“
There is nobody in this country who got rich on their own. Nobody. You built a factory out there - good for you. But I want to be clear. You moved your goods to market on roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn't have to worry that marauding bands would come and seize everything at your factory... Now look. You built a factory and it turned into something terrific or a great idea - God bless! Keep a hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren
“
His eyes trapped mine and although I could have stared at that face all night, I had to look away in order to breathe.
I wondered whether I preferred the slick tuxedoed hunk, or the rugged version that looked like he’d just wrestled a bear.
Both.
”
”
J.J. Sorel (A Taste of Peace)
“
Hello! Hunk getting naked time. You expected me not to look?
”
”
Dana Marie Bell (Shadow of the Wolf (Heart's Desire, #1))
“
When everyone just shook their heads, he unbuttoned his shirt and,
oh good Lord, shrugged out of it, bunching it up to slip beneath her
head like a pillow.
Don’t look at him, she told herself. Don’t look—
She looked.
Sweet Jesus.
”
”
Jill Shalvis (Double Play (Pacific Heat, #1))
“
What is the difference between happiness and contentment?"
“Well, happy is like when somebody gives you a big hunk of something wonderful and it’s too big to hold. So you pull off a piece from time to time to hold in your hand. That’s being contented. Anyway, that’s the way I look at it.
”
”
Betty Smith (Joy in the Morning)
“
The Fomorians skittered backward, away from me, looking justifiably confused. I mean, really, how many human women actually run to them? And I was a human woman covered in swamp yuck, with wild red hair sticking out in matted hunks and arms flailing like a demented Bride of Frankenstein. I'd run from me.
”
”
P.C. Cast (Divine By Mistake (Partholon, #1))
“
Under the disguise amulet, Jenks looked very different with black hair and a darker complexion. He had his new aviator jacket on over the T-shirt he had bought in the previous store, making him a sexy, leggy, hunk o’ pixy ass in jeans. No wonder he had fifty-four kids and Matalina smiled like Mona Lisa.
”
”
Kim Harrison (A Fistful of Charms (The Hollows, #4))
“
There is nobody in this country who got rich on his own. Nobody. You built a factory out there? Good for you. But I want to be clear: You moved your goods to market on the roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn't have to worry that marauding bands would come and seize everything at your factory, and hire someone to protect against this, because of the work the rest of us did.
Now look, you built a factory and it turned into something terrific, or a great idea? God bless! Keep a big hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren (A Fighting Chance)
“
stood a supervisor, another Stone, and he had this look on his face—they must practice it in front of mirrors, all the supervisors had this look on their faces—they looked at you as if you were a hunk of human shit.
”
”
Charles Bukowski (Post Office)
“
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
”
”
Jack Kerouac (Desolation Angels)
“
ISSERLEY ALWAYS DROVE straight past a hitch-hiker when she first saw him, to give herself time to size him up. She was looking for big muscles: a hunk on legs. Puny, scrawny specimens were no use to her.
”
”
Michel Faber (Under the Skin)
“
My stomach gave a violent start and turned into a hunk of ice. The world was spinning around me, and blobs of faces and visions of things past were dancing in the red mist that covered the lot. It swirled into a mass of colors and I felt myself swaying on my feet. Someone cried, "Glory, look at the kid!"
And the ground rushed up to meet me very suddenly.
”
”
S.E. Hinton (追逐金色的少年 [Zhui zhu jin se de shao nian] / The Outsiders)
“
But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.
”
”
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
“
Trees, now—Slothrop’s intensely alert to trees, finally. When he comes in among trees he will spend time touching them, studying them, sitting very quietly near them and understanding that each tree is a creature, carrying on its individual life, aware of what’s happening around it, not just some hunk of wood to be cut down. Slothrop’s family actually made its money killing trees, amputating them from their roots, chopping them up, grinding them to pulp, bleaching that to paper and getting paid for this with more paper. “That’s really insane.” He shakes his head. “There’s insanity in my family.” He looks up. The trees are still. They know he’s there. They probably also know what he’s thinking. “I’m sorry,” he tells them. “I can’t do anything about those people, they’re all out of my reach. What can I do?” A medium-size pine nearby nods its top and suggests, “Next time you come across a logging operation out here, find one of their tractors that isn’t being guarded, and take its oil filter with you. That’s what you can do.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Most peasants did not miss the school.
"What's the point?" they would say.
"You pay fees and read for years, and in the end you are still a peasant, earning your food with your sweat. You don't get a grain of rice more for being able to read books. Why waste time and money?
Might as well start earning your work points right away."
The virtual absence of any chance of a better future and the near total immobility for anyone born a peasant took the incentive out of the pursuit of knowledge. Children of school age would stay at home to help their families with their work or look after younger brothers and sisters. They would be out in the fields when they were barely in their teens. As for girls, the peasants considered it a complete waste of time for them to go to school.
"They get married and belong to other people. It's like pouring water on the ground."
The Cultural Revolution was trumpeted as having brought education to the peasants through 'evening classes." One day my production team announced it was starting evening classes and asked Nana and me to be the teachers. I was delighted. However, as soon as the first 'class' began, I realized that this was no education.
The classes invariably started with Nana and me being asked by the production team leader to read out articles by Mao or other items from the People's Daily. Then he would make an hour-long speech consisting of all the latest political jargon strung together in undigested and largely unintelligible hunks. Now and then he would give special orders, all solemnly delivered in the name of Mao.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
They took one look at Zip2’s code and began rewriting the vast majority of the software. Musk bristled at some of their changes, but the computer scientists needed just a fraction of the lines of code that Musk used to get their jobs done. They had a knack for dividing software projects into chunks that could be altered and refined whereas Musk fell into the classic self-taught coder trap of writing what developers call hairballs—big, monolithic hunks of code that could go berserk for mysterious reasons.
”
”
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
“
I’m not interested in dating anyone right now. I just got here, and I’m dealing with some stuff-”
“Everybody’s dealing with some stuff, darlin’. Sometimes it’s just nice to deal with it while looking at a gorgeous hunk of man.
”
”
Alice Clayton (Mai Tai'd Up (Cocktail, #4))
“
in the dark room she sits and in front of her is a plate and on the plate lies a black hunk of bread the size of a deck of cards. The bread has sawdust in it, and cardboard. She takes a knife and a fork, and cuts it slowly into four pieces. She eats one, chews it deliberately, pushes it with difficulty through her dry throat. eats another and another and finally the last one. She lingers especially on the last one. She knows after this piece is gone there will be no more food until tommorow morning. She wishes she could be strong enough to save half of the bread until dinner, but she isn't, she can't. When she looks up from her plate, her sister Dasha, is staring at her. Her plate is long empty.
" I wish Alexander was coming back" says Dasha. " He might have food for us"
I wish Alexander was coming back, thinks Tatiana.
”
”
Paullina Simons
“
He tugged on Cinders’ reins and guided her to Nerissa’s right. If looks could kill, he’d be as melted as a candle placed on a hunk of red-hot iron. Something about him just rubbed her the wrong way, he supposed.
It wouldn’t the first time someone disliked him, and he doubted it would be the last.
”
”
Madisyn Carlin (Key (The Redwyn Chronicles, #1.5))
“
You simply do not understand the human condition,” said the robot.
Hah! Do you think you do, you conceited hunk of animated tin?”
Yes, I believe so, thanks ot my study of the authors, poets, and critics who devote their lives to the exploration and description of Man. Your Miss Forelle is a noble soul. Ever since I looked upon my first copy of that exquisitely sensitive literary quarterly she edits, I have failed to understand what she sees in you. To be sure,” IZK-99 mused, “the relationship is not unlike that between the nun and the Diesel engine in Regret for Two Doves, but still… At any rate, if Miss Forelle has finally told you to go soak your censored head in expurgated wastes and then put the unprintable thing in an improbable place, I for one heartily approve.
Tunny, who was no mamma’s boy — he had worked his way through college as a whale herder and bossed construction gangs on Mars — was so appalled by the robot’s language that he could only whisper, “She did not. She said nothing of the sort.”
