Hunk Best Quotes

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Vlad made a mental note to amend the friend code: thou shalt not date the girl that thy best friend has a crush on...nor shalt thou try sticking thy best friend in the chest with a sharp hunk of wood.
Heather Brewer (Ninth Grade Slays (The Chronicles of Vladimir Tod, #2))
One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.” Kiaran moves to stand beside me. “I would have pulled off your wings.” “Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.” Kiaran’s emotionless gaze flickers to her. “Phiuthair.” “Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.” “Don’t.” Kiaran’s voice dips in warning. “I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?” “Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?” “You’re here because Kam wanted your help. Not because I did.” “Damn it, MacKay—” “You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.” “I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.” “Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.” Derrick peeks through my hair. “What’s that murderous arsehole doing here?” Sorcha blinks at him. “What did you just call me?” “You heard me, pointy-toothed hag.” “Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.” “So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.” “I chose the one who was conveniently chained up, rather than the one in hiding.” Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?” “I’m standing right here,” Sorcha says sharply. “Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.” “Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Tris,” he says. “What did they do to you? You’re acting like a lunatic.” “That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--” “I’m not going to kiss you. I’m going to figure out what’s going on,” he says. I pout my lower lip for a second, but then I grin as the pieces come together in my mind. “That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.” “Come on,” he says. “We’re going to see Johanna.” “I like you, too.” “That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.” He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works. When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face. “You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.” Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange. “What did you do to her?” Tobias says, terse. “What in God’s name did you do?” “I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.” “They must have given her too much of what?” he says. “You have a nice voice,” I say. “Tris,” he says, “please be quiet.” “The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.” Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.” Johanna does not respond for a few seconds. She folds her hands in front of her. “Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.” “Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.” “Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.” “Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
Veronica Roth (Insurgent (Divergent, #2))
Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
Kiersten White (Endlessly (Paranormalcy, #3))
There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound: choosing the right bread for instance. The Sandwich Maker had spent many months in daily consultation and experiment with Grarp the baker and eventually they had between them created a loaf of exactly the consistency that was dense enough to slice thinly and neatly, while still being light, moist and having that fine nutty flavour which best enhanced the savour of roast Perfectly Normal Beast flesh. There was also the geometry of the slice to be refined: the precise relationships between the width and height of the slice and also its thickness which would give the proper sense of bulk and weight to the finished sandwich: here again, lightness was a virtue, but so too were firmness, generosity and that promise of succulence and savour that is the hallmark of a truly intense sandwich experience. The proper tools, of course, were crucial, and many were the days that the Sandwich Maker, when not engaged with the Baker at his oven, would spend with Strinder the Tool Maker, weighing and balancing knives, taking them to the forge and back again. Suppleness, strength, keenness of edge, length and balance were all enthusiastically debated, theories put forward, tested, refined, and many was the evening when the Sandwich Maker and the Tool Maker could be seen silhouetted against the light of the setting sun and the Tool Maker’s forge making slow sweeping movements through the air trying one knife after another, comparing the weight of this one with the balance of another, the suppleness of a third and the handle binding of a fourth. Three knives altogether were required. First there was the knife for the slicing of the bread: a firm, authoritative blade which imposed a clear and defining will on a loaf. Then there was the butter-spreading knife, which was a whippy little number but still with a firm backbone to it. Early versions had been a little too whippy, but now the combination of flexibility with a core of strength was exactly right to achieve the maximum smoothness and grace of spread. The chief amongst the knives, of course, was the carving knife. This was the knife that would not merely impose its will on the medium through which it moved, as did the bread knife; it must work with it, be guided by the grain of the meat, to achieve slices of the most exquisite consistency and translucency, that would slide away in filmy folds from the main hunk of meat. The Sandwich Maker would then flip each sheet with a smooth flick of the wrist on to the beautifully proportioned lower bread slice, trim it with four deft strokes and then at last perform the magic that the children of the village so longed to gather round and watch with rapt attention and wonder. With just four more dexterous flips of the knife he would assemble the trimmings into a perfectly fitting jigsaw of pieces on top of the primary slice. For every sandwich the size and shape of the trimmings were different, but the Sandwich Maker would always effortlessly and without hesitation assemble them into a pattern which fitted perfectly. A second layer of meat and a second layer of trimmings, and the main act of creation would be accomplished.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
I was hoping to talk to you, Nic.” Oh? “You have to do something about that dog.” Oh. “Tiger?” “What other dog roams this town at will and always manages to get in my way? This must be the last town in America not to have leash laws on the books.” “Actually, I agree with you about that. It’s not safe for the animals, and it’s something Eternity Springs will need to address once we have more visitors to town. What did he do now?” “I had a breakfast meeting at the Mocha Moose this morning. He was sitting at the door when I left, and he followed me back here. He’s been hanging around all day. You were supposed to find a home for him. That was the deal, was it not?” “Yes, and I’m still trying.” She licked her lips, then offered a smile just shy of sheepish. “Dale Parker has agreed to consider taking him.” Gabe jerked his stare away from her mouth as he asked, “So why is he underfoot every time I turn around?” “I explained that to you before. He’s adopted you.” “He’s a dog. It’s not his choice!” “Oh, for crying out loud,” Sage said. “Give it up, Callahan. I saw you slip that dog a hunk of your sandwich earlier. Way to chase him away.” Gabe didn’t bother defending himself, but watched Nic for a long minute before asking, “And where might I find Dale Parker?” “He owns the Fill-U-Up.” “That grumpy old son of a gun? No wonder the mutt has taken to hiding out with me. Is he the best you could do?” She watched it register on his face the moment he realized the mistake. Nic decided to take pity on him, mostly because her embarrassment lingered and she needed distance. “Where’s Tiger now?” “Here, at the foot of the stairs.” “He can stay with us.” She lifted her voice and called, “Tiger? Here, boy. C’mere, boy.” Four paws’ worth of nails clicked against the wooden floor. The boxer paused in the doorway and rubbed up against Gabe’s legs. “Awww,” Sage crooned as Sarah said, “He’s so cute. Gabe is right. He’s too sweet to hang with Dale Parker.” Nic dropped her hand and wiggled her fingers. Reluctantly the boxer approached. “You willing to take him home, Sarah?” “I can’t. Daisy and Duke are all I can handle. You know that.” She referred to the three-year-old golden retrievers who refused to leave the puppy stage behind. Nic scratched the boxer behind the ears and said, “What about you, big guy? Wanna watch the basketball game with us?” When the boxer climbed up on her knees and licked her face, she smiled and looped a finger through his leather collar. “We’ve got him. Sorry for the trouble, Callahan.” Gabe nodded, then glanced at the television and fired a parting shot. “You do know that Coach Romano has a twin brother who coaches at Southern Cal, don’t you?” Seated
Emily March (Angel's Rest (Eternity Springs, #1))
Win spread his hands. “But why? What about the winner do we want to emulate? His ability to blind himself to anything but the pursuit of empty aggrandizement? His ego-inflating obsession with wearing a hunk of metal around his neck? His willingness to sacrifice anything, including people, in order to best another human being on a lump of AstroTurf for a cheesy statuette?” He looked up at Myron, his always serene face suddenly lost. “Why do we applaud this selfishness, this self-love?
