Plum Hair Quotes

I like the way you've let your hair go curly," he finally said. "Suits your personality. Lots of energy, not much control, sexy as hell," Joe Morelli to Stephanie Plum

I don't have a lot of domestic instincts," Ranger said to me, his attention fixing on the unidentifiable glob in my hair, "but I have a real strong urge to take you home and hose you down." I went dry mouth. Connie bit into her lower lip, and Lula fanned herself with a file.

Everyone wants a Christmas tree. If you had a Christmas tree Santa would bring you stuff! Like hair curlers and slut shoes.

It's my red hair that interferes with my good sense. All that color so close to my brain, it plum disorients me most days.

I gasp, and his mouth swoops down. He’s kissing me, violently. Briefly our teeth clash, then his tongue is in my mouth. Desire explodes like the Fourth of July throughout my body, and I’m kissing him back, matching his fervor, my hands knotting in his hair, pulling it, hard. He groans, a low sexy sound in the back of his throat that reverberates through me, and his hand moves down my body to the top of my thigh, his fingers digging into my flesh through the plum dress. I pour all the angst and heartbreak of the last few days into our kiss, binding him to me, and it hits me—in this moment of blinding passion—he’s doing the same, he feels the same.

I checked my pocketbook to make sure I had the essentials... beeper, tissues, hair spray, flashlight, cuffs, lipstick, gun with bullets, recharged cell phone, recharged stun gun, hairbrush, gum, pepper spray, nail file. Was I a kick-ass bounty hunter, or what?"(Three to get deadly)Janet evanovich

She wore white heirloom lace about her throat And in her hair a bright golden feather A pearl like a plum hung ripe from her neck But her smile fetched ten gold together

Hey," Lula said to Ranger's man."You want to watch it? I just had my hair done. I don't need plaster in it. Next time just shoot a hole is this punk-ass loser, will you?

You know, sometimes you can be real scary. I don't what you were thinking back there when you took those shoes off, but all hair stood up on the back of my next." I had airport rage." Fuckin' A," Lula said.

...I blink back the threat of tears, swiped at my nose and narrowed my eyes. "Listen to me, you two bags of monkey shit, "I yelled. "I am not in a good mood. My car keeps stalling. The day before yesterday I threw up on Joe Morelli. I was called a fat cow by my ex-husband. And if that isn't enough...my hair is ORANGE! ORANGE, FOR CHRISSAKE! And now you have the gall to force yourself into my home and threaten my hamster. Well, you have gone too far. You have crossed the line!

I got out of the tub and had to squelch a scream when I saw my reflection in the vanity mirror. My hair looked like it had taken 2000 volts and been spray starched

I wanted love to grow back, like the grass when it’s mown down. To grow differently, if need be, like children’s teeth, like hair, like fingernails. To spring up at will, wild and untended. The chill of the sheets made me shudder, and so did the warmth that followed when I lay down.

You’re late.” Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me. We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut. Don’t ever leave me again,” I said in a tiny voice. I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.” And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together. “Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.

Opening my door to Dillon Ruddick, my bulding super. I handed him a cup of coffee. "Sorry about the blood." "What was it this time?" No one reported gunfire." "I hit a guy in the face with a hair dryer." "Whoa." Dillon said. "It wasn't my fault," I told him. "Maybe we should lay down some linoleum here. It would make things easier for clean up.

He slid an arm around me and pulled me to him. I rested my head on his chest, and he nuzzled my hair and kissed me just above the ear.

Ambrose's eyes shoot back to Charlotte and he nods. "She's changed, hasn't she? Charlotte, I mean." "Um, besides growing her hair long she doesn't seem to have changed much to me," I say, trying not to smile. "Why?" "It's just that she seems so... in charge. I mean, she's always had her act together, but ever since she's been back she's seemed more confident or something. And now that she's Vincent's second... I guess I've always thought of her as a little sister. You know, the huggable kind you want to take care of. But now that I see her working with him and taking control... I mean... the girl is fierce." Ambrose's face shines with respect and a sort of curious awe, and I have to restrain myself from jumping up and cheering for the fact that it has finally happened. He has finally noticed what was right under his nose.

The emphasis was helped by the speaker's hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside.

that I thought of you—of the air that slipped between the strands of your hair, and blue stones in my hand, before the autumn damasks bloom their last, before these blue stones are lain forgotten as the blossoms of plum trees I could not render in my artless hands

I sensed a familiar presence behind me. A hand brushed my hair back, and Ranger leaned in to me and kissed me on the nape of my neck.

Princeton isn't actually part of New Jersey. It's a small island of wealth and intellectual eccentricity floating in the Sea of Central Megalopolis. It's an honest-to-god town awash in the land of the strip mall. Hair is smaller, heels are shorter, asses are tighter in Princeton.