I did not mean it literally,” IZK-99 explained. “I was only quoting the renunciation scene in Gently Come Twilight. By Stichling, you know — almost as sensitive a writer as Brochet.
”
”
Poul Anderson
“
It sits below aluminium on the periodic table and looks a lot like it. If you had a hunk of each metal in front of you, you probably couldn’t tell them apart. Except that gallium has one unusual property: it melts at temperatures just above room temperature. It will even soften in the palm of your hand. So it’s sort of a classic nerdy science prank to make a spoon out of gallium and serve it to somebody with coffee or tea—then watch them recoil as the Earl Grey “eats” their utensil.
”
”
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
“
No, no. Not a genius. This is like what reading is like for you. You look at the squiggles and loops, and the puzzle opens until suddenly nothing means something, something more than the sum of the parts, right? I see one hunk of metal and then another, and the puzzle opens. They turn in my mind and just make sense. Together they all mean something.
”
”
Jonathan Friesen (Both of Me)
“
All I know is that I'm a helpless hunk of helpful horse manure looking in your eye saying Help me
”
”
Jack Kerouac (Big Sur)
“
There is nobody in this country who got rich on his own. Nobody. You built a factory out there? Good for you. But I want to be clear: You moved your goods to market on the roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn’t have to worry that marauding bands would come and seize everything at your factory, and hire someone to protect against this, because of the work the rest of us did. Now look, you built a factory and it turned into something terrific, or a great idea? God bless! Keep a big hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Elizabeth Warren (A Fighting Chance)
“
Massachusetts senator Elizabeth Warren put it eloquently: “There is nobody in this country who got rich on his own. Nobody. You built a factory out there, good for you. But, I want to be clear: you moved your goods to market on the roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn’t have to worry that marauding bands would come and seize everything at your factory and hire someone to protect against this because of the work the rest of us did. Now look, you built a factory and it turned into something terrific or a great idea. God bless. Keep a big hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Anu Partanen (The Nordic Theory of Everything: In Search of a Better Life)
“
If I misuse a corporation’s logo, I could potentially be put in jail; if a corporation abuses a billion birds, the law will protect not the birds, but the corporation’s right to do what it wants. That is what it looks like when you deny animals rights. It’s crazy that the idea of animal rights seems crazy to anyone. We live in a world in which it’s conventional to treat an animal like a hunk of wood and extreme to treat an animal like an animal. Before
”
”
Jonathan Safran Foer (Eating Animals)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
Speaking of lust, look what just walked in. Three hot and sexy hunks. A come-fuck-me vibe practically oozed from their skin. Seriously, if I could have bottled these guys, I would have made a fortune even greater than the creator of Viagra did.
”
”
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
“
Terraforming Mars is a primary goal for the twenty-second century. But scientists are looking beyond Mars as well. The most exciting prospects may be the moons of the gas giants, including Europa, a moon of Jupiter, and Titan, a moon of Saturn. The moons of gas giants were once thought to be barren hunks of rock that were all alike, but they are now seen as unique wonderlands, each with its own array of geysers, oceans, canyons, and atmospheric lights. These moons are now being eyed as future habitats for human life.
”
”
Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
“
I came to Savannah to see where it all began ... where I began. But right now, I swear to God I flew to the other side of the pond just to see Theo in a dirty white T-shirt and faded blue jeans with holes in the knees, a red bandana wrapped around his head, and the most vulnerable look in his blue eyes.
”
”
Jewel E. Ann (Scarlet Stone)
“
No. Clearly the title of the most drool inspiring hunk of handsome goes to Max Rigel even if he is a blackhearted fiend. But Darius isn’t a bad second,” Geraldine said, a faint blush lining her cheeks. Sofia started laughing and Darcy covered her mouth to hide her grin. Diego looked like he’d like to be absolutely anywhere else. “What?” Caleb asked, his brows pinching with irritation as I snorted a laugh. “You’re ranking me third?” “No! Of course not!” Geraldine said loudly, seeming horrified. “Seth Capella would be third.” I fell back into my chair, clutching my stomach as my laughter grew out of control and Caleb tried his hardest not to look as disgusted as he clearly was.
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
What treasures they left behind! A gorgeous set of yellow topaz crystals on a gray matrix. A great pink hunk of beryl like a crystallized brain. A violet column of tourmaline from Madagascar that looks so rich he cannot resist the urge to stroke it. Bournonite; apatite on muscovite; natural zircon in a spray of colors; dozens more minerals he cannot name.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Oh,and the hunk wasn't hard on the eyes, either." Grinning, she gave an obvious and deliberate shudder. "The real physical type.I thought he was going to punch that idiot Tarmack right in the face. Was kinda hoping he would. Anyway,the pair of you made a great team."
"I suppose."
"So,what about those smoldering looks?"
"What smoldering looks?"
"Get out." Mo cheerfully wiggled her eyebrows. "I got singed and I was only an innocent bystander. The guy looks at you like you were the last candy bar on the shelf and he'd die without a chocolate fix."
"That's a ridiculous analogy, and you're imagining things."
"He was going to pound Tarmack into dust for dissing you.Man, I just wanted to melt when he hauled the guy up by the collar.Too romantic.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission.
I nervously rambled, “What…umm…what do you mean you want my permission?”
He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it.
I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.”
What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy.
Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.”
Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness.
I shouted, “Ren, wait!” But it was too late. He was gone.
I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again.
I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.”
I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.”
Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The future of women is uncertain. We don’t breed in the womb any more, and if we aren’t wanted for sex … But there will always be men. Women haven’t gone for little boys. Women have a different approach. Surrounded by hunks, they look for ‘the ugly man inside’. Thugs and gangsters, rapists and wife-beaters are making a comeback. They may smile like beach-boys, but they are pure shark. So this is the future. F is for Future.
”
”
Jeanette Winterson (The Stone Gods)
“
With her mother's remarks about his uncle in mind she looked at him with fresh interest and was forced to acknowledge that he too was actually a bit of a hunk. His hair was short, very dark and curly, and he had the sort of craggy face which might no longer be fashionable in the age of the New Man and the sarong but which would certainly appeal to any woman whose favourite fantasy involved caves and clubs and a bit of chest-pounding.
”
”
Aline Templeton (Cold in the Earth (DI Marjory Fleming #1))
“
She wanted to take a look at you, too. She heard you were a hunk."
"Is that so?" Amused, Brian shifted. "Did you tell her that?"
"I certainly did not. I have more respect for you than to speak of you in such a sexist way."
"Respect's a good thing." He yanked her into the box, crushing his mouth to hers before she could laugh. "But I'm banking on passion just at the moment. Have you passion for me, Keeley?" he murmured against her mouth.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Michelle: Phone. That had to be my phone waking me up. My hand swept across the nightstand until it found the vibrating hunk of silicone. "Hello."
"Michelle, It's Gordon from the Cobb County Sheriff's Office. We need you to deal with some illegally bred magical creatures."
The sound of barking and shouting followed his voice.
"What are they?"
"We don't know. I can tell you what they look like. Henri was one of the responding and he's never heard of these things. I think they're new."
Blech. I rolled out of bed to start getting dressed. Henri was an old vampire. I'm not sure how old. But old enough to take his word on something like this.
"Gordon, tell me what these things look like."
"I'd say someone found the stupidest chihuahua in the city and then did something to give it wings and magic."
"Great! How do I get there?" I wrote down the address and a few directions. "That's the mayor's place, isn't it?
"Yep and he's not happy.
”
”
N.E. Conneely (Witch for Hire (A Witch's Path, #1))
“
open your eyes to why God’s put you here, stop all that staring at the floor, you and Perry both you’re crazy—I’ll draw you magic moon circles’ll change all your luck”—I look her dead in the eye and it is blue and I say “O Billie, forgive me”—“But you see you go there talkin guilty again”—“Well I dont know all those big theories about how everything should be goddamit all I know is that I’m a helpless hunk of helpful horse manure looking in your eye saying Help me”—“But when you make those big final statements it doesnt help you
”
”
Jack Kerouac (Big Sur)
“
You look way too serious for someone trying to choose an appetizer,” he murmured.
