Etheric Echoes Quotes

We've searched our database for all the quotes and captions related to Etheric Echoes. Here they are! All 20 of them:

Writers and artists know that ethereal moment, when just one, fleeting something--a chill, an echo, the click of a lamp, a question—-ignites the flame of an entire work that blazes suddenly into consciousness.
Nadine C. Keels
I saw the Light,saw the myriad spirits flying loose up the Tunnel towards the celestial blaze, the Tunnel perfectly round and widening as they rose and for one blessed moment, one blessed tiny instant, the songs of Heaven resounded down the tunnel as if its curves were not made of wind but of something solid that could echo these ethereal songs, and their organized rhythm, their heartbreaking beauty piercing the catastrophic suffering of this place-Lestat
Anne Rice (Memnoch the Devil (The Vampire Chronicles, #5))
Playing along in the yard, The blue sky sparkles against the earthly green, Creating such harmony! A pond, nearby. Untroubled waters mirrors the ether's dreams. A grand echo of my Divine Heart! I am One
Arnaud Saint-Paul (The Human Project)
Within the caves of deepest longing Echoes the sounds of majestic eve! Upon the sphere of bright white skies Spreads the paint of evening colours! Silence divine, Penetrates deep Onto the void of ethereal joy! All I have is a bundle of letters That would sound nothing definite! Hold my arms to touch my warmth, O dear, whisper on my ears soft, Is silence the fall of words or Are words the wreck of silence?
Preeth Padmanabhan Nambiar (The Solitary Shores)
He said he’d heard the sound of one hand clapping. He said, once his mind took in the wondrous no-sound of holy oneness, the empty echo of eternal bliss, he was never the same. He could hear it still, he said, resounding in the ether and tickling the back of his brain. Something not normal was going on with his brain. No argument there.
Brenda Marie Smith (Something Radiates)
the darkness itself was slowly consuming the mental remnants of that life. As more time went along, the more his memories haunted him as ethereal echoes.
T.H. Solomon (The Authority Wars: Banished (The Authority Wars #1))
I relinquished myself to existence pure and simple, thinking absolutely nothing—as if my mind were merely an echo chamber for the music, as if it contained only ether or at most a vaguely pleasant odor as of roses preserved between the pages of a book, their significance long forgotten. The tongue of the road gobbled me up and I allowed myself to sink like a tasty mouthful all the way to the bottom of a marvelous, rejuvenating vacuity. Later, it would occur to me it’s the emptiness we mistakenly call Innocence.
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
He was there everynight, to make me laugh, to make me blush, to make a girl that couldn't dream, dream of a thousand different lives with him. He was the unwavering rock to lean on the nights when breathing felt insufferable. He was the voice and I was the echo.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
She thinks of her own remote, wild place, full of noisy, big-eyed creatures of its own. It feels almost impossible that the cloud forest still exists. She wants to close her eyes and travel back there. Wants to feel the cool softness of the clouds against her cheeks and eyelashes. She wants to hear the echoing drips of rainfall spattering among the big, fat leaves. The memory of that bright, liquid, ethereal place is fading from her grasp. When she closes her eyes now, she cannot recall the sound of her abuela’s singing or the smell of the chilate. It’s all been obliterated from her, and the grief of that eradication feels like a weight she must carry in her limbs.
Jeanine Cummins (American Dirt)
The universal laws of nature including the thermodynamic principles of entropy govern the relationships between interconnected organisms. The notion of internal thermodynamic equilibrium assure us that the powerful energy reserves of one person will always rush in to fill the void or vacuum in another person. Thus I will always register your mystical presence in my quiescent mind, your hallow echo fills the hollow space of my very being. You are the external reflection of my innermost want, the personification of a world that lies outside my conscious reach, ethereal substance of the soul, the guiding hand that my unconscious mind instinctually gropes for in order to make me complete.
Kilroy J. Oldster (Dead Toad Scrolls)
The thought dazed Regan, arresting her in a state of half-awake, half-asleep. If she reclaimed all her things—snuck in like the thief that she was and stole back the life that she’d shared with him—would Aldo wake to feel relief? Would he recognize it as a favor? On the one hand, she wanted to bear his entire sadness for him; to hurt herself doubly, just to keep it from him, and was that illness or love? Was she really so broken that she wanted to suffer to spare him, and if that was true, then had he been right all along? Did she want him to forget (did she want to forget?) or was his pain something that she had earned, that she deserved, purely by virtue of existing? Was it fairer for him to come home to an emptiness he could trace like the scars along his shoulders? Should the echoes of her still linger for him beyond the pain?
