“
Forget your personal tragedy. We are all bitched from the start and you especially have to be hurt like hell before you can write seriously. But when you get the damned hurt, use it-don't cheat with it.
”
”
Ernest Hemingway
“
Why do you look like you’re in pain?” she asks.
“Because keeping my mouth off you hurts like hell.
”
”
Colleen Hoover (November 9)
“
Living is hard--dying is easy. You close your eyes and never open them again. What's so difficult about that? Nothing really--except it hurts like hell to those you leave behind.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
How do you feel right now?"
"I hurt like hell."
"You'll feel worse tomorrow."
"So?"
"So, better get a jump on this while you still feel...not as bad."
"What kind of logic is that?" I retorted.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
- and since nothing lasts forever, in the end everything that once was good, always hurts like hell.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
I still go to bed sad, and wake up sad, and it still hurts like hell, but there are moments during the day when it hurts less. Sometimes I can think of June and not want to burst into tears or put my fist through a wall. Sometimes I'm close to happy and it doesn't even hurt. Much. I'll never be the way I was before, but maybe that's okay. Life goes on, I'm going on, even without her. Not every day hurts. Not every breath hurts.
Maybe that's all we can really ask for.
”
”
Hannah Harrington (Saving June)
“
My muscles informed me they did not want to go through any more exercise today. So I suggest that maybe he should let me off this time. He laughed, and I'm pretty sure it was at me...not with me.
"Why is that funny?"
"Oh," he said, his smile dropping. "You were serious."
"Of course I was! Look, I've technically been awake for two days. Why do we have to start this training now? Let me go to bed." I whined. "It's just one hour."
"How do you feel right now?"
"I hurt like hell."
"You'll feel worse tomorrow."
"So?"
"So, better get a jump on it while you still feel...not as bad."
"What kind of logic is that?" I retorted.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
I guess I just don't get the point. It's like, why should you bother getting attached to anything if,
A: It's never gonna last, and
B: It hurts like hell when it's over?
”
”
Alyson Noel
“
The truth really does set you free — but what they don’t tell you is the process hurts like hell.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
Hers was tougher than tough love. It was brutal, industrial-strength. A sinewy love that never gave way to an inch of weakness. It was a love that saw what was best for you ten steps ahead, and didn't care if it hurt like hell in the meantime. When I got hurt, she felt it so deeply, it was as though it were her own affliction. She was guilty only of caring too much. I realize this now, only in retrospect. No one in this would would ever love me as much as my mother, and she would never let me forget it.
”
”
Michelle Zauner (Crying in H Mart)
“
Sticks and stones may break your bones but words can hurt like hell.
”
”
Chuck Palahniuk (Lullaby)
“
He'll be cross if he sees I have been crying. They don't like you to cry. He doesn't cry. I wish to God I could make him cry. I wish I could make him cry and tread the floor and feel his heart heavy and big and festering in him. I wish I could hurt him like hell.
He doesn't wish that about me. I don't think he even knows how he makes me feel. I wish he could know, without my telling him. They don't like you to tell them they've made you cry. They don't like you to tell them you're unhappy because of them. If you do, they think you're possessive and exacting. And then they hate you. They hate you whenever you say anything you really think. You always have to keep playing little games. Oh, I thought we didn't have to; I thought this was so big I could say whatever I meant. I guess you can't, ever. I guess there isn't ever anything big enough for that.
”
”
Dorothy Parker
“
Pretend it doesn't hurt, and hope like hell that one day it doesn't anymore.
”
”
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
“
Love those who hurt you the most, because they are probably the ones closest to you.
They, too, are on a path, and just like you they are learning to walk before they can fly. Imagine if everybody you hurt in life turned their backs on you? You would be playing a hell of a lot of solitaire.
Love them no matter what.
”
”
Nikki Sixx (This Is Gonna Hurt: Music, Photography, And Life Through The Distorted Lens Of Nikki Sixx)
“
I spoke, I listened, and my heart broke, which is to say that it didn't break at all but became suddenly aware of its own wholeness in such a way it hurt like hell.
”
”
Marisa de los Santos (Love Walked In (Love Walked In, #1))
“
Courtney came over to me and touched my cheek. I winced. It hurt.
You look like hell," Courtney said.
I shrugged.
She looked at Saint Dane, then back at me. "He looks worse." She smiled. "Awesome.
”
”
D.J. MacHale (The Soldiers of Halla (Pendragon, #10))
“
It´s better to shun emotion than to fall for it and let it make you its bitch - and since nothing lasts forever, in the end everything that was once good, always hurts like hell.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Yes. Don't play me, Beth." Because I'm falling for you, more than I should, and if you betray me again, it will hurt like hell.