As he spoke, the edges of the clay man began shimmering, like air does in intense heat, and the lumpen form gradually became more manlike. "Something's happening!" I cried. I was paralyzed by shock and hope. "Please let it work. Come back, Vincent. You have to come back, I whispered, pleading. Red clay became olive-toned skin, and the bald head became waves of raven black hair. The face that Jules had carefully sculpted became a real nose and mouth and eyes, closed as if in sleep. But it lay there, still unmoving, until, focusing on the air just above, Bran yelled, "Come, bardia spirit, inhabit this body!" He made one final sweeping gesture, as if pulling the aura downward, and touching his fingers to the body's side. The eyes flew open and Vincent took a great gulping gasp, as if trying to swallow all of the oxygen in the room. "Vincent," I said, my heart in my throat. His eyes flew to mine. He reached toward me, and I took his hand and pressed it to my cheek. His skin was burning hot, like with a fever. I kissed his fingers, and his skin smelled like fire and rain-soaked earth. Like the boy I thought I would never touch again.

He blew himself up.” “Get out! You mean like guts all over the place?” “Not all over the place,” I said. “He was pretty well contained, all things considered.

Ranger was definitely wow. He stood half a head taller than me. He was perfectly toned muscle, and he had classic Latino good looks. He always smelled great. He dressed only in black. His eyes were dark. His hair was dark. His life was dark. Ranger had lots of secrets.

Under the twinkling trees was a table covered with Guatemalan fabric, roses in juice jars, wax rose candles from Tijuana and plates of food — Weetzie's Vegetable Love-Rice, My Secret Agent Lover Man's guacamole, Dirk's homemade pizza, Duck's fig and berry salad and Surfer Surprise Protein Punch, Brandy-Lynn's pink macaroni, Coyote's cornmeal cakes, Ping's mushu plum crepes and Valentine's Jamaican plantain pie. Witch Baby's stomach growled but she didn't leave her hiding place. Instead, she listened to the reggae, surf, soul and salsa, tugged at the snarl balls in her hair and snapped pictures of all the couples.

You hung up on me,” he said. “Don’t ever hang up on me.” His voice was quiet, but as always the authority was unmistakable. He was wearing black dress slacks, a long-sleeved lightweight black sweater pushed up on his forearms, and expensive black loafers. His hair was cut very short. I was used to seeing him in SWAT dress with long hair, and I hadn’t immediately recognized him. I guess that was the point.

I rooted through my pocketbook and did a fast paraphernalia inventory. I was carrying defense spray, which was a big no-no in a crowded mall. And I carried a stun gun, which on close examination turned out to need a new battery. My two pairs of cuffs were in working order, and I had an almost full can of hair spray. Okay, probably I wasn't the world's best-equipped bounty hunter. But then what did I really need to bring in an old guy with a nose that looked like a penis and a loser hot dog vendor?

At our school, pink was for spring and summer, plum was for fall and winter, white was for special days: Sundays and celebrations. Arms covered, hair covered, skirts down to the knee before you were five and no more than two inches above the ankle after that, because the urges of men were terrible things and those urges needed to be curbed.

He tucked my hair behind my ear, his fingertips brushing feather light across my temple, his thumb at the line of my jaw. “I have my own team.

Oh boy,” Lula said when she saw me. “Think we got a good story walking in the door, here. What’s with the handcuff?” “I thought it would look good with the cheese balls in my hair. You know, dress up the outfit.” “I hope it was Morelli,” Connie said. “I wouldn’t mind being cuffed by Morelli.” “Close,” I said. “It was Ranger.” “Uh-oh,” Lula said. “Think I just wet my pants.” “It wasn’t anything sexual,” I said. “It was … an accident. And then we lost the key.” Connie fanned herself with a manila folder. “I’m having a hot flash.

A man can be beautiful, I see that now. It's not just a woman's term, not a word reserved for romantic, virtuous, elegant things. I don't think beauty is neat any more. It's unordered. It's unbrushed hair and a torn back pocket. It's bright and strange and lovely, and if I were to paint him, I'd use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange.

When he appeared before the lord, his lordship was smitten immediately with the boy's unadorned beauty, like a first glimpse of the moon rising above a distant mountain. The boy's hair gleamed like the feathers of a raven perched silently on a tree, and his eyes were lovely as lotus flowers. One by one his other qualities became apparent, from his nightingale voice to his gentle disposition, as obedient and true as a plum blossom.

A light rain had started to fall. He pulled my jacket hood up and tucked my hair in. His finger traced a line at my temple, our eyes met, and for a terrifying moment I thought he might kiss me. The moment passed, and Ranger pulled back.

able to walk away. I was firmly pulled back by my ponytail. Ranger had come in behind me and had me by the hair. “Glad to see you’re hard at work looking for Mooner.” “Shhh. I want to hear Joyce bark like a dog.” Ranger had me flat against him, and I could feel the heat from his body seeping into mine. “Not sure that’s worth waiting for, babe.

Ranger was in his usual black—a perfectly tailored black suit, and a black dress shirt open at the neck. The Glock at the small of his back was also black. Ranger’s body is perfect. His hair is very dark brown. Cut short. His eyes are dark brown and intense. His skin is the color of hot chocolate, the lucky result of his Latino ancestry. His earbud matched his skin tone and was barely detectable.

