Hup Quotes

Hup hup ha ha hammy hee hee!

EMMA: Ah. There you are. You— little— John Sublime: Shhuhh… Hup. Don’t. Please… My mom met your parents in the Hamptons… I… I go through agonies of conscience every time we have to hurt one of you beautiful creatures… Emma… I’m doing God’s will… EMMA: Shut up! I am very cross about this! Very very very cross indeed! I look like a bloody heavyweight boxer!

Before too long, the bottle of whisky lies empty on the grass in front of us and Mike appears to have talked himself out. In the silence that follows, Mike begins hiccupping with the most intense seriousness and mental concentration, and I realise that he’s thoroughly, disgracefully drunk. ‘Come on,’ I say, helping him to his feet. ‘I think we’ve had enough excitement for one evening.’ I manage to get him up, but then he sways up against the castle wall, and does not seem keen to move. ‘D’you think, perchance, we could call a taxi?’ ‘We’re half a mile from any road, Mike. Come on. Get moving.’ ‘A horse!’ Mike shouts. ‘My kingdom for a horse.’ ‘Yes, yes,’ I say. ‘Come along now. Here’s my arm. Got my arm? Got it?’ ‘Or a donkey,’ Mike says. ‘My kingdom for a donkey.’ ‘Oh, come on,’ I say. ‘Grab my arm.’ ‘Arm of the law!’ Mike shouts. ‘Quite right, Colonel. Hup. two three four. And March!’ But Mike, in spite of saying this, does not himself march. ‘D’you think February can March?’ he asks, turning to me. ‘I don’t know, but I think April May.’ He follows this with a snort of laughter so violent that it propels him away from the wall. I catch him and, taking advantage of the forward momentum, begin the journey homewards. ‘My kingdom,’ Mike says, returning to his earlier point. ‘Wouldn’t get much for it now, state the country’s in.’ ‘Yes,’ I say. ‘Good point.’ ‘Tories,’ Mike says. ‘String ‘em up.’ ‘Yes, yes,’ I say, soothingly. ‘Tories.’ ‘Bunch of crim’nals,’ Mike says, misanthropically. ‘String ‘em all up.’ And with that, he drops his head and is silent for the remainder of the journey.

Girl Snouts.” “We are not,” contradicted Sarah. “We’re Girl Scouts.” “Hup, two, three, four. Hup, two, three, four,” counted Mrs. Collins, who was the jolly type and did not understand how parents sometimes embarrass their children. Down the hill marched the class. Mitchell felt Bernadette’s toe on his heel again and jumped in time.

Heart Some people sell their blood. You sell your heart. It was either that or the soul. The hard part is getting the damn thing out. A kind of twisting motion, like shucking an oyster, your spine a wrist, and then, hup! it's in your mouth. You turn yourself partially inside out like a sea anemone coughing a pebble. There's a broken plop, the racket of fish guts into a pail, and there it is, a huge glistening deep-red clot of the still-alive past, whole on the plate. It gets passed around. It's slithery. It gets dropped, but also tasted. Too coarse, says one. Too salty. Too sour, says another making a face. Each on is an instant gourmet, and you stand listening to all this in the corner, like a newly hired waiter, your diffident, skillful hand on the wound hidden deep in your shirt and chest, shyly, heartless.

Hij haalt kabelaanbinders uit zijn bestelwagen. Aan de andere kant van het huis maakt hij beide ladders met het zwembord aan elkaar vast. 'Straks ga ik trouwens bij jullie buren langs', zegt hij, weer in de keuken. Els en Dieter staren hem aan alsof er een bijl vastzit in zijn schedel. Waarom hun buren, willen ze weten. Hij legt uit dat hij er met een kleurenwaaier langs zal gaan, zodat ze een kleur kunnen kiezen - eens hij hier klaar is, begint hij bij hen. Dieter wikkelt zijn armen om zijn hoofd, Els slaat met haar vlakke hand tegen een geschilderde muur. 'Verdomme,' zegt ze, kijkend van haar Pick Nickroze hand naar de skeletvingers op de muur. 'Sorry.' Alphonse drukt een doek tegen de mond van een fles terpentine, houdt haar hand in de zijne om die schoon te maken. Even staat ze erbij als een beteuterd kind, haar vingers opengesperd zodat zijn kordate, vaderlijke vegen alle verf kunnen vinden, dan laait haar toorn weer op: 'Niet normaal! Dat is gewoon niet meer normaal!' Hij haalt een kleine, nieuwe verfroller uit de verpakking en laat die als een lichte pletwals een luchtige tocht over de handafdruk maken. Het werkt. 'Alles wat wij doen, willen zij ook', verduidelijkt Dieter. 'Geen idee hoe dat zit in het hoofd van die mensen. Ze hebben je bestelwagen voor onze deur zien staan en hup, hun keuken moet ook een nieuwe kleur krijgen.' 'Hun slaapkamers.' Ze hebben hem niet gehoord. 'Het is al jaren aan de gang. Wij een huis, zij een huis. Wij een kind, zij een kind. Wij een nieuwe wagen of een reis door de Verenigde Staten: zij ook.' Somber verwijdert Els verfresten van onder haar nagels. 'Wat moeten wij doen? Verhuizen?