The soft purr of his voice should come with a warning label much like they showed on TV.
Please note that the hunk sitting across from you may cause heart palpitations, clammy hands, wet panties, and a hunger for things not meant to be eaten in public.
She steeled herself before she peeked up and caught his gaze over the edge of her menu. “Just debating on whether I want a salad to start or some stuffed mushrooms.”
“Or you could just nibble on me,” he said with a wink.
”
”
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
“
Now you can introduce me to the hunk." Mo fell into step beside Keeley.
"I will if you can behave like you have a brain as well as glands."
"It had nothing to do with glands, I'm just curious. Don't worry, I'm taking a page out of your book there when it comes to men."
Keeley stopped at the door to the stables. "Excuse me?"
"You know, guys are fne to look at, or to hang around with occasionally. But there are lots more important things. I'm not going to get involved with one until I'm thirty,soonest."
Keeley wasn't certain whether to be amused or appalled.Then she heard Brian's voice, the lilt of it. And he forgot everything else.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
”
”
Edward Abbey
“
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.”
Kiaran moves to stand beside me. “I would have pulled off your wings.”
“Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.”
Kiaran’s emotionless gaze flickers to her. “Phiuthair.”
“Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.”
“Don’t.” Kiaran’s voice dips in warning.
“I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?”
“Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?”
“You’re here because Kam wanted your help. Not because I did.”
“Damn it, MacKay—”
“You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.”
“I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.”
“Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.”
Derrick peeks through my hair. “What’s that murderous arsehole doing here?”
Sorcha blinks at him. “What did you just call me?”
“You heard me, pointy-toothed hag.”
“Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.”
“So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.”
“I chose the one who was conveniently chained up, rather than the one in hiding.”
Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?”
“I’m standing right here,” Sorcha says sharply.
“Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.”
“Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
You are the lifemate of a senstive, modern male. Julian's lazy amusement warmed her further, confirming what she already suspected, that he often stayed a shadow in her mind.
How fortunate for me. Desari smiled at herself in the mirror. Her dark hair cascaded in waves down her back. There was a sparkle in her eyes. She knew Julian had made her feel more alive than she had ever been. Sensitive, modern men are so to my liking.
Men? I am certain I did not hear my lifemate use the word men.The plural.No man is allowed to be to your liking other than myself. He sounded stern, the fierce Carpathian male at his most menacing.
Desari laughed aloud. I suppose I can see your point, Julian, but really, it is so difficult to keep from noticing all of those handsome hunks in the audience.
Handsome hunks? His voice dropped low with the affront. They are more like lovesick fops. If they could feel the vibrations in the air, they would show sense and run for their lives. It is bad enough to read their fantasies and hear them talk their trash, cara,but it is altogether worse to hear that my woman is looking back. One smile at the wrong man, lifemate, and trouble will find the man quickly.
You sound jealous,she accused him, amusement curving her soft mouth.
The first rule for all women to know and never forget is that Carpathian makes do not share their lifemates. Your brother has much to answer for that this was not drilled into you since birth.It was his job to prepare you for my coming. It was said somewhere between jest and complaint.
Desari drew in her breath sharply, finding herself wavering between laughter and exasperation. My brother had no idea of your existence, you arrogant male. Besides, how could he possibly prepare me for your total ignorance of women? More likely, had he known you were coming to speak your ritual words, he would have been waiting to ambush you.I myself would have burrowed deep within the ground until you passed beyond my surroundings.
You would have burst from the ground staight into my arms,cara mia, and you know this to be true.
Now he was laughing, that smug, taunting, male amusement that should have set her teeth on edge but instead made her laugh. I think you are trying to find something to dictate to me about just so you do not lose your ability. Go away and practice this male art form on someone else.
You will be singing to me tonight, piccola,and to no other man.
You are a spoiled little boy,not a grown man.
Should I come show you what a grown man I am? His voice was suddenly low and warm, so sexy she felt a rush of answering heat. She could feel the brush of his fingers against her throat, trailing down the valley between her suddenly aching breasts.
Go away,Julian, she laughed in answer. I cannot have you getting me hot and bothered just now.
As long as I know you re hot and bothered for me, I will do as you request and go back to work.
I can only hope.
”
”
Christine Feehan (Dark Challenge (Dark, #5))
“
Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face.
“You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.”
Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange.
“What did you do to her?” Tobias says, terse. “What in God’s name did you do?”
“I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.”
“They must have given her too much of what?” he says.
“You have a nice voice,” I say.
“Tris,” he says, “please be quiet.”
“The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.”
Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.”
Johanna does not respond for a few seconds. She folds her hands in front of her.
“Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.”
“Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.”
“Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.”
“Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Keeley, Burke tells me your new trainer is a natural with the horses, with Travis and with cards as well."
"And I hear he's gorgeous,too," Mo added.
"Where'd you hear that?" Keeley demanded before she could bite her tongue into two.
"Oh,the word gets around in our snug little world," Mo said grandly. "And Shelley Mason-one of your kids? Her sister Lorna's in my Worl History class, a huge, bore by the way. The class, that is, not Lorna, who's only a small bore.Anyway, she picked Shelley up last week from your place and got a load of the Irish hunk, so I heard all about it. Which is why I'm planning on coming over as soon as I can and getting a load of him myself."
"Trevor, give your sister your pork chop so the can stuff it in her mouth."
"Dad." Giggling, Mo snatched another fry. "I'm just going to look. So, Keeley, is he gorgeous? I respect your opinion more than Lorna Mason's."
"He's too old for you," Keeley said, a bit more sharply than she intended and had Mo rolling her eyes.
"Jeez.I don't want to marry him and have his children."
Travis's laugh prevented Keeley from snapping back with something foolish. "Good thing. Now that I've found someone who comes close to replacing Paddy,I don't intend to lose him to Three Acres."
"okay." Mo licked salt from her fingertip. "I'll just ogle him.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
She's barely gained consciousness and when she sees me standing over her naked, I can imagine my virtual absence of humanity fills her with mind-bending horror. I've situated the body in front of the new Toshiba Television set and in the VCR is an old tape and appearing on the screen is the last girl I filmed. I'm wearing: a Joseph Abboud suit, tie by Paul Stuart, shoes by J. Crew, a vest by someone Italian and I'm kneeing on the floor beside a corpse eating the girl's brain gobbling it down spreading Grey Poupon over hunks of the pink fleshy meat.
"Can you see?" I asked the girl not on the Television set.
"Can you see this, are you watching?" I whisper.
I try using the power drill on her, forcing it into her mouth but she's conscious enough, has strength to close her teeth clamping them down and even though the drill goes through the teeth quickly it fails to interest me. So I hold her head up, blood dribbling from her mouth and make her watch the rest of the tape. While she's looking at the girl on the screen bleed from almost every possible orifice I'm hoping she realizes that this would've happened to her no matter what. That she would've ended up here lying on the floor in my apartment hands nailed to posts, cheese and broken glass pushed up into her cunt. Her head cracked and bleeding purple no matter what other choice she might have made.
”
”
Bret Easton Ellis (American Psycho)
“
When was the last contact you had with him?” Oscar asked.
Ira took a long swig from his canteen, replaced the cap, and scrunched up his nose. “Five years ago,” he answered, then let out a wet burp. “’Scuse me, love.”
Camille grimaced and sipped water from her own canteen.
“Then you can’t be sure he’s still in Port Adelaide,” Oscar continued.
Ira placed a hunk of salt pork in a pot with a few handfuls of small white beans and water. “Sure I can. Old Monty would’ve sent word if he packed up.” But Ira’s face darkened and his hand covered his stubbled beard. “Course, not if Stella went and told him ‘bout that time in Sydney.”
Camille closed her eyes and knitted her fingers to keep them from forming fists. Oscar sat with his head in his large hands, as though he had an unbearable headache. Looking back at Ira, she figured he probably did.
“Who is Stella and what happened in Sydney?” she asked.
“Monty’s wife and an act I can’t describe with a lady present,” Ira crowed.
“Well, aren’t you a gentleman,” Oscar said under his breath.
