Hungarian Love Quotes

Making love to Aurelia was like rummaging through a card catalog in a deserted library, searching for one very obscure, little-read entry on Hungarian poetry.

…in joy he will invariably dance; when he is in love he will dance, for the czardas helps him to explain to the girl he loves exactly what he feels for her. And she understands. One czardas will reveal to a Hungarian village maid the state of her lover’s heart far more clearly than do all the whisperings behind hedges in more civilized lands.

Elég idült idill ez, még hogyha idill is. A szíved az enyémmel nem kompatibilis. Bőrünkből szikra pattan, ha megfogod kezem. Nem illünk össze, drága, mit szépítsünk ezen. De gomblukunkat mégis egymás hiánya lakja, és elválásaink megannyi kis patakja a visszaérkezés tavába fut be, lásd. Elhagylak, s lépteim megint mögéd szegődnek. Mert nem szerettem én még senkit így előtted, és nem tudok utánad szeretni senki mást.

What do you think? Do you also believe that what gives our lives their meaning is the passion that suddenly invades us heart, soul, and body, and burns in us forever, no matter what else happens in our lives? —SANDOR MARAI, Embers  (translated from the Hungarian by Carol Brown Janeway)

In the end the real wealth of the Hungarian Jewish community had not been packed in crates and boxes and loaded onto that train. What is the value to a daughter of a single pair of Sabbath candlesticks passed down from her mother and grandmother before her, generation behind generation, for a hundred, even a thousand, years? Beyond price, beyond measure. And what of ten thousand pairs of similar candlesticks, when all the grandmothers, mothers, and daughters are dead? No more than the smelted weight of the silver. The wealth of the Jews of Hungary, of all of Europe, was to be found not in the laden boxcars of the Gold Train but in the grandmothers and mothers and daughters themselves, in the doctors and lawyers, the grain dealers and psychiatrists, the writers and artists who had created a culture of sophistication, of intellectual and artistic achievement. And that wealth, everything of real value, was all but extinguished.

It was true. After our divorce, I'd ended up in a slight relationship with my last research assistant, Aurelia Feinstein, age 34-though let me state for the record it was not as hot as it sounded. Making love to Aurelia was like rummaging through a card catalog in a deserted library, searching for one very obscure little red entry on Hungarian poetry. It was dead silent, no one gave me any dierection, and nothing was where it was supposed to be.

Once I've coated the parsnips in a honey-saffron glaze, Rachel helps me plate them alongside the brisket, stuffed cabbage, and sweet potato tzimmes, and we carry the plates out to the dining room together. "Let me explain a little about tonight's dinner," I say, addressing the softly lit faces around the table, which is covered with flickering votives and tapered candles. I launch into a description of the Jewish New Year and the symbolism behind all of the food: how the honey represents the hope of a sweet new year, how the challah is round instead of braided to represent the circle of life, how my grandmother used to make stuffed cabbage on every possible occasion because it reminded her of her Hungarian mother. I tell them lots things- about food, about my bubbe, about me- and to my surprise, they actually pay attention. They hang on my every word and ask intelligent questions and make thought-provoking points of their own. And I realize, hey, these are people who get it, people who love to eat and talk about food and culture as much as I do. Most of them aren't Jewish, but that doesn't matter. Every family has its traditions. Every family has a story to share. That's the point of this dinner- to swap stories and histories and see how food can bring people together.

Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home. I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben. Well that was settled then, wasn’t it? Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking. And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world. “Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?” Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.” “You did that?” I asked. “Oh yes, he did,” Rayna nodded. “And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.” “Rayna is particularly charming,” Sage noted. “Thank you, darling.” She batted her eyes at him like a Disney princess. “What happened?” Ben asked. “Piri spiked your drink with garlic?” “You say that like it’s a joke,” Sage said. “I’m pretty sure she did.” “She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.” “Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!