”
”
Katie McGarry (Dare You To (Pushing the Limits, #2))
“
If I love you more than you love me, I'm as good as dead. Yet I can't make myself take it back. I can't just walk away from you, because every time you pass by me without smiling, without touching my hand, or at least making eye contact, it feels like I'm dying inside. And I'm pretty sure that hurts worse than whatever Marc would do to me. Whatever your dad would do. Hell, Faythe, I'm pretty sure that never touching you again would hurt worse than the nastiest death Calvin could think up for me.
”
”
Rachel Vincent (Shift (Shifters, #5))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
You want more of me, don't you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn't I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!"
Mac
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
I have no plans to contact her after today, so the fact that I know this is definitely good-bye is pressing on the walls of my chest, and it fucking hurts like hell.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
It hurt. It hurt like hell. But it didn’t matter, if no one knew.
”
”
Nella Larsen (Passing)
“
So I suggested to Dimitri that maybe he should let me off this time. He laughed, and I was pretty sure it was at me and not with me.
Rose Hathaway: "Why is that funny?”
Dimitri Belikov: "Oh, You were serious.”
Rose Hathaway: "Of course I was! Look, I've technically been awake for two days. Why do we have to start this training now? Let me go to bed, It's just one hour.”
Dimitri Belikov: "How do you feel right now? After the training you've done so far?”
Rose Hathaway: "I hurt like hell.”
Dimitri Belikov: "You'll feel worse tomorrow.”
Rose Hathaway: "So?”
Dimitri Belikov: "So, better to jump in now while you still feel…not as bad.”
Rose Hathaway: "What kind of logic is that?
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Next thing I remember was waking up on swampy ground and it was beginning to spit rain. I had no clue where I was, but I was hurting like hell. It was hard to take a breath; probably a broken rib or two? I felt around. My gun and knife were gone, along with my shoes and jacket with my cell phone, driver’s license, and two-thousand in cash.
”
”
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
“
I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices. I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his
moods… oh – and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more… love.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Why does loving somebody mean you have to hurt them just as much? I mean if that’s the way it goes, what’s the point of loving someone? Why the hell does it have to be like that?
”
”
Haruki Murakami (Kafka on the Shore)
“
The best thing you can say to someone going through a tragic loss is not that
"It's going to be alright"
It is:
"Hold on tight because this is going to hurt like hell".
”
”
JohnA Passaro
“
Swear to God, for someone so obsessed with music, she’s borderline tone deaf. But trying to describe how I felt watching her dance around and sing would be like trying to build a skyscraper with my bare hands. It made me want to marry her. Made me want to buy her a magic airplane and fly her away to a place where nothing bad could ever happen. Made me want to pour rubber cement all over my chest and then lay down on top of her so that we’d be stuck together, and so it would hurt like hell if we ever tried to tear ourselves apart.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
You want me to level, here it is: I need you. I need you because I love you. Three months without you will be hell. But even if we weren’t together, I would still need you. You’re a good fighter, you’ve worked as a bodyguard, and you know magic. We may not have many magic users, but we don’t know if those packs do, and if they hit us with magic, we have no way to counter.” He spread his arms. “But I love you and I don’t want you to be hurt. I’m not going to ask you to come with me. That would be like stepping in front of a moving train and saying, ‘Hey, honey, come stand next to me.’”
I hopped off the wall and stood next to him. “Anytime.”
He just looked at me.
“I’ve never killed a train before. It might be fun to try.”
“Are you sure?”
“One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me.”
“I remember,” he said.
“That’s when I realized you loved me,” I said. “I was in the cage and I heard you roar.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
Maybe loneliness is an acquired taste, or maybe it's like plunging your hand in ice water--it hurts like hell in the beginning, and then you go numb.
”
”
Tiffany Schmidt (Bright Before Sunrise)
“
Anyway, my ribs hurt like hell, my vision is still blurry from acceleration sickness, I’m really hungry, it’ll be another 211 days before I’m back on Earth, and, apparently, I smell like a skunk took a shit on some sweat socks. This is the happiest day of my life.
”
”
Andy Weir (The Martian)
“
Oh, my God, are you okay? (Syd)
You ever nick yourself while shaving? (Steele)
Yeah. (Syd)
You know the burn you get that hurts like hell? (Steele)
Yeah. (Syd)
This is nothing like that. It’s a lot worse. (Steele)
”
”
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
“
I don't really like driving in the snow. There's something about the motion of the falling snowflakes that hurts my eyes, throws my sense of balance all to hell. It's like tumbling into a field of stars.