“Don’t worry, mate. Stella’s conscience is buried so far under her folds of skin, she’s bound never to find it.”
Ira stoked the small flames and showed them his toothy grin. “She’s a lot of woman to love, that Stella.”
Camille’s eyes watered with shock.
“I don’t think you could bluff your way out of that one,” Oscar said. Ira jumped into a crouch, bobbing up and down.
“Wait till you see me bluff. It’s like an art.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow.
Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it.
"The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal.
The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?
”
”
Elin Hilderbrand (The Blue Bistro)
“
Isn't there something in Genesis about not looking back? A stupid glance over my shoulder showed her expression relaxing, glad I wasn't taking anything that couldn't be replaced and glad I didn't destroy anything that couldn't be repaired. "Do you care for me, Georgia?" I asked her. "Tell me you don't and I'm out of your life forever." She stood in the driveway with her arms wrapped around herself like she was freezing. "Andre is on his way."
"I didn't ask you about no Andre."
"He'll be here in a minute."
My head hurt, but I pressed her. "It's a yes-or-no question."
"Can we talk when Andre gets back? We can-"
"Stop talking about him. I want to know if you love me."
"Andre…"
She said his name one time too many. For what happened next, she would have to take some of the blame. I asked her a simple question and she refused to give me a simple answer. I turned from her and made a sharp left turn, pounding across the yard, feeling the dry grass crunch under my shoes. Six long strides put me at the base of the massive tree. I touched the rough bark, an instant of reflection, to give Old Hickey the benefit of the doubt. But in reality, a hickory tree was a useless hunk of wood. Tall, and that's all. To break the shell of a hickory nut, you needed a hammer and an act of Congress, and even then you needed a screwdriver to get at the meat, which was about as tasty as a clod of limestone. Nobody would ever mourn a hickory tree except Celestial, and maybe Andre. When I was a boy, so little I couldn't manage much more than a George Washington hatcher, Big Roy taught me how to take down a tree. Bend your knees, swing hard and low, follow up with a straight chop. Celestial was crying like the baby we never had, yelping and mewing with every swing. Believe me when I say that I didn't slow my pace, even though my shoulders burned and my arms strained and quivered. With every blow, wedges of fresh wood flew from the wounded trunk peppering my face with hot bites. "Speak up, Georgia," I shouted, hacking at the thick grey bark, experiencing pleasure and power with each stroke. "I asked you if you loved me.
”
”
Tayari Jones (An American Marriage)
“
Stick around, though. I’m going to need all the help I can get to figure all this out.”
“That’s me! Mister Helpful. Captain Dependable.”
“That sounds like a brand of adult diapers.”
“This nickname needs some work. Lord Wonderful? The Incredible Hunk?”
“Please, for the love, go inside.”
He laughed, then clomped up the steps and into the house.
“Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!”
“That tone and level of voice does nothing attractive you for, my love.”
I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing.
“You,” I said, glaring. “Fix it. Now.”
A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . .
Nothing.
“You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic.
“He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside.
“Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!”
“Evie! I’m . . . wow, why am I so bruised?”
“Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that.
“Maybe,” he said, between tracing my neck with kisses, “we could go inside?”
“Maybe,” I agreed, not getting up.
“Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.”
Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved.
“See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham."
Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-"
"No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking."
"Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!"
"Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory."
Willow blushed and concentrated on her hands where they rested on the edge of the tub.
"Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout."
Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!"
"Watch the cursing, young lady."
Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment.
"Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often.
"And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
”
”
Charlotte McPherren (Song of the Willow)
“
Positive arguments for the natural possibility of absent qualia have not been as prevalent as arguments for inverted qualia, but they have been made. The most detailed presentation of these arguments is given by Block (1978).
These arguments almost always have the same form. They consist in the exhibition of a realization of our functional organization in some unusual medium, combined with an appeal to intuition. It is pointed out, for example, that the organization of our brain might be simulated by the people of China or even mirrored in the economy of Bolivia. If we got every person in China to simulate a neuron (we would need to multiply the population by ten or one hundred, but no matter), and equipped them with radio links to simulate synaptic connections, then the functional organization would be there. But surely, says the argument, this baroque system would not be conscious!
There is a certain intuitive force to this argument. Many people have a strong feeling that a system like this is simply the wrong sort of thing to have a conscious experience. Such a “group mind” would seem to be the stuff of a science-fiction tale, rather than the kind of thing that could really exist. But there is only an intuitive force. This certainly falls far short of a knockdown argument. Many have pointed out that while it may be intuitively implausible that such a system should give rise to experience, it is equally intuitively implausible that a brain should give rise to experience! Whoever would have thought that this hunk of gray matter would be the sort of thing that could produce vivid subjective experiences? And yet it does. Of course this does not show that a nation's population could produce a mind, but it is a strong counter to the intuitive argument that it would not.
.
.
.
Once we realize how tightly a specification of functional organization constrains the structure of a system, it becomes less implausible that even the population of China could support conscious experience if organized appropriately. If we take our image of the population, speed it up by a factor of a million or so, and shrink it into an area the size of a head, we are left with something that looks a lot like a brain, except that it has homunculi—tiny people—where a brain would have neurons. On the face of it, there is not much reason to suppose that neurons should do any better a job than homunculi in supporting experience.
”
”
David J. Chalmers (The Conscious Mind: In Search of a Fundamental Theory)
“
Gray burst into the galley. “Miss Turner is not eating.”
The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam.
“And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up.
“She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently.
“Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?”
“Her dress no longer fits properly. The neckline of her bodice is too loose.”
Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter.
“Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.”
“It’s not that she’s a beautiful lady-“
Gabriel looked up sharply.
“It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.”
“Wouldn’t that be the captain’s duty?”
Gray narrowed his eyes.
“And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.”
Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?”
“This, and biscuit.”
“I’ll order the men to trawl for a fish.”
“Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly.
Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them.
Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him.
Gabriel stopped pounding. “Sit down, Gray. Rest your bones.”
With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him.
Milk.
Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.”
The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Tariq gives me a sad, pitying look, and I wonder how much he can read on my face. Gary suddenly looks almost gleeful. “So,” he says. “Where were we? You were trying to convince me to commit suicide, right?” “That’s a good idea,” says Charity. “You’re a burden on your friends and family. Is this a Hemlock Society thing?” He shakes his head. “No, more like a ‘Charge of the Light Brigade’ thing.” She grins. “You mean they’re trying to convince you to do something so monumentally stupid that it almost looks brave?” Gary’s eyes light up. “Something like that. You a Tennyson fan?” Charity lowers the towel and flips her hair back over her shoulders. “Half a league, half a league, half a league onward. All in the valley of Death, rode the six hundred. My degree was in English literature.” “Ah,” says Gary. “Hence the career in food and beverage delivery.” “Yeah, right.” She gives her hair a final shake, and drapes the towel over the arm of the chair. “So really, what are we talking about?” “We were actually talking about Anders,” says Gary, “and what a fine hunk of meat he is.” “He’s a fine hunk of something.” Charity looks like she’s bitten into something rotten. My stomach gives a hopeful flutter. Sweet Jesus, I am a prepubescent girl.
”
”
Edward Ashton (Three Days in April)
“
Which brings us to a little book that may provide a clue to the cure. My wife got it as a gift from a friend. It is titled Porn for Women. It’s a picture book of hunks, photographed in all their chiseled, muscle-bound, testosterone-marinated, PG-rated glory. Lots of naked chests and low-cut jeans, complete with tousled hair and beckoning eyes. And they are ALL doing housework. There’s a picture of a well-cut Adonis, and he’s loading the washing machine. The caption reads: “As soon as I finish the laundry, I’ll do the grocery shopping. And I’ll take the kids with me so you can relax.” There’s another hunk, the cover guy, vacuuming the floor. A particularly athletic-looking man peers up from the sports section and declares, “Ooh, look, the NFL playoffs are today. I bet we’ll have no trouble parking at the crafts fair”. Porn for Women. Available at a marriage near you.