The front door of the Flippant Witch gave a series of loud clicks and swung inward. Renard Lambert, his blue-and-purple finery resembling a plum in the twitching lanterns, practically hurled himself through the open doorway “Widdershins!” he called loudly, cape flowing behind him, “I—gaaack!” He ducked, barely in time to avoid the carafe that shattered loudly against the wall just behind his head. The tinkling of broken glass, a dangerous entry chime indeed, sounded around him. “Oh,” Genevieve said, her tone only vaguely contrite. “It's just your friend. Sorry, Renard.” “Sorry? Sorry?! What the hell were you—ah. Um, hello, ah, Widdershins." Widdershins, who had lurched to her feet as the door opened, was suddenly and forcibly reminded by Renard's stunned stare that Genevieve had disrobed her in order to get at the rapier wound. Blushing as furiously as a nun in a brothel, she ducked behind her blonde-haired friend and groped desperately for her shirt. “Didn't mean to take your head off, Renard,” Genevieve said, mainly to distract him. “But you rather startled us.” “Quite understandable,” the popinjay responded absently, his eyes flickering madly as he fought to locate some safe place to put them.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

A special attendant was detailed to wait upon each flower and to wash its leaves with soft brushes made of rabbit hair. It has been written ["Pingtse", by Yuenchunlang] that the peony should be bathed by a handsome maiden in full costume, that a winter-plum should be watered by a pale, slender monk. In Japan, one of the most popular of the No-dances, the Hachinoki, composed during the Ashikaga period, is based upon the story of an impoverished knight, who, on a freezing night, in lack of fuel for a fire, cuts his cherished plants in order to entertain a wandering friar. The friar is in reality no other than Hojo-Tokiyori, the Haroun-Al-Raschid of our tales, and the sacrifice is not without its reward. This opera never fails to draw tears from a Tokio audience even to-day.

Ranger took his SEALs hat off and put it on me, tucking my hair behind my ears, letting his hands linger a moment too long. “You have to believe in what you’re doing.” That could be a problem. And Ranger could be a problem. I was feeling much too attracted to him.

Facing Wine Never refuse wine. I'm telling you, people come smiling in spring winds: peach and plum like old friends, their open blossoms scattering toward me, singing orioles in jade-green trees, and moonlight probing gold winejars. Yesterday we were flush with youth, and today, white hair's an onslaught. Bramble's overgrown Shih-hu Temple, and deer roam Ku-su Terrace ruins: it's always been like this, yellow dust choking even imperial gates closed in the end. If you don't drink wine, where are those ancient people now?

Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.

Pretty,” he said. “The wine?” “You.” I was wearing a white T-shirt and striped pajama bottoms with a drawstring waist. My feet were bare and my hair was down and disorderly. “This would be perfect if we were in my apartment and not yours, and you were spending the night,” he said.

IVY + BEAN QUIZ! HOW WELL DO YOU REALLY KNOW IVY AND BEAN? 1. What fruit does Bean smash into Leo’s hair? (Hint: Ivy and Bean and the Ghost That Had to Go, BOOK ) a. bananas b. spiders c. plums d. kumquats 2. What is the name of the dog that lives on Pancake Court? (Hint: Ivy and Bean, BOOK )

Doris Wales was a woman with straw-blond hair whose body appeared to have been dipped in corn oil; then she must have put her dress on, wet. The dress grabbed at all her parts, and plunged and sagged over the gaps in her body; a lover’s line of hickeys, or love bites – ‘love-sucks,’ Franny called them – dotted Doris’s chest and throat like a violent rash; the welts were like wounds from a whip. She wore plum-covered lipstick, some of which was on her teeth, and she said, to Sabrina Jones and me, ‘You want hot-dancin’ music, or slow-neckin’ music? Or both?’ ‘Both,’ said Sabrina Jones, without missing a beat, but I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.

put the lid back on the cookie jar. At this time of the day the traffic would be horrible getting to Dick’s. And did I really want to shoot someone? No. So, what was the point in getting bullets? If I felt like I needed bullets tomorrow, I’d have Lula get some for me. They sold ammo at her hair salon.

A man can be beautiful, I see that now. It’s not just a woman’s term, not a word reserved for romantic, virtuous, elegant things. I don’t think beauty is neat anymore. It’s unordered. It’s unbrushed hair and a torn back pocket. It’s bright and strange and lovely, and if I were to paint him, I’d use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who’s that? Do you know her? Where is she from?” — - from Eve Green’s mother’s account. “It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it’s true, she’s right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us.

she wrapped her head in a towel and croaked." That sounded reasonable to me … except for the paring knife with blood and pieces of hair stuck to it. Lula bent at the waist and examined the towel, wrapped turban style. "Must have been a good clonk she took. Lots of blood." Usually when people die their bodies evacuate and the smell gets bad fast. Mrs. Nowicki didn't smell dead. Mrs. Nowicki smelled like Jim Beam. Carl and I were both registering this oddity, looking at each other sideways when Mrs. Nowicki opened one eye and fixed it on Lula. "YOW!" Lula yelled, jumping back a foot, knocking into Sally. "Her eye popped open!" "The better

He’d abandoned his usual outfit of black rap clothes or GI Joe cammies. He was wearing a brown leather jacket, a cream-colored Henley, faded jeans, and work boots. His hair, which had always been slicked back in a ponytail, was cut short. He had a two-day beard, making his teeth seem whiter and his Latino complexion seem darker.