”
”
Neil Gaiman (The Sandman, Vol. 8: Worlds' End)
“
Man, I didnt know anything like that was going to happen! Honest, Tex, he was on something. Holy cow! I really kid, I been doing this stuff for a year now and I never saw nobody pull a gun before! God Almighty! What if he hadnt missed!' -- Lem
'He didn't.' -- Tex
'What?' -- Lem
'I said he didn't miss. He shot me and it hurts like hell.' -- Tex
”
”
S.E. Hinton (Tex)
“
but when a person’s so stuck in their own hole of darkness — it hurts like hell when someone shines a light on them. Your eyes have to adjust, and let’s just say it isn’t a pleasant experience; it’s why people stay there.
”
”
Rachel Van Dyken (Toxic (Ruin, #2))
“
When your mind wants to bolt, but your heart hangs on, it is because you don’t know with absolute certainty what the truth is. When you waste so much time on something that you want to believe is true, you begin to overthink things. Eventually, something obvious becomes twisted into something absurd, which keeps us from believing a simpler answer. Over time, you believe your own lies and fantasies to shield yourself from hurt, when following what is logical would have been the quickest way to healing. It is through your own self-imposed delusions that you lose your perspective. The world then becomes different to you when in fact you are different. Why? Because your own ego gets in the way. Everyone wants to feel special. Everyone wants to have faith in others. Everyone wants to believe in fairytales, happy endings and have all bad interactions with others explained. It is easier to sit in denial with your delusions and pray God will intervene, not realizing he has. He gave you commonsense and intuition, but you didn’t like how it made you feel. This is what true mental illness really is: Following your gut instinct through hell because you want to prove you are right, either to yourself or others. You sacrifice choosing to do right, in order to avoid pain. However, you don't realize that you have been in pain for a really long time and believed this was how happiness felt.
”
”
Shannon L. Alder
“
She'll be a fierce woman, that one. It'll take a hell of a man to love her right. Be like living with a thunderstorm. Same as her mother. A fierce woman. Force of nature. The kind of woman you just hand on for the ride. The most exciting and the most heartbreaking woman you could ever meet. They don't know their own minds most of the time, but their hearts are so damn big it hurts em inside.
”
”
Brian Doyle (Mink River)
“
You fall in love with it a little. Depression. It’s an abusive romance. It hurts like hell but you don’t want it to stop, because at least hurt is a feeling. At least it reminds you you’re still alive.
”
”
Leah Raeder (Cam Girl)
“
I’m sorry for hurting you. I know I did. I’m most likely dead now, and I guess if there’s any kind of fairness in the afterlife I’m probably in hell getting roasted. But if that’s where I am, I want you to know, I still love you. Always did. Love, Caine
”
”
Michael Grant
“
Okay,” he said, his breath hitching, his hands shaking like hell as he pried her arms from around his neck and set her away.
Deep breath. Another. "Okay. Just...um. Okay. Christ. Christ, Darcy, I want you so bad I'm afraid I'm going to hurt you.
”
”
Cindy Gerard (To the Brink (The Bodyguards #3))
“
The bitch from hell?” Ian offered and immediately moved out of his wife’s reach. “She doesn’t like me, baby. She calls me Satan. It hurts my feelings.
”
”
Lexi Blake (Dungeon Royale (Masters and Mercenaries, #6))
“
I had to accept the fact that bad things happen. It’s out of our control and I know it hurts like hell but you learn to move on. Yes, the pain never fades and it’s the hardest thing you’ll ever do but eventually you learn to breathe again.
”
”
Joanne McClean (Learning to Breathe (Breathing, #1))
“
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now.
Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment.
My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin.
Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen.
So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done.
Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
He snorted. "They were probably scared."
"Scared!" For some reason, that hurt, just a little. She felt her lower lip wobble. "I'm not that bad, am I?"
"Worse," he said cheerfully. "You're hell on wheels. You're just lucky I like hot rods
”
”
Linda Howard (Mr. Perfect)
“
I'm always wondering if he'll return. Sometimes I pray that he doesn't. And sometimes I hope he will. I wish on falling stars and eyelashes. Absence isn't solid the way death is. It's fluid, like language. And it hurts so much...so, so much.
”
”
Jacqueline Woodson (Maizon at Blue Hill)
“
Then he snarled at her. “You are not leaving me.”
It was an order, and she didn’t have to follow anyone’s orders. That was part of being Omega instead of a regular werewolf – who might have had a snowball’s chance in hell of being a proper mate.
“You need someone stronger,” Anna told him again. “So you wouldn’t have to hide when you’re hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding.” She hated crying. Tears were weaknesses that could be exploited and they never solved a damned thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. “I need to go,” she said to his chest. “I need–”
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
“Me,” Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth, his eyes a bright gold. “You need me.
