“
I seem to grow more acutely conscious of the swift passage of time as I grow older. When I was small, days and hours were long and spacious, and there was play and acres of leisure, and many children's books to read. I remember that as I was writing a poem on "Snow" when I was eight. I said aloud, "I wish I could have the ability to write down the feelings I have now while I'm still little, because when I grow up I will know how to write, but I will have forgotten what being little feels like." And so it is that childlike sensitivity to new experiences and sensations seems to diminish in an inverse proportion to the growth of technical ability. As we become polished, so do we become hardened and guilty of accepting eating, sleeping, seeing, and hearing too easily and lazily, without question. We become blunt and callous and blissfully passive as each day adds another drop to the stagnant well of our years.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I’m going to be blunt, to save wasted time,” I stated, “I desperately want you under me. Can I convince you to leave and spend the night with me?” She
”
”
Fiona Davenport (Baby Steps (Yeah, Baby, #2))
“
I’m probably the clumsy sidekick who cracks blunt jokes at all the wrong times. The disheveled one who provides emotional support to the more desirable and levelheaded heroine.
”
”
Amy Lea (Exes and O's (The Influencer, #2))
“
Sometimes I’m not great at admitting what I need, regardless of how blunt and honest I can be. But I’m thankful to have these people know me so well.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
I wonder if she's feeling the same thing I am. Like I'm too much, too clumsy, and too blunt to live in a house of white carpet and delicate words.
”
”
Rory Power (Burn Our Bodies Down)
“
I immediately regret phrasing it like that. I'm being too blunt, too defensive; wearing my insecurities on my sleeve.
”
”
R.F. Kuang (Yellowface)
“
OK. How to start? All right. I’m going to be very blunt, so here it goes,’ he says. ‘I can see the future.’
'Um. Yeah. Sure you can, Dad,’ I say.
”
”
Giselle Simlett (Girl of Myth and Legend (The Chosen Saga #1))
“
I'll be right here. Good luck, or break a leg, or something.”
As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back.
I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.”
Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way.
My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something.
He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes.
“Who are you?” he asked in a blunt, almost confrontational way.
I blinked. It was the strangest greeting I'd ever received.
“I'm...Anna.”
“Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?”
What did that mean? Did I need to have some sort of title or social standing to enter his presence?
“I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?”
His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way.
“Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?”
My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting.
“If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.”
My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense.
His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it.
He finally looked over at Jay, who was deep in conversation with the manager-type man.
“Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer.
“Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile.
“Yes,” I assured him with confidence. “I am.”
“How do you know?”
I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
It’s depressing, but it’s a fact of life. Usually the ones that are first to get spit out of the machine we’re running here are the class troublemakers, the sullen, uncommunicative kids, the ones who refuse to even try. They are simply warm bodies waiting for the system to buck them up through the grades or waiting to get old enough so they can quit without their parents’ permission and join the Army or get a job at the Speedy-Boy Carwash or marry their boyfriends. You understand? I’m being blunt. Our system is, as they say, not all it’s cracked up to be.
”
”
Stephen King (Apt Pupil)
“
Tell me, how many real motherfuckers feel me? I smoke a blunt
and freak the funk until these jealous motherfuckers kill me
I'm out the gutter, pick a hero
I'm 165 and staying high til I die, my competion's zero
Cause I could give a fuck about you, better duck
Or I'll be forced to hit yo ass up I give a fuck
I'm sick inside my mind, why you sweatin me?
It's gonna take an army full of crooked ass cops to come and get me
Niggaz know I ain't the one to sleep on, I'm under pressure
Gotta sleep with my piece, an extra clip beside my dresser
Word to God I've been ready to die since I was born
I don't want no shit but niggaz trip and yo it's on
Open fire on my adversaries, don't even worry
Better have on a vest aim for the chest and then you buried
”
”
2Pac
“
As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. "You probably already know this," she said bluntly, "but I love you. In fact, I love you so much that I don't mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I'm never going to obey you. But I'm always going to love you."
The declaration wasn't exactly poetic, but it seemed to be what he'd needed to hear.
The spoons clattered on the table. In the next moment, he sat on the bed and gathered her against his chest. "Pandora," he said huskily, holding her against his violently thumping heart. "I love you more than I can bear. You're everything to me. You're the reason the earth turns and morning follows night. You're the meaning of primroses and why kissing was invented. You're the reason my heart beats. God help me, I'm not strong enough to survive without you. I need you too much... I need you...
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
I did not know the work of mourning
Is like carrying a bag of cement
Up a mountain at night
The mountaintop is not in sight
Because there is no mountaintop
Poor Sisyphus grief
I did not know I would struggle
Through a ragged underbrush
Without an upward path
Because there is no path
There is only a blunt rock
With a river to fall into
And Time with its medieval chambers
Time with its jagged edges
And blunt instruments
I did not know the work of mourning
Is a labor in the dark
We carry inside ourselves
Though sometimes when I sleep
I'm with him again
And then I wake
Poor Sisyphus grief
I'm not ready for your heaviness
Cemented to my body
Look closely and you will see
Almost everyone carrying bags
Of cement on their shoulders
That's why it takes courage
To get out of bed in the morning
And climb into the day
”
”
Edward Hirsch (Gabriel: A Poem)
“
People, then, who are sad, but who can’t let themselves feel sad, or express it, the sadness, I’m trying rather clunkily to say, these persons may strike someone who’s sensitive as somehow just not quite right. Not quite there. Blank. Distant. Muted. Distant. Spacey was an American term we grew up with. Wooden. Deadened. Disconnected. Distant. Or they may drink alcohol or take other drugs. The drugs both blunt the real sadness and allow some skewed version of the sadness some sort of expression, like throwing someone through a living room window out into the flowerbeds she’d so very carefully repaired after the last incident.