I thought you didn't drink coffee," I said to Ranger. "What about your body being a temple?" He sipped at the coffee. "It's my disguise. It goes with the haircut." "Will you let your hair grow back?" "Probably." "And then you'll stop drinking coffee?" "You ask a lot of questions," Ranger said. "Just trying to figure this out.

Madeline stood before him in a gown of rich, emerald-green silk. The low-cut bodice did miraculous things for her bosom, and the vibrant color made a striking contrast with her pale skin and dark hair. And her lips... something about the green brought out their richness. They looked like two lush slices of a ripened plum. His mouth watered.

My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.

I knew when I first saw you, what you would mean to me,” Win murmured eventually. “Wild, angry boy that you were. I loved you at once. You felt it, too, didn’t you?” He nodded slightly, luxuriating in the feel of her. Her skin smelled sweet like plums, with an arousing hint of feminine musk. “I wanted to tame you,” she said. “Not all the way. Just enough that I could be close to you.” She threaded her fingers through his hair. “Outrageous man. What possessed you to kidnap me, when you knew I would have come willingly?” “I was making a point,” he said in a muffled voice. She chuckled and stroked his scalp, the scrape of her oval fingernails nearly causing him to purr. “Your point was well-taken. Must we go back now?” “Do you want to?” Win shook her head. “Although … I wouldn’t mind having something to eat.” “I brought food to the cottage before I went to get you.” She ran a flirtatious fingertip around the rim of his ear. “What an efficient villain you are. May we stay all day, then?” “Yes.” Win wriggled with delight. “Will anyone come for us?” “I doubt it.” Kev drew the bed linens lower and nuzzled into the lush valley between her breasts. “And I would kill the first person who approached the threshold.

I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life.

Ranger was the second biggest complication in my life, and now that Morelli was out of the picture, I supposed Ranger was elevated to numero uno. He’s close to six foot, one way or the other, is Latino, with medium brown skin and dark brown hair cut short. His teeth are white and even, and he has a killer smile that is seen only on special occasions. He dresses in black, and today he was wearing a black T-shirt and black cargo pants.

Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.

She wasn't without her peculiar brand of allure. Her dark hair, when unbound and spilling in heavy waves to her waist, was seduction itself. And her mouth truly did fascinate him. For a sharp-tongued bluestocking, she had the most full, ripe, sultry lips he'd ever seen. Lips copied from some Renaissance master's Aphrodite. Dark red at the edges, and a paler hue toward the center- like two slices of a ripe plum. Sometimes she caught her lower lip beneath her teeth and worried it, as though savoring some hidden sweetness.

Lula swung into the room. “What’s going on? What did I miss? I couldn’t get a hair appointment so I came for lunch.” She spied the guy on the stretcher. “Holy crap! What happened to him?” “He tried to kidnap Grandma, so my mother took him out with her iron,” I said. Lula turned to my mom. “Way to go, Mrs. P.!” She did a high five and a down low with her. “Is he dead?” “Not yet,” Grandma said. “Good thing,” Lula said. “If California found out a guy got killed with an iron, they’d ban them, and all those movie stars would be wrinkled all the time.

Pop trips over some vegetation and lets go. I’m roaring down the slanting, bumpy dirt path, trying to dodge the rocks and shrieking with delighted terror. I’m heading into the stand of Java plum trees at the end of our clearing when I lose balance and crash into a lantana bush. I’m winded and scratched as I try to crawl out of the prickly bush. My bike lies in the path, tires spinning, already getting smeared with red Kauai dirt. Pop runs over and picks me up to see if I’m okay. My knees have hit something and are scraped, lantana thorns tangle my hair, but I’m panting with excitement. “Let’s do it again!

...I drag the kids to the farmers' market and fill out the week's cheap supermarket haul with a few vivid bunches of organic produce...Once home, I set out fresh flowers and put the fruit in a jadeite bowl. A jam jar of garden growth even adorns the chartreuse kids' table...I found some used toddler-sized chairs to go around it...It sits right in front of the tall bookcases...When the kids are eating or coloring there, with the cluster or mismatched picture frames hanging just to their left, my son with his mop of sandy hair, my daughter just growing out of babyhood...they look like they could be in a Scandinavian design magazine. I think to myself that maybe motherhood is just this, creating these frames, the little vistas you can take in that look like pictures from magazines, like any number of images that could be filed under familial happiness. They reflect back to you that you're doing it - doing something - right. In my case, these scenes are like a momentary vacation from the actual circumstances of my current life. Children, clean and clad in brightly striped clothing, snacking on slices of organic plum. My son drawing happy gel pen houses, the flourishing clump of smiley-faced flowers beneath a yellow flat sun. To counter the creeping worry that I am a no-good person, I must collect a lot of these images, postage-stamp moments I can gaze upon and think, I can't be fucking up that bad. Can I?

