Hustle Alone Quotes

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You stand on dead men's legs. You've never had any of your own. You couldn't walk alone between two sunrises and hustle the meat for your belly
Jack London (The Sea Wolf)
most of these American poets pushing and hustling their talents playing at greatness. poet (?): that word needs re- defining. when I hear that word I get a rising in the gut as if I were about to puke. let them have the stage so long as I need not be in the audience.
Charles Bukowski (You Get So Alone At Times That It Just Makes Sense)
In an age of instrumentalization, the hobbyist is a subversive: he insists that some things are worth doing for themselves alone, despite offering no payoffs in terms of productivity or profit. The derision we heap upon the avid stamp collector or train spotter might really be a kind of defense mechanism, to spare us from confronting the possibility that they’re truly happy in a way that the rest of us—pursuing our telic lives, ceaselessly in search of future fulfillment—are not. This also helps explain why it’s far less embarrassing (indeed, positively fashionable) to have a “side hustle,” a hobbylike activity explicitly pursued with profit in mind.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
Fishing is much less about the fishing, and much more about the time alone with your kid, away from the hustle and bustle of the everyday.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Well, imagine you are alone in a room....Are you the best, most special person in the room right now? Yes. That's the gift of being alone.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
But “empowerment” is a tricky word. It’s also a decidedly neoliberal word that places the responsibility for combating systems on individuals. Neoliberalism is endlessly concerned with “personal responsibility” and individual self-regulation. It tells us that in a free market, devoid of any regulation or accountability at the top, what happens to those on the bottom is entirely our fault. Did we have enough drive? Enough vision? Enough hustle to change our condition? The politics of personal empowerment suggests to us that if we simply “free our minds, then our asses will follow.” I’m not convinced that this is true. Why? Have you ever noticed that people who have real “power”—wealth, job security, influence—don’t attend “empowerment” seminars? Power is not attained from books and seminars. Not alone, anyway. Power is conferred by social systems. Empowerment and power are not the same thing. We must quit mistaking the two. Better yet, we must quit settling for one when what we really need is the other.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
We go solo, my kinfolk and I, taking each day as an IKEA bookcase we build alone, sans instructions. The leftover pieces? We gobble them down, and sometimes it's the only thing we eat all day.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Well, imagine you are alone in a room. The lights are down low, you’ve got some scented candles going. Soothing New Age tunes, nothing too druid-chanty, seep out of the hi-fi to gently massage your cerebral cortex. Feel good? Are you the best, most special person in the room right now? Yes. That’s the gift of being alone. Then a bozo in a CAT Diesel Power cap barges in. What’s the chance that you are the best, most special person in the room now? Fifty-fifty. If you both were dealt two cards, those would be your odds of holding the winning hand. Now imagine ten people are in the room. It’s cramped. You’re elbow to elbow, aerosolized dandruff floats in the air, and the candle’s lavender scent is complicated by BO tones, with a tuna sandwich finish. What are the chances you’re the best, most special person in the room? If you were handed cards, you might expect to be crowned one time out of ten. People, as ever, are the problem. The more people there are, the tougher you have it. Just by sitting next to you, they fuck you up, as if life were nothing more than a bus ride to hell (which it is). But what if you moved to another seat? Changed position? Your seat is everything. It can give you room to relax, to contemplate your next move. Or it might instigate your unraveling.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
I don’t resort to foul language as a rule, but that first session with the counselor yesterday was bloody ridiculous. I started crying in front of Dr. Temple at the end of her stupid empty-chair exercise, and then she actually said, with faux gentleness, that our session had to draw to a close and that she’d see me next week at the same time. She basically hustled me out onto the street, and I found myself standing on the pavement, shoppers bustling past me, tears streaming down my face. How could she do it? How could one human being see another so obviously in pain, a pain she had deliberately drawn out and worried away at, and then push her out into the street and leave her to cope with it alone?