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
Butterflies are beautiful, but the process of emerging from the chrysalis and spreading your wings can hurt like fucking hell. But still, you will survive the transformation (over and over again) and you will fly. Remember this when it hurts the most. This is the metamorphosis, the going down to liquid, and the rising again. It’s no joke – but damn, it’s one hell of a journey.
”
”
Jeanette LeBlanc
“
Logic doesn't stop you feeling. You can behave logically and it can hurt like hell. Or it can comfort you. Or release you. Or all at the same time
”
”
Dick Francis (The Danger)
“
I liked Hell,
I liked to go there alone
relieved to lie in the wreckage, ruined, physically undone.
The worst had happened. What else could hurt me then?
I thought it was the worst, thought nothing worse could come.
Then nothing did, and no one.
”
”
Marie Howe (Magdalene)
“
Rawr! I’m a duke of Hell, bitches!’ and then he was like, ‘This is my turf! Welcome to Castle Cocksucker!’ and then he was all, ‘You’re all gonna die!’ and then it was, ‘Fuck, this sword hurts!’ and finally he was like, ‘Oh fuck, I’m dead!
”
”
Elliott Kay (Good Intentions (Good Intentions, #1))
“
Calm down? You shot me in the back, you son of a bitch. (Zarek)
Boy, don’t you dare insult my mama, and you better stop and think about that one for a minute. I was a paid killer since I was old enough to hold a gun. Had I shot your dumb ass, you wouldn’t have a head right now. Having been shot in the back by a friend, I sure wouldn’t want to return that favor to anyone. Not even an ornery cuss like you. And why the hell would I hurt myself just to get to you anyway? Lord, boy, use your head. (Jess)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
Nothing about our love is pretty. It’s full of jagged lines, chipped pieces, and sharp edges. It hurts like fucking hell, but it’s not a masterpiece if it didn’t make you bleed for it.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.”
Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?”
“Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.”
“Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?”
“One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.”
He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.”
“I already feel that way,” I said quietly.
Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.”
I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Well, I never been to much school, you understand, but it seems to me that you're assuming something you shouldn't assume... that God sees the world like you do; one thing at a time, from just one spot. Seems to me that he's supposed to be everywhere, know everything. ...Think about that; he knows what you're feeling, how you're hurting. Feels my pain, your pain like it was his own. Hell son, the question isn't how God could care about just one person; question is, how could he not?
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
Like I said, magic comes from life, and especially from emotions. They're a source of the same intangible energy that everyone can feel when an autumn moon rises and fills you with a sudden sense of bone-deep excitement, or when the first warm breeze of spring rushes past your face, full of the scents of life, and drowns you in a sudden flood of unreasoning joy. The passion of mighty music that brings tears to your eyes, and the raw, bubbling, infectious laughter of small children at play, the bellowing power of a stadium full of football fans shouting "Hey!" in time to that damned song—they're all charged with magic.
My magic comes from the same places. And maybe from darker places than that. Fear is an emotion, too. So is rage. So is lust. And madness. I'm not a particularly good person. I'm no Charles Manson or anything, but I'm not going to be up for canonization either. Though in the past, I think maybe I was a better person than I am today. In the past I hadn't seen so many people hurt and killed and terrorized by the same kind of power that damn well should have been making the world a nicer place, or at the least staying the hell away from it. I hadn't made so many mistakes back then, so many shortsighted decisions, some of which had cost people their lives. I had been sure of myself. I had been whole.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
This book is about the bravery it takes for us to love someone when we all know how every love story ends. It’s about choosing love over fear again and again. It’s about showing up and being brave even when we know it’s going to hurt like hell.
”
”
Lucy Score (Things We Never Got Over (Knockemout, #1))
“
Remember last fall, when you needed to be reckless, and I told you to use me? Well, now, it's time to be fearless. I can't promise that you won't be hurt again, because life can suck. And, sometimes it hurts like hell. I'm asking you now to have faith in one thing, for now: the fact that when we're alone, I'm just Reid, and you're just Dori, and we're going to love each other for the rest of our lives.
”
”
Tammara Webber (Here Without You (Between the Lines, #4))
“
I know you love her, and, hell, I love her too. And Matt would throw you off a bridge if he thought he could have her.” …
“Ew,” Matt complains. “I don’t like her like that.” He points a finger in my face. “But I will throw you off a bridge if you hurt her.
”
”
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
“
When you are deeply in love,. even the smallest thing can hurt u like hell and break u into pieces...
”
”
BHARAT SHARMA
“
What are you thinking about?’ I said, ‘The same thing you’re thinking about.’ We didn’t even need to say your name.” She frowns down into the red pool of her wine. “It was just a kiss, but God, it hurt like hell.
