Terrace Party Quotes

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Mr Earbrass stands on the terrace at twilight. It is bleak; it is cold; and the virtue has gone out of everything. Words drift through his mind: anguish turnips conjunctions illness defeat string parties no parties urns desuetude disaffection claws loss Trebizond napkins shame stones distance fever Antipodes mush glaciers incoherence labels miasma amputation tides deceit mourning elsewards...
Edward Gorey
(yesterday) From the terrace of the Flore, I see a woman sitting on the windowsill of the bookstore La Hune; she is holding a glass in one hand, apparently bored; the whole room behind her is filled with men, their backs to me. A cocktail party. May cocktails. A sad, depressing sensation of a seasonal and social stereotype. What comes to my mind is that maman is no longer here and life, stupid life, continues.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
You’d call this fellow out, whoever he is?” “In a bloody heartbeat. When this silly house party is over, we’re going into Town and buying my duchess a handsome little pistol to carry in her reticule, and we’re showing her how to use it. Then we’ll explain bullwhips to her, and get her an archery set as well.” Harlan took the terrace steps two at a time. “Noah, what are you going on about?” “Marital bliss, Harlan, wooing my duchess, and the kind of family we are now.
Grace Burrowes (The Duke's Disaster)
Cannes was to blame, he told himself defensively. It was a city made for the indulgence of the senses, all ease and sunshine and provocative flesh. “What had he seen, what had he learned? He had seen all kinds of movies, good and bad, mostly bad. He had been plunged into a carnival, a delirium of film. In the halls, on the terraces, on the beach, at the parties, the art or industry or whatever it deserved to be called in these few days was exposed at its essence. The whole thing was there—the artists and pseudo-artists, the businessmen, the con men, the buyers and sellers, the peddlers, the whores, the pornographers, critics, hangers-on, the year’s heroes, the year’s failures. And then the distillation of what it was all about, a film of Bergman's and one of Bunuel's, pure and devastating.
Irwin Shaw (Evening in Byzantium)
poems. (illustration ill.32) On May 12, the whole party came out onto the terrace to watch Shelley’s schooner-rigged ship skim into the bay, heeling sharply and trailed by a dark foamy wake. “She is a most beautiful boat,” Shelley exclaimed with delight. However, Mary
Charlotte Gordon (Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley)
Gentlemen and ladies- in green, yellow, pink- arriving on the terrace, sweeping down the stone stairs onto the lawn. Jazz music floating on the air; Chinese lanterns flickering in the breeze; Mr. Hamilton's hired waiters balancing huge silver trays of sparkling champagne flutes on raised hands, weaving through the growing crowds; Emmeline, shimmering in pink, leading a laughing fellow to the dance floor to perform the Shimmy shake.
Kate Morton (The House at Riverton)
and then, as though listening to people unabatedly chattering on about something or other were the task assigned him by the forces of destiny, he returned from the savagery of where he’d been to the solid and orderly ludicrousness of a dinner party. That’s what was left to hold him together—a dinner party. All there was for him to cling to as the entire enterprise of his life continued careering toward destruction—a dinner party. To the candlelit terrace he duteously returned, while bearing within him everything that he could not understand.
Philip Roth (American Pastoral (The American Trilogy, #1))
How much happier the wide-awake indolents, the monarchs among men, the rich monstrous brains deriving intense enjoyment and rapturous pangs from the balustrade of a terrace at nightfall, from the lights and the lake below, from the distant mountain shapes melting into the dark apricot of the afterglow, from the black conifers outlined against the pale ink of the zenith, and from the garnet and green flounces of the water along the silent, sad, forbidden shoreline. Oh my sweet Boscobel! And the tender and terrible memories, and the shame, and the glory, and the maddening intimations, and the star that no party member can ever reach.
Vladimir Nabokov (Pale Fire)
Dominic Mallory had never been one to debauch virgins, but he was beginning to think he should make an exception for this beauty. He took a quick glance around the wide stone terrace before he stepped farther back into the shadows. Good, they were alone. He ground out his cigar as he blew a last circle of smoke into the cold air. If he had it his way, nothing would disturb this moment. Rushing a seduction took all the anticipation out of it. Seduction hadn't been his plan when he arrived at his family's estate. In fact, he'd come straight to the terrace in order to avoid the celebration inside. Now he knew he'd made the right choice. He could have a much more interesting party alone with this young woman. She leaned on the terrace wall, completely oblivious to his presence. He had been more than aware of hers from the moment she slipped from the crowded ballroom into the frosty night. Now she stared up at the stars, giving him the impression that her heart and mind were leagues away. Her jet black hair matched the inky sky. Somehow during the evening, a few long, curly strands had come down from the elaborate pile on her head, leaving a tantalizing trail down the middle of her back. A trail he longed to follow with his lips. He sighed softly.