”
”
David Foster Wallace (Infinite Jest)
“
Why do you want my voice?” he asked, demonstrating that bluntness again. “Because I’m a sassy sea witch and I’m gonna keep it in a nautilus necklace, then use it to steal your man from right under your nose,” she replied drily.
”
”
Alyssa Cole (Can't Escape Love (Reluctant Royals, #2.6))
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
Are you scared?”
“Of what?”
“Dying.” Jemma was nothing, if she was not blunt.
“I’m not expecting to die, Jemma. I’m expecting to have treatment, chemotherapy, radiotherapy, whatever it takes, but I’m expecting to come through this.
”
”
Calvin Wade (Forever Is over)
“
candor could not be more crucial to our creative process. Why? Because early on, all of our movies suck. That’s a blunt assessment, I know, but I make a point of repeating it often, and I choose that phrasing because saying it in a softer way fails to convey how bad the first versions of our films really are. I’m not trying to be modest or self-effacing by saying this. Pixar films are not good at first, and our job is to make them so—to go, as I say, “from suck to not-suck.” This idea—that all the movies we now think of as brilliant were, at one time, terrible—is a hard concept for many to grasp. But think about how easy it would be for a movie about talking toys to feel derivative, sappy, or overtly merchandise-driven. Think about how off-putting a movie about rats preparing food could be, or how risky it must’ve seemed to start WALL-E with 39 dialogue-free minutes. We dare to attempt these stories, but we don’t get them right on the first pass.
”
”
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
“
The renowned Danish physicist then asked politely, “How is it going?” Robert replied bluntly, “I’m in difficulties.” Bohr asked, “Are the difficulties mathematical or physical?” When Robert replied, “I don’t know,” Bohr said, “That’s bad.” Bohr
”
”
Kai Bird (American Prometheus)
“
Ooo-kay,” she began slowly. “You want to have sex with me. You want to have sex with a woman to whom you’ve never spoken more than a few words at a time. Tell me something, Steele, is this one of those situations where any pussy will do? Is it a guy thing, coming off a mission and you’ll dip into the first available well you can find?” He looked completely taken aback by her blunt language. Surprised even. Then he seemed to figure out that it was possible he’d just been insulted. “I don’t fuck around,” he growled. “I’m clean. I use condoms. I haven’t had sex in a year.” “All righty then,” she said, more than a little surprised at his admission. “Maybe a little more than I needed to know.” “If you’re sleeping with me, you need to know.
”
”
Maya Banks (Forged in Steele (KGI, #7))
“
I was worried I’d scared you off,” I said as I slid into the passenger seat. “Being too gay and all.” “No—I, er…” He hesitated, and I looked at him sharply. Well, slightly less bluntly, anyway. My head still hurt. “I don’t have a problem with you being gay, Jude. I’m…well, I’m into blokes myself.” “You are?” I may have squeaked a bit. “But you’re so…” Butch, I should have said. And manly, and muscular, and gorgeous, and I bet you’re hairy too in all the right places. What came out was, “Straight.
”
”
J.L. Merrow (Slam!)
“
You haven’t fucked anyone in three years, Lia, and your plan is to fuck someone else so you don’t give into your temptation to fuck me. And if we’re being blunt here, that kind of fucking pisses me off.”
… “So what?” she huffed. “I still reserve the right to sleep with whoever else I want.”
“No.” I stepped forward. “That’s not how it’s going to work”
“Shut up! Are you really going to be that person who’s known me a week and tries to tell me who I’m allowed to fuck?”
“No, I’m going to be that person who fucks you and gives you want you need because you know you don’t actually want anyone else,” I muttered, walking into her despite her hands pushing my chest. “You’re attracted to me, aren’t you? You haven’t been this attracted to anyone in a while. I woke up your need to fuck, so if you’re planning on fucking someone, why isn’t it the person you actually want?” I removed her hands from my chest and held them at her sides. “Why go for your second choice when your first wants you just as bad?
”
”
Stella Rhys (Sweet Spot (Irresistible, #1))
“
Okay, i admit it," Connor looked away, "I'm a little disappointed."
"Excuse me?" snapped Kevin, sure he hadn't heard right.
"Well, now that I'm thoroughly and diligently queer, I expected more manly love-talk, you know? Not like Pretty Baby and feeding you graped and stuff," he snorted.
"Uh, you mean like, hey you bastard I don't have a beer and nobody's sucking my dick, what's wrong with this picture?"
"Oh," Connor climbed Kevin a little, his cock becoming interested again. "That's the spirit."
"Like, I've got handcuffs and I'm not afraid to yo use them, that kind of talk?"
"Oh, officer, show me your nightstick."
"I'm not even a cop anymore."
"No but oddly enough, I am." Connor grinned, holding Kevin's hands above his head. "And you there, are looking a little guilty."
