“
It won’t let me just use my own name as my username.”
“Yeah, probably because about nine hundred Brendan Taggarts joined before you.”
“So what should I use?”
“CaptainCutie69,” Fox spat out.
“IGotCrabs4U,” Deke supplied.
“SlipperyWhenWet.”
Brendan stared. “You’re all fired. Go home.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
The captain is a little sensitive about Piper,” Fox explained, still wearing that shit-eating grin. “He doesn’t know what to do with his confusing man feelings.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
Brendan cleared his throat hard. “What does ‘follow’ mean?”
“Don’t,” Deke rushed to say. “Don’t press it.”
His thumb was already on the way back up. “Too late.”
All three of his crew members surged to their feet. “No. Brendan, don’t tell me you just tapped the blue button,” Sanders groaned, hands on his mop of red hair. “She’s going to see you followed her. She’s going to know you internet stalked her.”
“Can’t I just unfollow now?” Brendan started to tap again.
Fox lunged forward. “No! No, that’s even worse. If she already noticed you followed her, she’s just going to think you’re playing games.”
“Jesus. I’m deleting the whole thing,” Brendan said, throwing the offending device onto the dashboard.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
Four of Dan's sisters had made it. They wore white sundresses they'd altered so three spelled out FOX. The fourth sported a fox paw that was already starting to lose a toe pad. They practically crushed Dan, smothering her with a group hug before fawning over her.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
In the halls of heaven it was now dark enough for the Aurora Borealis sisters to begin their lively dance of the veils. With an enchanting play of colors they flitted light and quick about the great stage of the heavens, in fluttering golden dresses, their tumbling pearl necklaces scattering here and there in their wild caperings.
”
”
Sjón (The Blue Fox: A Novel)
“
You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
”
”
Hermann Hesse (Steppenwolf)
“
People are people,"..."You can fall in love with either sex- it's the *person* who makes the difference. His or her spectacular insides.
”
”
Laurie Fox (My Sister from the Black Lagoon : A Novel of My Life)
“
Mmmm. I like that idea. W-we can find out who we’ll become together. Without everyone around all the t-time.”
“Whoever we become together, Hannah,”
“I’m yours and you’re mine. So it’s always going to be right.”
“I didn’t know what right felt like until you,” he choked out.
“I’m holding on to the good you give me. I’m holding on to you.”
“I’m hanging on to you, too, Fox Thornton,”
“Never letting go.”
“I’m in for the good, bad, and everything in between, Hannah.”
“Decades. A lifetime. I’m in.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
When humans say that someone "is full of grit", they mean full of courage. Before long the sisters were to prove that they were filled with grit in both senses of the word.
”
”
Dick King-Smith (The Fox Busters)
“
Fox, listen to me. I don’t care how many different beds you’ve been in. I know you belong in mine.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
There will always remain more ashes than remorse.
”
”
Hubert Haddad (Rochester Knockings: A Novel of the Fox Sisters)
“
She raised the dagger and plunged it into Cath’s chest. Catherine gasped, and though there were screams in the courtroom, she barely heard them over the cackle of the Three Sisters. Cold seeped into her from the blade, colder than anything she had ever known. It leached into her veins, crackling like winter ice on a frozen lake. It was so cold it burned. Lacie pulled out the blade. A beating heart was skewered on its tip. It was broken, cut almost clean in half by a blackened fissure that was filled with dust and ash. “It has been bought and paid for,” said the Sister. Then she yipped and launched herself back to the courtroom floor. She was joined by her sisters, cackling and crowding around the Queen’s heart. A moment later, a Fox, a Raccoon, and an Owl were skittering out the door, leaving behind the echo of victorious laughter. CHAPTER 54 CATH STARED AT THE DOORS still thrust wide open, her body both frozen and burning, her chest a hollow cavity. Empty and numb. She no longer hurt. That broken heart had been killing her, and it was gone. Her sorrow. Her loss. Her pain, all gone. All that was left was the rage and the fury and the desperate need for vengeance that would soon, soon be hers.
”
”
Marissa Meyer (Heartless)
“
This cat, on the other hand, was its own animal. All cats give that impression, of course, but instead of the mindless animal self-absorption that passes for secret wisdom in the creatures, Greebo radiated genuine intelligence. He also radiated a smell that would have knocked over a wall and caused sinus trouble in a dead fox.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
As Corey and I followed Grandmother out of the library, we glanced at each other. Without saying a word, I knew my sister was thinking exactly what I was thinking. Rappings and tappings, footsteps, doors opening and shutting—we could do that. And more. Bringing ghosts back to Fox Hill would be like playing haunted house all summer long.
”
”
Mary Downing Hahn (All the Lovely Bad Ones)
“
That evening the men worked late to finish and I raked the fields in the dusk with Alison, stopping to pick the dog-roses which were like white stars in the hedges, then hastening after my sister. Dumbledores boomed as they struck our dresses, a hedgehog walked in the path, and we could hear the barking of a fox in the wood. Night
”
”
Alison Uttley (A Traveller in Time)
“
February 5 FOX (9:10 AM): It’s raining here. Give me something moody to listen to. HANNAH (9:12 AM): Hmm. The National. Start with “Fake Empire.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
It's rather unfair, don't you think, that women are criticized for the very thing men do all the time.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
Faugh! You’re full fed. Gorged with other men’s lives, women’s too: Bardia’s, mine, the Fox’s, your sister’s—both your sisters’.
”
”
C.S. Lewis (Till We Have Faces: A Myth Retold)
“
BE BOLD, BE BOLD, BUT NOT TOO BOLD, LEST THAT YOUR HEART’S BLOOD SHOULD RUN COLD.
”
”
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
“
What I have seen was no trick. Fire and ash will come. And end of worlds. Serpent will strangle wolf. Lion will battle lion. Darkness will battle light. Sister murder brother. Son murder father. Father murder daughter. This is what the fire told me. All I have seen has come true. As others are consumed, Sefi will rise from the ashes to bind the Obsidians, to become one with Red, to found a kingdom watched over by a gray fox. Watched over by you.
”
”
Pierce Brown (Dark Age (Red Rising Saga #5))
“
But how do we get men and women before they are hunted like foxes and trapped like rats and treated like ants to understand the concept of unity, working, building, living together? It seems the Black National Anthem is If it’s broke, don’t fix it.
”
”
Sister Souljah (The Coldest Winter Ever)
“
I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's "control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a "teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. ("The Vane Sisters")
”
”
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
He wasn’t a pretty boy, his nose was crooked and his grin lopsided, but he had that square-jawed, salt-of-the-earth handsome look that made a girl think of loose-hipped cowboys and demanding Scottish Lairds. And speaking of Scottish Lairds, old mate was a redhead. Usually gingers weren’t her scene but this guy’s hair was the rich coppery-auburn of a fox's pelt. It gleamed like rose gold under the floodlights, his short beard the exact colour as the stuff on his head. Big Red was doing it for her. Big time. And apparently, the feeling was mutual.
”
”
Eve Dangerfield (Open Hearts (Bennett Sisters, #2))
“
The creature was very young. He was alone in a dread universe. I crept on my knees and crouched beside him. It was a small fox pup from a den under the timbers who looked up at me. God knows what had become of his brothers and sisters. His parents must not have been home from hunting. He innocently selected what I think was a chicken bone from an untidy pile of splintered rubbish and shook it at me invitingly... the universe was swinging in some fantastic fashion around to present its face and the face was so small that the universe itself was laughing.