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No-their skin itself. Amber, and sometimes honey..." "What on earth do you mean? the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fish hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.

The day after he had proposed to Beatrix, Christopher had reluctantly gone to talk to Prudence. He was prepared to apologize, knowing that he had not been fair in his dealings with her. However, any trace of remorse he might have felt for having deceived Prudence vanished as soon as he saw that Prudence felt no remorse for having deceived him. It had not been a pleasant scene, to say the least. A plum-colored flush of rage had swept across her face, and she had stormed and shrieked as if she were unhinged. "You can't throw me over for that dark-haired gargoyle and her freakish family! You'll be a laughingstock. Half of them are Gypsies, and the other half are lunatics- they have few connections and no manners, they're filthy peasants and you'll regret this to the end of your days. Beatrix is a rude, uncivilized girl who will probably give birth to a litter." As she had paused to take a breath, Christopher had replied quietly, "Unfortunately, not everyone can be as refined as the Mercers." The shot had gone completely over Prudence's head, of course, and she had continued to scream like a fishwife.

CHANGGAN MEMORIES When first my hair began to cover my forehead, I picked and played with flowers before the gate. You came riding on a bamboo horse, And circled the walkway, playing with green plums. We lived together, here in Changgan county, Two children, without the least suspicion. When I was fourteen, I became your wife, So shy that still my face remained unopened. I bowed my head towards the shadowed wall, And called one thousand times, I turned not once. At 15 I began to lift my brows, And wished to be with you as dust with ashes. You always kept your massive pillar faith, I had no need to climb the lookout hill. When I was sixteen, you went far away, To Yanyudui, within the Qutang gorge. You should not risk the dangerous floods of May, Now from the sky, the monkeys cry in mourning. Before the gate, my pacing's left a mark, Little by little, the green moss has grown. The moss is now too deep to sweep away, And leaves fall in the autumn's early winds. This August, all the butterflies are yellow, A pair fly over the western garden's grass. I feel that they are damaging my heart, Through worrying, my rosy face grows old. When you come down the river from Sanba, Beforehand, send a letter to your home. We'll go to meet each other, however far, I'll come up to Changfengsha.

She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.

While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation. Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed. Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No- their skin itself. Amber, and sometimes honey..." "What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fresh hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.

Mostly Gaylord deals with insurance scamming. He takes a car off a lot and the insurance company pays.” “That’s still stealing.” “I guess, but it’s an insurance company, and everyone hates those people.” “I don’t hate them.” “Well, you’re weird,” Lula said. “Do you like the car?” “I love the car.” “There you go. And by the way, you might want to put a dab of concealer on your nose.” Kranski’s Bar was on the corner of Mayberry Street and Ash. This was a neighborhood very similar to the Burg, but the houses were a little larger, the cars were newer, the kitchen appliances were probably stainless. I parked in the small lot beside the tavern, and Lula and I sashayed into the dim interior. Bertie was working behind the bar that stretched across the back of the room. A bunch of high-top tables were scattered around the front of the room. Two women sat at one of the tables, eating nachos and drinking martinis. At one end of the bar four men were drinking beer and watching the overhead television. I spotted Kenny Morris at the other end. He was alone, nursing what looked like whiskey. Bertie caught my eye, tilted his head toward Kenny, and I nodded back. “I guess that’s the guy you’re looking for,” Lula said. “You want to tag-team him?” “No. I just want to talk to him. I’ll go it alone.” Lula hoisted herself onto a barstool by the four men, and I approached Kenny. “Anyone sitting here?” I asked him. “No,” he said. “No one ever sits there.” “Why not?” “The television is at the other end.” “But you’re here.” “Yeah, I’m not into the team television thing.” He looked a lot like his yearbook photograph. His hair was a little longer. He was slim. Medium height. Pleasant looking. Wearing jeans and a blue dress shirt with the top button open and the sleeves rolled. He was staring at my nose with an intensity usually displayed by dermatologists during a skin cancer exam. I couldn’t blame him. I’d smeared some makeup on it, but even in the dark bar it was emitting a red glow. “It’s a condition,” I said. “It comes and goes. It’s not contagious or anything. Do you come in here often?” “Couple times a week.

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.

