“
The Edge... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over.
”
”
Hunter S. Thompson (Hell's Angels)
“
All my life, my heart has sought a thing I cannot name.
Remembered line from a long-
forgotten poem
”
”
Hunter S. Thompson (Hell's Angels)
“
It was obvious that he was a man who marched through life to the rhythms of some drum I would never hear.
”
”
Hunter S. Thompson (Hell's Angels)
“
The highways are crowded with people who drive as if their sole purpose in getting behind the wheel is to avenge every wrong done them by man, beast or fate. The only thing that keeps them in line is their fear of death, jail and lawsuits.
”
”
Hunter S. Thompson (Hell's Angels)
“
As you were, I was. As I am, you will be.
”
”
Hunter S. Thompson (Hell's Angels)
“
A man who has blown all his options can’t afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can’t afford to admit — no matter how often he’s reminded of it — that every day of his life takes him farther and farther down a blind alley…
”
”
Hunter S. Thompson (Hell's Angels)
“
The Edge... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others-the living-are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there.
”
”
Hunter S. Thompson (Hell's Angels)
“
The Angels don’t like to be called losers, but they have learned to live with it. “Yeah, I guess I am,” said one. “But you’re looking at one loser who’s going to make a hell of a scene on the way out.
”
”
Hunter S. Thompson (Hell's Angels)
“
There is not much mental distance between a feeling of having been screwed and the ethic of total retaliation, or at least the kind of random revenge that comes with outraging the public decency.
”
”
Hunter S. Thompson (Hell's Angels)
“
Familiarity seems to breed contempt
”
”
Hunter S. Thompson (Hell's Angels)
“
The difference between the student radicals and the Hell's Angels is that the students are rebelling against the past, while the Angels are fighting the future. Their only common ground is their disdain for the present, or the status quo.
”
”
Hunter S. Thompson (Hell's Angels)
“
There was also the fact that sending a penniless writer to get $135 worth of beer was — as Khrushchev said of Nixon — 'like sending a goat to tend the cabbage'.
”
”
Hunter S. Thompson (Hell's Angels)
“
The only way to write honestly about the scene is to be part of it. If there is one quick truism about psychedelic drugs, it is that anyone who tries to write about them without first-expierience is a fool and a fraud.
”
”
Hunter S. Thompson (Hell's Angels)
“
The point is valid: the difference between survival and wipe-out in a physical crisis is nearly always a matter of conditioned reflexes.
”
”
Hunter S. Thompson (Hell's Angels)
“
I’m bound to go to heaven because I’ve already served my time in hell.
”
”
Hunter S. Thompson (Hell's Angels)
“
This wavering paradox is a pillar of the outlaw stance. A man who has blown all his options can't afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can't afford to admit-no matter how often he's reminded of it-that every day of his life takes him farther down a blind alley.
”
”
Hunter S. Thompson (Hell's Angels)
“
In a nation of frightened dullards there is a sorry shortage of outlaws, and those few who make the grade are always welcome:
”
”
Hunter S. Thompson (Hell's Angels)
“
Justice is not cheap in this country, and people who insist on it are usually either desperate or possessed by some private determination bordering on monomania.
”
”
Hunter S. Thompson (Hell's Angels)
“
It had been a bad trip ... fast and wild in some moments, slow and dirty in others, but on balance it looked like a bummer. On my way back to San Francisco, I tried to compose a fitting epitaph. I wanted something original, but there was no escaping the echo of Mistah Kurtz' final words from the heart of darkness: "The horror! The horror! ... Exterminate all the brutes!
”
”
Hunter S. Thompson (Hell's Angels)
“
to whatever extent the Hell’s Angels may or may be latent sadomasochists or repressed homosexuals is to me--after nearly a year in the constant company of outlaw motorcyclists--almost entirely irrelevant. There are literary critics who insist that Ernest Hemingway was a tortured queer and that Mark Twain was haunted to the end of his days by a penchant for interracial buggery. It is a good way to stir up a tempest in the academic quarterlies, but it won’t change a word of what either man wrote, nor alter the impact of their work on the world they were writing about. Perhaps Manolete was a hoof fetishist, or suffered from terrible hemorrhoids as a result of long nights in Spanish horn parlors…but he was a great matador, and it is hard to see how any amount of Freudian theorizing can have the slightest effect on the reality of the thing he did best.
”
”
Hunter S. Thompson
“
the difference between survival and wipe-out in a physical crisis is nearly always a matter of conditioned reflexes.