"Oh man," Kevin bit his lip. "I just can't help myself, Officer Dougal. I've been such a bad, bad boy."
"Oh, well then, son, I guess you'll just have to spead 'em." He slid down beneath the covers, "This will require some in depth observation, I think."
Kevin's cock was getting hard again as Connor's tongue lapped all the way down on it then back up again, teasing the little slit in the top.
"Yep, just as I thought, blunt instrument. I'm afraid you'll have to come with me...
”
”
Z.A. Maxfield (The Long Way Home)
“
I didn’t sneer!” said Juliana hastily. “I’d no notion you behaved so dreadfully badly to her. You said
you forced her aboard your yacht, but I never supposed that you really frightened her enough to make
her fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary at
your house she was so placid I made sure you’d not treated her so very brutally after all. Had you?”
“Yes,” said Vidal bluntly. He looked at Juliana. “You think it was vastly romantic for Mary to be
carried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she should
be afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I may
remind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, and
force it down your throat?”
Juliana shrank back from him involuntarily. “Don’t, Vidal! Don’t come near me!” she said, frightened
by the expression in his face.
He laughed. “Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thing
compared with some other things I might force you to do. Sit down, I’m not going to touch you.”
She obeyed, eyeing him nervously. “I—I wish I hadn’t come with you!” she said.
“So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid.
And Mary, my love, is not my cousin.
”
”
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
“
It’s the truth. I’m sorry to be blunt about it, but girls don’t like guys who are doormats. Especially pretty girls, because there’s no novelty to it. Guys are hitting on them all of the time. They can’t walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it’s easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
”
”
Karin Slaughter (Pretty Girls)
“
Calm yourself, Iseria! It's fine. It's going to be fine! Rachel has grown into a proper young lady in the last ten years. These days, we don't have to worry about her bludgeoning His Highness to death with a blunt instrument. I'm sure she'll use hard-to-prosecute methods to destroy his psyche!
”
”
Hibiki Yamazaki (Prison Life is Easy for a Villainess: Volume 1)
“
His mistake. Eve, do you want to talk to Mira about this?”
“No.” She considered it another moment, then shook her head and repeated, “No, not now anyway. Dumping on you levels it out a little. Taking him down, all the way down—that’ll take care of the rest.”
For a moment she studied their joined hands, then shifted her gaze up to his. “I didn’t want to tell you I’d been scared, much less why. I guess that was stupid.”
“It was.”
She scowled. “Aren’t you supposed to say something like ‘No, it wasn’t. Blah, blah, support, stroke, let me get you some chocolate’?”
“You haven’t read the marriage handbook, footnotes. It’s another woman who does that sort of thing. I believe I’m allowed to be more blunt, then ask if you’d like a quick shag.”
“Shag yourself,” she said and made him laugh. “But thanks anyway.”
“Offer’s always on the table.”
“Yeah, yeah, and the floor, in the closet, or on the front stairs. Time to work, ace, not to play.
”
”
J.D. Robb (Eternity in Death (In Death, #25.5))
“
I'm in my room, consuming, cyber, and confused.
I don't remember the last time I made something
Besides blunts, cum, minimum wage, bad grades, a noose.
Sometimes I know I'm just twiddling my thumbs in front of a screen,
That the songs about the money make me fake feel rich too.
That the porn gets weirder, life gets shorter, and I eat shit stew.
That these unrealistic characters I play make me feel strong.
That I'm screaming at plastic that did nothing wrong.
That I'm hurting and escaping and yearning and breaking.
That underneath this hole, I may actually have some flair.
Sometimes I'd like to leave my room and go see what's out there.
Would you like to go with me?
”
”
Kristian Ventura (Can I Tell You Something?)
“
Ildiko shuddered. Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain. When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu. She ordered roasted potatoes as well, much to the head cook’s disgust.
When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear. “Revenge, wife?”
“Hardly,” she replied, keeping a wary eye on the pie closest to her. The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation. “But I’m starving, and I have no intention of filling up on that abomination.”
Their guest of honor didn’t share their dislike of either food. As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat.
Ildiko’s stomach heaved. She forgot her nausea when Serovek complimented her. “An excellent choice to pair the scarpatine with the potato, Your Highness. They are better together than apart.”
Beside her, Brishen choked into his goblet. He wiped his mouth with his sanap. “What a waste of good scarpatine,” he muttered under his breath.
What a waste of a nice potato, she thought. However, the more she thought on Serovek’s remark, the more her amusement grew.
“And what has you smiling so brightly?” Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight.
She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby. Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner.
“That’s us, you know,” she said.
“What is us?”
“The scarpatine and the potato. Better together than alone. At least I think so.”
One of Brishen’s eyebrows slid upward. “I thought we were hag and dead eel. I think I like those comparisons more.” He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang.
Ildiko laughed and stabbed a piece of the potato off his plate. She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.
”
”
Grace Draven (Radiance (Wraith Kings, #1))
“
Smiling, Simon stared into the depths of his brandy.
“What a difficult evening you’ve had,” he heard Westcliff remark sardonically. “First you were compelled to carry Miss Peyton’s nubile young body all the way to her bedroom …then you had to examine her injured leg. How terribly inconvenient for you.”
Simon’s smile faded. “I didn’t say that I had examined her leg.”
The earl regarded him shrewdly. “You didn’t have to. I know you too well to presume that you would overlook such an opportunity.”