Reader, it gives me no pleasure to inform you that behind me was a floor-to-ceiling display, museum, of Tony Packo’s–branded gender pickles—and no, not those gender pickles. There is a second brand of gender pickles, and they are even hornier. It absolutely wrenches my guts to let you know that after ordering the Hungarian hot dog, which I will foreshadow is terrific, I carefully inspected every aggressively anthropomorphized heterosexual pickle, pepper, sausage, and tomato. It makes me sick to know it is my duty as the sole chronicler of This Sort of Thing to disclose what I have learned. It feels awful to share that there appears to be a storyline to this wall of pickles and mustard, a love story I will retell as faithfully as possible. With deepest regrets, this is the story of how the Tony Packo’s pickle and the Tony Packo’s pepper fucked each other and had a baby.

Hungarian doesn’t seem European, but instead has a distinctly Martian flavor: igen (yes), nem (no), kérem (please), köszönöm (thank you), elnézést (excuse me), a nevem . . . (my name is . . .), hol van . . . ? (where is . . . ?), mennyi? (how much?), szeretlek (I love you).

(Alice Balint)called maternal love removed from reality, 'archaic love', and regarded it as the predecessor of civilized maternal love. This archaic love is based on the feeling that the child's body was part of the mother's body; it is hers and she can do with it as she pleases.

He shared the same love of anti-Semitic jokes as Hitler’s entourage. Indeed, his favorite performer at his evening dinner parties was a Hungarian hairdresser named Karl Pauker, who specialized in anti-Semitic jokes and did a funny turn of Zinoviev pleading for mercy, shouting in a whining Jewish accent, “For God’s sake, call Stalin!” He also did him singing the Hebrew chant, “Hear, oh Israel, the Lord is our God!” Stalin roared until he choked.

cott Hicks chose to leave Claire out of Shine altogether. One reason for this may be that including her would have altered the impression that Gillian was David’s savior, and that David probably remained a virgin into middle age. In the film Gillian injects love, music, and light into what is depicted as David’s otherwise gray and miserable world; then toward the end of the story, they are shown having sex. But perhaps the real reason for leaving Claire out was that even Hicks could not quite stomach the things that Gillian had to say about her. Of the many cruel, spiteful things included by Gillian in her book, perhaps the most unpardonable is what is written about Claire. Referring to her by her Hungarian name, Clara, Claire is described as “the world’s greatest bitch.” Gillian quotes David as saying that marrying Claire was “the greatest mistake of his life” and that their marriage was “made in hell and consecrated by and presided over by the Devil.” She writes that Claire “would publicly ridicule and bully” David and that “David shivered at the memory” of Claire.

spring of 1915, nearly a year after the start of the Great War, when a stocky, prematurely balding serviceman arrived on leave in the Austro-Hungarian Empire’s grandiose capital of Vienna. His name was Jakob Georg Goldberger, and it was on that afternoon that he first glimpsed and fell instantly in love with a high school girl, Franzi Gutmann, thirteen years his junior. Was it sordid? Just another tiresome example of male foolishness? Or was it more romantic, a lonely soldier searching for innocence in a misery-soaked world? Raised