”
”
Hunter S. Thompson (Hell's Angels)
“
To them the appearance of the Hell’s Angels must have seemed like a wonderful publicity stunt. In a nation of frightened dullards there is a sorry shortage of outlaws, and those few who make the grade are always welcome: Frank Sinatra, Alexander King, Elizabeth Taylor, Raoul Duke... they have that extra “something”.
”
”
Hunter S. Thompson
“
There is an important difference between the words 'losers' and 'outlaw.' One is passive and the other is active, and the main reason the Angels are such good copy is that they are acting out the day-dreams of millions of losers who don't wear any defiant insignia and who don't know how to be outlaws. The streets of every city are thronged with men who would pay all the money they could get their hands on to be transformed-even for a day-into hairy, hard-fisted brutes who walk over cops, extort free drinks from terrified bartenders and thunder out of town on big motorcycles after raping the banker's daughter. Even people who think the Angels should all be put to sleep find it easy to identify with them. They command a fascination, however reluctant, that borders on psychic masturbation.
”
”
Hunter S. Thompson (Hell's Angels)
“
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw
it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
One of the worst incidents of that era caused no complaints at all: this was a sort of good-natured firepower demonstration, which occured one Sunday morning about three-thirty. For reasons that were never made clear, I blew out my back windows with five blasts of a 12 gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter, and crashing glass. Yet the neighbors reacted with total silence. For a while I assumed that some freakish wind pocket had absorbed all the noise and carried it out to sea, but after my eviction I learned otherwise. Every one of the shots had been duly recorded on the gossip log. Another tenant in the building told me the landlord was convinced, by all the tales he'd heard, that the interior of my apartment was reduced to rubble by orgies, brawls, fires, and wanton shooting. He had even heard stories about motorcycles being driven in and out the front door.
”
”
Hunter S. Thompson (Hell's Angels)
“
The difference is as basic as between a professional football player and a rabid fan. One is a performer in a harsh, unique corner of reality; the other is a cultist, a passive worshiper, and occasionally a sloppy emulator of a style that fascinates him because it is so hopelessly remote from the reality he wakes up to every morning.
”
”
Hunter S. Thompson (Hell's Angels)
“
It may be that America is developing a whole new category of essentially social criminals … persons who threaten the police and the traditional social structure even when they are breaking no law … because they view The Law with contempt and the police with distrust, and this abiding resentment can explode without warning at the slightest provocation.
”
”
Hunter S. Thompson (Hell's Angels)
“
In the argot of the cycle world the Harley is a “hog,” and the outlaw bike is a “chopped hog.
”
”
Hunter S. Thompson (Hell's Angels)
“
They command a fascination, however reluctant, that borders on psychic masturbation.
”
”
Hunter S. Thompson (Hell's Angels)
“
The Hell's Angels are very definitely a lower-class phenomenon, but their backgrounds are not necessarily poverty-stricken. Despite some grim moments, their parents seem to have had credit. Most of the outlaws are the sons of people who came to California either just before or during World War II. Many have lost contact with their families, and I have never met an Angel who claimed to have a hometown in any sense that people who use that term might understand it. Terry the Tramp, for instance, is "from" Detroit, Norfolk, Long Island, Los Angeles, Fresno and Sacramento. As a child, he lived all over the country, not in poverty but in total mobility. Like most of the others, he has no roots. He relates entirely to the present, the moment, the action.
”
”
Hunter S. Thompson (Hell's Angels)
“
When you're asked to stay out of a bar you don't just punch the owner--you come back with your army and tear the place down, destroy the whole edifice and everything it stands for. No compromise. If a man gets wise, mash his face. If a woman snubs you, rape her. This is the thinking, if not the reality, behind the whole Hell's Angels act.
”
”
Hunter S. Thompson (Hell's Angels)
“
My own acid-eating experience is limited in terms of total consumption, but widely varied as to company and circumstances ... and if I had a choice of repeating any one of the half dozen bouts I recall, I would choose one of those Hell's Angels parties in La Honda, complete with all the mad lighting, cops on the road, a Ron Boise sculpture looming out of the woods, and all the big speakers vibrating with Bob Dylan's "Mr. Tambourine Man." It was a very electric atmosphere. If the Angels lent a feeling of menace, they also made it more interesting ... and far more alive than anything likely to come out of a controlled experiment or a politely brittle gathering of well-educated truth-seekers looking for wisdom in a capsule. Dropping acid with the Angels was an adventure; they were too ignorant to know what to expect, and too wild to care. They just swallowed the stuff and hung on ... which is probably just as dangerous as the experts say, but a far, far nuttier trip than sitting in some sterile chamber with a condescending guide and a handful of nervous, would-be hipsters.