It was not a time for human dignity. It was a time only for the careful observance of amenities written behind the stars. Gravely I arranged my forepaws while the puppy whimpered with ill-concealed excitement. I drew the breath of a fox's den into my nostrils. On impulse, I picked up clumsily a whiter bone and shook it in teeth that had not entirely forgotten their original purpose. Round and round we tumbled and for just one ecstatic moment I held the universe at bay by the simple expedient of sitting on my haunches before a fox den and tumbling about with a chicken bone. It is the gravest, most meaningful act I shall ever accomplish, but, as Thoreau once remarked of some peculiar errand of his own, there is no use reporting it to the Royal Society.
”
”
Loren Eiseley
“
Tomino’s Hell
Elder sister vomits blood,
younger sister’s breathing fire
while sweet little Tomino
just spits up the jewels.
All alone does Tomino
go falling into that hell,
a hell of utter darkness,
without even flowers.
Is Tomino’s big sister
the one who whips him?
The purpose of the scourging
hangs dark in his mind.
Lashing and thrashing him, ah!
But never quite shattering.
One sure path to Avici,
the eternal hell.
Into that blackest of hells
guide him now, I pray—
to the golden sheep,
to the nightingale.
How much did he put
in that leather pouch
to prepare for his trek to
the eternal hell?
Spring is coming
to the valley, to the wood,
to the spiraling chasms
of the blackest hell.
The nightingale in her cage,
the sheep aboard the wagon,
and tears well up in the eyes
of sweet little Tomino.
Sing, o nightingale,
in the vast, misty forest—
he screams he only misses
his little sister.
His wailing desperation
echoes throughout hell—
a fox peony
opens its golden petals.
Down past the seven mountains
and seven rivers of hell—
the solitary journey
of sweet little Tomino.
If in this hell they be found,
may they then come to me, please,
those sharp spikes of punishment
from Needle Mountain.
Not just on some empty whim
Is flesh pierced with blood-red pins:
they serve as hellish signposts
for sweet little Tomino.
—translated by David Bowles
June 29, 2014
”
”
Saijo Yaso
“
If a boy fires off a gun, whether at a fox, a landlord or a reigning sovereign, he will be rebuked according to the relative value of these objects. But if he fires off a gun for the first time it is very likely that he will not expect the recoil, or know what a heavy knock it can give him. He may go blazing away through life at these and similar objects in the landscape; but he will be less and less surprised by the recoil; that is, by the reaction. He may even dissuade his little sister of six from firing off one of the heavy rifles designed for the destruction of elephants; and will thus have the appearance of being himself a reactionary. Very much the same principle applies to firing off the big guns of revolution. It is not a man's ideals that change; it is not his Utopia that is altered; the cynic who says, "You will forget all that moonshine of idealism when you are older," says the exact opposite of the truth. The doubts that come with age are not about the ideal, but about the real. And one of the things that are undoubtedly real is reaction: that is, the practical probability of some reversal of direction, and of our partially succeeding in doing the opposite of what we mean to do. What experience does teach us is this: that there is something in the make-up and mechanism of mankind, whereby the result of action upon it is often unexpected, and almost always more complicated than we expect.
”
”
G.K. Chesterton
“
Sheriff Fox was running his fingers through his thin hair. In a few short years, he’d look bald as a peeled apple. The Snoop sisters and their sidekick, the town’s bag lady no less, had traipsed into his office without knocking first. His admin (he couldn’t remember their names to save his life) had ushered them in, and they’d just dumped this hot potato into his lap.
”
”
Ed Lynskey (The Ladybug Song (Isabel & Alma Trumbo #3))
“
Once this is over,' he says, 'there are some things I want to tell you. Some explanation I have to give.'
'Like what?' I ask, keeping my voice low.
He looks away, toward the edge of the pine forest. 'I let you believe- well, something that's untrue.'
I think about the feeling of Oak's breath against my neck, the way his fox eyes looked with the pupils gone wide and black, the way it felt to bite his shoulder almost hard enough to break skin. 'Tell me, then.'
He shakes his head, looking pained, but so many of his expressions are masks that I can no longer tell what is real. 'If I did, it would serve nothing but to clear my conscience and would put you in danger.'
'Tell me anyway,' I say.
But Oak only shakes his head again.
'Then let me tell you something,' I say. 'I know why you smile and jest and flatter, even when you don't need to. At first I thought it was to make people like you, then I thought it was to keep them off-balance. But it's more than that. You're worried they're scared of you.'
Wariness comes into his face. 'Why ever would they be?'
'Because you terrify yourself,' I say. 'Once you start killing, you don't want to stop. You like it. Your sister may have inherited your father's gift for strategy, but you're the one who got his bloodlust.'
A muscle moves in his jaw. 'Are you afraid of me?'
'Not because of that.'
The intensity of his gaze is blistering.
It doesn't matter. It feels good to pierce his armour, but it doesn't change anything.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Once upon a time, there was a girl named Taryn. She suffered many indignities at the hands of the magical people called the Folk, yet she never was anything but kind, no matter how they despised her. Then one day, a fox-haired faerie boy looked upon her and saw her virtue and her loveliness, so he took her to be his bride. And on his arm, dressed in a gown as bright as the stars, the other Folk saw her for the first time. They knew that they’d misjudged her and…
”
”
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
“
Have you ever successfully stopped Jacks?' asked Castor.
Lala raised her chin imperiously. 'I once stabbed him with a butter knife.'
'I remember that butter knife fiasco,'
Evangeline said. 'It caused a great mess. Speaking of messes- what are we going to do about Jacks's heart?'
'I say we kidnap Aurora and torture her until she tells us where it is,' said Lala.
'I'm not letting you torture my sister,' Castor interrupted.
'Your sister is a monster!'
Castor's nostrils flared. 'We are all monsters.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Subject: Some boat
Alex,
I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol.
The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask.
I won't ask.
My mother loves his wife's suits.
I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too.
I'll save you some cannoli.
-Ella
Subject: Shh
Fiorella,
Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you?
I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?).
Okay.
Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four.
Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits.
Three: We have a house kinda near Surf City. Maybe I'll be there when your there.
You'd better burn this after reading.
-Alexai
Subect: Happy Thanksgiving
Alexei,
Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course.
Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian.
She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back.
-F/E
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
There was much more she would have liked to tell her brother. But within a few months, she would be able to tell him in person. When he learned of the attack on the airship, nothing would stop Archimedes and his wife from coming. But at least they would fly to the Red City instead of Krakentown, where he might be recognized as the smuggler Wolfram Gunther-Baptiste. One day, she might write a story inspired by that part of his career. She would call it The Idiot Smuggler Who Destroyed the Horde Rebellion’s War Machines and Changed His Name to Avoid the Rebel Assassins. Zenobia would take pity on the idiot’s sister and leave her out of the tale. She
”
”
Meljean Brook (The Kraken King and the Fox's Den (Iron Seas, #4.3; Kraken King, #3))
“
There's no such thing as witches. But there used to be.
It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs.
But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses.
Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be.
Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking.
Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers.
The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics.
Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way.
She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters.
There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work.
Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks.
There's still no such thing as witches.
But there will be.
”
”
Alix E. Harrow (The Once and Future Witches)
“
I’m scared all the time and don’t tell me that courage is going forward when you’re scared because it’s not like that. I was scared of the carriages and the people at the inns. The only thing I did right was find the dust-wife.”
“Ah, Lady Fox.” He shook his head. “I think finding her makes up for anything else you did wrong.”
“Maybe, but you…you did what you could to make it right.” She didn’t know how to say what was in her head, that Fenris was a good man and maybe the weakness of being good was that evil didn’t occur to you. That never in a thousand years would she have dreamed that Vorling was intentionally hurting her sister. It had never even crossed her mind. “And then you did your best to make sure no one else suffered.”
He snorted. “By jumping into a fairy fort. Not the best idea I’ve ever had.”
Marra clasped her hands together. They seemed much colder now that Fenris had released them. “Well, if you hadn’t, we never would have met.”