”
”
Anonymous
“
Breaking the surface, he gulped in a breath, released his hold on the hair, and taking a firm grip on the man’s arm, tried to tow him to shore. Unfortunately, the man didn’t seem to be receptive to that idea and immediately began fighting him, which had Bram tightening his grip. “Stop . . . trying . . . to drown me,” he heard the man rasp in an unexpectedly high voice between bobs of his head lifting and sinking through the water. “I’m trying to save you.” “Is that what you call this?” Intending to reassure the obviously distressed and certainly panicked man, Bram opened his mouth, but soon found himself incapable of speech, a direct result of suddenly finding himself underneath the water. Taken completely by surprise by the idea the man had dunked him, he dodged the man’s kicking legs, as well as a few dog paws, and sputtered his way back to the surface, discovering as he did so that the man he’d thought was drowning was swimming his way quite competently to shore. Striking out after him with his dogs paddling on either side of him, Bram soon reached the side of the moat. Clawing his way up the dirt bank, he flopped onto the grass and turned his head, his attention settling on the man he’d been trying to save. That man was already on his feet, but the longer Bram watched the man, the more it became clear he was no man at all. He, or rather she, had lost her greatcoat in the moat, and her wet clothing was currently plastered against a form that was . . . curvaceous. When she shoved a hunk of long hair away from her face, exposing whiskers, of all things, Bram suddenly found it very difficult to breath because . . . Standing only feet away from him was none other than Miss Lucetta Plum, one of the most intriguing ladies to ever grace the stage, and a lady who had captured his very great esteem. She was looking a little worse for wear, especially since she had mud on her face mixed in with the whiskers, and she also had clumps of algae in her hair, but even in such a sorry state, she was beautiful. She was also the lady he’d been slightly in love with ever since he’d first seen her take to the stage a few years back. Her delicate and refined nature had pulled at his very soul, and the very idea that such a fragile creature was forced to eke out a living on her own had been unfathomable. That was what had prompted Bram to set into motion ways to improve Miss Plum’s circumstance in life, those ways including . . . A
”
”
Jen Turano (Playing the Part (A Class of Their Own, #3))
“
I can't believe you didn't cold-cock that girl. I jerked at her remark. She continued. There was this woman who used to work in Peter's first office and she was so in lust with him. I saw Peter smile and shake his head, but she kept going, leaning forward to look at me from across his chest. It seemed like every time I went to bring him lunch or drop by for…a visit, she was there. Touching his arm, leaning on his desk, calling his office when I was in there with some emergency. Ugh. Anyway, the very first time I got her alone in the elevator I cornered that hussy and told her she had better keep her paws off. That I was watching her and that hunk of a man was taken. I covered my mouth to keep from bursting out laughing. So I admire your restraint. Significants usually don't have much when it comes to our mates. I would have given Bimbo a black eye at the very least.
”
”
Shelly Crane (Independence (Significance, #4))
“
Maybe it was a coincidence. Or maybe there’s a trigger in the human psyche, a coded response that activates our first and greatest survival skill when we sense the raptors approaching. In terms of stress relief and sensual pleasure, running is what you have in your life before you have sex. The equipment and desire come factory installed; all you have to do is let ’er rip and hang on for the ride. That’s what I was looking for; not some pricey hunk of plastic to stick in my shoe, not a monthly cycle of painkillers, just a way to let ’er rip without tearing myself up. I didn’t love running, but I wanted to.
”
”
Christopher McDougall (Born to Run)
“
The waiter slapped down my pavé au poivre. It was not a particularly impressive plate- a hunk of meat, fat fried potatoes piled carelessly to one side. But something happened as I sliced the first bite- no resistance, none at all. The knife slid through the meat; the thinnest layer of crusty brown opening to reveal a pulpy red heart. I watched as the pink juices puddled into the buttery pepper sauce.
Gwendal looked up. I must have uttered an audible gasp of pleasure. "I don't know why you can't get a steak like this in England," I said, careful, even in my haste to lift the first bite to my mouth, not to drip on my sweater. "Since mad cow, I think it's illegal." My fork and knife paused in midair as I let the salt, the fat, the blood settle on my tongue.
”
”
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
“
Win spread his hands. “But why? What about the winner do we want to emulate? His ability to blind himself to anything but the pursuit of empty aggrandizement? His ego-inflating obsession with wearing a hunk of metal around his neck? His willingness to sacrifice anything, including people, in order to best another human being on a lump of AstroTurf for a cheesy statuette?” He looked up at Myron, his always serene face suddenly lost. “Why do we applaud this selfishness, this self-love?” “Competitive drive isn’t a bad thing, Win. You’re talking about extremes.” “But it is the extremists we admire most. By its nature, what you call ‘competitive drive’ leads to extremism and destroys all in its path.” “You’re being simplistic, Win.” “It is simple, my friend.” They both settled back. Myron stared up at the exposed beams. After some time, he said, “You have it wrong.” “How so?” Myron wondered how to explain it. “When I played basketball,” he began, “I mean, when I really got into it and reached these levels you’re talking about—I barely thought about the score. I barely thought about my opponent or about beating somebody. I was alone. I was in the zone. This is going to sound stupid, but playing at the top of my game was almost Zen-like.” Win
”
”
Harlan Coben (Back Spin (Myron Bolitar, #4))
“
It’s as if the media is saying to teenage girls, “Remember all those kid TV shows you used to watch that told you you could be any way you want to be and become anything you want to become? We were just kidding. You can be a lawyer, a scientist, or whatever, but what’s most important is that you look gorgeous, act simpering, and fall in love with a confident, good-looking hunk.” A
”
”
Helene Brenner (I Know I'm In There Somewhere)
“
Win spread his hands. “But why? What about the winner do we want to emulate? His ability to blind himself to anything but the pursuit of empty aggrandizement? His ego-inflating obsession with wearing a hunk of metal around his neck? His willingness to sacrifice anything, including people, in order to best another human being on a lump of AstroTurf for a cheesy statuette?” He looked up at Myron, his always serene face suddenly lost. “Why do we applaud this selfishness, this self-love?
”
”
Harlan Coben (Back Spin (Myron Bolitar, #4))
“
This is it?” he asked.
“Yeah,” Megan replied.
“Wow. I thought girls were notorious for overpacking.”
“I’m not much of a girl,” Megan replied.
What? What did you just say?
He looked her up and down and smiled. “Could’ve fooled me.”
If the human form could melt spontaneously, Megan would have turned to a puddle of liquid skin right then and there. This six-foot-four, gorgeous hunk of half-naked hottie was flirting with her! Inarticulate, tomboyish, freckle-nosed Megan Meade!
He hoisted the mesh bag of soccer balls out of the trunk and flung it over his shoulder. With his other hand he grabbed the large suitcase, leaving only her laptop bag and the smaller suitcase, filled with Megan’s underwear, bras, and pj’s, for her. Even though he had no idea what was in it, Megan was glad that she didn’t have to watch him carry her lingerie up to the house.
“I’m Evan, by the way,” he said as she reached up to slam the door.
Megan almost choked. “No.”
Evan laughed. “Uh…yeah.”
“You’re Evan?”
Pudgy, stringy-haired, snot-bubble-blowing Evan had morphed into this WB-worthy god of Olympic proportions?
“Yeah, I am,” he said, narrowing his eyes. “Didn’t you hit me over the head with a baseball bat once?”
“It was a wiffleball bat,” she said. “And I think you hung me from a tree first.”
“Huh. I always thought it was a baseball bat,” Evan said.
“I’m freakishly strong,” she said.
Right. Stop talking now. Stop…talking…now!
But Evan was, in fact, still smiling. They started up the lawn toward the rest of the family.
But Evan was, in fact, still smiling. They started up the lawn toward the rest of the family.
“So, you’re a soccer player, huh?” Evan said as they approached. “Good thing. You’re gonna need to be quick to survive this crowd.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
This is it?” he asked.
“Yeah,” Megan replied.
“Wow. I thought girls were notorious for overpacking.”
“I’m not much of a girl,” Megan replied.
What? What did you just say?
He looked her up and down and smiled. “Could’ve fooled me.”
If the human form could melt spontaneously, Megan would have turned to a puddle of liquid skin right then and there. This six-foot-four, gorgeous hunk of half-naked hottie was flirting with her! Inarticulate, tomboyish, freckle-nosed Megan Meade!