”
”
Hunter S. Thompson (Hell's Angels)
“
For an instant it was very peaceful … and then it was like being shot off the road by a bazooka, but with no noise. Neither a deer on a hillside nor a man on a battlefield ever hears the shot that kills him, and a man going over the high side on a motorcycle hears the same kind of high-speed silence.
”
”
Hunter S. Thompson (Hell's Angels)
“
Nearly everyone who has ridden a bike for any length of time will agree. The highways are crowded with people who drive as if their sole purpose in getting behind the wheel is to avenge every wrong ever done them by man, beast or fate.
”
”
Hunter S. Thompson (Hell's Angels)
“
There is a beautiful consistency about Buzzard; he is a porcupine among men, with his quills always flared. If he won a new car with a raffle ticket bought in his name by some momentary girlfriend, he would recognize it at once as a trick to con him out of a license fee. He would denounce the girl as a hired slut, beat up the raffle sponsor, and trade off the car for five hundred Seconals and a gold-handled cattle prod.
”
”
Hunter S. Thompson (Hell's Angels)
“
Yeah, I guess I am,” said one. “But you’re looking at one loser who’s going to make a hell of a scene on the way out.
”
”
Hunter S. Thompson (Hell's Angels)
“
Justice is not cheap in this country, and people who insist on it are usually either desperate or possessed by some private determination bordering on monomania
”
”
Hunter S. Thompson (Hell's Angels)
“
I don’t really care if people think we’re bad,” said another. “I think this is what really keeps us going. We fight society and society fights us. It doesn’t bother me.
”
”
Hunter S. Thompson (Hell's Angels)
“
The highways are crowded with people who drive as if their sole purpose in getting behind the wheel is to avenge every wrong ever done them by man, beast or fate.
”
”
Hunter S. Thompson (Hell's Angels)
“
With rare exceptions, the outlaw bike is a Harley 74,
”
”
Hunter S. Thompson (Hell's Angels)
“
The Angels are not articulate about many things, but they bring a lover’s inspiration to the subject of bikes.
”
”
Hunter S. Thompson (Hell's Angels)
“
come away scratched or baffled. —A. J. Liebling
”
”
Hunter S. Thompson (Hell's Angels)
“
KESEY MET THE HELL’S ANGELS ONE AFTERNOON IN SAN Francisco through Hunter Thompson, who was writing a book about them. It
”
”
Tom Wolfe (The Electric Kool-Aid Acid Test)
“
The daily press is the evil principle of the modern world, and time will only serve to disclose this fact with greater and greater clearness. The capacity of the newspaper for degeneration is sophistically without limit, since it can always sink lower and lower in its choice of readers. At last it will stir up all those dregs of humanity which no state or government can control. —Sören Kierkegaard The Last Years: Journals 1853–55
”
”
Hunter S. Thompson (Hell's Angels)
“
The motorcycle is obviously a sexual symbol. It's what's called a phallic locomotor symbol. It's an extension of one's body, a power between one's legs.
-Dr. Bernard Diamond, University of California
criminologist, 1965
”
”
Hunter S. Thompson (Hell's Angels)
“
But instead of losing quietly, one by one, they have banded together with a mindless kind of loyalty and moved outside the framework, for good or ill. They may not have an answer, but at least they are still on their feet.
”
”
Hunter S. Thompson (Hell's Angels)
“
Far from being freaks, the Hell's Angels are a logical product of the culture that now claims to be shocked at their existence. The generation represented by the editors of Time has lived so long in a world full of Celluloid outlaws hustling toothpaste and hair oil that it is no longer capable of confronting the real thing. For twenty years they have sat with their children and watched yesterday's outlaws raise hell with yesterday's world ... and now they are bringing up children who think Jesse James is a television character. This is the generation that went to war for Mom, God and Apple Butter, the American Way of Life. When they came back, they crowned Eisenhower and then retired to the giddy comfort of their TV parlors, to cultivate the subtleties of American history as seen by Hollywood.
”
”
Hunter S. Thompson (Hell's Angels)
“
The Hell’s Angels as a group are often willfully stupid, but they are not without savoir-faire, and their predilection for travelling in packs is a long way from being all showbiz. Nor is it entirely due to warps and defects in their collective personality.