“No, we wouldn’t have.” His eyes held hers for just a moment too long, and in the end, Marra’s dropped first.
”
”
T. Kingfisher (Nettle & Bone)
“
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and
the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of
memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then
the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher;
had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
”
”
Virginia Woolf
“
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear.
"They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green.
"Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine."
He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
If I could wave a magic wand and have one wish granted, I’d wish for an end to world hunger; the small shit could wait in line. If, however, the god or genie who bestowed the magic wand told me my one wish had to do with American politics, I think I’d wave it and make the following proclamation: “Every liberal in the country must watch Fox News for one year, and every conservative in the country must watch MSNBC for one year.” (Middle-of-the-roaders could stick with CSI.) Can you imagine what that would be like? For the first month, the screams of “What IS this shit???” would echo high to the heavens. For the next three, there would be a period of grumbling readjustment as both sides of the political spectrum realized that, loathsome politics aside, they were still getting the weather, the sports scores, the hard news, and the Geico Gecko. During the next four months, viewers might begin seeing different anchors and commentators, as each news network’s fringe bellowers attracted increasing flak from their new captive audiences. Adamantly shrill editorial stances would begin to modify as a result of tweets and emails saying, “Oh, wait a minute, Slick, that’s fucking ridiculous.” Finally, the viewers themselves might change. Not a lot; just a slide-step or two away from the kumbayah socialists of the left and the Tea Partiers of the right. I’m not saying they’d re-colonize the all-but-deserted middle (lot of cheap real estate there, my brothers and sisters), but they might close in on it a trifle.
”
”
Stephen King (Guns (Kindle Single))
“
The young man, not much more than a boy, heard the wind. Heard the moan, and heeded it. He stayed. After a day his family, afraid of what they might find, came looking and found him on the side of the terrible mountain. Alive. Alone. They pleaded with him to leave, but, unbelievably, he refused. “He’s been drugged,” said his mother. “He’s been cursed,” said his sister. “He’s been mesmerized,” said his father, backing away. But they were wrong. He had, in fact, been seduced. By the desolate mountain. And his loneliness. And by the tiny green shoots under his feet. He’d done this. He’d brought the great mountain alive again. He was needed. And so the boy stayed, and slowly warmth returned to the mountain. Grass and trees and fragrant flowers returned. Foxes and rabbits and bees came back. Where the boy walked fresh springs appeared and where he sat ponds were created. The boy was life for the mountain. And the mountain loved him for it. And the boy loved the mountain for it too. Over the years the terrible mountain became beautiful and word spread. That something dreadful had become something peaceful. And kind. And safe. Slowly the people returned, including the boy’s family. A village sprang up and the Mountain King, so lonely for so long, protected them all. And every night, while the others rested, the boy, now a young man, walked to the very top of the mountain, and lying down on the soft green moss he listened to the voice deep inside. Then one night while he lay there the young man heard something unexpected. The Mountain King told him a secret.
”
”
Louise Penny (The Brutal Telling (Chief Inspector Armand Gamache #5))
“
Let me stay in the woods with you,' he said with a huff of breath.
I imagined it. Having him share tea with me and Mr. Fox. I could show him the places to pick the sweetest blackberries. We could eat burdock and red clover and parasol mushrooms. At night we would lie on our backs and whisper together. He would tell me about the constellations, about theories of magic, and the plots of television shows he'd seen while in the mortal world. I would tell him all the secret thoughts of my heart.
For a moment, it seemed possible.
But eventually they would come for him, the way that Lady Nore and Lord Jarel came for me. If he was lucky, it would be his sister's guards dragging him back to Elfhame. If he wasn't, it would be a knife in the dark from one of his enemies.
He did not belong here, sleeping in dirt. Scrabbling out an existence at the very edges of things.
'No,' I made myself tell him. 'Go home.'
I could see the hurt in his face. The honest confusion that came with unexpected pain.
'Why?' he asked, sounding so lost that I wanted to snatch back my words.
'When you found me tied to that stake, I thought about hurting you,' I told him, hating myself. 'You are not my friend.'
I do not want you here. Those are the words I ought to have said, but couldn't because they would be a lie.
'Ah,' he said. 'Well.'
I let out a breath. 'You can stay the night,' I blurted out, unable to resist the temptation. 'Tomorrow, you go home. If you don't, I'll use the last favour you owe me from our game to force you.
'What if I go and come back again? he asked, trying to mask his hurt.
'You won't.' When he got home, his sisters and his mother would be waiting. They would have worried when they couldn't find him. They'd make him promise never to do anything like that again. 'You have too much honour.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Two fifty-five. It’s go time.” Chris unlocks the doors and gets out and hides behind an oak tree in the yard.
My adrenaline is pumping as I hop out of Chris’s car, grab Kitty’s bike out of her trunk, and push it a few houses. Then I set it on the ground and drape myself over it in a dramatic heap. Then I pull out the bottle of fake blood I bought for this very purpose and squirt some on my jeans--old jeans I’ve been planning on giving to Goodwill. As soon as I see Trevor’s car approaching, I start to pretend sob. From behind the tree Chris whispers, “Tone it down a little!” I immediately stop sobbing and start moaning.
Trevor’s car pulls up beside me. He rolls down the window. “Lara Jean? Are you okay?”
I whimper. “No…I think I might have sprained my ankle. It really hurts. Can you give me a ride home?” I’m willing myself to tear up, but it’s harder to cry on cue than I would have thought. I try to think about sad things--the Titanic, old people with Alzheimer’s, Jamie Fox-Pickle dying--but I can’t focus.
Trevor regards me suspiciously. “Why are you riding your bike in this neighborhood?”
Oh no, I’m losing him! I start talking fast but not too fast. “It’s not my bike; it’s my little sister’s. She’s friends with Sara Healey. You know, Dan Healey’s little sister? They live over there.” I point to their house. “I was bringing it to her--oh my God, Trevor. Do you not believe me? Are you seriously not going to give me a ride?”
Trevor looks around. “Do you swear this isn’t a trick?”
Gotcha! “Yes! I swear I don’t have your name, okay? Please just help me up. It really hurts.”
“First show me your ankle.”
“Trevor! You can’t see a sprained ankle!” I whimper and make a show of trying to stand up, and Trevor finally turns the car off and gets out. He stoops down and pulls me to my feet and I try to make my body heavy. “Be gentle,” I tell him. “See? I told you I didn’t have your name.”
Trevor pulls me up by my armpits, and over his shoulder Chris creeps up behind him like a ninja. She dives forward, both hands out, and claps them on his back hard. “I got you!” she screams.
Trevor shrieks and drops me, and I narrowly escape falling for real. “Damn it!” he yells.
Gleefully Chris says, “You’re done, sucker!” She and I high-five and hug.
“Can you guys not celebrate in front of me?” he mutters.
Chris holds her hand out. “Now gimme gimme gimme.”
Sighing, Trevor shakes his head and says, “I can’t believe I fell for that, Lara Jean.”
I pat him on the back. “Sorry, Trevor.”
“What if I had had your name?” he asks me. “What would you have done then?”
Huh. I never thought of that. I shoot Chris an accusing glare. “Wait a minute! What if he had had my name?”
“That was a chance we were willing to take,” she says smoothly.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet.
I’D LIKE TO SEE YOU.
He hit send.
To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something.
This time, however, she beat him to the punch.
“So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar.
Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.”
“Megan Fox is, like, twenty-five.”
“And this is a problem why, exactly?”
Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.”
He stole another cracker. “Now, that would be something.”
She shook her head. “Why do I bother? You know, one day you’re going to wake up and…”
Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text.
3418 CORNELIA, #3.
He had her address.
With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?”
She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.”
“Did she? Funny coincidence.”
Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.”
“Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.”
Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.”
Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?”
Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.”