He hoisted the mesh bag of soccer balls out of the trunk and flung it over his shoulder. With his other hand he grabbed the large suitcase, leaving only her laptop bag and the smaller suitcase, filled with Megan’s underwear, bras, and pj’s, for her. Even though he had no idea what was in it, Megan was glad that she didn’t have to watch him carry her lingerie up to the house.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
DR. Harvey Riker replaced the receiver. He sighed heavily and put a hand through his long, unruly, gray-brown hair, a cross between Albert Einstein’s and Art Garfunkel’s. He looked every bit of his fifty years. His muscle had turned to flab from lack of exercise. His face was average to the point of tedium. Never much of a hunk to begin with, Harvey’s looks had soured over the years like a two-dollar Chianti. He
”
”
Harlan Coben (Miracle Cure)
“
After lunch with Beck, I spend some time with Emmy while we wait on Chelcie to finish up with Sway. According to Maddox’s last grunt filled, one-word response, phone call, she is happily being ‘fluffed like a f**king bird’. I start laughing so hard that I almost drop the phone when he tells me that Sway has already tried to sit on his lap twice. Those guys can play all they want, but they secretly love the attention that Sway is not shy about throwing at them.
“We need to get Sway a man. Not just any man, but we need someone that could stand up next to these C.S. boys and belong. Certified, grade-A, hunk material.”
Emmy looks up from where she’s entering some notes from an earlier meeting the guys had and drops her jaw.
“You aren’t seriously thinking about playing matchmaker, right?
”
”
Harper Sloan (Beck (Corps Security, #3))
“
He was staring at my chest again. I looked down. Shit, I was pinging like a damn … hell, like a damn horny woman being seduced by a gorgeous hunk. And I could feel all the sense leaving my mind.
”
”
Lacy Silk (Fantasies and Realities)
“
Omri entered the house by the side door, which opened into the kitchen. His black and white cat, Kitsa, was sitting on the drainboard. She watched him out of her knowing green eyes as he came to get a drink of water. “You’re not supposed to be up there, Kits,” he said, “you know that.” She continued to stare at him. He flicked some water on her but she ignored it. He laughed and stroked her head. He was crazy about her. He loved her independence and disobedience. He helped himself to a hunk of bread, butter and Primula cheese, and walked through into the breakfast room. It was their every-meal room, actually. Omri sat down and opened the paper to the cartoon. Kitsa came in, and jumped, not onto his knee but onto the table, where she lay down on the newspaper right over the bit he was looking at. She was always doing this—she couldn’t bear to see people reading.
”
”
Lynne Reid Banks (The Return of the Indian)
“
I’m sweaty. I’m tired. And I stink in places I really shouldn’t be stinking.” I whine and shoot a glare to Dean, who’s sitting in the passenger seat looking sheepish.
“What?” he exclaims with his hands raised. “I didn’t know we’d have fucking car trouble. Your car isn’t even a year old.”
“I know!” I snap, hitting my hand on the wheel and growling in frustration. “Stupid old lady car!” I exclaim and push my head closer to the window for a breeze. “The frickin’ air conditioning isn’t even working anymore. Me and this car are officially in a fight.”
“I think we all just need to remain calm,” Lynsey chirps from the back seat, leaning forward so her head comes between Dean’s and mine. “Because, as horrible as this trip was, after everything that’s happened between the three of us the past couple of years, I think this was really healing.”
I close my eyes and shake my head, ruing the moment I agreed that a road trip to the Rocky Mountains to pick up this four-thousand-dollar carburetor from some hick who apparently didn’t know how to ‘mail things so they don’t get lost.’”
Honestly! How are people who don’t use the mail a thing? Though, admittedly, when we got to the man’s mountain home, I realized that he was probably more familiar with the Pony Express. And I couldn’t be sure his wife wasn’t his cousin. But that’s me being judgmental. Still, though, it’s no wonder he wouldn’t let me PayPal him the money. I had to get an actual cashier’s check from a real bank.
Then on our way back down the mountain, I got a flat tire. Dean, Lynsey, and I set about changing it together, thinking three heads could figure out how to put a spare tire on better than one.
One minute, I’m snapping at Dean to hand me the tire iron, and the next minute, he’s asking me if I’m being a bitch because he told me he had feelings for me. Then Lynsey chimes in, hurt and dismayed that neither of us told her about our conversation at the bakery, and it was a mess. On top of all of that, my car wouldn’t start back up! It was a disaster.
The three of us fighting with each other on the side of the road looked like a bad episode of Sister Wives: Colorado Edition.
I should probably make more friends.
“God, I hope this thing is legit,” Dean states, turning the carburetor over in his hands.
“Put it down. You’re making me nervous,” I snap, eyeing him cautiously.
We’re only five miles from Tire Depot, and they close in ten, so my nerves are freaking fried. “I just want to drop this thing off and forget this whole trip ever happened.”
“No!” Lynsey exclaims. “Stick to the plan. This is your grand gesture! Your get out of jail free card.”
“I don’t want a get out of jail free card,” I cry back. “The longer we spent on that hot highway trying to figure out what was wrong with my car, the more ridiculous this plan became in my head. I don’t want to buy Miles’s affection back. I want him to want me for me. Flaws and all.”
“So what are you going to do?” Dean asks, and I feel his concerned eyes on mine.
“I’m going to drop this expensive hunk of metal at the counter and leave. I’m not giving it to him naked or holding the thing above my head like John Cusack in Say Anything. I’ll drop it off at the front counter, and then we’ll go. End of story.”
Lynsey’s voice pipes up from behind. “That sounds like the worst ending to a book I’ve ever heard.”
“This isn’t a book!” I shriek. “This is my life, and it’s no wonder this plan has turned into such a mess. It has desperation stamped all over it. I just want to go home, eat some pizza, and cry a little, okay?”
The car is dead silent as we enter Boulder until Dean’s voice pipes up. “Hey Kate, I know you’re a little emongry right now, but I really don’t think you should drive on this spare tire anymore. They’re only manufactured to drive for so many miles, you know.”
I turn and glower over at him. He shrinks down into his seat a little bit.
”
”
Amy Daws (Wait With Me (Wait With Me, #1))
“
Asleep at the wheel nearly
dead I think
and feeling nothing on my skin
but the dark eyes of the antelopes
all around me in the Wyoming night
watching me pass—a small animal
growling down the highway
with both eyes aglow.
To keep awake
I force my head out the window
as into a guillotine
the black sleet-filled air
slipping under each eyelid
like a child’s thin silver spoon.
Looking back into the car
through the ice and tears
I do not recognize that body sleeping there.
I no longer know that leg pressed hard
to the gas, the blue coat or scarf or
the hand reaching out to the wheel.
Folks, you know I am doing my best—
pushing hard toward you
through this winter sky
but reduced to this—
just this head out a window
streaming through space like a bearded rock,
a hunk of pocked iron with melting eyes.
A trail of fiery mist
is growing out of the back of my head
and stretches now for miles across the night.
The odds, I know, are a thousand to one
I'll burn up before touching earth
but if somehow I do make it home
smashing across the farmyard
and lighting up the sky
I will throw a red glow across the barn's silver roof
and crash into the rough wood of your back door
smaller than a grain of sand
making its one childlike knock.
The porch light will hesitate
then snap on, as it always does
when a car comes up the lane
late at night.
The two sleepy old faces
will come to the door
in their long soft robes—
will stand there bewildered
rubbing their eyes
looking around and wondering
who it was at their door
no sooner come than gone
a cinder in the eye.
”
”
Anthony Sobin
“
I had an old man Devolcano for music also, he did not think I could play my trombone, with the rest of the class. Therefore, he used to say to me to go into the storage room that smelled like- rat turds and turpentine and learn it. ‘And do not come out to you do.’ He would shout! ‘Go make farting noises, and giggle about it mindlessly, with him, that is all you will ever do!’ He can go and suck on my trombone slide! I can read, and I can read music, no thanks to him, and do more than he does. Unlike all of them in his class, I can do a lot of things. Plus, my mom is more than he will ever be. He needs to stop saying shit about her!