”
”
Hunter S. Thompson (Hell's Angels)
“
The truth is that The Wild One -- despite an admittedly fictional treatment -- was an inspired piece of film journalism. Instead of institutionalizing common knowledge, in the style of Time, it told a story that was only beginning to happen and which was inevitably influenced by the film. It gave the outlaws a lasting, romance-glazed image of themselves, a coherent reflection that only a very few had been able to find in a mirror, and it quickly became the bike rider's answer to The Sun Also Rises. The image is not valid, but its wide acceptance can hardly be blamed on the movie. The Wild One was careful to distinguish between "good outlaws" and "bad outlaws," but the people who were most influenced chose to identify with Brando instead of Lee Marvin whose role as the villain was a lot more true to life than Brando's portrayal of the confused hero. They saw themselves as modern Robin Hoods ... virile, inarticulate brutes whose good instincts got warped somewhere in the struggle for self-expression and who spent the rest of their violent lives seeking revenge on a world that done them wrong when they were young and defenseless.
”
”
Hunter S. Thompson (Hell's Angels)
“
Perhaps Manolete was a hoof fetishist, or suffered from terrible hemorrhoids as a result of long nights in Spanish horn parlors … but he was a great matador, and it is hard to see how any amount of Freudian theorizing can have the slightest effect on the reality of the thing he did best.
”
”
Hunter S. Thompson (Hell's Angels)
“
In the terms of our Great Society the Hell's Angels and their ilk are losers -- dropouts, failures and malcontents. They are rejects looking for a way to get even with a world in which they are only a problem.
The Hell's Angels are not visionaries, but diehards, and if they are the forerunners or the vanguard of anything it is not the "moral revolution" in vogue on college campuses, but a fast-growing legion of young unemployables whose untapped energy will inevitably find the same kind of destructive outlet that "outlaws" like the Hell's Angels have been finding for years.
”
”
Hunter S. Thompson (Hell's Angels)
“
The only problem with the Angels' new image was that the outlaws themselves didn't understand it. It puzzled them to be treated as symbolic heroes by people with whom they had almost nothing in common. Yet they were gaining access to a whole reservoir of women, booze, drugs and new action -- which they were eager to get their hands on, and symbolism be damned. But they could never get the hang of the role they were expected to play, and insisted on ad-libbing the lines. This fouled their channels of communication, which made them nervous ... and after a brief whirl on the hipster party circuit, all but a few decided it was both cheaper and easier, in the long run, to buy their own booze and hustle a less complicated breed of pussy.
”
”
Hunter S. Thompson (Hell's Angels)
“
us to cope with. The Angels are prototypes. Their lack of education has not only rendered them completely useless in a highly technical economy, but it has also given them the leisure to cultivate a powerful resentment … and to translate it into a destructive cult which the mass media insists on portraying as a sort of isolated oddity, a temporary phenomenon that will shortly become extinct now that it’s been called to the attention of the police.
”
”
Hunter S. Thompson (Hell's Angels)
“
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
”
”
Hunter S. Thompson (Hell's Angels)
“
Twenty years on the outlaw circuit have not done much to mellow his view of the press and the world of devious squares he thinks it represents. He would no more trust a reporter than he would a cop or a judge. To him they are all the same—the running dogs of whatever fiendish conspiracy has plagued him all these years.
”
”
Hunter S. Thompson (Hell's Angels)
“
The controlled-experiment people felt that public LSD orgies would lead to disaster for their own research. There was little optimism about what might happen when the Angels—worshiping violence, rape and swastikas—found themselves in a crowd of intellectual hipsters, Marxist radicals and pacifist peace marchers. It was a nervous thing to consider even if everybody could be expected to keep a straight head … but of course that was out of the question. With everyone drunk, stoned and loaded, there was nobody capable of taking objective notes, no guides to soothe the flip-outs, no rational spectator to put out fires or hid the butcher knives … no control at all.
”
”
Hunter S. Thompson (Hell's Angels)
“
They don’t expect to win anything, but on the other hand, they have nothing to lose.
”
”
Hunter S. Thompson (Hell's Angels)
“
Their only common ground is their disdain for the present, or the status quo.
”
”
Hunter S. Thompson (Hell's Angels)
“
The trick is to control them without any provocation, but outlaws are very easily provoked.
”
”
Hunter S. Thompson (Hell's Angels)
“
It just more or less burns em, that’s all. They hate anything that’s not right for their way of living.
”
”
Hunter S. Thompson (Hell's Angels)
“
More than ever before, they were wreathed in an aura of violent and erotic mystery … brawling satyrs, ready to attempt congress with any living thing, and in any orifice.
”
”
Hunter S. Thompson (Hell's Angels)
“
Any lawyer who says there’s no such thing as rape should be hauled out to a public place by three large perverts and buggered at high noon, with all his clients watching.
”
”
Hunter S. Thompson (Hell's Angels)
“
Better to reign in hell than serve in heaven. —John Milton, Paradise Lost
”
”
Hunter S. Thompson (Hell's Angels)
“
The mayor spoke in a very exotic way. It was obvious that he was a man who marched through life to the rhythms of some drum I would never hear.