By D. Donovan, Senior Reviewer, Midwest Book Review "Historical fiction readers are in for a treat with When I Was Better, a love story set in Hungary and Canada which follows the journey of István and Teréza, who flee the Nazi and Soviet invasions and the Hungarian Revolution to finally make their home in Winnipeg in the 1960s. Maps and a cast of characters portend an attention to details that history buffs will appreciate, but the lively chapter headings that begin with "This is What Dying Feels Like" are the real draw, promising inviting scenarios that compel readers to learn more about the characters' lives and influences. Few other books about immigrant experience hold the descriptive power of When I Was Better: "Her world had transformed into a place of gestures and facial expressions, making her feel more vigilant now than she had ever been under Communism. No one understood her but Zolti. Already she ached for her language and the family she left behind." Rita Bozi's ability to capture not just the history and milieu of the times, but the life and passions of those who live it is a sterling example of what sets an extraordinary read apart from a mundane narration of circumstance and history. Her ability to depict the everyday experiences and insights of her protagonist bonds reader to the subject in an intimate manner that brings not just the era, but the psychology of its participants to life through inner reflection, influence and experience, and even dialogue: “Four lengths of sausage, please?” Teréza watched as the man pulled two small lengths from the hook and wrapped them in course paper. “I beg your pardon, sir, but would you kindly add in two more lengths?” “We got an aristocrat here? If you take four lengths, what d’you imagine the workers are gonna eat at the end of the day?” The account of a seven-year separation, Budapest and Winnipeg cultures and contrasts, and refugee experiences brings history to life through the eyes of its beholders. That which doesn't kill us, makes us stronger. This saying applies especially strongly to When I Was Better 's powerful story, highly recommended for historical fiction readers and library collections interested in powerfully compelling writing packed with insights: “Why is it so agonizing to be truthful?” István asked, not expecting an answer. “It depends on what truth you’re about to reveal. And how you expect it to be received. If you’re expecting an execution, you have two choices. Die for what you believe in or lie to save your life.” “So in the end, it all comes down to values.” István reached for the martini, took another sip. Bela smiled. “Without truth, there’s no real connection. The truth hurts, but love eventually heals what hurts.”" "With sharp insight and the gifts of a natural, Bozi's novel brilliantly chronicles the plight of an entire generation of Hungarians through the intimate portrait of two lovers tested by the political and personal betrayals that ripped through the heart of the twentieth century.

THE HIPPOCAMPUS: TRACKING THREATS AND MAKING MEMORIES The hippocampus is a seahorse-shaped structure in the center of the limbic system. In my live workshops, the analogy I pick for the hippocampus is that of the military historian. Its most vital job is to compare incoming information with the memory of past threats. If there’s a match, it sounds the alarm by activating the amygdala, which in turn switches on the whole fight-flight-freeze (FFF) system. 3.6. The hippocampus: tracking threats and recording memories. By deciding which signals to pass to the amygdala and which to ignore, the hippocampus regulates our emotions. Some people have an active hippocampus that effectively regulates emotion. Others do not; these unfortunates have a hair-trigger response to their own emotions. They become angry, fearful, or anxious at the slightest stimulus. Their behavior is dictated by their emotions. The hippocampus is also the seat of learning. Novel experiences produce the growth of new synaptic connections in the hippocampus. Go take a class in Mandarin Chinese, learn pickleball, date a new love interest, experiment with recipes from a Hungarian cookbook—your hippocampus will start to grow new connections. But the most essential function of the hippocampus is to catalog the bad stuff of the past, and if anything coming our way in the present resembles that bad stuff, it makes a match and turns on the FFF response.

Does Magna Carta mean nothing to you? Did she die in vain, that brave Hungarian peasant girl who forced King John to sign the pledge at Runnymede and closed all the boozers at half past ten? Is all this forgotten? No. My friends, it is not John Harrison Peabody who is on trial here today but the fair name of British justice. I ask you to send that poor boy back to the loving arms of his poor white-haired old mother... a free man. I thank you.

It’s a deep love my brother left me. It gives me a lot of strength, I guess, just thinking about him. My brother’s love is just stronger than all this hatred around here.

Yet some few were foreigners, Hungarians, Germans, Czechs, long pale Swedes, concerned with the arts and in quest of particular artists: some looked for Picasso, and some of those who found him asked him to explain his painting—what did it mean? All his life he loathed questions of this kind, and all his life he was plagued with them. “Everyone wants to understand art,” he cried angrily. “Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of painting people have to understand…

I have a newspaper picture of one of the girls arrested in Hungary. It is a portrait of a lovely Hungarian girl on trial. Her name was Ilond Troth. She was hanged in July 1957. I keep her picture to remember: “Forget the past and you will lose both eyes.