Papa, what is it?” Alice in her humble Cinderella costume—a costume close enough to her mother’s all those years ago to revive fond memories in Lyle—ran lightly down the stairs at the side of the stage. “Travelers in need, chicken,” he said, smiling at her. “Mr. Black, Mr. Plum, this is my family. My wife, Lady Lyle. You’ve met Michael. These are my older sons Angus and Hamish. And this ragamuffin is my daughter Alice.” “You’ve caught us in the middle of putting on a play, Mr. Black,” Charlotte said. “I apologize for our odd appearance.” Lyle waited for some response, then caught the dazed expression on young Black’s face as he stared at Alice. “Mr. Black?” he prompted. “I’m…I’m sorry, my lord,” Black said without shifting his gaze from Alice. “Please don’t let us inconvenience you.” “We’re used to taking in travelers in trouble,” Lyle said, not sure what he thought about his daughter making such a fast conquest. Except it was worse than that, damn it. “I’ll…I’ll show you back to the house. You’ll want dry clothes,” Alice said, returning Black’s interest with a readiness that made every hair on Lyle’s neck bristle with warning. He caught his wife’s eye and stifled his immediate veto of Alice’s offer. “The play’s about to start, Alice,” Angus said. “A short delay won’t matter,” she said, without looking at her brother. Her attention was all for the tall young man with the burning gray eyes and wet blond hair. “You’re too kind, Lady Alice,” Black said. “Come with me.” A brilliant smile curled Alice’s lips. “To the ends of the earth,” the young man said, smiling back with untrammeled delight. They turned toward the door, and Lyle instinctively started to follow until his wife’s hand curled around his arm. “Let them go.” She drew Lyle away from the crowd. “I don’t like the way he was looking at her,” he grumbled, shooting the oblivious Julian Black a glower over his shoulder. Charlotte

Mrs. Campbell was round and cozy with sparkling brown eyes, curly brown hair, and rosy cheeks, but she wasn't beautiful. Mr. Campbell was tall and thin with merry blue eyes and stiff sandy hair, but he wasn't handsome. They were good and kind however, and oftentimes, goodness and kindness cast a glow over people that passes very well for beauty.

You cannot defeat me,” the doppler snarled. “Because I am you, Geralt.” “You are mistaken, Tellico,” the Witcher said softly. “Drop your sword and resume Biberveldt’s form. Otherwise you’ll regret it, I warn you.” “I am you,” the doppler repeated. “You will not gain an advantage over me. You cannot defeat me, because I am you!” “You cannot have any idea what it means to be me, mimic.” Tellico lowered the hand gripping the sword. “I am you,” he repeated. “No,” the Witcher countered, “you are not. And do you know why? Because you’re a poor, little, good-natured doppler. A doppler who, after all, could have killed Biberveldt and buried his body in the undergrowth, by so doing gaining total safety and utter certainty that he would not be unmasked, ever, by anybody, including the halfling’s spouse, the famous Gardenia Biberveldt. But you didn’t kill him, Tellico, because you didn’t have the courage. Because you’re a poor, little, good-natured doppler, whose close friends call him Dudu. And whoever you might change into you’ll always be the same. You only know how to copy what is good in us, because you don’t understand the bad in us. That’s what you are, doppler.” Tellico moved backwards, pressing his back against the tent’s canvas. “Which is why,” Geralt continued, “you will now turn back into Biberveldt and hold your hands out nicely to be tied up. You aren’t capable of defying me, because I am what you are unable of copying. You are absolutely aware of this, Dudu. Because you took over my thoughts for a moment.” Tellico straightened up abruptly. His face’s features, still those of the Witcher, blurred and spread out, and his white hair curled and began to darken. “You’re right, Geralt,” he said indistinctly, because his lips had begun to change shape. “I took over your thoughts. Only briefly, but it was sufficient. Do you know what I’m going to do now?” The leather witcher jacket took on a glossy, cornflower blue colour. The doppler smiled, straightened his plum bonnet with its egret’s feather, and tightened the strap of the lute slung over his shoulder. The lute which had been a sword a moment ago. “I’ll tell you what I’m going to do, Witcher,” he said, with the rippling laughter characteristic of Dandelion. “I’ll go on my way, squeeze my way into the crowd and change quietly into any-old-body, even a beggar. Because I prefer being a beggar in Novigrad to being a doppler in the wilds.

Not at all,” said Ian, taking in every detail of the rather attractive man before him. He was tanned and tawny-haired, with hazel eyes. He was dressed in luxurious-looking jogging bottoms and a matching zip-up sweater of fine navy cashmere (which Ian immediately clocked as being Loro Piana, loungewear of the super-rich).

I’m going to run you down, back over you, and then I’m going to get out and shock you with my stun gun until your hair catches fire.

she was always careful to brush and re-braid her hair, making sure the blond plaits were straight

Breaking the surface, he gulped in a breath, released his hold on the hair, and taking a firm grip on the man’s arm, tried to tow him to shore. Unfortunately, the man didn’t seem to be receptive to that idea and immediately began fighting him, which had Bram tightening his grip. “Stop . . . trying . . . to drown me,” he heard the man rasp in an unexpectedly high voice between bobs of his head lifting and sinking through the water. “I’m trying to save you.” “Is that what you call this?” Intending to reassure the obviously distressed and certainly panicked man, Bram opened his mouth, but soon found himself incapable of speech, a direct result of suddenly finding himself underneath the water. Taken completely by surprise by the idea the man had dunked him, he dodged the man’s kicking legs, as well as a few dog paws, and sputtered his way back to the surface, discovering as he did so that the man he’d thought was drowning was swimming his way quite competently to shore. Striking out after him with his dogs paddling on either side of him, Bram soon reached the side of the moat. Clawing his way up the dirt bank, he flopped onto the grass and turned his head, his attention settling on the man he’d been trying to save. That man was already on his feet, but the longer Bram watched the man, the more it became clear he was no man at all. He, or rather she, had lost her greatcoat in the moat, and her wet clothing was currently plastered against a form that was . . . curvaceous. When she shoved a hunk of long hair away from her face, exposing whiskers, of all things, Bram suddenly found it very difficult to breath because . . . Standing only feet away from him was none other than Miss Lucetta Plum, one of the most intriguing ladies to ever grace the stage, and a lady who had captured his very great esteem. She was looking a little worse for wear, especially since she had mud on her face mixed in with the whiskers, and she also had clumps of algae in her hair, but even in such a sorry state, she was beautiful. She was also the lady he’d been slightly in love with ever since he’d first seen her take to the stage a few years back. Her delicate and refined nature had pulled at his very soul, and the very idea that such a fragile creature was forced to eke out a living on her own had been unfathomable. That was what had prompted Bram to set into motion ways to improve Miss Plum’s circumstance in life, those ways including . . . A