My mother and I can count above four also. This was my education also, sitting in small rooms. Learning nothing while everyone laughed in my face. Never in a nice way while everyone else looked at me as if I was a hunk of shit. Thus, in the room with sluggish Steve the euphonium player, I went to whom he thought could not play or read or play music either. He and the class thought that all I do is giggle and make weird sounds together with him. Whatever- think what you like, about me.
Oh, yes- I would like to say to him, no- ‘We are not a match made in heaven!’ -so stop saying that we are.
Anyways enough about that, my greatest obstacles were- trying to understand- why. I always want to be the fix, yet I think I just added more drama, than what I was worth for everybody.
”
”
Marcel Ray Duriez
“
You see, Gabe has really kind eyes, and I have a good feeling about him, as does Jill, by the way. Also, I had this steamy dream about him where we kissed and … have you looked at him? Talk about a hunk!
”
”
Jennifer Youngblood (False Identity)
“
I didn’t know you’d become so friendly with the sexy Dragon Heir!” “Did you just call Darius Acrux sexy?” Sofia asked in surprise and I snorted a laugh as Geraldine blushed. “Well I have eyes!” she said defensively. “That’s not to say he’s the most attractive of the Heirs.” “Obviously,” Caleb said cockily. “No. Clearly the title of the most drool inspiring hunk of handsome goes to Max Rigel even if he is a blackhearted fiend. But Darius isn’t a bad second,” Geraldine said, a faint blush lining her cheeks. Sofia started laughing and Darcy covered her mouth to hide her grin. Diego looked like he’d like to be absolutely anywhere else. “What?” Caleb asked, his brows pinching with irritation as I snorted a laugh. “You’re ranking me third?” “No! Of course not!” Geraldine said loudly, seeming horrified. “Seth Capella would be third.” I fell back into my chair, clutching my stomach as my laughter grew out of control and Caleb tried his hardest not to look as disgusted as he clearly was. Caleb seemed lost for words for a moment before obviously deciding he’d be better off not responding to Geraldine’s assessment of him.
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
There is nobody in this country who got rich on their own. Nobody. You built a factory out there—good for you. But I want to be clear. You moved your goods to market on roads the rest of us paid for. You hired workers the rest of us paid to educate. You were safe in your factory because of police forces and fire forces that the rest of us paid for. You didn’t have to worry that marauding bands would come and seize everything at your factory…. Now look. You built a factory and it turned into something terrific or a great idea—God bless! Keep a hunk of it. But part of the underlying social contract is you take a hunk of that and pay forward for the next kid who comes along.
”
”
Howard Yaruss (Understandable Economics: Because Understanding Our Economy Is Easier Than You Think and More Important Than You Know)
“
cross their open sky. “Now!” “Mason.” “Mason, what?” “Mason Shaw!” “And who am I?” It was hard to resist a sarcastic answer to that one. Mrs. Claus. Abraham Lincoln. My partner. My lover. Jeremiah the Reefer Thief. But Dakota’s face with those intense eyebrows told him to speak straight. What he didn’t understand, she very much did. And though she’d never admit as much, she was terrified by it. “Dakota. Dakota Ward. Former internal affairs for USPD, now director of intake for the Revival Corporation’s privatized HRO 22, Union Station, California. What do I win?” She blinked but said nothing. It looked like a reserved comment held for later. Then she startled yet again at something above them that Mason couldn’t see and ducked back without answering. Dakota planted one foot on a box then sprung upward with her arms extended overhead. She grabbed a machine just above the gutter — a giant thing, churning in her grip like the deck of a running lawnmower. She used gravity and her core to pike the thing downward, driving it hard against the concrete with a devastating crack. The machine sputtered before slowing. Dakota popped a compartment on its back, one she’d clearly known where to find. Its lights died, and the hulk became a hunk of dead metal. Dakota threw something ― whatever she’d yanked from its innards ― away with a clatter. “Is that a prison drone?” Mason asked, gawking. “How … How did you …
”
”
Sean Platt (Pattern Black)
“
In the reference room I got the second, but not the last, major shock of my day. I mean, who would have thought it? Librarians are supposed to be little old ladies. OK, I'll admit a lot of them aren't little and a lot more aren't old. But how many of them are guys who look good enough to be models?
The Hunk stood up as we crossed to his desk. "Can I help you young ladies?" he asked.
"Yes," said Chris briskly. "We'd like to look--"
"At your eyes," I finished, without realizing I was speaking out loud.
Chris jabbed me in the ribs with her elbow.
”
”
Bruce Coville (The Ghost in the Third Row (Nina Tanleven, #1))
“
Elijah looked awful, eyes and tongue the only lively things about him. “Like a hunk of old cheese possessed by some evil spirit.
”
”
Jen Wheeler (The Light on Farallon Island)
“
[The double-slit experiment] has in it the heart of quantum mechanics. In reality, it contains the only mystery. —Richard Feynman296 The mystery Feynman was referring to in the preceding quote is the curious fact that a quantum object behaves like a particle when it is observed, but it behaves like a wave when it’s not observed. This can be easily demonstrated in a double-slit interferometer, which is a simple device in which one sends particles of light (or electrons, or any elementary particle) through two tiny slits and then records the pattern of light that emerges onto a screen, or a camera. One might expect that if particles of light (called photons) behaved like separate hunks of stuff, like tiny marbles, then the pattern of light emerging from two slits would always be two bright bands of light. And indeed, if you track each photon as it passes through the slits, then that is what you will see on the screen. However, if you do not trace the photons’ paths, then you will see an alternating sequence of light and dark bands, called an “interference pattern.” This then is the mystery of the dual nature of light—whether you see a wavelike or particle pattern on the screen depends on how you’re looking at it. It’s as though all matter—photons, electrons, molecules, and so on297—“knows” that it is being watched. This exquisitely sensitive bashfulness, known in physics jargon as wave-particle complementarity, lies at the heart of quantum mechanics. It is also known as the quantum measurement problem, or QMP. It’s a problem because it violates the commonsense assumption that we live in an objective reality that is completely independent of observers. The founders of quantum theory, including Neils Bohr, Max Planck, Louis de Broglie, Werner Heisenberg, Erwin Schrödinger, and Albert Einstein, knew that introducing the notion of the observer into quantum theory was a radical change in how physics had been practiced, and they all wrote about the consequences of this change. A few physicists, like Wolfgang Pauli, Pascual Jordan, and Eugene Wigner, believed that consciousness was not merely important but was fundamentally responsible for the formation of reality. Jordan wrote, “Observations not only disturb what has to be measured, they produce it.… We compel [the electron] to assume a definite position.… We ourselves produce the results of measurement
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Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
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I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are.
I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems.
So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…
The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.
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Annie Dillard (Pilgrim at Tinker Creek)
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On the table in front of me are two baskets. In one is a hunk of cheese, and in the other, a knife the length of my forearm. Behind me, a woman’s voice says, “Choose.” “Why?” I ask. “Choose,” she repeats. I look over my shoulder, but no one is there. I turn back to the baskets. “What will I do with them?” “Choose!” she yells.
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Veronica Roth (Divergent (Divergent, #1))
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Look. Look at what I brought you.” He opened his black rucksack, from which he pulled out a hunk of white bread and, wrapped in white paper, cheese! Cheese and a piece of cold pork meat. Tatiana stared at the food, breathing shallowly. “Oh, my,” she said. “Wait till they see. They’ll be so happy.” “Well, yes,” Alexander said, giving her the white bread and the cheese. “But before they see, I want you to eat it.” “I can’t.” “You can and you will. What? Don’t cry.” “I’m not crying,” said Tatiana, trying very hard not to cry. “I’m just very…moved.” She took the bread and the cheese and the pork and gulped down the food while he watched her with his molten copper eyes, warm, full of Alexander. “Shura,” she said, “I can’t tell you how hungry I’ve been. I don’t even know how to explain it.” “Tania, I know.” “Are they feeding you better in the army?” “Yes. They feed the front-line troops adequately. They feed the officers a little better. What they don’t give me, I buy. We get the food before it gets to you.” “That’s the way it should be,” said Tatiana, her mouth so full, so happy. “Shh,” he said, smiling. “Slow down. You’re going to give yourself a terrible stomachache.” She slowed down—a little. Smiling back—a little. “For the family I brought some butter and a bag of white flour,” Alexander said. “And twenty eggs. When was the last time you had eggs?” Tatiana remembered. “September fifteenth. Let me have a little piece of butter now,” she said. “Can you wait with me? Or do you have to go?” “I came to see you,” he said. They stood looking at each other without touching. They stood looking at each other without talking. At last Alexander whispered, “Too much to say.” “Not enough time to say any of it,” said Tatiana,
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Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
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Hey, Emma, do you think Thor is a hunk?”