”
”
Hunter S. Thompson (Hell's Angels)
“
A good reporter, if he chooses the right approach, can understand a cat or an Arab. The choice is the problem, and if he chooses wrong he will
”
”
Hunter S. Thompson (Hell's Angels)
“
Some of the outlaws understand this communications gap, but most are puzzled and insulted to hear that “normal people” consider them horrible.
”
”
Hunter S. Thompson (Hell's Angels)
“
not some romantic leftover, but the first wave of a future that nothing in our history has prepared
”
”
Hunter S. Thompson (Hell's Angels)
“
Among the hardest hit was Terry the Tramp, who immediately loaded up on LSD and spent the next twelve hours locked in the back of a panel truck, shrieking and crying under the gaze of some god he had almost forgotten, but who came down that night to the level of the treetops “and just stared—man, he just looked at me, and I tell you I was scared like a little kid.
”
”
Hunter S. Thompson (Hell's Angels)
“
The rhythm of the weekend was picking up … a huge beer delivery, the rending of metal, greedy laughter and a rumble of excitement when Sonny told what had happened at Williams’ store.
”
”
Hunter S. Thompson (Hell's Angels)
“
We get treated good here [in Monterey]. Most other places we get thrown out of town. —Frenchy from Berdoo talking to a reporter not many hours before the Angels were thrown out of town
”
”
Hunter S. Thompson (Hell's Angels)
“
I have seen them try to amuse an outsider by telling stories which they consider very funny—but which generate fear and queasiness in a listener whose sense of humor has a different kind of filter.
”
”
Hunter S. Thompson (Hell's Angels)
“
The New York power failure was not the first time the Hell's Angels have confounded the forces of decency and got off scot-free. They are incredibly devious. Law enforcement officials have compared their guile to that of the snipe, a wily beast that many have seen but few have ever trapped. This is because the snipe has the ability to transform himself, when facing capture, into something entirely different. The only other animals capable of this are the werewolf and the Hell's Angel, which have many traits in common. The physical resemblance is obvious, but far more important is the transmogrification factor, the strange ability to alter their own physical structure, and hence "disappear." The Hell's Angels are very close-mouthed about this, but it is a well-known fact among public officials. ... About halfway through our talk I got a strong whiff of the transmogrification factor, but I was hardly prepared for the mayor's special fillip on it. There were plenty of Hell's Angels at the riot, "but they escaped, " he explained, "behind a wall of fire." While he elaborated on this I checked my calendar to make sure I hadn't lost track of the days. If it was Sunday, perhaps he had just come back from church in a high, biblical state of mind. At any moment I expected to hear that the Angels had driven their motorcycles straight into the sea, which had rolled back to let them pass. But no, it wasn't like that. The mayor was not loath to give details of the escape; he wanted law enforcement agencies everywhere to be warned of the Angels' methods. Knowledge is power, he opined.
”
”
Hunter S. Thompson (Hell's Angels)
“
The Edge... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over.”
― Hunter S. Thompson, Hell's Angels: A Strange and Terrible Saga
”
”
Hunter S. Thompson
“
About a week earlier I had finished a book (on the Hell's Angels, scheduled this fall by Random House) and I felt that I needed about a week of total degeneration to cool out my system. To this end I went down to Big Sur and Monterery and filled my body with every variety of booze and drug available to modern man. For six or seven days I ran happily amok - spending money, sitting in baths, and futilely hunting wild boar with a .44 Magnum revolver. At one point I gave my car away to a man who paid $25 for the privilege of pushing it off a 400-foot cliff.
- to Max Scherr editor, Berkley Barb 7/20/1966
”
”
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
“
The wide receiver had a real taste for crime, and he indulged it with an erratic kind of vigor that made him an albatross for Madden and a natural soulmate for my old friend, Al Davis, who remains the ultimate Raider. They were serious people, and John Madden was definitely one of them, for good or ill. Living with the Oakland Raiders in those days was not much different than living with the Hell’s Angels. I
”
”
Hunter S. Thompson (Generation of Swine: Tales of Shame & Degradation in the '80s)
“
The daily press is the evil principle of the modern world, and time will only serve to disclose this fact with greater and greater clearness. The capacity of the newspaper for degeneration is sophistically without limit, since it can always sink lower and lower in its choice of readers. At last it will stir up all those dregs of humanity which no state or government can control. —Sören Kierkegaard
The Last Years:
Journals 1853–55
”
”
Hunter S. Thompson (Hell's Angels)
“
In the Carolinas they say "hill people" are different from "flatlands people," and as a native Kentuckian with more mountain than flatlands blood, I'm inclined to agree. This was one of the theories I'd been nursing all the way from San Francisco. Unlike Porterville or Hollister, Bass Lake was a mountain community ... and if the old Appalachian pattern held, the people would be much slower to anger or panic, but absolutely without reason or mercy once the fat was in the fire. Like the Angels, they would tend to fall back in an emergency on their own native sense of justice -- which bears only a primitive resemblance to anything written in law books. I thought the mountain types would be far more tolerant of the Angels' noisy showboating, but -- compared to their flatlands cousins -- much quicker to retaliate in kind at the first evidence of physical insult or abuse.