”
”
M.L. Rio (If We Were Villains)
“
Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Ryan held out his hands. "What the hell is this? Beat The Shit Out Of Ryan Week?" "I didn't think you'd mind, since you're always insisting upon getting yourself hospitalized,"Claire said.
Ryan's face screwed into disgust. "That was uncalled for."
"The truth hurts, baby."
He smiled. "If you're going to talk to me like that, you can insult me all day long."
Claire pulled her car keys from her pocket, and then pulled on Ryan's hand. "I meant that you're a baby. It wasn't a term of endearment."
"Yeah, right.
”
”
Jamie McGuire (Eden (Providence, #3))
“
This was our house. Mine and hers. I know she’d sneak over to the rectory every once in a while and let you wail on her for a night. But I got her the rest of the time. I cooked her breakfast. I answered her fan mail. I put her to bed when she fell asleep at her desk writing. I rubbed her back when she was sore from overworking herself. And when she got all wrought up over you, it was me she cried on. No, she and I never had sex. That’s true. But we had love, real love that didn’t take anything out of us, that didn’t bruise us or break us. I loved her without hurting her. You asked me if I, a virgin, could teach her what sex should be? No, course not. Hell no. But at least I can teach her what love should be like. And she knows it too.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
I know a woman
who keeps buying puzzles
chinese
puzzles
blocks
wires
pieces that finally fit
into some order.
she works it out
mathmatically
she solves all her
puzzles
lives down by the sea
puts sugar out for the ants
and believes
ultimately
in a better world.
her hair is white
she seldom combs it
her teeth are snaggled
and she wears loose shapeless
coveralls over a body most
women would wish they had.
for many years she irritated me
with what I considered her
eccentricities-
like soaking eggshells in water
(to feed the plants so that
they'd get calcium).
but finally when I think of her
life
and compare it to other lives
more dazzling, original
and beautiful
I realize that she has hurt fewer
people than anybody I know
(and by hurt I simply mean hurt).
she has had some terrible times,
times when maybe I should have
helped her more
for she is the mother of my only
child
and we were once great lovers,
but she has come through
like I said
she has hurt fewer people than
anybody I know,
and if you look at it like that,
well,
she has created a better world.
she has won.
Frances, this poem is for
you.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
I shoved three CDs up my ass and got them out of Tower Records. It hurt like hell but I did it. New Michael Bolton, new Sting, and the best of Sammy Hagar. Totally painful. Definitely worth it.
”
”
Henry Rollins (Eye Scream)
“
This was it. It was pulse-racing, heart-wrenching, dizzying love. The kind that touches every one of your nerve endings and renders you almost insane. The kind I could not give into easily because it already hurt like hell before lift-off.
”
”
Jessica Thompson (This is a Love Story)
“
Diana:
I’m sorry for hurting you. I know I did.
I’m most likely dead now, and I guess if there’s any kind of fairness in the afterlife I’m probably in hell getting roasted. But if that’s where I am, I want you to know, I still love you. Always did.
Love,
Caine
”
”
Michael Grant (Light (Gone, #6))
“
So I’m telling you, Kami, I won’t miss you anymore. I won’t hurt for you. I won’t need you like I do. And I won’t love you. Loving you is what caused all this. It’s what ruined us. And I am so sorry for that. I hate myself for failing you. For not being enough to save you. But I won’t fail you again. If this is what you need—for me to never think of you again—then that is what I am going to do. I’ll forget you. I’ll stop loving you like I do. Because, dammit, I do. So much it fucking tears me apart.I hope this is what you want. I know I didn’t get it right the first time, but I promise to try like hell to make it better.Always (Never)
”
”
S.L. Jennings (Fear of Falling (Fearless, #1))
“
I bet he's an actual good guy. The kind that I desperately need in my life. The thing of it is, he'll never be mine because he's a good guy. By nature alone, a good guy would never cheat on his girlfriend, hence the impossibility of anything happening between Nash and me. Even if they were to break up, he'd probably be too nice a guy to hurt her like that, by dating her cousin.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
He pressed another kiss to her lips as he took her hand into his. "I'm sorry for being a jerk last night and almost making the biggest mistake of my life. I was afraid of hurting you. I know what I am and I also know you deserve a guy that can spoil you rotten and take you to all the nice places that you deserve. I-"
"Jason, I don't care about those things," she said softly.
He shook his head stubbornly. "It doesn't mean that you don't deserve them, but if you give me a chance to make up for my past stupidity, and I'm not just talking about with you, I promise that I will do my best to make you happy."