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I could worn Randalin that he ought to be afraid of the way that Cardan is looking at him. Cardan turns to me, and some of the heat of his anger is still in his eyes. 'Jude, would you give me and the councilor a moment alone? I have a few things I would like to urge him to consider. And Grima Mog has brought you soup.' 'I don't need anyone to help me tell Randalin that this is my home and my land and that I am going nowhere and relinquishing nothing.' 'And yet,' Cardan says, clamping his hand on the back of the councilor's throat, 'there are still some things I would say to him.' Randalin allows Cardan to hustle him into one of the other royal parlours. Cardan's voice goes low enough for me to not make out the words, but the silky menace of his tone is unmistakable.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I could warn Randalin that he ought to be afraid of the way that Cardan is looking at him. Cardan turns to me, and some of the heat of his anger is still in his eyes. 'Jude, would you give me and the councilor a moment alone? I have a few things I would like to urge him to consider. And Grima Mog has brought you soup.' 'I don't need anyone to help me tell Randalin that this is my home and my land and that I am going nowhere and relinquishing nothing.' 'And yet,' Cardan says, clamping his hand on the back of the councilor's throat, 'there are still some things I would say to him.' Randalin allows Cardan to hustle him into one of the other royal parlours. Cardan's voice goes low enough for me to not make out the words, but the silky menace of his tone is unmistakable.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Eventually I became a tad compulsive about hearing certain songs. At first it was a handful of jazz classics—Miles Davis’s “Freddie Freeloader,” John Coltrane’s “My Favorite Things,” Frank Sinatra’s “Luck Be a Lady.” (Before one primary debate, I must have played that last track two or three times in a row, clearly indicating a lack of confidence in my preparations.) Ultimately it was rap that got my head in the right place, two songs especially: Jay-Z’s “My 1st Song” and Eminem’s “Lose Yourself.” Both were about defying the odds and putting it all on the line (“Look, if you had one shot or one opportunity, to seize everything you ever wanted in one moment, would you capture it? Or just let it slip…”); how it felt to spin something out of nothing; getting by on wit, hustle, and fear disguised as bravado. The lyrics felt tailored to my early underdog status. And as I sat alone in the back of the Secret Service van on the way to a debate site, in my crisp uniform and dimpled tie, I’d nod my head to the beat of those songs, feeling a whiff of private rebellion, a connection to something grittier and more real than all the fuss and deference that now surrounded me. It was a way to cut through the artifice and remember who I was.
Barack Obama (A Promised Land)
I found Lord Emsworth, Lady Constance, and told him the car was in readiness.’ ‘Oh, thank you, Miss Briggs. Where was he?’ ‘Down at the sty. Would there be anything furthah?’ ‘No thank you, Miss Briggs.’ As the door closed, the Duke exploded with a loud report. ‘Down at the sty!’ he cried. ‘Wouldn’t you have known it! Whenever you want him, he’s down at the sty, gazing at that pig of his, absorbed, like somebody watching a strip-tease act. It’s not wholesome for a man to worship a pig the way he does. Isn’t there something in the Bible about the Israelites worshipping a pig? No, it was a golden calf, but the principle’s the same. I tell you …’ He broke off. The door had opened again. Lord Emsworth stood on the threshold, his mild face agitated. ‘Connie, I can’t find my umbrella.’ ‘Oh, Clarence!’ said Lady Constance with the exasperation the head of the family so often aroused in her, and hustled him out towards the cupboard in the hall where, as he should have known perfectly well, his umbrella had its home. Left alone, the Duke prowled about the room for some moments, chewing his moustache and examining his surroundings with popping eyes. He opened drawers, looked at books, stared at pictures, fiddled with pens and paper-knives. He picked up a photograph of Mr Schoonmaker and thought how right he had been in comparing his head to a pumpkin. He read the letter Lady Constance had been writing. Then, having exhausted all the entertainment the room had to offer, he sat down at the desk and gave himself up to thoughts of Lord Emsworth and the Empress. Every
P.G. Wodehouse (Service With a Smile)
Friends and People are like clouds and trees that we see hustling past the window of a running train. Trees are like PEOPLE.. all running.. in the opposite direction; Clouds are like our FRIENDS.. like family.. our near and dear ones.. They remain with us; No matter how far and at what pace we run..
Vikrmn: CA Vikram Verma (10 Alone)
If it takes more than ten seconds to pitch your content, a television producer will assume you won’t be able to get your point of view across to an impatient audience. And a reporter might try to hustle you off the phone. Learn to be brief—in both your written and phone pitches. Brevity is cherished in the media.