“I’ll admit that I looked at her ankle. And I also cut her corset strings when it became apparent that she couldn’t breathe.” Simon’s gaze dared the earl to object.
“Helpful lad,” Westcliff murmured.
Simon scowled. “Difficult as it may be for you to believe, I receive no lascivious pleasure from the sight of a woman in pain.”
Leaning back in his chair, Westcliff regarded him with a cool speculation that raised Simon’s hackles. “I hope you’re not fool enough to fall in love with such a creature. You know my opinion of Miss Peyton—”
“Yes, you’ve aired it repeatedly.”
“And furthermore,” the earl continued, “I would hate to see one of the few men of good sense I know to turn into one of those prattling fools who run about pollenating the atmosphere with maudlin sentiment—”
“I’m not in love.”
“You’re in something,” Westcliff insisted. “In all the years I’ve known you, I’ve never seen you look so mawkish as you did outside her bedroom door.”
“I was displaying simple compassion for a fellow human being.”
The earl snorted. “Whose drawers you’re itching to get into.”
The blunt accuracy of the observation caused Simon to smile reluctantly. “It was an itch two years ago,” he admitted. “Now it’s a full-scale pandemic.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
His father, a failed cop who found sporadic work as a security guard after alcoholism cost him that job, just assumed his son was queer, and after he died, Zimmer’s mother decided to finally ask him directly, which he knew was very painful for her. It was painful for him, too, so he hoped a blunt answer would make her never ask again: “No, Mama,” he said. “I’m just ugly.
”
”
Anthony Breznican (Brutal Youth)
“
Not used to be being bested, are you?"
"No," he said bluntly. "Poseidon could outrun your mare, and you know it. But I'm not about to risk galloping over a field I don't know. There could have been rabbit holes."
"Of course.Rabbit holes.I understand."
He frowned,about to defend his actions further, when he noted a twinkle in her gaze. The little minx was taunting him. For some reason, that improved his mood, and he said with a smile, "Sophia, my love, don't tempt a sinner. I am not afraid of you or your horse, and you damn well know it."
"I'm sure you have a reason for not wishing to race," she returned in a demure voice, though her eyes sparkled with laughter. "I am just not certain you have a just cause."
"I have both. The reason for not racing you is the potential harm to the animals; and the just cause is that I wish to keep you alone for as long as possible. And that will be more difficult to do once we reach the house."
Her brows rose, a faint color touching her cheeks. "Oh."
His lips twitched. "That's all you can say now? After all that posturing? You are a tease,my lady."
"I don't consider myself so."
"No woman does, and yet most are.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
Why do you want to know?”
The shrug again. “Just wondering.”
“Really. You’ve skipped your lawn tennis or duck hunting or whiskey drinking or whatever else people of your sort do all day, only to come all the way out to the island to ask me about the piano piece. Because you were just wondering.” I pushed away from the door. “Coming here to kiss me would have been more believable.”
“Well, it was second on my list.”
“I’m not intimidated by you,” I said, blunt. “If you’re hoping I’ll turn out to be some pathetic, blubbering little rag-girl who begs you not to ruin her, you’re in for a surprise.”
“That’s good.” Lord Armand met my eyes. “I like surprises.”
We gazed at each other, he on the bed and me by the door, neither of us giving quarter. It seemed to me that the room was growing even more dim, that time was repeating the same ploy it had pulled in Jesse’s cottage, drawing out long and slow. The storm outside railed against the castle walls, drowning the air within. It layered darkness through Armand’s eyes, the once-vivid blue now deep as the ocean at night.
Beyond my window the rain fell and fell, fat clouds weeping as if they’d never stop.
“Nice bracelet,” Armand said softly. “Did you steal it?”
I shook my head. “You gave it to me.”
“Did I?”
“As far as everyone else if concerned, yes. You did.”
“Hmm. And what do I get in return for agreeing to be your…benefactor?”
“The answer to your question.”
“No kiss?” he asked, even softer.
“No.”
His lips quirked. “All right, then, waif. I accept your terms. We’ll try the kiss later.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
So my words of positivity. Let me be blunt. It's gonna get really bad! I know what's coming and I wish I didn't. Why I have been advocating for people who just won't believe how bad it is gonna get. IT IS NOT POLITICAL! But I am here. YOU ARE TOO. I am looking at you in the eye. YOU WILL BE OKAY! Just STAY HOME! Put your affairs in order and ride this thing out. There IS a life after this for most of us. WE will all be a different person than we are today but that is okay! KNOW THAT! Experience changes us. Mold us. Make us who we are. YOU WILL BE FINE! WE are stronger together. What we need right now is LOVE. I'm that really liberal Cristian. I am ordained actually. ALL I say LOVE Thy Neighbor! Be kind after this and love and accept love back! Don't be proud. Accept help! There is a life after this!
”
”
Johnny Corn
“
When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn't be my mom or my dad, and for my whole life, I'd have to walk around inside a body that kept me from ever truly knowing anyone else.
It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn't.
"That doesn't mean there's anything wrong with feeling that way, though, sweetie!" Mom insisted.
"Who else do you think about being?" my dad said with his particular blunt fascination.
The fear lessened, but the feeling never went away. Every once in a while, I'd roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else's brain and see it all.