Jenna Petersen (Scandalous)
When everyone arrived at the formal garden, lunch had been laid out on the terrace by unseen hands. Bowls of strawberries and frosty buckets of champagne waited beside iced platters of salmon and dill, sliced cold flank steak and a salad composed of all the kitchen garden's earth-bound magic. A tiered cake stand held scores of macarons- pistachio, chocolate, raspberry and more exotic lavender and vanilla, thyme and honey, rose and tea, each topped with the corresponding herb or flower.
Ellen Herrick (The Forbidden Garden)
A thirty-man SS guard of honour formed up on the terraces outside the Berghof toward five P.M. Hess sent cars down into the valley to meet Chamberlain's train, and at six the English party arrived. Chamberlain was in the familiar dark suit and stiff wing collar, with a light-coloured necktie and a watchchain across his waistcoat. Upstairs in his study Hitler began his usual tirade about the mounting Czech terror campaign. He claimed that three hundred Sudeten Germans had been killed already, and threatened that if Britain continued to talk of war he would revoke the naval agreement. But Chamberlain had not come to talk of war – far from it. ‘If Herr Hitler really wants nothing more than the Sudeten German regions,’ he said in effect, ‘then he can have them!’ Hitler, taken aback, assured him he had no interest whatever in non-Germans. He told his adjutants afterward that he had taken quite a liking to the old gentleman. Chamberlain, wearied by his first-ever aeroplane ride, returned to London.
David Irving (The War Path)
The Ministry of Truth—Minitrue, in Newspeak*—was startlingly different from any other object in sight. It was an enormous pyramidal structure of glittering white concrete, soaring up, terrace after terrace, three hundred meters into the air. From where Winston stood it was just possible to read, picked out on its white face in elegant lettering, the three slogans of the Party: WAR IS PEACE FREEDOM IS SLAVERY IGNORANCE IS STRENGTH.
George Orwell (1984)
Stephanie and Will reviewed the events of the evening, cataloging who was drunkest, who was loudest, who was worthiest, and all the rest. The sudden retrospect of parties, a quirk of college, panning for nostalgia in the onslaught of the present.
Hilary Leichter (Terrace Story)
No one would ever throw a party for the host, but this is what she preferred. If you sit on the edges of your own universe, you still might have been the center of someone else's.
Hilary Leichter (Terrace Story)
A letter today from a Mrs Gladys Freeman, 45 Sebastopol Terrace, Blackpool. 'Sir, reference the room you had here during the party conference season. Well, we know what it is. We know who done it. But for heaven's sake tell us where it is!
Tony Benn (Out of the Wilderness: Diaries, 1963-1967)
The Ministry of Truth—Minitrue, in Newspeak1—was startlingly different from any other object in sight. It was an enormous pyramidal structure of glittering white concrete, soaring up, terrace after terrace, three hundred metres into the air. From where Winston stood it was just possible to read, picked out on its white face in elegant lettering, the three slogans of the Party:   WAR IS PEACE FREEDOM IS SLAVERY IGNORANCE IS STRENGTH.
George Orwell (1984)
When I was about twelve or thirteen, the Peabodys had a party just like this one—just like any of their parties, I guess. They are social creatures, the Families. They like to gather amongst their kind for luncheons or cocktails or dinners or bridge, any excuse will do. Because they generally prefer their dogs to their children, the three of us Winthrops used to sneak away and join Amory and Shep to watch the grown-ups at play the way you watched animals at a zoo, from the banister if the party were indoors, and if it were out on the terrace, we’d hide among the rocks. I remember the smell of perfume and cigarettes, how the women wore these colorful gowns, how their hair frizzled from their hairdos in the salt air, how they dangled their cocktail glasses between their fingers and smoked their cigarettes, stained with lipstick. I used to practice with rolled-up paper squares in the mirror at home.