Go away,” Silas yelled. “Miss Plum and I are in the midst of dining and do not care to be disturbed, nor will we want to be—” Whatever he’d been about to say was cut off when there was a very loud explosion and the door blew straight off its hinges. As she dove underneath the table, Lucetta heard someone calling her name—someone who, even though she thought him to be a bit of a lunatic, was a far safer lunatic than the man who’d abducted her and had been holding her captive. Scrambling away from Silas, who was trying to grab hold of her leg, she crawled her way to the middle of the sitting room through smoke that made her choke. Pushing to her feet, her gaze settled on a most welcomed sight. Bram was striding through the smoke, covered in soot, with his hair standing on end, and he looked downright . . . dangerous. Gone was the affable gentleman who had such a charming smile, replaced with a man who had rage in his eyes and determination in every step as he strode ever closer to her. Lunatic or not, no one had ever looked more appealing to her than Bram did at that very moment, and when he stopped a foot in front of her and opened his arms, Lucetta didn’t hesitate to jump directly into them.

I only ever had one friend who was a person. His name was Orchid Harm. He could read faster than anyone I ever met and he kissed as fast as reading. He had hair the color of beetroot and eyes the color of mangosteen and he was a Sunslinger like his Papo before him. They caught sunshine in buckets all over Plum Pudding, mixed it with sugar and lorikeet eggs and fermented it into something not even a little bit legal. Orchid had nothing to do all day while the sun dripped down into his stills. He used to strap on a wash-basket full of books and shimmy up onto the roof of the opera house, which is actually a giantess’s skull with moss and tourmalines living all over it, scoot down into the curve of the left eye socket, and read seven books before twilight. No more, no less. He liked anything that came in sevens. I only came in ones, but he liked me anyway.

he hasn’t cut his hair in at least ten years. For all I know that was also the last time he washed it.

I took a shower and spent some time on my hair, doing the blow-drying thing, adding some gel and some spray. When I was done I looked like Cher on a bad day. Still, Cher on a bad day wasn’t all that bad. I was down to my last clean pair of spandex shorts. I tugged on a matching sports bra that doubled as a halter top and slid a big, loose, purple T-shirt with a large, droopy neck over my head. I laced up my hightop Reeboks, crunched down my white socks, and felt pretty cool.

Nice work,” I said, alluding to her nails. “Maura, at The Hair Palace, does them. She’s a genius with nails, and she’ll bikini wax you till you’re bald as a billiard ball.

Although the garment was beautifully designed and well made, the color, a dark velvet that captured the intense tones of a ripe plum or black cherries, would prove a jarring clash with her hair. She added ruefully, "Not with this carrot top. I'll look a fright.

The sun descends as I make my way into the forest, sapphire hues painting the night like a jewel. Lanterns flicker in the distance, guiding me forward. The spread Amelia has set up is illuminated by tall magenta candles bathing the table with a rosy glow. In the center, there's a tiered cake with vanilla frosting, decorated with pink pansies, marigolds, and violets. Beside it is a summer salad with juicy peaches, soft cheese, and pitted cherries--- a perfect pairing to the bruschetta topped with diced tomatoes. Different fruits are scattered across the table, sliced open to show off their vibrant innards--- blood oranges, figs, and plums. Everyone is dressed in white with bright flowers crowning their heads. Carmella pours sangria into crystal cups while Yvette helps Amelia string more lights in the trees. Roisin is seated beside Serena, adding tiny braids into her hair and placing daisies between the plaits.

The library door opened when he was within three strides of reaching it. Lady Calliope hovered on the threshold, ridiculously fetching in a day gown of plum and mauve with pale-pink roses trimming the bodice and a flounce of blonde lace on her skirts. She looked like a bloody queen, regal and perfect, her dark hair piled high on her crown and curling tendrils framing her face. As with every time he laid eyes upon her, Sin felt as if a fist landed firmly in his gut. And then his prick instantly twitched to life. More reasons to resent her. Damn her beautiful hide. Why did he have to want her the way he did?

Grass don’t grow on a busy street,” Grandma said. “Better to be smart than to have hair.