And now I'm crying because reading this story makes me feel for the first time that I'm not in body. Like there's some bubble that stretches around me and Alex and makes it so we're just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered.
I'm crying because I'm relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
”
”
Emily Henry
“
fuck you. You’re right I’m banging the shit out of her. But it’s just about the sex. That’s what I am now. Someone who needs to fuck to feel alive.” But Vic wasn’t looking at him anymore. His gaze was frozen over Nikhil’s shoulder. He realized with a dull thud of horror that the sound of the water in the bathroom had stopped. He spun around. Jess looked like he had stabbed her in the gut with a blunt knife and then done it again, harder.
”
”
Sonali Dev (A Change of Heart (Bollywood, #3))
“
This is supposed to be one a one-night thing, Lukas,” I confessed, peering up to catch him raising an eyebrow.
“I didn’t realize.”
“Well, I didn’t tell you. I just planned on making it that way,” I said, hoping my bluntness would remind me of my mission here. Have sex. Be done. Move on. But Lukas was making that difficult for me.
“Certainly a first for me,” he smiled, studying me in the way that got my neck hot as well. “But as much as it turns me on to think that you used me for sex, I’m not quite done with you here.”
“Oh, no?”
“Not even close.”
“Well, too bad it’s not up to you.”
Lukas grinned. “You’ll want me again.”
“I won’t.”
“You already do. I can see it,” he said as I shook my head. “In all seriousness, Lia, your poker face is shit. Remind me to never take you to Vegas.”
I laughed but chucked the cap of my cream at his head. “For that, you have to chug your coffee in ten seconds and leave.”
“Fuck that. I’m making your ass a French omelette.
”
”
Stella Rhys (Sweet Spot (Irresistible, #1))
“
That you don’t want to see me anymore?” “No, that’s not it,” she said. “I’m fine seeing you and talking like this. I enjoy it a lot. But I don’t want to go back to your place.” “You mean you can’t make love with me?” “I can’t,” Sara said bluntly. “Because I have some—emotional issues?” “That’s right. You have some problems you’re carrying around, some things that might go much deeper than you realize. But I think they’re the kind of problems you can overcome, if you really make up your mind to do so.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
You have to stop letting me do this,” he bit off, half-angrily.
“If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!”
He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver.
“That’s…new,” she said with a strained attempt at humor.
“It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm.
It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther.
“What Colby gets is none of your business! You get out of my apartment!” she raged at him.
She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do.
“Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!”
“That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.”
She stared at him curiously, still shaken. “I don’t understand.”
“You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.”
He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.”
He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.”
“Can you?” he said softly. He searched her eyes. “In a weak moment…”
“I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.”
His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.”
“You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long.
”
”
Markus Zusak (The Book Thief)
“
If Colonel Lowe doesn’t treat you like a goddess, he’ll have me to answer to,” he said gruffly. She mustered a little laugh. “Please, no basket of fish on his desk.” “Trust me, I’ll be far more creative if he hurts you.” The diamond powder weighed in his hands. “You will want this,” he said as he extended the sack to her. “Zack, I don’t want any gifts.” He picked up her hand and pressed it into her palm. “It’s diamond powder. I heard you were in short supply, and Caleb Magruder has a mill that can produce it.” Her eyes widened in surprise, and she peeked inside. It looked as if she was about to cry as she pulled the drawstrings closed. “Zack, I can’t accept this. It wouldn’t be right.” “Take it. What would I do with diamond powder?” He tried to sound light-hearted, as if this glorious woman had not just trampled on the dreams he had been building for three years. She still looked hesitant, which was insane because he knew she craved that diamond powder like a drowning man craved a life raft. He sighed impatiently. “If you don’t take it, I’ll throw it in the lake. You know I will.” She must have believed him, because she relented and accepted the gift. “Thank you,” she said quietly. “Thank you for everything, Zack.” “You deserve it,” he said bluntly. “I’ve never seen anyone work as hard as you.” “Don’t be nice to me,” she said. “I’ll start bawling like a watering pot if you do.” His hand looked big and clumsy against her delicate cheek. He was such a sap where this woman was concerned. Had been from the first time he ever clapped eyes on her. “Don’t shed any tears over me. I’m not worth it.” He had to get out of there before he made a complete fool of himself. Before he fell to his knees and begged her not to fling herself at a man who would never feel a fraction of the soaring love he had for her. Stepping aside and letting Richard Lowe court his woman made his gut tie itself into knots, but it had to be done.
”
”
Elizabeth Camden (Into the Whirlwind)
“
Oh, really? So what exactly is hanging out with you, then?” His face goes blank, and I don’t think he’s going to answer. But eventually, he says, “Utter and complete stupidity.” Not the answer I was expecting, especially from someone as arrogant and annoying as he can be. The blunt honesty of it slips past my defenses, though. Has me answering when I didn’t think there was anything else to say. “Yet here you are.” “Yeah.” His dark, bemused eyes search my face. “Here I am.” Silence echoes between us—dark, loaded, unfathomable—even as tension stretches taut as a circus high wire. I should go. He should go. Neither of us moves. I’m not sure I even breathe.