"Jason-"
"I want to try this. You and me, I mean. I know I'll most likely fuck up along the way and you'll want to ring my neck, but I want to try. I'll do my best not to hurt you.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
If you move and act in the material world, then the material world acts on you. Pain hurts, just as greed intoxicates and lust burns. We may not die easy and we sure as hell don't die well, but we can die. If we're still loved and remembered, something else a whole lot like us comes along and the whole damn thing starts all over again. And if we're forgotten, we're done.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
”
”
Vladimir Nabokov (Pale Fire)
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
I need you right now, Shea. My body is going up in flames, and I hurt like hell. We have to be alone soon or I might die.”
Her laughter muffled against his chest. “No one has ever died because they wanted to make love.” But she wasn’t sure. Her own body was burning and begging for the connection to his.
Gregori suddenly materialized, made a soft, sighing noise, and sent them a clear frown. Like guilty children they broke apart.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
How’re the cats?” he asked, smiling a little. He did miss Angel Marie. Hell, he missed them all.
“Feral,” Benny sniffed. “And horny. Every time one of us walks in, they all start humping our shoes.”
“They’re fixed,” Shane mumbled, but the conversation was oddly reassuring. It sounded normal, and like home.
“Tell that to the big fuzzy brown one….”
“Orlando Bloom?”
“Yeah, whatever. Last time I was there that damned animal violated my knitting.”
Shane lost a battle with a laugh and then whined because it hurt his ribs.
“Violated?”
[...]
“Let’s just say that wool is no longer virgin,” she quipped dryly, and Shane’s chest shook.
”
”
Amy Lane (Making Promises (Promises, #2))
“
Did you really think you could quit?" He moved closer, his steps slow, purposeful. "Just fax me a damned piece of paper and I‘d be forced to let you walk away from me?"
"You don‘t have a choice." Lydia swallowed the lump in her throat and moved around the chair. Putting furniture between them seemed like a smart idea. "I quit, end of story."
"The hell it is," he growled as he stopped and crossed his arms over his chest. "I‘ve given you space, Lydia, but it‘s time we talk."
"There‘s nothing to say."
He pointedly glanced at the chair and quirked a brow. "Afraid, little Lydia?"
Afraid of her own ability to keep her hands off him, yeah. "You don‘t scare me, Dane. You‘d never hurt me."
"Then quit acting so skittish and come here.
”
”
Anne Rainey (Body Rush (Masters of Pleasure, #1))
“
There was another pause, and Gansey realized she’d hung up. He leaned back against the fridge, eyes closed, guilty, comforted, wild, contained. In twenty-four hours, he’d be waiting for this again.
You know better you know better you know better
“What the hell, man?” Ronan said.
Gansey’s eyes flew open just as Ronan hit the lights. He stood in the doorway, headphones looped around his neck, Chainsaw hulking like a tender thug on his shoulder. Ronan’s eyes found the phone by Gansey’s leg, but he didn’t ask, and Gansey didn’t say anything. Ronan would hear a lie in a second, and the truth wasn’t an option. Jealousy had ruined Ronan for the first several months of Adam’s introduction into their group; this would hurt him more than that.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
TIL KINGDOM COME you'll be the one. FOR YOU theres NO MORE KEEPING MY FEET ON THE GROUND. My head is in the clouds NOW MY FEET WONT TOUCH THE GROUND. LIFE IS FOR LIVING and i cant live until i have stolen a spot in your heart. HURTS LIKE HEAVEN and feels like hell to know your in ANOTHERS ARMS. This is no PARADISE. DONT LET IT BREAK YOU HEART i tell my self. Your BEAUTIFUL WORDS always IN MY HEAD i cant stop my self. THINGS I DONT UNDERSTAND would be you and me. LOST in your X&Y. I feel like i was SWALLOWED IN THE SEA, LOST and unseen, not a WISPER or a weep. I cry in my sleep, EVERY TEARDROP IS A WATERFALL.
Should have seen the WARNING SIGNS, they were always there like a WISPER in my ear. Every time you say hello were back at SQUARE ONE, a smile my face. SUCH A RUSH i get when i talk to you. My heart beats as fast as a HIGH SPEED race. Every second i wait for your reply like CLOCK ticking by. DAYLIGHT nears as the SLEEPING SUN is UP IN FLAMES. What if its US AGAINST THE WORLD? What if HOW YOU SEE THE WORLD is how i see it too? WHAT IF?
”
”
Rhyan Roads
“
If you put a frog into a pot of boiling water, the fucker will jump right back out. It knows it’s wrong, it hurts, it will kill him. But if you put him in a pot and slowly raise it up to boiling, he’ll stay. That’s what abuse is like. You might not even notice it’s happening at first. You’d brush it off as him having a bad day, you pissing him off. But then it starts getting worse in small ways until you’re in so deep and you’re so hot and your skin is peeling and you don’t know if you even remember you can jump anymore. That doesn’t make you weak. You got out of that shit, baby. That makes you stronger, a lot stronger, I think, than you even realize.