”
”
Hunter S. Thompson (Hell's Angels)
“
The Oakland chapter’s “bondsman” is a handsome middle-aged woman with platinum-blond hair named Dorothy Connors. She has a pine-paneled office, drives a white Cadillac and treats the Angels gently, like wayward children. “These boys are the backbone of the bail-bond business,” she says. “Ordinary customers come and go, but just like clockwork, the Angels come down to my office each week to make their payments. They really pay the overhead.
”
”
Hunter S. Thompson (Hell's Angels)
“
Now, looking for labels, it is hard to call the Hell's Angels anything but mutants. They are urban outlaws with a rural ethic and a new, improvised style of self-preservation. Their image of themselves derives mainly from Celluloid, from the Western movies and two-fisted TV shows that have taught them most of what they know about the society they live in. Very few read books, and in most cases their formal education ended at fifteen or sixteen. What little they know of history has come from the mass media, beginning with comics ... so if they see themselves in terms of the past, it's because they can't grasp the terms of the present, much less the future. They are the sons of poor men and drifters, losers and the sons of losers. Their backgrounds are overwhelmingly ordinary. As people, they are like millions of other people. But in their collective identity they have a peculiar fascination so obvious that even the press has recognized it, although not without cynicism. In its ritual flirtation with reality the press has viewed the Angels with a mixture of awe, humor and terror -- justified, as always, by a slavish dedication to the public appetite, which most journalists find so puzzling and contemptible that they have long since abandoned the task of understanding it to a handful of poll-takers and "experts.
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Hunter S. Thompson (Hell's Angels)
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The dawn is killing me off, the fog is on the windows, the [ra]coons have robbed the cans, and down in Rio its 8 a.m. and the whores who missed last night are already out on the beach in their fine little bikinis and if I could get my hands on just one of them I would be God's happiest man. But that's not likely tonight, so I'll get some sleep and wake up tomorrow with a fix on the Hell's Angels.
- to Angus Cameron in a letter dated 06/28/1965
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Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
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Over and over again I have said that there is no way out of the present impasse. If we were wide awake we would be instantly struck by the horrors which surround us … We would drop our tools, quit our jobs, deny our obligations, pay no taxes, observe no laws, and so on. Could the man or woman who is thoroughly awakened possibly do the crazy things which are now expected of him or her every moment of the day? —Henry Miller, in The World of Sex (1,000 copies printed by J.N.H., for “friends of Henry Miller,” 1941)
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Hunter S. Thompson (Hell's Angels)
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Over and over again I have said that there is no way out of the present impasse. If we were wide awake we would be instantly struck by the horrors which surround us … We would drop our tools, quit our jobs, deny our obligations, pay no taxes, observe no laws, and so on. Could the man or woman who is thoroughly awakened possibly do the crazy things which are now expected of him or her every moment of the day? —Henry Miller, in The World of Sex (1,000 copies printed by J.N.H., for “friends of Henry Miller,” 1941) People
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Hunter S. Thompson (Hell's Angels)
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This is a reassuring viewpoint and it would be even more so if the police shared it. Unfortunately, they don’t. Cops who know the Angels only from press accounts are sometimes afraid of them, but familiarity seems to breed contempt, and cops who know the Angels from experience usually dismiss
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Hunter S. Thompson (Hell's Angels)
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Because of the headwaiter mentality that prevails among customs officials, no commercial shipper of marijuana or anything else illegal would make the mistake of using Hell’s Angels for runners. It would be like sending a car up to the border with “Opium Express” painted in red letters on both sides.