”
”
Tracy Wolff (Crave (Crave, #1))
“
I quickly scrambled back up to my feet just in time to see Vinny’s big hand coming right at me. I swiftly ducked underneath it and then swung my sword at the giant’s arm, grazing his right arm. “Ooof!” Vinny groaned and reeled back. I took the opportunity to swing at him with another strike, this time at his feet. Vinny stumbled and shook as he tried to keep his balance. As sneaky as he sometimes can be, Jack had already finished digging a hole behind the giant while he was busy fighting me. Vinny, as he kept taking his steps backwards, tripped on the hole and came crashing down on the ground below. Jack and I both jumped on top of the giant. I smacked him a little with the blunt side of my sword, while Jack slapped the giant with a porkchop. “Ready to answer questions now?” I asked the giant. The giant opened his mouth to reply but was promptly slapped by Jack with another porkchop. “Jack, you have to let him talk first, then smack him if he refuses to answer,” I explained. “Oh, right. My bad. I was really into it,” Jack apologized, “To be fair, I was just tossed through a barn. I feel like I deserve a bit of vengeance.” “Okay, okay. Stop with the porkchop slapping,” Vinny pleaded, “I’m a vegan.” “Oh, sorry,” Jack reached into his pocket and pulled out a roll of bread and then slapped the giant with the bread instead.
”
”
Write Blocked (Champions Royale (Stuck Inside Minecraft #6))
“
One of the gifts of recognizing oneself in thrall to a substance is the perforation of such subterfuge. In place of an exhausting autonomy, there is the blunt admittance of dependence, and its subsequent relief. I will always aspire to contain my shit as best I can, but I am no longer interested in hiding my dependencies in an effort to appear superior to those who are more visibly undone or aching. Most people decide at some point that it is better…to be enthralled with what is impoverished or abusive than not to be enthralled at all and so to lose the condition of one’s being and becoming. I’m glad not to be there right now, but I’m also glad to have been there, to know how it is.
”
”
Maggie Nelson
“
You need to stop feeling sorry for yourself. I don’t say this as a condemnation—I need regular reminders to stop feeling sorry for myself too. I’m going to address you bluntly, but it’s a directness that rises from my compassion for you, not my judgment of you. Nobody’s going to do your life for you. You have to do it yourself, whether you’re rich or poor, out of money or raking it in, the beneficiary of ridiculous fortune or terrible injustice. And you have to do it no matter what is true. No matter what is hard. No matter what unjust, sad, sucky things have befallen you. Self-pity is a dead-end road. You make the choice to drive down it. It’s up to you to decide to stay parked there or to turn around and drive out.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
So there are no ill effects?” I asked.
“Well, as I said, you could die.”
I looked him in the eye, my one good eye flicking back and forth between the two of his.
“So, if you had to give me odds for living another forty years, say until I was seventy, what would the odds be?”
“I’m not very good at that sort of thing.”
“Ten to one? One hundred to one?”
“I’ve never really understood what that means,” he said.
“Just give me the odds.”
“Of you living till you’re seventy?” he said. “I’d say it’s thirty-five, seventy-five.”
I shook my head. Dr. Owen and his nineteenth-century frame, blunt disregard for my need to be reassured and fucked-up math was too much. This man was making my world small. I imagined he was a moon who had just eclipsed me.
- "Bicycle Kick
”
”
Jonathan Messinger (Hiding Out)
“
Shannon woke to a light stroke on her cheek. John sat in front of her. The light from the dying fire highlighted his frowning face. “I’m sorry I snapped at you earlier.” She yawned hugely and stretched on the couch. “And I’m sorry I handed you your underwear. That was my mistake. It’ll never happen again.” He glared at her, but she could see his dark eyes dancing with humor. “Smart-ass.” “Hard-ass.” He barked out a laugh and grinned at her. She sat up on the edge of the couch and pushed her hair away from her face. John reached out and tugged at a curl, as if he couldn’t help himself. “Why did you snap at me like that? It hurt.” He dropped his hand to his lap and winced. “I feel like I let you down, with everything. I guess I’m feeling defensive. Useless, to be blunt.” Shannon
”
”
J.M. Madden (Embattled Hearts (Lost and Found, #1))
“
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
”
”
Markus Zusak (The Book Thief)
“
So,” John said, “I’ll meet you at your place at eight, and we can walk over together?” “What? For what?” “The vigil.” “I’m not going to that.” I tried to ignore his surprise, his dogged faith. “Of course you are.” “I don’t know this person.” John continued to stand there, arms hanging down. The knife skidded so much I lost my grip and had to pick it up again. “It could’ve been you,” he said finally. “No,” I said, chopping bluntly, breaking more than slicing the lettuce, “it couldn’t. I’ve worked my whole life so that it couldn’t be me.” White flash of a face. Where did they go, those boys, after they left us behind? “Last night,” John began. He paused, still looking wounded. “You were so happy.” I gathered the lettuce into a bin and held it against my stomach like a barrier. “If it had been me, it would’ve been your fault.” John reeled as though I’d struck him. “You’re a coward,” he said. “You’ve worked your whole life because you’re a coward.” “What do you know? What do you know about anything?” His family moved for him. The hormones. The surgery he was allowed to accept or reject. I waved my arm around the kitchen, at the stunned cooks watching us. “Nobody has to know about you! You can blend in whenever you want!” “You honestly believe that? You think my life’s been easy?” “Yes, I think it’s been fucking easy!” I screamed. “They don’t know! I didn’t know! I wish I still didn’t know!” I tried to shove past him. He touched my back. I remembered Humphrey Bogart’s hand, I remembered dancing, I remembered the gown twirling, I remembered the boy who complimented my ass, I remembered being told I was beautiful. I remembered the woman staring back at me in the Métro windows, her wink. I tried to pull away. John embraced me with my arms pinned to my sides, the lettuce bin between us, its raw, wet smell pushed toward our faces. In full view of the entire kitchen, he kissed me. A kiss that made me think of the woefully few people I had kissed in my life. A kiss that reminded me I had never been loved. A kiss that said I could not be John unless I risked being Dana. My
”
”
Kim Fu (For Today I Am a Boy)
“
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?”