”
”
Jessica Gadziala (Shane (Mallick Brothers, #1))
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Jim waited for us at the Gold Gate. His teeth were bared. “What happened to barely winning?”
“You said sloppy! Look, I didn’t even use my sword; I hit him with my head like a moron.”
“A man with a sword attacked you and you disarmed him and knocked him out cold in under two seconds.” He turned to Curran.
The Beast Lord shrugged. “It’s not my fault that he didn’t know how to fall.”
Jim’s gaze slid from Curran to Dali. “What the hell was that?”
“Crimson Jaws of Death.”
“And were you planning on letting me know that you can turn people’s elbows backwards?”
“I told you I did curses.”
“You said they don’t work!”
“I said they don’t always work. This one worked apparently.” Dali wrinkled her forehead. “It’s not like I ever get to use them against live opponents anyway. It was an accident.”
Jim looked at us. The clipboard snapped in his hands. He turned around and very deliberately walked away.
“I think we hurt his feelings.” Dali looked at his retreating back, sighed, and went after him.
Curran looked at me. “What the hell was I supposed to do, catch the werebison as he was falling?
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
ALONE
One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard.
I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing.
After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
Does it occur to you that if he set his mind to it, Steve could be a truly excellent supervillain?” Clint said into the comm unit, not bothering with any sort of segue. He knew very well who it was.
“We have a contingency plan in place for that,” Coulson said without missing a beat.
In the background, Steve said, “Wait, what?”
“Oh, c'mon.” Stark sounded seriously insulted. “If anyone here is going to go the black leather and weather control ray route, it's gonna be me, let's not even kid ourselves.”
“Every active SHIELD employee has a wallet card instructing them what to do in the event you go supervillain, Stark. It's standard equipment.”
A beat of silence. “What?” Tony asked.
“I got one,” Bruce said. “Want to see it?”
“If you show it to him, it'll defeat the purpose of having a plan,” Natasha said. “And I like this plan, it's a good plan, I do not want to go through them trying to come up with something else.”
“Yes, I want to see it,” Tony said. “Thor, did you get a card?”
“Verily. Their plan is most sound. I believe we will be able to subdue you with great swiftness, before you have much chance to hurt yourself or others. The damage to property will, of course, be massive, but such things are to be expected.”
“What the hell? You will not be able to subdue me quickly. Screw you, I am wily and brilliant.”
“I didn't get one,” Steve said, and there was a loud sound of no one being surprised.
“It's not a good idea to warn the bait that-” Clint started...
”
”
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
“
Maybe the answer is: Don’t be an asshole, think before you open your trap, take responsibility for your words. Meaning, apologize when you’re wrong and correct yourself moving forward—and don’t constantly look for reasons to be offended and police well-meaning people’s words. We want folks to talk to each other, right? Not just hang out with like-minded people all the time. Everyone is ignorant about something, and everyone is offended by something. If people can’t have a calm, respectful dialogue without being hurt by ignorance, or without offending with insensitivity, then what the hell are we supposed to do? Surround ourselves with robots who don’t challenge our ideas?
”
”
Penny Reid (Dating-ish (Knitting in the City, #6))
“
Hang the boy, can't I never learn anything? Ain't he played tricks on me enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can;t learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a-laying up sin and suffering for the both of us, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart almost breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hooky this evening, and I'll just be obleeged to make him work tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.”
Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!”
I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head.
He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit.
The hilt vibrated in the wood of the ornate mantel next to his head.
“So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.”
I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest.
He laughed, dark eyes glittering with exhilaration.
I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give.
He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest.
Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck.
“Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply.
I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again.
“Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!”
His hands were suddenly cruelly tight on my waist.
“There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?”
Dreamfever
”
”
Karen Marie Moning
“
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I don't like kissing."
"I suppose it is a matter of taste."[...]"I wondered, did anyone ever," shrug, "you know, hurt you so you don't like kissing? love?"
"Nope."[...]
"I thought maybe someone had been bad to you in the past, and that was why you don't like people touching or holding you."
"Ah damn it to hell," she bangs the lamp down on the desk and the flame jumps wildly.
"I said no. I haven't been raped or jilted or abused in any fashion. There is nothing in my background to explain the way I am." She steadies her voice, taking the impatience out of it. "I'm the odd one out, the peculiarity in my family, because they are all normal and demonstrative physically. But ever since I can remember, I've disliked close contact...charge contact, emotional contact, as well as any overtly sexual contact. I veer away from it, because it always feels like the other person is draining something out of me. I know that's irrational, but that's the way I feel."