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Hunter S. Thompson (Hell's Angels)
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The Watts riot in Los Angeles in 1965 was a classic example of this new alignment. A whole community turned on the police with such a vengeance that the National Guard had to be called in. Yet few of the rioters were criminals—at least not until the riot began. It may be that America is developing a whole new category of essentially social criminals … persons who threaten the police and the traditional social structure even when they are breaking no law … because they view The Law with contempt and the police with distrust, and this abiding resentment can explode without warning at the slightest provocation. Some
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Hunter S. Thompson (Hell's Angels)
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Here's the man who doesn't have an identity. But tonight he has the Los Angeles Police Department and the Los Angeles Fire Department upset. He has the National Guard called out. Tonight he is somebody. Tonight he has an identity. - Reverend G.Mansfield Collins, a Watts Minister, speaking in the wake of the 1965 riots
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Hunter S. Thompson; Herbert Wagner; Greg Field (Hell's Angels)
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The streets of every city are thronged with men who would pay all the money they could get their hands on to be transformed - even for a day - into hairy, hard-fisted brutes who walk over cops, extort free drinks from terrified bartenders and then thunder out of town on big motorcycles after raping the banker's daughter.
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Hunter S. Thompson (Hell's Angels)
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In a world increasingly geared to specialists, technicians and fantastically complicated machinery, the Hell’s Angels are obvious losers and it bugs them. But instead of submitting quietly to their collective fate, they have made it the basis of a full-time social vendetta. They don’t expect to win anything, but on the other hand, they have nothing to lose.
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Hunter S. Thompson (Hell's Angels)
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Последующий за этим спор собрал примерно десятка два зевак, однако китайцы были невозмутимы. Они пришли поговорить о деньгах (квартплата), и их не должна была сбить с правильного настроя какая-то совершенно бессмысленная перебранка между легавыми и неким существом, выглядевшим так, будто оно прокопало насквозь земной шар со стороны Монголии и вылезло здесь, в Америке.
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Hunter S. Thompson (Hell's Angels)
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them as an overrated threat. On the other hand, at least 90 percent of the dozens of cops I talked to all over California were seriously worried about what they referred to as “the rising tide of lawlessness,” or “the dangerous trend toward lack of respect for law and order.” To them the Hell’s Angels are only a symptom of a much more threatening thing … the Rising Tide.
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Hunter S. Thompson (Hell's Angels)
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American law enforcement procedures have never been designed to control large groups of citizens in rebellion, but to protect the social structure against specifically criminal acts, or persons. The underlying assumption has always been that the police and the citizenry form a natural alliance against evil and dangerous crooks, who should certainly be arrested on sight and shot if they resist.
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Hunter S. Thompson (Hell's Angels)
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For several months they'd been drifting toward political involvement, but the picture was hazy and one of the most confusing elements was their geographical proximity to Berkeley, the citadel of West Coast radicalism. Berkeley is right next door to Oakland, with nothing between them but a line on the map and a few street signs, but in many ways they are as different as Manhattan and the Bronx. Berkeley is a college town and, like Manhattan, a magnet for intellectual transients. Oakland is a magnet for people who want hour-wage jobs and cheap housing, who can't afford to live in Berkeley, San Francisco or any of the middle-class Bay Area suburbs. [10] It is a noisy, ugly, mean-spirited place, with the sort of charm that Chicago had for Sandburg. It is also a natural environment for hoodlums, brawlers, teenage gangs and racial tensions.
The Hell's Angels' massive publicity -- coming hard on the heels of the widely publicized student rebellion in Berkeley -- was interpreted in liberal-radical-intellectual circles as the signal for a natural alliance. Beyond that, the Angels' aggressive, antisocial stance -- their alienation, as it were -- had a tremendous appeal for the more aesthetic Berkeley temperament. Students who could barely get up the nerve to sign a petition or to shoplift a candy bar were fascinated by tales of the Hell's Angels ripping up towns and taking whatever they wanted. Most important, the Angels had a reputation for defying police, for successfully bucking authority, and to the frustrated student radical this was a powerful image indeed. The Angels didn't masturbate, they raped. They didn't come on with theories and songs and quotations, but with noise and muscle and sheer balls.
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Hunter S. Thompson (Hell's Angels)
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But in a society with no central motivation, so far adrift and puzzled with itself that its President‡ feels called upon to appoint a Committee on National Goals, a sense of alienation is likely to be very popular—especially among people young enough to shrug off the guilt they’re supposed to feel for deviating from a goal or purpose they never understood in the first place. Let the old people wallow in the shame of having failed. The laws they made to preserve a myth are no longer pertinent; the so-called American Way begins to seem like a dike made of cheap cement, with many more leaks than the law has fingers to plug. America has been breeding mass anomie since the end of World War II. It is not a political thing, but the sense of new realities, of urgency, anger and sometimes desperation in a society where even the highest authorities seem to be grasping at straws.