“What happened to the last one?” she asked.
“Got blown off. Don’t ask where,” he added darkly.
“I know nothing,” she assured him. “Come on in. Leta made sandwiches.”
Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed.
“She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening.
“She thinks I’m sleeping with you,” she said simply.” So does Tate.”
“Why?”
“Because I let him think I was,” she said bluntly.
He gave her a hard look. “Bad move, Cecily.”
“I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.”
“I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?”
She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.”
“Even with Tate?” he probed gently.
She wasn’t touching that line with a pole. “Tate doesn’t want me.”
“You keep saying that, and he keeps making a liar of you.”
“I don’t understand.”
“He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek.
She caught her breath. “I thought you got that overseas!”
“Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.”
“He hit you? Why?” she exclaimed.
“Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.”
“What did he do after he hit you?”
“I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.”
“I’m so sorry!”
“Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.”
“Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.”
“I am,” he said easily.
“I like having you as my friend.”
He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added.
“We all have our little quirks.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
There are marble-workers at the Barrière du Maine, and painters and workers in the sculptors' studios. They're keen, on the whole, but inclined to blow hot and cold. I don't know what's got into them recently. They seem to have lost interest, they spend their whole time playing dominoes. It's important for someone to go and talk to them, and talk bluntly. Their place is the Café Richefeu and they're always there between twelve and one. It needs a puff of air to brighten up those members. I was going to ask that dreamy character, Marius, but he doesn't come here any more. So I need someone for the Barrière du Maine, and I've no one to send."
"There's me," said Grantaire. "I'm here."
"You?"
"Why not?"
"You'll go out and preach republicanism, rouse up the half-hearted in the name of principle?"
"Why shouldn't I?"
"Would you be any good at it?"
"I'd quite like to try," said Grantaire.
"But you don't believe in anything?"
"I believe in you."
"Grantaire, do you really want to do me a service?"
"Anything you like — I'd black your boots."
"Then keep out of our affairs. Stick to your absinthe.
”
”
Victor Hugo (Les Misérables)
“
I Never Told You
You can fill a book with everything I never said
Or the lines of a poem
Or an Empty pool
Or an empty bedroom, the candles all blown out
I never told you how the reflection of myself in your eyes
Was the only mirror I could bear to look at
Or how I fought every day
To transfuse the girl I saw there with the girl I am
I tried to breathe in the words you made me:
beautiful
good
brave
I tried to be them for you even though they were weighted with impossibility
I never told you
how I always feared the rough edges of myself were too sharp for you
and how I fought everyday to blunt them
To bring down the walls
To let you in
without cutting you because I could never bear to hurt you like the others did
Every day
a fierce pride roared in me
I was so lucky to know the truth
I was the beneficiary of your radiance
I basked in it and felt special
And if not for the pain of your solitude
I would have been content to be the only one
I never told you
How your touch made me feel like laughing and crying and singing all at once
How your hand passing over my skin where atrocities
Had not yet sloughed off,
Skin cells remembering the worst touches
Was like a tide washing over the ruddy sand
And leaving it whole and smooth
You made my skin forget
Gave me new memories
New sensations that didn't drag the shadows from the past
In your arms I could start again,
Start over.
There is no greater gift in all the world
Than you
to the wreckage
that is me...
I never told you
How I longed to kiss away your every bruise
until there was no evidence
No ghosts of your own suffering
To put your pieces back together
Seal the cracks
Vanish them like they never were
And never, ever
Leave a scar
I never told you
I would take your pain if I could
I would drink it down
And take my comfort
In making you ache a little less
For a little while
Did I?
I'll never know because I never told you that I loved you
I love you
I love you
It's too lat to say it now
The time has passed for words
How pathetic and small and weak
On the phone
Or on a piece of paper
Starving
Without the force of my own vitality
My voice
My breath
My blood singing n my veins for you
To give them power
They are lost
I love you
It's too late but I love you
And I'm sorry
I never told you.
”
”
Emma Scott (How to Save a Life (Dreamcatcher, #1))
“
As Rohan pulled the man upward, he glanced toward the threshold of a door that led into the club, where a club employee waited. “Dawson, escort Lord Latimer to his carriage out front. I’ll take Lord Selway.”
“No need,” said the aristocrat who had just struggled to his feet, sounding winded. “I can walk to my own bloody carriage.” Tugging his clothes back into place over his bulky form, he threw the dark-haired man an anxious glance. “Rohan, I will have your word on something.”
“Yes, my lord?”
“If word of this gets out—if Lady Selway should discover that I was fighting over the favors of a fallen woman—my life won’t be worth a farthing.”
Rohan replied with reassuring calm. “She’ll never know, my lord.”