She touches the lamp and the flaring light stills.
"I spent a considerable amount of time when I was, o, adolescent, wondering why I was different, whether there were other people like me. Why, when everyone else was facinated by their developing sexual nature, I couldn't give a damn. I've never been attracted to men. Or women. Or anything else. It's difficult to explain, and nobody has ever believed it when I have tried to explain, but while I have an apparently normal female body, I don't have any sexual urge or appetite. I think I am a neuter.
”
”
Keri Hulme (The Bone People)
“
KRIT
"Fuck," Matty whispered.
He'd heard her.
It was me who couldn't breathe now. I had thought it was an accident. But she'd fucking done it on purpose. To protect me. Holy hell.
"I'm gonna go . . . ," Matty trailed off. I listened to his footsteps until he was gone before pulling back and looking down at Blythe.
"You got in front of a six-foot-three one hundred and eighty pounds of muscle because he was going to hit me?"
She nodded. "It was my fault he was going to hit you. I was just going to stop him."
She was going to stop him. This girl. Never in all my life did I imagine there was anyone like her. Never.
"Sweetheart, how did you intend to stop him? I could handle him. I've kicked his ass many, many times." I cupped her chin in my hand. "I had rather had him kick my ass than to have anything happen to you. That was fucking unbearable. You can't do that to me. If you get hurt, I won't be able to handle it."
She signed, and her eyes locked back toward the stage. " I made this worse. I'm sorry. Can you go fix things with the two of you so you can get back onstage?"
The distressed look on her face meant I wasn't going to be able to leave. I wanted nothing more than to take her back home and hold her all night. But she was really upset about this. I had overreacted. She had been sitting over here staring at the floor with the saddest lost expression, and I couldn't think straight. I had to get to her.
"I'll get Green, and we'll go back onstage. But you have to promise me that you won't try and save me again. I take care of you. Not the other way around," I told her.
She reached up and touched my face.
"Then who will take care of you?"
No one had ever cared about that before. That wasn't something I was going to tell her, though. "You safe in my arms is all I need. Okay?"
She frowned and glanced away from me. "I'm not agreeing to that," she said.
God, she was adorable. I pressed a kiss to her head. "Come with me to get the guys," I told her as I stood up and brought her with me.
"You won't do anything to Green then?" she said, sounding hopeful.
"No." Until you're asleep tonight. And then I'm beating his ass.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
There was something wrong with me.
The human body doesn’t want to get hurt. We’re programmed to feel squeamish at the sight of blood. Pain is a careful orchestration of chemical processes so that we keep our body alive. Studies have shown that people born with congenital analgesia — the inability to feel pain — bite off the tips of their tongues and scratch holes in their eyes and break bones.
We are a wonder of checks and balances to keep on running.
The human body doesn’t want to get hurt.
There was something wrong with me, because sometimes I didn’t care. There was something wrong with me, because sometimes I wanted it.
We fear death; we fear the void; we scrabble to keep our pulses.
I was the void.
What are you afraid of? Nothing.
You are not doing this you are not doing this you are not doing this
But my eyes were already clawing over the bathroom for ways out.
Trust you?
I wasn’t meant to live, probably. This was why I was wired this way. Biology formed me and then took a look and wondered what the hell it was thinking and put in a mental fail-safe.
In case of emergency pull cord.
I was crouching by the wall, breathing into my hands.
Victor had told me once that he’d never considered suicide, not even for a second, not even at his darkest moments. It’s the only life we have, he’d said.
Even when I was happy, I felt like I was always looking for the edges on life. The seams.
I was so perfectly born to die.
”
”
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!"
Krit shoved him again. "Don't tell me what the fuck to do."
I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend.
"Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit.
I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe.
"Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work.
"Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me.
"She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice.
And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth.
"Take him out of here," Matty said.
I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him.
"Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere."
"When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration.
“What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me.
“What is it that clues you in? Tell me. Tell me or I will kill you.”
I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel.
“You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?”
“You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!”
I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face.
A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter.
“Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.”
Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling.
“You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.”
I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her.
I broke her.
”
”
Veronica Roth
“
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
”
”
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
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Gonzalo Guma (Equinoccio. Susurros del destino)
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She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses.
Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over.
Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right.
Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who...
"Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too.
She opened her mouth and his fingers touched her wet cheeks.
"Anna," he said, his body going still. "Call on your wolf."
"You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you."
"There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf."
"You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker.
"I love you," he told her. "Now, call your wolf."
She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth.
"I'm sorry," she told him. "I'll go away—"
And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short.
Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes.
Then he snarled at her. "You are not leaving me."
It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate.
"You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—"
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
"Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
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Patricia Briggs (Fair Game (Alpha & Omega, #3))