“Jordo…” he growled warningly.
With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
More daring, though, was Jung’s uninhibited interest in spiritualism, which by this time had become a controversial topic on both sides of the Atlantic, ever since 1848, when the Fox sisters of Hydesville, New York, discovered they could communicate with the spirit of a dead man. Soon after this, mediums, table turning, floating tambourines, ectoplasmic limbs, and a variety of other otherworldly phenomena became the focus of an international craze; the flood of disincarnate appearances led one investigator to speak of an “invasion of the spirit people.”7 Colorful characters like the Russian medium and mystic Helena Petrovna Blavatsky were involved, but also scientists and philosophers like William James, Oliver Lodge, William Crookes, and Frederick Myers. It is difficult for us today to realize that at the time, many of the most famous men and women in the world were involved in spiritualism, to one degree or another. Thomas Edison, for example, who joined Blavatsky’s Theosophical Society, hoped to be able to record spirits on his “Spirit Phone.” Yet, for all this, the reductionist thought that dominates the academic world today was already securely in place, and Jung was risking his future career by openly advocating the unbiased study of the paranormal.
”
”
Gary Lachman (Jung the Mystic: The Esoteric Dimensions of Carl Jung's Life & Teachings)
“
What do you suppose has happened to Captain Phelan?" Beatrix's older sister Amelia asked, after he had gone missing for three days. "From what I remember of the man, he was a social fellow who would have adored being the center of so much attention."
"He's gaining even more attention by his absence," Cam pointed out.
"He doesn't want attention," Beatrix couldn't resist saying. "He's run to ground."
Cam lifted a dark brow, looking amused. "Like a fox?" he asked.
"Yes. Foxes are wily. Even when they seem to head directly away from their goal, they always turn and make it good at the last." Beatrix hesitated, her gaze distant as she stared through the nearby window, at the forest shadowed by a harsh and backward spring... too much easterly wind, too much rain. "Captain Phelan wants to come home. But he'll stay aground until the hounds stop drawing from him."
She was quiet and contemplative after that, while Cam and Amelia continued to talk. It was only her imagination... but she had the curious feeling that Christopher Phelan was somewhere close by.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Dear Human,
My Human, the Old Lady (that’s her name) is a Russian scientist. Old Lady made a big scientific discovery: found the key to my eternal youth. Or even to immortality, if we like.
Old Lady made herself immortal first. I don’t blame her. Next, Martha-the-White-Rat. Then, me and my sister Milly—we trace our pedigree through the purest blood lines of Bavarian-born Spaniels. But then she stopped.
My other siblings look all aged by now.
But at my 17, I look no more than three or four. My sister Milly got stuck at puppy age.
We watch the photos of our relatives on Facebook, and we are saddened that Old Lady did not make them immortal too. That she keeps it a secret. And I am so worried about my friend Fox Theodore. He is at the hight of his financial and physical might now, but I know he will age. My best friend.
I once tried to unlock the Secret. Me and Raccoon. (Raccoon’s a human, but he is sort of my buddy.) That turned out to be my big mistake. Lots other Humans came coveting the Secret too, which resulted in a lot of unpleasant and funny stories. More unpleasant.
In the aftermath, Old Lady had to flee and I got misplaced. All my own fault. Now I’m trying to get found.
Have you seen my Old Lady? You’d recognize her: her hands and face are way too young, plus she always clips her amber brooch. If you see her, tell her where I stay:
7 White Goose Lane,
Ducklingburg, South Duck
United State of America
P.S. Tell her from me that she is the very finest Human in the whole world and that I am very lonely here without her.
Zip, the Spaniel Dog
”
”
Alex Valentine
“
The parallels between Spiritualism and telegraphy were immediately drawn, and early publications, such as the Spiritual Telegraph, attested to this very simple analogy: just as the telegraph could send and receive over great distances, the Spiritualist could send and receive across the divide of life and death. The raps of the Fox sisters, after all, were themselves a form of Morse code. Media and medium were two sides of the same coin.
”
”
Colin Dickey (Ghostland: An American History in Haunted Places)
“
They [women] looked at you-they looked at everything-with a most piercing glance. They were the most curious animals of all, even more than their sisters fox and cat.
”
”
Kim Stanley Robinson (Shaman)
“
Now he wondered what use it would be. For Kaspar’s death would not bring back his father, Elk’s Call at Dawn, or his mother, Whisper of the Night Wind. His brother, Hand of the Sun, and his little sister Miliana would remain dead. The only time he would hear the voice of his grandfather, Laughter in His Eyes, would be in his memory. Nothing would change. No farmer outside Krondor would suddenly stand up in wonder and say, “A wrong has been righted.” No boot-maker in Roldem would look up from his bench and say, “A people has been avenged.
”
”
Raymond E. Feist (King of Foxes (Conclave of Shadows, #2))
“
I’m being serious, Shay. Why do you even care? I’m no one to you.” He takes a bit to think about it, his happy-go-lucky expression turning serious once again. “You want the truth?” “Si.” “Because I need to believe that someone in Vegas is showing my kid sister the same kindness right now.
”
”
Ivy Fox (Binding Rose (Mafia Wars, #1))
“
He thought Augusta had a split personality or something and wanted his sister to check her out. First, he had thought she had a substance abuse problem, and now he thought it was mental illness. Why couldn’t he see that it was something that went beyond all logical explanations?
”
”
Hester Fox (A Lullaby for Witches)
“
An intuition rippled in her fingertips until she had to grasp them together in her lap, and as more and more lyrics about a fisherman's growing dedication to his family passed Fox's lips, his image began to blur. But she couldn't blink to rid herself of the moisture, could only let it pool there, as if any movement might swipe the melody from the air rob her of the growing burn in the center of her chest.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
I don't know what trying looks like for us. I just know that I want to.'
'Oh, Fox'... 'We've been trying this whole time.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
Of all the catechetical approaches I’ve seen, none provide God with as much opportunity to work as the CGS approach affords. The material content of the CGS is God’s Word and the Church’s liturgy. The proclamation of this content is limited to only what is essential, providing time and silence for the child to converse with God. Even the posture taken by the catechist while giving a presentation — often sitting next to the child, instead of across from the child or standing above the child — communicates that it is God who is teaching and that both catechist and child are invited to listen to his voice.
”
”
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
“
James Juniper is the wild sister, fearless as a fox and curious as a crow; she goes first into the tower. Inside she finds a ruin: snowdrifts of ash and char, the skeleton of the staircase still clinging to the walls, greasy soot blackening every stone. And three women... One of them is pale and fey, with ivory antlers sprouting from matted dark hair and yellowed teeth strung in a necklace around her throat. Her dress is ragged and torn, black as a moonless night. She meets Juniper's eyes and Juniper feels a thrill of recognition. Juniper always loved maiden-stories best. Maidens are supposed to be sweet, soft creatures who braid daisy-crowns and turn themselves into laurel trees rather than suffer the loss of their innocence, but the Maiden is none of those things. She's the fierce one, the feral one, the witch who lives free in the wild woods. She's the siren and the selkie, the virgin and the valkyrie; Artemis and Athena. She's the little girl in the red cloak who doesn't run from the wolf but walks arm in arm with him deeper into the woods. Juniper knows her by the savage green of her eyes, the vicious curve of her smile. An adder drapes over her shoulders like a strip of dark velvet, like the carved-yew snake of Juniper's staff come to life. Juniper's smile could be the Maiden's own, sharp and white, mirrored back across the centuries.