While Docker automatically captures logs for you, it does not also rotate them. In fact, currently none of the provided packages set up any log rotation. You’ll need to do that yourself in most cases. Rather frustratingly, Docker also does not respond to a signal to tell it to reopen logs. If you send it the standard HUP signal, it will instead restart all the containers, which is not what you want. The current best practice for rotation of Docker logs is to have logrotate use the copytruncate method to copy the logfile and then truncate it in place. There are open bugs against docker asking for a better solution.

HEART Some people sell their blood. You sell your heart. It was either that or the soul. The hard part is getting the damn thing out. A kind of twisting motion, like shucking an oyster, your spine a wrist, and then, hup! it's in your mouth. You turn yourself partially inside out like a sea anemone coughing a pebble. There's a broken plop, the racket of fish guts into a pail, and there it is, a huge glistening deep-red clot of the still-alive past, whole on the plate. It gets passed around. It's slippery. It gets dropped, but also tasted. Too coarse, says one. Too salty. Too sour, says another, making a face. Each one is an instant gourmet, and you stand listening to all this in the corner, like a newly hired waiter, your diffident, skilful hand on the wound hidden deep in your shirt and chest, shyly, heartless.

Here’s headquarters,” the officer said as Frank stopped before a yellow clapboard house with tall, shuttered windows and doors, nestled far back from the road. “What a swell place!” Chet exclaimed. “I’m going to sit under this big tree and eat and sleep—” “I thought you were the official photographer on this mission,” General Smith said, his eyes twinkling. “Correct!” Frank agreed as they carried their luggage into the house. “Hup, two, three, four! Come on, Chet. There’s work to be done.” The general’s home consisted of a long living room, dining room, library, a kitchen, and three big bedrooms on the second floor. General Smith ushered the boys into the largest of the bedrooms. “You Hardys will bunk here,” he said. “Chet can have the next room.” “Pretty fancy bunks,” Frank remarked, eying the two mahogany four-poster beds and the silk hangings at the windows.

Hup! . . . and here we are, waking up. Quick scan around, nothing immediately threatening, it would seem . . . Hmm. Floating in space. Odd. Nobody else around. That’s funny. View’s a bit degraded. Oh-oh, that’s a bad sign. Don’t feel quite right, either. Stuff missing here . . . Clock running way slow, like it’s down amongst the electronics crap . . . Run full system check. ... Oh, good grief!

Several strands of my long hair were cut. I watched the strands as they fluttered to the ground before being blown away by a breeze. Turning while still keeping low to the ground, I found a pair of legs directly in front of my face. I looked up to see another cloaked individual. “Hup!” Using the strength of my legs to push off the ground, I leapt up at a speed that was too fast for this person to keep up with. His foot missed as I moved backward. I came back in and swung my fist upward. A satisfying cracking noise echoed around the empty street as my fist slammed into the underside of this person’s chin. A garbled cry of pain emerged from the cloaked figure’s mouth as my attack sent the guy into the air. Blood and a tooth shot out of the cloaked person’s hood. My opponent flew backward in a parabolic arc, struck the ground hard, bounced several times, and rolled to a stop several meters away. “ALF!” a cry came from the first cloaked individual who attacked me. “You bastard!!” “It’s rich calling someone a bastard for fighting back after you attack him,” I muttered, though it seemed my attacker wasn’t paying any attention to what I said.

With a loud “hup,” Stokes signaled to the musicians that he neared the end. He gestured with his bow to wind them down to the finish, and they lingered on the final note, Scurlock shaking his tambourine. Stokes ended with a flourish, his bow rising into the air like a feather in an updraft.