Keith Ferrazzi (Never Eat Alone: And Other Secrets to Success, One Relationship at a Time)
A CHANGING SOCIETY What does today’s high incidence of social anxiety tell us about modern society? As we’ve seen, social anxiety is connected to a person’s drive for self-preservation and a feeling of safety. It is natural to withdraw from situations that we expect will lead to pain. Avoidance—while not necessarily healthy—is logical. Because the negative social experience of a growing number of people has caused them emotional pain and suffering, the number of individuals who choose to avoid socializing is increasing at an alarming rate. The sometimes wide distance among family members these days only adds to isolation. And the anonymity of large cities creates a vacuum in which many lonely people co-exist, often leading solitary lives in which they pursue their interests and activities alone. We live in a society in which social fears are perhaps not unjustified. As cities become denser, isolation seems to be the best way to counter urban decay. Consider the dangers of the outside world: Crime rates are soaring. Caution—and its companion, fear—are in the air. As the twentieth century draws to a close, we find ourselves in a society where meeting people can be difficult. These larger forces can combine to create a further sense of distance among people. Particularly significant is the change that has taken place as the social organization of the smaller-scale community gives way to that of the larger, increasingly fragmented city. In a “hometown” setting, the character of daily life is largely composed of face-to-face relations with friends, neighbors, co-workers, and family members. But in the hustle and bustle of today’s cities, whose urban sprawls extend to what author Joel Garreau has called Edge Cities—creating light industrial suburbs even larger than the cities they surround—the individual can get lost. It is common in these areas for people to focus solely on themselves, seldom getting to know their neighbors, and rarely living close to family. We may call these places home, but they are a far cry from the destination of that word as we knew it when we were children. Today’s cities are hotbeds of competition on all levels, from the professional to the social. It often seems as if only the most sophisticated “win.” To be ready for this constant challenge, you have to be able to manage in a stressful environment, relying on a whole repertoire of social skills just to stay afloat. This competitive environment can be terrifying for the socially anxious person. The 1980s were a consumer decade in which picture-perfect images on television and in magazines caused many of us to cast our lots with either the haves or the have-nots. Pressure to succeed grew to an all-time high. For those who felt they could not measure up, the challenge seemed daunting. I think the escalating crime rate in today’s urban centers—drugs, burglary, rape, and murder—ties into this trend and society’s response to the pressure. In looking at the forces that influence the social context of modern life, it is clear that feelings of frustration at not “making it” socially and financially are a component in many people’s choosing a life of crime. Interactive ability determines success in establishing a rewarding career, in experiencing relationships. Without these prospects, crime can appear to be a quick fix for a lifelong problem.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
You will struggle. You will be mocked. You will be alone. The world will not give you recognition. The world will not give you, your due. Against all odds, if you still persist and create your art, it will be a victory. It will be your victory. Finally, you would win.
Avijeet Das
heartmoor n. the primal longing for a home village to return to, a place that no longer exists, if it ever did; the fantasy of finding your way back home before nightfall, hustling to bring in the cattle before the rains come; picturing a cluster of lanterns glowing on the edge of a tangled wood, hearing the rattle and hiss of meals cooking over a communal fire, finding your place in a crowded longhouse made of clay-packed thatch, where you'd sit and listen to the voices of four generations layered into a canon, telling stories of a time when people could still melt into a collective personality and weren't just floating around alone.
John Koenig (The Dictionary of Obscure Sorrows)
I don't think that America really respects people who devote themselves to something like sitting alone doing artwork rather than being out there hustling.
R. Crumb
In New York City alone, three different imaginary bombs were to drop, one of which was to land imaginarily at the intersection of Fifty-Seventh Street and Fifth Avenue—right in front of Tiffany’s, of all places. As part of the test, when the warning alarm sounded, all normal activities in the fifty-four cities were to be suspended for ten minutes. —All normal activities suspended for ten minutes, read Woolly out loud. Can you imagine? Somewhat breathlessly, Woolly turned to yesterday’s paper in order to see what had happened. And there on the front page—above the fold, as they say—was a photograph of Times Square with two police officers looking up the length of Broadway and not another living soul in sight. No one gazing in the window of the tobacconist. No one coming out of the Criterion Theatre or going into the Astor Hotel. No one ringing a cash register or dialing a telephone. Not one single person hustling, or bustling, or hailing a cab. What a strange and beautiful sight, thought Woolly. The city of New York silent, motionless, and virtually uninhabited, sitting perfectly idle, without the hum of a single expectation for the very first time since its founding.