”
”
Alix E. Harrow (The Once and Future Witches)
“
Mr. Grattingly, while we might tarry in the conservatory in plain sight of the open door, the location you’ve chosen—ooph!” “The location I’ve chosen is perfect,” Grattingly said as he mashed his body against Louisa’s. He’d shoved her back against a tree, off the path, into the shadows. “Mr. Grattingly! How dare—” Wet lips landed on Louisa’s jaw, and the scent of wine-soured breath filled her head. “Of course, I dare. You all but begged me to drag you in here. With your tits nigh falling from your bodice, how do you expect a man to act?” He thrust his hand into the neckline of Louisa’s gown and closed his fingers around her breast. Louisa was too stunned for a moment to think, then something more powerful than fear came roaring forward. “You slimy, presuming, stinking, drunken, witless varlet!” She shoved against him hard, but he wasn’t budging, and those thick, wet lips were puckering up abominably. Louisa heard her brother Devlin’s voice in her head, instructing her to use her knee, when Grattingly abruptly shifted off her and landed on his bottom in the dirt. “Excuse me.” Sir Joseph stood not two feet away, casually unbuttoning his evening coat. His expression was as composed as his tone of voice, though even when he dropped his coat around Louisa’s shoulders, he kept his gaze on Grattingly. “I do hope I’m not interrupting.” “You’re not.” Louisa clutched his jacket to her shoulders, finding as much comfort in its cedary scent as she did in the body heat it carried. “Mr. Grattingly was just leaving.” “Who the hell are you,” Grattingly spat as he scrambled to his feet, “to come around and disturb a lady at her pleasures?” Somewhere down the path, a door swung closed. Louisa registered the sound distantly, the way she’d notice when rain had started outside though she was in the middle of a good book. Though this was not a good book. Instinctively Louisa knew she was, without warning or volition, in the middle of something not good at all. “I was not at my pleasures, you oaf.” She’d meant to fire the words off with a load of scathing indignation, but to Louisa’s horror, her voice shook. Her knees were turning unreliable on her, as well, so she sank onto the hard bench. “What’s going on here?” Lionel Honiton stood on the path, three or four other people gathered behind him. “Nothing,” Sir Joseph said. “The lady has developed a megrim and will be departing shortly.” “A megrim!” Grattingly was on his feet, though to Louisa it seemed as if he weaved a bit. “That bitch was about to get something a hell of a lot more—” Sir Joseph, like every other guest, was wearing evening gloves. They should not have made such a loud, distinct sound when thwacked across Grattingly’s jowls. Lionel stepped forth. “Let’s not be hasty. Grattingly, apologize. We can all see you’re a trifle foxed. Nobody takes offense at what’s said when a man’s in his cups, right?” “I’m not drunk, you ass. You—” “That’s not an apology.” Sir Joseph pulled on his gloves. “My seconds will be calling on yours. If some one of the assembled multitude would stop gawping long enough to fetch the lady’s sisters to her, I would appreciate it.” He said nothing more, just treated each member of the small crowd to a gimlet stare, until Lionel ushered them away. Nobody had a word for Grattingly, who stomped off in dirty breeches, muttering Louisa knew not what. Sir
”
”
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
“
dragging the trap attached to its leg. Dovewing leaped at it, claws out, and landed on its neck as the fox’s jaws snapped down toward her sister. Below, Thornclaw and Birchfall launched themselves at the creature’s haunches while Blossomfall and Mousewhisker
”
”
Erin Hunter (Dovewing's Silence (Warriors Novellas))
“
The white muslin, I think,” she said and wondered what to do with her hair.
Thirty minutes later, when she descended the stairs to find Royce waiting for her, she was satisfied her efforts had been worthwhile. Her brother simply stared. They were in the carriage, on the way to the Pavilion, before he said, “Poor Darcourt.”
“What?”
“Darcourt, never stood a chance, flushed like a fox from cover.”
“Alex flushed?”
“He’d know what I mean.”
“Well, I most certainly do not. Alex is as far from a flushed fox as it is possible for a man to be.”
“No doubt he thought he was. Knows differently now.”
Royce was grinning, looking rather pleased with himself, when his loving sister said, “You know, brother, a wise man might pause to think about the implications of what you’re suggesting. If an Alex Darcourt can be brought to ground, surely no man may consider himself safe.”
She was rewarded with a look of surprise shading into wariness just as the carriage rolled to a stop before the Pavilion.
”
”
Josie Litton (Dream Island (Akora, #1))
“
You allowed the girl to stay just long enough to ensure that Gareth would become enchanted with her — then, when he annoyed you, as he inevitably would, you sent her away. How very cruel, my friend! To use the poor girl to punish your brother! But no. That is not like you to be so heartless. Thus, I can only conclude that you are up to something, though what it could be, I have yet to fathom." He shot Lucien a sideways glance. "Are you certain she's the one Charles was so smitten with?" Lucien was sitting back, smiling and idly watching the musicians. "Dead certain." "And the child?" "The spitting image of her father." "And yet you sent them away." Fox shook his head. "What were you thinking of?" The duke turned his head, raising his brows in feigned surprise. "My dear Roger. You know me better than that. Do you think I would actually banish them?" "'Tis what your sister told me when I arrived." 'Ah, but 'tis what I want my sister to believe," he countered, smoothly. "And my two brothers — especially, Gareth." He sipped his port, then swirled the liquid in the glass, studying it reflectively. "Besides, Roger, if you must know, I did not send the girl away — I merely made her feel so awkward that she had no desire to remain." "Is there a difference?" "But of course. She made the decision to leave, which means she maintains both her pride and a small modicum of respect, if not liking for me — which I may find useful at a future date. Gareth thinks I sent her away, which means he is perfectly furious with me. The result? She leaves, and he chases after her, which is exactly what I wanted him to do." He chuckled. "Oh, to be a fly on the wall when he finds her and the two of them discover my hand in all this..." "Lucien, your eyes are gleaming with that cunning amusement that tells me you're up to something especially Machiavellian." "Is that so? Then I fear I must work harder at concealing the obvious." Fox gave him a shrewd look. "This is most confusing, as I'm sure you intend it to be. You know the child is Charles's and yet you will not acknowledge her ... and this after Charles expressly asked you to make her your ward?" "Really, Roger. There is no need to make the child my ward when Gareth, in all likelihood, will adopt her as his daughter." The barrister narrowed his eyes. "You have some superior, ulterior motive that evades us mere mortals." "But of course," Lucien murmured yet again, lifting his glass and idly sipping its dark liquid. "And perhaps you can explain it to this mere mortal?" "My dear Fox. It is quite simple, really. Drastic problems call for drastic solutions. By sending the girl away, I have set in motion my plan for Gareth's salvation. If things go as I expect, he will stay so furious with me that he will not only charge headlong to her rescue — but headlong into marriage with her." "Bloody hell! Lucien, the girl's completely ill-suited for him!" "On the contrary. I have observed them together, Fox. They compliment each other perfectly. As for the girl, what she lacks in wealth and social standing she more than makes up for in courage, resolve, common sense, and maturity. Gareth, whether he knows it or not, needs someone just like her. It is my hope that she will — shall I say — reform him." Fox shook his head and bit into a fine piece of Cheshire. "You're taking a risk in assuming Gareth will even find her." "Oh, he'll find her. I have no doubt about that." Lucien gestured for a footman, who promptly stepped forward and refilled his glass. "He's already half in love with her as it is. Gareth is nothing if not persistent." "Yes, and he is also given to rashness, poor judgment, and an unhealthy appetite for dissolute living." "Indeed. And that, my dear Fox, is exactly what I believe the girl will cure him of.