Beatriz Williams (The Beach at Summerly)
Look, sir,” Franchesca said, her cheeks still flaming. “We just slipped away from the party and got carried away. Aiden stepped in front of her. He couldn’t tell exactly where the guard’s gaze was falling, but he imagined it had to be somewhere around Frankie’s heaving chest. “It’s my fault. I got carried away,” he said, offering the man a chagrined smiled. “I’m sure it’s not the worst you’ve seen tonight.” The guard stared blankly for another moment. Aiden felt Frankie grab the back of his jacket with both hands. “I just caught two girls skinny-dipping in the lobby fountain ten minutes ago,” the guard announced. “Go on back to the party, and keep your clothes on.” “Will do,” Aiden promised. Frankie’s eyes were as wide as big screen TVs as they hurried past the guard onto a path that led to the crowded terrace that served as a dancefloor. “Well that was easy,” he said. He reached up and picked a leaf out of Frankie’s hair. He was starting to wonder if he was obsessed with her hair. The thick, dark curtain that fell in curling waves. He wanted to bury his face in it. “Easy?” she hissed, slapping his hand away. “Well, you didn’t have to flash anyone this time,” Aiden pointed out. Her gasp was worth the anticipation. “You saw me?
Lucy Score (The Worst Best Man)
I found a stout American lady with a voice like a corncake, giving a lecture on the history of Froke to two silenced Scandinavians and a little man who was probably her husband. They were on the terrace. As far out of earshot as possible I observed your mother have a great success with a middle-aged gentleman whom I since learnt is an Italian Count. In the drawing-room a dangerous-looking brunette is singing in Italian to an uneasy looking Dutchman and in the library an outsized Dane is sitting with your father and a bottle of gin—saying “skaal”!
Barbara Kaye (Festival at Froke)
And another thought hits me now like a physical blow as I look at the man who could be my father. Was this all planned? Did he come back from Florence because he heard of my existence? Did he make his wife throw a party so he could get a look at me in the most completely unsuspicious, neutral way possible? I tear my head away swiftly, burying it in Evan’s shoulder. “Hey!” he says above me, sounding understandably surprised. “You okay? What’s up?” “Everyone’s looking--I feel shy,” I manage to say. It’s not completely a lie. He turns me with him, his arm still around my waist, walking away from the lit windows and into the comparative shadow at the back of the terrace. “Complimenti!” a high voice trills, and I look sideways as we pass to see Elisa smiling at us, extremely complacent to see me in another boy’s arms. And beyond her, Luca, not smiling: positively glowering. I can see his eyes now, and they’re burning as blue as if there were a miniature gas flame in each one. I feel scorched by the anger in his stare.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
She is about to close the book and return it to the desk when she catches sight of a face passing on the flickering pages. She leafs her way back until she finds it again- not an entire face, but a section; an eye, the sweep of a cheekbone, the curved line of a neck observed from side-on; all illustrated as if seen in the reflection of a small, oval mirror. A car-wing mirror. She peers at the page more closely, breath held in her chest as the moment returns to her: sitting in Charles's new car, Jack scrunched in the back and Lillian in the front, a peacock barring their path. It is exactly how he would have seen her reflected back at him in the wing-mirror. As with the other drawings, the accuracy is remarkable. She is amazed at his ability to recall the smallest details. There is the pearl stud at her earlobe and the almost indiscernible beauty spot above her lip. Yet the more closely she studies the sketch, the more she is discomforted. It isn't just the precision of the pencil lines conjuring her on the paper- butt more the expression he has captured- a certain wistfulness she hadn't known she wore so plainly. The portrait feels so intimate; almost as if he had laid her bare on the page. She continues to leaf through the sketches and finds a second portrait. This time she is seated in the drawing room, her face turned to the window, the skirt of her dress falling in a fan to to the floor. A third reveals her standing on the terrace, leaning against the balustrade, a long evening dress sweeping about her legs. The night of the party. The next page shows just her arm, identifiable by a favorite diamond bracelet dangling at the wrist. The last is of her head and shoulders, viewed from behind, the curves of her neck rising up to a twisted knot of hair. Looking at the images she isn't sure how she feels; flattered to be seen, to be deemed worthy of his time and attention, though at the same time a little uncomfortable at the intimacy of his gaze and at the thought of having been so scrutinized when she hadn't even known he was watching her.
Hannah Richell (The Peacock Summer)