Amor Towles (The Lincoln Highway)
Don't go at it alone, my friend. Look for allies who'll lend a hand, easing the burden with a peaceful flow instead of pushing you into that grind-hustle cycle.
Felecia Etienne (Overcoming Mediocrity: Limitless Women)
In Allston, as generous as he was with his praise and encouragement, Sophia had come face-to-face with the male art establishment and its aesthetic. She had encountered it before when she was hustled out of Thomas Doughty’s studio while a men’s painting class was in session. More recently, at a gathering in the Reverend Channing’s parlor, she had been stunned when the minister had quoted the influential British artist Henry Fuseli’s sneering observation that there was “no fist” in women’s painting—and then demanded Sophia’s response. Flustered, Sophia had “sunk away into my shell,” unable to speak, she confided in her journal. She had enough trouble summoning the confidence to paint each day, let alone defend women artists as a class. Channing’s question struck to the heart of Sophia’s ambivalence about taking the initiative to create original works of art. Virtually
Megan Marshall (The Peabody Sisters)
Welfare grinding had always been my best hustle, so leaving it completely alone was impossible. I simply drove out to Delaware two weeks ago and applied for benefits out there with a fake ID, Social Security number, and an address.
Kendall Banks (Still Grindin' ( part 2 of The Welfare Grind Series))
Right now, Harlem is delicious. On the corner of 125th and Frederick Douglass Avenue, I turn my head south and see Little Senegal steeped in barter and food. Then I look north. Charles' Country Pan Fried Chicken is beyond my sight, but I know it's there. Smothered pork chops, hoppin' John, and fried chicken so good it makes you believe in prayer. Charles and his soul food is not alone. When hidden or right on an avenue, Harlem is cooking. An entire neighborhood is draped in spice and smells: cumin, garlic, brown sugar. And if that's not enough, take a peek and pause at the folks selling a heart's desire: wooden bracelets, gold-plated necklaces, sun dresses, bed sheets, Jamaican beef patties. You are in Harlem.
Marcus Samuelsson (The Red Rooster Cookbook: The Story of Food and Hustle in Harlem)
Sharing trauma (or even good things) with the Internet world, while we’re in the middle of it, short-circuits the process. It crosses the wires and creates sparks. Loud sparks—noise. Adoration. Comments like We love you! We are cheering for you! Oh, I’m so sorry! But sparks usually mean a bad connection. What if God wants to speak to us alone? Do we trust he has what it takes? I’m not saying to walk through hardship and trauma alone. You need your support system and community. In fact, I remember how much our close friends and family rallied with us during the miscarriage. Meals. Flowers. The sweetest cards. Prayers written out over text. Help with the kids. I’m more concerned about the healing part. Sometimes we share too quickly with the world—the Internet, the fringe friends, the public record—before we have truly processed, dealt with it, healed. The minute we do that, the decibel level becomes too loud, and we can no longer hear Jesus. He gets drowned out. And he’s the place of true wholeness and restoration. In a painful but true way. In obscurity. We need to simply sit with Jesus without pithy prayers. We need to ask for his help and know that he sees us. While healing won’t come overnight, we know we aren’t going through this alone.