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
Our children are going to be remarkably stubborn,” he commented as they started down the main street of town. Lily tried to ignore the avid stares of passers-by. “We aren’t going to have any children,” she said. Some instinct caused her to lie. “My—my monthly arrived today.” Caleb fell silent, and in a sidelong glance Lily saw his disappointment. She laid a hand on his arm but could not. bring herself to admit the truth. If the major believed there was no child—indeed, no possibility of a child—he might stop pursuing Lily. The sooner he gave up, the sooner she could get on with building up her homestead and finding her sisters. She bit down on her lower lip. Of course, if there was a baby growing inside her, would it be fair to let Caleb go back to Fox Chapel without ever knowing he was about to become a father? The
”
”
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
Why are you building that house, Caleb Halliday, when we both know you’re going to hightail it back to Pennsylvania and drag me right along with you?” She couldn’t read his expression, but she saw that he was climbing deftly down the roof. He reached the ladder and descended to stand facing her, his shirt in one hand, his muscular chest glistening with sweat even as the first chill of twilight came up from the creek. “Half of that farm is mine,” he said. Lily sighed. “So go back to Pennsylvania and fight for it,” she said, exasperated. “You’re not the only one with problems, you know.” Caleb looked at her closely as he shrugged back into his shirt and began doing up the buttons, but he didn’t speak. He seemed to know that Lily was going to go on talking without any urging from him. “It just so happens that my mother is dead, and I’ll probably never find out where my sisters are.” “So that’s why you were willing to marry me all of a sudden—you’ve given up. I don’t know as I like that very much, Lily.” “What you like is of no concern to me,” Lily said briskly. She started to turn away, but Caleb caught her by the arm and made her stay. “You can’t just up and quit like this. It isn’t like you.” “You’ve said it yourself, Caleb: The West is a big place. My sisters could be married, with no time in their busy lives for a lost sister they haven’t seen in thirteen years. They might even be dead.” Caleb’s mouth fell open, but he recovered himself quickly. “I don’t believe I’m hearing this. You’ve fought me from the day we met because you wanted to find your sisters, and now you’re standing there telling me that it’s no use looking for them. What about that letter you had from Wyoming?” “It said Caroline had disappeared, Caleb. That’s hardly reason for encouragement.” “Maybe we’d better go there and find out.” Lily had never dared to think such a thought. “Travel all the way to Wyoming? But what about the chickens?” “What’s more important to you, Lily—your sister or those damn chickens?” Despite herself, Lily was beginning to believe her dreams might come true after all. “My sister,” she said quietly. Caleb reached out at long last and laid his hands on Lily’s shoulders, drawing her close. “Lily, come to Fox Chapel with me,” he said hoarsely. “I’m going to need you.” Lily looked up at her husband. He was, for all practical purposes, the only family she had, and she couldn’t imagine living without him. “What if I hate it there?” she asked, her voice very quiet. “What if I miss my house and my chickens so much I can’t stand it?” He gave her a light, undemanding kiss, and his lips were warm and soft as they moved against hers. “If you hate Fox Chapel, I’ll bring you back here.” “Is that a promise?” “Yes.” “Even if you work things out with your brother and want to stay?” Caleb sighed. “I told you—your happiness is as important to me as my own.” Lily was not a worldly woman, but she’d seen enough to know that such an attitude was rare in a man. She hugged Caleb. “In that case, maybe you won’t be mad that there’s nothing for supper but biscuits.” Although his lips curved into a slight smile, Caleb’s eyes were serious. He lifted one hand to caress Lily’s cheek. “I’m sorry about your mother,” he said quietly. Lily straightened in his arms. “I didn’t even know the woman, really,” she said lightly. “So it’s not as though I’m grieving.” She would have walked away toward the house, but Caleb held her fast. “I think you are,” he said. Lily swallowed. Damn the man—now he had her on the verge of tears. She struggled all the harder to maintain her composure. “If I wept for her, Caleb, I’d be weeping for a woman who never existed—the woman I needed her to be. She was never a real mother to us.” At
”
”
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
What do I gain?” He furrowed his brow as he shook his head. “Miss Luna, I would gain you. The chance to welcome every sunrise by your side and say good night to every sunset. Just spending my life with you, orbiting around your smile and laugh, would make me the richest of men.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
Looking superior, Hannah handed him the headset. Fox put them on. A moment later, he let out a crack of laughter. Piper turned in the seat. “What song did you play him?” “‘No Scrubs.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
won’t let me just use my own name as my username.” “Yeah, probably because about nine hundred Brendan Taggarts joined before you.” “So what should I use?” “CaptainCutie69,” Fox spat out. “IGotCrabs4U,” Deke supplied. “SlipperyWhenWet.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
That one afternoon six months ago at a vinyl convention in Seattle when she’d felt like the main character. Browsing through records with Fox Thornton, king crab fisherman and a lady-killer of the highest caliber. When they’d stood shoulder to shoulder and shared a pair of AirPods, listening to “Silver Springs,” the world just kind of fading out around them.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
Diane dropped her head back and sighed at the ceiling before giving me that exasperated big-sister tone. “We’re sisters. Always and forever. That means I love you even when I hate you. And it means I can hate you because I know you’ll always be there when I’m done hating you.” I worked my throat, but words wouldn’t come. “Okay, yeah. Maybe I didn’t think that before. But I don’t want to end up like Miriam and Debbie Fine. Old ladies who’ve lost the best gift life has to offer. Mom and Glenda are gone. But there’s you and me and Louise and Susan. And even Robert, Michael, Douglas, and Jeremy. And that’s a whole lot of love and hate right there.” She wavered in front of me, tears clouding my vision. Still, I couldn’t move or speak. “And Dad. It’s going to take the mighty power of the Fox clan to pull him back from this.” I nodded, the well inside me filling with a slow trickle. She took one step toward me. “Yesterday I hated you. Today I love you. And I know you’ll forgive me because out of all of us, you’re the one who never forgets: Family is the most important thing.
”
”
Shannon Baker (Exit Wounds (Kate Fox #6))
“
For some twenty years and more, spiritualism had been gaining converts among educated people on both sides of the Atlantic. The Fox Sisters and their much-publicized “Rochester Rappings” had marked the start of it in America. And in the time since, it had become an intensely serious body of beliefs that had a strange, powerful appeal to a surprising number of intensely serious people. For those of a doubting analytical turn of mind, it seemed to offer proof of the existence of a spiritual realm. To practical men of learning, whose faith in traditional doctrine had been shaken by the revelations of science, it seemed at least an alternative. Why Roebling turned to it he never explained. But in the final years of his life he believed devoutly in a “Spirit Land” and in the possibility of mortal communication with its inhabitants. Specifically, he believed in the afterworld described by Andrew Jackson Davis, “The Poughkeepsie Seer,” a pale, nearsighted son of an alcoholic shoemaker, who in Roebling’s estimate was one of the great men of all time. Davis had become a clairvoyant, healer, and overnight sensation in 1844, at age seventeen, when he took his first “psychic flight through space” while under hypnosis in Poughkeepsie, New York. For the next several years he traveled up and down the East delivering hundreds of lectures, taking his own attendant hypnotist along with him—to “magnetize” him for each performance—as well as a New Haven preacher who took down everything he uttered while under the spell, all of which was turned into books. (One such book ran to thirty-four editions.) His preachments were a strange mixture of occult mystery, science, or what passed for science, progressive social reform, intellectual skepticism, and a vaulting imagination. For Roebling the impact of all this was momentous. It was as though he had been struck by divine revelation. He wrote at length to Horace Greeley, proposing the establishment of an orphanage in which a thousand children would be “perfectly educated, physically and mentally” according to the Davis vision of the good life. An “earthly paradise” was still possible after all. The hereafter as pictured
”
”
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
“
Clock Town, meanwhile, is bursting with problems without obvious solutions. Each character has their own story (and often a quest for you to complete), but almost nobody spits out what you must do to further their story without you first putting in some detective work. The mailman seems so stressed out—how do I help him? The little person in the fox mask comes out when I ring the bell—how do I get him to talk to me? These dancing sisters seem dissatisfied with their routine—what can I possibly offer? Majora offers the opposite of the directive-based quests of most adventure games, in which you know what you must do as soon as a distraught townie has finished lecturing: “Hello, young traveler! Won’t you help an old lady? I seem to have misplaced my eight STRENGTH BOOST PIES. They are scattered throughout the city. I have added them to your MINIMAP.” Instead, you encounter people distracted by problems they would never expect you to fix. The citizens of Clock Town have no idea you’re the famous Hero of Time in their sister dimension. You’re just another kid.