Harlan Coben (Back Spin (Myron Bolitar, #4))
Win spread his hands. “But why? What about the winner do we want to emulate? His ability to blind himself to anything but the pursuit of empty aggrandizement? His ego-inflating obsession with wearing a hunk of metal around his neck? His willingness to sacrifice anything, including people, in order to best another human being on a lump of AstroTurf for a cheesy statuette?” He looked up at Myron, his always serene face suddenly lost. “Why do we applaud this selfishness, this self-love?” “Competitive drive isn’t a bad thing, Win. You’re talking about extremes.” “But it is the extremists we admire most. By its nature, what you call ‘competitive drive’ leads to extremism and destroys all in its path.” “You’re being simplistic, Win.” “It is simple, my friend.” They both settled back. Myron stared up at the exposed beams. After some time, he said, “You have it wrong.” “How so?” Myron wondered how to explain it. “When I played basketball,” he began, “I mean, when I really got into it and reached these levels you’re talking about—I barely thought about the score. I barely thought about my opponent or about beating somebody. I was alone. I was in the zone. This is going to sound stupid, but playing at the top of my game was almost Zen-like.” Win
Harlan Coben (Back Spin (Myron Bolitar, #4))
Asleep at the wheel nearly dead I think and feeling nothing on my skin but the dark eyes of the antelopes all around me in the Wyoming night watching me pass—a small animal growling down the highway with both eyes aglow. To keep awake I force my head out the window as into a guillotine the black sleet-filled air slipping under each eyelid like a child’s thin silver spoon. Looking back into the car through the ice and tears I do not recognize that body sleeping there. I no longer know that leg pressed hard to the gas, the blue coat or scarf or the hand reaching out to the wheel. Folks, you know I am doing my best— pushing hard toward you through this winter sky but reduced to this— just this head out a window streaming through space like a bearded rock, a hunk of pocked iron with melting eyes. A trail of fiery mist is growing out of the back of my head and stretches now for miles across the night. The odds, I know, are a thousand to one I'll burn up before touching earth but if somehow I do make it home smashing across the farmyard and lighting up the sky I will throw a red glow across the barn's silver roof and crash into the rough wood of your back door smaller than a grain of sand making its one childlike knock. The porch light will hesitate then snap on, as it always does when a car comes up the lane late at night. The two sleepy old faces will come to the door in their long soft robes— will stand there bewildered rubbing their eyes looking around and wondering who it was at their door no sooner come than gone a cinder in the eye.
Anthony Sobin
Again and again you will destroy yourselves until you are mere hunks of flesh, crippled wrecks of meat. And there will come a day when you have become so ruined that even I will be able to best you in combat, and you will submit to my peace.
Tom Parkinson-Morgan
The loin of Cinta Senese had been sitting in the cold room, begging to be cooked. I'd shown it to Filippo- This is our supper, I'd said, and he'd replied that supper was too far away, and didn't the painters deserve the best, serving God as they did? So I'd grabbed it, along with some garlic, thyme, rosemary, peppercorns and nutmeg. Surely they'd have salt at the studio... Filippo had bought some onions, a flask of milk and a hunk of prosciutto on the way. I hunted around in the small, chaotic niche where the artists kept their food and discovered a dusty flask of olive oil. Sniffing it dubiously, I found it was quite fresh: the dark green oil from the hills behind Arezzo. In Florence we almost always cooked in lard, oil would do in a pinch. The kiln was lit but not being used for anything, and the fire was dying down. I threw some pieces of oak onto it, chopped the onions and the ham with a borrowed knife, cut the loin away from the ribs. The artists had a trivet and some old pans which they used to cook with every now and again, though mostly they lived on pies from the cook-shop up the street. There was an earthenware pot with a cracked lid, which seemed clean enough. I put it on the trivet, poured in a good stream of the green oil, browned the meat in its wrapping of fatty rind. Sandro gave up a cup of white wine, unwillingly, which I threw over the pork. When it had cooked off, I crushed two big cloves of garlic and added them along with the rosemary I had brought, and a handful of thyme. The milk had just foamed, and I poured it over the meat. The air filled with a rich, creamy, meaty waft.
Philip Kazan (Appetite)