Jefferson Bethke (To Hell with the Hustle: Reclaiming Your Life in an Overworked, Overspent, and Overconnected World)
The Cats in the City Location: an Arab city. Time: the age of defeat. The twenty-first century. General atmosphere: “fancy” neighborhoods. Expensive houses painted in tombstone colors. Beautiful and well-maintained gardens. Flowers that no one dares to smell. Imported cars. Imported devices. Imported clothes. Imported foods. Endless consumer shops for anything and everything. Between every other restaurant, there are shops selling cosmetics and souvenirs. Between every other consumer market, There is a worship place. All consumer shops are built skillfully On the scab of the same old wound; A wound that can flood the city with blood and death With the slightest fingernail scratch. As I walk farther from the city, The consumer shops vanish. The lights are suddenly dimmed. The cheering and the hustle and bustle of the consumers go silent. I see myself in total darkness. I am alone hearing nothing but the sounds of my footsteps, And the meows of hungry stray street cats, Covered with the ashes of daily existence. A thin and hungry cat approaches me, She meows in despair and starvation, Begging me for her bite of the day (or the week?) I throw her a small piece of my sandwich. She picks it up and runs away To celebrate her temporary gains! She leaves me alone wondering in darkness: What reflects the reality of this city more The 'fancy' neighborhoods I saw earlier, Or the starving cats in the darkness? June 8, 2014
Louis Yako (أنا زهرة برية [I am a Wildflower])
It's necessary to be slightly underemployed if you are to do something significant. Show me a thoroughly satisfied man and I will show you a failure. T. Edison Everything comes to him who hustles while he waits. T. Edison There is nothing in a caterpillar that tells you it's going to be a butterfly. Buckminster Fuller Be alone: that is the secret of invention. Be alone: that is when ideas are born. N.Tesla Deciding what not to do is as important as deciding what to do. Steve Jobs Headlines, in a way, are what mislead you, because bad news is a headline and gradual improvement is now. Bill Gates If you really look closely, most overnight successes took a long time. Steve Jobs Sometimes we stare so long at a door that is closing that we see too late the one that is open. A.G.Bell An investment in knowledge pays the best interest. B. Franklin The most beautiful thing we can experience is the mysterious. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead. A.Einstein That's been one of my mantras: focus and simplicity. Simple can be harder than complex. You have to work hard to get your thinking clean, to make it simple. But is's worth it in the end, because once you get there, you can move mountains. Steve Jobs We often miss opportunity because it's dressed in overalls and looks like work. T. Edison Let's go invent tomorrow instead of worrying about what happened yesterday. Steve Jobs
Graham Moore (The Last Days of Night)
Somehow one feels unfettered by any of the harsh, restricting influences of human existence as we live it these days. There are no buildings, no roads, no street lights, no artificial or even natural noises, no hustle and bustle, no need for anyone to shout or to have money or to pretend about anything; those human beings who are with you are probably fairly well known to you, and are there for the same reason that you are—they know the dangers and delights of solitude just the same as you do, and they will react to the unblemished and staggering loveliness of a huge expanse of desert sky, deep blue by day and of a marvellous purple at night sprinkled haphazardly with hundreds and thousands of stars silently lighting up that great canopy of night-time that drifts down with the close of day. I personally think I know of nothing more restorative than lying on the soft sand—cool now after the retirement of the day’s sun— and just staring at the miracle of such a sky. And then you fall asleep, rolled up in a sleeping bag against the considerable fall in temperature as the night goes on, perhaps waking an hour or two before dawn for just long enough to notice that those little stars are still there—as bright as ever—and do not even look as though they are getting ready to be extinguished by the advent of another day. It is a lovely, comforting feeling when the world around you is quite still; and there is no sound anywhere to penetrate the delightful peace that surrounds you. When the dawn comes, and the stars have all gone away, there is something sharp and exhilarating about the smell in the air. It is fresh and clean and tantalisingly different to the atmosphere which will pervade the day once the sun has come up over the distant horizon. Then there will be no escape from its merciless and desiccating heat, which drains you of energy and leaves you burned and incapable of any prolonged activity. And the bright reflection of the sun off the light-coloured sand can be piercing and painful to the eyes. There is probably not even a tiny breeze to move that sullen, sultry air, and there can be no relief from its effects until once more, and inevitably, the great ball of fire that is the sun will slide slowly below the land and allow it to grow cool. It would be foolish to pretend that all of those who served with the LRDG saw the desert in the way that I have described it, all or even much of the time. But I am quite sure that when their minds were not diverted by rather more pressing considerations concerning the enemy, there were few who were not moved by the beauty of the sky at night. They all spent quite a number of hours on sentry duty, when, alone with his thoughts and in such surroundings, no man can be oblivious of such a miraculous revelation.
David Lloyd Owen (The Long Range Desert Group, 1940–1945: Providence Their Guide)
as manufacturing industries are replaced by a more specialized, knowledge-based economy, productivity alone can no longer provide a competitive edge. Hence the pursuit of creativity as a competitive advantage.
Rahaf Harfoush (Hustle and Float: Reclaim Your Creativity and Thrive in a World Obsessed with Work)