”
”
Gabe Durham (Majora's Mask (Boss Fight Books Book 26))
“
They sat around the kitchen table, eating the sandwiches and drinking glass after glass of cold milk.
”
”
Norma Fox Mazer (Three sisters)
“
It won’t let me just use my own name as my username.” “Yeah, probably because about nine hundred Brendan Taggarts joined before you.” “So what should I use?” “CaptainCutie69,” Fox spat out. “IGotCrabs4U,” Deke supplied. “SlipperyWhenWet.” Brendan stared. “You’re all fired. Go home.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
Ah, my sweet, Rosa. Such a beautiful flower to be given to uncouth animals who won’t know how to make her bloom. I hope they never wilt your flawless petals with their crass and brutish ways, dear sister. Such a waste of a rose like yourself to be given to such an unworthy family.
”
”
Ivy Fox (Binding Rose (Mafia Wars, #1))
“
Fox “ what happened to you giving me time to pull my head out of my ass?”
Hannah “six hours seamed like more than enough
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
The child has his own hungers and thirsts for God that have not historically been recognized, much less appreciated. In a profound gesture of humility, the scholar of theology (Cavalletti) and the master educator (Gobbi) chose to follow the child rather than impose preconceived ideas of what a child should think, say, or feel about God. Fifty years before the 2020 Directory drew attention to the fact, these women recognized that children “have the capacity to pose meaningful questions relative to creation, to God’s identity, to the reason for good and evil, and are capable of rejoicing before the mystery of life and love” (DC, 236).
”
”
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
“
Joey was not yet three years old when he came to an atrium in which I assisted. Initially, he was so unsure of the environment that his mother had to stand at the door until he engaged in a work, and even then, there was no guarantee that he would stay. Every now and again, he would glance toward the door to make sure she was there. I was asked to show him how to make a silence in the atrium.63 The purpose of this presentation is to aid the child’s prayer by helping him calm the mind and body. Joey’s response to the moment of silence was nothing short of mystical. As he opened his eyes, I beheld a very deep serenity, as if he had found that place of Divine Indwelling within his soul. Quietly, I asked him if he would like to make a silence again. He smiled, nodding ever so slowly. This young child who could hardly be away from his mother’s knee; whose language was still in formation, could rest in the Presence of God and speak God’s language of silence.
”
”
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
“
I suppose I am trying to reconcile a lifetime of teachings. A notion of who I thought I was and what I believed, with this... new information. These new experiences.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
And yet great things often occur when the odds are unfavorable.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
I've found that those who occupy high society have no interest in fraternizing with those who are the backbone of our country. They turn their noses up at them as if their wealth and comfort and privilege aren't dependent upon the very same people they scorn.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
Our best laid plans never quite work out the way we expect.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
A woman's reputation is a tenuous thing. She could live her entire life virtuously, be held up as an example to follow, and one wrong step will see her tumble from grace.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
I suffered through that live-action Cats movie last night trying to score points with the wife. One fart–one–and I lost all my progress.'
Fox bit back a smile. "No luck, huh?'
'Had to sleep on the couch,' grumbled the deckhand.
'Don’t take it so hard, man.' Fox shivered, despite the heat. 'That movie could dry up the Pacific.'
'I don't know, there's just something about Judi Dench…' Sanders mused.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
Oh my god. Harley is pregnant. And by the silence in the room, I think it’s pretty clear who is the father.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
Dana growls like a mother lion protecting her cubs. “Me. I did. Who mothered me in all of this?
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
When I open the door, I find exactly who I expected: Kent. But I don’t have a chance to greet him before he lunges toward me, growling, “You son of a bitch.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
But of course, then my eyes find Grant’s. He’s at the corner of the party, leaning up against the column at the end of the porch. Alone. Sipping on a drink. His eyes glued to me. I want to go to him. And I can’t.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
Suddenly, Grant wraps his hand around the back of my head and yanks my ear to his lips. “Let me fuck you like you deserve.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
You’re almost there, baby,” he murmurs. “I’m going to take you there.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
[C]atechesis with children is the “joyful contemplation” of the action of the Holy Spirit in the hearts of the children whom the Spirit loves; as such, it is the respectful attentiveness to the ways that nourish their growth, so that the dialogue between the Spirit and the bride [the child] not be disturbed.48
”
”
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
“
the child has a particular way of receiving the Gospel that is in accordance with her very nature, and we must be willing to recognize and appreciate that way.
”
”
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
“
A greater understanding of the needs of the child in the psychic sphere can aid us in understanding and respecting the needs of the child in the religious sphere. To know, at least to some degree, the true nature of the child means to help the child in ways that will allow him or her to develop as an integrated or “whole” person, one who is in right relationship with self, with God, and with others.8
”
”
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
“
This must be Harley. All grown up. And all woman. I’ve never felt this way from looking at one of his daughters. This… attraction to one of them.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
Harley reaches out and undoes the closure on my pants, tilting her head back to look into my eyes as she does so. When she wraps her hand around my cock, I sigh with pleasure. Her palm is so warm and her grip is just tight enough. Harley bites on her lower lip. “Been thinking about you filling me every day.
”
”
Callie Stevens (Silver Fox's Secret Baby (The Solace Sisters, #1))
“
Fox “ you make me feel like I’m the exact right place… nothing to run or hide from. Nothing I want to avoid.”
Hannah “ it’s OK to trust that feeling. I have it, too.
”
”
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
“
I have no desire to cause a stir or be the object of ridicule, but it took a venture across the Atlantic Ocean to help me realize that I refuse to bend to the opinions- the standards- of people who do not know me. Who do not know my past nor have any interest in my future.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
Oh, darling, I've only given you a glimpse of how overwhelming I can be.' Gideon twined his fingers in her hair and gave it a small tug, his tongue tracing across his teeth as his gaze devoured her. 'You've overwhelmed me from the first and every day since, and I intend to exact my revenge.
”
”
Liana De la Rosa (Ana María and the Fox (The Luna Sisters, #1))
“
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-'
'How did you break free of his control,' Lucien said flatly from behind us.
Tamlin gave him a warning growl.
I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.'
We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?'
I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.'
Lucien's metal eye narrowed, as if he could sense the lie.
But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.'
It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer.
'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.'
'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.'
Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find.
Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.'
Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.'
'Forever,' he promised.
'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive.
His gaze on me. Face hard. As if he'd seen through every lie.
As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it.
As if he knew that they had let a fox into a chicken coop- and he could do nothing.
Not unless he never wanted to see his mate- Elain- again.
I gave Lucien a sweet, sleepy smile. So our game began.
We hit the sweeping marble stairs to the fornt doors of the manor.
And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-'
'How did you break free of his control,' Lucien said flatly from behind us.
Tamlin gave him a warning growl.
I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.'
We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?'
I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.'
Lucien's metal eye narrowed, as if he could sense the lie.
But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.'
It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer.
'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.'
'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.'
Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find.
Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.'
Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.'
'Forever,' he promised.
'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive.
His gaze on me. Face hard. As if he'd seen through every lie.
As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it.
As if he knew that they had let a fox into a chicken coop- and he could do nothing.
Not unless he never wanted to see his mate- Elain- again.
I gave Lucien a sweet, sleepy smile. So our game began.
We hit the sweeping marble stairs to the front doors of the manor.