Lula is two inches shorter than me and has a lot more volume. Much of the volume is in boobs and booty, giving her a voluptuousness that would be hard to duplicate with surgery. Lula achieved her voluptuousness the old-fashioned way. Pork chops, fried chicken, biscuits and gravy, tubs of mac and cheese and potato salad, barbecue ribs, chili hot dogs. Her hair was magenta today. Her skin is polished mahogany. Her dress and five-inch stiletto heels are from her Saturday night ’ho collection and two sizes too small. The overall effect is spectacular, as usual. I

It’s because my regular girl, Shanesha, left the salon and when I went in just now, I had to get my hair done by the new girl, Amy. I just don’t think anyone named Amy could understand my hair needs.

The River-Merchant’s Wife: A Letter" After Li Po While my hair was still cut straight across my forehead I played about the front gate, pulling flowers. You came by on bamboo stilts, playing horse, You walked about my seat, playing with blue plums. And we went on living in the village of Chōkan: Two small people, without dislike or suspicion. At fourteen I married My Lord you. I never laughed, being bashful. Lowering my head, I looked at the wall. Called to, a thousand times, I never looked back. At fifteen I stopped scowling, I desired my dust to be mingled with yours Forever and forever, and forever. Why should I climb the look out? At sixteen you departed You went into far Ku-tō-en, by the river of swirling eddies, And you have been gone five months. The monkeys make sorrowful noise overhead. You dragged your feet when you went out. By the gate now, the moss is grown, the different mosses, Too deep to clear them away! The leaves fall early this autumn, in wind. The paired butterflies are already yellow with August Over the grass in the West garden; They hurt me. I grow older. If you are coming down through the narrows of the river Kiang, Please let me know beforehand, And I will come out to meet you As far as Chō-fū-Sa. Ezra Pound, Selected Poems (1957)

She supposed it was a universal truth that mothers, after tearing out their hair and tacking their raw beating hearts to the outsides of their clothing for anyone to see, were given no warning that some-day their baby-holding days would be over.

brisk middle-aged woman with unflattering plum lipstick and dog hairs on her skirt –

He stepped into the foyer, impeccably suited and scarved, with a silk tie knotted at his collar. Each evening he appeared in ensembles of plums, olives, and chocolate browns. He was a compact man, and though his feet were perpetually splayed, and his belly slightly wide, he nevertheless maintained an efficient posture, as if balancing in either hand two suitcases of equal weight. His ears were insulated by tufts of graying hair that seemed to block out the unpleasant traffic of life. He had thickly lashed eyes shaded with a trace of camphor, a generous mustache that turned up playfully at the ends, and a mole shaped like a flattened raisin in the very center of his left cheek. On his head he wore a black fez made from the wool of Persian lambs, secured by bobby pins, without which I was never to see him. Though my father always offered to fetch him in our car, Mr. Pirzada preferred to walk from his dormitory to our neighborhood, a distance of about twenty minutes on foot, studying trees and shrubs on his way, and when he entered our house his knuckles were pink with the effects of crisp autumn air.

He was a tall, thin stork of a man who stalked into my office, disapproval etched into every line of his body. His head was small, the hair so closely cropped that you couldn’t help noticing his compact, neat ears. His face bore so few distinguishing characteristics I thought that if you tried to describe him you’d end up noting his impeccable posture and that he was very, very clean.

Sometimes I find human nature to be real disappointing,” Lula said. “I guess that’s why God made metallic extensions and pink hair dye. Sometimes you gotta compensate.

I get my hair done first, and then Margie and I go shoot a hundred rounds,” Grandma said. “I wouldn’t be telling you this, but pretty soon I imagine I’ll have my own house and lots of money for ammo, and I’ll be able to shoot every day if I want.

Just a kid with hair the color of raisins and eyes the color of grape jelly, living the life glasstastic in a four bedroom wine bottle on the east end of Plum Pudding...

the water of my race walks with O’Reilly soft touch absorbent infallible pro-aging bamboo follicles who will inherit the earth misty plum [Gong noise] when your hair is on, you’re on fire

I don’t know,” Lucy said loyally, raising the flag for the backlash to the backlash. “I mean, come on, guys. He’s only what—forty?” “He’s thirty,” Plum said. “Sorry. It’s hard to tell with the, you know, the hair. I just meant that we’re not in Humbert Humbert territory here.

Because, see, any amount of intimate there would be, you know—” Chelsea wrung her hands frantically. “Squick.” “I don’t know,” Lucy said loyally, raising the flag for the backlash to the backlash. “I mean, come on, guys. He’s only what—forty?” “He’s thirty,” Plum said. “Sorry. It’s hard to tell with the, you know, the hair. I just meant that we’re not in Humbert Humbert territory here.

he looked like one of those whistle and clipboard types: short blond hair, icy blue eyes, Mr. Can-Do, ex-jock, fit and trim, ready to organize a sporting event or assign people to boxcars, whatever needed doing.

Ranger was definitely wow. He stood half a head taller than me. He was perfectly toned muscle, and he had classic Latino good looks. He always smelled great. He dressed only in black. His eyes were dark. His hair was dark. His life was dark. Ranger had lots of secrets.