“She knows everything,” Selway said. “She’s in league with the devil. If you are ever questioned about this minor altercation…”
“It was caused by a particularly vicious game of whist,” came the bland reply.
“Yes. Yes. Good man.” Selway patted the younger man on the shoulder. “And to put a seal on your silence—” He reached a beefy hand inside his waistcoat and extracted a small bag.
“No, my lord.” Rohan stepped back with a firm shake of his head, his shiny black hair flying with the movement and settling back into place. “There’s no price for my silence.”
“Take it,” the aristocrat insisted.
“I can’t, my lord.”
“It’s yours.” The bag of coins was tossed to the ground, landing at Rohan’s feet with a metallic thud. “There. Whether you choose to leave it lying on the street or not is entirely your choice.”
As the gentleman left, Rohan stared at the bag as if it were a dead rodent. “I don’t want it,” he muttered to no one in particular.
“I’ll take it,” the prostitute said, sauntering over to him. She scooped up the bag and tested its heft in her palm. A taunting grin split her face. “Gor’, I’ve never seen a Gypsy what’s afraid o’ blunt.”
“I’m not afraid of it,” Rohan said sourly. “I just don’t need it.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
The phone rang. It was a familiar voice.
It was Alan Greenspan. Paul O'Neill had tried to stay in touch with people who had served under Gerald Ford, and he'd been reasonably conscientious about it. Alan Greenspan was the exception. In his case, the effort was constant and purposeful. When Greenspan was the chairman of Ford's Council of Economic Advisers, and O'Neill was number two at OMB, they had become a kind of team. Never social so much. They never talked about families or outside interests. It was all about ideas: Medicare financing or block grants - a concept that O'Neill basically invented to balance federal power and local autonomy - or what was really happening in the economy. It became clear that they thought well together. President Ford used to have them talk about various issues while he listened. After a while, each knew how the other's mind worked, the way married couples do.
In the past fifteen years, they'd made a point of meeting every few months. It could be in New York, or Washington, or Pittsburgh. They talked about everything, just as always. Greenspan, O'Neill told a friend, "doesn't have many people who don't want something from him, who will talk straight to him. So that's what we do together - straight talk."
O'Neill felt some straight talk coming in.
"Paul, I'll be blunt. We really need you down here," Greenspan said. "There is a real chance to make lasting changes. We could be a team at the key moment, to do the things we've always talked about."
The jocular tone was gone. This was a serious discussion. They digressed into some things they'd "always talked about," especially reforming Medicare and Social Security. For Paul and Alan, the possibility of such bold reinventions bordered on fantasy, but fantasy made real.
"We have an extraordinary opportunity," Alan said. Paul noticed that he seemed oddly anxious. "Paul, your presence will be an enormous asset in the creation of sensible policy."
Sensible policy. This was akin to prayer from Greenspan. O'Neill, not expecting such conviction from his old friend, said little. After a while, he just thanked Alan. He said he always respected his counsel. He said he was thinking hard about it, and he'd call as soon as he decided what to do.
The receiver returned to its cradle. He thought about Greenspan. They were young men together in the capital. Alan stayed, became the most noteworthy Federal Reserve Bank chairman in modern history and, arguably the most powerful public official of the past two decades. O'Neill left, led a corporate army, made a fortune, and learned lessons - about how to think and act, about the importance of outcomes - that you can't ever learn in a government.
But, he supposed, he'd missed some things. There were always trade-offs. Talking to Alan reminded him of that. Alan and his wife, Andrea Mitchell, White House correspondent for NBC news, lived a fine life. They weren't wealthy like Paul and Nancy. But Alan led a life of highest purpose, a life guided by inquiry.
Paul O'Neill picked up the telephone receiver, punched the keypad.
"It's me," he said, always his opening.
He started going into the details of his trip to New York from Washington, but he's not much of a phone talker - Nancy knew that - and the small talk trailed off.
"I think I'm going to have to do this."
She was quiet. "You know what I think," she said.
She knew him too well, maybe. How bullheaded he can be, once he decides what's right. How he had loved these last few years as a sovereign, his own man. How badly he was suited to politics, as it was being played. And then there was that other problem: she'd almost always been right about what was best for him.
"Whatever, Paul. I'm behind you. If you don't do this, I guess you'll always regret it."
But it was clearly about what he wanted, what he needed.
Paul thanked her. Though somehow a thank-you didn't seem appropriate.
And then he realized she was crying.
”
”
Suskind (The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O'Neill)
“
Stop!” she called out.
To a one, the crewmen froze. A dozen heads swiveled to face her.
Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.”
His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?”
“Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?”
“Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.”
A lump formed in Sophia’s throat, impossible to speak around.
Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.”
Bang.
Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast.
Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.”
She paused several seconds, waiting for the crew’s boisterous laughter to ebb.
Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.”
Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga.
“A sacrifice?” Her voice was weak. Her knees were weaker.
“A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection.
Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out.
He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.”
She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you.
“Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…”
Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music.
“Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?”
Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening.
“I cannot escort you there,” he said flatly.
Her smile faded. “Why not?”
“Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.”
Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?”
“That was part of the reason.”
“What was the rest of it?” she asked curiously.
His chuckle was grim. “Call it a well-developed instinct for self-preservation.”
“What?”
“Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.”
Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?”
“Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.”
A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public.
“I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.”
“Then where?”
“In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts.
"Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))