And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
It seems like you’ve read all the ones here.” “I’m beginning to think I have.” “Too bad they don’t have any hentai.” Kevin twitched. “Why would I want to read a hentai?” “So you can gain some ideas for when you, myself, and my sister start screwing like vixens in heat.” I won’t facepalm. I won’t facepalm. I won’t facepalm. “Of course, if you wanted to, you could also add Mom, Kirihime, and Kotohime, though the latter two might kill you if you try to sex them up. Maybe we should just add Mom to our orgy, then. That would be hot.” The sound of Kevin’s palm smacking against his face echoed throughout the library.
”
”
Brandon Varnell (A Fox's Revenge (American Kitsune, #7))
“
Unfortunately, Iris was wearing sunglasses. She also couldn’t bring out her tails. That meant enchanting was out of the question. “As much as I would love to deny your words, I honestly wouldn’t be surprised if they were talking about the latest anime.” Iris set her drink down and sighed. “I love my sister very much, but even I sometimes wonder about her obsession for Japanese cartoons.” Several meters away, sitting in their seats, Lilian and Kevin froze. “Do you feel that, Kevin?” “I did. I sense a disturbance in the animu. Someone is making fun of anime right this very second.” “And I have this strange urge to punch my sister for some reason.” “That’s not very strange. Iris is always doing something to warrant you hitting her.” “Hmm… true.
”
”
Brandon Varnell (A Fox's Mate (American Kitsune, #6))
“
Kevin?” Everyone at the table became startled when Kevin stood up and rushed over to where Iris was glaring daggers at Chris. “I think I’m talking to a ragged, beaten up dog who doesn’t know his place.” “Fucking fox!” Chris raised his clenched right fist, prepared to deliver a savage punch to the pretty female. Before he could, Kevin leapt into the air, his body spinning like a top. “Don’t-touch-my-girlfriend’s-sister Screwdriver!” “What the—GUAG!” Spittle flew from Chris’s mouth as Kevin planted his feet into the inu’s gut, knocking all of the air from the boy’s lungs in one fell swoop. He bent his knees, absorbing the shock of impact, his body parallel with the ground. Kevin then used his impressive leg muscles to push off Chris’s body, launching the inu several feet back where he crashed into a garbage can. For all of one second, time stood still. For all of one second, everyone stared at Kevin in awe. For all of one second, Kevin felt like the most awesome person in the world. Then the second was over. And Kevin landed on his back. On the concrete. Hard. As Kevin’s lungs were deprived of oxygen and his vision exploded with white while pain overloaded his photo-optic receptors, Iris knelt beside his head. “Feeling manly now?” She asked, her lips stretching from ear to ear in a wide grin. Kevin raised a shaky arm and gave Iris a thumbs up. ***
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Brandon Varnell (A Fox's Family (American Kitsune #4))
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Nngg…” A groan made him and Iris look at the other bed and its occupant. The inu stirred, eyes fluttering open. He looked around the room before noticing Kevin. “You…” “I’m surprised you’re already up,” Kevin said. “Anyone else would have gone into shock after losing an arm. You inu really are a hardy species.” “But they’re not as hard as you, Stud,” Iris quipped. Kevin rolled his eyes. “Why didn’t you kill me?” asked Cien. “Because I don’t believe in killing if I don’t have to.” “I should have died.” “That’s your foolish pride talking. Only a fool asks for death after his enemy spares him.” Cien scoffed. “Che. I don’t expect a human like you to understand. To a warrior like myself, our pride means everything. We inu are a proud race. For us to be defeated in single combat, and by a human no less, is nothing short of disgraceful.” “A human like me, huh?” Kevin murmured, turning his back on Cien. “You can think that way if you want. I certainly won’t try to force your perceptions of me to change. I don’t really care enough to try. Anyway, I suggest you get some rest. You haven’t been out for that long, and you no longer have a right arm. Even an inu can’t shrug that off like it’s nothing.” Kevin wandered to the hut’s entrance and looked out. No one else was around. The hut that Orin was letting them stay in was further removed from everyone else, over on the outskirts of New Genbu. Kevin didn’t mind, especially since no one in the village liked him. “That was a stupid thing to say,” Iris started, “even for a dog.” “What was that?!” Cien growled. “I dare you to get up and say that to my face you—owch!” He yelped when something smacked him in the face. Looking down at the object as it fell to the ground and landed by his head, he frowned. “Is that… a shoe?” “Don’t fight with my mate’s sister,” Kevin said, grabbing his discarded sneaker and putting it back on. “She started it,” Cien mumbled as Iris snickered behind her hand. “What was that?!” “Nothing,” he said, his body jolting as if he’d touched a live wire. That tone of voice… it had sounded almost feral! Like it belonged to some kind of animal instead of a human! “I’m glad to hear that. Now, then, do as I said and get some sleep. I’m going to be interrogating you tomorrow, and I want you to be perfectly capable of answering every question I have.” Kevin smiled. “I am the victor, after all, and this is my request.” “R-right.” Cien felt his forehead break out in a cold sweat. Who knew humans could be so frightening?
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Brandon Varnell (A Fox's Mission (American Kitsune, #11))
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Many of the Fox family’s close friends were discovering their own gift for mediumship. Isaac Post found that if he entered a trance, he was guided by the spirits to write down their messages. In 1851, the year that Uncle Tom’s Cabin first appeared in serial form and Hawthorne’s House of the Seven Gables and Melville’s Moby Dick were published, Isaac compiled messages from William Penn, George Washington, Thomas Jefferson, Emanuel Swedenborg, and others into a three-hundred-page volume called Voices from the Spirit World; Being Communications From Many Spirits by the Hand of Isaac Post, Medium. The messages, Isaac said, had been transcribed through automatic writing that sometimes occurred in the presence of “A.L. Fish (a rapping medium).” In 1852 Charles Hammond, the Universalist minister who had watched in awe as the furniture danced and floated in front of him at one of the sisters’ early seances, produced a book called Light from the Spirit World; The Pilgrimage of Thomas Paine, and Others, to the Seventh Circle in the Spirit World.
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Barbara Weisberg (Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism)
“
Then you found Mr. Rutledge unsettling, too?”
“No, but I understand why you do. He watches you like one of those ambushing sort of predators. The kind that lie in wait before they spring.”
“How dramatic,” Poppy said with a dismissive laugh. “He’s not a predator, Bea. He’s only a man.”
Beatrix made no reply, only made a project of smoothing Dodger’s fur. As she leaned over him, he strained upward and kissed her nose affectionately. “Poppy,” she murmured, “no matter how Miss Marks tries to civilize me—and I do try to listen to her—I still have my own way of looking at the world. To me, people are scarcely different from animals. We’re all God’s creatures, aren’t we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox.”
“I suppose Cam is somewhat fox-like,” Poppy said, amused. “What is Merripen? A bear?”
“No, unquestionably a horse. And Amelia is a hen.”
“I would say an owl.”
“Yes, but don’t you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That’s Amelia.”
Poppy grinned. “You’re right.”
“And Win is a swan.”
“Am I also a bird? A lark? A robin?”
“No, you’re a rabbit.”
“A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?”
“Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.”
“But they’re timid,” Poppy protested.
“Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.”
“Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.”
“Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin.
“And you’re a ferret, aren’t you, Bea?”
“Yes. But I was leading to a point.”
“Sorry, go on.”
“I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.”
Poppy blinked in bewilderment. “You think he is interested in . . . Oh, but Bea, I’m not at all . . . and I don’t think I’ll ever see him again . . .”
“I hope you’re right.”
Settling on her side, Poppy watched her sister in the flickering glow of the hearth, while a chill of uneasiness penetrated the very marrow of her bones.
Not because she feared Harry Rutledge.
Because she liked him.
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Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))