Olivie Blake (Alone With You in the Ether)
There's nothing but shine and warmth, as if her very essence surrounds me. She's always been radiant. Always burned hot. Like the sun itself. I reach out my hand in the golden ether, and she reaches right back with a look that squeezes my heart. The moment we touch, she pulls close, tucking herself against my chest. She turns her head and presses her lips against that aching, rotting, poisoned spot of me, and I shudder. One touch, and she takes away the pain that's been stalking me. The drain that's been eating away at my lifeforce. A shaky breath slips out past my lips. When she hears it, her fingertips come up to smooth against my furrowed brow. Dancing down my jaw, making the rot beneath my beard writhe, like it's trying to reach up to her. I feel the seed of rot in her own chest thump in answer. I take her hand in mine, look down at her with an ache. "Where are you?" My voice echoes. She smiles—a smile that reaches up to her gleaming eyes. Then she moves her other hand down to rest over my heart, and I go heavy all over. Eyes drooping, mind falling. Going down, down into the dark. But I hear her beautiful voice in a whisper just before all the light fades away. "I'm here.
Raven Kennedy (Gold (The Plated Prisoner, #5))
In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them. Yet, just as the dance was about to begin, Princess Mehjabeen's eyes fluttered open, the enchanting dream slipping away like mist beneath the twilight.
Haala Humayun (The Legend of Tilsim Hoshruba)
In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them.
Haala Humayun (The Legend of Tilsim Hoshruba)
The stones sing as the sun begins to fall. There is a quality to the karst country light that is mesmeric, spilling over the grasslands, bathing the ridges and rolling hills in a deep and reflection radiance. It is as though it were a relic luminescence, a memory of when this plateau was still an ocean; that in the compacted shells of the marine creatures that have surfaced into stone there remains a trace of what was pelagic about them, an unalloyed and ethereal echo of sunlight striking sea.
Julian Hoffman (The Small Heart of Things: Being at Home in a Beckoning World (AWP Award Series in Creative Nonfiction))
You are ethereal, and I find my universe in You!
Sreena K.S. (Incantations - Whispers of Nature, Echoes of the Soul)
Dr. Hunter insisted on the benefit of fresh air, and Mrs. Fraser agreed with this because of the ether fumes but kept talking about something she called germs, worrying that these would come in through the window and contaminate her “surgical field.” She speaks as though she views it as a battleground, he thought, but then looked closely at her face and realized that indeed she did.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
Me, though- when life gave me lemons, I smashed the fruit with a hammer and used the juice to blind my enemies so I could beat and rob them. A short, nasty, brutish life.
Ether Echoes (Through the Well of Pirene)
We looked into each other’s eyes, pushing the veil of reality to expose wondrous ether where time ceased to exist. Our bodies melted together into a single form and there was no ending or beginning. We were an echoing union; our mad dance shattering all inhibitions and conceptions, destroying the world around and within to make way for something new.
Ken Alexopoulos (Sanctified - Act 1: Born Of Man)
So they sometimes think it would be easier to unwind the heliocentric centuries and go back to the years of a divine and hulking earth around which all things orbited – the sun, the planets, the universe itself. You’d need far more distance from the earth than they have to find it insignificant and small; to really understand its cosmic place. Yet it’s clearly not that kingly earth of old, a Godgiven clod too stout and stately to be able to move about the ballroom of space; no. Its beauty echoes – its beauty is its echoing, its ringing singing lightness. It’s not peripheral and it’s not the centre; it’s not everything and it’s not nothing, but it seems much more than something. It’s made of rock but appears from here as gleam and ether, a nimble planet that moves three ways – in rotation on its axis, at a tilt on its axis, and around the sun. This planet that’s been relegated out of the centre and into the sidelines – the thing that goes around rather than is gone around, except for by its knobble of moon. This thing that harbours us humans who polish the ever-larger lenses of our telescopes that tell us how ever-smaller we are. And we stand there gaping. And in time we come to see that not only are we on the sidelines of the universe but that it’s of a universe of sidelines, that there is no centre, just a giddy mass of waltzing things, and that perhaps the entirety of our understanding consists of an elaborate and ever-evolving knowledge of our own extraneousness, a bashing away of mankind’s ego by the instruments of scientific enquiry until it is, that ego, a shattered edifice that lets light through.
Samantha Harvey (Orbital)