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Hunter S. Thompson (Hell's Angels)
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The Angels, like all other motorcycle outlaws, are rigidly anti-Communist. Their political views are limited to the same kind of retrograde patriotism that motivates the John Birch Society, the Ku Klux Klan and the American Nazi Party. They are blind to the irony of their role . . . knight errants of a faith from which they have already been excommunicated. The Angels will be among the first to be locked up or croaked if the politicians they think they agree with ever come to power.
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Hunter S. Thompson (Hell's Angels)
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This wavering paradox is a pillar of the outlaw stance. A man who has blown all his options can’t afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can’t afford to admit—no matter how often he’s reminded of it—that every day of his life takes him farther down a blind alley. Most Angels understand where they are, but not why, and they are well enough grounded in the eternal verities to know that very few of the toads in this world are Charming Princes in disguise. Most are simply toads, and no
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Hunter S. Thompson (Hell's Angels)
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About a week earlier I had finished a book (on the Hell’s Angels, scheduled this fall by Random House) and I felt that I needed about a week of total degeneration to cool out my system. To this end I went clown to Big Sur and Monterey and filled my body with every variety of booze and drug available to modern man. For six or seven days I ran happily amok—spending money, sitting in baths, and futilely hunting wild boar with a .44 Magnum revolver. At one point I gave my car away to a man who paid $25 for the privilege of pushing it off a 400-foot cliff.
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Hunter S. Thompson (Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (Gonzo Letters Book 1))
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So there is more to their stance than a wistful yearning for acceptance in a world they never made. Their real motivation is an instinctive certainty as to what the score really is. They are out of the ballgame and they know it. Unlike the campus rebels, who with a minimum amount of effort will emerge from their struggle with a validated ticket to status, the outlaw motorcyclist views the future with the baleful eye of a man with no upward mobility at all. In a world increasingly geared to specialists, technicians and fantastically complicated machinery, the Hell’s Angels are obvious losers and it bugs them. But instead of submitting quietly to their collective fate, they have made it the basis of a full-time social vendetta. They don’t expect to win anything, but on the other hand, they have nothing to lose. If
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Hunter S. Thompson (Hell's Angels)
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Every Angel recruit comes to his initiation wearing a new pair of Levis and a matching jacket with the sleeves cut off and a spotless emblem on the back. The ceremony varies from one chapter to another but the main feature is always the defiling of the initiate’s new uniform. A bucket of dung and urine will be collected during the meeting, then poured on the newcomer’s head in a solemn baptismal. Or he will take off his clothes and stand naked while the bucket of slop is poured over them and the others stomp it in.
These are his „originals,” to be worn every day until they rot. The Levi’s are dipped in oil, then hung out to dry in the sun – or left under the motorcycle at night to absorb the crankcase drippings. When they become too ragged to be functional, they are worn over other, newer Levi’s. Many of the jackets are so dirty that the colors are barely visible, but they aren’t discarded until they literally fall apart. The condition of the originals is a sign of status. It takes a year or two before they get ripe enough to make a man feel he has really made the grade.
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Hunter S. Thompson (Hells Angels)
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I keep a crumpled yellow note from that night; not all of the writing is decipherable, but some of it reads like this: "Pretty girl about 25 lying on wooden floor, two or three on her all the time, one kneeling between her legs, one sitting on her face and somebody else holding her feet...teeth and tongues and pubic hair, dim light in a wooden shack, sweat and semen gleaming on her thighs and stomach, red and white dress pushed up around her chest...people standing around yelling, wearing no pants, waiting first, second or third turns...girl jerking and moaning, not fighting, clinging, seems drunk, incoherent, not knowing, drowning..."
It was not a particularly sexual scene. The impression I had at the time was one of vengeance. The atmosphere in the room was harsh and brittle, almost hysterical. Most people took a single turn, then either watched or wandered back to the party. But a hard core of eight or ten kept at her for several hours. /In all, she was penetrated in various ways no less than fifty times, and probably more. At one point, when the action slowed down, some of the Angels went out and got the girls's ex-husband, who was stumbling drunk. They led him into the shack and insisted he take his own turn. The room got nervous, for only a few of the outlaws were anxious to carry things that far. But the sight of her former old man brought the girl out of her daze just enough to break the silent tension. She leaned forward, resting on her elbows, and asked him to kiss her. He did, and then groggily took his turn while the others cheered.
Afterward the girl rested for a while and then wandered around the party in a blank sort of way and danced with several people. Later she was taken back for another session. When she finally reappeared I saw her trying to dance with her ex-husband, but all she could do was hang on his neck and sway back and forth. She didn't even seem to heat the music.
What would a jury make of that one?
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Hunter S. Thompson (Hells Angels)
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So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-five, forty-five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board.
Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea.
The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.”
Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
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Hunter S. Thompson (Hell's Angels)