Emma looked up from the orders to gaze at Georgie quizzically. “Are you talking about the mythological Norse god or the guy who played him in the movie?”
“Either, both-- whatever.” Georgie returned to gazing out the shop window at the quiet main street of Scottsbluff. “The movie Thor is playing at the Midwest Theater this weekend. Looks like they’re having an Avenger movies marathon; must be getting ready for another sequel to come out soon. Anyway, it got me to thinking about how hunky Thor is. Actually it got me to thinking about hunky men, period.”
“Oh yeah, it would. It doesn’t take much to send your mind in that direction. As for Thor, I think we can reasonably presume he’s a hunk. After all, he’d have to be to swing that giant hammer of his. That would take a lot of muscle and all of it in the right places. The actor in the movie definitely qualifies as a hunk and I choose to believe his portrayal is based on fact.” She grinned. “We should go see the movie so we can check out his hammer.”
“That’s a deal.” Georgie also grinned, turning back to the window and giving a soft wolf whistle.
“Hold on. Who’s this gorgeous specimen of manhood I see?”
Emma joined Georgie at the window.
“Whoa, I don’t know who he is, but he looks like he probably has a pretty big hammer of his own, even if he isn’t a Norse god.”
“Down, girl. I saw him first so I’m calling dibs.” Georgie gave Emma a playful punch on the shoulder, eliciting a good natured chuckle. “Besides, how do you know he isn’t a Norse god?”
“Would a Norse god wear a faded tee shirt tucked into tight jeans? And, what do you mean you’re calling dibs? I thought you’d given up on bad boys. He definitely looks like a bad boy.”
“Yeah,” Georgie said sadly, “no more bad boys for me. Seriously though, Emma, aren’t all mythological gods known for their vanity? If they’d had tight jeans back in the days of the gods, that’s what they’d have worn for the sake of their godly vanity. I’m sure of it.
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Jayne Hyatt (Looking for the Good Life)
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While we formed mochi cakes, the men pounded another batch of rice. When it was soft, they divided the rice dough until it turned nubby like tweed. They sprinkled the second blob with dried shrimp and banged it until it turned coral. Nori seaweed powder colored the third hunk forest green, while the fourth piece of mochi became yellow and pebbly with cooked corn kernels.
For variation, the grandmother rolled several plain mochi in a tan talc of sweetened toasted soybean powder. She also stuffed several dumplings with crimson azuki bean fudge. Then she smeared a thick gob of azuki paste across a mochi puff, pushed in a candied chestnut, and pinched the dumpling shut.
"For the American!" cried Mr. Omura, swiping his mother's creation. I looked up and he handed it to me. It was tender and warm. All eyes turned to watch the American. "Oishii!" I uttered with a full mouth. And it was delicious. The soft stretchy rice dough had a mild savory chew that mingled with the candy-like sweetness of the bean paste and buttery chestnut.
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Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
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At first glance, the main display case at Dicecca today looks like a selection you'll find in any cheese shop in Puglia: tubs of milky water covering hunks of mozzarella in its many guises; strings of swollen scamorze dangling from the ceiling, bronzed by their stopover in the cold smoker; small plastic containers of creamy ricotta ready to be stuffed or eaten straight with a spoon. But look closer and you'll see some unfamiliar faces staring back at you through the glass: a large bucket brimming with ricotta spiked with ribbons of blue cheese and toasted almonds, served by the scoop; a wooden serving board paved with melting slabs of goat cheese weaponized with a cloak of bright red chili flakes; a hulking wheel of pecorino, stained shamrock green by a puree of basil and spinach. These are the signs of a caseificio in the grips of an evolution, one that started more than a decade ago when the brothers took the reins from their parents and began to expand the definition of a small, family-run cheese shop.
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Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
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daycare. Totally little kid stuff.” He waved his hand as if to brush away that topic of conversation. And then he craned his neck over Aphrodite’s shoulder to stare hungrily at the cake. “That looks great,” he said. As he’d hoped, Aphrodite dropped a big slice onto one of the small silver plates and handed it to him. He wanted to tell her how pleased he was at all the trouble she’d gone to in planning this party, how much he appreciated and liked her. But he’d never been any good at “mushy” talk. And he especially didn’t want to say all that in front of Eris and the guys. Suddenly, Eris reached toward the plate of cake Ares held. “Thanks. I’d love some,” she said. With lightning-quick reflexes, she snatched his plate away before he could even utter a protest. Typical. She’d often done stuff like that when they were growing up. She tore off a large hunk of the cake and stuffed it into her mouth. He knew better than to try to get his plate back. Though Eris might look kind of scrawny, her appearance was deceptive. He absolutely did not want to provoke her if he could help it. He just hoped that no one else would, either. Aphrodite was looking horrified at Eris’s manners, or lack thereof, as were several of the other students standing
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Joan Holub (Aphrodite the Fair (Goddess Girls, #15))
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One of my most favored day fancies creates a fool drama that goes something like this: It is evening. We have had our supper and the dishes have been washed and put away. Ima Dean and Romey are in chairs in the sitting room reading books. Though there is candy in the sack on the table they have remembered we cannot afford trips to the dentist and are munching fruit. The pages which so absorb them are taking them to faraway borders and on the way they are being introduced to great men and great women. They have come around to my way of thinking. We do not need television. It’s fare is pretty dull and slovenly compared to the excitement and order there is to be found in the written word.
I go to my room and open the door and look in. The sewing machine is gone. During our day’s absence somebody has come and swiped it. I go back to the sitting room and make my spooky announcement. “The sewing machine is gone. Somebody has swiped it.”
“I’m glad,” says Ima Dean, throwing her legs over the arm of her chair. “Old no-account hunk of garbage. Mrs. Connell knew it was on its last legs when she gave it to us for five dollars. I thank whoever took it. The only thing makes me mad is it didn’t happen sooner. Nobody should have to drive themselves crazy learning how to sew after they’ve worked all day at making a living. Don’t fret, Mary Call. I don’t need any new dresses. When I start to school again if people don’t like the way I look in my old ones they can look the other way. We don’t owe anybody anything and this is a free country. If I went to school in a gunnysack wouldn’t be anybody’s business but yours and mine. Clothes aren’t important, it’s brains that count. My, this is a good book. When I grow up I think I’m going to be a medical missionary and go somewheres far off and work. I don’t want to waste my life. I want it to count for something and be of some good to humanity.”
“I have decided either to become an explorer or an archaeologist,” says Romey. “I haven’t settled on which yet but either way I won’t be wasting my life either. I’ll be working for the good of humanity too. You are raising Ima Dean and me right, Mary Call, and we will always be grateful to you for the way you have sacrificed yourself for us.”
End of dream. The sewing machine has not been swiped. Ima Dean and Romey have not forgotten we don’t have television. They don’t give a whoop or a holler about the great men and great women in our history. Or about humanity or what sacrifices I might be making for their good. Distant shores do not beckon them. They spend their evenings wrangling with each other and listening to radio music. Sometimes, when they feel kind toward each other, they dance.
I love these two but can hardly stand them.
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Vera Cleaver (Trial Valley)
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There is no woman in history who has ever looked at a man in flannel and said, ‘I want a hunk of that flannel-wearing man-candy.’ In fact,
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Michael Anderle (Might Makes Right (The Kurtherian Gambit, #18))